Waited Long Enough Quotes

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Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
Bob Marley
I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call.
Kazuo Ishiguro (Never Let Me Go)
Belief isn't simply a thing for fair times and bright days...What is belief - what is faith - if you don't continue in it after failure?...Anyone can believe in someone, or something that always succeeds...But failure...ah, now, that is hard to believe in, certainly and truly. Difficult enough to have value. Sometimes we just have to wait long enough...then we find out why exactly it was that we kept believing...There's always another secret.
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
If you wait by the river long enough, the bodies of your enemies will float by.
Sun Tzu
He wondered whether home was a thing that happened to a place after a while, or if it was something that you found in the end, if you simply walked and waited and willed it long enough.
Neil Gaiman (American Gods (American Gods, #1))
It was interesting, she mused to herself, how life sometimes simply gave you a whole new perspective by waiting around long enough for you to see it.
Matt Haig (The Midnight Library (The Midnight World, #1))
Wait long enough and people will surprise and impress. When you're pissed off at someone and you're angry at them, you just haven't given them enough time. Just give them a little more time and they almost always will impress you.
Randy Pausch
I guess it's true what they say: if you wait long enough everything changes.
Junot Díaz (This Is How You Lose Her)
That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
Kazuo Ishiguro (Never Let Me Go)
Find the best in everybody. Wait long enough, and people will surprise and impress you. It might even take years, but people will show you their good side. Just keep waiting.
Randy Pausch
But this is a women's war, just as much as it is the men's, and the poet will look upon their pain - the pain of the women who have always been relegated to the edges of the story, victims of men, survivors of men, slaves of men - and he will tell it, or he will tell nothing at all. They have waited long enough for their turn.
Natalie Haynes (A Thousand Ships)
And sure enough, even waiting will end...if you can just wait long enough.
William Faulkner
I knew if I waited around long enough something like this would happen.
George Bernard Shaw
If you are patient...and wait long enough...Nothing will happen
Jim Davis
She wasn’t surprised when his character revealed itself—if you waited long enough, it always did. Like the dawn.
Colson Whitehead (The Underground Railroad)
Will!” He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind — she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him. His own heart leaped up at the sight of her. “Tess,” he called. But she was still such a distance away — she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest. At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her —
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Want to make out?” “With who?” she asks, not bothering to look up. “Me.” She lifts her head from her book just long enough to give me a once-over. “No, thanks,” she says, then goes back to her homework. She’s fuckin’ with me. She’s got to be fuckin’ with me, right? “Because of that pendejo Tuck?” “No. Because I don’t want Madison’s leftovers.” Wait. Un. Momento. I’ve been called a lot of things before, but . . . “You callin’ me leftovers?” “Yeah. Besides, Tuck is a great kisser. I wouldn’t want you to feel bad when there’s no way you can compete.” That guy hardly owns a pair of lips. “Wanna bet?
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
They say love's like a bus, and if you wait long enough another one will come along, but not in this place where the buses are slow and most of the cute ones are gay.
Daniel Handler (Adverbs)
Somewhere in the center of my soul, a rusty chain began to unwind. It freed itself, link by link, from where it had rested, unobserved, waiting for him. My hands, which had been balled up and pressed against his chest, unfurled with it. The chain continued to drop, to an unfathomable depth where there was nothing but darkness and Matthew. At last it snapped to its full length, anchoring me to a vampire. Despite the manuscript, despite the fact that my hands contained enough voltage to run a microwave, and despite the photograph, as long as I was connected to him, I was safe.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
The sex is just sex. I can't get close enough to you. The control is because I'm frightened to death that something will happen to you...that you'll be taken away from me. I've waited too long for you, Ava. I'll do anything to keep you safe. I've lived a life with little control or care. Believe me, I need you..please...please don't leave me.
Jodi Ellen Malpas (This Man (This Man, #1))
The Minister of Army answered, “Bob, I thought that you would have been an astute and clever enough a politician to think of this yourself, but seeing how you have asked me, I suggest that you wait until eight in the night on Thursday 29/April/1965 to announce that Australia will send the First Battalion Royal Australian Regiment to fight in South Vietnam. By you waiting until the evening of 29/April/1965 to announce this in Parliament, the labour opposition leader of Arthur Caldwell and his deputy leader of Gough Whitlam should be absent, as will be most of the entire parliament, because the following day is the beginning of a long week- end. You are legally not required to give advanced warning to the house, so you can easily get away with this!
Michael G. Kramer (A Gracious Enemy & After the War Volume One)
On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
James Richardson
I have always loved everything about you. Even what I didn’t understand. And I have always known that, at heart, I would have you no different. But most people don’t know how to love. Nothing is enough for them. They must have their dreams. It’s the only thing they do well. Dreaming. They dream up obligations. New ones every day. They long for undiscovered countries, fresh demands, another call. While some of us are left with the knowledge that love can never wait. A shared bed, a hand in yours, that’s the only thing that matters. The worst thing of all is fear. The fear of being alone.
Albert Camus
I've learned that if you wait long enough, you might get a second chance at something you gave up on. And sometimes you'll be the one to give the second chance to someone else.
Wendy Mass (13 Gifts (Willow Falls, #3))
Time was supposed to heal all wounds. To Drummer, that was just a nice way of saying that if she waited long enough, none of the things that seemed important to her would turn out to matter
James S.A. Corey (Persepolis Rising (The Expanse, #7))
Some part of me knew he would show up, that if I stood in one place long enough he would find me, like you're taught to do when you're lost. But they never taught us what to do if both of you are lost, and you both end up in the same place, waiting.
Nick Flynn (Another Bullshit Night in Suck City)
My books happen. They tend to blast in from nowhere, seize me by the throat, and howl 'Write me! Write me now!' But they rarely stand still long enough for me to see what and who they are, before they hurtle away again. And so I spend a lot of time running after them, like a thrown rider after an escaped horse, saying 'Wait for me! Wait for me!' and waving my notebook in the air.
Robin McKinley
For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming; to days of childhood that are still unexplained, to parents that one had to hurt when they brought one some joy and one did not grasp it (it was joy for someone else); to childhood illness that so strangely began with a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars-and it is not enough if one may think all of this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white, sleeping women in childbed, closing again. But one must also have been beside the dying, one must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves-not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
Whereas during those months of separation time had never gone quickly enough for their liking and they were wanting to speed its flight, now that they were in sight of the town they would have liked to slow it down and hold each moment in suspense, once the breaks went on and the train was entering the station. For the sensation, confused perhaps, but none the less poingant for that, of all those days and weeks and months of life lost to their love made them vaguely feel they were entitled to some compensation; this present hour of joy should run at half the speed of those long hours of waiting.
Albert Camus (The Plague)
It's an extraordinary thing to meet someone who you can bare your soul to and accept you for what you are. I've been waiting, for what seems like a very long time, to get beyond what I am. With Bella I feel like I can finally begin. So I'd like to propose a toast to my beautiful bride. No measure of time with you will be long enough. But let's start with forever.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
Close your eyes,” he said. Without waiting for me, he pressed his hand over my eyelids, shutting them for me. I felt the love seat shift as he slid in beside me, heard the inexplicably loud sound of the cover opening, the pages inside scraping against each other as he turned them. Then I felt his breath on my ear as he said, voice barely audible, “‘I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action.’” He paused, long, the only sound his breath, a little ragged, before he went on, “‘And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don’t want to be folded anywhere, because there, where I’m folded, I am a lie.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I'm just waiting for the one that makes me feel like forever wouldn't be long enough.
Carian Cole (Torn (All Torn Up, #1))
I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
Stephenie Meyer (The Host (The Host, #1))
Prayers are answered in one of four ways,” she said. “Yes. No. I have something else in mind. And . . .” She paused long enough for my impatience to show. “And what’s the fourth answer?” “Wait,” she said.
Megan McCafferty (Bumped (Bumped, #1))
I will wait for you every second, every hour, every day for the rest of my life, and if that’s not enough, then eternity, which is exactly how long I’ll love you,
Rebecca Yarros (The Things We Leave Unfinished)
No one, she had learned from experience, could stand such silence for long. If you waited long enough, someone would start talking, and more often than not they would give you a chance to press further, to crack the conversation open and scoop out what you needed to know.
Celeste Ng (Little Fires Everywhere)
Everything had its purpose. If you waited long enough, a useless thing would become useful again.
Laurel Snyder (Orphan Island)
Just…” I sucked in a deep breath, unable to look at him, it hurt so much. “Leave me alone.” Alex’s chest heaved like he couldn’t get enough air into his lungs. “I can’t do that, sweetheart. I’ll wait however long it takes, but I’ll never be okay with a world in which you’re alone.
Ana Huang (Twisted Love (Twisted, #1))
if you’re waiting for them to make you feel like you’re enough you’ll be waiting a long time
Rupi Kaur (Home Body)
Sometimes we just have to wait long enough, Mistress,” he said. “Then we find out why exactly it was that we kept believing.
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
We have a lot of books in our house. They are our primary decorative motif-books in piles and on the coffee table, framed book covers, books sorted into stacks on every available surface, and of course books on shelves along most walls. Besides the visible books, there are books waiting in the wings, the basement books, the garage books, the storage locker books...They function as furniture, they prop up sagging fixtures and disguised by quilts function as tables...I can't imagine a home without an overflow of books. The point of books is to have way too many but to always feel you never have enough, or the right one at the right moment, but then sometimes to find you'd longed to fall asleep reading the Aspern Papers, and there it is.
Louise Erdrich (Books and Islands in Ojibwe Country (National Geographic Directions))
. . . One of the most human things about anxiety is that we try to cure chaos with chaos. Someone who has got themselves into a catastrophic situation rarely retreats from it, we're far more inclined to carry on even faster. We've created lives where we can watch other people crash into the wall but still hope that somehow we're going to pass straight through it. The closer we get, the more confidently we believe that some unlikely solution is miraculously going to save us, while everyone watching us is just waiting for the crash." . . . So Zara asked, without any sarcasm, "Have you learned any theories about why people behave like that, then?" "Hundreds," The psychologist smiled. "Which one do you believe?" "I believe the one that says that if you do it for long enough, it can become impossible to tell the difference between flying and falling.
Fredrik Backman (Anxious People)
For as long as I could remember, other people had either overshadowed me or left me out in the open, alone. But Mac, as Layla had said all those weeks ago, was always somewhere nearby. He left me enough space to stand alone, but stood at the ready for the moment that I didn’t want to. It was the perfect medium, I was learning. Like he was my saint, the one I’d been waiting for.
Sarah Dessen (Saint Anything)
For Someone Awakening To The Trauma of His or Her Past: For everything under the sun there is a time. This is the season of your awkward harvesting, When the pain takes you where you would rather not go, Through the white curtain of yesterdays to a place You had forgotten you knew from the inside out; And a time when that bitter tree was planted That has grown always invisibly beside you And whose branches your awakened hands Now long to disentangle from your heart. You are coming to see how your looking often darkened When you should have felt safe enough to fall toward love, How deep down your eyes were always owned by something That faced them through a dark fester of thorns Converting whoever came into a further figure of the wrong; You could only see what touched you as already torn. Now the act of seeing begins your work of mourning. And your memory is ready to show you everything, Having waited all these years for you to return and know. Only you know where the casket of pain is interred. You will have to scrape through all the layers of covering And according to your readiness, everything will open. May you be blessed with a wise and compassionate guide Who can accompany you through the fear and grief Until your heart has wept its way to your true self. As your tears fall over that wounded place, May they wash away your hurt and free your heart. May your forgiveness still the hunger of the wound So that for the first time you can walk away from that place, Reunited with your banished heart, now healed and freed, And feel the clear, free air bless your new face.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Sixteen long years of unbearable waiting. I can’t do it anymore. She was supposed to return—she always did—and now I see the cruelty in this helpless waiting, living at the mercy of Time. Dragging through the days, I ask myself why I bother when I know that the one place I can find her isn’t here on earth. That’s it—that’s enough of this—I’m done.
Alexandra Monir (Timeless (Timeless, #1))
If you persisted long enough, the good luck usually came. Most people couldn't wait on the luck, though, so they quit.
Charles Bukowski (Pulp: Charles Bukowski's Final Hardboiled Noir Comedy – Lady Death, Aliens, and the Absurd)
The problem with playing hide-and-seek with your sister is that sometimes she gets bored and stops looking for you.And there you are—under the couch, in the closet, wedged behind the lilac tree—and you don’t want to give up,because maybe she’s just biding her time. But maybe she’s wandered off.…Maybe she’s downstairs watching TV and eating the rest of the Pringles.You wait. You wait until you forget that you’re waiting, until you forget that there’s anything to you beyond stillnessand quiet; an ant crawls over your knee, and you don’t flinch. And it doesn’t matter now whether she’s coming for you— the hiding is enough. (You win when no one finds you, even if they’re not looking.)When you break from behind the tree, it’s because you want to. It’s the first breath after a long dive. Branches snapunder your feet, and the world is hotter and brighter. Ready or not, here I come. Here I come, ready or not.
Rainbow Rowell (Fangirl)
I used to collect snow globes when I was younger. They lined a shelf in my bedroom, and sometimes I would shake them up, one after the other, then sit on my bed and watch as the flurries and the glitter swirled around inside the glass. Eventually, the contents inside the globe would begin to settle. All would grow still, and then the globes on my shelf would return to their quiet, peaceful states. I liked them because they reminded me of life. How sometimes, it feels like someone is shaking the world around you, and things are flying at you from every direction, but if you wait long enough, everything will start to calm. I liked that feeling of knowing that the storm inside always eventually settles.
