Waist Line Quotes

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As soon as the rocky coast line of the island came into view, I ordered one of the ropes to wrap around Annabeth's waist, tying her to the foremast. "Don't untie me," she said, "no matter what happens or how much I plead. I'll want to go straight over the edge and drown myself." "Are you trying to tempt me?" "Ha-ha.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I blushed when he stepped behind me, encircling my waist with his arms. His lips brushed against my ear. “I believe the answer that will not get me in trouble with you is: the happiest day of my life. Or something along those lines. Definitely not the end of my carefree days or when I get a ball and chain. Hmmm, I’m just realizing that I’m going to have to buy you birthday and anniversary presents at the same time. What a pain.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
It hurts to look at the clouds, but it also helps, like most things that cause pain. So I need to run, and as my lungs burn and my back rebels with that stabbing knife feeling and my legs muscles harden and the half inch of loose skin around my waist jiggles, I feel as though my penance for the day is being done and that maybe God will be pleased enough to lend me some help, which I think is why He has been showing me interesting clouds for the past week.
Matthew Quick (The Silver Linings Playbook)
Tanned, toned, curves in the right places and that small waist…lips, hair, eyes all packaged up like a siren. If she’s a siren, I heard her call, and I’m diving in hook, line, and sinker. - Drew Donovan
Kailin Gow (Falling for Summer (Donovan Brothers #1; Loving Summer #2))
Her little fists pummeled at him, and he accepted the abuse. Until he realized she’d made an improper fist and was actually hurting herself. He wound an arm around her waist, spun her and slammed her into the hard line of his body to still her. “Let me go!” “In a minute.” As she struggled, he pulled her thumb out from beneath her fingers and rearranged her fist. “Hit like this.” Done, he released her.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
I wasn’t aware of just how close he’d moved to me until now. So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed. He brought his face toward mine. “You are to me.” And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded. The noise, the smoke . . . it was gone. All that mattered was the taste of his mouth, a mix of cloves and mints. There was a fierceness in his kiss, a desperation . . . and I answered, just as hungry for him. I didn’t stop him when he pulled me closer, so that I almost sat on his lap. I’d never been wrapped around someone’s body like that, and I was shocked at how eagerly mine responded. His arm went around my waist, pulling me onto him further, and his other hand slid up the back of my neck, getting entangled in my hair. He took his lips away from my mouth, gently trailing kisses down to my neck. I tipped my head back, gasping when the intensity returned to his mouth. There was an animalistic quality that sent shock waves through the rest of my body.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Georgie took out her phone. 'I want to take a picture of you two.' She held up her phone and motioned for us to get together. Darcy and I lined up against the railing. 'No, I need you closer together to get you both in the photo,' she instructed. I had taken countless pictures on the waterfront and I knew that if you were getting the skyline in the background, you didn't need to be that close. Darcy put his arm around my shoulder and we leaned in. I slipped my arm around his waist and I noticed how easily I fit into the little nook on his side. 'Oh, hold on, I'm having problems.' Georgie played with her phone for a few moments while we just stood there in our posed embrace. 'Georgie...' She looked up at her brother and blushed. 'Um, I think it works now.
Elizabeth Eulberg (Prom & Prejudice)
And then we were kissing. My hand let go of the oxygen cart and I reached up for his neck, and he pulled me up by my waist onto my tiptoes. As his parted lips met mine, I started to feel breathless in a new and fascinating way. The space around us evaporated, and for a weird moment I really liked my body, this cancer-ruined thing I'd spent years dragging around suddenly seemed worth the struggle, worth the chest tubes and PICC lines and the ceaseless bodily betrayal of the tumors.
John Green (The Fault in Our Stars)
Wow," she said weakly. "That's even more amazing than I thought it would be." Alex's arms were still looped around her waist; it took a serious effort not to draw her back to him and start kissing her again. He managed to control himself and grinned. "You mean with me or just in general?" "In general," she said. "But I have a feeling it's especially amazing with you." She leaned back in his arms, studying him. Shaking her head with a slight smile, she reached out and stroked the line of his cheekbone. "Do you even realize how gorgeous you are?" What he realized was that he was happier than he'd ever been. He gazed at Willow, drinking in her face, feeling amazed that this was happening--that she was here with him and that she actually felt the same way. "Come here," he said softly. And pulling her toward him, he simply held her, cradling her against his chest.
L.A. Weatherly (Angel (Angel, #1))
With her back turned, she loosened each plait until her hair hung in waves that curled around her waist. Then she spun to face him and puffed a sigh. “Fine. You caught me. I guess there’s no use pretending anymore.” Doran settled in and waited for the punch line. “I lured you onto this ship,” she said, “because I couldn’t get enough of your scintillating personality.” There it was. “Kiss me, Doran,” she cried, flopping onto the mattress with one arm slung over her eyes and the other clutched to her breast. “I burn for you, hotter than a thousand hells.” He cocked his head to the side. “I think there’s an ointment for that.
Melissa Landers (Starflight (Starflight, #1))
For one ridiculous moment she considered changing into something sexier—at least from the waist up, as that was all he’d see on his camera—but decided not to bother. Logan had fallen in love with her in striped T-shirts and jeans. There was no need to mess with a winning formula.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
Some people who have been working out regularly for months or even years are still out of shape because the number of cheat days they have in a week exceeds six.
Mokokoma Mokhonoana
In you the earth… Little rose, roselet, at times, tiny and naked, it seems as though you would fit in one of my hands, as though I’ll clasp you like this and carry you to my mouth, but suddenly my feet touch your feet and my mouth your lips: you have grown, your shoulders rise like two hills, your breasts wander over my breast, my arm scarcely manages to encircle the thin new-moon line of your waist: in love you loosened yourself like sea water: I can scarcely measure the sky’s most spacious eyes and I lean down to your mouth to kiss the earth.
Pablo Neruda
Is that … chocolate cake?” “I thought you might need some.” “Need, not want?” A ghost of a smile was on her lips, and he almost sagged in relief as he said, “For you, I’d say that chocolate cake is most definitely a need.” She crossed from the fireplace to where he stood, stopping a hand’s breadth away and staring up at him. Some of the color had returned to her face. He should step back, put more distance between them. But instead, he found himself reaching for her, a hand slipping around her waist and the other twining itself through her hair as he held her tightly to him. His heart thundered through him so hard he knew she could feel it. After a second, her arms came up around him, her fingers digging into his back in a way that made him realize how close they stood. He shoved that feeling down, even as the silken texture of her hair against his fingers made him want to bury his face in it, and the smell of her, laced with mist and night, had him grazing his nose against her neck. There were other kinds of comfort that he could give her than mere words, and if she needed that kind of distraction … He shoved down that thought, too, swallowing it until he nearly choked on it. Her fingers were moving down his back, still digging into his muscles with a fierce kind of possession. If she kept touching him like that, his control was going to slip completely. And then she pulled back, just far enough to look up at him again, still so close their breath mingled. He found himself gauging the distance between their lips, his eyes flicking between her mouth and her eyes, the hand he had entwined in her hair stilling. Desire roared through him, burning down every defense he’d put up, erasing every line he’d convinced himself he had to maintain.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
I've always been in two minds about women, really. On the one hand, I always liked the fact they had waists, and we hadn't. That aroused in me a feeling of - how shall I put it? - well, pleasure. Yes, pleasurable feelings. Still, on the other hand, they did stab Marat with a penknife, and Marat was Incorruptible, so they shouldn't have stabbed him. That fairly killed off the pleasure. Then again, like Karl Marx, I've always loved women for their little weaknesses - i.e. they've got to sit down to pee, and I've always liked that - that's always filled me with - well, what the hell - a sort of warm feeling. Yes, pleasurable warmth. But then again they did shoot at Lenin, with a revolver no less! And that put a damper on the pleasure as well. I mean, fair enough, sitting down to pee, but shooting at Lenin? That's a sick joke, talking about pleasure after that. However, I digress.
Venedikt Erofeev (Moscow to the End of the Line)
I focused very hard on the dead geranium in his line of vision. I thought if I could make it bloom he would have his answer. In my heaven it bloomed. In my heaven geranium petals swirled in eddies up to my waist. On Earth nothing happened... I stood alone in a sea of bright petals.
Alice Sebold (The Lovely Bones)
I… What are you doing " Mircea had run a hand through his waterfall of hair and now he was sliding those beautifully shaped hands down his chest to glide over his nipples. His torso was hairless and perfectly sculpted with toned muscles and a long waist. He followed the lines of his flat stomach to the low-slung border of his only remaining garment. His fingers lingered there sliding along that insubstantial barrier teasingly drawing my eyes to the line of dark hair that started below his navel and disappeared beneath the black silk. It was startling against the pale perfection of his skin and except for the faint pink of his nipples gave the only color to his upper body. "Doing dulceaţă " he asked innocently. "I am trying my best to seduce you.
Karen Chance (Touch the Dark (Cassandra Palmer, #1))
You could kiss me, we’ve hardly kissed since you’ve come back. You didn’t meet another woman while you were gone did you?” I traced around the outline of his lips with my index finger. “There are other women out there?” The look on his face was one of genuine surprise. “Oh, you’re good.” I kissed his cheek. “Did you come up with that all by yourself, or is it a line from one of your old movies?” “All by myself.” Seth put his arms around my waist and drew me close.
Sherry Gammon (Unlovable (Port Fare, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Tread lightly, little one." He warned. "You don't want to push me. Not tonight." Her eyes darkened with anger, narrowing as she met his gaze. "Really? And why is that Raj?"..."I am tired of you thinking you have the right to control me. You are not my boyfriend, and you sure as hell are not my keeper, so from where I stand, you've got no claim on me what so ever. Like the song says, you don't want me for yourself so let me find someone else. It's shit or get off the pot time, Raj. It's now or never, Time to-" She gave a shriek as Raj swung an arm around her waist and lifted her off her feet. He threaded the fingers of one hand through her hair and pulled it aside, freeing the long line of her neck. "Then I choose now," he growled and sank his fangs into the velvet skin of her neck puncturing the fragile walls of her jugular.
D.B. Reynolds (Rajmund (Vampires in America, #3))
He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark. He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles. Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.
Terry Pratchett (Pyramids (Discworld, #7))
In the front was a man he knew only as “Samson,” a big man that from all appearances was a former juice head gym rat with exquisitely defined muscles, stripped to the waist and carrying a huge nine foot cross hewn from raw timber and held together with nails and twine. Behind him in a rough line were the flagellates: five men also stripped to the waist, holding various chains, heavy corded ropes, and one with what looked like a leather whip from the S&M sex shop. They beat their backs as they slowly walked down the center of the street.
Joseph M. Chiron (Tagged: The Apocalypse)
Put your arms around my waist, Hold me close for a kiss and savour the taste, I love you now I love you true, Can I drown please in your eyes so blue? Let’s hang our hearts on a crescent moon, And skinny-dip in starlit lakes to loves sweet tune, Let’s dance on boithrins grassy line, And waltz 'Neath the canopied leaves of nature fine. Lets sit afore fires on a winters night Let me read you poetry aloud by candlelight, Let’s lay under the skylight and tell constellations apart, And I’ll remind you of the place you have in my heart.
Michelle Geaney (Under These Rebel Skies)
If a person gets rid of any weight, or girth, or fat, it isn't lost--it is fought off, beaten off.
Samuel G. Blythe (THE FUN OF GETTING THIN: How To Be Happy and Reduce the Waist Line)
I've always longed to have a patch of personal wilderness. Of waist-high grass entwined with wildflowers through which I can prance; within which I can lie down and disappear from sight.
Sara Baume (A Line Made By Walking)
Free! Body and soul free!" she kept whispering. Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission. "Louise, open the door! I beg; open the door--you will make yourself ill. What are you doing, Louise? For heaven's sake open the door." Go away. I am not making myself ill." No; she was drinking in a very elixir of life through that open window. Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long. She arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom. Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one. He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife. When the doctors came they said she had died of heart disease--of the joy that kills. (last lines)
Kate Chopin (The Story of an Hour)
My only regret,” he gently tugged me back toward him, “would be leaving this world before naming you as my wife. If I die tomorrow, at least I’ll have that to my credit.” Wrapping his arms around my waist, he vowed, “You don’t have to be queen…but you will not fall into obscurity on a foreign world. You will bear the Omuran name, and I have to believe that will protect you.” He brought his forehead to rest against mine, adding sorrowfully, “I have to believe that our family line wasn’t meant to end with this.
M.A. George (Relativity (Proximity, #2))
I wish I could tell you this was all just because I’m desperate and horny, making up for lost time after being locked up.” He slid his palm under the hem of her T-shirt, groaning at the feel of warm, smooth skin. “It would be so much easier if that was all this was.” He cupped a breast and flicked a nipple through the silk of her bra, loving the way it jumped to immediate attention against the pad of his thumb. “There hasn’t been anyone,” he said between kisses. “I haven’t wanted anyone. I’ve been walking around like I’m dead inside and then you show up.” He couldn’t keep the edge out of his voice, angry at his own lack of control. Like she needed anything more on him, but he couldn’t keep himself from spilling his guts. “All of a sudden all I can think about is how you smell, how you might taste.” He sucked her tongue into his mouth for emphasis. “How soft your skin would feel.” He whipped her shirt over her head and slid his hands down the smooth line of her back, down the curve of her waist and hip.
Jami Alden (Hide from Evil (Dead Wrong, #2))
Once upon a time, the great big world outside Bridgeton had seemed like Xanadu - miles of golden road lined with smiling people, waiting to usher me through hundreds of open doors. There was nothing out there but bright light and possibilities. There were big dreams of other places, other people, even other boys. There had even, for two hours in April, been somebody else. He was a glimpse of the future, where I would live and breath and love far, far away from this place. A future where behind a closed door, on Saturday mornings, a boy I hadn't met yet would wrap an arm around my waist and exhale damp heat into the curve of my neck. Where we would keep our eyes closed, pull the covers closer, burrow down and deeper to escape the nine-o'clock sunshine, and the sound of heavy breath echoing along the rusted steel confines of a pickup truck would be nothing but a memory.
Kat Rosenfield (Amelia Anne Is Dead and Gone)
Every time I glanced at Ren, I saw that he was watching me. When we finally reached the end of the tunnel and saw the stone steps that led to the surface, Ren stopped. “Kelsey, I have one final request of you before we head up.” “And what would that be? Want to talk about tiger senses or monkey bites in strange places maybe?” “No. I want you to kiss me.” I sputtered, “What? Kiss you? What for? Don’t you think you got to kiss me enough on this trip?” “Humor me, Kells. This is the end of the line for me. We’re leaving the place where I get to be a man all the time, and I have only my tiger’s life to look forward to. So, yes, I want you to kiss me one more time.” I hesitated. “Well, if this works, you can go around kissing all the girls you want to. So why bother with me right now?” He ran a hand through his hair in frustration. “Because! I don’t want to run around kissing all the other girls! I want to kiss you!” “Fine! If it will shut you up!” I leaned over and pecked him on the cheek. “There!” “No. Not good enough. On the lips, my prema.” I leaned over and pecked him on the lips. “There. Can we go now?” I marched up the first two steps, and he slipped his hand under my elbow and spun me around, twisting me so that I fell forward into his arms. He caught me tightly around the waist. His smirk suddenly turned into a sober expression. “A kiss. A real one. One that I’ll remember.” I was about to say something brilliantly sarcastic, probably about him not having permission, when he captured my mouth with his. I was determined to remain stiff and unaffected, but he was extremely patient. He nibbled on the corners of my mouth and pressed soft, slow kisses against my unyielding lips. It was so hard not to respond to him. I made a valiant struggle, but sometimes the body betrays the mind. He slowly, methodically swept aside my resistance. And, feeling he was winning, he pressed ahead and began seducing me even more skillfully. He held me tightly against his body and ran a hand up to my neck where he began to massage it gently, teasing my flesh with his fingertips. I felt the little love plant inside me stretch, swell, and unfurl its leaves, like he was pouring Love Potion # 9 over the thing. I gave up at that point and decided what the heck. I could always use a rototiller on it. And I rationalized that when he breaks my heart, at least I will have been thoroughly kissed. If nothing else, I’ll have a really good memory to look back on in my multi-cat spinsterhood. Or multi-dog. I think I will have had my fill of cats. I groaned softly. Yep. Dogs for sure.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
You are not a weapon, Grey.” “I can be.” His hand lifts from my waist to brush a lock of hair from my cheek. “But you are by far more dangerous.” I can hardly think with his fingers tracing a line down the side of my face. “Ah, yes, the most dangerous person at the party is always the girl sitting alone with a book.
Brigid Kemmerer (A Heart So Fierce and Broken (Cursebreakers, #2))
His eyes track the rise and fall of my breath. “We’re still competing for the same job.” “So I’m competition again?” I tease. His hand flexes at my waist, and I’m pulled snug against him, where I can feel every hard line of him. “You were always competition.” “I’m going to kiss you, Hayden,” I say, almost a warning.
Emily Henry (Great Big Beautiful Life)
Some hugs were awkward. One person’s arm headed over the other’s shoulder just as that person was mirroring the action. So it would almost look like a defensive karate move in slow motion. Sometimes, a guy liked to hug around the waist and if the girl was shorter, he’d straighten a little and she’d end up on tip toe. This had always made her feel like a melon being weighed for juiciness. From the wrong man, from any man really, it was a creepy hug. Other hugs were comfortable, a perfect synchronization of arms crisscrossing around one another’s backs, a full, warm, brief embrace that said "I care about you" but didn’t cross any weird lines.
Victoria Kahler (Luisa Across the Bay)
There are many ways to generate numerical falsehoods from data, many ways to create proofiness from even valid meaurements. Causuistry distorts the relationships between two sets of numbers. Randumbness creates patterns where none are to be found. Regression to the moon disguises nonsense in mathematical-looking lines or equations or formulae, making even the silliest ideas seem respectable. Such as the one described by this formula: Callipygianness=(S+C)x(B+F)/T-V) Where S is shape, C is circularity, B is bounciness, F ir firmness, T is texture, and V is waist-to-hip ratio. This formula was devised by a team of academic psychologists after many hours of serious research into the female derriere. Yes, indeed. This is supposed to be the formula for the perfect butt. It fact, it's merely a formula for a perfect ass
Charles Seife (Proofiness: The Dark Arts of Mathematical Deception)
She pointed to a chair,then shifted the finger to her son. "You,go. I'll finish with you later." "I'll be at the stables, doing penance." With a heavy sigh, Patrick rose, then he wrapped his arms around his mother's waist, laid his chin on top of her head. "Sorry." "Get." But Brian saw her lay a hand over Patrick's, and squeeze. With a quick grin tossed to the room in general, he bolted. "That boy's responsible for every other line on my face," Adelia muttered. "What lines?" Travis asked, and made her laugh. "That's the right answer.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
When you come to examine into the actuating motives for any line of human endeavor you will find that vanity figures about ninety per cent directly or indirectly, in the assay.
Samuel G. Blythe (THE FUN OF GETTING THIN: How To Be Happy and Reduce the Waist Line)
I'd love nothing more than to study the ink covering him from the waist up, tracing the lines and shapes with my fingers and tongue.
Taylor Fenner (Headless)
He uncoiled a length of fine leather tubing from his waist and tossed it down to Hessler, leaving the end attached to his waist. “Remember, one sharp tug means that you must feed me more tubing and shake the line, as it may have gotten caught, while two tugs means that I am stuck and need you to pull me back.” “How many tugs means that we should trigger the explosion?” Tern asked. Icy raised an eyebrow. “Me standing next to you, having extricated myself from the tunnel safely, and explicitly telling you to trigger the explosion is the only agreed-upon signal for you to trigger the explosion.
Patrick Weekes (The Paladin Caper (Rogues of the Republic, #3))
Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.
Celeste Ng (Little Fires Everywhere)
You said you loved me. No one has ever said that to me before and it meant something. So if you think I’m going to let you get on a goddamn plane and fly out of my life, you’ve got another think coming.” One strong hand grasped her knee and curled it around his waist. When he ground his erection into her damp center, her head fell back onto the mattress with a whimper. “I will follow you, do you understand me? You don’t get to swoop in, make me fall in love with you, and bail. That’s not how this is going to work.” Daniel rotated his hips once, twice. “Can you live without this? Because I can’t. I won’t.
Tessa Bailey (Officer Off Limits (Line of Duty, #3))
Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city. As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure. To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not. The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.
Catherynne M. Valente (Palimpsest)
I grasped her waist and moved her to kneel over my face so that I could kiss the ink on her thigh. I traced each and every line of that tattoo with my tongue, my heart racing at the knowledge that she'd placed it on her skin permanently for me.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
However, if you were mine?” His eyes traced their way over my collarbones, down the line of my cleavage, to my waist, my hips, my thighs, and back up again. “You wouldn’t have even made it to that top stair before I was dragging you back to the room for my eyes only.
Kandi Steiner (Close Quarters)
I make no claims. I have set down the facts; and the only warning advice or admonition I have to give is that any person who makes up his mind to try this method and things he isn't in for the hardest struggle of his life would do well not to try. This isn't frolic. It's a fight.
