Voyage To The Moon Quotes

Sleeping in a tinfoil suit keeps me warmer and helps prepare me for my voyage to the moon. Would you care for some licorice?

A powerful dragon crying its eyes out under the moon in a deserted valley is a sight and a sound hardly to be imagined.

Don't let's ask for the moon! We have the stars!

I wanted to create a voyage to the moon just for her, but what I should have given her was a real journey on earth.

You know, when I was in love, I was always inventing things. A whole array of tricks, illusions and optical effects to amuse my lady friend. I think she'd had enough of my inventions by the end... I wanted to create a voyage to the moon just for her, but what I should have given her was a real journey on earth.

Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.

What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves? This is the most important of all voyages of discovery, and without it all the rest are not only useless but disastrous.

Ah, youth! It was a beautiful night... The moon was out of orbit. The stars were awry. But everything else was exactly as it should have been.

Oh Jerry, don't let's ask for the moon. We have the stars. - Now, Voyager

The media landscape of the present day is a map in search of a territory. A huge volume of sensational and often toxic imagery inundates our minds, much of it fictional in content. How do we make sense of this ceaseless flow of advertising and publicity, news and entertainment, where presidential campaigns and moon voyages are presented in terms indistinguishable from the launch of a new candy bar or deodorant? What actually happens on the level of our unconscious minds when, within minutes on the same TV screen, a prime minister is assassinated, an actress makes love, an injured child is carried from a car crash? Faced with these charged events, prepackaged emotions already in place, we can only stitch together a set of emergency scenarios, just as our sleeping minds extemporize a narrative from the unrelated memories that veer through the cortical night. In the waking dream that now constitutes everyday reality, images of a blood-spattered widow, the chromium trim of a limousine windshield, the stylised glamour of a motorcade, fuse together to provide a secondary narrative with very different meanings.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

I wanted to create a voyage to the moon just for her, but what I should have given her was a real journey on earth.

I think it an invaluable advantage to be born and brought up in the neighborhood of some grand and noble object in nature: a river, a lake, or a mountain. We make a friendship with it; we in a manner ally ourselves with it for life.

He became more and more intrigued by the Arctic, by its lonely grandeur, by its mirages and strange tricks of light, its mock moons and blood-red halos, its thick, misty atmospheres, which altered and magnified sounds, leaving the impression that one was living under a dome.

This is life. Learning to love through loss. Seeking warm pockets in the bitter cold. Finding the worth of a smile on a cloudy day. Carrying the weight of the world on weary shoulders—mistakes, sins, injustices—added upon daily. Enduring burdens that spur greater strength. This is life. Sorting through layers of expressions staring you straight in the eye. A battle to be right when wrong, to be good when bad, to be content when in need, and to laugh when tearing up. This is life. Valuing things of no worth. Reevaluating dreams. Laboring ceaselessly against the current. Seeing less, wanting more, having enough. This is life. Chasing the moon when the sun would extend its warmth. Slapping the hand that would offer a gentle caress. Cowering at personal, monstrous shadows. Giving and taking in unbalanced weights. Diminishing the majesty of mountains in order to form our own lowly hills. Hoping for more than we deserve. This is life. Hurting. Despairing. Losing. Weeping. Suffering. Laboring. Sinking. Mourning. Appreciating with greater capacity and sincerity a learned knowledge that these adversities do have their opposites. This is life. A taste. A revelation. A banishment. A mercy. A test. An experience. A turbulent sea-voyage that shall assuredly reach the unseen shore, making seasoned sailors of us all. This is life.

There are three kinds of people in the world: those who make things happen ... those who watch things happen ... and those who wonder what happened.

Remember where you're standing when the spotlight goes off," Lovell warned me once, when our book was a best-seller and the movie it spawned was in theatres. "You'll have to find your own way off the stage.

astern receding land of brothers dimming lights mountain if I turn water roughening he falls I fall on my knees crawl forward clink of chains perhaps it’s not me perhaps it’s another perhaps it’s another voyage confusion with another what isle what moon you say the thing you see the thoughts sometimes that go with it it disappears the voice goes on a few words it can stop it can go on depending on what it’s not known it’s not said

One of Hale’s favorite poems echoed Jesus’s command in the Sermon on the Mount: Man’s judgment errs, but there is One who “doeth all things well.” Ever, throughout the voyage of life, this precept keep in view: “Do unto others as thou wouldst that they should do to you.

Enriched by a singular event that is larger than life, I no longer have the luxury of being ordinary. To stand on the lunar surface and look back at our Earth creates such a personal sense of awe that even Alan Shepard wept at the view. Trying to exist within the paradox of being in this world after visiting another may be why some Moon voyagers tend to be reclusive.

...we have a right to narrow down our universe ever further and further; until like the world of the Iliad and the Odyssey it is made up of certain simple endurances, enjoyments, mental and physical struggles, surrounded by the washing of the sea, the blowing of the wind, the swaying of the wheat, the falling of the rain, the voyaging of the clouds, and the motions of the sun and moon and dawn and twilight.

He was a dark and stormy knight. A latter-day rake with eyes the color of emeralds worth a queen's ransom. His smile promised voyages to the moon. And heaven alone knew how many females lay littered in his wake. To a rousing burst of Rachmaninoff, he swept into my London flat one January evening and, with the hauteur of his greeting, captured my virgin heart forever and a day. 'Miss Ellie Simons? My car awaits. Shall we splurge on dinner or parking tickets?

