Wai Wai Quotes

He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.

Oh noes, kitteh haz major angriez!” I said. I turned around to share a laugh with my companions and found them glaring at me. “What?” I asked. Leif shook a finger and said in a low, menacing tone, “If you tell me I have to talk like an illiterate halfwit to fit into this society, I will punch you.” “And I’ll pull out your goatee,” Gunnar added. “Lolcat iz new happeh wai 2 talk,” I explained to them. “U doan haz 2 be kitteh 2 speek it.

Courage is vulnerability. Vulnerability is courage. Like shadow and light, neither one can exist without the other.

He is a prophet and not a poet and therefore his Koran is to be seen as a divine law and not as a book of a human being, made for education or entertainment.

Most of my films deal with people who are stuck in certain routines and habits that don't make them happy. They want to change, but they need something to push them. I think it's mostly love that causes them to break their routines and move on.

What makes cinema so attractive, so fascinating is that it’s not just a one plus one process. It’s a chemistry between sounds, words, ideas and image.

He [Muhammed] is a prophet and not a poet and therefore his Koran is to be seen as a divine law and not as a book of a human being, made for education or entertainment.

It is my future. And I’m looking forward to it.

Adat kampung tidak membenarkan seorang anak menyebut nama orang tuanya selagi ia masih bergantung pada mereka - Pembicaraan Dengan Nait, Seorang Wanita Alfuru, Wai Lo

Love is like that sometimes, all-encompassing, nonsensical and beyond our control.

Walau orang gunung kami tahu menghormat, tahu bagaimana sebaiknya menerima tamu. Ia akan mengambil celana untuk menghormati kami. (Orang-orang gunung ito bodo, tapi kase hormat. Yako punya hati ingin hormat) - Bambu, Seorang Alfuru Di Wai Loa

那些消逝了的岁月，仿佛隔着一块积着灰尘的玻璃，看得到，抓不着。他一直在怀念着过去的一切，如果他能冲破那块积着灰尘的玻璃，他会走回早已消逝的岁月。

Launch is just another point in software’s life. Not the end-all and be-all.

That’s all he thinks is wrong with Ma, that if she was busy enough, she wouldn’t have time to be sad and afraid.

No matter what you hear, no matter what bad things they say. Remember that we love you and we are here to fight for you. We will fight the bad things, we will fight the shadows together. We are your family.

Lily says nothing as she heads to bed. But then she looks at me and says, ‘You sound just like Ma,’ before switching off the lights and plunging us into darkness. I’m left frozen by her words. I was wrong. Because as it turns out, that’s the ultimate diss in our family.

After all, computer science was man-made. All the answers had to be there.

All the obstacles existed solely in code, I thought.

Software lives and matures over time.

Isn't it enough that this world exists?..." Wai-Mae asked. "No," Ling said. "I want to know how it works." "I just want to be happy," Wai-Mae said.

That’s the thing. Everyone thinks therapy is for when things get too bad, but really we all could use someone to talk to.

Banyak orang jahat di gunung. Orang jahat bisa tikam kita, malam atau siang - Noro, Salah Satu Pemuda Alfuru, Wai Loa

Thời kì đó đã trôi qua. Không còn gì thuộc về nó tồn tại nữa. Anh nhớ về những ngày tháng đã qua ấy như nhìn qua ô kính cửa sổ bám bụi. Quá khứ là thứ người ta có thể nhìn, nhưng không thể chạm vào. Và mọi thứ anh thấy đều không rõ ràng, không thể nghe, cũng không thể thấy...

As a young adult, I simply wanted answers,not more questions.

While humans have been cooking, making music, and building for thousands of years, archaeologists have yet to discover those cave paintings of Man at His DeskTyping

Metaphor has a devilish way of blinding us to the truth.

Undo, Cut, or Revert aren’t viable options when building a skyscraper

It is that we are afraid, that we look to love. It is when we love, that we become afraid.

They cannot finde that path, which first was showne, But wander too and fro in waies vnknowne . . .

She’s not sick. She can come to the table. I sounds like a mother — not my mother, but a mother.

