Waikiki Quotes

You know how I feel about love. It was invented to sell wedding cakes. And vacations to Waikiki.

As I write these lines I lift my eyes and look seaward.  I am on the beach of Waikiki on the island of Oahu.  Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea.  Nearer, the sea is emerald and light olive-green.  Then comes the reef, where the water is all slaty purple flecked with red.  Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks.  Through and over and out of these wonderful colours tumbles and thunders a magnificent surf.

I paused for a minute to witness the sunrise over Waikiki Beach. As the orange sun spread its rays over the island, the warm breeze wrapped me in its embrace, assuring me everything happened for a reason. With outstretched arms, I breathed in the kaleidoscope of colors that reflected the sky, the sun, the sea. For the first time, I knew what I wanted. I wanted to live my life in color.

On the drive over, Richards kept marveling at the transforming power of having a felony to commit. His brother looked more like his "normal" self now than at any time in the previous weeks, that is, like a calm, basically reasonable individual, a manly sort of fellow with a certain presence. They talked about Richards' daughter and along other noncontroversial lines. At the airport Richards stood by quietly, if nervously, while Joel transacted his business at the ticket counter, then passed a blue daypack, containing the kilo of cocaine among other things, through the security x-ray. Richards had planned to stop right here--just say good-bye, go outside and start to breathe again--but for some reason he followed his brother through the checkpoint. In silence they proceeded down a broad, sparsely peopled corridor; Joel, with his daypack slung casually over one shoulder, a cigarette occupying his other hand, had given Richards his fiddle case to carry. Soon they became aware of a disturbance up ahead: a murmurous roar, a sound like water surging around the piles of a pier. The corridor forked and they found themselves in a broad lobby, which was jammed now with Hawaiian travelers, prospective vacationers numbering in the hundreds. Just as they arrived, a flight attendant, dressed like a renter of cabanas on the beach at Waikiki, picked up a mike and made the final announcement to board. In response to which, those travelers not already on their feet, not already formed in long, snaky line three or four people abreast, arose. The level of hopeful chatter, of sweetly anticipatory human excitement, increased palpably, and Richards, whose response to crowds was generally nervous, self-defensively ironic, instinctively held back. But his brother plunged right in--took up a place at the front of the line, and from this position, with an eager, good-natured expression on his face, surveyed his companions. Now the line started to move forward quickly. Richards, inching along on a roughly parallel course, two or three feet behind his brother, sought vainly for something comical to say, some reference to sunburns to come, Bermuda shorts, Holiday Inn luaus, and the like. Joel, beckoning him closer, seemed to want the fiddle case back. But it was Richards himself whom he suddenly clasped, held to his chest with clumsy force. Wordlessly embracing, gasping like a couple of wrestlers, they stumbled together over a short distance full of strangers, and only as the door of the gate approached, the flight attendant holding out a hand for boarding passes, did Richards' brother turn without a word and let him go.

On the drive over, Richards kept marveling at the transforming power of having a felony to commit. His brother looked more like his "normal" self now than at any time in the previous weeks, that is, like a calm, basically reasonable individual, a manly sort of fellow with a certain presence. They talked about Richards' daughter and along other noncontroversial lines. At the airport Richards stood by quietly, if nervously, while Joel transacted his business at the ticket counter, then passed a blue daypack, containing the kilo of cocaine among other things, through the security x-ray. Richards had planned to stop right here--just say good-bye, go outside and start to breathe again--but for some reason he followed his brother through the checkpoint. In silence they proceeded down a broad, sparsely peopled corridor; Joel, with his daypack slung casually over one shoulder, a cigarette occupying his other hand, had given Richards his fiddle case to carry. Soon they became aware of a disturbance up ahead: a murmurous roar, a sound like water surging around the piles of a pier. The corridor forked and they found themselves in a broad lobby, which was jammed now with Hawaiian travelers, prospective vacationers numbering in the hundreds.
 Just as they arrived, a flight attendant, dressed like a renter of cabanas on the beach at Waikiki, picked up a mike and made the final announcement to board. In response to which, those travelers not already on their feet, not already formed in long, snaky line three or four people abreast, arose. The level of hopeful chatter, of sweetly anticipatory human excitement, increased palpably, and Richards, whose response to crowds was generally nervous, self-defensively ironic, instinctively held back. But his brother plunged right in--took up a place at the front of the line, and from this position, with an eager, good-natured expression on his face, surveyed his companions.
 Now the line started to move forward quickly. Richards, inching along on a roughly parallel course, two or three feet behind his brother, sought vainly for something comical to say, some reference to sunburns to come, Bermuda shorts, Holiday Inn luaus, and the like.
 Joel, beckoning him closer, seemed to want the fiddle case back. But it was Richards himself whom he suddenly clasped, held to his chest with clumsy force. Wordlessly embracing, gasping like a couple of wrestlers, they stumbled together over a short distance full of strangers, and only as the door of the gate approached, the flight attendant holding out a hand for boarding passes, did Richards' brother turn without a word and let him go.