Thomas Merton wrote: “What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves? This is the most important of all voyages of discovery, and without it, all the rest are not only useless, but disastrous.

Do you remember the suburbs and the plaintive flock of landscapes The cypress trees projected their shadows under the moon That night when as summer waned I listened To a languorous bird forever wroth And the eternal noise of a river wide and dark (The Voyager)

He felt a little queasy, and more than a little light-headed. More and more, he felt the disorientation, the fragmenting of himself between day and night. By day, he was a creature of the mind alone, as he escaped his damp immobility by a stubborn, disciplined retreat into the avenues of thought and meditation, seeking refuge in the pages of books. But with the rising of the moon, all sense fled, succumbing at once to sensation, as he emerged into the fresh air like a beast from its lair, to run the dark hills beneath the stars, and hunt, driven by hunger, drunk with blood and moonlight.

It is now high time that I should explain to your Excellencies the object of my perilous voyage. Your Excellencies will bear in mind that distressed circumstances in Rotterdam had at length driven me to the resolution of committing suicide. It was not, however, that to life itself I had any, positive disgust, but that I was harassed beyond endurance by the adventitious miseries attending my situation. In this state of mind, wishing to live, yet wearied with life, the treatise at the stall of the bookseller opened a resource to my imagination. I then finally made up my mind. I determined to depart, yet live—to leave the world, yet continue to exist—in short, to drop enigmas, I resolved, let what would ensue, to force a passage, if I could, to the moon. Now,

The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.

Technologically speaking, China was so far ahead of the rest of Eurasia that foreign lands had little to offer except raw materials, which could be obtained without going to the bother of dispatching gigantic flotillas on lengthy journeys. Beijing easily could have sent Zheng past Africa to Europe, observed the George Mason University political scientist Jack Goldstone. But the empire stopped long-range exploration “for the same reason the United States stopped sending men to the moon—there was nothing there to justify the costs of such voyages.

He realized that he was a monster cut off from the whole human race. An appalling loneliness came over him. He began to see that the others had not really been fiends at all. He began to wonder if he himself had been such a nice person as he had always supposed. He longed for their voices. He would have been grateful for a kind word even from Reepicheep. When he thought of this the poor dragon that had been Eustace lifted up its voice and wept. A powerful dragon crying its eyes out under the moon in a deserted valley is a sight and a sound hardly to be imagined.

When you pack your bags for a big trip, you never know what's in store for you. The Apollo astronauts on their way to and from the Moon photographed their home planet. It was a natural thing to do, but it had consequences that few foresaw. For the first time, the inhabitants of Earth could see their world from above—the whole Earth, the Earth in color, the Earth as an exquisite spinning white and blue ball set against the vast darkness of space. Those images helped awaken our slumbering planetary consciousness. They provide incontestable evidence that we all share the same vulnerable planet. They remind us of what is important and what is not. They were the harbingers of Voyager's pale blue dot.

Oh, all ye sweet powers of air, now hug me close! Let not Starbuck die, if die he must, in a woman's fainting fit. Up helm, I say ye fools. Is this the end of all my bursting prayers? all my life-long fidelities? Oh, Ahab, Ahab, lo, thy work. Steady! helmsman, steady. Nay, nay! Up helm again! He turns to meet us! Oh, his unappeasable brow drives on towards one, whose duty tells him he cannot depart. My God, stand by me now! - Stand not by me, but stand under me, whoever you are that will now help Stubb; for Stubb, too, sticks here. I grin at thee, thou grinning whale! Who ever helped Stubb, or kept Stubb awake, but Stubb's own unwinking eye? And now poor Stubb goes to bed upon a mattrass that is all too soft; would it were stuffed with brushwood! I grin at thee, thou grinning whale! Look ye, sun, moon, and stars! I call ye assassins of as good a fellow as ever spouted up his ghost. For all that, I would yet ring glasses with ye, would ye but hand the cup! Oh, oh! oh, oh! thou grinning whale, but there'll be plenty of gulping soon! Why fly ye not, O Ahab! For me, off shoes and jacket to it; let Stubb die in his drawers! A most mouldy and over salted death, though;—cherries! cherries! cherries! Oh, Flask, for one red cherry ere we die! - Cherries? I only wish that we were where they grow. Oh, Stubb, I hope my poor mother's drawn my part-pay ere this; if not, few coppers will now come to her, for the voyage is up.

But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In

It was one of those perfect nights, listening to the waves crash, feeling the warm summer breeze, watching the sun set over the ocean as the moon rose up in the sky. I looked out over the cliffs and I thought about the explorers who had sailed from places like this, what they'd accomplished, mapping the unknown world, charting our place in the universe. How many times had they failed and fallen down only to get back up and try again? How many times had they sailed out on an impossible voyage and made a successful return home? I sat there with Carola looking out over the endless horizon. It was strange, but I felt like everything was going to be okay. The end of my story was not yet written, and I still had the chance to make it extraordinary.