Samuel G. Blythe (THE FUN OF GETTING THIN: How To Be Happy and Reduce the Waist Line)
We finally made our way to the front of the line, where a young bouncer snapped an underage wristband on me and gave me an appraising look, eyes scanning my waist-length hair before raising the velvet rope. I rushed under it with Jay on my heels. “For real, Anna, don't let me stand in the way of all these dudes tonight.” Jay laughed behind me, raising his voice as we entered the already packed room, music thumping. I knew I should have put my hair up before we came, but Jay's sister, Jana had insisted on my keeping it down. I pulled my hair over my shoulder and wound it into a rope with my finger, looking around at the tightly packed crowd and wincing slightly at the noise and blasts of emotion. “They only think they like me because they don't know me,” I said. Jay shook his head. "I hate when you say things like that.” “Like what? That I'm especially special?” I was trying to make a joke, using the term us Southerners fondly called people who "weren't right" but anger burst gray from Jay's chest, surprising me, then fizzled away. “Don't talk about yourself that way. You're just...shy.” I was weird and we both knew it. But I didn't like to upset him, and it felt ridiculous having a serious conversation at the top of our lungs. Jay pulled his phone from his pocket and looked at the screen as it vibrated in his hand. He grinned and handed it to me. Patti. “Hello?” I stuck a finger in my other ear so I could hear. “I'm just checking to see if you made it safely, honey. Wow, it's really loud there!” “Yeah, it is!” I had to shout. “Everything is fine. I'll be home by eleven.” It as my first time going to something like this. Ever. Jay had begged Patti for permission himself, and by some miracle got her to agree. But she was not happy about it. All day she'd been as nervous as a cat the vet.
Wendy Higgins (Sweet Evil (Sweet, #1))
I feel the loss, dull the ache of it cause I had it, the place where his legs met his body, the muscular dark where his tunic flared up in the breeze as he went, I had it like telling the oldest story in the world cause there’s a very pure pleasure in a curve like the curve of a buttock : the only other thing as good to draw is the curve of a horse and like a horse a curved line is a warm thing, good-natured, will serve you well if not mistreated, and the curves of his sleeves concertina-ing down and back from his shoulders, blanket stitch then scallop-bite edge, round his waist a double yarnstrand to hold him well.
Ali Smith (How to Be Both)
And if there is any phase of human enjoyment, any part of life, any occupation, avocation, divertisement, pleasure or pain where the fat man has the better of it in any regard, I failed to discover it in the twenty years during which I looked like the rear end of a hack and had all the bodily characteristics of a bale of hay.
Samuel G. Blythe (THE FUN OF GETTING THIN: How To Be Happy and Reduce the Waist Line)
It doesn't happen to me anymore, because a fresh generation of Africans and Asians has arisen to take over the business, but in my early years in Washington, D.C., I would often find myself in the back of a big beat-up old cab driven by an African-American veteran. I became used to the formalities of the mise-en-scène: on some hot and drowsy Dixie-like afternoon I would flag down a flaking Chevy. Behind the wheel, leaning wa-aay back and relaxed, often with a cigar stub in the corner of his mouth (and, I am not making this up, but sometimes also with a genuine porkpie hat on the back of his head) would be a grizzled man with the waist of his pants somewhere up around his armpits. I would state my desired destination. In accordance with ancient cabdriver custom, he would say nothing inresponse but simply engage the stickshift on his steering wheel and begin to cruise in a leisurely fashion. There would be a pause. Then: 'You from England?' I would always try to say something along the lines of 'Well, I'm in no position to deny it.' This occasionally got me a grin; in any case, I always knew what was coming next. 'I was there once.' 'Were you in the service?' 'I sure was.' 'Did you get to Normandy?' 'Yes, sir.' But it wasn't Normandy or combat about which they wanted to reminisce. (With real combat veterans, by the way, it almost never is.) It was England itself. 'Man did it know how to rain… and the warm beer. Nice people, though. Real nice.' I would never forget to say, as I got out and deliberately didn't overtip (that seeming a cheap thing to do), how much this effort on their part was remembered and appreciated.
Christopher Hitchens (Hitch 22: A Memoir)
He wore a white girdle that pulled in his waist just above the hips. He was, of necessity, slender. She believed men should take up as little space as possible. He wore his black hair long over his shoulders, tied once with a white ribbon. The men allowed to live were, of course, beautiful, far more beautiful than any of the women Zezili knew. Anavha was clean-shaven, as she wanted him, lightly powdered in gold, his eyes lined in kohl, eyes a stormy grey, set a bit too wide in a broad face whose jaw she has initially found almost vulgar in its squareness. He stood a hand shorter than she; she easily outweighed him by fifty pounds. She liked him just this way.
Kameron Hurley (The Mirror Empire (Worldbreaker Saga, #1))
I heard Taylor Swift playing through the speakers, and laughed when Chase reached his hand out to me. “I didn’t think you’d be a fan of Taylor Swift,” I said, following him a short distance away from his truck. He turned and wrapped one arm around my waist, and took my hand in his. He started swaying, and I fell into his easy rhythm.
Tamsyn Bester (The Line Between (The Line Between #1))
Wrong. I didn’t suspect the abused wife only because I couldn’t imagine one victim actively victimizing other innocent women and children.” She smiles wickedly and bends at the waist, leveling her green eyes with mine. “And I can’t imagine a man that puts his life on the line to save these victims forcing an innocent woman into a relationship.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
Alice Sebold (The Lovely Bones)
So, with his ivory leg inserted into its accustomed hole, and with one hand firmly grasping a shroud, Ahab for hours and hours would stand gazing dead to windward, while an occasional squall of sleet or snow would all but congeal his very eyelashes together. Meantime, the crew driven from the forward part of the ship by the perilous seas that burstingly broke over its bows, stood in a line along the bulwarks in the waist; and the better to guard against the leaping waves, each man had slipped himself into a sort of bowline secured to the rail, in which he swung as in a loosened belt. Few or no words were spoken; and the silent ship, as if manned by painted sailors in wax, day after day tore on through all the swift madness and gladness of the demoniac waves.
Herman Melville (Moby Dick: or, the White Whale)
It’s no big deal,” he said quickly, backing up to lean sideways against the doorjamb. Crossing his arms. Definitely not thinking about how easy it would be to prowl over her on that bed, tease her a little more, run his fingertips along that section of skin between her hip bones and waist, flirt until kissing turned into her idea, instead of his intention all along. He knew the dance moves well.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
One of the masked women imitates the sounds she hears and the ubiquitous tune, as she sways and runs her hand through her hair. A rutting mare, a slender block of ice, warm for others but not for herself, she seems to be split in two: fire from the waist down, straight lines above. Growing more sensual by the minute, more labile and smiling, her mask redder, flame is her nest, the flash of her eyes stony gray.
Homero Aridjis (Persephone)
At first glance you would think it was nothing more than an ordinary house-gown, but only at first glance. If you looked at it again, you could tell right away that it met all the requirements of a fancy ball-gown. What struck Abramka most was that it had no waist line, that it did not consist of bodice and skirt. That was strange. It was just caught lightly together under the bosom, which it brought out in relief. Draped over the whole was a sort of upper garment of exquisite old-rose lace embroidered with large silk flowers, which fell from the shoulders and broadened out in bold superb lines. The dress was cut low and edged with a narrow strip of black down around the bosom, around the bottom of the lace drapery, and around the hem of the skirt. A wonderful fan of feathers to match the down edging gave the finishing touch.
Thomas Seltzer (Best Russian Short Stories)
The passionate fury in every line of her body made Cullen go still. The sudden vision of Rachel locked beneath him, her legs wrapped around his waist, that wild gaze linked passionately with his as he pushed himself inside her, flooded his loins with a throbbing, painful heat. A groan rolled through him, and he broke out in a sweat. Sweet hell He wanted her. Here. Now. And God help them both, but she wanted him, too.
Fiona Brand (Cullen's Bride)
Sol closed his eyes, tilted his head up for a moment before opening them and meeting my dazed gaze. He leaned his forehead against mine, and said the last thing I ever expected. "I've been searching my entire life for you." I burst out laughing. I couldn’t help it that had to be the funniest thing anyone had ever said to me…ever. I rested my hand on my stomach, and was bent over at the waist when I heard him clear his throat. I looked up, immediately sobered and stood tall, staring him in the eye. "Does that line generally work well for you?" I asked with as straight a face as I could manage. He shifted his weight, raised his hands in mid-air and said, "Usually. Women tend to fall at my feet, and beg me to take them home." "Arrogance and egotism know no bounds, I see." "When you've lived as long as I have, you take your kicks where you can get them.
E.R. Pierce (Duality (Cordelia Kelly, #1))
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
As I peeled it open, a line in the print caught my eye: “Mumbai’s undying spirit was once again on display after the city saw its worst waterlogging.” The author was probably some English-lit graduate from a posh college who thinks poverty makes for good poetry, as if trudging back to work through waist-deep water was noble rather than desperate. I hated those writers. I hated most writers. Life should not demand heroism just to get through the ordinary.
Karan Rathod (Station Hopper)
Go away,” she said voicelessly. Aureliano, smiled, picked her up by the waist with both hands like a pot of begonias, and dropped her on her back on the bed. With a brutal tug he pulled off her bathrobe before she had time to resist and he loomed over an abyss of newly washed nudity whose skin color, lines of fuzz, and hidden moles had all been imagined in the shadows of the other rooms. Amaranta Úrsula defended herself sincerely with the astuteness of a wise woman, weaseling her slippery, flexible, and fragrant weasel’s body as she tried to knee him in the kidneys and scorpion his face with her nails, but without either of them giving a gasp that might not have been taken for that”“breathing of a person watching the meager April sunset through the open window. It was a fierce fight, a battle to the death, but it seemed to be without violence because it consisted of distorted attacks and ghostly evasions, slow, cautious, solemn, so that during it all there was time for the petunias to bloom and for Gaston to forget about his aviator’s dream in the next room, as if they were two enemy lovers seeking reconciliation at the bottom of an aquarium. In the heat of that savage and ceremonious struggle, Amaranta Úrsula understood that her meticulous silence was so irrational that it could awaken the suspicions of her nearby husband much more than the sound of warfare that they were trying to avoid. Then she began to laugh with her lips tight together, without giving up the fight, but defending herself with false bites and deweaseling her body little by little until they both were conscious of being adversaries and accomplices at the same time and the affray degenerated into a conventional gambol and the attacks became”“caresses. Suddenly, almost playfully, like one more bit of mischief, Amaranta Úrsula dropped her defense, and when she tried to recover, frightened by what she herself had made possible, it was too late. A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange whistles and the invisible globes on the other side of death were like. She barely had time to reach out her hand and grope for the towel to put a gag between her teeth so that she would not let out the cat howls that were already tearing at her insides.
Gabriel García Márquez (One Hundred Years of Solitude)
And then those dusky lashes fluttered up, revealing a lambent gleam of jungle green. His hands circled her waist and she slowly flexed his hips, a wholly male sound of satisfaction escaping him when her eyes fluttered shut and she gasped. And then a small, secret, feminine smile appeared on her lips and Chase’s control snapped like a power line in a high wind. Wrapping her in his arms, he began to pump into her in a slow, relentless rhythm that was both too much and not enough.
Caroline Cross (Rafferty's Angel)
It was not age that depressed Druss. He enjoyed the wisdom of his sixty years, the knowledge accrued, and the respect it earned. But the physical ravages of time were another thing altogether. His shoulders were still mighty above a barrel chest, but the muscles had taken on a stretched look—wiry lines that crisscrossed his upper back. His waist, too, had thickened perceptibly over the last winter. And almost overnight, he realized, his black beard streaked with gray had become a gray beard streaked with black.
David Gemmell (Legend (Drenai Saga, #1))
Noon. In the middle of Knoll Road. In it up to your waist, wearing your father’s old reindeer sweater, your mother’s fur-lined gloves. Squinting across an infinite ocean of white. Shivering. Breathing. Listening. To nothing. There are no cars, no mailboxes, no traffic islands, no sound. The triple-deckers are now double-deckers and everything’s muffled and buried and gone. You yell and you are the only one yelling. The only one breathing. The only one there. The faint chime of a city plow in the distance. The wail of one of Schoerner’s penned-up hounds. But no one is with you. No one to contradict you. And you dare to close your eyes and fill up your lungs with winter, your destiny before you like a map of the world. And the wind seems to whisper promises, and you, with arms outstretched and chin to the heavens, swear oaths back to the wind - little things, like fulfilling prophecies and charting new courses and going forth from this time and this place to do great and wondrous things. But first, of course, it will be necessary to get high.
Bob Flaherty (Puff)
Кордон от високи половин човешки бой библиотеки опасваше три от стените и техните затрупани полици буквално се огъваха от книги - детски книжки, учебници, книги, купени на старо и с отстъпка за членове на клуба, плюс още по-разнородна навалица в не чак толкова претъпканите „крила“ на апартамента. („Дракула“ съседстваше с „Начален курс по пали“, детската книжка „Малките съюзници край Сома“ - с „Грохот на мелодии“ от Емили Дикинсън, кримката „Убийството на скарабея“ и „Идиот“ стояха една до друга, книжлето от момичешката поредица за Нанси Дрю „Нанси Дрю и тайното стълбище“ лежеше върху „Страх и трепет“ от Киркегор.) A cordon of waist-high bookcases lined three walls, their shelves cram-jammed and literally sagging with books--children's books, textbooks, second-hand books, Book Club books, plus an even more heterogeneous overflow from less communal "annexes" of the apartment. ("Dracula" now stood next to "Elementary Pali," "The Boy Allies at the Somme" stood next to "Bolts of Melody," "The Scarab Murder Case" and "The Idiot" were together, "Nancy Drew and the Hidden Staircase" lay on top of "Fear and Trembling".
J.D. Salinger (Franny and Zooey)
The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.
Guy de Maupassant (Femme Fatale)
Ostap Bender lay in the dvornik's room, which was warm to the point of reeking, and mentally put the finishing touches on two possible career plans. He could become a polygamist and move peacefully from town to town, dragging behind him a new suitcase full of valuable items he'd picked up from the latest wife. Or he could go the very next day to the Stargorod Children's Commission and offer them the chance to distribute the as-yet unpainted but brilliantly conceived canvas The Bolsheviks Writing a Letter to Chamberlain, based on the artist Repin's popular painting The Zaporozhian Cossacks Writing a Letter to the Turkish Sultan. If it worked out, this option could bring in something along the line of four hundred rubles. Ostap had thought up both options during his last stay in Moscow. The polygamy option had been born under the influence of the court report from the evening papers, where it was clearly indicated that some polygamist had only gotten two years without strict isolation. Option number two had taken shape in Bender's mind when he was going through the AARR exhibit on a free ticket. However, both options had their downsides. It was impossible to begin a career as a polygamist without a wondrous, dapple-gray suit. In addition, he needed at least ten rubles for hospitality expenses and seduction. Of course, he could get married in his green campaign uniform as well, because Bender's masculine power and attraction were absolutely irresistible to provincial, marriage-ready Margaritas; but that would be, as Bender liked to say, "Poor-quality goods. Not clean work." It wasn't all smooth sailing for the painting, either. Purely technical difficulties could arise. Would it be proper to paint Comrade Kalinin in a papakha and a white burka, or Comrade Chicherin naked to the waist?
Ilya Ilf (The Twelve Chairs)
It’s all true. I needed to talk to Bernadette about her blackberry bushes, which are growing down her hill, under my fence, and invading my garden. I was forced to hire a specialist, who said Bernadette’s blackberries are going to destroy the foundation of my home. Naturally, I wanted to have a friendly chat with Bernadette. So I walked up to her car while she was in the pickup line. Mea culpa! But how else are you ever going to get a word with that woman? She’s like Franklin Delano Roosevelt. You see her only from the waist up, driving past. I don’t think she has once gotten out of her car to walk Bee into school.
Maria Semple (Where'd You Go, Bernadette)
I drove back into town, full of the look of her, full of the impact of her. It was an impact that made the day, the trees, the city, all look more vivid. Her face was special and clear in my mind—the wide mouth, the one crooked tooth, the gray slant of her eyes. Her figure was good, shoulders just a bit too wide, hips just a shade too narrow to be classic. Her legs were long, with clean lines. Her flat back and the inswept lines of her waist were lovely. Her breasts were high and wide spaced, with a flavor of impertinence, almost arrogance. It was the coloring of her though that pleased me most. Dark red of the hair, gray of the eyes, golden skin tones.
John D. MacDonald (A Bullet for Cinderella)
I’m yours. Fuck me, Cole,” she murmurs. Fuck. I thrust in, and her gasp meets my moan in a blissful explosion of lust. Like animals, we fuck against the wall, kissing and bouncing up and down. She rides me like an expert while sweat drips down my forehead, and her pussy is wetter than anything I’ve ever felt before. We were made for each other, her and me, like lightning and thunder in the night sky. And I can’t fucking stop loving her. Our mouths entangle in a furious battle while we fuck like madmen high on lust. Her body quakes with need as goose bumps scatter on her skin. My cock pulses inside her, and I’m slamming into her so hard I can barely fucking keep it together. I move away from the wall and carry her to the table in the back of the room where I put her down and swipe everything off it. She lies down, and I fuck her against the table like a savage, my hands grasping at her waist and tits. I’m delirious with need, completely consumed by my own desire. I lean over to kiss her on the neck, drawing a line all the way down to her nipples, which peak from the attention I lavishly dish out. And when I lean up to slam into her fully, her eyes almost roll into the back of her head. A filthy smile spreads on my lips, knowing it was me who made her feel this way. After all this waiting, all this fighting, all this tugging and pulling, she is finally mine.
Clarissa Wild (Rowdy Boy (Black Mountain Academy))
Walking home's going to be...interesting half dressed." Alan mused as he dropped the shirt over the lip of the sink. Shelby shot a look over her shoulder, but the retort she had in mind slipped away from her.He was lean enough so she could have counted his ribs, but there was a sense of power and endurance in the breadth of his chest and shoulders, the streamlined waist. His body made her forget any other man she'd ever seen. It had been he,she realized all at once, whom she'd been thinking of when she'd thrown the clay into that clean-lined bowl. Shelby let the first flow of arousal rush through her because it was as sweet as it was sharp. Then she tensed against it, rendering it a distant throb she could control. "You're in excellent shape," she commented lightly. "You should be able to make it to P street in under three minutes at a steady jog." "Shelby, that's downright unfriendly." "I thought it was more rude," she corrected as she struggled against a grin. "I suppose I could be a nice guy and throw it in the dryer for you." "It was your clay." "It was your move," she reminded him, but snatched up the damp shirt. "Okay, come on upstairs." With one hand, she tugged off her work apron, tossing it aside as she breezed through the doorway. "I suppose you're entitled to one drink on the house." "You're all heart," Alan murmured as he followed her up the stairs. "My reputation for generosity precedes me.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
They stood there, lined up along the wall, gazing at the wonder of a sunset that blazed across the heavens. Where the sun was sinking, the skies ran with molten crimson that spread above the mountains like watercolor, changing to orange and pink, lavender and gold. A cool fire of platinum rimmed the profile of Gabriel Mountain and the dark, swelling ridges on either side. He put one arm around Dooley's shoulders and the other around Cynthia's waist. The fullness of his heart was inexpressible. All is safely gathered in . . . He knew it could not always be this way. . . No, nothing ever remained the same. If he had learned anything in life, he had learned that such moments were fragile beyond knowing. Ere the winter storms begin . . .
Jan Karon (These High, Green Hills (Mitford Years, #3))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
There’s a big difference in reaching for the best we can be and in trying to be something we are not and never will be.” “So women can’t do everything men can?” Tina clarified. “I’m afraid not.” A slow grin began to form. “Women can do more.” “Georgie,” Lucious admonished. Laughter bubbled up within her. “Some things are just different, that’s all.” He grabbed her around the waist and pulled her close. “I think, Bettina Landrum, your mama is full of sass from getting that piece of legislation named after her.” “She is?” Tina asked. “She is.” He looked over his brood of girls. “But the truth is, your mama can do anything she sets her mind to.” Georgie gave him a playful push. “Don’t tease, Lucious. They’ll believe you.” “And well they should.” Leaning over, he gave her a kiss flush on the lips.
Deeanne Gist (Love on the Line)
Tears explode from my eyes, pouring down my face. I launch myself at Jaxon, legs around his waist, clinging to him. His hand moves over my back as he whispers, “Do you like it?” A simple yes would probably suffice. Instead I take his face in my hands and tell him, “You’re my line.” “What?” “The line that marks my before and after. I met you during the worst time in my life, and everything that’s come since you has been so much better. This, Jaxon?” I gesture at a sky I’ve been dreaming of seeing in person for as long as I can remember. That’s when I notice the blanket laid out by the shore, the pillows, a bag of takeout, a pile of warm clothes, and my brand-new telescope, set up and pointing at the stars. I sniffle, tears dripping down my cheeks. “This is my favorite day, and it’s because of you.
Becka Mack (Fall with Me (Playing for Keeps, #4))
He covered her mouth with his ---and she felt as if she had suddenly been enveloped in a cascade of sparks. The tingling warmth from his touch did not compare to the sensations that whirled through her as his lips moved over hers. It was as if every part of her body had at once become brilliantly alive. His beard was a startling, silky roughness against her skin. His other hand came to rest at her waist, drawing her in tight, and her body seemed to meld to his hard, lean lines, as if it were the most natural thing in the world. Her thoughts scattered. A sound escaped her, soft and deep, unlike any sound she had ever made in her life. Then his tongue touched her lower lip and she gave a startled little squeak. Her suddenly lifted his mouth from hers, his eyes midnight blue, his voice husky. "You have never even been kissed before, leannan. You are as innocent as the day you first set foot in the convent.