No one lives in the library.’ ‘What about the bookworms?’ Michael thinks for a moment and shakes his head again.

Disappointment tastes like chalk lotus bean.

I am a non-accredited, overly logical psychologist, therapist, mechanic, diplomat, businessman, and Teacher working in an industry that is still defining itself each and every day. That is as concise a definition I can give for the modern-day programmer.

And if we really want to stay current and relevant, we have to use social media. And by that I mean Facebook. There are one billion people on Facebook. Maybe older people should have our own social media. We can call it What Did That Doctor Do to Your Face Book? In fact, we can have our own text and Facebook abbreviations. We can have our own WTF, LOL, and LMAO. GNIB: Good news, it’s benign. OMG: Oh, my gout. DMMLIMNWD: Don’t make me laugh, I’m not wearing Depends. WAI: Where am I? ITIHSBCR: I think I had sex but can’t remember. ILI: I like Ike. TKDC: The kids didn’t call. DTLSTY: Does this look swollen to you? CTDMELOFM: Call the doctor—my erection lasted over four minutes. PAMUHNASIHSB: Put a mirror under his nose and see if he’s still breathing. Bottom line: we can’t be dial-up in a Wi-Fi world.

Chinese men refer to their wives as neiren, “person of the inner chamber,” or neizi, “the inner one.” The word nei is opposed to the word wai, or “outer.” By keeping woman as his own property, a man cloisters his wife within the walls and deprives her of her basic freedom

Semua orang punya hantu dalam dirinya. Hantu-hantu itu berdiam dalam diri kita dan tanpa sadar kita memeliharanya selama kita hidup. Mereka tidak akan pergi, sebelum kita mati karena mereka adalah kita. Percayalah, Wai, hantu-hantu itu adalah permainan imajinasi kita, ketakutan terbesar dalam diri kita. Winaya

Thus with the Year Seasons return, but not to me returns Day, or the sweet approach of Ev’n or Morn, Or sight of vernal bloom, or Summers Rose, Or flocks, or herds, or human face divine; But cloud in stead, and ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung’d and ras’d, And wisdome at one entrance quite shut out.

[...] ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung’d and ras’d, And wisdome at one entrance quite shut out. So much the rather thou Celestial light Shine inward, and the mind through all her powers Irradiate, there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.

Punishments in Europe at the time were also severe by modern standards, but severity of those in Japan was enough to shock many European visitors of the day. The Frenchman François Caron, who spent many years in Japan in the first half of the 17th century, wrote that "their punishments are roasting, burning, crucifying woth waies, drawing with 4 bulls and boiling in oil and water. Francesco Carletti, remarked : ... many suffered crucifixion on the slightest pretext, such as the theft of a radish... Sometimes also they crucify women, with babies at their breast, and leave them both to die in agony together.

All my films are about Hong Kong." Wong Kar Wai once told me, "even if they're set in Argentina." While many in the West saw Happy Together primarily as a love story, his compatriots saw it something more timely and relevant: Wong grappling with the meaning of the handover to China. They knew it wasn't coincidental that the film should open in Hong Kong one month before that historical transfer of power. Nor was it coincidental that it should begin with a shot of Hong kong passports and end with Tony Leung's Lai on a train in Taipei, not Hong Kong, heading into an indeterminate future as the soundtrack plays Danny Chung's cover of the pop song "Happy Together" --a title that could be read as predicting a successful union, or as a slash of bitter irony. Even the movie's defining image, the aerial shot of water rushing down Iguazu Falls, is layered with political intimations that cut in different directions. At once thrillingly spectacular and patently dangerous--Chris Doyle, who's terrified of heights, shot it while hanging out of a chopper--the roaring waters that combine in these falls are an expression of the inexorably rushing power of reunion that can be seen as both a symbol of great strength or the downward pull of destruction.

