Voyage Home Quotes

From the first day I met her, she was the only woman to me. Every day of that voyage I loved her more, and many a time since have I kneeled down in the darkness of the night watch and kissed the deck of that ship because I knew her dear feet had trod it. She was never engaged to me. She treated me as fairly as ever a woman treated a man. I have no complaint to make. It was all love on my side, and all good comradeship and friendship on hers. When we parted she was a free woman, but I could never again be a free man.

Home is the place where they have to take you in

Two years he walks the earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage. Ten days and nights of freight trains and hitchhiking bring him to the Great White North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild. --Alexander Supertramp, May 1992

As surely as there is a voyage away, there is a journey home.

Art hurts. Art urges voyages - and it is easier to stay at home.

Two years he walks the Earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual revolution. Ten days and nights of freight trains and hitchhiking bring him to the great white north. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild.

Beyond the East the sunrise, beyond the West the sea, And East and West the wanderlust that will not let me be; It works in me like madness, dear, to bid me say good-by! For the seas call and the stars call, and oh, the call of the sky! I know not where the white road runs, nor what the blue hills are, But man can have the sun for friend, and for his guide a star; And there's no end of voyaging when once the voice is heard, For the river calls and the road calls, and oh, the call of a bird! Yonder the long horizon lies, and there by night and day The old ships draw to home again, the young ships sail away; And come I may, but go I must, and if men ask you why, You may put the blame on the stars and the sun and the white road and the sky!

At a certain point I need to go wandering. My feet need to hit earth, again and again, that bone-filling drumbeat. I need the sky's colored threads to tangle inside me, pull me somewhere new.

The sea will grant each man new hope The sleep brings dreams of home.

There are some who say that sitting at home reading is the equivalent of travel, because the experiences described in the book are more or less the same as the experiences one might have on a voyages, and there are those who say that there is no substitute for venturing out into the world. My own opinion is that it is best to travel extensively but to read the entire time, hardly glancing up to look out of the window of the airplane, train, or hired camel.

Modern science has been a voyage into the unknown, with a lesson in humility waiting at every stop. Many passengers would rather have stayed home.

Ultimate freedom. An extremist. An aesthetic voyager whose home is the road.

I say no wealth is worth my life! Not all they claim was stored in the depths of Troy, that city built on riches, in the old days of peace before the sons of Achaea came- not all the gold held fast in the Archer's rocky vaults, in Phoebus Apollo's house on Pytho's sheer cliffs! Cattle and fat sheep can all be had for the raiding, tripods all for the trading, and tawny-headed stallions. But a man's life breath cannot come back again- no raiders in force, no trading brings it back, once it slips through a man's clenched teeth. Mother tells me, the immortal goddess Thetis with her glistening feet, that two fates bear me on to the day of death. If I hold out here and I lay siege to Troy, my journey home is gone, but my glory never dies. If I voyage back to the fatherland I love, my pride, my glory dies... true, but the life that's left me will be long, the stroke of death will not come on me quickly.

The real significance of Magellan's voyage was not that it was the first to circumnavigate the planet, but that it was the first to realize just how big that planet was.

There are dozens of ways to give people a bad time if you are in your own home and they are only visitors.

Ïf ye've ever the privelege of seeing a woman in her skin, gentlemen,"he said, looking over his shoulder toward the door and lowering his voice confidentially, ÿe'll observe that the hair there grows in the shape of an arrow - pointing the way, ye ken, so as a poor ignorant man can find his way safe home.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

Inevitably, though, there will always be a significant part of the past which can neither be burnt nor banished to the soothing limbo of forgetfulness— myself. I was and still am that same ship which carried me to the new shore, the same vessel containing all the memories and dreams of the child in the brick house with the toy tea set. I am the shore I left behind as well as the home I return to every evening. The voyage cannot proceed without me.

Wouldn't it be dreadful if some day, in our own world, at home, men started going wild inside, like the animals here, and still looked like men, so that you'd never know which were which?

Two years he walks the earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage. Ten days and nights of freight trains and hitchhiking bring him to the Great White North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild." “So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man’s living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.

No, Spock. He means that he feels safer about your guesses than most other people's facts. - McCoy, The Voyage Home

Perhaps the records will never be intercepted. Perhaps no one in five billion years will ever come upon them. Five billion years is a long time. In five billion years, all human beings will have become extinct or evolved into other beings, none of our artifacts will have survived on Earth, the continents will have become unrecognizably altered or destroyed, and the evolution of the Sun will have burned the Earth to a crisp or reduced it to a whirl of atoms. Far from home, untouched by these remote events, the Voyagers, bearing the memories of a world that is no more, will fly on.

How can you accuse me of cheating on you—just because you’ve come home from a two-year sea voyage and I’m pregnant? It was the incubus. He hypnotized me with his mystical vampire powers.…

You are the king no doubt, but in one respect, at least, I am your equal: the right to reply. I claim that privilege too. I am not your slave. I serve Apollo. I don't need Creon to speak for me in public. So, you mock my blindness? Let me tell you this. You with your precious eyes, you're blind to the corruption in your life, to the house you live in, those you live with- who are your parents? Do you know? All unknowing you are the scourge of your own flesh and blood, the dead below the earth and the living here above, and the double lash of your mother and your father's curse will whip you from this land one day, their footfall treading you down in terror, darkness shrouding your eyes that now can see the light! Soon, soon, you'll scream aloud - what haven won't reverberate? What rock of Cithaeron won't scream back in echo? That day you learn the truth about your marriage, the wedding-march that sang you into your halls, the lusty voyage home to the fatal harbor! And a crowd of other horrors you'd never dream will level you with yourself and all your children. There. Now smear us with insults - Creon, myself and every word I've said. No man will ever be rooted from the earth as brutally as you.

TWO YEARS HE WALKS THE EARTH, NO PHONE, NO POOL, NO PETS, NO CIGARETTES. ULTIMATE FREEDOM. AN EXTREMIST. AN AESTHETIC VOYAGER WHOSE HOME IS THE ROAD….

These new songs that I sing Were islands in the sea That never missed a spring, No, nor a century. A starry voyager, I to these islands come Knowing not by what star I am at last come home.