Shelly Thacker (His Stolen Bride (Stolen Brides, #1))
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
Claire tipped her head back, and this time he found her lips. It was, she thought, supposed to be a fast and sweet little kiss, but somehow it slowed down, got warmer and deeper. His lips were damp and soft as silk, and that was such a contrast to the hard lines of his body pressed against her. The strength of his hands sliding around her waist and pulling her even closer. She heard him growl low in his throat, a wild and hungry sound that made her go weak and faint. He broke the kiss and leaned against her, breathing hard. "Good morning to you too. Man, I just can't stay mad when you do that." "Do what?" she asked innocently. She didn't feel innocent. She also didn't feel sixteen-nearly-seventeen, not at all. Shane always made her feel older. Much older. Ready for anything. It was a good thing Shane wasn't as dumb as her hormones seemed to be. "Unless you want to stay home and cut class, we don't really have time to talk about it," he said, and waggled his eyebrows. "So. Wanna cut class and make out?
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Cursing himself, he glided his fingertips from her shoulder inward along the elegant line of her collarbone. She responded to him with a sigh of intoxicated pleasure, arching her head back, lifting her breasts slightly as her body rose to his touch. His eyes glazed over as he realized then that she was awake enough to know what she wanted. He leaned down at once and kissed her shoulder softly, whispering her name. "Wake to me." She touched his head in answer, draping her arm weakly over his neck. He moved onto the bed with her, his heart pounding. He lay beside her, close enough to consume with his lips the small, heady sigh that escaped hers. He watched the dreamy smile that curved her lips as he began caressing her with seductive reassurance, letting her get accustomed to his touch. "That's right. You just relax," he breathed. He skimmed his palm down her arm, but at her elbow, he diverted his explorations to her slender waist. From there, he ran his hand down lower, to her hip. She stretched a little like a pampered cat under his patient stroking. He bent his head at length and pressed a kiss to the white line of her tender neck. He was rewarded with another enticing undulation of her body, drawing him closer. As his lips worked his way higher, Kate turned her mouth to his invitingly. She met his gaze for a fleeting instant before he kissed her; her glittering, heavy-lidded eyes teemed with feverish desire. "Hullo there," he whispered, then he bent his head and claimed her mouth. Her low moan passed from her lips to his. Rohan answered in kind as he deepened the kiss, capturing her chin between his finger and thumb. She clutched two fistfuls of his shirt for a passing instant. Her mouth tasted of red wine. He drank deeper. As she opened her mouth to his hungry kiss, he skimmed his fingertips down her throat to her chest. He slipped his hand into her gown and cupped her breast. With tingling hands, he took her nipple between his finger and thumb and held it lightly as he kissed her. Her approving groan asked wordlessly for more. She touched his shoulders, arms, and chest as he moved downward over her body to indulge himself in sampling her breasts. She made no move to stop him, no longer cold or shivering as she had been in the great hall, but panting, her skin aglow with newfound heat as he undid the bodice of her skimpy gown and bared her lovely breasts. Closing his eyes, he took her nipple into his mouth and sucked until it swelled to glorious fullness against his tongue. The kiss went on and on, for she was even sweeter than he had already fantasized in the great hall. Now that he had her nipple in his mouth, he could not get enough of her. But when she began to writhe hungrily beneath him, her moans climbing, he obliged her, taking his hand down slowly over her quivering stomach through her gown. She was wanton, but he stoked her fire by keeping a leisurely pace for now. He put his hand between her legs, giving her a taste of what she craved. She began rubbing restlessly against the snug hold of his hand cupping her mound. He was rock hard, and enjoyed pleasuring her for a while further, feeling the dampness of her core permeating the thin cloth of her gown
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Two men enter the room, one old and mustached and the other young and tawny-headed, wearing sweats and a worn T-shirt. He looks like Silas, actually—god, what am I, obsessed? But there really is something of the woodsman in the younger man’s face, with his full lips, his slightly curled hair that turns like tendrils around his ears . . . I look away before studying him too closely. “All right, ladies, are we ready?” the older man says enthusiastically. There’s a loud rustling of paper as well flip the enormous sketchbooks on our easels until we find blank sheets. I draw a few soft lines on my page, unsure what— Non-Silas rips off his T-shirt, revealing lightly defined muscles on his pale chest. I raise an eyebrow just as he tugs at the waist of the sweatpants. They drop to the floor in a fluid, sweeping motion. There’s nothing underneath them. At all. My charcoal slips through my suddenly sweaty fingers. Non-Silas steps out of the puddle of his clothes and moves to the center of the room, fluorescent lights reflecting off his slick abdomen. He’s smiling as though he isn’t naked, smiling as though I didn’t somehow manage to get the seat closest to him. As if I can’t see . . . um . . . everything only a few feet from my face, making my mind clumsily spiral. I squeeze my eyes shut for a moment; he looks like Silas in the face, and because of that I keep wondering if he looks akin to Silas everywhere else. “All right, ladies, this will be a seven-minute pose. Ready?” the older man says, positioning himself behind the other empty easel. The roomful of housewives nod in one hungry motion. I quiver. “Go!” the older man says, starting the stopwatch. Non-Silas poses, something reminiscent of Michelangelo’s David, only instead of marble eyes looking into nothingness, non-Silas is staring almost straight at me. Draw. I’m supposed to be drawing. I grab a new piece of charcoal from the bottom of the easel and begin hastily making lines in my sketchbook. I can’t not look at him, or he’ll think I’m not drawing him. I glance hurriedly, trying to avoid the region my eyes continuously return to. I start to feel fluttery. How long has it been? Surely it’s been seven minutes. I try to add some tone to my drawing’s chest. I wonder what Silas’s chest looks like . . . Stop! Stop stop stop stop stop—” “Right, then!” the older man says as his stopwatch beeps loudly and the scratchy sound of charcoal on paper ends. Thank you, sir, thank you—” “Annnnd next pose!” Non-Silas turns his head away, till all I can see is his wren-colored hair and his side, including a side view of . . . how many times am I going to have to draw this man’s area? What’s worse is that he looks even more like Silas now that I can’t see his eyes. Just like Silas, I bet. My eyes linger longer than necessary now that non-Silas isn’t staring straight at me. By the end of class, I’ve drawn eight mediocre pictures of him, each one with a large white void in the crotch area. The housewives compare drawings with ravenous looks in their eyes as non-Silas tugs his pants back on and leaves the room, nodding politely. I picture him naked again. I sprint from the class, abandoning my sketches—how could I explain them to Scarlett or Silas? Stop thinking of Silas, stop thinking of Silas.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
But wait, stop, it’s not supposed to end this way! You’re the fantasy, you’re what I’m leaving behind. I can’t pack you up and take you with me.” “That was the most self-centered thing I’ve ever heard you say.” Jane blinked. “It was?” “Miss Hayes, have you stopped to consider that you might have this all backward? That in fact you are my fantasy?” The jet engines began to whir, the pressure of the cabin stuck invisible fingers into her ears. Henry gripped his armrest and stared ahead as though trying to steady the machine by force of will. Jane laughed at him and settled into her seat. It was a long flight. There would be time to get more answers, and she thought she could wait. Then in that moment when the plane rushed forward as though for its life, and gravity pushed down, and the plane lifted up, and Jane was breathless inside those two forces, she needed to know now. “Henry, tell me which parts were true.” “All of it. Especially this part where I’m going to die…” His knuckles were literally turning white as he held tighter to the armrests, his eyes staring straight ahead. The light gushing through the window was just right, afternoon coming at them with the perfect slant, the sun grazing the horizon of her window, yellow light spilling in. She saw Henry clearly, noticed a chicken pox scar on his forehead, read in the turn down of his upper lip how he must have looked as a pouty little boy and in the faint lines tracing away from the corners of his eyes the old man he’d one day become. Her imagination expanded. She had seen her life like an intricate puzzle, all the boyfriends like dominoes, knocking the next one and the next, an endless succession of falling down. But maybe that wasn’t it at all. She’d been thinking so much about endings, she’d forgotten to allow for the possibility of a last one, one that might stay standing. Jane pried his right hand off the armrest, placed it on the back of her neck and held it there. She lifted the armrest so nothing was between them and held his face with her other hand. It was a fine face, a jaw that fit in her palm. She could feel the whiskers growing back that he’d shaved that morning. He was looking at her again, though his expression couldn’t shake off the terror, which made Jane laugh. “How can you be so cavalier?” he asked. “Tens of thousands of pounds expected to just float in the air?” She kissed him, and he tasted so yummy, not like food or mouthwash or chapstick, but like a man. He moaned once in surrender, his muscles relaxing. “I knew I really liked you,” he said against her lips. His fingers pulled her closer, his other hand reached for her waist. His kisses became hungry, and she guessed that he hadn’t been kissed, not for real, for a long time. Neither had she, as a matter of fact. Maybe this was the very first time. There was little similarity to the empty, lusty making out she’d played at with Martin. Kissing Henry was more than just plain fun. Later, when they would spend straight hours conversing in the dark, Jane would realize that Henry kissed the way he talked--his entire attention taut, focused, intensely hers. His touch was a conversation, telling her again and again that only she in the whole world really mattered. His lips only drifted from hers to touch her face, her hands, her neck. And when he spoke, he called her Jane. Her stomach dropped as they fled higher into the sky, and they kissed recklessly for hundreds of miles, until Henry was no longer afraid of flying.
Shannon Hale (Austenland (Austenland, #1))
washed him, sliding my hand up and down his shaft as the soap cleansed him. He’d already been hard by the time I took him in my hand, but there was no denying the way he hardened more in my grip, until he was like a rock, unforgiving, and I knew he would break me when he pushed inside me for the first time. “Enough,” he grunted, covering my hand with his. He guided me, stroking himself with it twice more before he finally pulled it away and took the soap to finish washing himself. I hesitated, wondering if I’d done something wrong or crossed some sort of line. I didn’t understand how I could have misread the situation. “Sit on the edge, Estrella,” he ordered, making me swallow back my nerves. I moved to do as he instructed, walking to the edge of the pool. “Did I do something wrong?” I asked, staring at him as he turned his attention back to me. Danger glinted in his eyes, something animalistic rising to the surface as he prowled toward me. He deposited the soap onto the edge of the pool, grabbing me around the waist and placing me on the cold stone. I shivered as he spread my legs, inserting his shoulders between them and staring at the center of me as if he wanted to devour me.
Harper L. Woods (What Lies Beyond the Veil (Of Flesh and Bone, #1))
Jon Stewart: [at anchor desk] The media, of course, must walk a fine line covering this story. With more we turn to Steve Carell in the Daily Show news center. Steve? Steve Carell: [standing in front of a bank of TV monitors] Jon, this is in many ways an unprecedented situation for us. [A blue band with white letters—the “crawl,” or “chyron” in TV lingo—scrolls across the screen, at Carell’s waist level] Crawl: MAJORITY LEADER DASCHLE RECEIVES LETTER CONTAINING ANTHRAX. Steve Carell: On the one hand, we must alert the country to the latest events. Crawl: AL QAEDA VOWS NEW ATTACKS. Steve Carell: And on the other hand, we musn’t cause undue alarm. Crawl: FBI WARNS SOMETHING BAD TO HAPPEN SOMEWHERE SOMETIME. Steve Carell: Scaremongering isn’t the way to go. Crawl: WHITE POWDER FOUND ON DONUT IN ST. LOUIS. Steve Carell: So far the media has in fact shown restraint. Crawl: STORMS BATTER NEW ENGLAND—LINK TO TERRORISM STILL UNDETERMINED. Steve Carell: And I must stress this—there is absolutely no need to panic. Crawl: [picking up speed as it moves left to right] CIA: THAT GUY SITTING ACROSS FROM YOU ON THE BUS LOOKS A LITTLE SHIFTY. Steve Carell: Patience, diligence, and above all, responsibility. Crawl: A FRIEND OF THIS GUY I KNOW CONFIRMS HIS GIRLFRIEND TOLD HIM “THEY’RE PLANNING SOMETHING IN A MALL OR SOMETHING.” Steve Carell: Jon, we have a job to do here, but we also need perspective. Crawl: [accelerating] OH, F—! WHAT WAS THAT SOUND? SERIOUSLY, DID YOU HEAR A SOUND? Steve Carell: And in keeping that perspective— Crawl: “THE HORROR, THE HORROR”—KURTZ. POLL: 91% OF AMERICANS “WANT MOMMY.” Steve Carell: Okay, that was—no, no, no, that was unacceptable. Jon, would you excuse me for a minute? [walks out of frame] Crawl: CHICKEN LITTLE: “THE SKY IS FALLING! THE SKY IS FALLING!” OH GOD, OH GOD. [Carell confronts technician typing the crawl, beats him up as screen goes snowy] Jon Stewart: We’re having some technical difficulties with the crawl. Ah, Steve Carell is back! Steve Carell: Sorry about that, Jon. As I was saying, we journalists have to make sure that our worst instincts are curbed in the sake of national interest. Crawl: EVERYTHING IS GOING TO BE JUST WONDERFUL WITH LOLLIPOPS AND RAINBOWS AND HAPPY FEELINGS FOR EVERYONE. Steve Carell: It’s a unique challenge, but one I think the greatest free press in the world can easily attain. Crawl: BUNNIES ARE CUTE, CUDDLY, AND COMFORTING. Steve Carell: Jon?
Chris Smith (The Daily Show: An Oral History)
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
How's your room?" "You could see for yourself if you popped in." "Is that a line?" "I don't know. Is it? Do you feel the compulsion to rush over to room 306 and see me right now? I promise I'll make it worth your while." "Sorry, no compulsion." "Too bad." He lowered his voice. "I'm still sore from hefting all those heavy platters in Auckland, and if you want me at the top of my beefcake game for your shoot tomorrow, you could give me that massage." She laughed, a joyous sound that shot straight to his heart. Head. Gut. Wherever. "Nice try, but I'll pass." "Your loss, sweetheart. Just think, you could be here right now, having me splayed on the bed at your mercy, all that bare skin to explore, running your hands over my pectorals, my biceps, my latissimus dorsi---" "I hope that's not a fancy anatomical term for anything below the waist." He guffawed, enjoying their sparring way too much. "You sure I haven't tempted you?" She hesitated for a moment, before replying. "Maybe a little, but I really have to prep for tomorrow. I'm meeting with the head chef in thirty minutes to run through the dishes, then I'll need a few hours to go through my planning." "Anything I can do to help?" "Just bring the beefcake at eight sharp in the morning." "Yes, ma'am." "And Manny?" "Yeah?" "If I ever lose my mind and decide to give you a massage, I'll be starting at your very impressive gluteus maximus.
Nicola Marsh (The Man Ban (Late Expectations))
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion. Ssh, Potter, he whispered, into the back of my neck. Is only me. It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children. And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
Donna Tartt (The Goldfinch)
There was Brunhilde, a star shining high above the hillside behind her, dark, rippling hair hanging below her waist, standing in full command, spear in hand. Constance could not help thinking the star so large and bright might have shone over Bethlehem. She was momentarily grateful for her veil, not only for the concealment of her identity but also of her amused response to the scene before her. She struggled to contain herself as her eyes moved to the second vignette: here was fair Juliet, standing beneath rather than on her balcony, garbed in simple lines, her head wreathed in flowers, a cross of stars high above her. Ah, those star-crossed lovers, thought Constance. Again, she was glad that she could hide her amusement. How clever these women, she thought. The third was Semiramis, a quarter moon low above the exotic turrets behind her crowned head, a long-handled fan in her hand, like the fan of a servant. How should Constance interpret this? At once she noticed the replication of the shape of Brunhilde’s spear, but it was enlarged. Semiramis, the queen who had served for her son yet had conquered her foes and enlarged her kingdom. And was this moon waxing or waning? Rising or setting? Or perhaps the enigma of a waxing moon rising. Ah, somehow that was comfort. Last, before a rising sun, framed by trees that reached out to touch one another, stood Pocahontas, her costume appearing authentic, a feather in her headdress, the emblematizing dawn of a new age, a new woman in a new world. May it be so, thought Constance.
Diane C. McPhail (The Seamstress of New Orleans)
Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.
Marcel Proust (Jean Santeuil)
Laura stands, in another photograph, wearing a two-piece gown, bodice and skirt, from centuries ago. The scarlet material is trimmed in gold brocade. From her waist the skirt billows outward, broad as a spinnaker, and grazes the floor in a huge circle. It fastens in front by a series of cobalt buttons, and she is about to start closing it, but for the moment it gapes open: a vertical window, eight or ten inches wide, runs from her waist to the floor. The gold brocade lines the opening like a ceremonial decoration, a veneration of what lies within. But nothing lies within. Inside the vast regal tent of the garment is darkness. Because of the lighting and pose, Laura’s body seems to end at the belly, to have no stumps at all. The opening exposes a pure emptiness. It is unclear how she is standing, what keeps her upright. The cavern beneath the skirt is illumined just enough to suggest that she isn’t wearing her prosthetics. She stands on no legs, suspended, magical. And that magic, along with her strong jawline turned in profile, endows her with omnipotence. The cavern is at once a universe and a womb. The vertical opening is a vaginal slit, and to slip through it, to slide the body inside the scarlet walls of the tent, to wait inside while she fastens the skirt and encloses you, swallows you, would be to live out the primal fantasy of entering the vagina not only with the penis but with everything from the skull to the toes: to be ensconced, to be consumed. The photograph’s viewer, not its subject, is at risk of disintegrating, coming apart, deliquescing in the lightless world he has longed for, turning to liquid in the womb. Laura, with her half-body, will remain more than intact, more than whole.
Daniel Bergner (The Other Side of Desire: Four Journeys into the Far Realms of Lust and Longing)
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
He nodded against my neck and his hands came around to cup my breasts, grinding into me again from behind. I ground back. He moaned, slipping a hand down the front of my panties. “Tell me what you like,” he whispered against my ear, moving against me. Oh my fucking God… What didn’t I like? It had been so long and I was so deprived I was afraid he was going to finish me right there. My body began to tremble at the build. I couldn’t take it anymore. He seemed to sense it because he pulled his fingers back right before I disintegrated in his hand, and he laid me down on the bed, sliding over me. He hovered on his forearms and ran a thick, muscular thigh up between my legs until it hit my core and I sucked in air against his lips. Oh my God, he was so good at this… And he fucking knew it. He smiled and kissed me, his tongue darting in my mouth, his rough hands canvassing my skin like he wanted to feel every inch of me. I did the same. It felt so good to touch him. My eyes had spent so much time learning his body, and my hands wanted to map him. I ran fingers along his chest, over the curve of his broad freckled shoulders, down the muscles of his back, along the valley of his spine. I breathed in his scent as I grabbed his firm ass and pulled him into me and he groaned, rubbing hard against my leg. I couldn’t believe this was real, that I got to touch him, that he was kissing me, that there was nothing between us but my thin G-string. His bare skin pressing into mine was the most exquisite feeling of my life, a million nerve endings connecting with his, little electrical shocks that merged into one huge surge. He sat up and kneeled between my legs, picking up my foot and putting it on his shoulder. The view was fucking spectacular. The definition of his chest continued down with a line of hair into a V muscle that pointed at his divine penis like an arrow. I reached out and took him in my hand and his breathing went ragged. My gaze came back up to his hooded eyes. He kissed my ankle and I watched him do it, biting my lip, stroking him, my need unraveling into something so starved I wanted to beg him to have mercy on me and just fuck me already. I thought of the way he’d touched me in the car, his strong hands massaging my calf, and I couldn’t help but feel like he was continuing something he started earlier. He ran his palms from my ankle, behind my knee, up my thigh, and he hooked my panties in his thumbs and pulled them down and off. Then he balled them in his hand, shut his eyes, and put them to his nose, breathing in. When his eyes opened again, they’d gone primal. He came at me like a wild animal. He lowered onto me, his jaw clenched tight, every muscle of his body tense, and I lifted my hips. He held my gaze as he eased himself in, slow and deliberate, and I wrapped my legs around his waist, feral with need, frantically urging him deeper. One… Two… I wasn’t going to last a minute and it was all overload, his naked body pressed to mine, the feel of him inside me, rhythmically thrusting against my core, deeper and deeper, his quivering breath over my collarbone, his hips grinding between my legs, his scent, his sounds, the heat of his skin, the rocking of the bed, the moaning in my throat—my back arched and I fell apart at the same time he did, clutching at everything, pulling him into me, pulsing with his release. He collapsed on top of me and I was decimated. I lay there like a rag doll, twitching with aftershocks. He gasped for breath, his face by my ear. “Holy…fucking…shit,” he panted. I just nodded. I couldn’t even speak. I’d never had sex that good. Never in my life—and I’d had my share of good sex. It was like we’d been foreplaying for weeks and I’d been sexually malnourished, starving, waiting for him to feed me.