Meja Jenerali U Nanda, 60, Kiongozi wa Kanda ya Asia-Australia ya Tume ya Dunia ya Kudhibiti Madawa ya Kulevya, alizaliwa Jumamosi ya tarehe 19/03/1932 kandokando ya mto huko Maubin nchini Bama. Yeye na familia yake ni waumini wa dini ya Ubuda. Mke wake, Daw Aung Phyu, ana miaka 57. Alizaliwa Jumapili ya tarehe 20/10/1935. Nanda na Aung Phyu wana watoto watatu. Ko Mahn Thiri (wa kiume na wa kwanza kuzaliwa) ana miaka 37. Alizaliwa Alhamisi ya tarehe 08/12/1955. Yeye na familia yake wanakaa nchini Tailandi. Ma Nang Nyi ni mtoto wa pili wa familia ya Nanda na Aung Phyu. Alikufa kwa madawa ya kulevya Jumamosi ya tarehe 12/05/1980 akiwa na miaka 23. Alizaliwa Jumamosi ya tarehe 06/04/1957. Miaka miwili baadaye mpenzi wake wa kiume, Ko San Pe, alikufa kwa madawa ya kulevya pia Jumatano ya tarehe 21/07/1982 akiwa na miaka 25. Alizaliwa Jumanne ya tarehe 29/01/1957. Ma Thida Wai Aung ni wa mwisho kuzaliwa. Ana miaka 34. Alizaliwa Jumatano ya tarehe 23/07/1958. Anakaa Rangoon na mume wake wa miaka sita na watoto wawili, wa kike na wa kiume. Saw Saya (Mkurugenzi wa Sekretarieti ya Kanda ya Asia-Australia ya Tume ya Dunia ya Kudhibiti Madawa ya Kulevya, kutoka katika kabila la Karen) ndiye aliyempa taarifa U Nanda za kikao cha dharura cha Tume ya Dunia. Ana miaka 54. Alizaliwa Jumanne ya tarehe 01/03/1938.

Tunes her nocturnal Note. Thus with the Year Seasons return, but not to me returns Day, or the sweet approach of Ev’n or Morn, Or sight of vernal bloom, or Summers Rose, Or flocks, or herds, or human face divine; But cloud in stead, and ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung’d and ras’d, And wisdome at one entrance quite shut out. So much the rather thou Celestial light Shine inward, and the mind through all her powers Irradiate, there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight. Now

Such indirection and ambivalence typify the politics of Wong's work. He's not in any conventional sense an ideological filmmaker. "It's never been my intention," he said at the Cannes press conference for 2046, "to make films with any political content whatsoever." A cautious man allergic to grand pronouncements, he doesn't make message movies, much less give political speeches or man the barricades. The rise of China has been the biggest story in the world for the last 20 years--no place has felt this more deeply than Hong Kong--yet Wong's work is notable for its apparent lack of interest in post-revolutionary China, either in its Maoist incarnation or today's hyper-capitalist model launched by Deng Xiaoping, whose death appears in a news report Lai watches in Happy Together. It's not that he doesn't thing about political issues, but he weaves his ideas (and they are intuitions more than ideological stances) into the intricate fabric of his work. This makes him ripe for interpretation, especially by critical admirers who, almost to a one, prefer to think of him as being some sort of social radical whose political ideas bubble beneath the surface of his work.

We gave away our land and our water-ka wai ola, our life source. But we forgot to tell the haole they should love then like we do. That the streams are our brothers. That the earth is our mother.

Lolcat iz new happeh wai 2 talk,” I explained to them. “U doan haz 2 be kitteh 2 speek it.

One was the chairman of the PDP Chapter. I first thought his name was Wai Wai Suleiman, until I realised that Y.Y. were his initials.

Whenever Cyrus feels overwhelmed, like on the anniversary of his mother’s death or after arguing with Jules and Asha, he tends to disappear. Why do you think this is this coping mechanism, and what consequences does it have on his relationship with Asha? What did you make of Cyrus’ apology and surprise announcement in Chapter Fifteen? In the end, Asha admits to herself that she gave Cyrus power over her. How much do you agree with Asha’s assessment of what went wrong? How do you feel about Asha’s overall growth, and her willingness to fix what’s broken at WAI? Is it fair for the responsibility of rebuilding to fall on her?

Goddess of fortune? That’s really lazy of you, leaving everything to someone else like that. In this world, luck is something that you grasp by your own hand! Remember this──the goddess will only smile to those who struggle.

