Voice Of God Recordings Quotes

The scriptures are like a written “recording” of the “voice” of the Lord—a voice we feel in our hearts more than we hear with our ears. As we study the written word of God, we learn to hear His voice in the words we read. As we return repeatedly to the holy scriptures, we gain experience and confidence in hearing and feeling His voice. Five basic principles can help us learn more effectively from our personal scripture study. 1. Pray for understanding and invite the help of the Holy Ghost. Begin scripture study with prayer. Ask for understanding as you study. Express gratitude as you conclude. 2. Work. Pay the price of regular and diligent study. 3. Be consistent. Set aside a specific and scheduled time each day. 4. Ponder. Think about the truths, experiences, and lessons in the scriptures. Take time—pondering cannot be forced, hurried, or rushed. 5. Write down impressions, thoughts, and feelings. Record what you learn, think, and feel. Invite the Holy Ghost to continue instruction.

...this, this life, this "everything" you know is a mere paper construction. You, my TV dinner-sucking, glazed-eyed friends, are living in ... the matrix ... and all you have to do to see the real world, God and Satan's glorious kingdom on Earth, all you have to do to taste real life is to risk being your true self... to dare... to watch... to listen... to all the late-night staticky-voiced deejays playing "race" records blowing in under the radar, shouting their tinny AM radio manifesto, their stations filled with poets, geniuses, rockers, bluesmen, preachers, philosopher kings, speaking to you from deep in the heart of your own soul. Their voices sing, "Listen... listen to what this world is telling you, for it is calling for your love, your rage, your beauty, your sex, your energy, your rebellion... because it needs you in order to remake itself. In order to be reborn into something else, something maybe better, more godly, more wonderful, it needs us. This new world is a world of black and white. A place of freedom where the two most culturally powerful tribes in American society find common ground, pleasure and joy in each other's presence. Where they use a common language to speak with... to be with one another.

The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.

This is the perfect time to discuss the common deception that, “Everything God does must be found in Scripture.” I understand the good intention behind this belief—trying to protect oneself from being deceived by making sure that everything must be found in Scripture. But by believing everything must be found in Scripture, you can actually find yourself falling into deception and limiting what God can do through your own life. It is absurd to think that the God of all the universe and creation can be limited in His performance and deeds to one small, carved-out section of eternity compiled into one book. The Bible, on the other hand, is by all means the complete and all-sufficient source for salvation and walking out a relationship with God. But if you’re going to actually fall under the limited, deceptive mindset that everything God has done and will ever do by supernatural performance must be already recorded in Scripture, you are sadly mistaken, my friend. The

Ashes were already falling, not as yet very thickly. I looked round: a dense black cloud was coming up behind us, spreading over the earth like a flood. 'Let us leave the road while we can still see,'I said,'or we shall be knocked down and trampled underfoot in the dark by the crowd behind.' We had scarcely sat down to rest when darkness fell, not the dark of a moonless or cloudy night, but as if the lamp had been put out in a closed room. You could hear the shrieks of women, the wailing of infants, and the shouting of men; some were calling their parents, others their children or their wives, trying to recognize them by their voices. People bewailed their own fate or that of their relatives, and there were some who prayed for death in their terror of dying. Many besought the aid of the gods, but still more imagined there were no gods left, and that the universe was plunged into eternal darkness for evermore. ~Pliny the Younger Trust me…history will record the battle at the Puerto Rico Trench the same way. ~High Commander Mustafa

Ryland had been always loyal to the journeyman shoemaker he had baptised in the river, and he gives us this record:—"If all the people had lifted up their voices and wept, as the children of Israel did at Bochim, I should not have wondered at the effect. It would only have seemed proportionate to the cause, so clearly did he prove the criminality of our supineness in the cause of God." The text was Isaiah's (liv. 2, 3) vision of the widowed church's tent stretching forth till her children inherited the nations and peopled the desolate cities, and the application to the reluctant brethren was couched in these two great maxims written ever since on the banners of the missionary host of the kingdom— EXPECT GREAT THINGS FROM GOD. ATTEMPT GREAT THINGS FOR GOD.