Abby Jimenez
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Tim bid us good-bye after helping us carry in my three-hundred-pound suitcase, and Marlboro Man and I looked around our quiet house, which was spick-and-span and smelled of fresh paint and leather cowboy boots, which lined the wall near the front door. The entry glowed with the light of the setting sun coming in the window, and I reached down to grab one of my bags so I could carry it to the bedroom. But before my hand made it to the handle, Marlboro Man grabbed me tightly around the waist and carried me over to the leather sofa, where we fell together in a tired heap of jet lag, emotional exhaustion, and--ironically, given the week we’d just endured--a sudden burst of lust. “Welcome home,” he said, nuzzling his face into my neck. Mmmm. This was a familiar feeling. “Thank you,” I said, closing my eyes and savoring every second. As his lips made their way across my neck, I could hear the sweet and reassuring sound of cows in the pasture east of our house. We were home. “You feel so good,” he said, moving his hands to the zipper of my casual black jacket. “You do, too,” I said, stroking the back of his closely cut hair as his arms wrapped more and more tightly around my waist. “But…uh…” I paused. My black jacket was by now on the floor. “I…uh…,” I continued. “I think I need to take a shower.” And I did. I couldn’t do the precise calculation of what it had meant for my hygiene to cross back over the international date line, but as far as I was concerned, I hadn’t showered in a decade. I couldn’t imagine christening our house in such a state. I needed to smell like lilac and lavender and Dove soap on the first night in our little house together. Not airline fuel. Not airports. Not clothes I’d worn for two days straight. Marlboro Man chuckled--the first one I’d heard in many days--and as he’d done so many times during our months of courtship, he touched his forehead to mine. “I need one, too,” he said, a hint of mischief in his voice. And with that, we accompanied each other to the shower, where, with a mix of herbal potions, rural water, and determination, we washed our honeymoon down the drain.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
we neared Liverpool’s Lime Street station, we passed through a culvert with walls that appeared to rise up at least thirty feet, high enough to block out the sun. They were as smooth as Navajo sandstone. This had been bored out in 1836 and had been in continuous use ever since, the conductor told me. “All the more impressive,” he said, “when you consider it was all done by Irish navvies working with wheelbarrows and picks.” I couldn’t place his accent and asked if he himself was Irish, but he gave me a disapproving look and told me he was a native of Liverpool. He had been talking about the ragged class of nineteenth-century laborers, usually illiterate farmhands, known as “navvies”—hard-drinking and risk-taking men who were hired in gangs to smash the right-of-way in a direct line from station to station. Many of them had experienced digging canals and were known by the euphemism “navigators.” They wore the diminutive “navvy” as a term of pride. Polite society shunned them, but these magnificent railways would have been impossible without their contributions of sweat and blood. Their primary task was cleaving the hillsides so that tracks could be laid on a level plain for the weak locomotive engines of the day. Teams of navvies known as “butty gangs” blasted a route with gunpowder and then hauled the dirt out with the same kind of harness that so many children were then using in the coal mines: a man at the back of a full wheelbarrow would buckle a thick belt around his waist, then attach that to a rope dangling from the top of the slope and allow himself to be pulled up by a horse. This was how the Lime Street approach had been dug out, and it was dangerous. One 1827 fatality happened as “the poor fellow was in the act of undermining a heavy head of clay, fourteen or fifteen feet high, when the mass fell upon him and literally crushed his bowels out of his body,” as a Liverpool paper told it. The navvies wrecked old England along with themselves, erecting a bizarre new kingdom of tracks. In a passage from his 1848 novel Dombey and Son, Charles Dickens gives a snapshot of the scene outside London: Everywhere
Tom Zoellner (Train: Riding the Rails That Created the Modern World-from the Trans-Siberian to the Southwest Chief)
With Marlboro Man’s strong hands massaging my tired shoulders, I walked in front of him down the narrow porch toward the driveway, where my dusty car awaited me. But before I could take the step down he stopped me, grabbing a belt loop on the back of my Anne Kleins, and pulling me back toward him with rapid--almost shocking--force. “Woooo!” I exclaimed, startled at the jolt. My cry was so shrill, the coyotes answered back. I felt awkward. Marlboro Man moved in for the kill, pulling my back tightly against his chest and wrapping his arms slowly around my waist. As I rested my arms on top of his hands and leaned my head back toward his shoulder, he buried his face in my neck. Suddenly, September seemed entirely too far away. I had to have this man to myself 24/7, as soon as humanly possible. “I can’t wait to marry you,” he whispered, each word sending a thousand shivers to my toes. I knew exactly what he meant. He wasn’t talking about the wedding cake. I was speechless, as usual. He had that effect on me. Because whatever he said, when it came to his feelings about me or his reflections on our relationship, made whatever I’d respond with sound ridiculously…lame…bumbling…awkward. If ever I said anything to him in return, it was something along the lines of “Yeah…me, too” or “I feel the same way” or the equally dumb “Aww, that’s nice.” So I’d learned to just soak up the moment and not try to match him…but to show him I felt the same way. This time was no different; I reached my arm backward, caressing the nape of his neck as he nuzzled his face into mine, then turned around suddenly and threw my arms around him with every ounce of passion in my body. Minutes later, we were back at the sliding glass door that led inside the house--me, leaning against the glass, Marlboro Man anchoring me there with his strong, convincing lips. I was a goner. My right leg hooked slowly around his calf. And then, the sound--the loud ringing of the rotary phone inside. Marlboro Man ignored it through three rings, but it was late, and curiosity took over. “I’d better get that,” he said, each word dripping with heat. He ran inside to answer the phone, leaving me alone in a sultry, smoky cloud. Saved by the bell, I thought. Damn. I was dizzy, unable to steady myself. Was it the wine? Wait…I hadn’t had any wine that night. I was drunk on his muscles. Wasted on his masculinity.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?
Sarah Jio (Morning Glory)
My eyes widened at that offer. I’d missed riding since coming to the Academy and I hadn’t really thought I’d be able to get out again any time soon. But I wasn’t sure I wanted him to know quite how much this meant to me. Every other piece of information the Heirs had gotten on me up until now had been twisted against me in some way and I didn’t want them trying to take this from me too. “I’m not really dressed for it,” I said slowly though in all honesty I had no issue with tying my dress in a knot around my waist if that was what it took to get me out on the road. “I’m sure I could lend you my shirt if you want to take it off,” he replied. “That would require both of us taking off rather a lot of our clothes.” There was a dare hanging in the air between us and I was afraid that I wouldn’t be able to resist it much longer. I eyed the line up of bikes, my heart beating a little faster as I tried to decide which one I’d choose. In all honesty I was too drunk to ride, although the sandwich was mopping up some of the excess alcohol and I was feeling a little less dizzy... It still wouldn’t have been the best idea though. “Why do you have the same bikes that that they have in the mortal world?” I asked as I began to wander between the immaculate machines. Some of the badges were different, I read names like Yamaharpy, Sphinxzuki, Hondusa, Harley Dragonson and I couldn’t keep the smirk from my lips but the actual bikes were definitely mortal models. “There are several permanent rifts between our world and the mortal world where we import all sorts of goods like these. The importers like to change the names as a kind of in-joke but a hell of a lot of our products come straight out of Taiwan or China, direct to Solaria,” Darius explained. “Why?” I asked. “Can’t Fae invent their own bikes and cars?” “I guess we could... but why bother? We’ve got better things to do with our time and it makes sense to use the mortals like our own personal goods suppliers. The Fae they deal with even manage to Coerce the best prices for everything we import. No Fae vendor would create any of the things we desire so cheaply.” Darius folded his arms and leaned back to perch on the saddle of a stunning green bike as he watched my exploration. “So you basically abuse the mortals with your power?” I asked. “We use our power to take what we want from them,” he agreed. “Just the same as we do with other Fae.” He had a point there; Fae were equally asshole-like to their own kind. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, Al right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)
He held her down in the cushioning billows of the bed, kissed her, fondled and provocatively caressed until she arched, with her body begged; breaking from the kiss, he trailed hot, wet, openmouthed kisses down the taut line of her throat, over the creamy upper swell of her breast, and gave her the first course of what she'd asked for. He feasted on her breasts without quarter, licked, suckled, and laved as she writhed and gasped beneath him, as her hands gripped and tightened on his skull as he drew every last gasp and moan he could from her, then moved on. Over her midriff, down over her waist, pausing to pay homage to the sensitive indentation of her navel, then he shifted still lower. Trapping one of her long legs beneath him, lifting and draping the other over his shoulder, he held it there, held her steady as he pressed an ardent kiss to the curls shielding her mons. He heard her breath hitch, felt her body tremble, then tense and coil. Glancing at her face, he caught a glimpse of intense cornflower blue burning beneath her heavy lids, saw her lips slick and swollen from his kisses, parted in shocked disbelief. Deliberately he slid lower, bent and set his lips to the slick, swollen flesh between her thighs. She jerked, moaned. He licked and she screamed. She reached for him, but could only touch his head. Her fingers twined in his hair, tightened; she tensed to tug, but he licked again, then slowly, expertly probed, and she didn't move. Panting, eyes shut, she waited. Inwardly smug, he settled to worship her in that way, too, to taste her, to fill his senses with her, and hers with him. She let him have his way, let him taste her as he wished, let him try her with his tongue and drive her mindless. He asked, and she surrendered; he took, and she gave. In return, he pleasured her with unwavering devotion until she sobbed and cried out his name. Rising, he rolled her firmly onto her back, trailed kisses like fire up her belly and breasts as he loomed over her, spreading her thighs wide, settling between. He held himself over her, arms braced as he kissed her, tasted her desperation on her lips. Then with one, single powerful thrust he joined them. She closed about him like a glove, and he gasped; like the goddess he'd named her she welcomed her servant into her temple and embraced him. He moved, and she moved with him, fluidly meeting him as they gave themselves up to the now familiar dance. His thoughts fractured, ripped from him as a whirlpool of sensation rose up, drenched, then drowned him.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?
Lynn LaFleur (Rent-A-Stud (Coopers' Companions, #1))
I don’t know what to say.” My voice was raspy. “You don’t have to say anything. The medics already cleaned and took care of these.” “No,” I said, still holding on to his hand. “I don’t know how to thank you for saving my life. Again.” “Stop thanking me,” he ground out. “I have to,” I said, looking straight into his eyes. “If you hadn’t been there…” My sentence trailed away. We both knew what would’ve happened. “But I was,” he said softly. “About that…” I began, wetting my lips. “Why were you there?” “I needed to talk to you about something.” “What?” He withdrew his hand, reaching into the back pocket of his jeans and pulling out a folded piece of paper. “About this.” It was a plain white piece of paper, the kind that anyone would use in a printer. I unfolded it, noticing there was some kind of writing on the inside. When I got to the last fold, I glanced up at Holt who was wearing a very grim expression. Clearly, whatever this was wasn’t good. I pulled it open and stared down, my brain not really comprehending what it saw. I had to read the line over three times before I really got what it was saying. My stomach clenched. My hands trembled slightly. You should have let her die. “Where did you get this?” I finally asked. “It was on my truck when I left work earlier tonight.” The paper fluttered to the floor slowly, joining the towel by my feet. “So you got this before the fire tonight?” “Yes. It’s the reason I came looking for you.” “You didn’t say that.” “I figured you were dealing with enough at the moment.” “Did you tell the police?” He shook his head slowly. “But why?” “I wanted to talk to you first. See if you knew what it meant.” “It means someone wants me dead!” I shouted. My voice seemed to echo through the hallway. “You’re not going to die,” he growled. “I shouldn’t have come here,” I said, looking frantically around. “I need to go.” I spun around to rush into the living room, but the towel was tangled around my feet and I tripped, falling toward the floor. Holt caught me around the waist, pulling me back so I was up against the solid wall of his body. The heat of him was delicious and it radiated around my fear-chilled body. “You’re not going anywhere,” he rumbled in my ear. I struggled against him, but it was stupid. He outweighed me by a hundred pounds, easily, and was likely a foot taller than me. If he didn’t want to let me go, then I was pretty much stuck in his embrace. I slumped against him. “I’m putting you in danger by being here.” “You’re in more danger when I’m not around.” I couldn’t stop my snort. “There goes that ego of yours again.” His chuckle vibrated my ear. Chill bumps raced over my scalp. “All I’m saying is that clearly this guy is a pyro. My job is fire. You’re better off here than alone.” “But what about you?” “You let me worry about me.” I tried to wiggle out of his embrace so I could look at him. He only loosened his hold enough to allow me to spin in his arms. I had to tip my head back so I could stare up at him. “Do you have a death wish?” “I’m not going to die. Especially since life just got a hell of a lot more interesting.” His fingers flexed against my hip.
Cambria Hebert (Torch (Take It Off, #1))
Sadly not. I can only feel the depth of your power, the strength of it. And you’re strong. Once you learn to harness it, I have the feeling that I won’t be able to take an ounce of it from you without permission.” My mouth slipped into a smile and her gaze dropped to trace the movement, making my dick get all kinds of hopeful ideas. “Can you just get this over with? I have a lot of studying to do.” She tilted her chin in the angriest offering I'd ever seen but that wasn't going to cut it today.What would it even take for her to want me to bite her? I'd have given a whole lot to hear her beg me for it that was for sure. “Don’t you want to hear my proposition, Tory?” I asked in a seductive tone as I shifted closer to her, wanting to feel the heat of her body against mine. “I can’t imagine anything that you could offer me to make me a willing participant in your dinner schedule,” she deadpanned. “There may be one thing,” I said, teasing her, tempting her. Her eyes lit angrily and I could tell she was about to start cursing me or something equally aggressive, so I took a final step forward, caught her chin between my fingers and pressed my mouth to hers. Tory sucked in a breath of surprise and I slid my tongue between the opening in her lips, kissing her roughly and dominating her mouth in a demand for her to give in to me. She raised her hands to my chest, palms flat against my pecs and for a moment I was sure she was going to shove me back with either her strength or her magic. But then the moment passed and instead of fighting, she surrendered, her hands caressing instead of pushing me away, tongue moving with mine and lips devouring. And she tasted so fucking sweet. I groaned deep in the back of my throat as I dropped my hands to her waist and walked her backwards until her ass hit the desk there. I lifted her up easily, parting her thighs as I stepped between them and my cock throbbed as I drove it against her panties, stealing a little friction and loving the way she arched into the movement like she was aching for more of me. Her hands banded around my neck and she pulled me closer, kissing me hard and heatedly as her hips flexed and she ground herself against my solid cock I moved my hand to her knee, tracing a line along the top of her long socks with my thumb before shifting it up her silken skin. Tory kissed me harder, her fingers pushing through my hair as she moaned between brushes of our tongues as I kept moving my hand higher, half expecting her to stop me while my heart thundered harder for every second where she didn't. I pushed my fingers beneath her skirt and she moaned again, her other leg hooking around my ass and dragging me nearer in a demand I was more than willing to give in to. I grinned against her lips, loving how quickly she'd fallen to my desire, but the moment I did, she sucked my bottom lip between her teeth and bit down hard to remind me of exactly what kind of animal she was. I jerked back before she could spill my blood, laughing at the fire in her and pausing with my hand almost grazing her panties and the temptation of what lay beneath them. “Why?” she asked breathlessly, suspicion colouring her green eyes and making me want to offer her the truth. “You can just take what you want from me. So why kiss me?” (Caleb pov)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before. He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met. I was entirely lost to the deepest and most carnal desire I'd ever felt. His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed. With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me. Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer. He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth. We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that. I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again. He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.” “We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal. I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave. “Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow. “No.” He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.” I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.” What happens at the bottom of the pool, stays at the bottom of the pool. “Come on then, Blue.” He held out his hand. I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.” (DARCY)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
hands above waist level, where she can see them.
Jordan Belfort (Way of the Wolf: Straight line selling: Master the art of persuasion, influence, and success)
grown to love since he’d been introduced to it. Her tongue slid over his and caused his dick to harden more. He wanted to toss her on the bed, flip her over, and yank her ass into the air just to be inside her welcoming body but kissing was important to her. He began to see the draw as he licked her back, his excitement growing when he mimicked what he’d like to do to her by delving deeper to take what she offered. He tore at her shirt. The material ripped but Alli didn’t pull away. He just wanted to feel her skin, all of it, every inch. He hated anything that barred him access to any part of her body. A snarl tore from him, muffled between their mouths, when one of his palms cupped her breast. It was soft and pliable, the nipple instantly pebbling when his fingertips brushed it. Alli wiggled on his lap. She broke the kiss he was enjoying. He was afraid she’d tell him to stop but instead of just getting off his lap, she lifted up and turned to plant her knees on each side of his hips when she straddled his lap. Her hands cupped his cheeks and she kissed him again. He didn’t need instructions anymore. He dominated her with his tongue, enjoying the taste of her and the way their panted breaths mingled. Obsidian needed her. He released her breast to grip her waist. The thin pants she wore gave easily when he dug his fingertips under the band of them and pulled. Material tore to reveal skin. Alli stopped kissing him back and gasped but he didn’t stop. He couldn’t. He ripped the things more, shredding them enough to reach between her thighs. She was as wet and welcoming as he imagined she’d be when his fingers traced the line of her sex. With her legs spread wide apart he had no difficulty sliding one finger inside the tight confines of her pussy. She threw her head back, breaking the connection of their mouths. He saw the line of her neck exposed. Instinct and need struck him hard. He homed
Laurann Dohner (Obsidian (New Species Book 8))
I unbuttoned the top of my shirt as the heat of my magic made my skin prickle and I got a little carried away with the idea of making Roxy Vega bow for me in my own mind. I wanted my hand fisted in her black hair, her mouth on mine and her naked flesh pressed up against me as she gasped my name like a prayer to a god and I ruined her like a demon born to sin. But I needed to stop those thoughts in their track. Not least because I wasn't ever going to be able to indulge in them. By the time I was through with her, she'd hate me far too much for her to ever consider parting her thighs for me. More’s the pity. Marguerite appeared out of nowhere, jerking me from my fantasies about Roxanya Vega and dropping into my lap where she gasped as she found the hardness of my cock driving into her ass. She leaned in to kiss me and I dragged her closer, kissing her hard and grinding her down over my cock to try and gain some relief from the ache in it. I closed my eyes as I kissed her hard, sinking my tongue into her mouth and thinking of a girl with dark hair and fire in her soul. But as she mewled like a kitten and melted for me, my fantasy was somewhat ruined. I may not have known Roxy well, but she didn't seem like the kind of girl to melt into a puddle when I kissed her. No, she'd be all fire and spite and the kind of lust that burned the roof from houses while her fingernails gouged lines in my flesh. I tried to push that thought out, gripping Marguerite's ass and rocking her back and forth over my cock, but I was fighting a losing battle because she was mewling again and her limbs were going as floppy as my dick was becoming as she instantly let me take control. I released my grip on her waist, sighing as I pulled back and let her start sucking on my neck while I just looked up at the ceiling and waited for it to get more interesting again. Or maybe for it to just stop. But before I could make a decision on that, Milton's voice drew my attention to the other side of our group and I instantly perked up at his words. “Oh hey, it's Tory, right?” he asked and I nudged Marguerite aside to look over at the girl in question where she stood before him as she raised her hand and a tsunami of water slammed into him. The attack sent him flying back off of his chair and slamming to the floor, but my gaze was fixed on her furious features and the curl of those full lips as she glared at him. My pulse picked up as she blasted him with more water which rolled him across the wooden floor before pinning him to the wall. The group surrounding me all leapt up in shock and I almost dropped Marguerite on her ass as I stood too. (Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
The first half of your detention will be spent digging an eight foot deep hole in the meadow.” Darius stalked off with the other guys and I moved forward to collect my shovel. Orion scooped it up, holding it out for me. Before I took it he caught my hand, brushing his thumb across my palm and sending a shiver through me. He repeated the process on the other hand then pressed his index finger to his lips. “That'll stop your skin chaffing,” he whispered. I stared at him in complete surprise as he passed me the shovel and moved aside. “Thank you,” I said, confused as I stepped past him, making my way through the high grass and colourful array of meadow flowers as I walked toward the Heirs. The four of them had formed a circle and were already getting to work digging the hole. ... “Vega!” Orion beckoned me and I was grateful to put the shovel down. I was a little dizzy as I walked up to his high metal chair where he was sitting a few feet above my head. He now had a large umbrella set up over it and a flask of coffee in his hand which he'd apparently brought with him. His Atlas was propped on his knee and he looked like he was thoroughly enjoying his morning as he gazed down at my mud stained skin with a bright smile. Thanks to his magic, at least I didn't have any blisters on my hands. “Water.” Orion waved his hand and water gathered in the air before me, circling into a glistening sphere. Orion tossed me a cup and I caught it at the last second. The water dropped straight into it with a splash and I guzzled it down greedily, “That's favouritism, sir!” Caleb called. “You're right, how rude of me!” Orion shouted back, lifting a hand and a torrential waterfall poured down on all of the heirs. Max crowed like a cockerel, pounding his chest, seemingly spurred on by the downpour. The others didn't seem quite as happy as the water continued to fall down on them. A laugh rushed from my throat and Orion threw me a wink. “So I'm having a little trouble, Miss Vega.” “With what, sir?” “Telling you apart from your sister,” he said in a low voice that I imagined only I could hear through the torrential storm he was still casting over the Heirs. “And you never did answer my question. Blue or green?” A smile twisted up my lips and I shrugged, deciding to leave him in continued suspense over that question, walking back to join the group. “I want an answer by sundown,” he called after me and my grin grew even wider. ... “Shut the fuck up!” Orion shouted. “I'm trying to concentrate here.” “Watching porn again, sir?” Seth shot at him with a smirk. “Yeah, your mom's really improved since the last edition,” he answered without missing a beat and Seth's face dropped into a scowl as a laugh tore from my throat. “Do you know who is always watching porn?” Max chipped in. “You?” the three other guys answered in unison. They all burst out laughing and I fought the urge to join in. “Hilarious,” Max said dryly. “I meant Washer. He snuck off in class the other day to rub one out.” “Useless. Well up you go then,” he said and I moved toward the ladder, taking hold of the first rung. Orion stepped up close behind me and his fingers brushed my waist, barely perceptible but I felt it everywhere. It scored a line of goosebumps across my back and a heavenly shiver fluttered up my spine. Heated air pushed under my clothes, drying them out almost instantly. “Thank you,” I whispered for the second time today. What’s gotten into him? He took hold of the ladder either side of my hands. “Up,” he breathed against my cheek and hot wax seemed to pour down each of my legs, making it almost impossible to move. But somehow, I managed it.