Colleen Hoover (Regretting You)
This evening, which I have tried to spirit away, is a strange burden to me. While time moves on, while the day will soon end and I already wish it gone, there are men who have entrusted all their hopes to it, all their love and their last efforts. There are dying men or others who are waiting for a debt to come due, who wish that tomorrow would never come. There are others for whom the day will break like a pang of remorse; and others who are tired, for whom the night will never be long enough to give them the rest that they need. And I - who have lost my day - what right do I have to wish that tomorrow comes?
Alain-Fournier (Le Grand Meaulnes)
Maybe all the secrets of life were written on the surface of leaves, waiting to be translated. If I touched them long enough, I might be given some information no one else had.
Silas House (A Parchment of Leaves)
Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.
Sarah Kay
Years later she finally realized what he’d been doing by making her wait so long. He’d given her a reason to leave him. A very good reason. He loved her enough to let her go even before he’d had her. And she’d loved him enough to wait for him.
Tiffany Reisz (The Mistress (The Original Sinners, #4))
If we are going to start calling industrial corn sustainable, then we might as well say that petroleum is a renewable resource if you're willing to wait long enough.
Catherine Friend (Compassionate Carnivore: Or, How to Keep Animals Happy, Save Old Macdonald's Farm, Reduce Your Hoofprint, and Still Eat Meat)
The ones that change...it’s not that going actually changed them its that they didn’t have something better waiting for them when they got back. They changed because its who they wanted to be. Not everyone is lucky enough to have the better half of his soul and the rest of his life waiting back home to remind him why he left in the first place.
Hope Alcocer (Where Hope Lies)
He remembers another moment: They'd just found each other again after their fight. She'd talked about the number of events that had to exactly right to form their universe. She'd said falling in love couldn't compete. He's always thought she was wrong about that. Because everything looks like chaos up close. Daniel thinks it's a matter of scale. If you pull back far enough and wait for long enough, then order emerges. Maybe their universe is just taking longer to form.
Nicola Yoon (The Sun Is Also a Star)
Yes, it’s tough, it’s tough, that goes without saying. But isn’t waiting itself and longing a wonder, being played on by wind, sun, and shade?
Annie Dillard (Pilgrim at Tinker Creek)
Learning to walk again I believe I've waited long enough Where do I begin Learning to talk again Can't you see I've waited long enough Where do I begin
Foo Fighters
Yet the upcoming year was going to be a new phase of my life. I would get to follow my big   brother to the big house. I had reached that golden age of six. Finally, I was going to experience the real deal. This was no appetizer, or tater tots, or French fries. This was the whole Ore-Ida. I would be amongst thechaos like all the neighborhood kids. Everyone that knew Jerry would get to know me, too. Since we were at Aunt Kathy’s, I had to curtail my exuberance. We had nothing like the freedom at mom’s shack. So, I did my best to remain out of sight. But those efforts were futile. School was just hours away. I really couldn’t contain myself without medication or God forbid, a good old-fashioned ass beating. Well, Aunt Kathy implored me to settle down. She kept issuing threat after threat with such statements, “Boy, do I needto beat the black off of you,” or “Gorilla will be your name when I’m finish!” Yes, I got the message but beating my butt wasn’t going to be enough. Heck, I had been waiting for three long, long years just to join Jerry. Anything short of a bullet wasn’t going to stop me.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
People say it's better to know the truth, but what if the ending's a bad one? Is it still better to know? Or is it kinder to keep that string of hope dangling? To believe that maybe if you just wait long enough, everything could still end the way you want.
Cynthia Lord (Touch Blue)
Words are small things. No one means any harm by them, they keep saying that. Everyone is just doing their job. The police say it all the time. 'I'm just doing my job here.' That's why no one asks what the boy did; as soon as the girl starts to talk they interrupt her instead with questions about what she did. Did she go up the stairs ahead of him or behind him? Did she lie down on the bed voluntarily or was she forced? Did she unbutton her own blouse? Did she kiss him? No? Did she kiss him back, then? Had she been drinking alcohol? Had she smoked marijuana? Did she say no? Was she clear about that? Did she scream loudly enough? Did she struggle hard enough? Why didn't she take photographs of her bruises right away? Why did she run from the party instead of saying anything to the other guests? They have to gather all the information, they say, when they ask the same question ten times in different ways in order to see if she changes her answer. This is a serious allegation, they remind her, as if it's the allegation that's the problem. She is told all the things she shouldn't have done: She shouldn't have waited so long before going to the police. She shouldn't have gotten rid of the clothes she was wearing. Shouldn't have showered. Shouldn't have drunk alcohol. Shouldn't have put herself in that situation. Shouldn't have gone into the room, up the stairs, given him the impression. If only she hadn't existed, then none of this would have happened, why didn't she think of that? She's fifteen, above the age of consent, and he's seventeen, but he's still 'the boy' in every conversation. She's 'the young woman.' Words are not small things.
Fredrik Backman (Beartown (Beartown, #1))
The sun always returned...as long as you were strong enough to wait for it.
Karma Brown (Recipe for a Perfect Wife)
If you wait long enough,” he said, “people will surprise and impress you.
Randy Pausch (The Last Lecture)
I supposed to savour is to hold something in your mouth for more than a moment, to linger and draw out its details. Sometimes you are far too hungry to wait, and things get lost. Perhaps it is not a coincidence that I write things into remembrance. I like to linger long enough to name pleasurable things and seek out more.
Marlowe Granados (Happy Hour)
Sensei says funerals are not really for the dead. They are for those left behind. "The dead are long gone by the time a funeral is held," he told us. "Who would wait when the doors of Heaven are open? Only the living would be foolish enough to still hang around on earth.
Sandy Fussell (Shaolin Tiger (Samurai Kids, #3))
Laurelyn, I once asked you to be mine for three months. Now, I’m asking you to be mine forever.” She opens her mouth to speak and I place my fingers to her lips. “But I don’t want your answer right now because you’re not ready to say yes. You still need time to spread your wings and fly. I love you with all my heart and I want you to experience everything this life has to offer you because it won’t wait. But I will. I’ll wait for you as long as it takes, and you can come to me after you ‘ve had enough of this life…when you’re ready to spend forever with me.
Georgia Cates (Beauty from Surrender (Beauty, #2))
Mr. J.L.B. Matekoni was not a lazy man, but it was remarkable to reflect how most men imagined that things like tea and food would simply appear if they waited long enough. There would always be a woman in the background--a mother, a girlfriend, a wife--who would ensure that those needs would be met.
Alexander McCall Smith (In the Company of Cheerful Ladies (No. 1 Ladies' Detective Agency, #6))
You don't have to chase around after creatures, Pismire had said. You watch them for long enough, and then you'll find the place to wait and they'll come to you. There's nearly always a better way of doing something.
Terry Pratchett (The Carpet People)
And scars will lighten, they'll pale unless you keep rubbing at them...wait long enough, they'll fade.
C.F. Joyce (Persephone in Hell)
The nice thing about things that are urgent,” he liked to say, “is that if you wait long enough they aren’t urgent anymore.” “I
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
I let myself out and climb onto my bike, putting on my helmet. As soon as it’s clipped tight I push up the kickstand and I’m pedaling hard down Jake’s driveway. Once my heart finds a comfortable pounding rhythm, I remember how it almost beat out of my chest when I confessed to cheating on Jake. I’d never felt so trapped in my life. I thought I’d feel the same way in his living room today, waiting for him to tell me again I’m not good enough. But I didn’t, and I don’t. For the first time in a long time, I feel free.
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
There is bound to be variation in the population of males in their predisposition to be faithful husbands. If females could recognize such qualities in advance, they could benefit themselves by choosing males possessing them. One way for a female to do this is to play hard to get for a long time, to be coy. Any male who is not patient enough to wait until the female eventually consents to copulate is not likely to be a good bet as a faithful husband.
Richard Dawkins (The Selfish Gene)
Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!” There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace. My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble something down or risk being ridiculed by my aunt. Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!” “Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.   But if I hated something then I had to be force-fed. As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.” “Yes Ma’am,” I said once again.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
Questions, I've got some questions I want to know you But what if I could ask you only one thing Only this one time, what would you tell me? Well maybe you could give me a suggestion So I could know you, what would you tell me? Maybe you could tell me what to ask you Because then I'd know you, what would you tell me Please tell me that there's time To make this work for all intents and purposes And what are your intentions, will you try? Impressions, you've made impressions They're going nowhere They're just going to wait here if you let them Please don't let them I want to know you And if they're going to haunt me Please collect them Please just collect them And now I'm begging I'm begging you to ask me just one question One simple question Because then you'd know me I'll tell you that there's time To make this work for all intents and purposes At least for my own What is a heart worth if it's just left all alone? Leave it long enough and watch it turn into stone Why must we always be untrue?
Jack Johnson (Curious George: Jack Johnson and Friends - Guitar Recorded Version)
I don’t like big weddings.” Her panic is clear. “All those people make me nervous. I’ll mess up the vows and say something inappropriate.” “It doesn’t have to be big. It can be just the two of us if you want. We can wait until next summer—or the one after if a year isn’t long enough. We can get married up here by a justice of the peace on the end of the dock at sunset. A damn Rastafarian can perform the ceremony if that’s what you want. I don’t care about the wedding part. All I want to be is connected to you in the most significant way possible. I want you as my wife.
Helena Hunting (Pucked (Pucked, #1))
All suffering has an end, David, if only you wait long enough. Sorrow has its life like people. Sorrow is born and lives and dies. And when it's dead and gone, someone's left behind to remember it. Exactly like people.
Anne Holm (I Am David)
When I was young,” said Jakob, “I thought I was working towards something. Building to last. Some perfect state of things. Of the world. Of myself.” He gently shifted one leg under her, then the other. “You get to my age, you realise nothing lasts for ever. No love, no hate, no war, no peace. If a thing hasn’t ended … you haven’t waited long enough.
Joe Abercrombie (The Devils (The Devils, #1))
I've learned that if you wait long enough, you might get a second chance at something you gave up on.
Wendy Mass (13 Gifts (Willow Falls, #3))
If you escape from a necessary fight, pray you will live long enough to wait for and deal with the same challenge that must be settled.
Toba Beta (Master of Stupidity)
I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half closed my eyes and imaginated this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call.
Kazuo Ishiguro (Never Let Me Go)
He sat down on a grassy bank and looked at the city that surrounded him, and thought, one day he would have to go home. And one day he would have to make a home to go back to. He wondered whether home was a thing that happened to a place after a while, or if it was something that you found in the end, if you simply walked and waited and willed it long enough.
Neil Gaiman (American Gods (American Gods, #1))
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies. Take care! Love, Francis. Title: Letter to Abigail Scene: "Death-bed" Chapter: The Road To Awe
Huseyn Raza
He didn’t stop, didn’t linger to talk or greet those who called to him or begged him to wait. His steward tripped and stumbled to his knees when he saw him. Brishen paused long enough to lift the man back up by his tunic and asked the most important question any man had ever asked of another. “Where’s my wife?
Grace Draven (Eidolon (Wraith Kings, #2))
if I had waited long enough I probably never would have written anything at all since there is a tendency when you really begin to learn something about a thing not to want to write about it but rather to keep on learning about it always and at no time, unless you are very egotistical, which, of course, accounts for many books, will you be able to say: now I know all about this and will write about it.
Ernest Hemingway (Death in the Afternoon)
He walked straight out of college into the waiting arms of the Navy. They gave him an intelligence test. The first question on the math part had to do with boats on a river: Port Smith is 100 miles upstream of Port Jones. The river flows at 5 miles per hour. The boat goes through water at 10 miles per hour. How long does it take to go from Port Smith to Port Jones? How long to come back? Lawrence immediately saw that it was a trick question. You would have to be some kind of idiot to make the facile assumption that the current would add or subtract 5 miles per hour to or from the speed of the boat. Clearly, 5 miles per hour was nothing more than the average speed. The current would be faster in the middle of the river and slower at the banks. More complicated variations could be expected at bends in the river. Basically it was a question of hydrodynamics, which could be tackled using certain well-known systems of differential equations. Lawrence dove into the problem, rapidly (or so he thought) covering both sides of ten sheets of paper with calculations. Along the way, he realized that one of his assumptions, in combination with the simplified Navier Stokes equations, had led him into an exploration of a particularly interesting family of partial differential equations. Before he knew it, he had proved a new theorem. If that didn't prove his intelligence, what would? Then the time bell rang and the papers were collected. Lawrence managed to hang onto his scratch paper. He took it back to his dorm, typed it up, and mailed it to one of the more approachable math professors at Princeton, who promptly arranged for it to be published in a Parisian mathematics journal. Lawrence received two free, freshly printed copies of the journal a few months later, in San Diego, California, during mail call on board a large ship called the U.S.S. Nevada. The ship had a band, and the Navy had given Lawrence the job of playing the glockenspiel in it, because their testing procedures had proven that he was not intelligent enough to do anything else.
Neal Stephenson (Cryptonomicon)
Happiness is a choice as much as anything. Or you could choose to be angry, and if you stay angry long enough, it will become comfortable, like an old robe. But eventually you’ll realize that old robe is all you've got, and there isn't anything else in the wardrobe that fits. And at that point, you’re just waiting to trade the robe for a shroud.” Grace March
Kate Quinn (The Briar Club)
Well, I've kept you waiting long enough," he said, peering at me from that distance which drinking adds between people and which, at odd turns in the evening, seems closeness itself.