The entire idea of it was arrogant and defiant and grandiose. Anna loved it. As she walked across a wide empty plain of steel that should have been covered in topsoil and crops, she thought that this audaciousness was exactly what humanity had lost somewhere in the last couple of centuries. When ancient maritime explorers had climbed into their creaking wooden ships and tried to find ways to cross the great oceans of Earth, had their voyage been any less dangerous than the one the Mormons had been planning to attempt? The end point any less mysterious? But in both cases, they’d been driven to find out what was on the other side of the long trip. Driven by a need to see shores no one else had ever seen before. Show a human a closed door, and no matter how many open doors she finds, she’ll be haunted by what might be behind it. A few people liked to paint this drive as a weakness. A failing of the species. Humanity as the virus. The creature that never stops filling up its available living space. Hector seemed to be moving over to that view, based on their last conversation. But Anna rejected that idea. If humanity were capable of being satisfied, then they’d all still be living in trees and eating bugs out of one another’s fur. Anna had walked on a moon of Jupiter. She’d looked up through a dome-covered sky at the great red spot, close enough to see the swirls and eddies of a storm larger than her home world. She’d tasted water thawed from ice as old as the solar system itself. And it was that human dissatisfaction, that human audacity, that had put her there. Looking at the tiny world spinning around her, she knew one day it would give them the stars as well.

It’s easy to underestimate how profound and holistic Roddenberry’s vision of the techscape of the future was. By today’s standards, the available technology of 1964 was downright primitive. Doors did not open automatically when we approached them. The first handheld calculator was still in the future, as were microwave ovens and cell phones. 1964 was a year before most Americans had even heard of a place called Vietnam, five years before man walked on the moon, 25 years before anyone ever surfed the Internet. Your phone had a curly cord, and the new innovation of “touchtone” dialing was merely a year old. Even the television sets that viewers watched would be considered positively prehistoric today. Most TVs were black-and-white models, and the majority of those sets had no remote control. There was no cable or satellite; rabbit ears and roof-top antennas were the norm. The world looked, and was, different.

Upon the deck, image to the roughest man on board of something that is graceful, beautiful, and harmless—something that it is good and pleasant to have there, and that should make the voyage prosperous—is Florence. It is night, and she and Walter sit alone, watching the solemn path of light upon the sea between them and the moon. At length she cannot see it plainly, for the tears that fill her eyes; and then she lays her head down on his breast, and puts her arms around his neck, saying, ‘Oh Walter, dearest love, I am so happy!’ Her husband holds her to his heart, and they are very quiet, and the stately ship goes on serenely. ‘As I hear the sea,’ says Florence, ‘and sit watching it, it brings so many days into my mind. It makes me think so much—’ ‘Of Paul, my love. I know it does.’ Of Paul and Walter. And the voices in the waves are always whispering to Florence, in their ceaseless murmuring, of love—of love, eternal and illimitable, not bounded by the confines of this world, or by the end of time, but ranging still, beyond the sea, beyond the sky, to the invisible country far away!

It was also a lot easier for online teachers to hold their students’ attention, because here in the OASIS, the classrooms were like holodecks. Teachers could take their students on a virtual field trip every day, without ever leaving the school grounds. During our World History lesson that morning, Mr. Avenovich loaded up a stand-alone simulation so that our class could witness the discovery of King Tut’s tomb by archaeologists in Egypt in AD 1922. (The day before, we’d visited the same spot in 1334 BC and had seen Tutankhamun’s empire in all its glory.) In my next class, Biology, we traveled through a human heart and watched it pumping from the inside, just like in that old movie Fantastic Voyage. In Art class we toured the Louvre while all of our avatars wore silly berets. In my Astronomy class we visited each of Jupiter’s moons. We stood on the volcanic surface of Io while our teacher explained how the moon had originally formed. As our teacher spoke to us, Jupiter loomed behind her, filling half the sky, its Great Red Spot churning slowly just over her left shoulder. Then she snapped her fingers and we were standing on Europa, discussing the possibility of extraterrestrial life beneath the moon’s icy crust.

The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)

What breaks in me? Some sinew cracks! 'tis whole again; oars! oars! Burst in upon him! I grow blind; hands! stretch out before me that I may yet grope my way. Is't night? Oars, oars! Slope downwards to thy depths, O sea, that ere it be for ever too late, Ahab may slide this last, last time upon his mark; I see: the ship! the ship! Dash on, my men! - Oh, all ye sweet powers of air, now hug me close! Let not Starbuck die, if die he must, in a woman's fainting fit. Up helm, I say ye fools. Is this the end of all my bursting prayers? all my lifelong fidelities? Oh, Ahab, Ahab, lo, thy work. Steady! helmsman, steady. Nay, nay! Up helm again! He turns to meet us! Oh, his unappeasable brow drives on towards one, whose duty tells him he cannot depart. My God, stand by me now! - Stand not by me, but stand under me, whoever you are that will now help Stubb; for Stubb, too, sticks here. I grin at thee, thou grinning whale! Who ever helped Stubb, or kept Stubb awake, but Stubb's own unwinking eye? And now poor Stubb goes to bed upon a mattrass that is all too soft; would it were stuffed with brushwood! I grin at thee, thou grinning whale! Look ye, sun, moon, and stars! I call ye assassins of as good a fellow as ever spouted up his ghost. For all that, I would yet ring glasses with ye, would ye but hand the cup! Oh, oh! oh, oh! thou grinning whale, but there'll be plenty of gulping soon! Why fly ye not, O Ahab! For me, off shoes and jacket to it; let Stubb die in his drawers! A most mouldy and over salted death, though; cherries! cherries! cherries! Oh, Flask, for one red cherry ere we die! - Cherries? I only wish that we were where they grow. Oh, Stubb, I hope my poor mother's drawn my part-pay ere this; if not, few coppers will now come to her, for the voyage is up.

