Walden Thoreau Famous Quotes

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Thoreau demonstrated similar concern, famously writing in Walden that “we are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
Chastity and moral purity were qualities McCandless mulled over long and often. Indeed, one of the books found in the bus with his remains was a collection of stories that included Tol¬stoy’s “The Kreutzer Sonata,” in which the nobleman-turned-ascetic denounces “the demands of the flesh.” Several such passages are starred and highlighted in the dog-eared text, the margins filled with cryptic notes printed in McCandless’s distinc¬tive hand. And in the chapter on “Higher Laws” in Thoreau’s Walden, a copy of which was also discovered in the bus, McCand¬less circled “Chastity is the flowering of man; and what are called Genius, Heroism, Holiness, and the like, are but various fruits which succeed it.” We Americans are titillated by sex, obsessed by it, horrified by it. When an apparently healthy person, especially a healthy young man, elects to forgo the enticements of the flesh, it shocks us, and we leer. Suspicions are aroused. McCandless’s apparent sexual innocence, however, is a corol¬lary of a personality type that our culture purports to admire, at least in the case of its more famous adherents. His ambivalence toward sex echoes that of celebrated others who embraced wilderness with single-minded passion—Thoreau (who was a lifelong virgin) and the naturalist John Muir, most prominently— to say nothing of countless lesser-known pilgrims, seekers, mis¬fits, and adventurers. Like not a few of those seduced by the wild, McCandless seems to have been driven by a variety of lust that supplanted sexual desire. His yearning, in a sense, was too pow¬erful to be quenched by human contact. McCandless may have been tempted by the succor offered by women, but it paled beside the prospect of rough congress with nature, with the cosmos it¬self. And thus was he drawn north, to Alaska.
Jon Krakauer (Into the Wild)
[Thoreau's] famous night in jail took place about halfway through his stay in the cabin on Emerson's woodlot at Walden Pond. His two-year stint in the small cabin he built himself is often portrayed as a monastic retreat from the world of human affairs into the world of nautre, though he went back to town to eat with and talk to friends and family and to pick up money doing odd jobs that didn't fit into Walden's narrative. He went to jail both because the town jailer ran into him while he was getting his shoe mended and because he felt passionately enough about national affairs to refuse to pay his tax. To be in the woods was not to be out of society or politics.
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
Thoreau went to Walden Pond to conduct his famous two-year experiment in simple living in large part so that he could refine his philosophy of life and thereby avoid misliving: A primary motive in going to Walden, he tells us, was his fear that he would, “when I came to die, discover that I had not lived.
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
In the 1854 classic Walden, Henry David Thoreau famously wrote, “The mass of men lead lives of quiet desperation.” How a recluse living in a cabin on a pond could know this was never made clear, and the mass of men beg to differ.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Evidence-free pronouncements about the misery of mankind are an occupational hazard of the social critic. In the 1854 classic Walden, Henry David Thoreau famously wrote, “The mass of men lead lives of quiet desperation.” How a recluse living in a cabin on a pond could know this was never made clear, and the mass of men beg to differ.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Even T. S. Eliot’s famous 1915 poem The Love Song of J. Alfred Prufrock—in which he laments the need to “prepare a face to meet the faces that you meet”—seems a cri de coeur about the new demands of self-presentation. While poets of the previous century had wandered lonely as a cloud through the countryside (Wordsworth, in 1802) or repaired in solitude to Walden Pond (Thoreau, in 1845), Eliot’s Prufrock mostly worries about being looked at by “eyes that fix you in a formulated phrase” and pin you, wriggling, to a wall.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
In Walden, Thoreau famously writes: “The mass of men lead lives of quiet desperation.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
In July, Thoreau moved into the cabin where he then lived for the next two years. In the book Walden, he wrote about this experience, famously describing his motivation as follows: “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.
Cal Newport (Digital Minimalism: On Living Better with Less Technology)
Over a hundred years earlier, Thoreau demonstrated similar concern, famously writing in Walden that “we are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)