I’ve decided to adopt Cyrus’s line on the launch. Yes, we made a big splash. Thousands of people are signing up every day, and WAI is taking on a life of its own. But I’m too nervous to celebrate. Or maybe I’m just superstitious, like if I say it out loud, it will disappear. “We have a long way to go.” “Try to enjoy it,” Destiny says. “Women never get to enjoy anything.

I could read it so you don’t have to?” she offers, but I’m already halfway through. I start to read aloud. “ ‘I had this vision for creating a platform that would help people to connect and coalesce around the things that mattered most to them. It was a natural extension of what I’d been doing for years. People used to call me a humanist spirit guide—I guess that’s what I’m bringing to WAI now, just on a larger stage.’ “He doesn’t even mention us. Doesn’t say anything about how Jules and I dragged him kicking and screaming into this. I wanted to create a platform. Cyrus just wanted to baptize cats.” “To be fair, the Cat Baptism is one of the most shared rituals,” Destiny says, trying to lighten the tone. “Eight hundred thousand videos and counting.” I keep going. “ ‘I’m attracted to the solitary life, Jones says. You can imagine him in a monastery, although he’d have to cut off that halo around his head. In addition to creating a social network that millions of people are turning to for meaning and community, he is also taking care of his employees—he has just kicked off a mentorship program to give the women on his team the support they need to thrive in their roles.’ ” Destiny tells me to stop reading. “It’s just bullshit.” I take a shaky deep breath. “That’s my mentorship program,” I whisper. “Cyrus is telling them what he wants to hear. You and I both know that.” I’m stammering now, but I keep going. “ ‘He’s otherworldly but handsome in an almost comical way. His sentences are long, and when you’re in the middle of one, you wonder, where is this going? But he always manages to bring whatever he’s saying to a satisfying conclusion. Everything he says is mysterious and somehow obvious at the same time.’ ” At least this one is funny. I allow Destiny to laugh briefly. I get to the last line. “ ‘I have to say, I’m developing something of a crush.’ ” “Oh, for God’s sake, another woman in love with Cyrus. Take a number, sister.” Destiny leans over, reads the byline. “George Milos. Guess Cyrus appeals to all genders.” As we get up to leave, she says, “I don’t think Cyrus is a bad person. He’s just basking in a sea of adoration, and it makes him think more of himself than he should.” “Where does that leave me?” “You have a tough gig. No one wants to be married to the guy everyone thinks is going to save the world.

Topics & Questions for Discussion In Chapter One, “Cyrus Jones and the Magic Funeral,” Asha describes Cyrus as “mostly human, a little bit cartoon, a tiny bit ghost.” Having read the book, what do you think of Cyrus as a character? Have you met anyone like him in real life? Think back to your high school crush(es). Do you recall that first feeling of attraction? How would you react if you happened upon that person now? What does Asha’s relationship with her older sister Mira bring to story? How does she add to your understanding of Asha as a person? Jules is a source of support, emotional and financial, for Cyrus and Asha. What other roles does he play in the novel? Recall the manifesto Cyrus writes in Chapter Three: “We don’t try to convince people to buy things We don’t spy on anyone We don’t sell our souls (we don’t sell anything) and We are equal partners and make all decisions together.” Did you predict any of these points might falter? Were you correct? Consider what kind of workplace Utopia is. Would you like to work there? What elements would you like to see in your current work situation? At the end of Chapter Five, Asha thinks about the cultural differences between her and Cyrus, contemplating his “whiteness.” To what extent do you think their differences affect their understanding of each other? Have you had to think about cultural differences in a similar way? Besides WAI, several other app ideas are mentioned in the novel: Consentify, LoneStar, Buttery, Flitter, and so on. Discuss your favorite, or if you have any other start up ideas. Asha, Cyrus, and Jules must delve into all the logistical aspects of starting and growing a business, from assembling the right team to sourcing funding. What seem to be the biggest challenges to starting a business? The novel deals with themes of gender dynamics and white male privilege throughout. At what points can you see these dynamics at play, and how do the characters respond? If you were Asha’s friend, or family member, how would you react to her relationship with Cyrus? Would you have warned her or supported her? What does or doesn’t seem to work about their marriage?

As soon as I set foot in the door, I saw the woman raise her hands feebly in a wai. I didn’t give a thought to her condition, but simply sat in samadhi. Mae Fyyn said two or three words, moved herself a little, raised her hands in another wai, sat up, and then kneeled down by her pillow. ‘Get well,’ I told her. ‘Be done with your old karma.

The yang guizi flinches as Doctor Chan sticks him again and he gives her a dirty look. “Finish up,” he says to her. “Now.” She wais carefully, hiding her fear.

WONG 107 words SHUI-KUEN WONG, age 107, beloved mother of the late Kwok Ki Yu. Survived by grandson and granddaughter-in-law, Shan and Huong Yu, grandson Wai Keung (Joe) Yu, granddaughters and grandsons-in-law Patricia and Gabriel Tovanche, Sau Mei (Carol) and Scott Mann and adopted grandson and granddaughter-in-law Quang Truong and Quyen Do. Also survived by great-grandchildren, Kristy Do, Kevin Yu; Lorenzo, Alonzo and Lorena Tovanche; Mei-Li Mann; Nguyen Minh Nhut and Nguyen Minh Thu Do. The family will receive friends at GOLUB FUNERAL HOME, 4703 SUPERIOR AVE., CLEVELAND, THURSDAY, NOV. 20, FROM 5-8 P.M. Funeral service FRIDAY, Nov. 21 at the funeral home at 9 A.M. Interment West Park Cemetery. ==========

Always - the shortest, un-keepable promise of mortals.

ORIGINAL RECIPE: An other [Sallets for fish days] Salmon cut long waies with slices of onyons upon it layd and upon that to cast Violets, Oyle and Vineger. THE GOOD HUSWIFES JEWELL, 1587 Spring Pea Tortellini SERVES 8 TO 10 (APPROXIMATELY 80 TORTELLINI) … and I remember the wooing of a peascod instead of her, from whom I took two cods and, giving her them again, said with weeping tears ‘Wear these for my sake.’ AS YOU LIKE IT, 2.4 PEASCODS, OR PEA PODS, usually gathered in springtime, were exchanged as a token of love. An old English proverb states, “Winter time for shoeing, peascod time for wooing.” According to Elizabethans, if you tugged a pea pod off the vine and it stayed intact, it meant someone was in love with you. If you don’t want to make the tortellini, you can get almost the same taste combination by tossing one pound of cooked spaghetti with the pea mixture and sprinkling on the delicious and unusual Parmesan-cinnamon topping. 2 large eggs

wai ru, nei fa (on the outside, be benevolent; on the inside, be ruthless).

Besides, the sundry motions of your Spheares, So sundry waies and fashions as clerkes faine, “Some in short space, and some in longer yeares; What is the same but alteration plaine? Onely the starrie skie doth still remaine: Yet do the Starres and Signes therein still moue, And euen itself is mov’d, as wizards saine. But ALL THAT MOUETH, DOTH MUTATION LOUE: Therefore both you and them to me I subiect proue.

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Foreword I started playing around with the Web a long time ago — at least, it feels that way. The first versions of Mosaic had just showed up, Gopher and Wais were still hot technology, and I discovered an HTTP server program called Plexus. What was different

What would Greta/Margaret/Malala do? These are the things the WAIs ask themselves. They do not want to try the latest skin-firming cream, they are not interested in celebrity gossip. They do not bow to influencers because we don’t give them any. They are the curious, the wondering and wandering, hungering for connection, searching for meaning. They are the best of us. And we give them a place to be those people.