Flying saucers aside, a visceral childhood fascination with what’s out there, launched by pop culture and propelled by real-life space missions during NASA’s heyday, is a recurring narrative among SETI researchers. “I’m a child of the Apollo era,” said Mark Showalter, a Sagan Center senior research scientist. “I’m in this room today because of Neil Armstrong. Watching the moonwalk — that was the most exciting thing I’d ever seen in my life.” To date, Showalter has discovered, or co-discovered, six moons in the solar system: Pan (orbiting Saturn); Mab and Cupid (Uranus); Kerberos and Styx (Pluto); and just last year, a Neptune moon, still unnamed. “We could be sending missions to all kinds of fantastic destinations and learning things for decades to come,” he said. But the scheduled NASA voyages to the outer planets appear nearly done.  The New Horizons spacecraft flies by Pluto next year; the probes to Jupiter and Saturn shut down in 2017. Even the much-heralded Clipper mission — the proposed robotic expedition to Europa — isn’t yet a go. So far, with a projected $2 billion cost, only $170 million has been appropriated. At 56, Showalter concedes that his professional career will conclude with these final journeys. “It takes twenty years from the time you start thinking about the project to the time you actually get to the outer planets,” he said. And without new missions, he worries, and wonders, about the new generation. “It’s the missions that capture imaginations. If those aren’t happening, kids might not go into science the way my generation did.

The urge to impose a single classification on SF ignores the generic hybridity of many novels: incorporation of the Gothic in The Island of Dr Moreau, of Shakespeare’s The Tempest in Forbidden Planet, and so on. The rise of film coincides with the emergence of science fiction. The relation between SF fiction and film has included an ongoing fascination with spectacle and extraordinary special effects like those pioneered in Georges Melies’s A Trip to the Moon (1902) and The Impossible Voyage (1904).

What has been missed out here is that the Indian traders of eastern India have discovered the Monsoon patterns many centuries before Hippalus. It was their knowledge of the wind patterns in the Eastern Sea that helped them navigate to Southeast Asia with the retreating Monsoon in late October and sail back to India with the advancing Monsoon in May. The event of starting off the sea voyage is still symbolically celebrated in Odisha as the festival of Bali Jatra (voyage to Bali). The festival is celebrated on the full moon of the Hindu month of Kartik (fifteen days after Diwali).

In Praise of Water. Let us bless the grace of water: The imagination of the primeval ocean Where the first forms of life stirred And emerged to dress the vacant earth With warm quilts of color. --- The courage of a river to continue belief In the slow fall of ground, Always falling farther Toward the unseen ocean. -- Tides stirred by the eros of the moon, Draw from that permanent restlessness, Perfect waves that languidly rise And pleat in gradual forms of aquamarine To offer every last tear of delight At the altar of stillness in-land. -- Water: vehicle and idiom Of all the inner voyaging That keeps us alive.

The first time there were four blood moons on Jewish holy days in successive years was in 1493 and 1494. Most of us in the Americas remember 1492 as the year when “Columbus sailed the ocean blue” and came to the Americas. But did you know that in 1492 King Ferdinand and Queen Isabella expelled the Jews from Spain if they would not convert to Catholicism? Did you also know that many historians believe Christopher Columbus was secretly a Jew and the true purpose of his voyage to America was to find a safe place for the Jews to live?

To think that wise Nature, who hath made the World and the Moon, knows not her self what it is; and that ye who have no more Knowledge than what ye derive from her, should more certainly know it, would be very Ridiculous.

As to the Mathematician," he said, "let that be no hinderance to you; for he is a Man who promises much, and performs little or nothing.

Columbus’s fateful voyage was inspired by his study of a map by Paolo Toscanelli. But there was also the 1854 cholera outbreak in London, which killed hundreds of people until a physician, John Snow, drew a map demonstrating that a single contaminated water pump was the source of the illness, thereby founding the science of epidemiology. There was the 1944 invasion at Normandy, which succeeded only because of the unheralded contribution of mapmakers who had stolen across the English Channel by night for months before D-Day and mapped the French beaches.* Even the moon landing was a product of mapping. In 1961, the United States Geological Survey founded a Branch of Astrogeology, which spent a decade painstakingly assembling moon maps to plan the Apollo missions. The Apollo 11 crew pored over pouches of those maps as their capsule approached the lunar surface, much as Columbus did during his voyage. It seems that the greatest achievements in human history have all been made possible by the science of cartography.

Soon our culture's oldest dreams will be made real. Even the thought of sending a kind of flying craft to the moon is no longer nothing more than a child's fantasy. At this moment in the cities below us, the first mechanical men are being constructed that will have the capability to pilot the ship on its maiden voyage. But no one has asked if this dream we've had for so long will lose its value once it's realized. What will happen when those mechanical men step out of their ship and onto the surface of this moon, which has served humanity for thousands of years as our principal icon of love and madness? When they touch their hands to the ground and perform their relentless analyses and find no measurable miracles, but a dead gray world of rocks and dust? When they discover that it was the strength of millions of boyhood daydreams that kept the moon aloft, and that without them that murdered world will fall, spiraling slowly down and crashing into the open sea?