Now, I’ve been eating the pretzels with my wife since we met in 1962 and I don’t think they are especially good. I certainly don’t think they are “thicker,” but she had been eating them far longer than I, and she insisted the formula had changed, or perhaps the machinery, and that as a result they were very slightly “thicker,” and she would no longer eat them and complained about them for months. She tried to call the manufacturer but got only recorded voice greetings. She wrote emails and even letters but nobody answered. My wife is not one to give up on a thing and I’d be hearing about it until I died. So one day I was looking at the package, while she complained behind me, and I said, “By God, we should drive to the factory and tell them in person.” We are retired now and have an RV.

No, so God help me, they spake not a word; But, like dumb statues or breathing stones, Star'd each on other, and look'd deadly pale. Which when I saw, I reprehended them, And ask'd the Mayor what meant this wilfull silence. His answer was, the people were not used To be spoke to but by the Recorder. Then he was urg'd to tell my tale again. 'Thus saith the Duke, thus hath the Duke inferr'd'- But nothing spoke in warrant from himself. When he had done, some followers of mine own At lower end of the hall hurl'd up their caps, And some ten voices cried 'God save King Richard!' And thus I took the vantage of those few- 'Thanks, gentle citizens and friends,' quoth I 'This general applause and cheerful shout Argues your wisdoms and your love to Richard.' And even here brake off and came away. GLOUCESTER. What, tongueless blocks were they? Would they not speak?

Matthew watched my eyes, as if he knew exactly what was going on in my muddled thoughts. I’d believed she would be better off going with Domīnija before I’d lost everything. Now I knew . . . if I truly loved my girl, I’d let her go. She would never be Evangeline Deveaux. We’d never see the bayou come back to life. It wouldn’t always be Evie and Jack. My eyes blurred, but nothing was wrong with my vision. I loved that fille more than my own life; this just proved it. “I’m not goan to kill you right now, no,” I told Matthew, my voice thick. “But only ’cause you’re goan to swear never to tell her I survived.” I swallowed. “As far as Evie’s concerned, I’m buried under that rock.” Coo-yôn nodded, then reached into his pack, pulling out . . . that cell phone and the tape player! Evie’s pictures, her voice. How’d he get those . . . ? Didn’t matter. The kid was giving me another crutch, right when I needed it most. God, peekôn. Noble, for the record, cuts like a blade to the heart. . . .

Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.

God said, 'Let there be light.' Here's a paraphrase: Let there be electromagnetic radiation with varying wavelengths traveling at 186,282 miles per second. Let there be radiowaves, microwaves, and X-rays. Let there be photosynthesis and fiber optics. Let there be LASIK surgery, satellite communication, and suntans. Oh, and let there be rainbows after rainstorms. 'Let there be light.' These are God's first recorded words. This is God's first recorded miracle. Light is the source of vision; without it we can't see a thing. Light is the key to technology; it's how we can talk to someone halfway around the world without so much as a second's delay because light can circle the globe seven and a half times a second. Light is the first link in the food chain; no photosynthesis equals no food. Light is the basis of health; the absence of light causes everything from vitamin D deficiency to depression. Light is the origin of energy; in Einstein's equation E = MC squared, energy (E) is defined as mass (M) times the speed of light (C) squared. The speed of light is the constant. And light is the measuring stick for space-time; a meter is defined as the distance traveled by light in a vacuum during a time interval of 1/299,792,458 of a second. Light is the alpha and omega of everything, and that includes you.

Berossos compiled his History from the temple archives of Babylon (reputed to have contained "public records" that had been preserved for "over 150,000 years"). He has passed on to us a description of Oannes as a "monster," or a "creature." However, what Berossos has to say is surely more suggestive of a man wearing some sort of fish-costume--in short, some sort of disguise. The monster, Berossos tells us: "had the whole body of a fish, but underneath and attached to the head of the fish there was another head, human, and joined to the tail of the fish, feet like those of a man, and it had a human voice ... At the end of the day, this monster, Oannes, went back to the sea and spent the night. It was amphibious, able to live both on land and in the sea ... Later, other monsters similar to Oannes appeared." Bearing in mind that the curious containers carried by Oannes and the Apkallu sages are also depicted on one of the megalithic pillars at Göbekli Tepe (and [...] as far afield as ancient Mexico as well), what are we to make of all this? The mystery deepends when we follow the Mesopotamian traditions further. In summary, Oannes and the brotherhood of Apkallu sages are depicted as tutoring mankind for many thousands of years. It is during this long passage of time that the five antediluvian cities arise, the centers of a great civilization, and that kingship is "lowered from heaven." Prior to the first appearance of Oannes, Berossos says, the people of Mesopotamia 'lived in a lawless manner, like the beasts of a field.

