Golden Quotes

We've searched our database for all the quotes and captions related to Golden. Here they are! All 100 of them:

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In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
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Madeline Miller (The Song of Achilles)
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If you are a dreamer come in If you are a dreamer a wisher a liar A hoper a pray-er a magic-bean-buyer If youre a pretender com sit by my fire For we have some flax golden tales to spin Come in! Come in!
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Shel Silverstein
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So when the moon's only partly full, you only feel a little wolfy?" "You could say that." "Well, you can go ahead and hang your head out the car window if you feel like it." "I'm a werewolf, not a golden retriever.
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Cassandra Clare
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Romance is the glamour which turns the dust of everyday life into a golden haze.
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Elinor Glyn
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Imagination is the golden-eyed monster that never sleeps. It must be fed; it cannot be ignored.
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Patricia A. McKillip
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Are you the one with the blue eyes?" "Actually, my eyes are usually described as golden...and luminous.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important." "It was probably important to her.
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Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
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Living in that childish wonder is a most beautiful feeling - I can so well remember it. There was always something more - behind and beyond everything - to me, the golden spectacles were very, very big.
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Kate Greenaway
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We are stardust, we are golden and we've got to get ourselves back to the garden.
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Joni Mitchell
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What's terrible is to pretend that second-rate is first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better.
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Doris Lessing (The Golden Notebook)
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I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S. "Go," she says. "He waits for you." In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
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Madeline Miller (The Song of Achilles)
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In a Wonderland they lie, Dreaming as the days go by, Dreaming as the summers die: Ever drifting down the stream- Lingering in the golden gleam- Life, what is it but a dream?
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Lewis Carroll (Through the Looking Glass)
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At the temple there is a poem called "Loss" carved into the stone. It has three words, but the poet has scratched them out. You cannot read loss, only feel it.
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Arthur Golden (Memoirs of a Geisha)
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Autumn seemed to arrive suddenly that year. The morning of the first September was crisp and golden as an apple.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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You cannot change what you are, only what you do.
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Philip Pullman (The Golden Compass (His Dark Materials, #1))
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Oh soul, you worry too much. You have seen your own strength. You have seen your own beauty. You have seen your golden wings. Of anything less, why do you worry? You are in truth the soul, of the soul, of the soul.
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Jalal ad-Din Muhammad ar-Rumi
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The heart dies a slow death, shedding each hope like leaves until one day there are none. No hopes. Nothing remains.
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Arthur Golden (Memoirs of a Geisha)
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Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed, to me: I lift my lamp beside the golden door.
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Emma Lazarus
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Once in a golden hour I cast to earth a seed. Up there came a flower, The people said, a weed.
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Alfred Tennyson (The Complete Works of Alfred Tennyson)
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Home isn't where you're from, it's where you find light when all grows dark.
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Pierce Brown (Golden Son (Red Rising Saga, #2))
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Perhaps, after all, romance did not come into one’s life with pomp and blare, like a gay knight riding down; perhaps it crept to one’s side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps . . . perhaps . . . love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
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L.M. Montgomery
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We're all golden sunflowers inside.
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Allen Ginsberg
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This is why dreams can be such dangerous things: they smolder on like a fire does, and sometimes they consume us completely.
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Arthur Golden (Memoirs of a Geisha)
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Had I the heavens' embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.
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W.B. Yeats (The Wind Among the Reeds)
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A golden cage is still a cage.
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Madeline Miller (Circe)
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Your name is a golden bell hung in my heart. I would break my body to pieces to call you once by your name.
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Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
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On soft Spring nights I'll stand in the yard under the stars - Something good will come out of all things yet - And it will be golden and eternal just like that - There's no need to say another word.
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Jack Kerouac (Big Sur)
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But why think about that when all the golden lands ahead of you and all kinds of unforseen events wait lurking to surprise you and make you glad you're alive to see?
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Jack Kerouac (On the Road (The Viking Critical Library))
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Time is what keeps everything from happening at once.
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Ray Cummings (The Girl in the Golden Atom (Bison Frontiers of Imagination))
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He was like a song I'd heard once in fragments but had been singing in my mind ever since.
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Arthur Golden (Memoirs of a Geisha)
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Desire is an odd thing. As soon as it’s sated, it transmutes. If we receive golden thread, we desire the golden needle.
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Holly Black (The Cruel Prince (The Folk of the Air, #1))
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Adrian, I'm on a date. Why are you here? On my car?
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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I dont think any of us can speak frankly about pain until we are no longer enduring it.
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Arthur Golden (Memoirs of a Geisha)
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This time Magnus answered it, his voice booming through the tiny entryway. "WHO DARES DISTURB MY REST?" Jace looked almost nervous. "Jace Wayland. Remember? I'm from the Clave." "Oh, yes." Magnus seemed to have perked up. "Are you the one with the blue eyes?" "He means Alec," Clary said helpfully. "No. My eyes are usually described as golden," Jace told the intercom. "And luminous." "Oh, you're that one." Magnus sounded disappointed. If Clary hadn't been so upset, she would have laughed. "I suppose you'd better come up.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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Luna had decorated her bedroom ceiling with five beautifully painted faces: Harry, Ron, Hermione, Ginny, and Neville. They were not moving as the portraits at Hogwarts moved, but there was a certain magic about them all the same: Harry thought they breathed. What appeared to be fine golden chains wove around the pictures, linking them together, but after examining them for a minute or so, Harry realized that the chains were actually one word, repeated a thousand times in golden ink: friends . . . friends . . . friends . . .
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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Death had been her curse and her gift and her friend for these long, long years. She was happy to greet it again under the golden morning sun.
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Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
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There is no greater plague to an introvert than the extrovert.
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Pierce Brown (Golden Son (Red Rising Saga, #2))
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Life moves on, whether we act as cowards or heroes. Life has no other discipline to impose, if we would but realize it, than to accept life unquestioningly. Everything we shut our eyes to, everything we run away from, everything we deny, denigrate or despise, serves to defeat us in the end. What seems nasty, painful, evil, can become a source of beauty, joy, and strength, if faced with an open mind. Every moment is a golden one for him who has the vision to recognize it as such
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Henry Miller
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Friendships take minutes to make, moments to break, years to repair.
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Pierce Brown (Golden Son (Red Rising Saga, #2))
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Want to keep Christ in Christmas? Feed the hungry, clothe the naked, forgive the guilty, welcome the unwanted, care for the ill, love your enemies, and do unto others as you would have done unto you.
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Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
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Ah, those two. In a fight, they’re lethal. Around each other, they melt.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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I don't know when we'll see each other again or what the world will be like when we do. We may both have seen many horrible things. But I will think of you every time I need to be reminded that there is beauty and goodness in the world.
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Arthur Golden (Memoirs of a Geisha)
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Adversity is like a strong wind. I don't mean just that it holds us back from places we might otherwise go. It also tears away from us all but the things that cannot be torn, so that afterward we see ourselves as we really are, and not merely as we might like to be.
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Arthur Golden (Memoirs of a Geisha)
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We lead our lives like water flowing down a hill, going more or less in one direction until we splash into something that forces us to find a new course.
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Arthur Golden (Memoirs of a Geisha)
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He shouldn't have said that," repeated Adrian, eerily serious. He leaned his face toward mine. "I don't care if he's not the emotional type or the complimentary type or what. No one can look at you in this dress, in all that fire and gold, and start talking about anachronisms. If I were him, I would have said, 'You are the most beautiful creature I have ever seen walking this earth.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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Sometimes," he sighed, "I think the things I remember are more real than the things I see.
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Arthur Golden (Memoirs of a Geisha)
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Sage," he said. "What are you wearing?" I sighed and stared down at the dress. "I know. It's red. Don't start. I'm tired of hearing about it." "Funny," he said. "I don't think I could ever get tired of looking at it.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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I will die. You will die. We will all die and the universe will carry on without care. All that we have is that shout into the wind - how we live. How we go. And how we stand before we fall.
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Pierce Brown (Golden Son (Red Rising Saga, #2))
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Grief is a most peculiar thing; we’re so helpless in the face of it. It’s like a window that will simply open of its own accord. The room grows cold, and we can do nothing but shiver. But it opens a little less each time, and a little less; and one day we wonder what has become of it.
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Arthur Golden (Memoirs of a Geisha)
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Do not do to others what angers you if done to you by others.
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Socrates
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I felt like lying down by the side of the trail and remembering it all. The woods do that to you, they always look familiar, long lost, like the face of a long-dead relative, like an old dream, like a piece of forgotten song drifting across the water, most of all like golden eternities of past childhood or past manhood and all the living and the dying and the heartbreak that went on a million years ago and the clouds as they pass overhead seem to testify (by their own lonesome familiarity) to this feeling.
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Jack Kerouac (The Dharma Bums)
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Don't let yourself feel worthless: often through life you will really be at your worst when you seem to think best of yourself; and don't worry about losing your "personality," as you persist in calling it: at fifteen you had the radiance of early morning, at twenty you will begin to have the melancholy brilliance of the moon, and when you are my age you will give out, as I do, the genial golden warmth of 4 p.m.
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F. Scott Fitzgerald (This Side of Paradise)
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Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!
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J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
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I tried to be a better person for her– but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. […] You have no clue how beautiful you are or how brightly you shine.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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If you aren't the woman I think you are, then this isn't the world I thought it was.
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Arthur Golden (Memoirs of a Geisha)
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You need me? You yell. You want to leave? We go. I'll get you out of here, no matter what.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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A Dream Within A Dream Take this kiss upon the brow! And, in parting from you now, Thus much let me avow- You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand- How few! yet how they creep Through my fingers to the deep, While I weep- while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream?
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Edgar Allan Poe (The Complete Stories and Poems)
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That’s the beauty of books. We get to take what we want out of them and it can be different for everyone.
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Kristen Ashley
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Ideally, what should be said to every child, repeatedly, throughout his or her school life is something like this: 'You are in the process of being indoctrinated. We have not yet evolved a system of education that is not a system of indoctrination. We are sorry, but it is the best we can do. What you are being taught here is an amalgam of current prejudice and the choices of this particular culture. The slightest look at history will show how impermanent these must be. You are being taught by people who have been able to accommodate themselves to a regime of thought laid down by their predecessors. It is a self-perpetuating system. Those of you who are more robust and individual than others will be encouraged to leave and find ways of educating yourself β€” educating your own judgements. Those that stay must remember, always, and all the time, that they are being moulded and patterned to fit into the narrow and particular needs of this particular society.
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Doris Lessing (The Golden Notebook)
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You speak of destiny as if it was fixed.
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Philip Pullman (The Golden Compass (His Dark Materials, #1))
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I had to wonder if men were so blinded by beauty that they would feel privileged to live their lives with an actual demon, so long as it was a beautiful demon.
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Arthur Golden (Memoirs of a Geisha)
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Sometimes we get through adversity only by imagining what the world might be like if our dreams should ever come true.
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Arthur Golden (Memoirs of a Geisha)
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Hopes are like hair ornaments. Girls want to wear too many of them. When they become old women they look silly wearing even one.
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Arthur Golden (Memoirs of a Geisha)
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Mary stared at the dreamlike happenings on the page. Human figures faced each other; the man’s head was a golden ball with rays reaching up to huge stars and out to the distant mountains; the woman’s silver head was sickle-shaped and surrounded by birds like eagles with white beaks. Some of the black letters glowed because they had tips like tiny flames.
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Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
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The remedy for most marital stress is not in divorce. It is in repentance and forgiveness, in sincere expressions of charity and service. It is not in separation. It is in simple integrity that leads a man and a woman to square up their shoulders and meet their obligations. It is found in the Golden Rule, a time-honored principle that should first and foremost find expression in marriage.
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Gordon B. Hinckley (Standing for Something: 10 Neglected Virtues That Will Heal Our Hearts and Homes)
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Good-bye, my moonsong and my breath, my white nights and golden days, my fresh water and my fire. Good-bye, and may you find a better life, find comfort again and your breathless smile, and when your beloved face lights up once more at the Western sunrise, be sure what I felt for you was not in vain. Good-bye and have faith, my Tatiana.
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Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
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Liars make the best promises.
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Pierce Brown (Golden Son (Red Rising Saga, #2))
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Adrian ordered a martini, earning disapproving looks from his father and me. 'It's barely noon,' said Nathan. 'I know,' said Adrian. 'I'm surprised I held out that long too.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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Can't you see? Every step I have taken, since I was that child on the bridge, has been to bring myself closer to you.
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Arthur Golden (Memoirs of a Geisha)
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We are all subject to the fates. But we must act as if we are not, or die of despair.
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Philip Pullman (The Golden Compass (His Dark Materials, #1))
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Nothing he said could change what I think of you. I've had my mind made up about you for a long time... and it's all good.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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The water far below was black in the shadow of the ship. A plank creaked. She froze. No noisy jump. It would have to be a dive. Head down into darkness. She’d never dived at night.
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Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
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After that, the book will fade, the way all books fade in your mind. But I hope you will remember this: A man walking fast down a dark lonely street. Quick steps and hard breathing, all wonder and need. A bell above a door and the tinkle it makes. A clerk and a ladder and warm golden light, and then: the right book exactly, at exactly the right time.
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Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
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You're in an awfully good mood," he observed. "Was there a sale at Khakis-R-Us?
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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If a few minutes of suffering could make me so angry, what would years of it do? Even a stone can be worn down with enough rain.
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Arthur Golden (Memoirs of a Geisha)
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ButΒ  Phidias was better than most men since he made beautiful sculptures. He was even making one of herβ€”well, he called it β€œAthena,” but anyone could see it looked like her.
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Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
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He shook his head. β€œNo. Because there's no one else out there who understands you like I do.” I waited for more. β€œThat's it? You're not going to elaborate on what that means?” Those green eyes held me. β€œI don't think I need to.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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That's the duty of the old,' said the Librarian, 'to be anxious on the behalf of the young. And the duty of the young is to scorn the anxiety of the old.' They sat for a while longer, and then parted, for it was late, and they were old and anxious.
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Philip Pullman (The Golden Compass (His Dark Materials, #1))
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Isn’t it obvious, Sage? No, of course it isn’t. I did it so I’d have a reason to be around you β€” one I knew you couldn’t refuse.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
β€œ
His hand closed automatically around the fake Horcrux but in spite of everything, in spite of the dark and twisting path he saw stretching ahead for himself, in spite of the final meeting with Voldemort he knew must come whether in a month in a year or in ten, he felt his heart lift at the thought that there was still one last golden day of peace left to enjoy with Ron and Hermione.
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J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β€œ
No mockery in this world ever sounds to me so hollow as that of being told to cultivate happiness. What does such advice mean? Happiness is not a potato, to be planted in mould, and tilled with manure. Happiness is a glory shining far down upon us out of Heaven. She is a divine dew which the soul, on certain of its summer mornings, feels dropping upon it from the amaranth bloom and golden fruitage of Paradise.
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Charlotte BrontΓ« (Villette)
β€œ
Now I know that our world is no more permanent than a wave rising on the ocean. Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper.
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Arthur Golden (Memoirs of a Geisha)
β€œ
I’d mentioned this odd wardrobe choice to Adrian a couple of weeks ago: β€œIsn’t Dimitri hot?” Adrian’s response hadn’t been entirely unexpected: β€œWell, yeah, according to most women, at least.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
β€œ
I conjure the boy I knew. Achilles, grinning as the figs blur in his hands. His green eyes laughing into mine. Catch, he says. Achilles, outlined against the sky, hanging from a branch over the river. The thick warmth of his sleepy breath against my ear. If you have to go, I will go with you. My fears forgotten in the golden harbor of his arms. The memories come, and come. She listens, staring into the grain of the stone. We are all there, goddess and mortal and the boy who was both.
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Madeline Miller (The Song of Achilles)
β€œ
I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...
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Philip Pullman (His Dark Materials Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
β€œ
Annabeth,” he said hesitantly, β€œin New Rome, demigods can live their whole lives in peace.” Her expression turned guarded. β€œReyna explained it to me. But, Percy, you belong at Camp Half-Blood. That other life—” β€œI know,” Percy said. β€œBut while I was there, I saw so many demigods living without fear: kids going to college, couples getting married and raising families. There’s nothing like that at Camp Half-Blood. I kept thinking about you and me…and maybe someday when this war with the giants is over…” It was hard to tell in the golden light, but he thought Annabeth was blushing. β€œOh,” she said… β€œI’m sorry,” he said. β€œI just…I had to think of that to keep going. To give me hope. Forget I mentioned—” β€œNo!” she said. β€œGods, Percy, that’s so sweet.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β€œ
I Wandered Lonely as a Cloud I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed--and gazed--but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
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William Wordsworth (I Wander'd Lonely as a Cloud)
β€œ
For a moment Anne's heart fluttered queerly and for the first time her eyes faltered under Gilbert's gaze and a rosy flush stained the paleness of her face. It was as if a veil that had hung before her inner consciousness had been lifted, giving to her view a revelation of unsuspected feelings and realities. Perhaps, after all, romance did not come into one's life with pomp and blare, like a gay knight riding down; perhaps it crept to one's side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps. . . perhaps. . .love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
”
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L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
β€œ
What transforms this world is β€” knowledge. Do you see what I mean? Nothing else can change anything in this world. Knowledge alone is capable of transforming the world, while at the same time leaving it exactly as it is. When you look at the world with knowledge, you realize that things are unchangeable and at the same time are constantly being transformed.
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Yukio Mishima (The Temple of the Golden Pavilion)
β€œ
Really, Sage? A date?” I sighed. β€œYes, Adrian. A date.” β€œA real date. Not, like, doing homework together,” he added. β€œI mean like where you go out to a movie or something. And a movie that’s not part of a school assignment. Or about something boring.” β€œA real date.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
β€œ
Do you know what people really want? Everyone, I mean. Everybody in the world is thinking: I wish there was just one other person I could really talk to, who could really understand me, who'd be kind to me. That's what people really want, if they're telling the truth.
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Doris Lessing (The Golden Notebook)
β€œ
I have lots of things to teach you now, in case we ever meet, concerning the message that was transmitted to me under a pine tree in North Carolina on a cold winter moonlit night. It said that Nothing Ever Happened, so don't worry. It's all like a dream. Everything is ecstasy, inside. We just don't know it because of our thinking-minds. But in our true blissful essence of mind is known that everything is alright forever and forever and forever. Close your eyes, let your hands and nerve-ends drop, stop breathing for 3 seconds, listen to the silence inside the illusion of the world, and you will remember the lesson you forgot, which was taught in immense milky way soft cloud innumerable worlds long ago and not even at all. It is all one vast awakened thing. I call it the golden eternity. It is perfect. We were never really born, we will never really die. It has nothing to do with the imaginary idea of a personal self, other selves, many selves everywhere: Self is only an idea, a mortal idea. That which passes into everything is one thing. It's a dream already ended. There's nothing to be afraid of and nothing to be glad about. I know this from staring at mountains months on end. They never show any expression, they are like empty space. Do you think the emptiness of space will ever crumble away? Mountains will crumble, but the emptiness of space, which is the one universal essence of mind, the vast awakenerhood, empty and awake, will never crumble away because it was never born.
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Jack Kerouac (The Portable Jack Kerouac (Portable Library))
β€œ
Day 24. Situation is growing worse. My captors continue to find new and horrific ways to torture me. When not working, Agent Scarlet spends her days examining fabric swatches for bridesmaid dresses and going on about how in love she is. This usually causes Agent Boring Borscht to regale us with stories of Russian weddings that are even more boring than his usual ones. My attempts at escape have been thwarted thus far. Also, I am out of cigarettes. Any assistance or tobacco products you can send will be greatly appreciated. -Prisoner 24601
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Richelle Mead (The Golden Lily (Bloodlines, #2))
β€œ
I will go,” he said. β€œI will go to Troy.” The rosy gleam of his lip, the fevered green of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again. He was watching me, his eyes as deep as earth. β€œWill you come with me?” he asked. The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. β€œYes,” I whispered. β€œYes.” Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us. Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.
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Madeline Miller (The Song of Achilles)
β€œ
I settled on the floor and whispered to Sam, β€œI want you to listen to me, if you can.” I leaned the side of my face against his ruff and remembered the golden wood he had shown me so long ago. I remembered the way the yellow leaves, the color of Sam’s eyes, fluttered and twisted, crashing butterflies, on their way to the ground. The slender white trunks of the birches, creamy and smooth as human skin. I remembered Sam standing in the middle of the wood, his arms stretched out, a dark, solid form in the dream of the trees. His coming to me, me punching his chest, the soft kiss. I remembered every kiss we’d ever had, and I remembered every time I’d curled in his human arms. I remembered the soft warmth of his breath on the back of my neck while we slept. I remembered Sam.
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Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β€œ
He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips to mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills, ran over my skin, and fire burned inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have ever imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
β€œ
Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruitβ€”and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.
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Jeff VanderMeer (Annihilation (Southern Reach, #1))
β€œ
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Eraβ€”the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of β€œhistory” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the timeβ€”and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nightsβ€”or very early morningsβ€”when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handleβ€”that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fightingβ€”on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water markβ€”that place where the wave finally broke and rolled back.
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Hunter S. Thompson (Fear and Loathing in Las Vegas)
β€œ
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you β€œsir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
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Robert McCammon (Boy's Life)
β€œ
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
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Philip Pullman (The Golden Compass (His Dark Materials, #1))