How do you go to the bathroom?” asked Denny. Kathy Townsend blushed. “Denny, what a question!” Mr. Jones laughed. “That’s okay,” he said. “Shows she’s thinking.” Then he winked at Denny and whispered, “Ghosts don’t go to the bathroom.” Denny felt a tiny prickle run up her back; then she saw that her mother was laughing. “I’m serious,” she said. “How?” “See for yourself,” said Mr. Jones. He directed her into the forecabin and pointed toward a narrow door with a half-moon on it. Denny opened it. Inside, on the floor, was a little Porta Potti like the ones campers use. When Denny came back out, Mr. Jones was still talking to her mother. “I’ll need a new head, of course, before I put the boat in the water,” he was saying, “but this one will do for now.” Denny stared at him and gulped. “A new head?” she repeated. Mr. Jones laughed. “Don’t look at me like you’ve just seen a ghost,” he said. “A head is what you call a toilet on board ship.” “Oh,” said Denny, laughing at herself.

Enriched by a singular event that is larger than life, I no longer have the luxury of being ordinary. To stand on the lunar surface and look back at our Earth creates such a personal sense of awe that even Alan Shepard wept at the view. Trying to exist within the paradox of being in this world after visiting another may be why some Moon voyagers tend to be reclusive. I

Consider this: in February of 1966, the Soviet Union soft-landed a space probe on the moon. Humanity has been launching programs ever since. NASA launched Voyager 1 in September of 1977. In 2012 it became the first satellite to reach interstellar space. At some point, Voyager will fall into the gravity well of a planet, or asteroid, or even another planet’s moon. Possibly a black hole. The point is that it will crash somewhere—maybe on a place like our moon, but orbiting another planet, very far away.” Yuri smiled. “And if that’s true, then why has it not happened here—on our moon, which is over four and a half billion years old? The greatest mystery in the world is why our moon isn’t covered with space junk.” “Space junk?” “Interstellar probes—like Voyager 1—from other sentient species across the universe, launched long before we evolved, launched long before there was even life on our world.

Once again I am riding my bike on the streets of loneliness. Your thoughts are the anchor that make me ride fast yet not lose my balance. You had promised me that you would never leave me alone. But I do know that the love that you have bestowed on me is more precious than the biggest pearls discovered by the sailors on their voyages of prosperity. I too sail on myriad voyages in the ocean of my life. And your love holds my ship steady on those turbulent waters of life when the moon even does not show her face to me!

Once again I am riding my bike on the streets of loneliness. Your thoughts are the anchor that make me ride fast yet not lose my balance. You had promised me that you would never leave me alone. But I do know that the love that you have bestowed on me is more precious than the biggest pearls discovered by the sailors on their voyages of prosperity. I too sail on myriad voyages in the ocean of my life. And your love holds my ship steady in those turbulent waters of life when even the moon does not show her face to the world!

And tonight when you see the moon, remember this: It isn't the critic who counts. It's the lunatics who end up changing the world, one small step at a time.

And of course I did the only reasonable thing a grown boy would do: I sat there and gawked.

What I hope to convey with From the Earth to the Moon is what Andy’s captured so well in this book—just how magnificent an undertaking Apollo really was. That going to the moon was not just a technological endeavor, but an artistic one, like Michelangelo’s frescoes on the Sistine Chapel ceiling.

We can’t condone what the Spanish did; it seems barbaric to us,” Larry said. “But I admire their tenacity, giving up everything familiar to come here. It would have been like traveling to the moon today.” Tim agreed. “Unless you reenact Mother Teresa, you’re going to run into problems if you judge people by today’s moral standards.

In 1964, just as the Beatles were launching their invasion of America’s airwaves, Marshall McLuhan published Understanding Media: The Extensions of Man and transformed himself from an obscure academic into a star. Oracular, gnomic, and mind-bending, the book was a perfect product of the sixties, that now-distant decade of acid trips and moon shots, inner and outer voyaging. Understanding Media was at heart a prophecy, and what it prophesied was the dissolution of the linear mind. McLuhan declared that the “electric media” of the twentieth century—telephone, radio, movies, television—were breaking the tyranny of text over our thoughts and senses.

Behold, the Moon dares not the utter loneliness of the outer dark by reason of his lesser light and majesty, and he journeys still beneath the world and many are the chances of that way; wherefore is it that he is often less timely than the Sun and is more fickle. Sometimes he comes not after Sári at all, and other times is late and maketh but a little voyage or even dares the heavens while Urwendi still is there. Then smile the Gods wistfully and say: “It is the mingling of the lights once more.