Hold On" They hung a sign up in our town "If you live it up, you won't live it down" So she left Monte Rio, son Just like a bullet leaves a gun With her charcoal eyes and Monroe hips She went and took that California trip Oh, the moon was gold, her hair like wind Said, "don't look back, just come on, Jim" Oh, you got to hold on, hold on You gotta hold on Take my hand, I'm standing right here, you gotta hold on Well, he gave her a dimestore watch And a ring made from a spoon Everyone's looking for someone to blame When you share my bed, you share my name Well, go ahead and call the cops You don't meet nice girls in coffee shops She said, "baby, I still love you" Sometimes there's nothin' left to do Oh, but you got to hold on, hold on Babe, you gotta hold on and take my hand I'm standing right here, you gotta hold on Well, God bless your crooked little heart St. Louis got the best of me I miss your broken China voice How I wish you were still here with me Oh, you build it up, you wreck it down Then you burn your mansion to the ground Oh, there's nothing left to keep you here But when you're falling behind in this big blue world Oh, you've got to hold on, hold on Babe, you gotta hold on Take my hand, I'm standing right here, you gotta hold on Down by the Riverside motel It's ten below and falling By a ninety-nine cent store She closed her eyes and started swaying But it's so hard to dance that way When it's cold and there's no music Oh, your old hometown's so far away But inside your head there's a record that's playing A song called "Hold On", hold on Babe, you gotta hold on Take my hand, I'm standing right there, you gotta hold on

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

Reflection A child needs the affirmation of their father. But many times that affirmation is not there. The father may be absent or it may be that their father never told them how proud he was of them. He was quick to criticize, but slow to affirm. When that child grows older, they will continue to search for the blessing of their father. They may become a work-a-holic, believing that through accomplishment they can finally find the fulfillment they are looking for. But they continue to live with a void. In another scenario, it might happen that feelings of unworthiness and self-doubt would be so pervasive that they never pursue God’s calling on their life and settle for less. Maybe you can relate. You desire love, respect, acceptance, or approval. But you don’t feel worthy. You believe you are not accomplished enough. You believe you are not beautiful enough. You believe you are not able enough. You believe you are not __________ (You fill in the blank). But these are lies that come straight out of the pit of hell. You are worthy enough because Jesus died for you. He accomplished everything that needed to be accomplished. He makes you beautiful. His Holy Spirit gives you the ability to accomplish all things (see Philippians 4:13). Before Jesus began his ministry, he was baptized by John the Baptist in the Jordan River. And when Jesus was baptized, the voice of the Heavenly Father spoke from heaven: “This is my beloved Son, with whom I am well pleased.” Matthew 5:17 ESV The ministry of Jesus had yet to begin. He had not yet healed anyone. He had not yet preached any sermons of note. He had not accomplished anything worthy to be recorded in the Scriptures. But still the Father expresses his approval. Why? It was because of the relationship of the Father to the Son. The Father’s love and approval of the Son was not based on accomplishment. He loved the Son for no other reason than the fact that he was his son. You are so important to your Heavenly Father that he sent Jesus for you. The Heavenly Father made you and created you. He gave you your life and your being. He loved you so much that he sent Jesus to die on the cross for you. It is not about anything you have accomplished. You need to know that you are the most beautiful, the most precious, and the most prized part of his creation. Your Heavenly Father is proud of you. More than you realize! You are worthy because you are his precious child, redeemed by the blood of Jesus.