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Do you want to know a secret?” she breathed, her voice lowering seductively. “What?” I asked, wanting to hear anything and everything she might ever want to tell me. She leaned a little closer and her long hair tickled my skin. “I think,” she breathed slowly. “That I’m going to puke.” She leapt off of me so quickly that the bed bounced beneath me as she darted to the en-suite. My dick was straining so hard against my fly that I thought it might actually burst and I had to rearrange myself before I could follow her. By the time I got there she’d already emptied her stomach contents into the toilet and she flushed it before stumbling towards the basin where she washed her mouth out. She proceeded to steal my toothbrush like a goddamn animal and I leaned against the doorframe as I watched her, trying not to look at her ass too much as she bent forward over the basin but I was clearly failing at that. I should have been pissed at her for intruding on my space like this but somehow I didn’t mind at all. When she’d finished, she sauntered back towards me, pushing a hand into her hair as she fought to walk in a straight line. She failed. I caught her as she almost face planted into the tiles and hooked her into my arms before returning her to the bed again. She tugged me down too and I was past the point of protesting. The moment her head hit the pillow her eyes fell shut but she turned towards me, draping an arm across my waist. I flicked the lights off and the room was only illuminated by the fire which was burning low in the grate. “You’re unbelievable, you know that,” she mumbled. “In what way?” I asked, wondering if she just might be about to admit that she felt this heat between us too. She shifted nearer to me and I pulled her close as she laid her head on my chest. My heart was hammering wildly and I couldn’t quite believe the strange turn of events that had led us here. For the longest moment she didn’t speak and I began to wonder if she’d fallen asleep but then she carried on. “You have the biggest goddamn jacuzzi I’ve ever seen in your bathroom,” she said and I couldn’t help but laugh at the way that conversation had gone. “Do you like it?” I asked. “No. It’s just unbelievable. Like you. You’re just... such... a dick.” Her breathing grew heavier and I was sure she’d passed out again. A smile pulled at my lips in response to her comment. It might have been nice for my ego if she’d started declaring how attractive she found me, but in all honesty she just wouldn’t have been herself without her smart mouth. And I was beginning to realise that I might like that, and a few other things about her, just a bit too much. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Waste not the life on measuring your waist, All waist is waste if the backbone is malnourished. Fitness is fiction when shallowness runs rampant, All curves are filth if the being remains prejudiced.
Abhijit Naskar (Mucize Misafir Merhaba: The Peace Testament)
Transfixed, she exits the car in a dream-like state, and I grin and follow. I pass a handful of tables to join her where she sits on the waist-high rock wall lining the cliff. Before us is an endless view of the peaks and valleys of the Blue Ridge Mountains. We spend a few minutes in comfortable silence.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
Anyway, to me he’s just Sunny. Come on up, Jacks, don’t be shy.” His eyes are wide, and he’s mouthing, “What the fuck?” At me while his friends shove him. “Sunny.” “What’s going on, Starlight?” His words are too quiet for the mic to pick up clearly. “You know I love you. I wouldn’t be here in this amazing city with this fantastic group of ladies if you hadn’t come crashing into my life. Literally.” His laugh has a nervous edge to it. “We might not seem like a perfect match from the outside, but somehow, we work. You make every single day a little lighter, a little more fun, and you drive me freaking insane sometimes.” He smirks. “But I love how you challenge me to be a better person. You make me whole. And so....” I scrabble in the waist pouch Jo passed to me after the bout. “Will you drive me crazy for the rest of our lives? Will you marry me, Jackson?” He leans into the mic. “Are you kidding me, Starlight? Way to steal my thunder.” “What?” I pull back. He reaches into the pocket of his jeans. “I was going to propose to you. I’ve been carrying this around for weeks. It was all planned out.” He pulls out a small grey velvet box. My chest shudders with laughter. “You always were too slow to keep up with me. Better get your skate coach to work on your speed.” “You like it when I take my time.” “Wait. So, is that a yes?” I shove at him to get a little distance. It’s entirely possible I could self combust if he doesn’t give me a bit of space. “No.” I gasp as he drops to one knee. “Starlight. You’re my world. That day I knocked you over at that shitty roller rink was the best day of my life. I say was, because every day I’ve gotten to have you in my life has been a little better, and the day I get to slide my ring on your finger to make it permanent. I can’t wait for that. So, Tasha Scar, will you marry me?” My smile spreads all the way up my face, his eyes falling to the dimple I’ve grown to appreciate. “Fine. But just remember. I asked first.
Nikki Jewell (The Red Line (Lakeview Lightning #2))
I admired the way the narrow waist made a double concave line, like parentheses turned the wrong way—) (—and farther down the parentheses turned the right way ( ),
John D. MacDonald (Dead Low Tide)
She lifted a hand to cup Rowan’s face. So smooth, his skin, the bones beneath strong and elegant. She waited for him to pull back, but he just stared at her—stared into her in that way he always did. Friends, but more. So much more, and she’d known it longer than she wanted to admit. Carefully, she stroked her thumb across his cheekbone, his face slick with rain. She lifted her other hand to his face and his eyes locked onto hers, his breathing ragged as she traced the lines of the tattoo along his temple. His hands tightened slightly on her waist, his thumbs grazing the bottom of her ribcage. It was an effort not to arch into his touch.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Lincoln grabs my waist roughly, jerking me into him. My fingers curl around his forearms as I gasp out heavy breaths, my heart slamming against my ribs. I twist until I meet his eyes, our faces so close I can see the faint white lines that run through his irises, and tingles race through me when his arms tighten around my middle. His gaze bounces from my mouth and back up, his fingers digging into the fabric of my clothes. “Th—thank you,” I stutter.
Emily McIntire (Be Still My Heart)
How do you know my name?” she asked, taking note that he cleaned up spectacularly. The dark suit he wore accentuated his broad shoulders and trim waist. “I make it my business to know everyone who works in the DA’s office.” “What else do you know about me?” She had a sneaking suspicion he knew a lot more than just her name. The thought made her more than a little uncomfortable. “Enough to know that I should keep an eye on you.” He moved toward her with more grace than a man of his build should possess. “I’m no threat to you,” she said as he halted in front of her. “Aren’t you?” His gaze raked boldly over her body. Suddenly, every nerve ending in her body went on high alert. “No.” She steadied her voice. “Since you seem to know so much about me, then you must know that I’m a newbie in the DA’s office. It’ll be a while before I’m assigned any high-profile cases.” “Maybe. But you’re still dangerous.” He took another step closer and she fought the urge to step back. She’d be damned before she showed him how much he affected her. Taking a deep breath, she reminded herself that—one day—she was going to help put this man in prison. “If I’m such a threat, then why are you still here?” Amusement quirked his well-shaped mouth. “The thing about danger, Ms. Westbrook, is even though you know you should avoid it, sometimes you just can’t.” Alison Packard, Crossing the Line
Alison Packard (Crossing the Line)
Layout Timers A drill that simulates the feel of a skill, or the set for a skill without the risk of completing the skill. Lines Straight, perfect lines of the body. Overshoot, also known as Bail A transition from the high bar facing the low bar. The gymnast swings up and over the low bar with a half-turn to catch the low bar ending in a handstand. Pike The body bent forward at the waist with the legs kept straight, an L position. Pirouette Used in both gymnastics and dance to refer to a turn around the body's longitudinal axis. It is used to refer to a handstand turning moves on bars. Rips In gymnastics, a rip occurs when a gymnast works so hard on the bars or rings they tear off a flap of skin from their hand. The injury is like a blister that breaks open. Release Leaving the bar to perform a skill before re-grasping it. Relevé This is a dance term that is often used in gymnastics. In a relevé, the gymnast is standing on toes and has straight legs.
Lucia Franco (Balance (Off Balance, #1))
Where to touch? The worst of the waxy spikes were stuck from waist to groin. She swiped at his hip, managed to knock off a few. She made a wider sweep on his outer thigh, and cleared a few more. Her hand over his zipper. Shook. Cade was still picking needles off his abdomen. He widened his stance. "Don't be shy." There was challenge in his tone. He was getting even with her. She'd forced him to replace the bulbs. His request for her to remove the prickles seemed a fair exchange. Her heart gave an unfamiliar flutter. Her stomach knotted. They presently stood between the tall box of headstones and a privacy hedge. They weren't visible from the road. She decided to pick off the needles individually instead of making a palm-wide sweep. There'd be less touching. In her hurry, her knuckles bumped his sex. He sucked air. Enlarged. The tab on the zipper slid down an inch. He made the adjustment. "Good enough." He pushed her hand away. She sighed her relief. He twisted, struggled with the prickles on his back, stretching to brush those between his shoulder blades. Frustrated by those he couldn't reach, he snagged the hem on his T-shirt and tugged it over his head. Shook it out. Grace's eyes rounded and her mouth went dry. Her had a magnificent chest. Broad and bare, his chest tempted her. Her fingers itched to touch him. Even for a second. This was so unlike her. The need to satisfy her curiosity outweighed the consequences. She went with the urge. She traced his flat stomach and six-pack abs. His jeans hung low. Sharp hip bones, man dents, and sexy lick lines. The man was sculpted. Cade clutched his shirt to his thigh. Stood still. She felt his gaze on her, but couldn't meet his eyes. Not after she flattened her hand over his abdomen, and his heat suffused her palm. His stomach contracted. Her fingers flexed. She scratched him. He groaned.
Kate Angell (The Cottage on Pumpkin and Vine)
Crossing the river under the cover of night was something new to me; never before had I arrived at this juncture without sufficient daylight to make safe passage. Lowering myself down the darkened riverside embankment and cautiously wading into the water, it was unnervingly cold and bracing. The American River was mostly fed by snowmelt from the higher elevations, and the the uninitiated, crossing it could be catastrophic. To those unlucky few, the Western States journey ended at this point when their muscles seized up upon exposure to the whirling, cold-water torrent. Thankfully, some of us found the occasion just the opposite, renewing. I submerged fully in the chilly liquid, then jumped up and shook vigorously like a wet dog. "Brrr!" It felt so good I did it again. Once sufficiently doused and thoroughly chilled, I began the crossing. A line was strung across the waterway for safety, and I held tight as I stepped farther into the depths, the waterline rising over my waist. I thought about other races and how Western States compared. To a runner at, say, the Boston Marathon the idea of forging a river midrace would seem preposterous, unimaginable. But here I was, 78 miles into a 100-mile footrace grasping a flimsy rope for dear life trying to avoid being swept downstream. If marathoning is boxing, ultramarathoning is a bare-knuckes bar brawl. p221
Dean Karnazes (A Runner’s High: My Life in Motion)
My head throbs. Wincing, I close my eyes, trying to fight off the worst of the pain, when I'm suddenly jerked forward by the cuffs on my wrists. I yelp, and then, to my surprise, I'm freed. "Take her, Kazex," the blue alien says, running a hand through his short hair. "Don't let her run. We're going back to the ship right away. Ruth has to know." "Of course, Lord Straik." A surprisingly gentle arm goes around my waist, and then I'm being supported against a larger body that smells pleasant and doesn't treat me like I'm a sack of grain to be thrown around. He guides my arm over his shoulders and holds me close. "I've got you," he says in a comforting voice. "You're safe." "Ruthie," I murmur as we fall in line behind the blue alien. "He called me Ruth. I'm not Ruth. I'm Ruthie." A name is a small matter in the scheme of things, but it's all I've got. "Ruthie," the man holding me up murmurs. "I'll remember." The
Ruby Dixon (Only the Clonely (Sunrise Cantina, #1))
Method 2: The Centerline Next, bring your attention to your upper body. Sense how your torso rises up from your waist and pelvis. Can you feel your back, shoulders, and neck? See if you can sense the midline or centerline of your upper body. Try feeling your spine, running from your tailbone, through your back, up to the base of your head. Or try imagining a line down the middle of your torso, halfway between your front and back, in the middle of the left and right sides of your body. Moving your torso can help reveal the centerline. Rock forward and backward slightly, until you feel the balance point in the middle. Do the same from side to side. Finally, rotate your shoulders and upper body one or two degrees to either side. Can you feel the axis around which the body is turning? That’s the centerline. See if you can rest your attention here, on the centerline of your body. Can you feel how your body is upright?
Oren Jay Sofer (Say What You Mean: A Mindful Approach to Nonviolent Communication)
He wakes to blinding light and a shockingly verdant landscape: flooded paddy fields with narrow mud bunds snaking between them, barely containing the water whose still surface mirrors the sky; coconut palms that are as abundant as leaves of grass; tangled cucumber vines on the side of a canal; a lake crowded with canoes; and a stately barge parting the smaller vessels like a processional down a church aisle. His nostrils register jackfruit, dried fish, mango, and water. Even before his brain digests these sights, his body—skin, nerve endings, lungs, heart—recognizes the geography of his birth. He never understood how much it mattered. Every bit of this lush landscape is his; its every atom contains him. On this blessed strip of coast where Malayalam is spoken, the flesh and bones of his ancestors have leached into the soil, made their way into the trees, into the iridescent plumage of the parrots on swaying branches, and dispersed themselves into the breeze. He knows the names of the forty-two rivers running down from the mountains, one thousand two hundred miles of waterways, feeding the rich soil in between, and he is one with every atom of it. I’m the seedling in your hand, he thinks, as he gazes on Muslim women in colorful long-sleeved blouses and mundus, with cloths loosely covering their hair, bent over at the waist like paper creased down the middle, moving as one line through the paddy fields, poking new life into the soil. Whatever is next for me, whatever the story of my life, the roots that must nourish it are here. He feels transformed as though by a religious experience, but it has nothing to do with religion.
Abraham Verghese (The Covenant of Water)
As for Mrs. Armitage herself, she was not at all what Gemma had expected. She might be either side of seventy, Gemma thought, but well-preserved in a way that had nothing to do with makeup or cosmetic surgery. Her graying hair was thick and simply cut. She wore tan twill trousers, belted at a neat waist, and a lightweight white cotton blouse. Her skin was only faintly lined and her eyes were a bright, sharp blue. All in all, an attractive woman, Mrs. Armitage, and Gemma had a better idea of why Clive Glenn, the gardener, had spoken of her with both respect and admiration.
Deborah Crombie (Garden of Lamentations (Duncan Kincaid & Gemma James #17))
Try to make me.” His eyes pop open and then his mouth is crashing against mine. He is punishing with his lips, bruising with his mouth. His large hand grabs me roughly by the jaw, commanding the kiss as his tongue invades me, claiming me. His cock is so hard, the thick ridge of it against my thigh practically hurts. The kiss deepens and Vane lets his hand wander to my breast and roll my nipple between his fingers. He swallows the little cry that comes out of me at the shock of pain and then he shoves my dress up around my waist and unzips himself. His pants are barely down before he’s lining himself up at my center and guiding my legs around his hips.
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
He was tall and leanly muscled with broad shoulders and a solid chest that was built for cuddling. Naked cuddling. After a full, long night of no-promises sex. He opened her door. "Let me help. It's a big step down." "Is that a jab at my size?" she said with no heat. "No, it's an excuse to get my hands on you." As promised, his big, manly hands spanned her waist and he lifted her from the seat and let her slide, oh so slowly, down his body until she was safely on the ground. Only he didn't let go right away, holding her snug against him, so all their good parts lined up. "And I think your size is pretty fucking perfect." Man, was she ever in trouble. Tingles sizzled, starting in her belly and moving to all the essential parts so quickly she could scarcely breathe. Stupid tingles, they were at the center of this mess. This problematic, complicated, and incredibly sexy mess that, as far as she could conclude, would only be solved one way. "Buttercup," he whispered. "You keep looking at me like that and we're both going to be in trouble." "I've never gotten in trouble," she said, sliding her hands up up his chest. "I'm beginning to think I've been missing out." Hudson groaned and rested his forehead on hers. "If we go there now, I won't be able to show you the best part."' "Funny, I was thinking by going there, we'd get to the best part faster." "When we go there, it will be slow, and long, and will take all night and into the next day.
Marina Adair (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
It hit her like a stone—the wanting. She was a fool to have dodged it, denied it, even when a part of her had screamed it every morning that she’d blindly reached for the empty half of the bed. She lifted her other hand to his face and his eyes locked onto hers, his breathing ragged as she traced the lines of the tattoo along his temple. His hands tightened slightly on her waist, his thumbs grazing the bottom of her ribcage. It was an effort not to arch into his touch.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I'm just not a glitter person," I was telling her as she led me back out into the main space, but the words stopped short when she shoved me in front of the mirrors and there I was, glittering at angle after angle. I almost didn't recognize myself. The dress was another simple A-line in shape, gathered at the bust and flowing past my waist to the floor. Its sleeves were loops that circled around my upper arms, baring my shoulders so that my hair could tumble over them or be tied up high to showcase the elegant flow of my throat into my clavicle, which I'd only just now realized was elegant. The dress was black--- my favorite color--- and covered with tiny chips of what must have been rhinestones, small and subtle and scattered enough where I didn't glow like a disco ball under the lights but instead shimmered whenever I moved. I looked like a princess of the night sky.
Amanda Elliot (Love You a Latke)
Toward the end of the shift, when the orders from the waitresses had slowed to a trickle and the cleaning up of the kitchen had begun, J.T. picked a CD and slipped it into the CD player the cooks kept on top of a reach-in refrigerator. He cranked the volume to seven and hit Play. Offspring doing "Bad Habit." It was one of the kitchen staff standards. They favored seriously hard-edged rock at the end of a tough night. The worse the night, the wilder the music. Skeet, one of the other cooks, heard the opening bars and gave J.T. a wink. "It wasn't that bad of a night," she said. "Oh, Skeet, you think every night is a Melissa Etheridge night," J.T. teased. He waltzed over, took Skeet by the waist, and drew her into a completely incongruous dance, as if they were keeping time to a different piece of music. "First time you've danced with a guy, Skeet?" "No, only I prefer guys with some idea of rhythm," Skeet said. J.T. released her, laughing. "Come on, Tom," he said, inviting the fry cook to dance. "Let's go." "Yeah, when pigs fly," Tom said. "No one wants to dance," J.T. complained. Then he spotted Lianne coming through the swinging doors. "Lianne! Dance with me." He snapped his fingers. "I got dancin' feet." "Dance to this?" Lianne said, turning up her nose. "Skeet! Stick in Rihanna," J.T. ordered. Seconds later Rihanna came on. But still Lianne refused. "J.T., you're at work," she said. She gave him a peck on the cheek and went back to the dining room just as Marquez passed through the door. J.T. retreated a bit, stepping back behind the line and pretending to go back to work. Marquez started to do side work, dipping tartar sauce into little plastic cups, but J.T. knew her too well to think she could ignore the music. Within seconds he could see the effect-- a motion beginning with her head, swaying just slightly at first, translated down her neck to her shoulders, her bottom, her legs, topped off by a little twirl with the tartar sauce spoon still in her hand. J.T. smiled ruefully. The future Harvard girl. The future corporate lawyer. There wasn't anything wrong in dancing with his former girlfriend, was there? After all, a moment earlier he'd been dancing with Skeet. He'd even asked Tom, although the fry cook was unlikely to be seen as a threat by Lianne. No, he should stick to his work. Marquez was now dancing far more than she was filling cups of tartar sauce. J.T. whipped off his apron. Screw it. He had dancin' feet. What was he supposed to do? He took the spoon from Marquez and set it down. "Crank it, Skeet," he said. By the time Lianne reappeared in the kitchen, Marquez was up on the stainless steel counter, hands in the air over her head, hips thrusting, hair loose and flying, doing death-defying moves. J.T. was dancing more sedately below her, choosing to keep his feet on the ground. "Is this really--" Lianne began, but the music drowned her out. She caught J.T.'s eye. He gave her a wan grin and tried to draw her into the moment. But Lianne just looked angry and hurt.
Katherine Applegate (Beach Blondes: June Dreams / July's Promise / August Magic (Summer, #1-3))
Kate opens a jar of honey and pours a thick line of the sticky stuff over the top edge of the wound. Setting the jar back on the counter, she picks up the first strip of cloth and gently wraps it around his arm. As she works, she can feel his eyes on her, watching her silently. She stands close, and his injured arm is outstretched just enough for his hand to be hanging in the air beside her waist. When she tugs on the bandage to make the first knot, his hand is pulled to her, lightly brushing the side of her body with the tips of his fingers. When she tugs again, he presses his hand to her waist, and she feels the subtle constriction of his fingertips.
Kari Aguila (Women's Work)
I’ve been standing here plotting how to keep you naked twenty-four hours a day.” “Might be kinda hard to go back down to the party. Or the supermarket. Or church.” That made him chuckle. “Oh, it’ll be hard alright. In fact…” he pulled me against his hips again, “I’d say it already is.” “Wow, that was bad.” “I’ll show you bad.” “Stop talking, you retard! Just take off your damned pants already.” “I’ll show you retard.” “Oh my God.” His hands went to the belt at his waist, and then he slid his zipper down. Slowly. The move would have been sexy as hell if he hadn’t thrown out this line along with it: “Want me to dance for you?” “Oh my God! Just shut up!