Future destinations in our solar system neighborhood include potential probe missions to a few moons of Jupiter, Saturn, and Neptune -- mainly by virtue of them being possible candidates for life, with their large oceans buried beneath icy crusts, plus intense volcanic activity. But getting humans to explore these possibly habitable worlds is a big issue in space travel. The record for the fastest-ever human spaceflight was set by the Apollo 10 crew as they gravita­tionally slingshotted around the Moon on their way back to Earth in May 1969. They hit a top speed of 39,897 kilo­meters per hour (24,791 miles per hour); at that speed you could make it from New York to Sydney and back in under one hour. Although that sounds fast, we've since recorded un-crewed space probes reaching much higher speeds, with the crown currently held by NASA's Juno probe, which, when it entered orbit around Jupiter, was traveling at 266,000 kilometers per hour (165,000 miles per hour). To put this into perspective, it took the Apollo 10 mission four days to reach the Moon; Opportunity took eight months to get to Mars; and Juno took five years to reach Jupiter. The distances in our solar system with our current spaceflight technology make planning for long-term crewed explora­tion missions extremely difficult." "So, will we ever explore beyond the edge of the solar system itself? The NASA Voyager 1 and 2 spacecraft were launched back in 1977 with extended flyby missions to the outer gas giant planets of Jupiter and Saturn. Voyager 2 even had flyby encounters with Uranus and Neptune -- it's the only probe ever to have visited these two planets. "The detailed images you see of Uranus and Neptune were all taken by Voyager 2. Its final flyby of Neptune was in October 1989, and since then, it has been traveling ever farther from the Sun, to the far reaches of the solar sys­tem, communicating the properties of the space around it with Earth the entire time. In February 2019, Voyager 2 reported a massive drop off in the number of solar wind particles it was detecting and a huge jump in cosmic ray particles from outer space. At that point, it had finally left the solar system, forty-one years and five months after being launched from Earth. "Voyager 1 was the first craft to leave the solar system in August 2012, and it is now the most distant synthetic object from Earth at roughly 21.5 billion kilometers (13.5 billion miles) away. Voyager 2 is ever so slightly closer to us at 18 billion kilometers (11 billion miles) away. Although we may ultimately lose contact with the Voyager probes, they will continue to move ever farther away from the Sun with nothing to slow them down or impede them. For this reason, both Voyager crafts carry a recording of sounds from Earth, including greetings in fifty-five differ­ent languages, music styles from around the world, and sounds from nature -- just in case intelligent life forms happen upon the probes in the far distant future when the future of humanity is unknown.

Here an ancient oriel window opened glassless to the sky, and the light of the hunter’s moon washed us in silver. We lay clasped together, damp skins cooling in the winter air, waiting for our racing hearts to slow and breath to return to our heaving bodies.

When we write something, we have not coughed up the moon, whose origins might then be investigated. Rather, we have moved to the moon with everything we have. Nothing has changed; there, we are what we were here. A thousand differences are possible in the tempo of the voyage, none in the fact itself.

film

In July 1969 hundreds of millions of people on Earth huddled around television screens to witness a new world come within reach, a pinnacle of human achievement. When Christopher Columbus or Vasco da Gama set off on their respective voyages to explore new worlds, there were likely no more than a few dozen spectators waving them farewell. But the moon landing was a collective journey, made awe inspiring with live images from outer space transmitted through television, putting much of humanity in a collective trance. It was so momentous that the entire first section of the New York Times was dedicated to the smallest details and broadest implications of this most highly anticipated event of the space age. At the time, people expected the moon to be settled, at the very least in some minimal way, in the not-too-distant future. Optimistic speculations suggested that shuttle services for passengers were just a decade away. This

And so the clumsy human spaceship finally entered Europa’s atmosphere. Patel and Bingleking silently monitored their screens as the ship’s engines rumbled. Bingleking’s euphoria was tempered by Patel’s weariness, though neither of the scientists turn astronauts paid much attention to affect. Cameras filmed the small craft’s descent. Filmed Patel and Bingleking’s anxious silence. Billions of people watched this voyage to Europa on tiny screens. This technological feat was made possible by the Bingleking Drive. By the NBA and by Starbucks and by the National Space Society and by this sponsor and by that donor and Whatever. “Who knows what you’re capable of? The owner of the Los Angeles Lakers asked as his face gave way to an image of Europa which gave way to a Nike swoosh. Jupiter’s moon was a pleasant distraction from thickening smog and drier coughs.

In July 1969 hundreds of millions of people on Earth huddled around television screens to witness a new world come within reach, a pinnacle of human achievement. When Christopher Columbus or Vasco da Gama set off on their respective voyages to explore new worlds, there were likely no more than a few dozen spectators waving them farewell. But the moon landing was a collective journey, made awe inspiring with live images from outer space transmitted through television, putting much of humanity in a collective trance. It was so momentous that the entire first section of the New York Times was dedicated to the smallest details and broadest implications of this most highly anticipated event of the space age. At the time, people expected the moon to be settled, at the very least in some minimal way, in the not-too-distant future. Optimistic speculations suggested that shuttle services for passengers were just a decade away.

The only area I can think of where the moon experience might have any edge at all over the walking trails of Knox County, Tennessee, would be in the symbolism department, in the sheer majesty of it all. When you think about how the moon is a celestial phenomenon that has dominated the nights of humans since before humans were even humans, a place so foreign to our understanding that, until recently in the history of our species, people didn’t even think of it as a place, or even as an object, but as an abstraction tied to God; a place that is still, even now that we do understand it, so alien to our everyday thinking that it is never included on any of our maps or globes and can only be reached by a dangerous voyage across hundreds of thousands of miles of literal, actual nothingness; and to know that you have been there and stood on that rock/God/place, with your own two feet, and kicked the dust and moved it a little, and come back home, with the story to tell … . And then, no matter where you are in life, to be able to always look down at those ten little toes that carry you through your house or the hallways of your job or around the same walking path you’ve been walking for years that you still love in a way even though, somehow, at some point, its loveliness lost its dust of luster in your eyes—to know that no matter where you are, no matter how dull the favorite colors of your life become, you can always look down at those ten little toes and think about how they have been with you to a place that almost no one alive can imagine, and no one dead could have conceived of. And then someday, when you’re about to die yourself, and you’re scared, at least you know you’ve already been somewhere mysterious. That’s honestly all I can come up with, pro-moon-wise. To each his own, I suppose.