During the chaos of the Hundred Years’ War, when northern France was decimated by English troops and the French monarchy was in retreat, a young girl from Orléans claimed to have divine instructions to lead the French army to victory. With nothing to lose, Charles VII allowed her to command some of his troops. To everyone’s shock and wonder, she scored a series of triumphs over the English. News rapidly spread about this remarkable young girl. With each victory, her reputation began to grow, until she became a folk heroine, rallying the French around her. French troops, once on the verge of total collapse, scored decisive victories that paved the way for the coronation of the new king. However, she was betrayed and captured by the English. They realized what a threat she posed to them, since she was a potent symbol for the French and claimed guidance directly from God Himself, so they subjected her to a show trial. After an elaborate interrogation, she was found guilty of heresy and burned at the stake at the age of nineteen in 1431. In the centuries that followed, hundreds of attempts have been made to understand this remarkable teenager. Was she a prophet, a saint, or a madwoman? More recently, scientists have tried to use modern psychiatry and neuroscience to explain the lives of historical figures such as Joan of Arc. Few question her sincerity about claims of divine inspiration. But many scientists have written that she might have suffered from schizophrenia, since she heard voices. Others have disputed this fact, since the surviving records of her trial reveal a person of rational thought and speech. The English laid several theological traps for her. They asked, for example, if she was in God’s grace. If she answered yes, then she would be a heretic, since no one can know for certain if they are in God’s grace. If she said no, then she was confessing her guilt, and that she was a fraud. Either way, she would lose. In a response that stunned the audience, she answered, “If I am not, may God put me there; and if I am, may God so keep me.” The court notary, in the records, wrote, “Those who were interrogating her were stupefied.” In fact, the transcripts of her interrogation are so remarkable that George Bernard Shaw put literal translations of the court record in his play Saint Joan. More recently, another theory has emerged about this exceptional woman: perhaps she actually suffered from temporal lobe epilepsy. People who have this condition sometimes experience seizures, but some of them also experience a curious side effect that may shed some light on the structure of human beliefs. These patients suffer from “hyperreligiosity,” and can’t help thinking that there is a spirit or presence behind everything. Random events are never random, but have some deep religious significance. Some psychologists have speculated that a number of history’s prophets suffered from these temporal lobe epileptic lesions, since they were convinced they talked to God.

In a letter to the monarchs of Spain dated 7 July 1503, Columbus records hearing a divine voice declaring that “since thou wast born, ever has He [God] had thee in His watchful care” and that when he had reached an age which pleased God, “of the barriers of the Ocean Sea, which were closed with such mighty chains, He gave thee the key.”13

You do not need another special revelation from God outside the Bible. You can listen to the voice of God every day. Christ still speaks, because the Spirit has already spoken. If you want to hear from God, go to the book that records only what he has said. Immerse yourself in the word of God. You will not find anything more sure.

Scripture is not merely a record of divine-human history but a proclaiming of it, not merely an account of God’s life with us to date but a voice in that life. When we read Scripture in the church, someone addresses us. And by the unanimous tradition of the church, this voice is the Word of God, the Logos, the second identity of the Trinity.

The cross of Christ is to be the great center round which everything must revolve. Everything else must be in subordination to it. The cross is planted midway between divinity and humanity, between heaven and earth. It never moves nearer the earth. All things concerning the salvation of man must lie in the shadow of the cross. Heavenly intelligencies, uniting with the earthly, bow to this central attraction, and voices from heaven and earth unfold to the universe the plan of redemption. The cross is not to lose its significance to either world. All property, all wealth, that finds its way into the Lord’s treasury, finds its true place in the arrangement of God. … Brethren and sisters, will you work for selfish purposes? Will you let the world with its selfish aims and principles come between you and your God? Will you serve mammon? Christ plainly declares that you cannot serve God and mammon. Will you subscribe your name on the pages of the world’s record, or will you relate yourself to God, and let him write your name in the record books of heaven, to be immortalized in the universe of God? Christ has the first claim on you. “Ye are not your own; for ye are bought with a price. …” I entreat you, spring into action at once, and be all that the name Christian signifies. You will then have no desire to live for self. You will have the high distinction of living wholly for Christ. -ST 8-17-91