Ray Bradbury (The October Country)
In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve? The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success. Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business. When achievers fail, they see it as a momentary event, not a lifelong epidemic. Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward. Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience. Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside. Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you? Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem. Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living. Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward. Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new. The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success. If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve. The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get. Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action. The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying? Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline. Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence. Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might. If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail. The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface. Fail early, fail often, but always fail forward.
John C. Maxwell (Failing Forward)
I have sung of death and of life, of joy and of pain. I have sung of life after death. And I have sung of the women, the women in the shadows. I have sung of the forgotten, the ignored, the untold. I have picked up the old stories and I have shaken them until the hidden women appear in plain sight. I have celebrated them in song because they have waited long enough. Just as I promised him: this was never the story of one woman, or two. It was the story of all of them. A war does not ignore half the people whose lives it touches. So why do we?
Natalie Haynes (A Thousand Ships)
Wait long enough, and what was once mainstream will fall into obscurity. When that happens, it will become valuable again to those looking for authenticity or irony or cleverness. The value, then, is not intrinsic. The thing itself doesn’t have as much value as the perception of how it was obtained or why it is possessed. Once enough people join in, like with oversized glasses frames or slap bracelets, the status gained from owning the item or being a fan of the band is lost, and the search begins again. You would compete like this no matter how society was constructed. Competition for status is built into the human experience at the biological level. Poor people compete with resources. The middle class competes with selection. The wealthy compete with possessions. You sold out long ago in one way or another. The specifics of who you sell to and how much you make—those are only details.
David McRaney (You Are Not So Smart)
Often subtle clues are not obvious enough for the stubborn or stupid. This is when God stops throwing crumbs and starts throwing the whole piece of bread. If you step on moldy bread then you know you have waited too long.
Shannon L. Alder
Patience is the mother of joy. It is through patience that we can endure each others company long enough to fall in love, through patience that we can cooperate in a task, through patience that we can go from abysmally bad to almost all right, through patience that we can restrain ourselves from wasting our lives in anger and disappointment. The patient person waits, listens, expects, hopes, nurtures, cares, remembers, speaks, trusts, and is courteous. The impatient person demands, gets angry, hurries, presumes, is careless, despairs, forgets, complains, distrusts, disrupts.
William Bryant Logan
You know this girl. Her hair is neither long nor short nor light nor dark. She parts it precisely in the middle. She sits precisely in the middle of the classroom, and when she used to ride the school bus, she sat precisely in the middle of that, too. She joins clubs, but is never the president of them. Sometimes she is the secretary; usually, just a member. When asked, she has been known to paints sets for the school play. She always has a date to the dance, but is never anyone’s first choice. In point of fact, she’s nobody’s first choice for anything. Her best friend became her best friend when another girl moved away. She has a group of girls she eats lunch with every day, but God, how they bore her. Sometimes, when she can’t stand it anymore, she eats in the library instead. Truth be told, she prefers books to people, and the librarian always seems happy to see her. She knows there are other people who have it worse—she isn’t poor or ugly or friendless or teased. Of course, she’s also aware that the reason no one teases is because no one ever notices her. This isn’t to say she doesn’t have qualities. She is pretty, maybe, if anyone would bother to look. And she gets good enough grades. And she doesn’t drink and drive. And she says NO to drugs. And she is always where she says she will be. And she calls when she’s going to be late. And she feels a little, just a little, dead inside. She thinks, You think you know me, but you don’t. She thinks, None of you has any idea about all the things in my heart. She thinks, None of you has any idea how really and truly beautiful I am. She thinks, See me. See me. See me. Sometimes she thinks she will scream. Sometimes she imagines sticking her head in an oven. But she doesn’t. She just writes it all down in her journal and waits. She is waiting for someone to see.
Gabrielle Zevin (Love Is Hell)
The basis of bureaucratic rule is the poverty of society in objects of consumption, with the resulting struggle of each against all. When there is enough goods in a store, the purchasers can come whenever they want to. When there is little goods, the purchasers are compelled to stand in line. When the lines are very long, it is necessary to appoint a policeman to keep order. Such is the starting point of the power of the Soviet bureaucracy. It "knows" who is to get something and who has to wait.
Leon Trotsky (The Revolution Betrayed)
i have this productivity anxiety that everyone else is working harder than me and i’m going to be left behind cause i’m not working fast enough long enough and i’m wasting my time i don’t sit down to have breakfast i take it to go i call my mother when i’m free—otherwise it takes too long to have a conversation i put off everything that won’t bring me closer to my dreams as if the things i’m putting off are not the dream themselves isn’t the dream that i have a mother to call and a table to eat breakfast at instead i’m lost in the sick need to optimize every hour of my day so i’m improving in some way making money in some way advancing my career in some way because that’s what it takes to be successful right i excavate my life package it up sell it to the world [...] capitalism got inside my head and made me think my only value is how much i produce for people to consume capitalism got inside my head and made me think i am of worth as long as i am working i learned impatience from it i learned self-doubt from it learned to plant seeds in the ground and expect flowers the next day but magic doesn’t work like that magic doesn’t happen cause i’ve figured out how to pack more work in a day magic moves by the laws of nature and nature has its own clock magic happens when we play when we escape daydream and imagine that’s where everything with the power to fulfill us is waiting on its knees for us - productivity anxiety
Rupi Kaur (Home Body)
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.” I looked at him, quizzical. Again, it was a strange enough concept to hold my attention. “There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face. My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?” “Sad things,” Beck said. “Do you have a lot of sad things in your head?” “No,” I said. Beck sucked in his lower lip and released it slowly. “Well, I do.” This was shocking. I didn’t ask a question, but I tilted toward him. “And these things would make me cry,” Beck continued. “They used to make me cry all day long.” I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable. “You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.” “Brain tape?” I suggested, with a little smirk. I was eight, after all. Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.” “How did you use the brain tape?” “You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?” I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open. “Mom,” I whispered. I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow. “What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars. Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken. “Me,” I said.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them
Colleen Hoover (This Girl (Slammed, #3))
But even as she gave thanks, she knew that the rain was not enough. She wanted a storm – thunder, wind, a deluge. She wanted it to crash through Ketterdam’s pleasure houses, lifting roofs and tearing doors off their hinges. She wanted it to raise the seas, take hold of every slaving ship, shatter their masts, and smash their hulls against unforgiving shores. I want to call that storm, she thought. And four million kruge might be enough to do it. Enough for her own ship – something small and fierce and laden with firepower. Something like her. She would hunt the slavers and their buyers. They would learn to fear her, and they would know her by her name. The heart is an arrow. It demands aim to land true. She clung to the wall, but it was purpose she grasped at long last, and that carried her upwards. She was not a lynx or a spider or even the Wraith. She was Inej Ghafa, and her future was waiting above.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit. Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?” “I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.” “Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?” I sniffled. “No,” I admitted. “Thank Oberon,” he said, and pulled me close, and kissed me.
Seanan McGuire (Ashes of Honor (October Daye, #6))
he was keeping track of time. It was nearly two hours since he had last looked at his watch, but he knew what time it was to within about twenty seconds. It was an old skill, born of many long wakeful nights on active service. When you're waiting for something to happen, you close your body down like a beach house in winter and you let your mind lock onto the steady pace of the passing seconds. It's like suspended animation. It saves energy and it lifts the responsibility for your heartbeat away from your unconscious brain and passes it on to some kind of a hidden clock. Makes a huge black space for thinking in. But it keeps you just awake enough to be reach for whatever you need to be ready for. And it means you always know what time it is.
Lee Child (Die Trying (Jack Reacher, #2))
If you wait long enough, all murders will have lost their scream, all bloodlines forgotten, all dynamite broken, all storms settled, all bones cleaned of the memory of sin.
Kwame Dawes (Wheels)
life is a wheel, and if you wait long enough, it always comes back around to where it started.
Stephen King (Duma Key)
If you wait long enough, something will happen - there has never been a time when nothing happened.
Aleksandar Hemon (The Lazarus Project)
If you wait long enough, suddenly nothing will happen
Jack Gardner (Words Are Not Things)
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!). Yet you haven’t any friends. The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities. Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world! You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
Michel Houellebecq (Whatever)
They say all good things come to those who wait, and as I deplaned and began walking toward the exit, all I could think about was that I’d waited long enough. I’d been dying in a gray hell, longing for a taste of everything for as long as I could remember, and I would take a bite out of it all. I’d spent too many years of my life living vicariously through movies.
Kate Stewart
1. WE'VE LEFT SHORE SOMEHOW BECOME THE FRIENDS OF EARLY THEORY CLOSE ENOUGH TO SPEAK DESIRE AND PAIN OF ABSENCE OF MISTAKES WE'D MAKE GIVEN THE CHANCE. EACH SMILE RETURNED MAKES HARDER AVOIDING DREAMS THAT SEE US LYING IN EARLY EVENING CURTAIN SHADOWS, SKIN SAFE AGAINST SKIN. BLOOM OF COMPASSION RESPECT FOR MOMENTS EYES LOCK TURNS FOREVER INTO ONE MORE VEIL THAT FALLS AWAY. 2. THIS AFTER SEEING YOU LAST NIGHT, FIRST TIME SMELLING YOU WITH PERMISSION: SHOULDERS TO WONDER OPENLY AT AS CAREFULLY KISSED AS THOSE ARMS WAITED IMPOSSIBLY ON. THEY'VE HELD ME NOW AND YOUR BREATH DOWN MY BACK SENT AWAY NIGHT AIR THAT HAD ME SHAKING IN THE UNLIT ANGLICAN DOORWAY. 3. ARE WE RUINED FOR FINDING OUR FACES FIT AND WANT TO KNOW MORE ABOUT MORNING? IS FRIENDSHIP CANCELLED IF WE CAN'T CALL EACH OTHER ANYMORE IN AMNESIA, INVITE OURSELVES TO LAST GLANCES UNDER SUSPICIOUS CLOCKS TELLING US WHEN WE'VE HAD ENOUGH? 4. YOUR STEADY HANDS CRADLING MY GRATEFUL SKULL: WERE YOU TAKING IN MY FACE TO SAVE AN IMAGE YOU'VE RARELY ALLOWED YOURSELF AFTER LEAVING THAT COLD ALCOVE? AM I A PHOTOGRAPH YOU GAZE AT IN MOMENTS OF WEAKNESS? YOU ORDERED ME OFF MY KNEES INTO YOUR ARMS. WASN'T TO BEG THAT I KNELT; ONLY TO SEE YOU ONCE FROM BELOW. TRIED TO SAY SOMETHING THAT FILLED MY MOUTH AND LONGED TO REST IN YOUR EAR. DON'T DARE WRITE IT DOWN FOR FEAR IT'LL BECOME WORDS, JUST WORDS.
Viggo Mortensen (Coincidence of Memory)
What remains once the war is won? Fame. Songs. A kingdom of corpses. His name too heavy in my mouth. What do we become in death? Shadows. Longing. Regret, regret, regret. What do we keep once we are ghosts? The blood under my fingernails. His crooked teeth. Searching for happiness in the threads of his hands. A love that burned alive. A love that is still bursting in my hollow chest. A love that was never enough. What do you do when you’re alone in the darkness? Wait for him, I’ll wait forever if I must. Were you ever able to name one hero who was happy? No.
Emily Palermo He Is Half My Soul
Sloan was moving slower in this relationship than I was. I didn't take it personally. I meant what I said: I'd wait for her. I'd wait as long as she needed. When she was ready, she'd let me know. And if I was doing my job as her boyfriend, making her feel safe - and making sure she wanted me enough - it would all work itself out eventually. There was no rush. This was just a season, and there's beauty in all seasons. Even if you are looking forward to the next one.
Abby Jimenez (The Happy Ever After Playlist (The Friend Zone, #2))
It wasn’t perfect, but it would do for a few seconds, long enough to hole up and wait for the shooting to die down. Only it didn’t. Pistols, shotguns, and that clatter you never forget, the kind that tells you someone has a Kalashnikov.
Max Brooks (World War Z: An Oral History of the Zombie War)
I remember the first time I saw you,” Allie said. “I thought you smelled me first.” “Right,” said Allie. “The chocolate. But then I saw you as I sat up in the dead forest, thinking I knew you. At the time, I thought I must have seen you through the windshield when our cars crashed…. But that wasn’t it. I think, way back then, I was seeing you as you are now. Isn’t that funny?” “Not as funny as the way I always complained, and the way you always bossed me around!” They embraced and held each other for a long time. “Don’t forget me,” Nick said. “No matter where your life goes, no matter how old you get. And if you ever get the feeling that someone is looking over your shoulder, but there’s nobody there, maybe it’ll be me.” “I’ll write to you,” said Allie, and Nick laughed. “No really. I’ll write the letter then burn it, and if I care just enough it will cross into Everlost.” “And,” added Nick, “it will show up as a dead letter at that the post office Milos made cross into San Antonio!” Allie could have stood there saying good-bye forever, because it was more than Nick she was saying good-bye to. She was leaving behind four years of half-life in a world that was both stunningly beautiful, and hauntingly dark. And she was saying good-bye to Mikey. I’ll be waiting for you, he had said…. Well, if he was, maybe she wasn’t saying good-bye at all. Nick hefted the backpack on his shoulder. “Shouldn’t you be heading off to Memphis?” he said. “You’d better hit the road…. Jack.” Then he chuckled by his own joke, and walked off.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
Sacrifices and resentments leave a woman standing on the edge, but she doesn’t have the nerve to look down or jump. As a woman struggles through the days trying to soothe the hurt, but every time she turns around it spreads like wildfire. She is left alone in the middle of a crisis. As women, we ask ourselves over and over again, how long do I have to wait? When will the torture end?