T. Torrest (Remember When 3: The Finale (Remember Trilogy, #3))
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. --Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked… After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let it slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. “My God,” he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. “Do you like my nightgown?” Beatrix asked. Christopher nodded, not taking his gaze from her. “Where’s the rest of it?” “This was all I could find.” Unable to resist teasing him, Beatrix twisted and tried to see the back view. “I wonder if I put it on backward…” “Let me see.” As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn’t take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
He hesitated, then arranged the gold medallion of the Cetagandan Order of Merit on its colorful ribbon, properly, around the tunic’s high collar. It was cool and heavy under his hand. He could be one of the few soldiers in history ever to be decorated by both sides in the same war . . . though to be truthful, the Order of Merit had come later, and actually had been presented to Lord Vorkosigan, not the little Admiral for a change. When they were all arranged, the effect was just short of loony. Separated into all the little secret compartments, he hadn’t realized just how much he’d accumulated, till he put it all together again. No, not again. For the first time. Let’s lay it all on the line. Smiling grimly, he fastened them down. He donned the white silk shirt that went underneath, the silver-embroidered suspenders, the brown trousers with the silver side-piping, the gleaming riding boots. Lastly, the heavy tunic. He fastened his grandfather’s dagger in its cloisonné sheath, with the Vorkosigan seal in the jeweled hilt, on its proper belt around his waist. He combed his hair, and stepped back to regard himself, glittering in his mirror. Going native, are we? The sarcastic voice was growing fainter. “If you expect to open a can of worms,” he spoke aloud for the first time, “you’d best trouble to pack a can-opener.” *
Lois McMaster Bujold (Memory (Vorkosigan Saga, #10))
I brought him here,” he said, eager to claim credit for whatever had so overjoyed his king. “I caught him making a sacrifice to Lord Hades at your shrine, my lord Theseus, and when I tried to stop him--” Theseus’s laughter crushed Telys’s weak attempt at boasting. “We all know what happened when you tried to stop him, you clown,” he said, wiping his eyes. “The whole palace is talking about how you were bested by a mere boy. Well, the truth is even better.” He was off the throne and across the floor in an instant, scattering everyone who stood between him and me. He bounded behind me, grabbed the waist of my tunic with both hands, and yanked it back, hard. I’d relied on the looseness of my clothing to hide my breasts, small as they were, but now the thin cloth pulled taut against every line of my body. I might as well have been wearing nothing at all. I heard the onlookers gasp. “Why aren’t you smiling, Telys?” Theseus leered as he confronted the horror-struck young guard. “You ought to be glad. You weren’t beaten by a boy after all.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
It’s beautiful,” I said as I explored every curve and line. I looked up to see Mav watching me intently. “You’re beautiful,” I whispered as his dark eyes held mine. He didn’t say anything, but the arm wrapped around my waist tightened imperceptibly and then he was drawing me up against his chest for another kiss.
Sloane Kennedy (Forsaken (The Protectors, #4))
When I went to meet you, Bruno told me what was going on.” “Bruno did?” I ask, shocked. Morgan’s eyes widen as she deciphers the other half of the conversation. “Yeah, he brought me to the apartment and had me copy down your contact info since we’re totally lame and never exchanged on our own.” “Totally lame,” I agree. “I can’t believe you guys actually conversed.” “Please, he’s my new BFF.” Darren cough-laughs. “So, what are you up to today?” “Morgan and I are just hanging out by the pool.” “Oh yeah? Hey, pass the phone to her for a minute.” “To Morgan?” “Yeah, I still need to thank her for making you that little journal thing.” “Okay…hang on.” I hold the phone out to her and she raises an eyebrow expertly. I mouth he wants to talk to you and she takes it from me. “Hello? Yeah, I’ve heard a lot about you too…Wha--Oh.” She holds up a finger, wraps a towel around her waist and whispers, “I’ll be right back,” before scampering into the house. “Do you have to take him with you?” I shout after her. I grunt and return to my journal. I write a few lines but it’s impossible to concentrate.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
The short pieces of his black hair are spiked out every which way. The poor lighting from the singular bulb on the ceiling over the shower exaggerates the dark circles under his eyes. He looks rough. And why I find it incredibly hot is beyond me. “Late night?” I ask. I’m staring. I shouldn’t stare. Biting back a smirk at his disheveledness, I pull the band out of my hair, pretending that I need to redo my ponytail. Really, I just need a distraction. “I’m going back to work today,” I say, when he doesn’t reply. He snatches my hand to keep me from putting my hair back up. “It is lovely down,” he says softly. I’m frozen, watching him in the mirror as he smooths a section of my hair, grazing my bare neck with his fingers. Everything Chiara’s said about him rushes to the front of my mind. “Don’t,” I tell him, immediately wishing I hadn’t. His hands are at my waist in an instant and he rotates me, pinning me between him and the counter. “Why?” Because your cousin already wants to kill me for kissing you. Because I like it too much. Because you make me feel wanted. I clear my throat. “Because you haven’t brushed your teeth yet.” I twist my upper body around and grab his toothbrush--the neon green one. I squeeze out a bead of toothpaste from my tube, get the brush wet, and hold it close to his mouth. With the tiniest hint of a smile, Bruno opens his mouth maybe half an inch and shifts his body even closer to mine. His eyes dart down to my lips and back to my eyes, down and up, down and up, leaning closer. I should dodge him but I don’t--can’t. All I can do is stare at his mouth, knowing full well I don’t really care if he’s brushed his teeth yet or not. Our noses nearly touch. He tilts his head to his right, I tilt mine to my right. We’re lined up and ready for impact. His warm breath tickles my chin as he whispers, “Grazie.” He turns his head, wraps his mouth around the toothbrush, taking it from me, and walks out of the bathroom.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
It's hard to believe anyone would want to do this to oneself, but then again, I am not a man." Nicholas let his eyes drift over her, from her gorgeous face and its lush lips, currently pressed into a thin line, down over the fragile bones of her neck, over her breasts, her waist, her hips. Felt how warm and soft she was between his legs. "No, you are most definitely not a man," he said in a voice that had grown huskier over the past few minutes.
Megan Frampton (Put Up Your Duke (Dukes Behaving Badly, #2))
Loretta’s shoulders slumped in defeat. With numb hands she lowered the rifle to the dirt. A nasty grin twisted Hunter’s mouth. “So it is a trade? You are my woman?” For once, she was glad she couldn’t talk. “You can make sign language, herbi.” His eyes locked with hers, glinting, watchful. Amy cried, “No, Loretta, no, don’t do it!” Lifting an eyebrow, the Comanche waited. The tension mounted, reminding Loretta of the lull right before a storm, thick, heavy, unnaturally quiet. She caught the inside of her cheek between her teeth and forced herself to nod. His eyes flickered with satisfaction. Nudging his mount forward, he closed the distance between them and leaned down to encircle her waist with a steely arm. With little effort he lifted her onto his horse, positioning her sideways in front of him so her shoulder pressed against his chest, her bottom wedged between him and the ridge of his stallion’s neck. Never had she felt such quivering, helpless fear. He was going to take her. The reality of it sank home now that he had her on his horse. “Tani-har-ro,” he said softly. She turned her head to find that he was sniffing her hair, his expression quizzical. The moment their eyes met, her insides tightened. Up close, his face seemed even harsher than it had the night before, features chiseled, lips narrowed to an uncompromising line, his skin baked brown by the sun. She could see in minute detail the tiny cracks in his grease paint, the thick sweep of his lashes, the knife scar that slashed his cheek. His eyes were without question the darkest blue she had ever seen and seemed to cut right through her. If she had been entertaining the thought of pleading with him, it fled her mind now. She remembered what he had said to her that first day. Look at me and know the face of your master. She supposed, by his standards, he had a right to smell her hair since he had paid dearly for every strand. A flush slid up her neck. In nothing but a nightgown, she would have been embarrassed in front of any man; with Hunter her humiliation was tenfold. He swept his gaze over her with no sign of guilt, no hesitation, his attention lingering on whatever drew his interest. When he traced her collarbone with a fingertip and gave her arm a squeeze, she felt like a head of beef at auction. “You are too skinny. Your father should feed you more.” Catching hold of her chin, he tipped her head back and forced her mouth open to check her teeth. “Hmph-hh,” he grunted, returning his arm to her waist. “This Comanche paid too many horses. Without your pitsikwina to cover you, you are all bones.” She flashed him a glare, only to discover that his eyes were filled with laughter. He slid a hand up her side, his fingers firm and warm where they hugged the curve of her ribs. She stiffened when he cupped the underside of her breast, but she didn’t resist his touch. “Maybe not all bones. What do you have there, herbi? Do you try to hide the sweet places your mother promised me?” He watched her for a moment, as if trying to predict what her reaction might be to such outrageous familiarity. Then his mouth twisted in a mocking smile. “You do not spit when your sister may suffer my wrath. I should keep her, I think. She is a brave warrior, no?
Catherine Anderson (Comanche Moon (Comanche, #1))
Ice. Loretta sucked in a whine of air as the shock of water washed over her body. A warm arm encircled her waist. A large hand clamped over her ribs. She twisted her neck to see, then froze. The Comanche. Instinctively she thrashed and squirmed in his arms. She tried to throw herself away from him. But it was all to no avail. Hunter held her fast with one arm hooked through her elbows behind her and walked deeper into the water until it hit her chin high. A convulsive shudder ran the length of her. Cold. Oh, mercy, it was so horribly cold. He ran a hand down her belly. The touch was slow, effortless, leaving her in no doubt that he could explore any part of her he chose, at his leisure. “Ah, mah-tao-yo, you are so hot. Even where you are not burned. Toquet,” he whispered. “You will not fight.” Something about his voice seemed familiar, oddly comforting. Her father, she realized, somehow his voice put her in mind of her father. She fought back tears. Shivers racked her. So cold. The freezing ache of it blocked out everything else. Her teeth began chattering nonstop. When she could bear it no longer, she made one last attempt to get free. “It will pass,” he promised. “You will be still. It is a burn, no? From the sun. You have fire inside you. The cold will chase it away. You understand?” She tried to nod. When she did, she took a mouthful of water and choked. He exclaimed under his breath and turned her so her chin rested on his shoulder. The shock of his body heat against her breasts and belly made her gasp. In the moonlight, the cut in his flesh from Rachel’s bullet was a black line. “Toquet, mah-tao-yo, toquet.” His arms tightened around her, hard, powerful, yet strangely gentle. “Close your eyes, eh? Trust this Comanche. We will make war tomorrow.” Time ceased to exist. There was nothing but the night, the water, and the Indian. Loretta floated into a dream world. She was sick, so awfully sick. Too sick to care what happened. Too sick to fight it.
Catherine Anderson (Comanche Moon (Comanche, #1))
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.” In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand? Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her. With a start, she noticed the warrior had stretched out a hand to her. A wide leather band encircled his wrist to protect him from his bowstring. Staring at his dark palm and strong fingers, she shook her head in denial. “Hi, tai,” he said in a low voice. Guiding his stallion closer, he bent to touch her chin. Her eyelid quivered when he brushed at a tear on her cheek. “Ka taikay, ka taikay, Tohobt Nabituh,” he whispered. The words made no sense. Puzzled, she met his gaze. “Tosa ehr-mahr.” Raising his hand, he showed her the glistening wetness on his fingertips. “Silver rain, tosa ehr-mahr.” He compared her tears to silver rain? She searched his eyes for some trace of humanity and found none. After a moment he straightened, raising his lance in what looked like a salute. “Suvate!” he yelled, his glittering eyes sweeping the line of encircling riders. A low rumble of answering voices replied, “Suvate!
Catherine Anderson (Comanche Moon (Comanche, #1))
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classiccycling
How to scale and enter the risen path was largely unknown. It all might begin in darkness, but it cast a shadow that, when viewed from the ground, was too bleak. Demolition was once a question not of “whether, but when,” until one photographer spent a year on the trail documenting what was there. 4 The scenes were “hallucinatory”—wildflowers, Queen Anne’s lace, irises, and grasses wafted next to hardwood ailanthus trees that bolted up from the soil on railroad tracks, on which rust had accumulated over the decades. 5 Steel played willing host to an exuberant, spontaneous garden that showed fealty to its unusual roots. Tulips shared the soilbed with a single pine tree outfitted with lights for the winter holidays, planted outside of a building window that opened onto the iron-bottomed greenway with views of the Hudson River and the Statue of Liberty to the left and traffic, buildings, and Tenth Avenue to the right. 6 Wading through waist-high Queen Anne’s lace was like seeing “another world right in the middle of Manhattan.” 7 The scene was a kind of wildering, the German idea of ortsbewüstung, an ongoing sense of nature reclaiming its ground. 8 “You think of hidden things as small. That is how they stay hidden. But this hidden thing was huge. A huge space in New York City that had somehow escaped everybody’s notice,” said Joshua David, who cofounded a nonprofit organization with Robert Hammonds to save the railroad. 9 They called it the High Line. “It was beautiful refuse, which is kind of a scary thing because you find yourself looking forward and looking backwards at the same time,” architect Liz Diller told me in our conversation about the conversion of the tracks into a public space, done in a partnership with her architectural firm, Diller Scofidio + Renfro, and James Corner, Principal of Field Operations, and Dutch planting designer Piet Oudolf. Other architectural plans proposed turning the High Line into a “Street in the Air” with biking, art galleries, and restaurants, but their team “saw that the ruinous state was really alive.” Joel Sternfeld, the “poet-keeper” of the walkway, put the High Line’s resonance best: “It’s more of a path than a park. And more of a Path than a path.” 10
Sarah Lewis (The Rise: Creativity, the Gift of Failure, and the Search for Mastery)
Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
He suddenly leaned forward in his chair and cut off her words with a kiss, tipping her chin upward gently with his fingertips. As their lips met, a little breathless sigh escaped her. Her eyes fluttered closed. Sliding his hand around her nape, he coaxed her lips apart. Her heart raced. She needed little urging, accepting his kiss eagerly, capturing his clean-shaved face between her fingertips. He tasted of port. She savored it, taking his tongue even more deeply into her mouth in sensuous welcome. Her hands trembled as she stroked the strong line of his jaw and ran her fingers through his silken black hair. With a low moan of desire, he slid his arms around her, shaping the natural contour of her waist below the draped velvet of her gown's high-waisted style, running his hands downward over her hips. She fought to keep a rein on the passion he ignited in her blood.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Loretta encircled his waist with her arms and pressed her cheek against his chest, inhaling the scent of his skin, loving it. Her gaze settled on the gigantic moon that shone down on them. Mother Moon, watching over them. “You aren’t lost, Hunter. The words in your song will guide you. And when you falter, your Great Ones will lead you--to the place we’re meant to find. We will sing the People’s songs to our children. The Comanche and tosi tivo will live as one forever. Don’t you see? You and I are the beginning.” She arched her back to see into his eyes. “Hunter and his yellow-hair, together as one.” “You believe?” Hunter studied her, more than a little amazed. “The words of my song are inside your heart?” Smiling through tears, Loretta told him the meaning of her name. “Yes, I do believe. I believe in your Great Ones, I believe in your song, but, most important, I believe in you.” She touched her fingertips to the scar that lined his cheek. “I’m not afraid of anything except being without you.
Catherine Anderson (Comanche Moon (Comanche, #1))
You will go from this place with me, walk in my footsteps?” A strained silence settled between them. “Oh, yes, Hunter, yes.” “Do not make a promise of it quick. We must go west. Alone, Blue Eyes, leaving all that we are behind. All those we love, your people, my people.” Loretta caught his face between her hands, shaking with the intensity of her emotions. “Hunter, you are my people. I’ll follow you anywhere.” “I do not know the way.” His voice was gravelly, the words he spoke halting. Admitting his own vulnerability didn’t come easily. But this was no time for pride. If Loretta chose to follow him, her life could be at risk. He wanted her to know that. “The song says we will make a new nation, but this Comanche fears he cannot feed even two. If you walk behind me, you follow a man who is lost.” Loretta encircled his waist with her arms and pressed her cheek against his chest, inhaling the scent of his skin, loving it. Her gaze settled on the gigantic moon that shone down on them. Mother Moon, watching over them. “You aren’t lost, Hunter. The words in your song will guide you. And when you falter, your Great Ones will lead you--to the place we’re meant to find. We will sing the People’s songs to our children. The Comanche and tosi tivo will live as one forever. Don’t you see? You and I are the beginning.” She arched her back to see into his eyes. “Hunter and his yellow-hair, together as one.” “You believe?” Hunter studied her, more than a little amazed. “The words of my song are inside your heart?” Smiling through tears, Loretta told him the meaning of her name. “Yes, I do believe. I believe in your Great Ones, I believe in your song, but, most important, I believe in you.” She touched her fingertips to the scar that lined his cheek. “I’m not afraid of anything except being without you. This morning I thought you’d been killed…I’ve never been so frightened. Never.
Catherine Anderson (Comanche Moon (Comanche, #1))
The next instant she glimpsed a black horse cutting through the crowd, and a familiar, deep voice said, “Blue Eyes?” Hunter’s breath caught when Loretta turned at the sound of his voice. For an instant he forgot about the child cradled against his chest, his entire being focused on the beautiful woman who stood, surrounded by hostile squaws, in a cloud of settling dust. Her eyes shone like the brilliant blue at the base of a flame, dark lashes sweeping to the arch of her honey-gold brows. Her braid had come loose, and rich folds of golden hair spilled to her shoulders. She was so beautiful that he couldn’t believe, was almost afraid to believe, she truly belonged to him. Even in voluminous skirts, covered chin to toe in multiple layers of cloth, he could see the feminine lines of her body, the swell of her breasts, the indentation of her waist, the flare of her hips. Hunter had been proud of few possessions during his life. He had, of course, been proud of his first bow and his first coup feather. And he had certainly been proud of his wonderful war pony, Smoke. But the feeling that coursed through him now surpassed hat. This golden woman was bound to him by her God promise, his and only his, forever with no horizon. Desire, hot and urgent, flared to life inside him as he contemplated the coming night. The thought of having her in his buffalo robes, of loving her as he had dreamed of doing so many times, made the trials he had endured to find Amy seem like nothing.
Catherine Anderson (Comanche Moon (Comanche, #1))
And then it was my turn. I stood there, shoulders back, head high, eyes focused somewhere over Sorcha’s left shoulder as, wordlessly, she stalked back from retrieving my oath gift from the chariot. And what she gave me . . . was already mine. My sword. The only thing other than me that had survived the long journey from Durovernum. The thing that had convinced Charon that I had value and had prompted my sister to buy my life for a ridiculous amount of money. It seemed that she had commissioned a new leather sheath for it, dyed black and embossed with the intricate, tortuously beautiful artwork of our people. Sorcha belted the sword around my waist and, as its comforting weight settled against my left hip, my hand dropped reflexively to rest on the hilt. It felt as though a severed limb had suddenly been sewn back onto my body. But then I noticed that on my right hip there hung a second—empty—sheath. I frowned in confusion, then glanced up into my sister’s face. With a start, I saw that there was the thin line of a scar, beneath the blue-painted designs on her forehead, running from the shock of silver in her hair down to her over-dark eye. She stared down at me, her expression fierce and hard, as her right hand crossed her body to her own left hip, and she drew the sword she wore. It was a twin to my blade. The sword she had carried into battle the last time I’d seen her. With a swift, brief-as-lightning flourish, she resheathed the blade in the empty scabbard on my hip. A murmur rippled through the watchers beneath the portico. The dimachaerus technique—fighting with two swords—was a rare choice among gladiatrices, and so the second sword was a rare gift. Of course, no one there watching would come close to understanding the true significance of Sorcha’s gift to me. I wasn’t even sure if I understood it.
Lesley Livingston (The Valiant (The Valiant, #1))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth
PRURIENT TOUCH   Every part of her begins to tremble and shake as I apply myself to her lower body. My lips gently rock back and forth from below her waist towards her neck, stopping at everything that there is for me to take notice of as if time is meaningless. Time with her is all that is precious, relishing each and every destination on her womanly map in the same way that a bee is attracted to each flower. The very touch of her body exists as the center to my own existence. I worship her and fuel her as she does me. She being here in the way that I need her and me being here in the way that she needs me, our hands and arms move cuffed to one another in a slow dance that becomes prurient in this serene bliss that we do both create. I count each breath as if each breath were a person of understanding and reasoning. She is the sun that rises and sets. She is the mortar that seals my gaping wounds.   Now drawing four fingers down the sides of her stomach my hands create a kind of invisible wave that sounds beneath her skin. Molding her torso every which way as if it were clay for me to experiment I study the lines of her iridescent form flowing in a rhythmic beauty that fascinates me into this fixation. My finger circles around the rim of her belly button as if to enjoy the sounds that might come from a crystal glass. Her every touch absorbs my ability to discern thought as I become rested in this feeling of absolute ecstasy. Life without her I know would indefinitely destroy me, having already solemnly delivered my spirit to this angel that comes down to be with me.
Luccini Shurod
The post-divorce lines around Gabby's mouth tugged down her whole face. She suddenly looks older. Older than the image Layla carries in her head. Of her mom back when she still wore a uniform, her dark hair in a high ballerina bun, gun at her waist, like the cops on TV. If safe was a person, her mom was it.
Lauren Beukes (Broken Monsters)
The dream had changed after that to something erotic, someone’s mouth on his highly responsive flesh; it was the sensations associated with this, in fact, that wakened him. He didn’t know whose mouth it was, either. Dr. Franklin had been somewhere in this dream, as well; Grey recalled the white buttocks, slightly sagging, still firm, as the man walked down a corridor in front of him, long gray hair straggling down a bony back, loose rolls of skin around the waist, talking with complete unconcern about the pictures, which lined the walls of the corridor, as well. It was a vivid recollection, charged with feeling. Surely he hadn’t—not with Franklin, even in a dream.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
It’s the most beautiful day I can imagine. The sky is perfectly blue, the winds that threatened the heli not visible to the naked eye. The mountains stretch endless around us. We’re more or less below the tree line, down by the drainage basin for one of the area’s sparkling-clear rivers. Snow-shrouded pines cluster in snowy bowls and are scattered sparser over the slopes. The powder is waist deep after the last few days’ snowfall, soft as down and white as confetti.
Harper Dallas (Ride (The Wild Sequence, #1))
Avalon is full of desperate people.’ She bites at her lower lip this time, fumbling her hands, knitting her fingers into the bundle of plastic coin bags in her grasp. ‘Are you implying that I’m desperate?’ I say, one eyebrow tilting. ‘You don’t need to be desperate… you can have anyone... I…’ she trails off. Looking up and trying to search the line of shops for the bank. I repulse her, I make her want to run. Why is this so hard? I need to get inside of her, I need to know what she is thinking, what she is wanting. It surely isn’t me she wants. Not to the extent that I… want her. ‘You?’ I entice her to finish her sentence but she doesn’t, she stares off into the bustling crowds, memory flashing her eyes with a darkness. ‘Madi wouldn’t fumble like this.’ Oh, she would fumble, but not in the way you are, Elli. ‘You’re not her, Elli.’ I entice her again, trying to force the dark memory, the sadness from her. ‘No, if I was, you wouldn’t have wanted anyone else.’ A breath hitches in her throat, she puts a hand over her mouth and says something else, her cheeks dance a shade of red that brightens and brightens until she apologises and quickens her pace. I chuckle, pulling at her arm and encircling one around her waist, pulling her back to me. Beneath my touch, her body trembles. When I raise my hand, my palm touching her cheek, I am sure she isn’t breathing. ‘I don’t want anyone, Elli.’ My eyes burn, consuming her with my gaze. She is like a frightful deer, struggling beneath me with a gaze that cannot quite meet mine. When she does, it is only for a brief second before falling down and all I see is the gentle flutter of her raven flashes. ‘I told you. I want someone I cannot have.’ ‘That is a really harsh way of telling someone you’re not interested.
Charlotte Munro (Grey October (East Hollow Chronicles))
The night of the theatrical, Jane and Mr. Nobley secreted themselves behind the house for the final brush-up. The mood of late had let a bit of Bohemia into Regency England, the usual strict social observances bending, the rehearsals allowing the couples to slip away alone and enjoy the exhilarating intimacy of the unobserved. Mr. Nobley sat on the gravel path, leaning back on his elbow in a reluctant recline. “Oh, to die here, alone and unloved…” “That was pretty good,” Jane said. “You genuinely sounded in pain as you said it, but I think you could add a groan or two.” Mr. Nobley groaned, though perhaps not as part of the theatrical. “Perfect!” said Jane. Mr. Nobley rested his head on his knee and laughed. “I cannot believe I let you railroad me into this. I have always avoided doing a theatrical.” “Oh, you don’t seem that sorry. I mean, you certainly are sorry, just not regretful…” “Just do your part, please, Miss Erstwhile.” “Oh, yes, of course, forgive me. I can’t imagine why I’m taking so long, it’s just that there’s something so appealing about you there on the ground, at my feet--” He tackled her. He actually leaped up, grabbed her around the waist, and pulled her to the ground. She screeched as she thudded down on top of him. His hands stiffened. “Whoops,” he said. “You did not just do that.” He looked around for witnesses. “You are right, I did not just do that. But if I had, I was driven to it; no jury in the world would convict me. We had better keep rehearsing, someone might come by.” “I would, but you’re still holding me.” His hands were on her waist. They were gorgeous, thick-fingered, large. She liked them there. “So they are,” he said. Then he looked at her. He breathed in. His forehead tensed as if he were trying to think of words for his thoughts, as if he were engaged in some gorgeous inner battle that was provoked by how perfectly beautiful she was. (That last part was purely Jane’s romantic speculation and can’t be taken as literal.) Nevertheless, they were on the ground, touching, frozen, staring at each other, and even the trees were holding their breath. “I--” Jane started to say, but Mr. Nobley shook his head. He apologized and helped her to her feet, then plopped back onto the ground, as his character was still in the throes of death. “Shall we resume?” “Right, okay,” she said, shaking gravel from her skirt, “we were near the end…Oh, Antonio!” She knelt carefully beside him to keep her skirt from wrinkling and patted his chest. “You are gravely wounded. And groaning so impressively! Let me hold you and you can die in my arms, because traditionally, death and unrequited love are a romantic pairing.” “Those aren’t the lines,” he said through his teeth, as though an actual audience might overhear their practice. “They’re better than. It’s hardly Shakespeare.” “Right. So, your love revives my soul, my wounds heal…etcetera, etcetera, and I stand up and we exclaim our love dramatically. I cherish you more than farms love rain, than night loves the moon, and so on…” He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt.
Shannon Hale (Austenland (Austenland, #1))
From the top of my head to the soles of my feet, I'm wearing black: knit watch cap, a long-sleeved wool pullover on top of a polypropylene undershirt, tough black Cordura nylon cargo pants and high-top black cross-trainers. It's all very ninja. Over all that, I've got a Kevlar-lined tactical vest with six magazines of nine-millimeter frangible ammunition. The magazines are for the suppressed Uzi submachine gun slung over my back. I've also got a black tactical belt rig around my waist, suppressed Ruger .22 automatic riding low on one hip, with two spare mags and a combat knife balancing the load on the other side. I've got a short-range secure radio set clipped to my back, the wire running up to a headset tucked around my ear, throat mic hanging loose at the moment. One frag grenade and two flash-bangs round out my arsenal. I've got a small LED flashlight, a multi-tool, a couple of plastic zip-tie restraints, and that's it. I like to keep my loadout light so I'm quick on my feet; I've seen too many guys bite it because they were turtled by their combat gear. I feel like a G.I. Joe commando. Hell, all I need is a code-name.
Jack Badelaire (Killer Instincts)
I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Would you feel safer if I stayed tonight?” “I don’t know.” “Yeah, you do. Everything else aside, would you feel safer?” He tapped his cheek to ask her to look him in the eye and answer. “Up here, honey.” She did look up into those expectant blue eyes. Yes. In every way that mattered, she felt safe with Max. Rosemary nodded. “Say it, Rosie. Don’t make me think I’m bullying you into this.” “I’m not inviting you into my bed. But you are awfully warm, and I can’t seem to shake this chill and...” She hugged her arms around her waist but bravely held his gaze. “I don’t want to be alone tonight. Would you stay with me?” The taut line of his mouth relaxed. “I like a clear set of rules, too. So no hanky-panky, but you wouldn’t be adverse to a little cuddling? You know, so I can keep an eye on you and you could borrow some body heat?” “That would be enough for you?” He brushed a copper tendril off her cheek and tucked it behind her ear. “That would be perfect.” Rosemary smiled. “Then I can live with those rules, too.
Julie Miller (Kansas City Secrets (The Precinct: Cold Case #2; The Precinct #26))
Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
She felt that hand that had been on her hip slide stealthily around her, holding her at her waist, pulling her just slightly back against him. “You’re distracting me,” she said, casting again. “Good,” he said, lowering his lips to her head, inhaling. “Jack, there are people!” “They could care less,” he said, holding her against him. She looked around and saw that what he said was true—the other fishermen didn’t even glance their way. Their lines were flying around in gentle, beautiful arcs. They didn’t even look at each other. Okay, she thought. This feels good. I like the hand, the arm around me. I can manage this. Then she felt his lips on her neck. “Jack! I’m fishing!” “Okay,” he said hoarsely. “I’ll try not to bother you too much.” He pulled her just a little harder against him and began to nibble at her neck. “What are you doing?” she asked, laughter in her voice. “Mel, please… Can’t we go somewhere and just make out for a while?” “No!” she laughed. “I’m fishing!” “If I promise to take you fishing after…?” “No! Now behave yourself!” But she was smiling because it was pretty heady having this big tough guy turn weak and desperate just from the taste of her neck. She concentrated on her casting while he concentrated on her neck, his arm tight around her waist. Ahh… Nice. Very nice. After a few more minutes passed, he let go of her with a tortured moan, walked back to his truck and laid himself over the front, arms outstretched wide, head lying on the hood. She looked over her shoulder at him and chuckled. Brought him to his knees, she thought. Big tough marine. Ha! She
Robyn Carr (Virgin River (Virgin River #1))
Just ahead, the path was drenched in a puddle that could not be bypassed. The men walked through fearlessly. Colonel Andrews took Miss Charming’s hand and helped her step across. Mr. Nobley placed his hands around Jane’s waist and lifted her over. As he set her down, their bodies were much nearer than was seemly in the early nineteenth century. They held still for a breath, their faces close together. He smelled good enough to kiss. Her thoughts raged--I hate him and he hates me. It’s perfect! Isn’t it? Of course, he isn’t real. Wait, am I supposed to be falling for someone or avoiding it? What was it again, Aunt Caroline? He was the first to step back. She turned away, and there was Martin. She’d forgotten Martin. Off and on, she realized now, she’d been forgetting the entire real world in order to let herself sink into the fantasy. He was on his knees among some rosebushes. His face was shaded by his cap, but she could feel his eyes on her. As the party started to walk again, Martin rose and removed his cap as though the walkers were a funeral barge. None of the others seemed to notice his presence, and they disappeared into the full trees that leaned over the path. Martin took a step forward. “Jane, can we talk?” She realized that she was still standing there, staring at him, as though begging to be rejected again. She started to walk away. “Martin, no, I can’t. They’re waiting for me, they’ll see.” “Then meet me later.” “No, I’m done playing around.” She left him, that awkward line buzzing around her head like a pesky insect. And Jane though, Done playing around, she says, as though she’s not wearing a bonnet and bloomers. Then she saw that Mr. Nobley had stopped to wait for her. His eyes were angry, but they weren’t on her. She looked back. Martin had lowered his hat and thrust his hands back into the upturned earth. Her heart was teeter-tottering precariously, and she almost put out her arms to balance herself. She didn’t like to see them together, Martin, the luscious man who’d made her laugh and kept her standing on real earth, and Mr. Nobley, who had begun to make the fake world feel as comfortable as her own bed. She stood on the curve of the path, her feet hesitating where to go.
Shannon Hale (Austenland (Austenland, #1))
Cade was enjoying looking at her. Her hair had the sheen of gold in the moonlight. He wished she would let it blow free instead of bound in that braid that never quite held all the silky tendrils in place. She was small-bosomed and slender-waisted, but in the revealing denims, he could see that her curves were in all the right places. Her skin glowed golden from exposure to the sun, but he suspected that beneath her billowing shirt she was as pale as the moonlight. It wasn't a thought he should dwell on. "I don't dance," Lily informed him pointedly. Even though he had known she would draw a line somewhere, Cade acknowledged disappointment that it had come so soon. "Neither do I." At his sudden gruffness, Lily hastened to explain. "I never really learned. I was always playing the piano for my sisters and their friends. I... Well, I married young. Jim doesn't dance." Cade smiled then, a genuine smile. He rose to his feet with a grace that belied his size and offered his large hand to help her do the same. "You had best sleep tonight if you are to stay awake tomorrow." His hand was brown and callused, but gentle. Lily was quite aware that what she had just done was utterly insane, but she didn't care. Her soul longed for music and this man had just offered it to her. Releasing
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
At first glance her beauty was striking—fresh-faced and delicate with large eyes, her little black dress cinched at the waist, her hair pinned in a chignon. At second glance, her deep, intelligent eyes were entrancing, still vivid on newspapers yellowed from light and air and lined with age that Fate didn’t offer to her.
Pamela Hamilton (Lady Be Good: The Life and Times of Dorothy Hale)
He reached out and touched my lower lip, barely brushing the edge. “It starts out the same, but then, after a moment,” he said, speaking softly, “suddenly it’s as though I’ve a living flame in my arms.” His touch grew firmer, outlining my lips and caressing the line of my jaw. “And I want only to throw myself into it and be consumed.” I thought of telling him that his own touch seared my skin and filled my veins with fire. But I was already alight and glowing like a brand. I closed my eyes and felt the kindling touch move to cheek and temple, ear and neck, and shuddered as his hands dropped to my waist and drew me close.
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander, Dragonfly in Amber, Voyager, Drums of Autumn, The Fiery Cross, A Breath of Snow and Ashes, An Echo in the Bone)
She was a lucky, lucky woman. Scrumptious brown skin she couldn’t wait to taste. Soft swirls of black hair covered hard pecs. The hair tapered in the most intriguing way into a line that went down his well-defined abs to his waist. She’d given her compliments to the chef earlier. But if good, healthy cooking led to those abs, she hadn’t given the woman her due enough. Her mouth watered with the desire to follow his happy trail to the promised land with her mouth. Soon. Very soon.
Jamie Wesley (Fake It Till You Bake It (Sugar Blitz, #1))
You look rather thirsty," a voice says from behind me, and I turn to face Benediction de la Lucia--the Devil himself. He is a striking man; his long, orange-red hair is as bright as a tropical sunset, and his skin is like freshly-fallen snow. His large, expressive eyes hold all colors, and I feel myself being drawn into them. "G-good evening," I stammer. "I was just looking for--" "I know whom you seek," he purrs "although I was hoping that you would agree to spend a little time with me, first." He tucks a wad of bills into my vest pocket and drapes his arm around my shoulder. "I would be happy to, Lord de la Lucia," I smile, grasping him around the waist. "Do you Hunger?" His eyes glide up and down the line of my body, and I feel a strong desire to swoon. "Always," he murmurs "and please...call me Beni'." The room is spinning, and reality is fading fast...I press my face against his chest and strive to cling to consciousness. He sweeps me up into his arms and carries me to one of the bedrooms, where he feeds from me...and all of a sudden, he is atop me, his snow-white wings outstretched. I feel as if I will die--the pleasure and pain are so intense. I can feel myself bleeding out and being reborn, over and over upon that silken bed, every nerve of my body alive with his essence. We are almost like one, body and soul...and then he pulls back and looks down into my eyes. "You want something," he leers at me "or is it someone?" He sniffs the air. "I can smell it on your sex, My Darling! Don't be afraid to ask, young one--that's why I came to you! Love falls under my realm, Dearest...the human heart is full of darkness, yes?" I curse at him in Japanese and try to push him off of me, but he holds me fast. "Don't be so rude, Darling! I only want to help you! Matthieu-Michele can't do anything for you--he's simply out of his league! He's only a young God, still finding his footing! I am older than the ages, and I know what love is! I know the agony and the ecstasy and the razor's scar that it leaves upon the heart! I know of the poison and the betrayal and the all-consuming obsession! I have ridden the crest and scrabbled in the desolate valleys! I know what you want...I know whom you love...and I can make it happen for you--for a price." "I don't make deals with the Devil," I hiss at him from between clenched teeth...
Lioness DeWinter
Her feet touched upon ground, and a cloud of silvery dust blossomed up to her waist. Her clothes shimmered, and the checkered cotton dress she was wearing became an elegant white gown with a silver cord around the waist. "Your apprentice gown," explained Agata. She gestured ahead. "Welcome to the Wishing Star." Before her was a village not unlike Pariva, only every cottage was a different color: rose, violet, mahogany, marigold. Burgundy, magenta, and pearl. Even the flowers in the gardens matched the colors of the houses, and trees made of gold and copper and silver lined the shimmering streets. In the center was a house made of crystal, its windows stained with hearts of every color in the town. As soon as her gaze fell upon the house, its door opened, and over a dozen fairies filed outside, each wearing a warm smile.
Elizabeth Lim (When You Wish Upon a Star)
He slipped his fingers inside her dress, touched her skin very gently and exhaled a soft shaky sigh, almost of relief. He combed his fingers over her shoulder blades, down either side of her spine, the rough pads of his fingertips and the exquisite lightness of his touch turning every cell of her skin to glowing cinders, her legs to liquid. Susannah closed her eyes, wanting only to feel, wanting to heighten the pure exquisite pleasure of his hands on her skin. And then his mouth was warm against her ear. "Susannah," he breathed there, her own name as sensual as his fingers. It traveled along the fuse of her nerve endings and lit a furnace inside her. Her lungs labored to breathe. She flattened her hands against his chest, savoring, at last, at last, the warm strong beauty of it. His skin was satiny over the rigid plane of his muscle, and again, this softness juxtaposed with strength... this was Kit. "I like that," he murmured against her throat, where his mouth had traveled from her ear. He opened his lips against the soft skin there, put a hot kiss there. "Touch me anywhere you please." "If you insist," she said. She was trying for insouciance, but the words were a squeak. And he laughed, bloody man. She indulged all of her weeks of stored longings and dragged one finger around the contours of his muscled chest, tracing a broad figure eight, then drew it down between his ribs, down the pale line of hair that led to the bulge of his trousers, stopping short of it, and was rewarded when he sucked in his breath. She opened her hands then and clasped them around his slim waist, let them wander down to cup his firm buttocks through his trousers. He mumbled some unintelligibly pleasured sound.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
A large main room, with a small, shut door in the back. Floor-to-ceiling shelves lined the walls, crammed with bric-a-brac; books, shells, dolls, herbs, pottery, shoes, crystals, more books, jewels... From the ceiling and wood rafters hung all manner of chains, dead birds, dresses, ribbons, gnarled bits of wood, strands of pearls... A junk shop- of some immortal horder. And that hoarder... In the gloom of the cottage, there sat a large spinning wheel, cracked and dulled with age. And before that ancient spinning wheel, her back to me, sat the Weaver. Her thick hair was of richest onyx, tumbling down to her slender waist as she worked the wheel, snow-white hands feeding and pulling the thread around a thorn-sharp spindle. She looked young- her grey gown simple but elegant, sparkling faintly in the dim forest light through the windows as she sang in a voice of glittering gold.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
leaving. “Live my life, I suppose. Live it the way I want to, for once. Learn how to be a normal girl.” “How far away?” Her blue-and-gold eyes flickered. “I’d travel until I found a place where they’d never heard of Adarlan. If such a place exists.” And she would never come back. And because she was young, and so damn clever and amusing and wonderful, wherever she made her home, there would be some man who would fall in love with her and who would make her his wife, and that was the worst truth of all. It had snuck up on him, this pain and terror and rage at the thought of anyone else with her. Every look, every word from her … He didn’t even know when it had started. “We’ll find that place, then,” he said quietly. “What?” Her brows narrowed. “I’ll go with you.” And though he hadn’t asked, they both knew those words held a question. He tried not to think of what she’d said last night—of the shame she’d felt holding him when he was a son of Adarlan and she was a daughter of Terrasen. “What about being Captain of the Guard?” “Perhaps my duties aren’t what I expected them to be.” The king kept things from him; there were so many secrets, and perhaps he was little more than a puppet, part of the illusion that he was starting to see through … “You love your country,” she said. “I can’t let you give all that up.” He caught the glimmer of pain and hope in her eyes, and before he knew what he was doing, he’d closed the distance between them, one hand on her waist and the other on her shoulder. “I would be the greatest fool in the world to let you go alone.” And then there were tears rolling down her face, and her mouth became a thin, wobbling line. He pulled back, but didn’t let her go. “Why are you crying?” “Because,” she whispered, her voice shaking, “you remind me of how the world ought to be. What the world can be.” There had never been any line between them, only his own stupid fear and pride. Because from the moment he’d pulled her out of that mine in Endovier and she had set those eyes upon him, still fierce despite a year in hell, he’d been walking toward this, walking to her. So Chaol brushed away her tears, lifted her chin, and kissed her.
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
The horses, reluctant and excited from the first, become furious and wild. At the next shoal-personal nastiness being past consideration-we dismount, at knee-deep, to give them a moment's rest, shifting the mule's saddle to the trembling long-legged mare, and turning Mr. Brown loose, to follow as he could. After a breathing-spell we resume our splashed seats and the line of wade. Experience has taught us something, and we are more shrewd in choice of footing, the slopes around large trees being attractively high ground, until, by a stumble on a covered root, a knee is nearly crushed against a cypress trunk. Gullies now commence, cut by the rapid course of waters flowing off before north winds, in which it is good luck to escape instant drowning. Then quag again; the pony bogs; the mare, quivering and unmanageable, jumps sidelong among loose corduroy; and here are two riders standing waist-deep in mud and water between two frantic, plunging-horses, fortunately not beneath them. Nack soon extricates himself, and joins the mule, looking on terrified from behind. Fanny, delirious, believes all her legs broken and strewn about her, and falls, with a whining snort, upon her side. With incessant struggles she makes herself a mud bath, in which, with blood-shot eyes, she furiously rotates, striking, now and then, some stump, against which she rises only to fall upon the other side, or upon her back, until her powers are exhausted, and her head sinks beneath the surface. Mingled with our uppermost sympathy are thoughts of the soaked note-books, and other contents of the saddle-bags, and of the.hundred dollars that drown with her. What of dense soil there was beneath her is now stirred to porridge, and it is a dangerous exploit to approach. But, with joint hands, we length succeed in grappling her bridle, and then in hauling her nostrils above water. She revives only for a new tumult of dizzy pawing, before which we hastily retreat. At a second pause her lariat is secured, and the saddle cut adrift. For a half-hour the alternate resuscitation continues, until we are able to drag the head of the poor beast, half strangled by the rope, as well as the mud and water, toward firmer ground, where she recovers slowly her senses and her footing. Any further attempts at crossing the somewhat "wet" Neches bottoms are, of course, abandoned, and even the return to the ferry is a serious sort of joke. However, we congratulate ourselves that we are leaving, not entering the State.
Frederick Law Olmsted (A Journey through Texas: Or a Saddle-Trip on the Southwestern Frontier)
I dressed myself as quickly as possible, noticing a few new stretch marks on my waist. My fingertips traced the zig-zag lines and my stomach twisted in knots.
Colby Bettley (Ugly Words)
Life unfolds in pools of gold I am only owed this shape if I make a line to hold To he held within one's self is deathlike, oh I know
Robin Pecknold (Wading in Waist-High Water: The Lyrics of Fleet Foxes)
She told herself she was just trying to stay busy when she spent much longer than normal getting ready, even taking time to line her eyes with gold-flecked eyeliner. Just like she claimed the reason she chose the silky purple tunic that flared at the waist was because it was part of Flori’s new fighting wardrobe and not because it also happened to look really good on her. She even slipped some goblin throwing stars into the top of her knee-high boots and stuffed a few others into the zipped pockets lining her pants to take full advantage of her battle-ready clothes. See? She was just trying to be prepared. It had absolutely nothing to do with seeing a certain teal-eyed boy who’d claimed she was the only person he trusted. Nope. And she definitely wasn’t thinking about the last time they’d seen each other, when he’d hugged her before leaving the Healing Center.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, All right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)
to get out of the cold wind, lining their dens with grass and twigs to prevent sleeping on the cold ground. Animals taught him how to survive in the bad weather, and they taught him how to stay hidden, even in winter. After the long, cold winter passed, the sun returned and warmed the land, then rains came, and life sprang forth. In summer, violent storms passed through the area, and at times the wind would be so strong that it would knock down even the largest trees. The creek would flood and wipe out all traces of anyone ever having been there. ☐❖☐ Six years passed. Michael became a full-grown man. His hair was the color of sand. He had wide-set blue-green eyes, and he was more than six feet tall, with a strong, muscular body, wide shoulders, narrow hip and waist. He moved with the fluid movements of a cat.
William Wayne Dicksion (Sagebrush)
Yesterday morning, I felt the same way, I saw Madilyn in the corner with her hand wrapped around a ray and it pisses me off so much you have no idea. I wanted her arm wrapped around my waist, not his, or even the other way around; I don’t know what I want at this point. She was smiling and giggling about something stupid that he said like used to do with me, it makes me sick she is mine, I can stand it, him breathing on her and kissing her nick hell I thought she was gay. I am the one that wants to be nuzzled up against her. He was bending down to kiss her, and I so wanted to kick him dead in the ass hole. Payback is a b*tch, is not! She looks up and sees me, yet does she care at this point or am I dreaming yet another dream, that’s even more freaked than the last. She was looking at me with goo-goo eyes, yet kissing him, or was he kissing her? What is going on and what is going down. Then he takes my hand and drags him over to him, pushing other people out of the way, then makes both kiss him at the same freaking time- the same freaking time! What’s wrong with an asshole! Jenny was looking over our shoulder saying damn! Just what I always wanted a three-way with Ray and Madilyn in the hallway. I don’t know what is turning me on anymore. I see getaway and get off, and that is what they both said they were turning to do. And everyone in the hallway has that simple smile on their face, like- oh yeah. I search for my sunglasses in my purse to cover my crying eyes. I just said it was to keep the glare out of my eyes when I put them on. I look in the visor mirror, and I see Liv smiling at me. Like I knew she was going to cry, yet really, I wanted to see if my makeup was okay. I start to tune myself out. I don’t hear the phones going off. I can’t hear their laughter or chirpy voices. I can’t see the houses rushing by or the cars, I just close my eyes and fade away in my daydreams. Maybe I’ll tell her that I wish I was the girl I used to be, but at the same time, I know that I won’t dare. She would think I was crazy. They all would. Jenny might just say- ‘Okay if you feel that way, you can go back to flowing me around like my shadow. Go- to be with all the losers or the speed, and don’t think about coming back.’ I don’t want that either. It gets quiet, and I open my eyes, and I keep quiet, just looking out the window, as it steams up and I have to keep wiping it with my palm. The light outside is faint and soggy-looking like the sun is attempting to roll over the horizon of tree-covered hills and peeking into the valleys. The day is overcast like the sun is too lazy to get out of bed and wake itself up. The shadows are as piercing and jagged as needles. Like the shadow, I used to be wanting to be in the group of three girls following them around in awe. I watch buzzard, black crows, vultures circling the SUV like I am dead meat. It was a scary omen taunting me, from down below. I see all of the fifty or more taking off at the same time from power lines above, following me like a creepy shadow of death.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Yesterday morning, I felt the same way, I saw Madilyn in the corner with her hand wrapped around Ray and it pisses me off so much you have no idea. I wanted her arm wrapped around my waist, not his, or even the other way around; I don’t know what I want at this point. She was smiling and giggling about something stupid that he said like used to do with me, it makes me sick she is mine, I can stand it, him breathing on her and kissing her nick hell I thought she was gay. I am the one that wants to be nuzzled up against her. He was bending down to kiss her, and I so wanted to kick him dead in the ass hole. Payback is a b*tch, is not! She looks up and sees me, yet does she care at this point or am I dreaming yet another dream, that’s even more freaked than the last. She was looking at me with goo-goo eyes, yet kissing him, or was he kissing her? What is going on and what is going down. Then he takes my hand and drags him over to him, pushing other people out of the way, then makes both kiss him at the same freaking time- the same freaking time! What’s wrong with an asshole! Jenny was looking over our shoulder saying damn! Just what I always wanted a three-way with Ray and Madilyn in the hallway. I don’t know what is turning me on anymore. I see getaway and get off, and that is what they both said they were turning to do. And everyone in the hallway has that simple smile on their face, like- oh yeah. I search for my sunglasses in my purse to cover my crying eyes. I just said it was to keep the glare out of my eyes when I put them on. I look in the visor mirror, and I see Liv smiling at me. Like I knew she was going to cry, yet really, I wanted to see if my makeup was okay. I start to tune myself out. I don’t hear the phones going off. I can’t hear their laughter or chirpy voices. I can’t see the houses rushing by or the cars, I just close my eyes and fade away in my daydreams. Maybe I’ll tell her that I wish I was the girl I used to be, but at the same time, I know that I won’t dare. She would think I was crazy. They all would. Jenny might just say- ‘Okay if you feel that way, you can go back to flowing me around like my shadow. Go- to be with all the losers or the speed, and don’t think about coming back.’ I don’t want that either. It gets quiet, and I open my eyes, and I keep quiet, just looking out the window, as it steams up and I have to keep wiping it with my palm. The light outside is faint and soggy-looking like the sun is attempting to roll over the horizon of tree-covered hills and peeking into the valleys. The day is overcast like the sun is too lazy to get out of bed and wake itself up. The shadows are as piercing and jagged as needles. Like the shadow, I used to be wanting to be in the group of three girls following them around in awe. I watch buzzard, black crows, vultures circling the SUV like I am dead meat. It was a scary omen taunting me, from down below. I see all of the fifty or more taking off at the same time from power lines above, following me like a creepy shadow of death.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Your wish, my command.’ Marcel sprawled on the couch while I started the movie, fast-forwarding through the opening credits. When I perched on the edge of the sofa in front of him, he wrapped his arms around my waist and pulled me against his chest. It wasn't exactly as comfortable as a sofa cushion would be, what with his chest being hard and cold-and perfect-as an ice sculpture, but it was preferable. He pulled the old afghan off the back of the couch and draped it over me, so I wouldn't freeze beside his body. ‘You know, I've never had much patience with Romeo,’ he commented as the movie started. ‘What's wrong with Romeo?’ I asked, a little offended. Romeo was one of my favorite fictional characters. Until I'd met Marcel, I'd had a thing for him. ‘Well, first, he's in love with this Rosaline-don't you think it makes him seem a little fickle? And then, a few minutes after their wedding, he kills Juliet's cousin. That's not very brilliant. Mistake after mistake. Could he have destroyed his happiness any more thoroughly?’ I sighed. ‘Do you want me to watch this alone?’ ‘No, I'll mostly be watching you, anyway.’ His fingers traced patterns across the skin of my arm, raising goosebumps. ‘Will you cry?’ ‘Probably,’ I admitted, ‘if I'm paying attention.’ ‘I won't distract you then.’ But I felt his lips on my hair, and it was very distracting. The movie eventually captured my interest, thanks in large part to Marcel whispering Romeo's lines in my ear-his irresistible, velvet voice made the actor's voice sound week and coarse by comparison. And I did cry, to his amusement, when Juliet woke and found her new husband dead. ‘I'll admit, I do sort of envy him here, ‘Marcel said, drying the tears with a lock of my hair.
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
Thistle and Twig had pushed, prodded, pulled, and cajoled me into an elaborate construction of a gown. It was a little out of date from the current fashions of the world above, something a fine lady might have worn fifty or sixty years ago. The gown was a russet and bronze damask, lined with a stomacher of watered silk striped with cream and violet. It was trimmed with rosettes cunningly shaped like alder catkins. Little as I was, the waist of the gown was even littler, the stays pinching my lower ribs so painfully I could not draw a deep breath. Even more impressive was the décolletage the bodice was able to give me. Despite the yards of fabric, I still felt naked.
S. Jae-Jones (Wintersong (Wintersong, #1))
When the line of incoming guests ended, Peyton put his arm around Carrie’s waist. She looked enchanting tonight with her reddish-brown tresses pulled back off her face save for the ringlets that brushed against her bare shoulders. Her skin glowed with softness, and Peyton longed to kiss his way down her neck and across her collarbone.
Andrea Boeshaar (A Thousand Shall Fall (Shenandoah Valley Saga #1))
She stood before him in a pale green dress, her hair unbound and tumbling down her back, her smile –the one he should have seen days ago –was enough to light up the darkest night. His mouth had suddenly become dry and paralyzed, as if he’d been born without the ability to speak. Or swallow. Or think any coherent thought. Graeme felt all at once foolish, immature and unworthy. He was about to turn and run away like a boy, when Josephine all but flung herself into his embrace, twining her slender arms around his waist and resting her head against his chest. “Graeme,”she said, a note of glee in her voice. “I’ve waited a very long time for you.” The sensation of feeling foolish, immature and unworthy fell away as he wrapped his own arms around her. Why did I resist this for all these years? She pushed away slightly to look up at him. He studied every inch of her lovely face. Josephine was quite beautiful, with her creamy skin and oval shaped face. Her green eyes reminded him at once of the summer grass that lined a French countryside. Dark lashes surrounded those eyes –eyes that were sparkling with joy and excitement as they looked into his. A pert, little nose and deliciously looking full, pink lips, which he was quite certain would feel as soft as a whisper against his own. He wondered then if anyone would object if he married her now. This very day. This very moment. “Ye’re beautiful,”he said. Those cream colored cheeks turned a lovely shade of pink when he gave her the compliment. “Jose—”he stopped himself. “Joie, I ken I am wholly unworthy of ye, but would ye do me the distinct honor of marryin’me?” Josephine had already agreed to such, more than four years ago. She had learned, however, through his letters, that it had been quite important to Graeme that he be able to marry a woman of his own choosing. Her heart felt close to bursting from her chest. He was choosing her of his own free will. A joy-filled smile curved on her face and she flung her arms around his neck. “Aye, Graeme MacAulay, I will marry you.
Suzan Tisdale (Isle of the Blessed)
I’m tired of sitting. I’m tired of watching everyone else work. I can set my own limits, Amelia. Let me do as I wish.” “No.” Incredulously Amelia watched as Win picked up a broom from the corner. “Win, put that down and stop being silly!” Annoyance whipped through her. “You’re not going to help anyone by expending all your reserves on menial tasks.” “I can do it.” Win gripped the broom handle with both hands as if she sensed Amelia was on the verge of wrenching it away from her. “I won’t overtax myself.” “Put down the broom.” “Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.” Sitting at a chair that had been placed beside the table, she began to unwrap pieces of china.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Surfacing, in her human shape again, she drew in a lungful of air before perusing the shore. The empty shore. Frowning, she cast her gaze around as she treaded water, seeking a sign of Leo. But it seemed she’d lost him. Odd. Where did— A hand grabbed her ankle and yanked her down. Mid squeal she went under, clamping her lips tight lest she swallow water. The hand holding her loosened but only so it could take a new position on her waist. Despite the murky water, she saw Leo, his hair waving with the current they created, his lips quirked in a grin. With his arm anchored around her waist, he scissored his legs, propelling them to the surface. Their heads broke the skin of the water, and she took in a breath then used it to laugh. “Pookie, I can’t believe you swamp-monstered me.” “I can’t believe you screamed like a girl,” he teased. “Maybe I’m more delicate than I look,” she sassed. In the past, those kinds of statements had met with snickering or outright laughter. With Leo, however, his expression smoldered, and he was utterly serious when he said, “I think you look delectable. And you were positively dainty in that dress last night.” Damn jaw took that moment to unhinge, at least that was the excuse she was using for her prolonged gape. “Dainty? You do know the definition right?” “Isn’t it something along the lines of small and pretty?” “Yes.” “Then I used the correct term.” Yeah, that earned him a big ol’ smooch.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Fabric: The fabric needs to be heavier like a good wrap at 5-8 oz per square yard. It can be a single layer if the bottom weight is heavy enough. Some have a lining and some are even slightly padded. The padding and lining is a matter of personal preference and not necessary to make a good baby carrier. Some have beautiful designs, others are more plain. You will be able to find something you like in all the different brands available. Bar tags, a sewn cross (X-box) or double stitching is needed for the top and bottom shoulder straps at each point they are sewn into the body or waist belt. Pockets on the body fabric are optional
Babywearing Institute (Babywearing Safely and Securely)
When you come to examine into the actuating motives for any line of human endeavor you will find that vanity figures about ninety per cent, directly or indirectly, in the assay.
Samuel G. Blythe (The Fun of Getting Thin: How to Be Happy and Reduce the Waist Line)
59. Creature Comforts Are Only Temporary It was one of the most painful lessons of my life. It was during the first time I attempted SAS selection. I was totally lost in a vast boggy wetland, torrential rain was driving down, and I was utterly spent. I was also way behind time, and I knew it. When I finally made it to the penultimate checkpoint, the corporals kept me there doing endless press-ups in the wet marsh with my heavy pack still on my back. I knew this was costing me even more valuable time and energy. I was feeling fainter and fainter; I knew things were bad. I was soon off again, wading across a fast-flowing, waist-deep stream, before climbing up through knee-deep mud towards the next 2,000-foot (600-metre) mountain ridge-line. I just had to keep going. Ten miles. Twenty miles. ‘Nothing good comes from quitting,’ I told myself, over and over again. ‘If I keep going, I will pass.’ But I was getting more and more delirious with fatigue. I didn’t know why this was happening, and I couldn’t control it. Maybe I hadn’t eaten or drunk enough, or perhaps it was just that the months of this relentless pace were finally taking their toll and I was at my limit. Every couple of paces, my knees would buckle. If I stumbled, I couldn’t stop myself from falling. Eventually I saw the trucks in the distance below me, symbolizing the end point. Wisps of smoke from army Hexi stoves curled upwards from the woods. Soon I would be warm, soon I would have a cup of hot tea. It was all I wanted. But when I reached the end checkpoint I was told I had been failed - I had been too slow. My world fell inwards. I was sent off to make camp in the woods and rest for the night. The remaining recruits would be heading out for the night march in a few hours. The next morning I would be returned to camp with the others who hadn’t made the grade. I was totally dejected. That night in those woods, warm and dry under my shelter, blisters attended to, dry socks on, and out of the wind and rain, I learnt an enduring lesson: warm and dry doesn’t mean fulfilled and happy.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
You’re a leader here. Obviously your skills are far superior to mine. I don’t think I could ever fit into your life. I’m a loner, not the first lady.” “I have great responsibilities, yes. My people count on me to keep our businesses running smoothly, to hunt down the assassins murdering our people. They even believe I will singlehandedly find out why we lose so many of our children in their first year of life. There is nothing special about me, Raven, except that I have a will of iron and I am willing to shoulder these burdens. But I have nothing for myself. I never have had. You give me a reason to go on. You are my heart, my soul, the very air I breathe. Without you, I have nothing but darkness, emptiness. Just because I have power, because I am strong, that does not mean I cannot feel utterly alone. It is cold and ugly to exist alone.” Raven pressed a hand to her stomach. The apple juice seemed a hard knot sitting in her stomach, but so far, it was staying down. Mikhail looked so remote, so alone. She hated the way he stood silent, straight and proud, waiting for her to rip his heart out. She had to comfort him, and he knew it. He read her mind; he knew she couldn’t bear that loneliness in his eyes. She crossed the distance separating them. Raven didn’t say anything. What could she say? She simply laid her head over his heart and slipped her arms around his waist. Mikhail closed his arms around her. He had taken her life away from her, without her knowledge. She was comforting him, yet she didn’t know of his crime. She was bound to him, could not be away from him for long. He had no words to explain it to her without giving away more about their species than he could safely do. She thought she couldn’t live up to his position. She made him feel humble and ashamed of himself. His hand cupped her face, his thumb caressing the delicate line of her jaw. “Listen to me, Raven.” He brushed a kiss on the top of her silky head. “I know I do not deserve you. You think you are somehow less than what I am, but in truth, you are so far above me, I have no right even to reach for you.
Christine Feehan (Dark Prince (Dark, #1))
Stop doing this,” she cried fiercely. “You’ll drive me mad. You want to behave as if I belong to you, but I don’t, and I never will. Your worst nightmare is becoming a husband and father, and so you seem determined to form some kind of lesser attachment that I do not want. Even if I were pregnant and you felt duty-bound to propose, I would still refuse you, because I know it would make you as unhappy as it would make me.” Devon’s intensity didn’t lessen, but it changed from anger into something else. He held her with a gaze of hot blue infinity. “What if I said I loved you?” he asked softly. The question drove a spike of pain through her chest. “Don’t.” Her eyes smarted with tears. “You’re not the kind of man who could ever say that and mean it.” “It’s not who I was.” His voice was steady. “But it’s who I am now. You’ve shown me.” For at least a half minute, the only sound was the crackling, shivering fire on the hearth. She didn’t understand what he truly thought or felt. But she would be a fool to believe him. “Devon,” she eventually said, “when it comes to love…neither you nor I can trust your promises.” She couldn’t see through the glittering film of misery, but she was aware of him moving, bending to pick up the coat he had tossed aside, rummaging for something. He came to her, catching her arm lightly in his hand, drawing her to the bed. The mattress was so high that he had to fit his hands around her waist and hoist her upward to sit on it. He set something on her lap. “What is this?” She looked down at a small wooden box. His expression was unfathomable. “A gift for you.” Her sharp tongue got the better of her. “A parting gift?” Devon scowled. “Open it.” Obeying, she lifted the lid. The box was lined with red velvet. Pulling aside a protective layer of cloth, she uncovered a tiny gold pocket watch on a long chain, the casing delicately engraved with flowers and leaves. A glass window on the hinged front cover revealed a white enamel dial and black hour and minute markers. “It belonged to my mother,” she heard Devon say. “It’s the only possession of hers that I have. She never carried it.” Irony edged his voice. “Time was never important to her.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Sorry,’ I say again. But I quickly pull back my hand when my fingers encircle something hard, but no thicker than a flute, inside the thin sleeve of a blouse. And even though the tunnel is only illumined by the ambient light spilling from the Bakerloo Line platform, I am sure the figure I have touched has just bent forward at the waist and tried to bite my retreating hand. I hear the sound of something clacking, like two domino pieces in a wooden box. I step away.
Adam L.G. Nevill (Hasty for the Dark: Selected Horrors)
Standing behind Georgie, Luke slipped his arms about her waist and pulled her back against him. She rested her hands on his. “She used my colored ribbon. Do you see it?” They faced her corner window, watching as the mama cardinal nosed the edges of her nest. It had taken her only three days to build it. The compact bowl was a masterpiece of twigs, rootlets, vines, and strips of bark. Interlaced within its siding was a frivolous piece of yellow-and-orange frippery. “I do,” he said. “Definitely gives it the woman’s touch.” She smiled. He had to admit the process was fascinating. The male had kept a close eye on his mate during construction, but didn’t offer any help. He wondered if it contributed at all once copulation had occurred, but wasn’t quite sure how to pose the question. “How long before she lays?” he asked. “Five or six days.” “Then how long before they hatch?” “Another twelve, give or take.” He rested his mouth against her hair and inhaled the flowery-cinnamon shampoo paste she used. “You going to name them?” She angled her head back. “I believe the most romantic couple’s names have already been taken.” Unable to resist, he gave her a soft kiss. “There’s Romeo and Juliet.” Scrunching her nose, she turned back around. “I don’t much care for the ending of that tale.” The female cardinal hopped to the edge of the ligustrum, then darted away in search of food. “Cleopatra and Caesar?” “No, I’m through glamorizing people who don’t deserve it.” He gave her a quick squeeze. “Then what about Queen Victoria and Prince Albert?” Her spine straightened. “Oh, I like that. And with the cardinals’ rich beautiful plumage, they deserve royal names.
Deeanne Gist (Love on the Line)
Blindly, Grace pushed away from the velvet-lined wall... Right into the path of a giant as tall and as hard as an oak. A firm hand caught her about the waist as strong fingers captured her wrists. She blinked the sting of unshed tears from her eyes to find herself entangled not with an oak, but with a man possessed of dark brown hair and dangerous golden eyes. A wry smile curved his lips as the orchestra began the opening strains of a waltz.
Erica Ridley (The Earl's Defiant Wallflower (The Dukes of War, #2))