Isn’t it so strange how you can’t get away from the moon, try as you might, and yet you can’t touch it? It remains perpetually in front of you as though you could stretch your arm out and grab it with your fingers, but it is just out of reach. Happiness can feel like that. Like it is something other people experience but it only flirts with you and haunts you every time you glance out the window.

The moon landing is, hands down, the greatest thing mankind has ever done. The cross is the greatest thing that has ever been done.

Those of us who watched the lunar voyage of Apollo 11 were transfixed as we saw the first men walk on the moon and return to earth. Superlatives such as “fantastic” and “incredible” were inadequate to describe those eventful days. But to get there, those astronauts literally had to break out of the tremendous gravity pull of the earth. More energy was spent in the first few minutes of lift-off, in the first few miles of travel, than was used over the next several days to travel half a million miles.

And you matter to me. I pray that, even though things in your life are scary or uncertain or up in the air right now, you know you can rest. You can rest because you are not alone. You can rest because of who Jesus is and what he has done. You can rest because nothing you do can make him love you more or less, and because no matter how hard life gets, nothing that happens to you can destroy you. You are free because he is the resurrection and the life. Not someday. Today. Right now.

KANSAS CITY, March 28, 1963—If all goes as it should—and in space, that is no sure thing—then sometime today, thirteen brave voyagers will cross a Rubicon that no man ever has: the halfway point between our home planet and Mars.

The Church says the earth is flat. But I have seen its shadow on the moon, and I have more confidence in that shadow than the Church.” Attributed to Ferdinand Magellan (1480-1521)

Amidst the wreckage of these implausible suggestions, an alternative has recently emerged—that Lewis was shaped by what the great English seventeenth-century poet John Donne called “the Heptarchy, the seven kingdoms of the seven planets.” And amazingly, this one seems to work. The idea was first put forward by Oxford Lewis scholar Michael Ward in 2008.[618] Noting the importance that Lewis assigns to the seven planets in his studies of medieval literature, Ward suggests that the Narnia novels reflect and embody the thematic characteristics associated in the “discarded” medieval worldview with the seven planets. In the pre-Copernican worldview, which dominated the Middle Ages, Earth was understood to be stationary; the seven “planets” revolved around Earth. These medieval planets were the Sun, the Moon, Mercury, Venus, Mars, Jupiter, and Saturn. Lewis does not include Uranus, Neptune, and Pluto, since these were only discovered in the eighteenth, nineteenth, and twentieth centuries, respectively. So what is Lewis doing? Ward is not suggesting that Lewis reverts to a pre-Copernican cosmology, nor that he endorses the arcane world of astrology. His point is much more subtle, and has enormous imaginative potential. For Ward, Lewis regarded the seven planets as being part of a poetically rich and imaginatively satisfying symbolic system. Lewis therefore took the imaginative and emotive characteristics which the Middle Ages associated with each of the seven planets, and attached these to each of the seven novels as follows: The Lion, the Witch and the Wardrobe: Jupiter Prince Caspian: Mars The Voyage of the “Dawn Treader”: the Sun The Silver Chair: the Moon The Horse and His Boy: Mercury The Magician’s Nephew: Venus The Last Battle: Saturn For example, Ward argues that Prince Caspian shows the thematic influence of Mars.[619] This is seen primarily at two levels. First, Mars was the ancient god of war (Mars Gradivus). This immediately connects to the dominance of military language, imagery, and issues in this novel. The four Pevensie children arrive in Narnia “in the middle of a war”—“the Great War of Deliverance,” as it is referred to later in the series, or the “Civil War” in Lewis’s own “Outline of Narnian History.

And we did speak only to break   The silence of the sea! "All in a hot and copper sky,   The bloody sun at noon, Right up above the mast did stand.   No bigger than the moon. "Day after day, day after day,   We stuck, nor breath, nor motion; As idle as a painted ship   Upon a painted ocean.

I’d say that of the two choices, Helen will be safest if she finds her own way back.” “A girl traveling alone on a voyage that long?” Castor protested. “I’ve done it before,” I reminded him. “Not as a girl.” “Yes, well, er, a few things have changed about you since then.” His face turned a little red. “I know how to count days and watch the changing of the moon,” I replied. “I won’t be taken by surprise again, even if I have to spend every day of the voyage wearing a--” “All right, all right, I believe you!” Poor Castor couldn’t wait to drop the subject. “You’ll travel as a boy again. Fine.” “And Milo will come with me, so I won’t be making the journey alone,” I said. My brothers exchanged a doubtful look. “She does insist that they’re only friends,” Polydeuces said. “So far,” Castor remarked. “The boy’s young, but not that young. Have you looked at him lately? I wager that by the time he reaches Sparta, he’ll have a thicker beard than Father’s.” “Why are you talking about Milo and me as if I weren’t here?” I asked angrily. “What are you afraid will happen between us? Half the Argonauts believe it already did, but that doesn’t make it so.” “Not yet,” Castor said. “People change, especially on a long voyage.