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
For the first time in a hundred years, I was grateful to be what I was. Every aspect of being a vampire—all but the danger to her—was suddenly acceptable to me, because it was what had let me live long enough to find Bella. The decades I had endured would not have been so difficult had I known what was waiting for me, that my existence was advancing toward something better than I could have imagined. It had not been years of killing time, as I had thought; it had been years of progress. Refining, preparing, mastering myself so that I could have this now.
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
I went outside. Tried taking in the billions of stars above, lingering long enough to allow each point of light the chance to scratch a deep hole in the back of my retina, so that when I finally did turn to face the dark surrounding forest I thought I saw the billion eyes of a billion cats blinking out, in the math of the living, the sum of the universe, the stories of history , a life older than anyone could have ever imagined. And even after they were gone--fading away together, as if they really were one--something still lingered in those sweet folds of black pine , sitting quietly, almost as if it too were waiting for something to wake.
Mark Z. Danielewski (House of Leaves)
How strange! This bed on which I shall lie has been slept on by more than one dying man, but today it does not repel me! Who knows what corpses have lain on it and for how long? But is a corpse any worse than I? A corpse too knows nothing of its father, mother or sisters or Titus. Nor has a corpse a sweetheart. A corpse, too, is pale, like me. A corpse is cold, just as I am cold and indifferent to everything. A corpse has ceased to live, and I too have had enough of life…. Why do we live on through this wretched life which only devours us and serves to turn us into corpses? The clocks in the Stuttgart belfries strike the midnight hour. Oh how many people have become corpses at this moment! Mothers have been torn from their children, children from their mothers - how many plans have come to nothing, how much sorrow has sprung from these depths, and how much relief!… Virtue and vice have come in the end to the same thing! It seems that to die is man’s finest action - and what might be his worst? To be born, since that is the exact opposite of his best deed. It is therefore right of me to be angry that I was ever born into this world! Why was I not prevented from remaining in a world where I am utterly useless? What good can my existence bring to anyone? … But wait, wait! What’s this? Tears? How long it is since they flowed! How is this, seeing that an arid melancholy has held me for so long in its grip? How good it feels - and sorrowful. Sad but kindly tears! What a strange emotion! Sad but blessed. It is not good for one to be sad, and yet how pleasant it is - a strange state…
Frédéric Chopin
Ain’t nobody ever gone answer you cries. You can fill a well with tears, and all you gonna get is drowned. You sit there long enough and the crazy man find you. You weep too long, your heart ache so, the flesh slip off your bones and your soul got to find a new home. You wait on answers ’til the scaredy-cat curl up in your belly and use your liver for a pin cushion. And that’s just how you die.O
Cynthia Bond (Ruby)
I need to leave something behind. Something that will stay. This room should be a historical landmark, the site of the beginning and end of Colby and Bev. Several minutes have passed, and I know that if I wait too long there will be a knock on the door and I'll have to go, but I need to leave a mark. It has to be significant enough to last, but subtle enough that the maid won't notice and wash it away. As I'm looking around I realize that I never noticed the print above the bed. It's another in the family series - a faded wedding portrait. Groom in tux. Bride with pearls. It comes off the wall easily.I set the print on the bedspread and wit eht dust on the wall with the sleeve of my hood. I take out a Sharpie from my bag. The wall has yellowed to create a perfect rectangle where the photograph must have been hanging, unremoved, for years. I fill the whiter space with this: I never got to tell you how beautiful you are. And then I return the frame to its place on the wall and go back out into the night.
Nina LaCour (The Disenchantments)
I miss my old paycheck and the sense of pride, power, and worth that it gave me. I make a lot less money now. A lot less. But what I’ve lost in dollars, I’ve gained in time. I have time in the afternoons now to help Charlie and Lucy with their homework, to play Wii with them, to watch Charlie’s soccer games, to take a nap with Linus. I can’t wait to spend afternoons snowboarding. I have time to paint a portrait of Lucy (my only child who will sit still long enough) or the apples we picked at the local orchard. I have time to read novels, to meditate, to watch the deer walk across the backyard, to have dinner every night with my family. Less money, more time. So far, the trade-off has been worth every penny.
Lisa Genova (Left Neglected)
Come over tonight,” he said, softly enough so only I could hear him. “Wear the roses.” I shook my head. “I’m filthy. All covered in roses and Faire dirt. I should wash up first.” “No.” He brushed his mouth against mine one more time before murmuring into my ear. “I can’t wait that long. Come over now. I’ll take care of you.
Jen DeLuca (Well Met (Well Met, #1))
Before coming to the United States, I knew what others know: that the cruelty of its borders was only a thin crust, and that on the other side a possible life was waiting. I understood, some time after, that once you stay here long enough, you begin to remember the place where you originally came from the way a backyard might look from a high window in the deep of winter: a skeleton of the world, a tract of abandonment, objects dead and obsolete. And once you're here, you'r ready to give everything, or almost everything, to stay and play a part in the great theatre of belonging.
Valeria Luiselli (Tell Me How It Ends: An Essay in Forty Questions)
It is possible for the rich to sin by coveting the privileges of the poor. The poor has always being the favorites of god" I caught him’ [the thief] with an unseen hook and an invisible line which is long enough to let him wander to the ends of the world and still bring him back with a twitch upon the thread.” Do you know last year, when I thought I was going to have a child, I'd decided to have it brought up a Catholic? I hadn't thought about religion before; I haven't since; but just at that time, when I was was waiting for the birth, I thought, 'That's the one thing I can give her. It doesn't seem to have done me much good, but my child shall have it.' Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, my dear Charles, it has killed you
Evelyn Waugh (Brideshead Revisited)
Very soon she'll join all the others who know the secret and will not tell it. Or cannot. Or try and fail because they do not know enough. They can be recognized. White faces, dazed eyes, aimless gestures, high-pitched laughter. The way they walk and talk and scream or try to kill (themselves or you) if you laugh back at them. Yes, they've got to be watched. For the time comes when they try to kill, then disappear. But others are waiting to take their places, it's a long, long line. She's one of them. I too can wait—for the day when she is only a memory to be avoided, locked away, and like all memories a legend. Or a lie ...
Jean Rhys (Wide Sargasso Sea)
John Hay, in The Immortal Wilderness, has written: 'There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the undercurrents of the soil, but you have to be willing to wait and receive.' Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or a heart coming from the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body.... Tonight, I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of the stars in the sky, watching the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and the immensity above them. Walking, I can almost hear the redwoods beating....It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
Linda Hogan (Dwellings: A Spiritual History of the Living World)
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..." She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. "If we don't die this night, I will die unafraid, Kaz. Can you say the same?" His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Michael sat down behind her. He put his strong legs on either side of her and pulled her back against him. “Just wait.” She wanted to resist his embrace, but she was too cold to fight him. “For what?” He put his arms around her. “For morning.” “I could have waited for that in the cabin.” He laughed against her hair. Lifting it, he kissed the nape of her neck. “You can’t understand until you see it from here.” He nuzzled the soft skin beneath her ear. She shivered softly. “Sleep a while if you want.” He tucked her more closely against him. “I’ll wake you at the right time.” She wasn’t sleepy after the long walk. “Do you do this sort of thing often?” “Not often enough.
Francine Rivers (Redeeming Love)
There's a funny fool. I have a riddle for you, Shagwell. Why do you care if she screams? Oh, wait, I know." He shouted "SAPPHIRES," as loudly as he could. Cursing, Rorge kicked at his stump again. Jaime howled. I never knew there was such agony in the world, was the last thing he remembered thinking. It was hard to say how long he was gone, but when the pain spit him out, Urswyck was there, and Vargo Hoat himself. "Thee'th not to be touched," the goat screamed, spraying spittle all over Zollo. "Thee hath to be a maid, you foolth! Thee'th worth a bag of thapphireth!" And from then on, every night Hoat put guards on them, to protect them from his own. Two nights passed in silence before the wench finally found the courage to whisper, "Jaime? Why did you shout out?" "Why did I shout out 'sapphires,' you mean? Use your wits, wench. Would this lot have cared if I shouted 'rape'?" "You did not need to shout at all." "You're hard enough to look at with a nose. Besides, I wanted to make the goat say, 'thapphireth.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
And the years flow past, each of them as unremarkable as the next, as unnoticed as nanoseconds, in fact, not even long enough to contain anything noticeable – centuries just barely registered as moments in space/time. Soon the millennia are passing by at a modest rate of 47 per minute, and of course all manner of things noticeable and not-so-noticeable occur along the way (though most falling into the latter category). Naturally there come periods where lying is greatly rewarded, followed by periods where lying is greatly punished (our poor unlucky editor!), along with every other conceivable and inconceivable reversal and re-reversal of standards, and… Wait, did anyone else just hear God yawn?
Arthur Graham
This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure. ....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close.
Erin Morgenstern (The Night Circus)
I thought I was going to see God or reach an epiphany or to levitate or something. But I never did. I prayed so long for that to happen. I think maybe I didn't surrender myself enough - I think that's the term: surrender. I still wanted to keep a foot in both worlds. And then this past year I've still been waiting for the same big cosmic moments, and still nothing's happened...
Douglas Coupland (Girlfriend in a Coma)
A minute or so passed by--not long, but long enough to make me wonder whether Oliver was setting up mood lighting or hiding dead bodies. Or if someone was up there waiting to stab me again. Or if someone was up there waiting to hand me a crown and tell me I was the long-lost princess of Genovia. Or if I'd tumble into a pit of lava, only to get saved at the last second by a flying carpet.
Lindsay Ribar (The Art of Wishing (The Art of Wishing, #1))
Physicists often quote from T. H. White's epic novel The Once and Future King , where a society of ants declares, 'Everything not forbidden is compulsory.' In other words, if there isn't a basic principle of physics forbidding time travel, then time travel is necessarily a physical possibility. (The reason for this is the uncertainty principle. Unless something is forbidden, quantum effects and fluctuations will eventually make it possible if we wait long enough. Thus, unless there is a law forbidding it, it will eventually occur.)
Michio Kaku (Parallel Worlds: A Journey through Creation, Higher Dimensions, and the Future of the Cosmos)
We raise men in our society to treat sex like a contest, a race to be won, instead of the joyful expression of love that it can be. And that’s not to say that casual sex is wrong, or that a person’s reasons for wanting to have sex are ever a reason for judgment. Sex for pleasure’s sake is perfectly healthy and normal. But so is waiting. We tell women they’re sluts for not waiting long enough and men that they’re losers for waiting too long. It’s a twisted message that hurts everyone
Lyssa Kay Adams (Isn't It Bromantic? (Bromance Book Club, #4))
If you wait long enough,” he said, “people will surprise and impress you.” As he saw things: When you’re frustrated with people, when they’ve made you angry, it just may be because you haven’t given them enough time. Jon warned me that sometimes this took great patience— even years. “But in the end,” he said, “people will show you their good side. Almost everybody has a good side. Just keep waiting. It will come out.
Randy Pausch (The Last Lecture)
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.' Tears slip down my face. 'Yes,' I murmur. Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes. I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.' Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck. No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.' I'm sure I don't know what you mean.' she says, sounding uncertain for the first time. That's why they were able to take you. They found your fear.' And what, pray, was it?' Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.' I am not like them. I am their hope. I sustain them.' No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.' Circe laughts, a splintered cackle that finds a way under my skin. And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?' I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.' And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone. It's as if she's delivered a blow to my heart. My hand falters. 'I-I...' Gemma, you're not alone,' Circe gasps, and my hand touches metal. No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
SUCH SILENCE As deep as I ever went into the forest I came upon an old stone bench, very, very old, and around it a clearing, and beyond that trees taller and older than I had ever seen. Such silence! It really wasn’t so far from a town, but it seemed all the clocks in the world had stopped counting. So it was hard to suppose the usual rules applied. Sometimes there’s only a hint, a possibility. What’s magical, sometimes, has deeper roots than reason. I hope everyone knows that. I sat on the bench, waiting for something. An angel, perhaps. Or dancers with the legs of goats. No, I didn’t see either. But only, I think, because I didn’t stay long enough.
Mary Oliver (Blue Horses: Poems)
Watching the lecture hall fill for a while longer, Rummings picked up the gun, rested the barrel on the parapet and waited expectantly. A senior mining executive walked up to a rostrum and began to talk to the waiting audience. Rummings took careful aim and squeezed the trigger. A large hole appeared in the curtain glazing surrounding the building and the executive staggered sideways. After pumping a few more bullets into the dying man’s body, Rummings abandoned the rifle, ran back to the exit door, paused long enough to strip off the coveralls and then raced down the stairs. Once in the corridor, he deliberately slowed himself down, calmly called a lift and went down to the ground floor again.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
In order to effect another person you must perform some action. Then you must be patient enough to wait for its effect. As you learn the signs of these effects, it may come to pass you do not need to wait as long. But as my wife often said, it can happen that you say or do a thing and the effect is felt years later perhaps in the reiteration of the scene in a dream. Who can say? Our actions echo.
