Wah Wah Quotes

We've searched our database for all the quotes and captions related to Wah Wah. Here they are! All 30 of them:

Sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive. And then there's music, and girls, and drugs, and homeless people who've read Pauline Kael, and wah-wah pedals, and English potato chip flavors, and I haven't even read Martin Chuzzlewit yet... There's plenty out there.
Nick Hornby (A Long Way Down)
Wah, orang itu kalau sudah fanatik agama kejamnya bukan main. Kejam atas nama Tuhan, kan kontradiksi yang aneh sekali, tetapi begitulah manusia.
Y.B. Mangunwijaya (Burung-Burung Rantau)
I firmly believe if you want to be a guitar player, you better start on acoustic and then graduate to electric. Don’t think you’re going to be Townshend or Hendrix just because you can go wee wee wah wah, and all the electronic tricks of the trade. First you’ve got to know that fucker. And you go to bed with it. If there’s no babe around, you sleep with it. She’s just the right shape.
Keith Richards (Life)
Filsafat yang mampu mengubah sesearang
Abu Hamid al-Ghazali
You want me, don’t you?” he asked, and I nodded. “Say it. Out loud.” Did he just quote Twilight? No matter. “Ah wah oo.” I managed. Not as sexy when you’re sucking someone’s thumb. But that’s okay. This was happening.
Alice Clayton (Screwdrivered (Cocktail, #3))
Wah ini mudah. "Pasti Mbak tau kok," ujarku yakin. "Laki-laki, namanya Ardian, tadi dia ke sini pakai celana jeans dan kemeja hitam." Melihat si Mbak Linda mengerutkan kening, aku kemudian menambahkan. "Dia ganteng mbak. Seberapa banyak nasabah mbak yang ganteng hari ini?
Nina Ardianti (Fly to the Sky)
Hear ye Hear ye.... ah, fuck it. We're here today for bullshit and we all know it. So let's dispense with the usual formality and get on with this witch hunt before I lose what little grip I still have on my patience. So, Dare Kattalakis state your case and demands to the council. And do it fast, with as few words as possible." Savitar "First, I want to restate what a travesty it is that my family's seat is taken by--" "Wah, wah, wah ... quit crying at the tit. Your brother Vane is the head of the Arcadians and Fury leads the Katagaria. Seek a therapist who gives a shit, or if you'd like to challenge either of them for their position, we can do with some entertainment. Hell, I'll make popcorn for the show. Otherwise, Bitch, get on with it." Savitar
Sherrilyn Kenyon (Dragonbane (Dark-Hunter, #24; Lords of Avalon, #4; Were-Hunter, #8; Hellchaser, #7))
The music was intended to replicate or even enhance the mind-altering experiences of the psychedelic drugs. They were using electric guitars, wah-wah pedals, loop music to create ostinato patterns, electric organs, synthesizers (nobody even had any idea what that was at the time, but it was cool to throw it into a conversation), electro-mechanical polyphonic tape replay keyboards, fuzz box effects, backward tapes, you name it. Anything went
Karl Wiggins (Wrong Planet - Searching for your Tribe)
How lucky, I thought, were people who had known from earliest childhood what they wanted to do. All the children in my grammar school, who said they wanted to be doctors, had grown up to become doctors. This was also the case apparently with firemen, veterinarians, songwriters, and race car drivers. I had opted for a kind of pure experience, which, as Doo-Wah had pointed out, is not usually something you get paid for. I did not want to write a book about it. I did not want to write so much as an article. I wanted to be left alone with my experience and go on to the next thing, whatever that was.
Laurie Colwin (Goodbye Without Leaving)
He loathed Jimmy Carter, whom he called a “big-toothed cretin.” In 1980, when we were still in Kabul, the U.S. announced it would be boycotting the Olympic Games in Moscow. “Wah wah!” Baba exclaimed with disgust. “Brezhnev is massacring Afghans and all that peanut eater can say is I won’t come swim in your pool.
Khaled Hosseini (The Kite Runner)
While in Aspen, I was on a panel one evening with Andre Dubus III, who spoke of what happens when a memoir devolves into self-pity: “Wah, wah, wah. Should we call the wambulance?
