Walden Pond Famous Quotes

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[Thoreau's] famous night in jail took place about halfway through his stay in the cabin on Emerson's woodlot at Walden Pond. His two-year stint in the small cabin he built himself is often portrayed as a monastic retreat from the world of human affairs into the world of nautre, though he went back to town to eat with and talk to friends and family and to pick up money doing odd jobs that didn't fit into Walden's narrative. He went to jail both because the town jailer ran into him while he was getting his shoe mended and because he felt passionately enough about national affairs to refuse to pay his tax. To be in the woods was not to be out of society or politics.
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
Thoreau went to Walden Pond to conduct his famous two-year experiment in simple living in large part so that he could refine his philosophy of life and thereby avoid misliving: A primary motive in going to Walden, he tells us, was his fear that he would, “when I came to die, discover that I had not lived.
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
In the 1854 classic Walden, Henry David Thoreau famously wrote, “The mass of men lead lives of quiet desperation.” How a recluse living in a cabin on a pond could know this was never made clear, and the mass of men beg to differ.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Evidence-free pronouncements about the misery of mankind are an occupational hazard of the social critic. In the 1854 classic Walden, Henry David Thoreau famously wrote, “The mass of men lead lives of quiet desperation.” How a recluse living in a cabin on a pond could know this was never made clear, and the mass of men beg to differ.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Even T. S. Eliot’s famous 1915 poem The Love Song of J. Alfred Prufrock—in which he laments the need to “prepare a face to meet the faces that you meet”—seems a cri de coeur about the new demands of self-presentation. While poets of the previous century had wandered lonely as a cloud through the countryside (Wordsworth, in 1802) or repaired in solitude to Walden Pond (Thoreau, in 1845), Eliot’s Prufrock mostly worries about being looked at by “eyes that fix you in a formulated phrase” and pin you, wriggling, to a wall.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)