Centuries ago, sailors on long voyages used to leave a pair of pigs on every deserted island. Or they'd leave a pair of goats. Either way, on any future visit, the island would be a source of meat. These islands, they were pristine. These were home to breeds of birds with no natural predators. Breeds of birds that lived nowhere else on earth. The plants there, without enemies they evolved without thorns or poisons. Without predators and enemies, these islands, they were paradise. The sailors, the next time they visited these islands, the only things still there would be herds of goats or pigs. Oyster is telling this story. The sailors called this "seeding meat." Oyster says, "Does this remind you of anything? Maybe the ol' Adam and Eve story?" Looking out the car window, he says, "You ever wonder when God's coming back with a lot of barbecue sauce?

When I meet a pretty girl and beg her: "Be so good as to come with me," and she walks past without a word, this is what she means to say: "You are no Duke with a famous name, no broad American with Red Indian figure, level, brooding eyes and a skin tempered by the air of the prairies and the rivers that flow through them, you have never journeyed to the seven seas and voyaged on them wherever they may be, I don't know where. So why, pray, should a pretty girl like myself go with you?" "You forget that no automobile swings you through the street in long thrusts; I see no gentlemen escorting you in a close half-circle, pressing on your skirts from behind and murmuring blessings on your head; your breasts are well laced into your bodice, but your thighs and hips make up for that restraint; you are wearing a taffeta dress with a pleated skirt such as delighted all of us last autumn, and yet you smile-inviting mortal danger-from time to time." "Yes, we're both in the right, and to keep us from being irrevocably aware of it, hadn't we better just go our separate ways home?

As for himself, when he went to go to a party, as one was sometimes obliged to, from a wish not to give offence, he walked into the middle of the room, said 'Ha! Ha!' as loud as ever he could, considered he had done his duty, and went home.

Let him mock her. Let him joke with strangers at her expense. He had no power to hurt her—not anymore. That ship had sailed months ago, had disappeared over the horizon, and was on the other side of the world with no possibility of a return voyage.

But the truth is, I knew things wouldn’t change much. I knew it would be the way it had been after the sleepover. Like we had taken a secret trip together. A voyage that no one else knew about. And when we returned from our journey, we each went back to our own homes. Some friendships are like that. Maybe even the best friendships are like that. The connections are always there. They’re just invisible to the eye.

I grew up in motion. I have never lived outside the Southwest, yet in my childhood I rarely had the same home or lived in the same state for more than a year or two at a time. Well before adulthood I believed that all was right with the world only when I was standing at the brink of every possibility, a voyage not yet taken unraveling before me.

Voyagers can remove the masks and those sinuous, intricate disguises we wear at home in the dangerous equilibrium of our common lives.

They thought of home, naturally, but there was no burning desire to be in civilization for its own sake. Worsley recorded: "Waking on a fine morning I feel a great longing for the smell of dewy wet grass and flowers of a Spring morning in New Zealand or England. One has very few other longings for civilization—good bread and butter, Munich beer, Coromandel rock oysters, apple pie and Devonshire cream are pleasant reminiscences rather than longings.

Are you hungry?” “Well, perhaps I am a little,” said Lucy. “I’ve no idea what the time is.” “Come,” said the Magician. “All times may be soon to Aslan; but in my home all hungry times are one o’clock.

The gap that was created during those transatlantic voyages hundreds of years ago. That gap is the matrix of Saudade – The Longing, I think, that all Africans in the West have, that is at the root of the blues and jazz and soul and rap. If you listen you can hear it, elusive, fleeting, full of melancholy anger.

Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, ‘cause “the West is the best.” And now after two rambling years comes the final and greatest adventure, the climactic battle to kill the false being within and victoriously conclude the spiritual revolution. Ten days and nights of freight trains and hitchhiking bring him to the great white North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild.

Centuries ago, sailors on long voyages used to leave a pair of pigs on every deserted island. Or they'd leave a pair of goats. Either way, on any future visit, the island would be a source of meat. These islands, they were pristine. These were home to breeds of birds with no natural predators. Breeds of birds that lived nowhere else on earth. The plants there, without enemies they evolved without thorns or poisons. Without predators and enemies, these islands, they were paradise. The sailors, the next time they visited these islands, the only things still there would be herds of goats or pigs. .... Does this remind you of anything? Maybe the ol' Adam and Eve story? .... You ever wonder when God's coming back with a lot of barbecue sauce?

But a wide sea voyage severs us at once. It makes us conscious of being cast loose from the secure anchorage of settled life, and sent adrift upon a doubtful world. It interposes a gulf, not merely imaginary, but real, between us and our homes--a gulf, subject to tempest, and fear, and uncertainty, rendering distance palpable, and return precarious.

I've loved her since the moment I laid eyes on her. I've been tortured to the point of death in her name. I would journey across the world to see her smile, to make her happy. When she becomes yours, dragon, and binds the threads of her Scarf around your heart, I will probably wither and die, for I am as wrapped up in her as a vine that clings to a tree seeking sustenance. She's tied me to her for eternity. She's my home. She's my reason for being. To win and hold her heart is my only purpose.

Christianity and Islam are sister religions, and in Iberia they long lived side by side. If you are about to hunt your sister out of your home, you need to work yourselves into a much more self-righteous frenzy than if you were expelling a stranger.

And yet there are other days, when I’m downtrodden or morose, when I find myself at my desk late at night, unable to sleep, flipping through (of all things) Oscar’s dog-eared copy of Watchmen. One of the few things that he took with him on the Final Voyage that we recovered. The original trade. I flip through the book, one of his top three, without question, to the last horrifying chapter: “A Stronger Loving World.” To the only panel he’s circled. Oscar—who never defaced a book in his life—circled one panel three times in the same emphatic pen he used to write his last letters home. The panel where Adrian Veidt and Dr. Manhattan are having their last convo. After the mutant brain has destroyed New York City; after Dr. Manhattan has murdered Rorschach; after Veidt’s plan has succeded in “saving the world.” Veidt says: “I did the right thing, didn’t I? It all worked out in the end.” And Manhattan, before fading from our Universe, replies: “In the end? Nothing ends, Adrian. Nothing ever ends.

I remember when the standard farewell when I set off on another trip was “Bon voyage!” But today, Americans tend to say, “Have a safe trip.” (When I hear this, I’m inclined to say, “Well, you have a safe stay-at-home—because where I’m going is statistically much safer than where you’re staying.”)

Wind and water raged with storms, wave and shingle were shackled in ice...until another year appeared in the yard as it does to this day, the seasons constant, the wonder of light coming over us. Then winter was gone, earth’s lap grew lovely...longing woke in the cooped-up exile for a voyage home.

The voyagers visited the Natchez Indians, near the site of the present city of that name, where they found a 'religious and political despotism, a privileged class descended from the sun, a temple and a sacred fire.' It must have been like getting home again; it was home with an advantage, in fact, for it lacked Louis XIV.

In one salutation to thee, my God, let all my senses spread out and touch this world at thy feet. Like a rain-cloud of July hung low with its burden of unshed showers let all my mind bend down at thy door in one salutation to thee. Let all my songs gather together their diverse strains into a single current and flow to a sea of silence in one salutation to thee. Like a flock of homesick cranes flying night and day back to their mountain nests let all my life take its voyage to its eternal home in one salutation to thee

Sometimes she wondered if there could be a limit to these twilight voyages, if some day she would stray too far and there would be no bridge nor bell to bring her home.

Home of lost causes, and forsaken beliefs, and unpopular names, and impossible loyalties!” That’s what he said about Oxford.’ ‘No.

Even at home, with theatres and all sorts of amusements, changes of scene and people, four months idleness would be tedious: One can then imagine how much worse it is for us.

To the voyagers, looking for answers in the shadows of the darkest of nights. May the promise of the sun on the horizon always bring you back home.

The Dutchman voyages home, and the Scotchman and Welchman voyage home . . . and the native of the Mediterranean voyages home; To every port of England and France and Spain enter wellfilled ships; The Swiss foots it toward his hills . . . the Prussian goes his way, and the Hungarian his way, and the Pole goes his way, The Swede returns, and the Dane and Norwegian return.

They are the humans, who are uniquely adorned with the priceless characteristic of empathizing. They are the humans who shed tears full of purity and piety, when they see even a complete stranger in pain and misery. They are the humans who come together to save a kid in the neighborhood when he is trapped under the wreckage of his fallen home, regardless of caste, creed and religion.

In the midst of this utopia, which only your fellow lone voyagers would perceive, you used to transgress society’s rules unknowingly, and no one would hold you accountable for it. You would mistakenly enter private residences, go to concerts to which you had not been invited, eat at community banquets where you could only guess the community’s identity when they started giving speeches. Had you behaved like this in your own country, you would have been taken for a liar or a fool. But the improbable ways of a foreigner are accepted. Far from your home, you used to taste the pleasure of being mad without being alienated, of being an imbecile without renouncing your intelligence, of being an impostor without culpability.

So long, Jill. Sorry I've been a funk and so ratty. I hope you get safe home," and Jill said, "So long, Eustace. And I'm sorry I've been such a pig." And this was the first time they had ever used Christian names, because one didn't do it at school.

Very often do the captains of such ships take those absent-minded young philosopher to task, upbraiding them with not feeling sufficient "interest" in the voyage; half-hinting that they are so helplessly lost to all honourable ambition, as that in their secret souls they would rather not see whales than otherwise. But all in vain; those young Platonists have a notion that their vision is imperfect; they are short-sighted; what us, then, to strain the visual nerve? They have left their opera glasses at home.

His mother is dead. She was a suicide. Her marriage was terrifying to her. In the center of it she found herself completely alone. During the last year she sent long telegrams to her sister, sometimes quoting poetry, Swinburne, Blake. One day she burned her diaries, a spring day, and walked into the Connecticut River to drown, just like Virginia Woolf or Madame Magritte. She was buried in Boston, her home. I could see the ceremony. Dean is six years old and his sister three. They stand stunned and obedient as the great, glistening coffin is lowered into the ground. Within lies the drowned woman who had given them life and who now gives an example of melancholy and commitment which will stay with them forever. Clods of earth thunder onto the hollow lid and, half-orphan, bearer of his mother’s death which is not yet even real, he begins his life. Much of it you know, at any rate college, the wanderings. Now, at twenty-four, he has come to the time of choice. I know quite well how all that is. And then, I read his letters. His father writes to him in the most beautiful, educated hand, the born hand of a copyist. Admonitions to confront life, to think a little more seriously about this or that. I could have laughed. Words that meant nothing to him. He has already set out on a dazzling voyage which is more like an illness, becoming ever more distant, more legendary. His life will be filled with those daring impulses which cause him to disappear and next be heard of in Dublin, in Veracruz… I am not telling the truth about Dean, I am inventing him. I am creating him out of my own inadequacies, you must always remember that.

Isabel Valverde was coming home. The brief, terrible letter from her brother had brought her across five thousand miles of ocean, from the New World to the Old, and during the long voyage she thought she had prepared herself for the worst. But now that London lay just beyond the next bend of the River Thames, she dreaded what awaited her. The not knowing – that was the hardest. Would she find her mother still a prisoner awaiting execution? Horrifying though that was, Isabel could at least hope to see her one last time. Or had her mother already been hanged?

People who live on continents get into the habit of regarding the ocean as journey's end, the full stop at the end of the trek. For people who live on islands, the sea is always the beginning. It's the ferry to the mainland, the escape route from the boredom and narrowness of home.

Blow freshly, freshlier yet, thou good trade-wind, of whom it is written that He makes the winds His angels, ministering breaths to the heirs of His salvation. Blow freshlier yet, and save, if not me from death, yet her from worse than death. Blow on, and land me at her feet, to call the lost lamb home, and die!

One wishes to go on. On this great river one could glide forever-and here we discover the definition of bliss, salvation, Heaven, all the old Mediterranean dreams: a journey from wonder to wonder, drifting through eternity into ever-deeper, always changing grandeur, through beauty continually surpassing itself: the ultimate Homeric voyage.

In this agony of mind, I made many vows and resolutions that if it would please God to spare my life in this one voyage, if ever I got once my foot upon dry land again, I would go directly home to my father, and never set it into a ship again while I lived; that I would take his advice, and never run myself into such miseries as these any more.

Your vagina is another planet. If you could shrink down to the size of a grain of sand and go between your own legs, you'd find a wondrous realm of humid jungles, cool caves, and viscous pits of mucus created by your teeming ecosystem of microscopic life. Like your gut or your mouth, your reproductive tract is home to billions of microbes, which work together to repel disease and create the ideal conditions for you. Its landscapes are populated by clusters of long, thin rods and hordes of tiny round balls that cling to its contours. These microbes live together in a delicate balance, spewing acid to stop would-be colonizers from worlds far-off (tampons, toys, penises) or nearby (the anus).

[...] she had written Clare a letter in school yesterday afternoon and delivered it herself on the way home. In this letter she had mildly said, «Everyone thinks I am sullen, surly, sulky, grim; but I am the two hemispheres of Ptolemaic marvels, I am lost Atlantis risen from the sea, the Western Isles of infinite promise, the apples of the Hesperides and daily make the voyage to Cytherea, island of snaky trees and abundant shade with leaves large and dripping juice, the fruit that is my heart, but I have a thousand hearts hung on every trees, yes, my heart drips alone every fence paling. I am mad with my heart which beats too much in the world and falls in love at every instant with every reflection that glimmers in it.» And much more of this, which she was accustomed to write to Clare, stuff almost without meaning, but yet which seemed to have the entire meaning of life for her, and which made Clare exclaim a dozen times, «Oh, Louie, I can’t believe it, when I get your letters, you are the same person: when I meet you at school I keep looking at you in surprise!»

Why do you think Vietnamese soldiers can forget more easily than American soldiers?' He pulls a half-grin. It is a question he must have contemplated many times. 'We live here. They don't. It's like, say, you and me falling in love with the same girl. We both had good and bad times courting her, maybe she hurt us both. I win and marry her. You go home to your country far away. After twenty years, all you have of her are memories, both the good and the bad. Me, I live with her for twenty years. I see her at her best and at her worse. We make peace with each other. We build our lives, have children, and make new history together. Twenty years and you have only memories. It is not the forgetting but the new history with the girl that is the difference between you and me.

On his voyage home, Franklin resumed his study of the calming effect of oil on water, this time with more disturbing metaphorical implications. The lanterns aboard his ship had a thick layer of oil that floated atop a layer of water. The surface was always calm and flat, so viewed from above, it would seem that the oil had stilled the roiling water. But when the lantern was viewed from the side, so that both layers could be seen, it became evident that, as Franklin recorded, “the water under the oil was in great commotion.” Even though oil could give the appearance of stilling turbulence, the water beneath the surface was still “rising and falling in irregular waves.” This underlying turbulence, Franklin realized, was not something that could easily be calmed, even by the most judicious application of oil.43

the truth is, I knew things wouldn’t change much. I knew it would be the way it had been after the sleepover. Like we had taken a secret trip together. A voyage that no one else knew about. And when we returned from our journey, we each went back to our own homes. Some friendships are like that. Maybe even the best friendships are like that. The connections are always there. They’re just invisible to the eye.

The Mercy The ship that took my mother to Ellis Island eighty-three years ago was named "The Mercy." She remembers trying to eat a banana without first peeling it and seeing her first orange in the hands of a young Scot, a seaman who gave her a bite and wiped her mouth for her with a red bandana and taught her the word, "orange," saying it patiently over and over. A long autumn voyage, the days darkening with the black waters calming as night came on, then nothing as far as her eyes could see and space without limit rushing off to the corners of creation. She prayed in Russian and Yiddish to find her family in New York, prayers unheard or misunderstood or perhaps ignored by all the powers that swept the waves of darkness before she woke, that kept "The Mercy" afloat while smallpox raged among the passengers and crew until the dead were buried at sea with strange prayers in a tongue she could not fathom. "The Mercy," I read on the yellowing pages of a book I located in a windowless room of the library on 42nd Street, sat thirty-one days offshore in quarantine before the passengers disembarked. There a story ends. Other ships arrived, "Tancred" out of Glasgow, "The Neptune" registered as Danish, "Umberto IV," the list goes on for pages, November gives way to winter, the sea pounds this alien shore. Italian miners from Piemonte dig under towns in western Pennsylvania only to rediscover the same nightmare they left at home. A nine-year-old girl travels all night by train with one suitcase and an orange. She learns that mercy is something you can eat again and again while the juice spills over your chin, you can wipe it away with the back of your hands and you can never get enough.

Our route had now obviously been completely blotted out and here I reckoned less of our chances of survival. We’re like a voyage ship veered off course by a ruthless storm now left with no radar or compass. Ours is a sorry tale of an unpredictable adventure. One moment it seem like we’re going home to mama’s warm embrace and tears of joy, the next moment we feel helplessly immersed in the blackness of hopelessness.” - Dami K.

Emptying Town" I want to erase your footprints from my walls. Each pillow is thick with your reasons. Omens fill the sidewalk below my window: a woman in a party hat, clinging to a tin-foil balloon. Shadows creep slowly across the tar, someone yells, "Stop!" and I close my eyes. I can't watch as this town slowly empties, leaving me strung between bon-voyages, like so many clothes on a line, the white handkerchief stuck in my throat. You know the way Jesus rips open his shirt to show us his heart, all flaming and thorny, the way he points to it. I'm afraid the way I'll miss you will be this obvious. I have a friend who everyone warns me is dangerous, he hides bloody images of Jesus around my house, for me to find when I come home; Jesus behind the cupboard door, Jesus tucked into the mirror. He wants to save me but we disagree from what. My version of hell is someone ripping open his shirt and saying, Look what I did for you.

And here is as great an adventure as ever I heard of, and here, if we turn back, no little impeachment of all our honors.” Several of the sailors said things under their breath that sounded like “Honor be blowed,” but Caspian said: “Oh, bother you, Reepicheep. I almost wish we’d left you at home. All right! If you put it that way, I suppose we shall have to go on. Unless Lucy would rather not?” Lucy felt that she would very much rather not, but what she said out loud was, “I’m game.

But a man's life breath cannot come back again-no raiders in force, no trading brings it back, once it slips through a man's clenched teeth. Mother tells me, the immortal goddess Thetis with her glistening feet, that two fates bear me on to the day of death. If I hold out here and I lay siege to Troy, my journey home is gone, but my glory never dies. If I voyage back to the fatherland I love, my pride, my glory dies...true, but the life that's left me will be long, the stroke of death will not come on me quickly.

Everything about the former colonial administrative offices made Holden sad. The drab, institutional green walls, the cluster of cubicles in the central workspace, the lack of windows or architectural flourishes. The Mormons had been planning to run the human race’s first extrasolar colony from a place that would have been equally at home as an accounting office. It felt anticlimactic. Hello, welcome to your centuries-long voyage to build a human settlement around another star! Here’s your cubicle. The space had been

But a man’s life breath cannot come back again— no raiders in force, no trading brings it back, once it slips through a man’s clenched teeth. Mother tells me, the immortal goddess Thetis with her glistening feet, that two fates bear me on to the day of death. If I hold out here and I lay siege to Troy, my journey home is gone, but my glory never dies. If I voyage back to the fatherland I love, my pride, my glory dies . . . true, but the life that’s left me will be long, the stroke of death will not come on me quickly.

Look again at that dot. That’s here. That’s home. That’s us… The Earth is the only world known so far to harbor life…Like it or not, for the moment the Earth is where we make our stand… There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known. —CARL SAGAN, reflecting on a photograph of Earth taken by the Voyager 1 space probe from a distance of 6 billion kilometers (Pale Blue Dot, 1994)

TWO YEARS HE WALKS THE EARTH. NO PHONE, NO POOL, NO PETS, NO CIGARETTES. ULTIMATE FREEDOM. AN EXTREMIST. AN AESTHETIC VOYAGER WHOSE HOME IS THE ROAD. ESCAPED FROM ATLANTA. THOU SHALT NOT RETURN, ’CAUSE “THE WEST IS THE BEST.” AND NOW AFTER TWO RAMBLING YEARS COMES THE FINAL AND GREATEST ADVENTURE. THE CLIMACTIC BATTLE TO KILL THE FALSE BEING WITHIN AND VICTORIOUSLY CONCLUDE THE SPIRITUAL REVOLUTION. TEN DAYS AND NIGHTS OF FREIGHT TRAINS AND HITCHHIKING BRING HIM TO THE GREAT WHITE NORTH. NO LONGER TO BE POISONED BY CIVILIZATION HE FLEES, AND WALKS ALONE UPON THE LAND TO BECOME LOST IN THE WILD. ALEXANDER SUPERTRAMP MAY 1992

TWO YEARS HE WALKS THE EARTH. NO PHONE, NO POOL, NO PETS, NO CIGARETTES. ULTIMATE FREEDOM. AN EXTREMIST. AN AESTHETIC VOYAGER WHOSE HOME IS THE ROAD. ESCAPED FROM ATLANTA. THOU SHALT NOT RETURN, ’CAUSE “THE WEST IS THE BEST.” AND NOW AFTER TWO RAMBLING YEARS COMES THE FINAL AND GREATEST ADVENTURE. THE CLIMACTIC BATTLE TO KILL THE FALSE BEING WITHIN AND VICTORIOUSLY CONCLUDE THE SPIRITUAL REVOLUTION. TEN DAYS AND NIGHTS OF FREIGHT TRAINS AND HITCHHIKING BRING HIM TO THE GREAT WHITE NORTH. NO LONGER TO BE POISONED BY CIVILIZATION HE FLEES, AND WALKS ALONE UPON THE LAND TO BECOME LOST IN THE WILD. ALEXANDER SUPERTRAMP MAY 1992

Presumably, it won’t be only one way. Even before the age of climate change, the literature of conservation furnished many metaphors to choose from. James Lovelock gave us the Gaia hypothesis, which conjured an image of the world as a single, evolving quasi-biological entity. Buckminster Fuller popularized “spaceship earth,” which presents the planet as a kind of desperate life raft in what Archibald MacLeish called “the enormous, empty night”; today, the phrase suggests a vivid picture of a world spinning through the solar system barnacled with enough carbon capture plants to actually stall out warming, or even reverse it, restoring as if by magic the breathability of the air between the machines. The Voyager 1 space probe gave us the “Pale Blue Dot”—the inescapable smallness, and fragility, of the entire experiment we’re engaged in, together, whether we like it or not. Personally, I think that climate change itself offers the most invigorating picture, in that even its cruelty flatters our sense of power, and in so doing calls the world, as one, to action. At least I hope it does. But that is another meaning of the climate kaleidoscope. You can choose your metaphor. You can’t choose the planet, which is the only one any of us will ever call home.

They say there are three kinds of people in the world: those who listen to stories, those who tell them, and those who make them. Barnard’s Reach is home to a fourth kind: those who keep them. The library island is little more than a jut of land at the southern mouth of the Gemini Seas. It is accessed only by appointment, and never at all if you are a man—the libraries are for women only. There, the Book Sisters collect and record everything that happens in the world. Nobody knows what drives them to spend their lives in the company of books, but when a story begins with “they say,” you can bet your boots “they” came from Barnard’s Reach.

She turned her head and stared at this sudden stranger in her bed. She wanted to deny that he had ever spoken such words, wanted to pretend that they did not reflect his feelings but had been said out of some kind of spite. Coldness welled up within her now. Spite words or true, did it not come to the same thing? All these years, she had been married to a fantasy, not a real person. She imagined a husband to herself, a tender, loving, laughing man who only stayed away so many months because he must, and she put Kyle’s face on her creation. Easy enough to ignore or excuse a few flaws or even a dozen when he made on of his brief stops at home. She had always been able to pretend he was tired, that the voyage had been both long and hard, that they were simply getting re-adjusted to one another. Despite all the things he had said and done in the weeks since her father’s death, she had continued to treat and react to him as if he were the man she had created in her mind. The truth was that he had never been the romantic figure her fancies had made him. He was just a man, like any other man. No. He was stupider than most. He was stupid enough to think she had to obey him. Even when she knew better, even when he was not around to oppose her. Realizing this was like opening her eyes to the sun’s rising. How had it never occurred to her before?

When you pack your bags for a big trip, you never know what's in store for you. The Apollo astronauts on their way to and from the Moon photographed their home planet. It was a natural thing to do, but it had consequences that few foresaw. For the first time, the inhabitants of Earth could see their world from above—the whole Earth, the Earth in color, the Earth as an exquisite spinning white and blue ball set against the vast darkness of space. Those images helped awaken our slumbering planetary consciousness. They provide incontestable evidence that we all share the same vulnerable planet. They remind us of what is important and what is not. They were the harbingers of Voyager's pale blue dot.

A boat, for all its complexity, is in fact a version of simplicity, but of a satisfyingly complex kind. Get to know the hundreds of ways in which a boat-at-sea works and you become its master and commander. A boat provides control in what looks like uncontrollable circumstances. It is the mirror image of the realities of life on land, which look easier but are, psychologically, far more difficult, more subtle, less visible, and less predictable. The boat, in other words, is the haven from the storms at home. And because a boat's workings are a mystery, in the old sense that it is an arcane art, with its own equipment and vocabulary, its nostrums and obscurities from which the vulgar are excluded, it is also a source of potency and seduction.

It was one of those perfect nights, listening to the waves crash, feeling the warm summer breeze, watching the sun set over the ocean as the moon rose up in the sky. I looked out over the cliffs and I thought about the explorers who had sailed from places like this, what they'd accomplished, mapping the unknown world, charting our place in the universe. How many times had they failed and fallen down only to get back up and try again? How many times had they sailed out on an impossible voyage and made a successful return home? I sat there with Carola looking out over the endless horizon. It was strange, but I felt like everything was going to be okay. The end of my story was not yet written, and I still had the chance to make it extraordinary.

Odysseus’s travels involve such a terrific set of adventures that I tend to forget how much of the book is actually about his wife and son—what goes on at home while he’s traveling, how his son goes looking for him, and all the complications of his homecoming. One of the things I love about The Lord of the Rings is Tolkien’s understanding of the importance of what goes on back on the farm while the Hero is taking his Thousand Faces all round the world. But till you get back there with Frodo and the others, Tolkien never takes you back home. Homer does. All through the ten-year voyage, the reader is alternately Odysseus trying desperately to get to Penelope and Penelope desperately waiting for Odysseus—both the voyager and the goal—a tremendous piece of narrative time-and-place interweaving.

Aurora thought about Nova, afraid to even discuss the Eye's existence. She thought about the crammed, ramshackle homes she'd passed that people had no choice but to live in if they wanted the safety that Pavan provided. She thought about every time she'd ever heard of some traveling party that disappeared, lost to the dangers of the wildlands. Maybe she could do something. With magic of her own, she would gain the crown. Not Cassius. Not a husband. And then maybe she could change everything for the better. No more treason or banishment. No need to sell the magic in secret. She thought of her favorite book again. She had no boat to leave the sea, no skills as a sailor, but perhaps she culd have a similar voyage of her own. If they could not sail away to some better land, then the only choice was to make this land better.

The entire idea of it was arrogant and defiant and grandiose. Anna loved it. As she walked across a wide empty plain of steel that should have been covered in topsoil and crops, she thought that this audaciousness was exactly what humanity had lost somewhere in the last couple of centuries. When ancient maritime explorers had climbed into their creaking wooden ships and tried to find ways to cross the great oceans of Earth, had their voyage been any less dangerous than the one the Mormons had been planning to attempt? The end point any less mysterious? But in both cases, they’d been driven to find out what was on the other side of the long trip. Driven by a need to see shores no one else had ever seen before. Show a human a closed door, and no matter how many open doors she finds, she’ll be haunted by what might be behind it. A few people liked to paint this drive as a weakness. A failing of the species. Humanity as the virus. The creature that never stops filling up its available living space. Hector seemed to be moving over to that view, based on their last conversation. But Anna rejected that idea. If humanity were capable of being satisfied, then they’d all still be living in trees and eating bugs out of one another’s fur. Anna had walked on a moon of Jupiter. She’d looked up through a dome-covered sky at the great red spot, close enough to see the swirls and eddies of a storm larger than her home world. She’d tasted water thawed from ice as old as the solar system itself. And it was that human dissatisfaction, that human audacity, that had put her there. Looking at the tiny world spinning around her, she knew one day it would give them the stars as well.

it was at the very moment in which I was tasting an unfamiliar pleasure, feeling that my life might yet be happy, in which it should have become more precious in my sight; it was at this very moment that, delivered from the anxieties which my life had hitherto contrived to suggest to me, I unhesitatingly abandoned it to the chance of an accident. After all, I was doing no more than concentrate in a single evening the carelessness that, for most men, is diluted throughout their whole existence, in which every day they face, unnecessarily, the dangers of a sea-voyage, of a trip in an aeroplane or motor-car, when there is waiting for them at home the creature whose life their death would shatter, or when there is still stored in the fragile receptacle of their brain that book the approaching publication of which is their one object, now, in life.

And yet there are other days, when I’m downtrodden or morose, when I find myself at my desk late at night, unable to sleep, flipping through (of all things) Oscar’s dog-eared copy of Watchmen. One of the few things that he took with him on the Final Voyage that we recovered. The original trade. I flip through the book, one of his top three, without question, to the last horrifying chapter: “A Stronger Loving World.” To the only panel he’s circled. Oscar—who never defaced a book in his life—circled one panel three times in the same emphatic pen he used to write his last letters home. The panel where Adrian Veidt and Dr. Manhattan are having their last convo. After the mutant brain has destroyed New York City; after Dr. Manhattan has murdered Rorschach; after Veidt’s plan has succeded in “saving the world.” Veidt says: “I did the right thing, didn’t I? It all worked out in the end.” And Manhattan, before fading from our Universe, replies: “In

Whereas Einstein was not the James Joyce of scientists and James Joyce was not the Einstein of novelists who no one could go beyond because beyond was a space where all is curved and comes around again to its beginning in a relative sort of way and after all isn't that what a river does always turning back upon itself like a serpent eating its tail which is life itself and everyone's life like a rushing stream down a mountain into the greatest river and the river always coming back to itself after it flows to the ocean and returns in clouds and rain and sunsets although today sunsets are dying the rivers dying and how much longer will the river be returning and returning as if a river really ever could come home again with its voyagers and that far wanderer James Joyce always leaning back to listen to old River Liffey telling him the great tale always whispering to him that wake of words for all of us to wail upon along a riverrun homing in the gloaming

Once, in the supermarket, I bought a little can that had a Japanese woman painted on the side. Later, at home, I opened the can and saw inside it a piece of tuna fish. The woman seemed to have changed into a piece of fish during her long voyage. This surprise came on a Sunday: I had decided not to read any writing on Sundays. Instead I observed the people I saw on the street as though they were isolated letters. Sometimes two people sat down next to each other in a café, and thus, briefly, formed a word. Then they separated, in order to go off and form other words. There must have been a moment in which the combinations of these words formed, quite by chance, several sentenced in which I might have read this foreign city like a text. But I never discovered a single sentence in this city, only letters and sometimes a few words that had no direct connection to any "cultural content". These words now and then led me to open the wrapping paper on the outside, only to find different wrapping paper below.

examples of what are called nostos narratives. Nostos is the Greek word for “homecoming”; the plural form of this word, nostoi, was, in fact, the title of a lost epic devoted to the homecomings of the Greek kings and chieftains who fought in the Trojan War. The Odyssey itself is a nostos narrative, one that often digresses from its tale of Odysseus’ twisty voyage back to Ithaca in order to relate, in brief, the nostoi of other characters, as Nestor does here—almost as if it were anxious that those other nostoi stories would not themselves make it safely into the future. In time, this wistful word nostos, rooted so deeply in the Odyssey’s themes, was eventually combined with another word in Greek’s vast vocabulary of pain, algos, to give us an elegantly simple way to talk about the bittersweet feeling we sometimes have for a special kind of troubling longing. Literally this word means “the pain associated with longing for home,” but as we know, “home,” particularly as we get older, can be a time as well as a place. The word is “nostalgia.

What were we talking about?” said Caspian. “Have I been making rather an ass of myself?” “Sire,” said Reepicheep, “this is a place with a curse on it. Let us get back on board at once. And if I might have the honor of naming this island, I should call it Deathwater.” “That strikes me as a very good name, Reep,” said Caspian, “though now that I come to think of it, I don’t know why. But the weather seems to be settling and I dare say Drinian would like to be off. What a lot we shall have to tell him.” But in fact they had not much to tell for the memory of the last hour had all become confused. “Their Majesties all seemed a bit bewitched when they came aboard,” said Drinian to Rhince some hours later when the Dawn Treader was once more under sail and Deathwater Island already below the horizon. “Something happened to them in that place. The only thing I could get clear was that they think they’ve found the body of one of these lords we’re looking for.” “You don’t say so, Captain,” answered Rhince. “Well, that’s three. Only four more. At this rate we might be home soon after the New Year. And a good thing too. My baccy’s running a bit low. Good night, Sir.

Be your own anchor, and sail along the shore of Life with a bunch of smiles. In a whirlwind of a thousand journeys, we flow through Life, as if crossing through an Ocean of an endless voyage. Sometimes we marvel at the ports we glide along, sometimes we chase the waves with our heart and soul, while sometimes we lose our way only to find a lighthouse guiding us along, always catching our breath at the majestic sunrises and sunsets. Our happy moments and connections are like those ports that cross our path while the moments of pain direct our steps to the lighthouse within our soul, as we keep growing ourselves through so many births and deaths of our soul just as the sunrises and sunsets. I want some of you to know and acknowledge the fact that it's absolutely okay to let go, to let the ship of your Life cross the port, because however beautiful that port might be, your journey shouldn't stop, it is not meant to stop. Well, the most brutal yet beautiful truth is, initially everyone stays but eventually no one does. It is brutal because it hurts, it sometimes makes you wonder why it has to end and it's beautiful because everything that ends often ends up gifting you with an invaluable experience filled with beautiful lessons and memories. Understand that it doesn't have to be chaotic, it can be a peaceful goodbye. And even when sometimes it might end in a turmoil, your soul would finally find the grace to give it a closure it demands. Understand that the pain that wrenches your heart in this, gradually tunes your soul to find an anchor, a flicker of Light that is forever guiding you Home. Understand that all of these arrivals and departures, detours and halts are Time's decision to make and we must embrace that with dignity and grace. The essential thing is to keep sailing, by letting go, by simply carrying on with the journey. Halt if you must, but while you halt, don't forget to gaze at how you have grown through each of those very experiences, just as how wonderful the journey gets along the path while you keep passing the ports one after another, steering nearer to the ultimate destination. So wave them a goodbye with a smile of gratitude for helping you in finding a piece of your soul back through a mad jest of pain, to gift you with another step closer to your destination, and sail along the shore of Life with a bunch of smiles.

sail, we  tcame by a straight course to Cos, and the next day to Rhodes, and from there to Patara. [1] 2And having found a ship crossing to Phoenicia, we went aboard and set sail. 3When we had come in sight of Cyprus, leaving it on the left we sailed to Syria and landed at Tyre, for there the ship was to unload its cargo. 4And having sought out the disciples, we stayed there for seven days. And  uthrough the Spirit they were telling Paul not to go on to Jerusalem. 5When our days there were ended, we departed and went on our journey, and they all, with wives and children,  vaccompanied us until we were outside the city. And  wkneeling down on the beach, we prayed 6and said farewell to one another. Then we went on board the ship, and they returned home. 7When we had finished the voyage from Tyre, we arrived at Ptolemais, and we greeted  xthe brothers [2] and stayed with them for one day. 8On the next day we departed and came to Caesarea, and we entered the house of  yPhilip  zthe evangelist, who was one of the seven, and stayed with him. 9He had four unmarried daughters,  awho prophesied. 10While we were staying for many days, a prophet named  bAgabus came down from Judea. 11And coming to

5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.

Behind them was the sea and the sun, before them the Darkness. “Do we get into this?” asked Caspian at length. “Not by my advice,” said Drinian. “The Captain’s right,’ said several sailors. “I almost think he is,” said Edmund. Lucy and Eustace didn’t speak but they felt very glad inside at the turn things seemed to be taking. But all at once the clear voice of Reepicheep broke in upon the silence. “And why not?” he said. “Will someone explain to me why not.” No one was anxious to explain, so Reepicheep continued: “If I were addressing peasants or slaves,” he said, “I might suppose that this suggestion proceeded from cowardice. But I hope it will never be told in Narnia that a company of noble and royal persons in the flower of their age turned tail because they were afraid of the dark.” “But what manner of use would it be plowing through that blackness?” asked Drinian. “Use?” replied Reepicheep. “Use, Captain? If by use you mean filling our bellies or our purses, I confess it will be no use at all. So far as I know we did not set sail to look for things useful but to seek honor and adventure. And here is as great an adventure as ever I heard of, and here, if we turn back, no little impeachment of all our honors.” Several of the sailors said things under their breath that sounded like “Honor be blowed,” but Caspian said: “Oh, bother you, Reepicheep. I almost wish we’d left you at home. All right! If you put it that way, I suppose we shall have to go on. Unless Lucy would rather not?” Lucy felt that she would very much rather not, but what she said out loud was, “I’m game.” “Your Majesty will at least order lights?” said Drinian. “By all means,” said Caspian. “See to it, Captain.

April 20 MORNING “That through death He might destroy him that had the power of death.” — Hebrews 2:14 O child of God, death hath lost its sting, because the devil’s power over it is destroyed. Then cease to fear dying. Ask grace from God the Holy Ghost, that by an intimate knowledge and a firm belief of thy Redeemer’s death, thou mayst be strengthened for that dread hour. Living near the cross of Calvary thou mayst think of death with pleasure, and welcome it when it comes with intense delight. It is sweet to die in the Lord: it is a covenant-blessing to sleep in Jesus. Death is no longer banishment, it is a return from exile, a going home to the many mansions where the loved ones already dwell. The distance between glorified spirits in heaven and militant saints on earth seems great; but it is not so. We are not far from home — a moment will bring us there. The sail is spread; the soul is launched upon the deep. How long will be its voyage? How many wearying winds must beat upon the sail ere it shall be reefed in the port of peace? How long shall that soul be tossed upon the waves before it comes to that sea which knows no storm? Listen to the answer, “Absent from the body, present with the Lord.” Yon ship has just departed, but it is already at its haven. It did but spread its sail and it was there. Like that ship of old, upon the Lake of Galilee, a storm had tossed it, but Jesus said, “Peace, be still,” and immediately it came to land. Think not that a long period intervenes between the instant of death and the eternity of glory. When the eyes close on earth they open in heaven. The horses of fire are not an instant on the road. Then, O child of God, what is there for thee to fear in death, seeing that through the death of thy Lord its curse and sting are destroyed? and now it is but a Jacob’s ladder whose foot is in the dark grave, but its top reaches to glory everlasting.

Bringing back the Golden Fleece,” I repeated, mocking him. “As if it exists.” Castor frowned. “What’s biting you? Of course it exists! We told you what Jason said. It belonged to a marvelous ram sent by the gods to rescue two royal children, Phrixus and Helle, from their murderous stepmother. A pity it wasn’t a perfect rescue. Phrixus reached Colchis safely, but his sister, Helle, fell off in mid-flight and drowned. Jason says that’s why the place where she plunged into the sea’s called the Hellespont. If that doesn’t prove the story’s true, what will satisfy you?” “Anyone can give a place a name,” I said, rolling my eyes. “When I get home, I’ll name that olive grove near our training ground Wolf Forest and see what happens. A ram with a fleece of real gold, a flying ram that could carry the children through the skies to Colchis, where there are dragons, oh yes, that’s believable! That’s worth risking your lives for on a voyage across the world! I’ll bet you don’t care if that story’s true or not. You just want an excuse to go off chasing fame!” Polydeuces set a honey cake on my already heaping plate. “There must be something waiting for us in Colchis, little sister,” he said gently. “Maybe not the gold fleece of a flying ram, but something. Why would Jason go to the trouble and expense of outfitting a ship for such a long, dangerous voyage otherwise?” He smiled wistfully and added, “You mustn’t worry about us. We’ll come back; we’ll be fine.” He was right: I was worried about what would become of my brothers on that great adventure. But more than that, I envied them with all my heart. So what if the goal of their expedition was the phantom fleece of a ram that never existed? The fascinating lands my brothers would see and the exploits they’d share would be real enough. And I’d be left behind. They’ll see marvels I can’t being to imagine, I thought. Maybe they’ll even see that old sailor’s five-legged monster! Meanwhile, I’m going to be trundled home in an oxcart so thickly hedged around by Spartan soldiers that all I’ll see during my journey will be spears. It’s not fair! I can handle a sword almost as well as either of them, and I know I’m better with a bow and arrow!

Space is nearly empty. There is virtually no chance that one of the Voyagers will ever enter another solar system—and this is true even if every star in the sky is accompanied by planets. The instructions on the record jackets, written in what we believe to be readily comprehensible scientific hieroglyphics, can be read, and the contents of the records understood, only if alien beings, somewhere in the remote future, find Voyager in the depths of interstellar space. Since both Voyagers will circle the center of the Milky Way Galaxy essentially forever, there is plenty of time for the records to be found—if there's anyone out there to do the finding. We cannot know how much of the records they would understand. Surely the greetings will be incomprehensible, but their intent may not be. (We thought it would be impolite not to say hello.) The hypothetical aliens are bound to be very different from us—independently evolved on another world. Are we really sure they could understand anything at all of our message? Every time I feel these concerns stirring, though, I reassure myself. Whatever the incomprehensibilities of the Voyager record, any alien ship that finds it will have another standard by which to judge us. Each Voyager is itself a message. In their exploratory intent, in the lofty ambition of their objectives, in their utter lack of intent to do harm, and in the brilliance of their design and performance, these robots speak eloquently for us. But being much more advanced scientists and engineers than we—otherwise they would never be able to find and retrieve the small, silent spacecraft in interstellar space—perhaps the aliens would have no difficulty understanding what is encoded on these golden records. Perhaps they would recognize the tentativeness of our society, the mismatch between our technology and our wisdom. Have we destroyed ourselves since launching Voyager, they might wonder, or have we gone on to greater things? Or perhaps the records will never be intercepted. Perhaps no one in five billion years will ever come upon them. Five billion years is a long time. In five billion years, all humans will have become extinct or evolved into other beings, none of our artifacts will have survived on Earth, the continents will have become unrecognizably altered or destroyed, and the evolution of the Sun will have burned the Earth to a crisp or reduced it to a whirl of atoms. Far from home, untouched by these remote events, the Voyagers, bearing the memories of a world that is no more, will fly on.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.