I’d say that of the two choices, Helen will be safest if she finds her own way back.” “A girl traveling alone on a voyage that long?” Castor protested. “I’ve done it before,” I reminded him. “Not as a girl.” “Yes, well, er, a few things have changed about you since then.” His face turned a little red. “I know how to count days and watch the changing of the moon,” I replied. “I won’t be taken by surprise again, even if I have to spend every day of the voyage wearing a--” “All right, all right, I believe you!” Poor Castor couldn’t wait to drop the subject. “You’ll travel as a boy again. Fine.

I have seen, there, In the moonlit space of self, where the ego glides, Its silvery essence, a mirror upon life’s tides. Shaped by the ebb and flow of journey’s dance, Reflecting beliefs, in life’s intricate, ever-changing stance. This luminary, a learned guide in identity’s play, Casts shadows, illusions in its luminous display. A sculptor, artful, in societal norms it trusts, Chiseling character with life’s whims and cultural dust. The ego, in its carnival, spins tales so keen, Crafting who we ought to be in expectations unseen. In costumes of roles and societal dreams it dresses, Creating our outward selves in myriad, intricate presses. In stark contrast, behold the inner sun, our essence so bright, A steadfast flame, in the core of our being, burning with pure light. Unfiltered, unwavering, unlike the moon’s fickle gleam, A constant force, our authentic self, a deep, untouched stream. This essence, our unchanging truth, in the heart it resides, A whisper of eternity, beyond masks, where true self abides. Beyond roles, beyond transient ego’s elaborate dance, Lies this truth, unswayed by the external world’s fleeting glance. In the quest for self, twixt these luminaries, discernment is key, Traversing the self’s tangle, understanding what must be. Though ego’s voice echoes loud, in desires and fears it plays, It’s the essence’s silent light that guides through life’s stormy bays. Through recognition, understanding, transformation’s alchemy begins, Turning life unexamined into enlightened existence’s wins. A celestial voyage, within us, between sun and moon’s embrace, Ego teaches, grows us, in our worldly place. The essence, radiant and wise, to eternity connects, Offering authenticity, a path that perfects. Yin and yang, in our existence, they intertwine, In their dance, our soul’s rhythm, in harmony, divine. In moon’s reflection and sun’s light, a balance we find, Understanding their interplay, the rhythm of humankind.

Observer: “In our being, where the tangible meets the intangible, there lies a duality as ancient as time itself - the ego and the essence. These twin forces, ever-present and perpetually intertwined, are the sun and moon of our inner universe, each holding sway over the landscape of our spirit in a dance as old as the stars.” Sun: “I am the essence, the unwavering light within. A constant, unfiltered sun, burning at the core of our being. Untouched by the transient world, I am the eternal truth in your heart, the perpetual whisper of your authentic self.” Moon: “And I, the ego, mirror the silver luminescence of experience. Shaped by the ebb and flow of life’s tides, I reflect the lessons, beliefs, and identities formed through your journey. In me, the tales of your identity are woven through societal norms and cultural echoes, ever-evolving and dynamic.” Sun: “Unlike you, who waxes and wanes, I am a perpetual beacon. I am solid, the silent guide amidst the storms of life, illuminating the path to enlightenment. I am the light that shines beyond all darkness, the eternal truth within.” Moon: “True, I may dance in shadows, casting illusions, but through my reflective glow, I bring lessons, growth, and an understanding of our place in the material world. My phases are a reminder of life’s impermanence and the transformative power of introspection and self-inquiry.” Sun: “It is in recognizing our dual nature that the process of transformation begins. From the unexamined to the enlightened existence, I offer wisdom, authenticity, and a connection to the eternal. Understanding the self is the key to liberation.” Moon: “Together, we form the yin and yang of existence. My reflective lessons and your radiant wisdom define the human experience. In understanding our dance, one finds the rhythm of their soul, a balance between action and introspection, between the material world and the spiritual journey.” Sun: “The journey of self is thus a celestial voyage between us. Embracing both my luminescence and your reflection leads to harmony, living attuned to the eternal rhythm of light and shadow.

and at that moment I understood that I had to make the voyage at whatever cost. If a grail appears, the soul must follow.

down instead of from Twenty-Third Street looking up—things look quite a bit different. From that angle, the annoyed, hustling and bustling, highly important people angling their way through the obstacle course of onlookers seem insignificant. Our sun and moon and eight planets are just one little neighborhood among an estimated 200 billion neighborhoods that make up our universe.19 If we think of the Milky Way galaxy as being the size of the entire continent of North America, our solar system would fit into a coffee cup.20 Two Voyager spacecrafts are cruising toward the edge of the solar system at a rate of more than 35,000 miles per hour. They’ve been doing that for more than forty years and have traveled more than 11 billion miles, with no end in sight.21 When NASA sends communication to one of those Voyagers traveling at that velocity, it takes about seventeen hours to get there.22 That data has led scientists to estimate that to send a “speed of light” message to the edge of the universe would take more than 15 billion years to arrive.23 “So, yes, Chelsea art dealer, you are very important. But when we think about what we’re all gazing at while you make your agitation known through grunts and mumbles, you’re also impossibly young, urgently expiring, and unbelievably small.” You and I see the world with our own two eyes, and from that minuscule perspective, we tend to convince ourselves that we are (or at least should be) in control, directing our own lives, and scripting our future. We come back again to the truth that Philip Yancey reminded us of earlier in the chapter: “Prayer is the act of seeing reality from God’s point of view.” God is the one who calls us to “be still, and know that I am God.” Psalm 8 marvels at this very wonder: