Wagon Master Quotes

We've searched our database for all the quotes and captions related to Wagon Master. Here they are! All 18 of them:

Stalin gothic was not so much an architectural style as a form of worship. Elements of Greek, French, Chinese and Italian masterpieces had been thrown into the barbarian wagon and carted to Moscow and the Master Builder Himself, who had piled them one on the other into the cement towers and blazing torches of His rule, monstrous skyscrapers of ominous windows, mysterious crenellations and dizzying towers that led to the clouds, and yet still more rising spires surmounted by ruby stars that at night glowed like His eyes. After His death, His creations were more embarrassment than menace, too big for burial with Him, so they stood, one to each part of town, great brooding, semi-Oriental temples, not exorcised but used.
Martin Cruz Smith (Gorky Park (Arkady Renko, #1))
When I came out of the wagon, he had her in a dramatic dip and was giving her a kiss. I set the needle and thread next to my shirt and waited. It seemed like a good kiss. I watched with a calculating eye, dimly aware that at some point in the future I might want to kiss a lady. If i did, I wanted to do a decent job of it. After a moment my father noticed me and stood my mother back on her feet."That will be ha'penny for the show, Master Voyeur,"he laughed. "What are you still here for, boy? I'll bet you the same ha'penny that a question slowed you down.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
WHAT SHOULD WE DO ABOUT THAT MOON? A wine bottle fell from a wagon And broke open in a field. That night one hundred beetles and all their cousins Gathered And did some serious binge drinking. They even found some seed husks nearby And began to play them like drums and whirl. This made God very happy. Then the “night candle” rose into the sky And one drunk creature, laying down his instrument, Said to his friend—for no apparent Reason, “What should we do about that moon?” Seems to Hafiz Most everyone has laid aside the music Tackling such profoundly useless Questions.
Hafez (The Gift: Poems Inspired by Hafiz, the Great Sufi Master (Compass))
Anyone who has ever canoed on the upper Missouri River knows what a welcome sight a grove of cottonoods can be. They provide shade, shelter, and fuel. For Indian ponies, they provide food. For the Corps of Discovery, they provided wheels, wagons, and canoes. Pioneering Lewis and Clark scholar Paul Russell Cutright pays the cottonwoods an appropriate tribute: 'Of all the wetern trees it contributed more to the success of the Expedition than any other. Lewis and Clark were men of great talent and resourcefulness, masters of ingenuity and improvisation. Though we think it probable that they would hae successfully crossed the continent without the cottonwood, don't as us how!
Stephen E. Ambrose (Undaunted Courage: The Pioneering First Mission to Explore America's Wild Frontier)
Great diggings and foundations spread across what had been the Warders’ practice yard, tall wooden cranes and stacks of cut marble and granite. Masons and laborers swarmed over the workings like ants, and endless streams of wagons trailed through the gates onto the Tower grounds, bringing more stone. To one side stood a wooden “working model,” as the masons called it, big enough for men to enter crouching on their heels and see every detail, where every stone should go. Most of the workmen could not read, after all—neither words nor mason’s drawn plans. The “working model” was as large as some manor houses. When any king or queen had a palace, why should the Amyrlin Seat be relegated to apartments little better than those of many ordinary sisters? Her palace would match the White Tower for splendor, and have a great spire ten spans higher than the Tower itself. The blood had drained from the chief mason’s face when he heard that. The Tower had been Ogier-built, with assistance from sisters using the Power. One look at Elaida’s face, however, set Master Lerman bowing and stammering that of course all would be done as she wished. As if there had been any question. Her mouth tightened with exasperation. She had wanted Ogier masons again, but the Ogier were confining themselves to their stedding for some reason. Her summons to the nearest, Stedding Jentoine, in the Black Hills, had been met with refusal. Polite, yet still refusal, without explanation, even to the Amyrlin Seat.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
The history of the land is a history of blood. In this history, someone wins and someone loses. There are patriots and enemies. Folk heroes who save the day. Vanquished foes who had it coming. It’s all in the telling. The conquered have no voice. Ask the thirty-eight Santee Sioux singing the death song with the nooses around their necks, the treaty signed fair and square, then nullified with a snap of the rope. Ask the slave women forced to bear their masters’ children, to raise and love them and see them sold. Ask the miners slaughtered by the militia in Ludlow. Names are erased. The conqueror tells the story. The colonizer writes the history, winning twice: A theft of land. A theft of witness. Oh, but let’s not speak of such things! Look: Here is an eagle whipping above the vast grasslands where the buffalo once thundered bold as gods. (The buffalo are here among the dead. So many buffalo.) There is the Declaration in sepia. (Signed by slave owners. Shhh, hush up about that, now!) See how the sun shines down upon the homesteaders’ wagons racing toward a precious claim in the nation’s future, the pursuit of happiness pursued without rest, destiny made manifest? (Never mind about those same homesteaders eating the flesh of neighbors. Winters are harsh in this country. Pack a snack.) The history is a hungry history. Its mouth opens wide to consume. It must be fed. Bring me what you would forget, it cries, and I will swallow it whole and pull out the bones bleached of truth upon which you will hang the myths of yourselves. Feed me your pain and I will give you dreams and denial, a balm in Gilead. The land remembers everything, though. It knows the steps of this nation’s ballet of violence and forgetting. The land receives our dead, and the dead sing softly the song of us: blood. Blood on the plains. In the rivers. On the trees where the ropes swing. Blood on the leaves. Blood under the flowers of Gettysburg, of Antioch. Blood on the auction blocks. Blood of the Lenape, the Cherokee, the Cheyenne. Blood of the Alamo. Blood of the Chinese railroad workers. Blood of the midwives hung for witchcraft, for the crime of being women who bleed. Blood of the immigrants fleeing the hopeless, running toward the open arms of the nation’s seductive hope, its greatest export. Blood of the first removed to make way for the cities, the factories, the people and their unbridled dreams: The chugging of the railways. The tapping of the telegram. The humming of industry. Sound burbling along telephone wires. Printing presses whirring with the day’s news. And the next day’s. And the day after that’s. Endless cycles of information. Cities brimming with ambitions used and discarded. The dead hold what the people throw away. The stories sink the tendrils of their hope and sorrow down into the graves and coil around the dead buried there, deep in its womb. All passes away, the dead whisper. Except for us. We, the eternal. Always here. Always listening. Always seeing. One nation, under the earth. E Pluribus unum mortuis. Oh, how we wish we could reach you! You dreamers and schemers! Oh, you children of optimism! You pioneers! You stars and stripes, forever! Sometimes, the dreamers wake as if they have heard. They take to the streets. They pick up the plow, the pen, the banner, the promise. They reach out to neighbors. They reach out to strangers. Backs stooped from a hard day’s labor, two men, one black, one white, share water from a well. They are thirsty and, in this one moment, thirst and work make them brothers. They drink of shared trust, that all men are created equal. They wipe their brows and smile up at a faithful sun.
Libba Bray
Silhara saw red. “You insolent bastard. I’m tempted to load her in the wagon and make you take her back. But that’s what you want, isn’t it? Well, tonight you can just sit in this kitchen and chew on the idea that I’m upstairs fucking away two months worth of food for us.” He didn’t think it possible to sign sewage-sucking-excuse-of-a-baseborn-bilge-rat but somehow Gurn managed.
Grace Draven (Master of Crows (Master of Crows, #1))
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Lydia Olson (The Wagon Master's Unexpected Family: A Western Historical Romance Book)
Wisdom for Today: Before you jump on that Band Wagon you'd be wise to check where in the hell it's going.
Donavan Nelson Butler
When you leave tomorrow, you’ll be accompanied by a few of my people.” “Why?” “Because they will be needed to drive the wagon to Xandria. I know that you are indentured to your master—that you still owe him a good deal of money before you are free to live your own life. He’s making you pay back a fortune that he forced you to borrow.” He squeezed her hand before approaching one of three trunks pushed against the wall. “For saving my life—and sparing hers.” He flipped open the lid of a trunk, then another, and another. Sunlight gleamed on the gold inside, reflecting through the room like light on water. All that gold … and the piece of Spidersilk the merchant had given her … she couldn’t think of the possibilities that wealth would open to her, not right now. “When you give your master his letter, also give him this. And tell him that in the Red Desert, we do not abuse our disciples.” Celaena smiled slowly. “I think I can manage that.” She looked to the open window, to the world beyond. For the first time in a long while, she heard the song of a northern wind, calling her home. And she was not afraid.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Although my pulse thrummed in my throat, beating wildly against the knuckles of Charon’s fist, I forced my eyes to meet his. If I was going to die, I was going to stare into the face of my death when it happened. I held my breath. But after another long moment, I saw the white fury fade from behind the slave master’s eyes. “You cost me a man, and you cost me a wagon, and yet here I am, rescuing you from the ravages of your own stupidity,” he hissed. “I must be mad.” “Leave me here among these ruins, then,” I said, half-defiant, half-afraid he would do just that, “and I’ll trouble you no more.” “Don’t tempt me,” he said. “Listen to me. You’re a fool, and you know nothing. You don’t even know what you’re worth. But I do.
Lesley Livingston (The Valiant (The Valiant, #1))
Did you see the fight yesterday, when Lem Johnson didn’t want to cross the river?” Joellen nodded. “I was hiding in the supply wagon, and I watched the whole thing. You were masterful.” “If you saw what happened, you know nobody defies my orders and gets away with it. And I don’t let people tell lies about me, either.” Joellen swallowed, but she still looked besotted. Steven was about to cure her of that. He sat down on the bench, clasped Joellen by the wrist, and flung her down across his lap. She was so startled that, for a moment, she just lay there with her fanny upended. But when she looked back over her shoulder, she saw Steven’s hand descending and yelped in anticipation of the pain. His palm made a satisfying thwack, so Steven gave her another swat. Joellen squirmed and shrieked, more in anger than suffering, but he kept her legs scissored between his thighs and went right on spanking her. In the street, wagons rolled past, their occupants staring at Joellen and Steven, but he didn’t give a damn. In fact, he gave Joellen five more solid swats before letting her up. He felt guilty looking at the tear streaks on her dirty cheeks, but only a little. “Monster! Fiend! I wouldn’t marry you if you could buy and sell my daddy five times over!” Joellen screamed, her hands knotted into fists at her sides. In a few years, when she was of age, she was going to make somebody a fine and spirited wife. Steven rose from the bench and sighed as he pulled his gloves back on. “Good-bye, Joellen,” he said. Taking his wallet from the inside pocket of his leather vest, he pulled out a twenty-dollar bill. “This will keep you until Big John gets here.” For a moment, she looked as if she was going to spit in his face. But then, at the last second, Joellen snatched the money from his hand. “I hate you!” she cried. Steven grinned as he walked away. In six months Joellen Lenahan not only wouldn’t hate him, she wouldn’t remember his name. Wearily,
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
A long, fruitful retirement is a concept that’s only a few generations old. If you recall from our discussion earlier, when President Franklin Roosevelt created Social Security in 1935, the average life expectancy was just 62. And the payments wouldn’t kick in until age 65, so only a small percentage would actually receive Social Security benefits to begin with. At the time, the Social Security system made financial sense because there were 40 workers (contributors) for every retiree collecting benefits. That means there were 40 people pulling the wagon, with only 1 sitting in the back. By 2010, the ratio had dropped to only 2.9 wagon pullers for every retiree. The math doesn’t pencil out, but since when has that stopped Washington?
Anthony Robbins (MONEY Master the Game: 7 Simple Steps to Financial Freedom (Tony Robbins Financial Freedom))
Boy, I told you to stay away from the Thorpe wagon. If that unreasonable woman wants to do everything herself, then so be it.” Ezra spat out a wad of tobacco from the side of his mouth. Hands fisted at his hips, Davis glared at the wagon master. “This can’t continue. That woman is worn out.” “That woman is stubborn, is what she is.” Ezra’s face took on a red hue. “So what are we going to do, let her kill herself trying to do it all?” Davis leaned in, his jaw clenching.  “She’s the one who decided she could do it all by herself. Let her stew a bit,” Ezra shouted back. “Stewing is one thing, this is inhuman.” “Why are you so all fired up about her? It’s you she’s refused to marry.” “Did you ever think it was too soon after her husband’s death? Maybe she just needs a breather.” “When we’re out here on the trail, there’s no time for breathers. She needs a man to help her with that wagon, and until it sinks in, you stay away from her.
Callie Hutton (Emma's Journey)
The horses were well trained and continued their journey without the guidance of their wagon master. When we came to a sharp turn in the road, the horses made the appropriate turn, but the wagon did not.
Gordon T. Watts
saw the wagon master looking out to the clearing in the middle of the circle. What looked like all of the people from the train approached them. One man seemed to be leading the group. Gage recognized him but didn’t recall the man’s name. “Mr. Colburn, we need to talk,” the man said when he stopped in front of Colburn. “Okay, Mr. Phillips, talk.” Colburn sipped a cup of coffee. “We heard what the men found out at that ranch. Don’t you think that means we should turn back, maybe go back to Kearney and wait for the Army to round up those Indians?” Colburn studied the man over the rim of his cup before answering. At the same time, he glanced at the faces of the people standing in front of him. “I thought we all agreed to go on to Montana from Kearney,” Colburn said.