Dani Shapiro (Hourglass: Time, Memory, Marriage)
I never went back to my room. I took the Fung Wah bus from South Station.
Lev Grossman (The Magicians (The Magicians, #1))
Too bad Mahler never saw a Morley wah-wah pedal, he thought, or he would have scored it into one of his longer works.
Philip K. Dick (The Divine Invasion)
Ru ... ra ... wah ... who?" He finally managed to say and lapsed into a frantic kind of silence. He was feeling the effects of having not said anything to anybody for as long as he could remember.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
The message was wrong, I knew that now, but maybe the tactics were right. Perhaps we could use the methods of the Islamist groups to create a counter-Islamist movement, to do da’wah for the democratic culture?
Maajid Nawaz (Radical: My Journey out of Islamist Extremism)
The tribbles were really made by a fellow named Wah Chang—he did much of STAR TREK’s special effects work, but he’s also well known for his work in films like Jack the Giant Killer, The Seven Faces of Dr. Lao, and other fantasies requiring unusual effects or animation.
David Gerrold (The Trouble with Tribbles: The Story Behind Star Trek's Most Popular Episode)
Little Girl Blue" Sit there, hmm, count your fingers. What else, what else is there to do ? Oh and I know how you feel, I know you feel that you're through. Oh wah wah ah sit there, hmm, count, Ah, count your little fingers, My unhappy oh little girl, little girl blue, yeah. Oh sit there, oh count those raindrops Oh, feel 'em falling down, oh honey all around you. Honey don't you know it's time, I feel it's time, Somebody told you 'cause you got to know That all you ever gonna have to count on Or gonna wanna lean on It's gonna feel just like those raindrops do When they're falling down, honey, all around you. Oh, I know you're unhappy. Oh sit there, ah go on, go on And count your fingers. I don't know what else, what else Honey have you got to do. And I know how you feel, And I know you ain't got no reason to go on And I know you feel that you must be through. Oh honey, go on and sit right back down, I want you to count, oh count your fingers, Ah my unhappy, my unlucky And my little, oh, girl blue. I know you're unhappy, Ooh ah, honey I know, Baby I know just how you feel.
Janis Joplin
Wah, seandainya dia keliru, dia telah dihukum berat atas kekeliruannya itu.
Multatuli (Max Havelaar, or the Coffee Auctions of the Dutch Trading Company)
Target adalah cerminan antara realitas dan harapan, tidak terlalu "wah" juga tidak terlalu "yah".
Achmad Aditya Avery
FOOD Adobo (uh-doh-boh)---Considered the Philippines's national dish, it's any food cooked with soy sauce, vinegar, garlic, and black peppercorns (though there are many regional and personal variations) Almondigas (ahl-mohn-dee-gahs)---Filipino soup with meatballs and thin rice noodles Baon (bah-ohn)---Food, snacks and other provisions brought on to work, school, or on a trip; food brought from home; money or allowance brought to school or work; lunch money (definition from Tagalog.com) Embutido (ehm-puh-tee-doh)---Filipino meatloaf Ginataang (gih-nih-tahng)---Any dish cooked with coconut milk, sweet or savory Kakanin (kah-kah-nin)---Sweet sticky cakes made from glutinous rice or root crops like cassava (There's a huge variety, many of them regional) Kesong puti (keh-sohng poo-tih)---A kind of salty cheese Lengua de gato (lehng-gwah deh gah-toh)---Filipino butter cookies Lumpia (loom-pyah)---Filipino spring rolls (many variations) Lumpiang sariwa (loom-pyahng sah-ree-wah)---Fresh Filipino spring rolls (not fried) Mamón (mah-MOHN)---Filipino sponge/chiffon cake Matamis na bao (mah-tah-mees nah bah-oh)---Coconut jam Meryenda (mehr-yehn-dah)---Snack/snack time Pandesal (pahn deh sahl)---Lightly sweetened Filipino rolls topped with breadcrumbs (also written pan de sal) Patis (pah-tees)---Fish sauce Salabat (sah-lah-baht)---Filipino ginger tea Suman (soo-mahn)---Glutinous rice cooked in coconut milk, wrapped in banana leaves, and steamed (though there are regional variations) Ube (oo-beh)---Purple yam
Mia P. Manansala (Arsenic and Adobo (Tita Rosie's Kitchen Mystery, #1))
La tournée terminée, Tom et Roger pensèrent qu'après le succès de I Shot The Sheriff, ce serait bien de descendre dans les Caraïbes pour continuer sur le thème du reggae. Ils organisèrent un voyage en Jamaïque, où ils jugeaient qu'on pourrait fouiner un peu et puiser dans l'influence roots avant d'enregistrer. Tom croyait fermement au bienfait d'exploiter cette source, et je n'avais rien contre puisque ça voulait dire que Pattie et moi aurions une sorte de lune de miel. Kingston était une ville où il était fantastique de travailler. On entendant de la musique partout où on allait. Tout le monde chantait tout le temps, même les femmes de ménage à l'hotel. Ce rythme me rentrait vraiment dans le sang, mais enregistrer avec les Jamaïcains était une autre paire de manches. Je ne pouvais vraiment pas tenir le rythme de leur consommation de ganja, qui était énorme. Si j'avais essayé de fumer autant ou aussi souvent, je serais tombé dans les pommes ou j'aurais eu des hallucinations. On travaillait aux Dynamic Sound Studios à Kingston. Des gens y entraient et sortaient sans arrêt, tirant sur d'énormes joints en forme de trompette, au point qu'il y avait tant de fumée dans la salle que je ne voyais pas qui était là ou pas. On composait deux chansons avec Peter Tosh qui, affalé sur une chaise, avait l'air inconscient la plupart du temps. Puis, soudain, il se levait et interprétait brillamment son rythme reggae à la pédale wah-wah, le temps d'une piste, puis retombait dans sa transe à la seconde où on s'arrêtait.
Eric Clapton (The Autobiography)
I am writing this on a computer that I can’t imagine living without. This is an alarming thought, the extent to which I have organised my life around a metal box full of wires (and, via the Internet, to many other metal boxes full of wires). Someone told me most of the Internet is stored in a warehouse somewhere in North Carolina. I don’t know enough about technology to gauge if this is true, but it made me realise how little I actually understand about the world I inhabit. The world of Dr Wong’s childhood was significantly smaller than mine, but he understood every square inch of it.
Jeremy Tiang (Durians Are Not the Only Fruit)
Tidak ada sesuatu yang lebih membosankan daripada suara kemakmuran. Desing membosankan suara penyejuk udara atau suara klik yang teredam dari sebuah keyboard tidak bisa mengalahkan suara teriakan para penjaja di pasar terbuka atau suara deru mesin jahit di pabrik. Bahkan lalu lintas negara Dunia Ketiga, dengan simfoni klakson dan lonceng yang berdentang, mengalahkan suara wah yang monoton di sebuah jalan bebas hambatan modern.
Eric Weiner
That uncivilized heathen nations should first be civilized, and then Christianized, is a sentiment of the past. Now it is coming more and more to be acknowledged, that the Bible is the great civilizer of the nations.
Stephen Return Riggs (Tah Koo Wah Kan; Or, the Gospel Among the Dakotas)
Baik, kalau begitu pinjami aku Blue Velvet? Blue Velvet? Iya, masa kamu tidak tahu, sutradaranya David Lynch Oh, Black Velvet maksudnya Tuan? Blue Velvet Apa sih Blue? Wah, guru SD-mu siapa? Blue ya biru dong! Apa sih biru itu, Tuan? Din, kamu mabuk? Saya kira Tuan yang mabuk, dari dulu juga Tuan tahu judul karya David Lynch itu Black Velvet
Seno Gumira Ajidarma (Sepotong Senja untuk Pacarku)
The stories surrounding eating durians remind us that literature should incorporate low culture, bringing it closer to lived reality. These legends come not from the pens of the elite, but are assembled from the words of the masses, both written and spoken, passed from one person to another—the only way to create a text this deep and compelling.
Wong Yoon Wah (Durians Are Not the Only Fruit)
And whenever I complained about it, privately or publicly, people just rolled their eyes. They said I was whingeing, said I only pretended to want privacy, said Meg was pretending as well. Oh, she’s getting chased, is she? Wah-wah, give us a break! She’ll be fine, she’s an actress, she’s used to paps, in fact, wants them. But no one wanted this. No one could ever get used to it. All those eye-rollers couldn’t take ten minutes of it.