They're doing a rain dance? A rain dance? In my hotel? On Waikiki Beach? A rain dance?

According to a standard account (which is probably correct), genetic engineering in the modern sense was born in 1972, when two biologists met for a late-night snack at a delicatessen near Waikiki beach in Hawaii. Stanford University medical professor Stanley Cohen and biochemist Herbert Boyer, of the University of California–San Francisco, were in Honolulu to attend a conference on plasmids, the circular strands of DNA found in the cytoplasm of bacteria.

She was glad of a moment without talk. For this, after all, was the time she loved Waikiki best. So brief, this tropic dusk, so quick the coming of the soft alluring night. The carpet of the waters, apple-green by day, crimson and gold at sunset, was a deep purple now. On

1 The Boy Who Died Death lived up to Jacob’s expectations. The day he died was sunny, as it was most days on the island of Oahu where he lived. Only a few miles away, bikini-clad tourists stretched out on the sand of Waikiki beach. While they toasted themselves golden brown, Jacob lay on a steel surgical table, broken and bleeding. He’d heard that when a person died they saw a tunnel that ended in a bright light. If the person moved toward the light, God or some already deceased loved one like a great-grandmother would meet them on the other side. Jacob didn’t believe it. He’d accepted that everything would end in black nothingness and, for him, it did. What

Semua makhluk hidup setiap harinya hidup seperti memutar roda keberuntungan.

Royal Hawaiian on the famed and romantic Waikiki Beach in Honolulu, Hawaii. I am looking into a garden filled with graceful palm trees, swaying in the balmy breeze. The air is laden with the aroma of exotic flowers. Hibiscus, of which on these islands there are two thousand varieties, fill the garden. Outside my windows are papaya trees laden with ripening fruit. The brilliant color of the royal poinciana, the flame of the forest trees, adds to the glamor of the scene; and the acacia trees are hung heavily with their exquisite white flowers. The incredible blue ocean surrounding these islands stretches away to the horizon. The white waves are surging in, and the Hawaiians and my fellow visitors are riding gracefully on surf-boards and outrigger canoes.

Waikiki Beach. I was psyched at the prospect of learning to surf in the historic place where Hawaiian kings and queens first rode atop waves.

After more than thirty years of traveling to Oahu, I no longer gasp when I see the wafting palm trees out the plane window or feel quite as awed by the sight of Diamond Head, the volcanic mountain that sits like a massive green bulwark southeast of Waikiki. What I feel now is the exhilaration of familiarity. I am oriented to this place in ways I’d never have imagined for myself as a kid. Though I remain just a visitor, I do know this one island very well, just as I know this one man who introduced me to it, through our regular and committed returns. I feel like I know every bend in the highway that leads from the airport to the North Shore. I know where to go for excellent shave ice and Korean barbecue. I can recognize the scent of plumeria in the air and take delight in the underwater shadow of a manta ray flapping its way through shallow water. I’m well-acquainted with the quiet waters of Hanauma Bay, where we first showed our toddlers how to swim, and the windy sea cliffs at Lanai Lookout, where my husband goes to remember his beloved mother and grandmother, whose ashes he scattered there. A couple of years ago, to celebrate our wedding anniversary, Barack and I made a special trip to Honolulu, and he surprised me with a celebratory dinner out on the town. He’d rented a private space on the rooftop terrace of a hotel by the ocean and hired a small band to play.

To understand what the Royal is now you must first understand what it was, from 1927 through the Thirties, the distant and mildly exotic “pink palace” of the Pacific, the resort built by the Matson Line to rival and surpass such hotels as the Coronado, the Broadmoor, Del Monte. Standing then almost alone on Waikiki, the Royal made Honolulu a place to go, made all things “Hawaiian”—leis, ukuleles, luaus, coconut-leaf hats and the singing of “I Wanna Learn to Speak Hawaiian”—a decade’s craze at country-club dances across the United States. During the fourteen years between the Royal’s opening and Pearl Harbor people came in on the Matson Line’s Malolo and Lurline and they brought with them not only steamer trunks but children and grandchildren and valets and nurses and silver Rolls-Royces and ultramarine-blue Packard roadsters. They “wintered” at the Royal, or “summered” there, or “spent several months.” They came to the Royal to rest “after hunting in South Africa.” They went home “by way of Banff and Lake Louise.

First things first: Kahanamoku went for a homecoming swim in the ocean. “Gee, but this feels good,” he said. “Tank swimming is all right in its way, and I had some good plunges in the surf at Atlantic City, but there’s nothing like Waikiki in the whole world. I’ve been thinking of this for months and months. Ever since I went away, I guess.”15