Jesse Ball (Census)
Count, or we’ll begin again with each stroke you miss. You decide how long this goes on for. Unless you’d rather Elide Lochan receive these strokes.” No. Never. Never anyone else but her. Never. But as Cairn walked slowly, savoring each step, as he let that whip drag along the ground, her body betrayed her. Began shaking. She knew the pain. Knew what it’d feel like, what it’d sound like. Her dreams were still full of it. No doubt why Maeve had picked a whipping, why she’d done it to Rowan in Doranelle. Cairn halted. She felt him studying the tattoo on her back. Rowan’s loving words, written there in the Old Language. Cairn snorted. Then she felt him revel in how he’d destroy that tattoo. “Begin,” Maeve said. Cairn’s breath sucked in. And even bracing herself, even clamping down hard, there was nothing to prepare for the crack, the sting, the pain. She did not let herself cry out, only hissed through her teeth. A whip wielded by an overseer at Endovier was one thing. One wielded by a full-blooded Fae male … Blood slid down the back of her pants, her split skin screaming. But she knew how to pace herself. How to yield to the pain. How to take it. “What number was that, Aelin?” She would not. She would never count for that rutting bitch— “Start over, Cairn,” Maeve said. A breathy laugh. Then the crack and the pain and Aelin arched, the tendons in her neck near snapping as she panted through clenched teeth. The males holding her gripped her firm enough to bruise. Maeve and Cairn waited. Aelin refused to say the word. To start the count. She’d die before she did it. “Oh gods, oh gods,” Elide sobbed. “Start over,” Maeve merely ordered over the girl. So Cairn did. Again. Again. Again. They started over nine times before Aelin finally screamed. The blow had been right atop another one, tearing skin down to the bone. Again. Again. Again. Again. Cairn was panting. Aelin refused to speak. “Start over,” Maeve repeated. “Majesty,
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Motherhood seems to be a no-win battle: however you decide to do (or not do) it, someone’s going to be criticizing you. You went to too great lengths trying to conceive. You didn’t go to great enough lengths. You had the baby too young. You should have kept the baby even though you were young. You shouldn’t have waited so long to try and have a baby. You’re a too involved mother. You’re not involved enough because you let your child play on the playground alone. It never ends. It strikes me that while all this judgment goes on, the options available to women become fewer and fewer. I’m not even (just) talking about the right to choose—across the U.S., women have less access to birth control, health care, reproductive education, and post-partum support. So we give women less information about their bodies and reproduction, less control over their bodies, and less support during and after pregnancy—and then we criticize them fiercely for whatever they end up doing. This
Celeste Ng (Little Fires Everywhere)
You won’t stop until you have all of me, will you? My body, my blood, my trust…and still you want more.” He knew of what I spoke and his reply was immediate. “I want your heart the most. Above all else. You’re exactly right, I won’t stop until I have it.” Tears began to slide down my cheeks, because I couldn’t hold the truth back anymore. I didn’t know how I’d managed to hold it back this long. “You have it already. So now you can stop.” His whole body stilled. “You mean that?” Uncertainty but also growing emotion filled his eyes as they bore into mine. I nodded, mouth too dry to speak. “Say it. I need to hear the words. Tell me.” I licked my lips and cleared my throat. It took three times, but finally my voice returned. “I love you, Bones.” A weight seemed to lift from me I hadn’t known was there. Funny how much I’d feared something that shouldn’t have frightened me at all. “Again.” He started to smile, and a beautiful, pure joy filled up the emptiness I’d carried my entire life. “I love you.” He kissed my forehead, cheeks, eyelids, and chin, feather-soft brushes that had the impact of a locomotive. “Once more.” The request was muffled by his mouth on mine and I breathed the words into him. “I love you.” Bones kissed me until my head reeled and everything tilted even though I was lying flat. He only paused long enough to whisper onto my lips, “It was well worth the wait.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Here’s the stark truth about the person who is right for you: They want the same lifestyle that you do. How do I know this? Because that is, by definition, what makes them right for you. To be with someone whose eyes light up when yours do, whose heart races when your blood also pounds, who is enticed and inspired by the same forces that drive you forward, is a gift many of us never truly get to experience. Because we settle. We settle for the person we love over the person who could push us – to be bigger, stronger, greater versions of ourselves. We tell ourselves that love is enough. That it conquers everything. But we forget that love shouldn’t be the thing that conquers our lives – we should be. And we should do it deliberately, triumphantly, by the side of somebody who shares all of our joys and successes. So how do we meet such a person? That’s simple – we do more of what we love. We give ourselves up to uncertainty, to searching, to pursuing what we want out of life without the certainty of having someone beside us while we do it. We throw ourselves wholeheartedly into the things that we love and we consequently attract the people who love what we love. Who value what we prioritize. Who appreciate all that we are. We throw ourselves into the heart of possibility instead of staying comfortably settled inside of certainty. Because we owe it to ourselves to do so. We owe it to ourselves to live the greatest life that we’re capable of living, even if that means that we have to be alone for a very long time. At the end of the day, love is wonderful but it isn’t enough to make up for an entire lifetime of compromising your core values. You don’t want to spend forever gazing into somebody’s eyes expecting to find all of the answers you need inside of them. Wait for the person who is gazing outward in the same direction as you are. It’s going to make all of the difference in the world
Heidi Priebe
You don’t know,” I say, exasperated. “That’s why you don’t understand. You don’t know what I used to be like. You don’t know what it was like in my head. I lived in a really dark place,” I say to him. “I wasn’t safe in my own mind. I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn’t even tell the difference,” I say, more harshly than I mean to. “I had a small thread of hope and I clung to it, but the majority of my life was spent waiting around to see if someone would take pity on me.” Kenji is just staring at me, his eyes tight. “Don’t you think I’ve realized,” I say to him, angrier now, “that if I’d allowed myself to get mad a long time ago, I would’ve discovered I had the strength to break through that asylum with my own two hands?” Kenji flinches. “Don’t you think that I think about that, all the time?” I ask him, my voice shaking. “Don’t you think it kills me to know that it was my own unwillingness to recognize myself as a human being that kept me trapped for so long? For two hundred and sixty-four days, Kenji,” I say, swallowing hard. “Two hundred and sixty-four days I was in there and the whole time, I had the power to break myself out and I didn’t, because I had no idea I could. Because I never even tried. Because I let the world teach me to hate myself. I was a coward,” I say, “who needed someone else to tell me I was worth something before I took any steps to save myself. “This isn’t about Adam or Warner,” I tell him. “This is about me and what I want. This is about me finally understanding where I want to be in ten years. Because I’m going to be alive, Kenji. I will be alive in ten years, and I’m going to be happy. I’m going to be strong. And I don’t need anyone to tell me that anymore. I am enough, and I always will be.
Tahereh Mafi
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
Imagine yourself taking a stroll through Manhattan, somewhere north of 68th street, deep inside Central Park, late at night. It would be nice to meet someone friendly, but you know that the park is dangerous at night. That's when the monsters come out. There's always a strong undercurrent of drug dealings, muggings, and occasional homicides. It is not easy to distinguish the good guys from the bad guys. They dress alike, and the weapons are concealed. The only difference is intent, and you can't read minds. Stay in the dark long enough and you may hear an occasional distance shriek or blunder across a body. How do you survive the night? The last thing you want to do is shout, "I'm here!" The next to last thing you want to do is reply to someone who shouts, "I'm a friend!" What you would like to do is find a policeman, or get out of the park. But you don't want to make noise or move towards a light where you might be spotted, and it is difficult to find either a policeman or your way out without making yourself known. Your safest option is to hunker down and wait for daylight, then safely walk out. There are, of course, a few obvious differences between Central Park and the universe. There is no policeman. There is no way out. And the night never ends.
Charles Pellegrino (The Killing Star)
Let’s see if I remember all of this—born in Charlottesville, Virginia, but raised in Salem by her mother, Susan, a teacher, and her father, Jacob, a police officer. Attended Salem Elementary School until your tenth birthday, when your father called into his station to report an unknown child in his house—” “Stop,” I muttered. Liam looked over his shoulder, trying to divide his attention between me and the boy reciting the sordid tale of my life. “—but, bad luck, the PSFs beat the police to your house. Good luck, someone dropped the ball or they had other kiddies to pick up, because they didn’t wait around long enough to question your parents, and thus, didn’t pre-sort you. And then you came to Thurmond, and you managed to avoid their detecting you were Orange—” “Stop!” I didn’t want to hear this—I didn’t want anyone to hear it.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Going high is something you do rather than merely feel. It’s not some call to be complacent and wait around for change, or to sit on the sidelines as others struggle. It is not about accepting the conditions of oppression or letting cruelty and power go unchallenged. The notion of going high shouldn’t raise any questions about whether we are obligated to fight for more fairness, decency, and justice in this world; rather, it’s about how we fight, how we go about trying to solve the problems we encounter, and how we sustain ourselves long enough to be effective rather than burn out.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
He handed the garments to her, and began to unknot his necktie. "Wait- take this too." Cassandra's eyes widened as he began on his shirt cuffs. "How much more clothing do you plan to remove?" she asked uneasily. Tom grinned, not missing the quick, interested flick of her gaze over him. "I'm only rolling up my sleeves." He paused, his hands going to the top button of his collar. "Although if you insist-" "No," she said quickly, blushing at his teasing. "That's quite enough." A warm mist had started to spread through the room, sweating the white tiles. Cassandra's skin was turning luminous from the humid air. Little wisps of hair at her forehead had drawn up into delicate curls he longed to play with.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Donna: You really believe in all that stuff, don't you? Wilfred Mott (Bernard Cribbins): It's all over the place these days. If I wait here long enough... Donna: I don't suppose you've seen a little blue box. Wilfred: Is that slang for something? Donna: I mean it. If you ever see a little blue box, flying up there in the sky, you shout for me, Gramps. Oh you just shout. Wilfred: You know, I don't understand half the things you say these days. Donna: Nor me. Wilfred: Fair do's. You've had a funny old time of it lately -Doctor Who
Russell T. Davies
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home. By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy. She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it. She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him. "Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth." She didn't wait for him to say anything, just turned around and walked back to her house. He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it. But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her. He ate another cookie before getting up to make himself dinner.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
Hullo!” said Merry. “So that’s what is bothering you? Now, Pippin my lad, don’t forget Gildor’s saying—the one Sam used to quote: Do not meddle in the affairs of Wizards, for they are subtle and quick to anger.” “But our whole life for months has been one long meddling in the affairs of Wizards,” said Pippin. “I should like a bit of information as well as danger. I should like a look at that ball.” “Go to sleep!” said Merry. “You’ll get information enough, sooner or later. My dear Pippin, no Took ever beat a Brandybuck for inquisitiveness; but is it this time, I ask you?” “All right! What’s the harm in my telling you what I should like: a look at that stone? I know I can’t have it, with old Gandalf sitting on it, like a hen on an egg. But it doesn’t help much to get no more from you than a you-can’t-have-it-so-go-to-sleep!” “Well, what else could I say?” said Merry. “I’m sorry, Pippin, but you really must wait till the morning. I’ll be as curious as you like after breakfast, and I’ll help you in any way I can at wizard-wheedling. But I can’t keep awake any longer. If I yawn any more, I shall split at the ears. Good night!
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his. Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind. Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me. "I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are." I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life. Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love." No way. Noah's experienced reputation walked down the hallway before he did. "But..." Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square. I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek. "And since break?" I asked. "There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else." I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin." Now Noah froze. "But you were with Luke." A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready." He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I am not so much fun Anymore; Couldn’t carry the role of ingenue In a bucket, you say, laughing. And I want to punch you. I was never innocent, but Thanks to you I know things I wish I did not remember. You don’t like it When I talk to the man myself, Specifying quantities and Give him the money Instead of giving it to you And letting you take care of it. You keep asking me, Where’s the dope? Until I finally say, I hid it. The look you give me is Pure bile. Well, fuck you. This isn’t like Buying somebody a drink. You don’t leave your stash out Where I might find it. Finally I think I’ve made you wait Long enough, So I get out the little paper envelope And hand it to you. You are still in charge of This part, so you relax. Performing your junky ritual with Your favorite razor blade, until I ask you how to calculate my dose So I won’t O.D. when I do this And you’re not around. Then you really flip. You tell me it’s a bad idea For me to do this with other people. ** Was it such a good idea For me to do it with you? Do you wait for me to turn up Once every three months So you can get high? Is this our version of that famous Lesbian fight about Nonmonogamy? Let me tell you what I don’t like. I don’t like it when you Take forever to cut up brown powder And cook it down and Suck it up into the needle And measure it, then take Three times as much for yourself AS you give me. I don’t like it when you Fuck me After you’ve taken the needle Out of my arm. You talk too much And spoil my rush. All I really want to do Is listen to the tides of blood Wash around inside my body Telling me everything is Fine, fine, fine._ And I certainly don’t want to Eat you or fuck you Because it will take forever To make you come, If you can come at all, And by then the smack will have worn off And there isn’t any more. I’m trying to remember What the part is that I do like. I think this shit likes me A lot more than I like it. Now you’re hurt and angry because I don’t want to see you again And the truth is, I would love to see you, As long as I knew you were holding. So you tell me Is this what you want? I bet it was what you wanted All along.
Patrick Califia
Here the first of the things that happened, happened. The first of the things important enough to notice and to remember afterward, among a great many trifling but kindred ones that were not. Some so slight they were not more than gloating, zestful glints of eye or curt hurtful gestures. (Once he accidentally poured a spurt of scalding tea on the back of a waitress' wrist, by not waiting long enough for the waitress to withdraw her hand in setting the cup down, and by turning his head momentarily the other way. The waitress yelped, and he apologized, but he showed his teeth as he did so, and you don't show your teeth in remorse).
Cornell Woolrich (Angels of Darkness)
Imagine getting up right now, slipping out the front door, and finding that all the women in the neighborhood were also leaving their houses. We were all running to the same field, a place we hadn't discussed but implicitly knew we would meet in when the tipping point tipped. We ran like horses, but we weren't horses, so after the initial hugs, there wasn't anything to do there in the grass. Everyone started checking their phones to see if their partners were calling. And they were not yet. We hadn't been gone long enough. Soon it was just a million women waiting for their mates to call, to be needed and then to fall into panic and guilt, to be torn, which was our primary state. Start the revolution here, now, in this field, or drive home and slip back into the fold, use the electric toothbrush, feel grim and trapped. Of course, there was no decision to make because we were all already home, not in a field. There was no collective tipping point. Most of us wouldn't do anything very different, ever. Our yearning and quiet rage would be suppressed and seep into our children, and they would hate this about us enough to do it a new way. That was how most change happened, not within one lifetime, but between generations. If you really wanted to change your belief that you're both yourself and your baby, you had to let yourself be completely reborn within one life. Of course, the danger was in risking everything, destroying everything…
Miranda July (All Fours)
Staring at the magazine, as he dangled it before me like fish bait, I wanted it. I wanted it with a force that made the ends of my fingers ache. At the same time I saw this longing of mine as trivial and absurd, because I'd taken such magazines lightly enough once. I'd read them in dentists' offices, and sometimes on planes; I'd bought them to take to hotel rooms, a device to fill in empty time while I was waiting for Luke. After I'd leafed through them I would throw them away, for they were infinitely discardable, and a day or two later I wouldn't be able to remember what had been in them. Though I remembered now. What was in them was promise. They dealt in transformations; they suggested an endless series of possibilities, extending like the reflections in two mirrors set facing one another, stretching on, replica after replica, to the vanishing point. They suggested one adventure after another, one wardrobe after another, one improvement after another, one man after another. They suggested rejuvenation, pain overcome and transcended, endless love. The real promise in them was immortality.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
Annie Dillard (Pilgrim at Tinker Creek)
Walk Million miles away Your signal in the distance To whom it may concern I think I lost my way Gettin good at starting over Every time that I return Learning to walk again I believe I've waited long enough Where do I begin Learning to talk again Can't you see I've waited long enough Where do I begin Do you remember the days We built these paper mountains And sat and watched them burn I think I found my place Can't you feel it growing stronger Little conquerors Learning to walk again I believe I've waited long enough Where do I begin? Learning to talk again I believe I've waited long enough Where do I begin? Now For the very first time Don't you pay no mind Set me free, again You keep alive a moment at a time But still inside a whisper to a liar To sacrifice but knowing to survive The first to find another state of mind I'm on my knees, I'm praying for a sign Forever, whenever I never wanna die I never wanna die I never wanna die I'm on my knees I never wanna die I'm Dancing on my grave I'm Running through the fire Forever, whenever I Never wanna die I Never wanna leave I'll Never say goodbye Forever, whenever Forever, whenever Learning to walk again I believe I've waited long enough Where do I begin? Learning to talk again Can't you see I've waited long enough Where do I begin? Learning to walk again I believe I've waited long enough Learning to talk again Can't you see I've waited long enough
Foo Fighters
This has been a perfect day," Anne said quietly. "Almost," Daniel whispered, and then she was in his arms again. He kissed her, but it was different this time. Less urgent. Less fiery. The touch of their lips was achingly soft, and maybe it didn't make her feel crazed, like she wanted to press herself against him and take him within her. Maybe instead he made her feel weightless, as if she could take his hand and float away, just as long as he never stopped kissing her. Her entire body tingled, and she stood on her tiptoes, almost waiting for the moment she left the ground. And then he broke the kiss, pulling back just far enough to rest his forehead against hers. "There," he said, cradling her face in his hands. "Now it's a perfect day.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)
Now all he could do was wait...and watch Bronwyn be entertained by every man who could make his way to her side. Once again, a deep sense of possession consumed him.Until now, he had not had to compete for her attention and no one had been foolish enough to try. But as one and then another hour passed, the intensity of his jealousy grew and it mattered little that in his heart he knew that she was his. Each time a hand touched Bronwyn's waist or someone bent to whisper in her ear or her laughter tinkled throughout the Hall, Ranulf had to repress the mounting urge to go and pummel the man. He almost lost the battle he was waging with himself when some overly ambitious young knight refused to leave her side. Only the queen and her long-awaited announcement saved the young man from a fate that would have required the attention of a healer and several weeks in bed.
Michele Sinclair (The Christmas Knight)
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping. I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me. I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right? These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one. Soon, she began to listen to it. Lara, it said, sit here, where the sun may kiss you. And she did. Lara, it said, lie here, where the moon can make love to you all night long. and she did. Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream. Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon. For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara. When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion. While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon. Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true. So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
Alice Walker
Human populations have driven other human populations to the brink of extinction numerous times throughout history. Now the entire species threatens itself with mass suicide. Not because anyone is forcing us to. Not because we don't know better. And not because we don't have alternatives. We are killing ourselves because choosing death is more convenient than choosing life. Because the people committing suicide are not the first to die from it. Because we believe that someday, somewhere, some genius is bound to invent a miracle technology that will change our world so that we don't have to change our lives. Because short-term pleasure is more seductive than long-term survival. Because no one wants to exercise their capacity for intentional behavior until someone else does. Until the neighborhood does. Until the energy and car companies do. Until the federal government does. Until China, Australia, India, Brazil, the U.K. - until the whole world does. Because we are oblivious to the death that we pass every day. "We have to do something" we tell one another, as though reciting the line were enough. "We have to do something" we tell ourselves, and then wait for instructions that are not on the way. We know that we are choosing our own end; we just can't believe it.
Jonathan Safran Foer (We Are the Weather: Saving the Planet Begins at Breakfast)
The advantages of a propaganda that constantly “adds the power of organization” to the feeble and unreliable voice of argument, and thereby realizes, so to speak, on the spur of the moment, whatever it says, are obvious beyond demonstration. Foolproof against arguments based on a reality which the movements promised to change, against a counterpropaganda disqualified by the mere fact that it belongs to or defends a world which the shiftless masses cannot and will not accept, it can be disproved only by another, a stronger or better, reality. It is in the moment of defeat that the inherent weakness of totalitarian propaganda becomes visible. Without the force of the movement, its members cease at once to believe in the dogma for which yesterday they still were ready to sacrifice their lives. The moment the movement, that is, the fictitious world which sheltered them, is destroyed, the masses revert to their old status of isolated individuals who either happily accept a new function in a changed world or sink back into their old desperate superfluousness. The members of totalitarian movements, utterly fanatical as long as the movement exists, will not follow the example of religious fanatics and die the death of martyrs (even though they were only too willing to die the death of robots). Rather they will quietly give up the movement as a bad bet and look around for another promising fiction or wait until the former fiction regains enough strength to establish another mass movement.
Hannah Arendt (The Origins of Totalitarianism)
He called me Jess because that is the name of the hood which restrains the falcon. I was his falcon. I hung on his arm and fed at his hand. He said my nose was sharp and cruel and that my eyes had madness in them. He said I would tear him to pieces if he dealt softly with me. At night, if he was away, he had me chained to our bed. It was a long chain, long enough for me to use the chamber pot or to stand at the window and wait for the late owls. I love to hear the owls. I love to see the sudden glide of wings spread out for prey, and then the dip and the noise like a lover in pain. He used the chain when we went riding together. I had a horse as strong as his, and he’d whip the horse from behind and send it charging through the trees, and he’d follow, half a head behind, pulling on the chain and asking me how I liked my ride. His game was to have me sit astride him when we made love and hold me tight in the small of my back. He said he had to have me above him, in case I picked his eyes out in the faltering candlelight. I was none of these things, but I became them. At night, in June I think, I flew off his wrist and tore his liver from his body, and bit my chain in pieces and left him on the bed with his eyes open. He looked surprised, I don’t know why. As your lover describes you, so you are.
Jeanette Winterson (Sexing the Cherry)
Here, I have something for you." "It had better not be an engagement ring." He paused, his lips puckering as if the thought hadn't occurred to him and he was regretting it. "Or gloves," added Cinder. "That didn't work out too well last time." Grinning, Kai took a step closer to her and dropped to one knee. Her eyes widened. "Cinder ..." Her heart thumped. "Wait." "I've been waiting a long time to give this to you." "Kai -" With an expression as serious as politics, he pulled his hand from behind his back. In it was cupped a small metal foot, frayed wires sticking up from the cavity and the joints packed with grease. Cinder released her breath, then started to laugh. "You - ugh." "Are you terribly disappointed, because I'm sure Luna has some great jewelry stores if you wanted me to -" "Shut up," she said, taking the foot. She turned it over in her palms, shaking her head. "I keep trying to get rid of this thing, but somehow it keeps finding its way back to me. What made you keep it?" "It occurred to me that if I could find the cyborg that fits this foot, it must be a sign we were meant to be together." He twisted his lips to one side. "But then I realized it would probably fit an eight-year-old." "Eleven, actually." "Close enough." He hesitated. "Honestly, I guess it was the only thing I had to connect me to you when I thought I'd never see you again." She slid her gaze off the foot. "Why are you still kneeling?" Kai reached for her prosthetic hand and brushed his lips against her newly polished knuckles. "You'll have to get used to people kneeling to you. It kind of comes with the territory." "I'm going to make it a law that the correct way to address your sovereign is by giving a high five." Kai's smile brightened. "That's genus. Me too.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Wren?' he says. 'Talk to me.' I don't reply. What would be the point? I know he will twist me around his finger with words. I know that if I give him half the chance, love-starved creature that I am, I will be under his spell again. With him, I am forever a night-blooming flower, attracted and repelled by the heat of the sun. 'Let me explain,' he calls to me. 'Let me atone.' I bite the tip of my tongue to keep myself from snapping at him. He meant to keep me ignorant. He tricked me. He lied with every smile. With every kiss. With the warmth in his eyes that should have been impossible to fake. I'd know what he was capable of. Over and over, he'd shown me. And over and over, I believed there would be no more tricks. No more secrets. Not anymore. 'You have good cause to be furious. But you couldn't have lied, had you known the truth. I was afraid you'd have to lie.' He waits, and when I say nothing, rolls into a sitting position. 'Wren?' I can see the leather straps running across his cheeks. If he wears the bridle long enough, he'll have scars. 'Talk to me!' he shouts, standing and coming to the bars. I see the gold of his hair, the sharp lines of his cheekbones, the glint of his fox eyes. 'Wren! Wren!' Coward that I am, I flee. My heart thundering, my hands shaking. But I can't pretend that I don't like the sound of him screaming my name.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
David Weber (Mission of Honor (Honor Harrington, #12))
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
We reach the trailer and Shane digs through the pockets of the cargo pants slung over his arm until he finds the key. He pushes open the door and waits for me to pass through. Maybe later I’ll tell myself I should have thought long and hard about what I was going to do, that I should have counted to ten and waited until I regained my sanity before stepping over the threshold, evaluated the pros and cons like a thoughtful, rational adult. But I do no such thing. Shane’s eyes are on mine as I step out of my wet sneakers, drop my damp clothes in a ball on the porch, and walk inside. He follows right behind me, and even through my wet shirt I can feel the heat radiating off his bare chest. The man is a furnace. Every warning about playing with fire zings through my mind, but I dismiss them. I want this. I’m not playing games, and neither is Shane as he grips my shoulders and turns us so my back is to the door and he’s pressed up against me. He lowers his head so our eyes are inches apart and looks at me more closely and thoughtfully than anyone ever has. He’s checking to make sure I’m okay, that my expectations are in line with what today is about. And they are. Just once, we agreed. And that will be enough.
Julianna Keyes (Just Once)
Nana and Pops were waiting in the living room. They had their recliners pushed in front of the couch, the only place available for Cole and me to sit. The moment we were in position, the interrogation began. Pops: Plans for the future? Groaning, I dropped my head in my hands. He'd kicked things off with Justin the exact same way. Guaranteed, he'd end the same way. Cole: College, law enforcement. Nana: Oh, I like him better than that other boy already. Pops: Good, that's good. Now finish this sentence for me. When a girl says no, she means... Yep. Exactly the same. Cole: No. And that's that. I don't push for more. Nana: Another excellent answer. But here's an even tougher sentence for you to finish. Premarital sex is... I should have let the zombies have me. Cole: Up to the couple. What happens between them is no one else's business. Sorry, but not even yours. Both Pops ans Nana blustered over that for a minute, but they soon calmed down. I, of course, blushed the most horrifying shade of lobster. (That was just a guess.) However, I found Cole's answer exceptional. Pops: That's fair enough, I guess. So how do you feel about drinking and driving? Cole: I think it's stupid, that's one thing you'll never have to worry about with me and Ali. I never drink, and if she does, I won't take advantage of her. I'd bring her home. I'll always look out for her safety, you have my word. "I won't be drinking, either," I said. "Ever." Nana: Aren't you just a breath of fresh air? Pops: He is. He is indeed. I think I was as impressed with him as my grandparents were. Underneath the muscles, scars and tattoos (which my grandparents couldn't see, since he wore a long-sleeved shirt) he was a really good guy. And because they were so impressed, they let us go with no more fuss!
Gena Showalter
Ah, poems amount to so little when you write them too early in your life. You ought to wait and gather sense and sweetness for a whole lifetime, and a lone one if possible, and then, at the very end, you might perhaps be able to write ten good lines. For poems are not, as people think, simply emotions (one has emotions early enough)—they are experiences. For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else—); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, and it is still not enough to be able to think of all that. You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves—only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them. - For the Sake of a Single Poem
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
I smiled as our hands pressed against one another in midair, as though we were pretending to touch through invisible glass. We managed a long stare before Jack finally blushed, retracting his hands. “How old are you, Jack Patrick?” “I turned fourteen this summer,” he said. I gave an impressed nod, indicating this was no small accomplishment. “Well you’re certainly old enough to know what you like.” Principal Deegan’s first-day speech came back to mind; I had to bite my lip not to jokingly add in, Am I right? “Here, let me give you some examples. Do you like it when girls wear lipstick?” He blushed and nodded. “Yeah.” His voice had an embarrassed tone, like he’d just made a vile confession. “Good—do you like lighter lipstick? Darker lipstick? Red?” I wanted to grab his hand again. It took every ounce of self-control I had not to slide my fingers beneath the desk and touch the bare skin of his leg. “Um,” he said. His hand began to scratch at his scalp. “Wait,” I said. “I have an idea.” I walked up to my desk and grabbed my purse and a box of Kleenex. “So what I’m wearing now is called fuchsia. Kind of a bright pink.” I sat and wiped it off, then took the fuchsia tube of lipstick out of my purse along with two others. “Okay, ready?” He nodded with sudden animation—we were about to play a game.
Alissa Nutting (Tampa)
I turned to go home. Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. There were Miss Maudie’s, Miss Stephanie’s—there was our house, I could see the porch swing—Miss Rachel’s house was beyond us, plainly visible. I could even see Mrs. Dubose’s. I looked behind me. To the left of the brown door was a long shuttered window. I walked to it, stood in front of it, and turned around. In daylight, I thought, you could see to the postoffice corner. Daylight… in my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephanie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over her azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose’s. The boy helped his sister to her feet, and they made their way home. Fall, and his children trotted to and fro around the corner, the day’s woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children’s heart break. Autumn again, and Boo’s children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
Harper Lee (To Kill a Mockingbird: York Notes for GCSE (New Edition))
hawing, let us ask of the starling (who is a more sociable bird than the lark) what he may think on the brink of the dustbin, whence he picks among the sticks combings of scullion’s hair. What’s life, we ask, leaning on the farmyard gate; Life, Life, Life! cries the bird, as if he had heard, and knew precisely, what we meant by this bothering prying habit of ours of asking questions indoors and out and peeping and picking at daisies as the way is of writers when they don’t know what to say next. Then they come here, says the bird, and ask me what life is; Life, Life, Life! We trudge on then by the moor path, to the high brow of the wine-blue purple-dark hill, and fling ourselves down there, and dream there and see there a grasshopper, carting back to his home in the hollow, a straw. And he says (if sawings like his can be given a name so sacred and tender) Life’s labour, or so we interpret the whirr of his dust-choked gullet. And the ant agrees and the bees, but if we lie here long enough to ask the moths, when they come at evening, stealing among the paler heather bells, they will breathe in our ears such wild nonsense as one hears from telegraph wires in snow storms; tee hee, haw haw. Laughter, Laughter! the moths say. Having asked then of man and of bird and the insects, for fish, men tell us, who have lived in green caves, solitary for years to hear them speak, never, never say, and so perhaps know what life is — having asked them all and grown no wiser, but only older and colder (for did we not pray once in a way to wrap up in a book something so hard, so rare, one could swear it was life’s meaning?) back we must go and say straight out to the reader who waits a-tiptoe to hear what life is — alas, we don’t know.
Virginia Woolf (Orlando (Illustrated))
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
Haruki Murakami (Norwegian Wood)
5. When Begging Ends I love the idea of Divine Source. It reminds us that everything, the fulfillment of every need, always emanates from the One. So if you learn how to keep your vibration high and attuned to That, whatever is needed to sustain you can always occur, often in surprising and delightful ways. Your Source is never a particular person, place, or thing, but God Herself. You never have to beg. Furthermore, Divine Source says that whatever resonates with you will always find you. That which does not, will fall away. It’s that simple. When Outrageous Openness first came out, I experienced this as I took the book around—some stores were simply not drawn to it. But knowing about Divine Source and resonance, I didn’t care. I remember taking it to a spiritual bookstore in downtown San Francisco. The desultory manager sort of half-growled, “Oh, we have a long, long wait here. You can leave a copy for our ‘pile’ in the back room. Then you could call a ton and plead with us. If you get lucky, maybe one day we’ll stock it. Just keep hoping.” “Oh, my God, no!” I shuddered. “Why would I keep twisting your arm? It’ll go easily to the places that are right. You never have to convince someone. The people who are right will just know.” He looked stunned when I thanked him, smiling, and left. And sure enough, other store clerks were so excited, even from the cover alone. They nearly ripped the book out of my hands as I walked in. When I brought it to the main bookstore in San Francisco’s Castro district, I noticed the manager striding toward me was wearing a baseball cap with an image of the goddess Lakshmi. “Great sign,” I mused. He held the book for a second without even cracking it open, then showed the cover to a coworker, yelling, “Hey, let’s give this baby a coming-out party!” So a few weeks later, they did. Sake, fortune cookies, and all. Because you see, what’s meant for you will always, always find you. You never have to be bothered by the people who aren’t meant to understand. And anyway, sometimes years later, they are ready . . . and they do. Change me Divine Beloved into One who knows that You alone are my Source. Let me trust that You fling open every door at the right time. Free me from the illusion of rejection, competition, and scarcity. Fill me with confidence and faith, knowing I never have to beg, just gratefully receive.
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
I had to hide. I couldn’t let him take me to the police station, but I also couldn’t dial 911 to get them help. Maybe if I waited it out, they’d get better on their own? I dashed toward the storage tubs on the other side of the garage, squeezing past the front of Mom’s car. One, maybe two steps more, and I would have jumped inside the closest tub and buried myself under a pile of blankets. The garage door rolled open first. Not all the way—just enough that I could see the snow on the driveway, and grass, and the bottom half of a dark uniform. I squinted, holding a hand up to the blinding blanket of white light that seemed to settle over my vision. My head started pounding, a thousand times worse than before. The man in the dark uniform knelt down in the snow, his eyes hidden by sunglasses. I hadn’t seen him before, but I certainly hadn’t met all the police officers at my dad’s station. This one looked older. Harder, I remembered thinking. He waved me forward again, saying, “We’re here to help you. Please come outside.” I took a tentative step, then another. This man is a police officer, I told myself. Mom and Dad are sick, and they need help. His navy uniform looked darker the closer I got, like it was drenched straight through with rain. “My parents…” The officer didn’t let me finish. “Come out here, honey. You’re safe now.” It wasn’t until my bare toes brushed up against the snow, and the man had wrapped my long hair around his fist and yanked me through the opening, that I even realized his uniform was black.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
We convince ourselves that life will be better after we get married, have a baby, then another. Then we are frustrated that the kids aren't old enough and we'll be more content when they are. After that we're frustrated that we have teenagers to deal with. We will certainly be happy when they are out of that stage. We tell ourselves that our life will be complete when our spouse gets his or her act together, when we get a nicer car, are able to go on a nice vacation, when we retire. The truth is, there's no better time to be happy than right now. Your life will always be filled with challenges. It's best to admit this to yourself and decide to be happy anyway. One of my favorite quotes comes from Alfred D Souza. He said, "For a long time it had seemed to me that life was about to begin - real life. But there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life." This perspective has helped me to see that there is no way to happiness. Happiness is the way. So, treasure every moment that you have. Stop waiting until you finish school, until you go back to school, until you lose ten pounds, until you gain ten pounds, until you have kids, until your kids leave the house, until you start work, until you retire, until you get married, until you get divorced, until Friday night, until Sunday morning, until you get a new car or home, until your car or home is paid off, until spring, until summer, until fall, until winter, until you are off welfare, until the first or fifteenth, until your song comes on, until you've had a drink, until you've sobered up, until you die, until you are born again to decide that there is no better time than right now to be happy.
Crystal Boyd
Trace started to wave toward Matt, still with Priss wrapped around him, and she blurted, “I love you, Trace.” That effectively drew him to a halt. His hands contracted on her backside. “What?” “I love you.” Then she pointed at Chris, and to where Matt had disappeared. “They told me to fess up, so I am, and if you reject me, I swear I’ll drown them both.” Very slowly, Trace’s expression changed from the heat of anger to a different type of heat. “Say it again.” “Why?” She frowned at him with challenge. “Why don’t you say something first?” “All right.” Sliding his hands up her back, over her shoulders, and into her wet hair, he kissed her. “You make me nuts, Priscilla.” He turned his head and kissed her again, a little longer this time. “You make me hot as hell, too.” “I love you,” Priss reminded him, hoping it might prompt him to a more telling declaration. His next kiss lasted long enough to take the chill off the lake, and Priss got so wrapped up in the taste of him that she almost forgot what she wanted to hear. Chris didn’t. From the dock, he said, “If you’re going to keep her waiting like this, someone needs to finish putting sunscreen on her.” Trace moved fast, grabbing for Chris’s ankle, but Chris jumped back out of reach. Priss, feeling very affected by that kiss, nuzzled Trace’s neck and stroked his shoulders. He smelled delicious, felt even better. “Stop being a voyeur, Chris, and go away.” Having joined Chris on the dock, Matt asked, “Does that mean I can stay?” Trace lurched forward again, and Matt jumped back so quick he fell on his butt. “I’m going. I’m going!” To bring Trace’s attention back to her, Priss bit him. Not a hard bite, but she felt the impression of her sharp teeth on that sensitive spot where his neck met his shoulder. Trace shuddered. “I love you, too.” She licked the bite mark. “I’m so glad.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
You think you know what a man is? You have no idea what a man is. You think you know what a daughter is? You have no idea what a daughter is. You think you know what this country is? You have no idea what this country is. You have a false image of everything. All you know is what a fucking glove is. This country is frightening. Of course she was raped. What kind of company do you think she was keeping? Of course out there she was going to get raped. This isn't Old Rimrock, old buddy - she's out there, old buddy, in the USA. She enters that world, that loopy world out there, with whats going on out there - what do you expect? A kid from Rimrock, NJ, of course she didn't know how to behave out there, of course the shit hits the fan. What could she know? She's like a wild child out there in the world. She can't get enough of it - she's still acting up. A room off McCarter Highway. And why not? Who wouldn't? You prepare her for life milking the cows? For what kind of life? Unnatural, all artificial, all of it. Those assumptions you live with. You're still in your olf man's dream-world, Seymour, still up there with Lou Levov in glove heaven. A household tyrannized by gloves, bludgeoned by gloves, the only thing in life - ladies' gloves! Does he still tell the one about the woman who sells the gloves washing her hands in a sink between each color? Oh where oh where is that outmoded America, that decorous America where a woman had twenty-five pairs of gloves? Your kid blows your norms to kingdom come, Seymour, and you still think you know what life is?" Life is just a short period of time in which we are alive. Meredith Levov, 1964. "You wanted Ms. America? Well, you've got her, with a vengeance - she's your daughter! You wanted to be a real American jock, a real American marine, a real American hotshot with a beautiful Gentile babe on your arm? You longed to belong like everybody else to the United States of America? Well, you do now, big boy, thanks to your daughter. The reality of this place is right up in your kisser now. With the help of your daughter you're as deep in the sit as a man can get, the real American crazy shit. America amok! America amuck! Goddamn it, Seymour, goddamn you, if you were a father who loved his daughter," thunders Jerry into the phone - and the hell with the convalescent patients waiting in the corridor for him to check out their new valves and new arteries, to tell how grateful they are to him for their new lease on life, Jerry shouts away, shouts all he wants if it's shouting he wants to do, and the hell with the rules of hte hospital. He is one of the surgeons who shouts; if you disagree with him he shouts, if you cross him he shouts, if you just stand there and do nothing he shouts. He does not do what hospitals tell him to do or fathers expect him to do or wives want him to do, he does what he wants to do, does as he pleases, tells people just who and what he is every minute of the day so that nothing about him is a secret, not his opinions, his frustrations, his urges, neither his appetite nor his hatred. In the sphere of the will, he is unequivocating, uncompromising; he is king. He does not spend time regretting what he has or has not done or justifying to others how loathsome he can be. The message is simple: You will take me as I come - there is no choice. He cannot endure swallowing anything. He just lets loose. And these are two brothers, the same parents' sons, one for whom the aggression's been bred out, the other for whom the aggression's been bred in. "If you were a father who loved your daughter," Jerry shouts at the Swede, "you would never have left her in that room! You would have never let her out of your sight!
Philip Roth (American Pastoral)
Perched upon the stones of a bridge The soldiers had the eyes of ravens Their weapons hung black as talons Their eyes gloried in the smoke of murder To the shock of iron-heeled sticks I drew closer in the cripple’s bitter patience And before them I finally tottered Grasping to capture my elusive breath With the cockerel and swift of their knowing They watched and waited for me ‘I have come,’ said I, ‘from this road’s birth, I have come,’ said I, ‘seeking the best in us.’ The sergeant among them had red in his beard Glistening wet as he showed his teeth ‘There are few roads on this earth,’ said he, ‘that will lead you to the best in us, old one.’ ‘But you have seen all the tracks of men,’ said I ‘And where the mothers and children have fled Before your advance. Is there naught among them That you might set an old man upon?’ The surgeon among this rook had bones Under her vellum skin like a maker of limbs ‘Old one,’ said she, ‘I have dwelt In the heat of chests, among heart and lungs, And slid like a serpent between muscles, Swum the currents of slowing blood, And all these roads lead into the darkness Where the broken will at last rest. ‘Dare say I,’ she went on,‘there is no Place waiting inside where you might find In slithering exploration of mysteries All that you so boldly call the best in us.’ And then the man with shovel and pick, Who could raise fort and berm in a day Timbered of thought and measured in all things Set the gauge of his eyes upon the sun And said, ‘Look not in temples proud, Or in the palaces of the rich highborn, We have razed each in turn in our time To melt gold from icon and shrine And of all the treasures weeping in fire There was naught but the smile of greed And the thick power of possession. Know then this: all roads before you From the beginning of the ages past And those now upon us, yield no clue To the secret equations you seek, For each was built of bone and blood And the backs of the slave did bow To the laboured sentence of a life In chains of dire need and little worth. All that we build one day echoes hollow.’ ‘Where then, good soldiers, will I Ever find all that is best in us? If not in flesh or in temple bound Or wretched road of cobbled stone?’ ‘Could we answer you,’ said the sergeant, ‘This blood would cease its fatal flow, And my surgeon could seal wounds with a touch, All labours will ease before temple and road, Could we answer you,’ said the sergeant, ‘Crows might starve in our company And our talons we would cast in bogs For the gods to fight over as they will. But we have not found in all our years The best in us, until this very day.’ ‘How so?’ asked I, so lost now on the road, And said he, ‘Upon this bridge we sat Since the dawn’s bleak arrival, Our perch of despond so weary and worn, And you we watched, at first a speck Upon the strife-painted horizon So tortured in your tread as to soak our faces In the wonder of your will, yet on you came Upon two sticks so bowed in weight Seeking, say you, the best in us And now we have seen in your gift The best in us, and were treasures at hand We would set them humbly before you, A man without feet who walked a road.’ Now, soldiers with kind words are rare Enough, and I welcomed their regard As I moved among them, ’cross the bridge And onward to the long road beyond I travel seeking the best in us And one day it shall rise before me To bless this journey of mine, and this road I began upon long ago shall now end Where waits for all the best in us. ―Avas Didion Flicker Where Ravens Perch
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
And why can't I have an ignore button like my phone? As I hit it, his calls disappear from the screen and the ringing stops. But the tingles are still at my fingertips, as if he sent them through the phone to grab me. Shoving it in my purse-the pockets on skinny jeans must just be for show 'cause nothing else is fitting in there-I smile at Mark. Ah, Mark. The blue-eyed, blond-haired, all-American quarterback. Who knew he had a crush on me all these years? Not Emma McIntosh, that's for dang sure. And not Chloe. Which is weird, because Chloe was a collector of this kind of information. Maybe it's not true. Maybe Mark's only interested in me because Galen was-who wouldn't want to date the girl who dated the hottest guy in school? But that's just fine with me. Mark is...well, Mark isn't as fantabulous as I always imagined he would be. Still, he's good-looking, a star quarterback, and he's not trying to hook me up with his brother. So why am I not excited? The question must be all over my face because Mark's got his eyebrow raised. Not in a judgmental arch, more like an arch of expectation. If he's waiting for an explanation, his puny human lungs can't hold their breath long enough for an answer. Aside from not being his business, I can't exactly explain the details of my relationship with Galen-fake or otherwise. The truth is, I don't know where we can go from here. He ripped holes in my pride like buckshot. And did I mention he broke my heart? He's not just a crush. Not just a physical attraction, someone who can make me forget my own name by pretending to kiss me. Not just a teacher or a snobby fish with Royal blood. Sure, he's all of those things. But he's more than that. He's who I want. Possibly forever.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.” She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?” “I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed. “And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe. “Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching. Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.” She didn’t mind begging if it meant getting her way. Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply. He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt. Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now. “Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers. She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time. He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering. He reached around for his wallet. “I have a condom.” His voice was rough. Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.” He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head. Violet thought he was beautiful. He was right for her; he always had been. And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
December 8, 1986 Hello John: Thanks for the good letter. I don’t think it hurts, sometimes, to remember where you came from. You know the places where I came from. Even the people who try to write about that or make films about it, they don’t get it right. They call it “9 to 5.” It’s never 9 to 5, there’s no free lunch break at those places, in fact, at many of them in order to keep your job you don’t take lunch. Then there’s OVERTIME and the books never seem to get the overtime right and if you complain about that, there’s another sucker to take your place. You know my old saying, “Slavery was never abolished, it was only extended to include all the colors.” And what hurts is the steadily diminishing humanity of those fighting to hold jobs they don’t want but fear the alternative worse. People simply empty out. They are bodies with fearful and obedient minds. The color leaves the eye. The voice becomes ugly. And the body. The hair. The fingernails. The shoes. Everything does. As a young man I could not believe that people could give their lives over to those conditions. As an old man, I still can’t believe it. What do they do it for? Sex? TV? An automobile on monthly payments? Or children? Children who are just going to do the same things that they did? Early on, when I was quite young and going from job to job I was foolish enough to sometimes speak to my fellow workers: “Hey, the boss can come in here at any moment and lay all of us off, just like that, don’t you realize that?” They would just look at me. I was posing something that they didn’t want to enter their minds. Now in industry, there are vast layoffs (steel mills dead, technical changes in other factors of the work place). They are layed off by the hundreds of thousands and their faces are stunned: “I put in 35 years…” “It ain’t right…” “I don’t know what to do…” They never pay the slaves enough so they can get free, just enough so they can stay alive and come back to work. I could see all this. Why couldn’t they? I figured the park bench was just as good or being a barfly was just as good. Why not get there first before they put me there? Why wait? I just wrote in disgust against it all, it was a relief to get the shit out of my system. And now that I’m here, a so-called professional writer, after giving the first 50 years away, I’ve found out that there are other disgusts beyond the system. I remember once, working as a packer in this lighting fixture company, one of the packers suddenly said: “I’ll never be free!” One of the bosses was walking by (his name was Morrie) and he let out this delicious cackle of a laugh, enjoying the fact that this fellow was trapped for life. So, the luck I finally had in getting out of those places, no matter how long it took, has given me a kind of joy, the jolly joy of the miracle. I now write from an old mind and an old body, long beyond the time when most men would ever think of continuing such a thing, but since I started so late I owe it to myself to continue, and when the words begin to falter and I must be helped up stairways and I can no longer tell a bluebird from a paperclip, I still feel that something in me is going to remember (no matter how far I’m gone) how I’ve come through the murder and the mess and the moil, to at least a generous way to die. To not to have entirely wasted one’s life seems to be a worthy accomplishment, if only for myself. Your boy, Hank
Charles Bukowski
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission. I nervously rambled, “What…umm…what do you mean you want my permission?” He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it. I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.” What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy. Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.” Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness. I shouted, “Ren, wait!” But it was too late. He was gone. I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again. I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.” I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.” Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was… “Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?” “Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.” Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound. And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall. I realized I’d just insulted my host, and no joke was going to get me out of it this time. “For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.” The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me. “Oh,” I said uncomfortably. “John, I’m so-“ It turned out he wasn’t finished. “I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.” I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live. “Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“ He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead. “You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.” “No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“ That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
Meg Cabot (Underworld (Abandon, #2))
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face. He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.” She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. “Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.” He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.” She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.” He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?” She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.” Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.” I bit my lip. “Have you come to take my soul, then?” “I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.” “Because I took your qi?” He inclined his head. “I should have stopped you sooner.” I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it. “It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.” “That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?” “Long enough,” he said. Then more gently, “You may have a happy marriage, though.” “I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form. “Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet. “Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.” “Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart. “I’ve never lied to you.” “Can’t I go with you now?” He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.” I glared at him. “What if I’d rather not wait?” He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?” I dropped my gaze. “If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.” I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?” His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.” I tightened my arms around him. “Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.” “But what would you do for fifty years?” He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
Yangsze Choo (The Ghost Bride)
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
I’m Steve, and I’m an addict,” Steve said after raising his hand to share. Steve was in his seventies and always shared first. It was as if he prepared an amazing speech every morning to present to all of us and his words always had a way of putting everything into perspective for me. “I look at these young girls over here, man,” he said pointing to our row, “and I can’t help but feel a bit envious. I’m 71 years old. I’ve got five years clean. I used for fifty years. I missed so damn much. I missed everything.” His voice broke and I could tell he was getting emotional. “I lost my wife once she finally got sick enough of my shit. My kids are adults and haven’t spoken to me in over twenty years—hell—I got grandbabies I ain’t even met.” He stared down at the table for a moment, you could hear a pin drop in that room. When he finally looked up, he looked straight at me and stared into my eyes. “Man, I’ll tell you what…. I would give anything in this world, to go back in time, and enter these rooms when I was your fucking age. Then I might actually have something to look back on and be proud of. You girls are young enough now to get it right, to have a life and make something of yourself. Don’t do what I did. Get it now so that you aren’t my age looking back on your life and thinking damn…I wasted all of it.” It felt like I’d suddenly been struck by lightning. Tears began welling in my eyes as I processed what he’d just said. I imagined what it would be like to have waited until I was an old woman to get clean – if I made it that long. I imagined my children being adults and never speaking to me. The loneliness, the guilt… for what? A momentary high? Never in my life had anyone’s words saturated my skin and seeped into my soul like his just did. I could hear other members voices mumbling as they shared their own bits of wisdom, but all I could do was replay in my head what Steve had said. That was it. That was the moment. Steve’s words changed my life that day. The universe had carefully devised a grand plan to align our paths so we both ended up in the same room that day. Whatever higher power was out there, knew that I needed to hear what that man had just said.
Tiffany Jenkins (High Achiever: The Shocking True Story of One Addict's Double Life)
Connor dipped his head and kissed from her neck to her collarbone, and down her arm as he slipped the sark off her shoulder revealing the satiny skin beneath. When he got to her fingers, he nipped her ring finger and Mackenzie gasped as he drew it into his mouth and sucked. He raised his eyes back to hers and trapped her gaze in his own. Connor slid her sark down her body and Mackenzie was helpless to do anything but stare into the dark blue pools of molten desire his eyes had become. It was a heady feeling to know that she was the reason his eyes were so dark; she had never before felt so powerful. He wanted her and this time she knew what to do. Mackenzie unwrapped his plaid from the chieftain brooch and pushed it off his shoulder. Connor held perfectly still and let it fall to the floor with Mackenzie’s pile of clothes. Next Mackenzie dragged his shirt over his head; it too joined the growing pile of clothing. Mackenzie couldn’t help but marvel at his hard body with all its scars hinting at the power and danger this man carried. She let her fingers trail down from his chest to the patch of hair on his stomach, and lower still. She could feel his muscles clench and his breath stop as she wrapped her fingers around his erection. She quickly found his rhythm and knelt down to press her lips to his lower abs. Trailing her mouth down to where her hand was, she gently licked the tip. She felt a thrill of satisfaction as his hands gripped her shoulders and as her mouth took him in, his fingers tightened. She used both her hand and her mouth to pleasure Connor. He molded a hand to the nape of her neck, holding her in place. She was becoming bolder with her free hand, exploring what made his muscles quiver and his breath hitch, when Connor pulled her roughly up and to him, crushing her lips with his. He pressed her back against the cold wall and lifted one of her long legs, hitching it around his hip. She was tall enough that he didn’t have to lift her. He slipped inside her and Mackenzie reveled in the groan wrenched from him. This was how she liked Connor; out of control. He pushed into her again and again until they were both panting, and Mackenzie was moaning with every breath. She couldn’t wait any longer. “Oh God Connor, I’m so close.” “Just let go, love.” With her back pressed against the cold wall and the heat from Connor’s body warming her, Mackenzie shuddered with the force of her orgasm and she melted into Connor’s arms as he spent himself in her.
Laura Hunsaker (Highland Destiny (Magic of the Highlands, #1))
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!” “They seem to have already left.” She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression. “I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.” “Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?” His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it. No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility. “Ahem.” She crossed her arms over her chest, abruptly aborting his mission. “It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.” “We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“ “Summerfield? You didn’t say Summerfield.” Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge. She was tall for a woman. He liked his women tall. “I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?” Her brow creased. “What business do you have with Sir Lewis Finch?” “Men’s business, love. The specifics needn’t concern you.” “Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.
Henry James (The Beast in the Jungle)
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Jarod Kintz (Brick)
What the hell is all this I read in the papers?" "Narrow it down for me," Alan suggested. "I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough." "Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon. "When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?" Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?" "Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well." "Shelby," Alan said, then waited a beat. "Shelby Campbell." Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face. "Campbell!" The word erupted. "A thieving, murdering Campbell!" "Yes,she's fond of MacGregor's as well." "No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you." "You'll have the chance to try this weekend when you meet Shelby." "A Campbell in my house! Hah!" "A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way." "You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?" "I've already asked her.She won't have me...yet," he added. "Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it." Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her." "Ask? Hah! You bring the girl, that daughter of a Campbell, here." Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love." "Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday." As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)
Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their— “Holy ballsacks!” I yelped. I dropped the book like I’d been bitten. “How far did you get?” Quentin said. He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment. I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play. In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me. The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California. “That’s who you think I am?” I said to Quentin. “That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.” “Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.” “The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.” “This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.” “Wait, what?” Quentin squinted at me in confusion. “I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.” Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter. “mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!” “What the hell is so funny?” “You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?” It did not. But then again I wasn’t the one trying to make a case here. “Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.” I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off. “You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.” I punched Quentin as hard as I could in the face.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.” “I told you before-I don’t care!” she said hotly. “Why can’t you believe me?” He hesitated a long moment. “The truth?” “Always.” “Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.” She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?” His wary gaze locked with hers. “Proper Pinter. Proud Pinter.” “Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.” Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.” “I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.” His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.” She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“ He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live. “That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.” “Sweeting-“ “Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.” A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.” Love? No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.” “To hell with your brother.” He stalked her with clear intent. Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?” “To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))