Prince Harry (Spare)
Now, isn’t that neat.” Midwestern sarcasm, when it’s done correctly, can be a thing of rare beauty. It’s like performance art. Everywhere else in the world, you can identify sarcasm if you’re paying attention. Even if the hostility isn’t overt, you can read the signs. There’ll be slightly elongated syllables or a pitch that’s just a little off. It’s like a trombone player with a plunger head. There’s that slight “wah-wah” tone-bending to let you know not to take this too seriously. Midwestern sarcasm plays it straight and makes you listen more closely. You have to treat every conversation like a safecracker. Unless your ears have been trained to recognize it, you’ll miss the hint of a minor key. Sometimes you don’t realize what’s happened until hours later, when it’s 3:00 a.m. and you’re half-asleep, and it suddenly hits you. “Aw, crap, they didn’t mean any of that, did they?” Midwestern sarcasm becomes even more deadly when it’s combined with small-town isolationism. These women had been cheerleaders at our high school, they weren’t indie rock aficionados, and Wilco isn’t exactly a household name. So on the one hand, it wasn’t surprising that they hadn’t followed every turn in my career. It’s shocking that they even remembered I played music at all.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
June Afternoon" Didn't I tell you everything is possible in this deja vu? Try the river boat, the carousel, feed the pigeons, Bar-B-Q. Look at all the people, happy faces all around. Smiling, throwing kisses, busy making lazy sounds It's a bright June afternoon, it never gets dark. Wah-wah! Here comes the sun. Get your green, green tambourine, let's play in the park. Wah-wah! Here comes the sun Some folks are on blankets, slowly daydreaming and reaching for their food. Let's go buy an ice-cream and a magazine with an attitude and put on a cassette, we can pretend that you're a star cos life's so very simple just like la-la-la It's a bright June afternoon... There's a painter painting his masterpiece. There are some squirrels jumping in the trees, There's a wide-eyed boy with a red balloon. All my life I've longed for this afternoon.
Roxette
Alexander’s intense eyes were only on Tatiana, who smiled and said, Carolyn, can’t you see? He is pushing you out of the way. I see. Tell him to stop. Let him, Carolyn, Tatiana whispered. Let him. Show him how to catch that baby. Tania, no! What are you afraid of? Just look at him. Let him catch his baby. Thank you, Tatiana. And Alexander went on one knee between her legs, as Carolyn was anxiously bent by his side, her hands next to his. The order of the universe, Alexander felt, was restored. The belly tightened, Tatiana clenched up, one soft slippery push, and the purple baby glided out, swam out face down, front down into the waiting, grasping, open hands of his father. It’s a boy, Tania, Alexander breathed out without turning his son over. Hold him, just like that, don’t move, Carolyn was saying as she cleaned out his mouth and Alexander finally heard his first sound all night. “Wah . . . Wah . . . Wah . . . Wah . . .” Like a little wailing warble. And with his first breath he became pink not purple. Alexander let the boy be placed front down on Tatiana’s stomach, keeping his hand over him and over her, and after Carolyn tied up the cord, he picked up his warm sticky infant, holding him in his palms, and brought him close to Tatiana’s face, whispering, Tania, our boy. Look how small he is. He pressed his wet forehead into her wet cheek. Look at him flailing, squirming, wailing. Buddy, what? Been cooped up too long? He held the boy in his fanned-out palms. Oh God, how can he be so blessedly tiny? He is smaller than my hands. Yes, my love, said Tatiana, one hand on her husband, one hand on her child. But then you do have very big hands. Standing up, Alexander walked over to the open French doors so he could take a better look at the baby in the moonbeam light. Charles Gordon Pasha, he whispered. Pasha. The baby stopped squirming, moving, crying; he relaxed all his limbs and lay sticky and small and completely still in Alexander’s open palms, blinking, clearing his eyes, blinking, clearing his eyes, trying to focus on his father’s face so close. Tania, whispered Alexander, pressing his damp son to his bare chest, to his heart. Look, Tania, look, what a small, little, lovely, tiny baby.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))