C. Wayne Winkle (Trouble on the Western Plains (Nathan Gage, #1))
Will told his rival that "if you ever do that again, I'll hurt you." The next day Will had a third playhouse almost two-thirds constructed when Steve once again pushed it over. The fight that followed found Will once again on his back, pinned down by Steve Gobel. This time he resorted to a small pocket knife he carried and slashed Steve on the thigh. It was not a serious wound by any means, but it did draw blood, as well as Steve's anguished cry that he had been "killed." The other pupils and the teacher came running, and Will decided he'd better make himself scarce. He fled to a wagon train led by John R. Willis, for whom he had herded cattle. When he told Willis what had happened, the wagon master hid the boy in one of his wagons. Soon Steve, his father, an elder brother, and the local constable came to arrest Will Cody. Willis, a Philadelphia lawyer at heart, demanded to see a warrant. When the constable admitted he didn't have one, Willis told him that he thought it was overdoing it to arrest a boy for what was only play. Will was safe-for the moment-but he was afraid to return to school. Willis suggested that young Cody accompany him on the wagon train, which was headed for Fort Kearny, a trip of some forty days, by which time the excitement ought to have cooled down. Will's mother consented to the trip, not without some foreboding; she feared that her son might be attacked by Indians. Cody wrote of this first trip across the plains that "it proved a most enjoyable one for me, although no incidents worthy of note occurred along the way." John Willis disagreed with Cody about the lack of incidents. Forty years later Buffalo Bill's Wild West played Memphis on October 4, 1897, and Willis, now a judge in Harrisburg, Arkansas, wanted to see it. Unfortunately, he missed the show, but he wrote Cody the following letter: "Dear Old Friend it has been a long time since I have herd from you.... I would like very much to shake your hand, Billy, and talk over the old grand hours you rode at my heels on the little gray mule while I was killing Buffalo. oh them were happy days. of course you recollect the time the Buffalo ran through the train and stampeded the teams and you stoped the stampede.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Listen. The Sinspire is nearly sixty yards high, one thick Elderglass cylinder. You know those, you tried to jump off one about two months ago. Goes down another hundred feet or so into a glass hill. It’s got one door at street level, and exactly one door into the vault beneath the tower. One. No secrets, no side entrances. The ground is pristine Elderglass; no tunneling through it, not in a thousand years.” “Mmmm-hmmmm.” “Requin’s got at least four dozen attendants on each floor at any given time, plus dozens of table minders, card dealers, and waiters. There’s a lounge on the third floor where he keeps more out of sight. So figure, at minimum, fifty or sixty loyal workers on duty with another twenty to thirty he can call out. Lots of nasty brutes, too. He likes to recruit from ex-soldiers, mercenaries, city thieves, and such. He gives cushy positions to his Right People for jobs well done, and he pays them like he was their doting mother. Plus, there are stories of dealers getting a year’s wages in tips from lucky blue bloods in just a night or two. Bribery won’t be likely to work on anyone.” “Mmmm-hmmmm.” “He’s got three layers of vault doors, all of them ironshod witchwood, three or four inches thick. Last set of doors is supposedly backed with blackened steel, so even if you had a week to chop through the other two, you’d never get past the third. All of them have clockwork mechanisms, the best and most expensive Verrari stuff, private designs from masters of the Artificers’ Guild. The standing orders are, not one set of doors opens unless he’s there himself to see it; he watches every deposit and every withdrawal. Opens the door a couple times per day at most. Behind the first set of doors are four to eight guards, in rooms with cots, food, and water. They can hold out there for a week under siege.” “Mmmm-hmmmm.” “The inner sets of doors don’t open except for a key he keeps around his neck. The outer doors won’t open except for a key he always gives to his majordomo. So you’d need both to get anywhere.” “Mmmm-hmmmm.” “And the traps…they’re demented, or at least the rumors are. Pressure plates, counterweights, crossbows in the walls and ceilings. Contact poisons, sprays of acid, chambers full of venomous serpents or spiders…One fellow even said that there’s a chamber before the last door that fills up with a cloud of powdered strangler’s orchid petals, and while you’re choking to death on that, a bit of twistmatch falls out and lights the whole mess on fire, so then you burn to a crisp. Insult to injury.” “Mmmm-hmmmm.” “Worst of all, the inner vault is guarded by a live dragon attended by fifty naked women armed with poison spears, each of them sworn to die in Requin’s service. All redheads.” “You’re making that up, Jean.” “I wanted to see if you were listening. But what I’m saying is, I don’t care if he’s got a million solari in there, packed in bags for easy hauling. I’m inclined to the idea that this vault might not be breakable, not unless you’ve got three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about.” “Right.” “Do you have three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about?” “No, I’ve got you, me, the contents of our coin purses, this carriage, and a deck of cards.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))