Learn Chinese in 5 Minutes  1) That’s not right = Sum Ting Wong  2) Are you harbouring a fugitive = Hu Yu Hai Ding  3) See me ASAP = Kum Hia  4) Stupid Man = Dum Fuk  5) Small Horse = Tai Ni Po Ni  6) Did you go to the beach = Wai Yu So Tan  7) I bumped the coffee table = Ai Bang Mai Fa Kin Ni  8) I think you need a face lift = Chin Tu Fat  9) It’s Very dark in here = Wai So Dim  10) I Thought you were on a diet = Wai Yu Mun Ching  11) This is a tow away zone = No Pah King  12) Our meeting is scheduled for next week = Wai Yu Kum Nao  13) Staying out of sight = Lei Ying Lo  14) He’s cleaning his automobile = Wa Shing Ka  15) Your body odor is offensive = Yu Stin Ki Pu  16) Great = Fa Kin Su Pah

Isn’t it enough that this world exists? That we can be everything here that we can’t be when we are awake?” Wai-Mae asked. “No,” Ling said. “I want to know how it works.

Buck counted 27 different names for ‘Io.30 A few of these names and their meanings, listed below, are compared with Biblical descriptions of God. ‘Io-matua: he is the parent of all things, natural phenomena, plants, animals, man, and gods. Colossians 1:16—“For by him were all things created, that are in heaven, and that are in earth, visible and invisible” ‘Io-matua-kore: He had no parents, “he was nothing but himself.” (Hebrew) Yahweh: meaning. The Self- existent One. Exodus 3:14, “I AM THAT I AM.” ‘Io-te-wananga: He is the source of all knowledge. Colossians 2:3—“In whom are hid all the treasures of wisdom and knowledge.” ‘Io-mata-ngaro: His face is hidden and unseen. Exodus 33:20, “And he said, Thou canst not see my face: for there shall no man see me, and live.” ‘Io-te-waiora: He is the source and giver of life. Psalm 36:9, “For with thee is the fountain of life:” ‘Io-mata-wai: ‘Io, the God of love. John 3:16, “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.

There is very little left of the ancient traditions of Kū (or Tū) and Lono (Ono, Rongo). Perhaps Kū originally represented the Father aspect of God. Fornander says that he represented stability.42 The aspect of the Father that metes out judgement may have later caused the god Kū to be corrupted into the god of war and judgement, calling for the death of those who broke the “law” (kapus). Lono may have represented the Holy Spirit. A prayer offered to Lono during the Makahiki (the Hawaiian new year rites) says in part, “Send gracious showers of rain, oh Lono, Life-giving rain, a grateful gift,”43 Lono’s surname was Noho i ka Wai (dwelling on the water).

You and Jules know what WAI is about—it’s not about making money. It’s about giving people a safe place, a community. We promised them that. For you to renege on that promise is unacceptable to me. And hurtful.” “No one is

Nothing warms the heart like a rifle and a full load of ammo,

Yah, selama ada konsumerisme, ekonomi dunia bisa terus berjalan, dan investor seperti aku bisa terus menciptakan kekayaan. Szeto Wai

The gods help those who help themselves.” There was also another traditional Roman saying: the gods are on the side of the stronger.

Nice people do things because they want to make others feel good. Good people do things because it’s the right thing to do. Sometimes, being good and being nice aren’t the same thing.

Unless Otherwise Directed. The time-honored way to get things done in any bureaucracy.

the world faiths have one thing in common: all of them are vehicles for the transmission of virtue across the centuries. Yes, humans and institutions have failed to live up to the standards of their faiths again and again, but it does not mean the faiths are themselves completely worthless.

I’ve lied to my family and friends for years,’ said Miss Adelia. ‘My mother lives in Derbyshire. She thinks I teach English at a girls’ school. Which I do, but she doesn’t know I also teach breaking and entering, weapon handling and codebreaking.

Nothing is hard if all done together.

The waies, through which my weary steps I guyde, In this delightful land of Faery, Are so exceeding spacious and wyde, And sprinckled with such sweet variety, Of all that pleasant is to eare or eye, That I nigh rauisht with rare thoughts delight, My tedious trauell doe forget thereby; And when I gin to feele decay of might, It strength to me supplies and chears my dulled spright.

Baba sighs. ‘Your mother needs a hobby. A job. Then she won’t think so much inside her head. Staying busy is the key.

One always finds an excuse for failure. I finally reckoned that. Yin and Yang are actually two persons in one. Behind these two identities was hidden someone with a wounded soul. - Ashes of Time (1994)