Jamie nodded back. ‘Ms Cartwright—’ ‘It’s Mrs,’ she said automatically, the colour still drained from her cheeks. Her hand had moved from her mouth to her collarbones now as she processed it. ‘Would you mind if I took a look at those files?’  She shook her head, her eyes vacant. ‘No, no — there’s nothing much to see, but… Of course—’ She cut off, squeezing her face into a frown. ‘He’s… dead? But how? What happened? My God,’ she muttered. ‘He was… My God.’ Jamie stepped around her, leaving Roper to the interview. He was better at that sort of thing anyway. She rarely found interviewees easy to deal with. They always got emotional, blathered.  ‘Do you mind if I record this conversation?’ Roper asked behind her as she walked towards the back room. ‘No,’ Mary said quietly. ‘Great, thanks.’ He exhaled slowly, fiddling with the buttons, adding the audio file to the case. ‘What can you tell me about Ollie?’  The voices faded away as she reached the door and pushed on the handle. Inside looked to be a rehearsal room. On the left there were two steps leading up to a red door that opened onto the side of the stage, and the floor was bare concrete painted red. The paint had been chipped from years of use and the blue paint job underneath was showing through. Mary had a desk set up with two chairs in front of it, but no computer. In fact there was nothing of any value in the room.  On the right there was an old filing cabinet, and laid against it were rusted music stands as well as a mop and bucket and a couple of bottles of bargain cleaning supplies that had the word ‘Value’ written across them.  At the back of the room there was an old bookcase filled with second-hand literature — mostly children’s books and charity shop novels. Next to that an old plastic covered doctor’s examination bed was pushed against the wall. Sponge and felt were showing through the ripped brown covering.  Stood on the floor was a trifold cotton privacy screen that looked new, if not cheap. On the cracked beige walls, there was also a brand new hand-sanitiser dispenser and wide paper roll holder. She approached and checked the screws. They were still shiny. Brass. They had been put up recently. At least more recently than anything else in there.  The dispenser looked like it had come straight out of a doctor’s office, the roll holder too. Paper could be pulled out and laid over the bed so patients didn’t have to sit on the bare covering. Jamie stared at them for a second and then reached out, squirting sanitiser onto her hands.  She massaged it in before moving on.

listen humbly to all the different voices arising in the biblical library. Wisdom emerges from the conversation among these voices, voices we could arrange in five broad categories. First, there are the voices of the priests who emphasize keeping the law, maintaining order, offering sacrifices, and faithfully maintaining traditions and taboos. Then there are the voices of the prophets, often in tension with the priests, who emphasize social justice, care for the poor, and the condition of the heart. Next are the poets who express the full range of human emotion and opinion—the good, the bad, and the ugly. Then come the sages who, in proverb, essay, and creative fiction, record their theories, observations, questions, and doubts. And linking them together are storytellers, each with varying agendas, who try to tell the stories of the people who look back to Abraham as their father, Moses as their liberator, David as their greatest king, and God as their Creator and faithful companion.

1. What do you think about the afterlife? 2. Well, how does God decide who goes where when we die? 3. Suggest the answer to them. Since God decides on our final destination through an innocent or guilty verdict, are you guilty right now? Look at the Ten Commandments with them. 4. Since you’re guilty (just like I used to be), do you know the one specific thing God did to offer you a clean sin record and eternal life? 5. Since Jesus died and rose from the dead, and based on that alone, you can be completely forgiven of all your sin. You need to repent of your sin and put your trust in Jesus for the forgiveness of your sin. I had to do it too. Then, you’ll have eternal life, an innocent record with God, and a new heart with new desires. You’ll never be judged for your sin again.

My parents pressured me to decide, and I was afraid to commit and make the wrong choice for my future. I drove myself to a voice lesson with Linda, and on the way over, I started praying, asking God for a sign. Whenever I asked Him for guidance, He came through. Just as I did so, a black bird flew into my windshield. I screamed, and I bet it screamed, too, because it flew straight up. At the next stoplight, I lingered because I was shaken up. “God, what did that mean?” I asked out loud, alone in the car. “There’s no Bird records.” And I looked over to my right, and I saw the sign. COLUMBIA HOSPITAL. How many times over years of going to voice lessons had I rolled through this intersection and never noticed there was a hospital there? “Columbia,” I said. “Okay. Columbia.” As I moved forward, another black bird—or maybe the same determined one—swooped down at my windshield a second time. “Okay, I hear you, God,” I said, loud so He and the bird could hear me. “I get the message. Thanks, God.” I didn’t want any more birds getting hurt.

Say the very simplest and most obvious things, say them as often as possible, and put into the saying all the screaming passion which one human voice can carry—that was Adolf Hitler’s technique. He had been applying it for thirteen years, ever since the accursed treaty had been signed, and now he was at the climax of his efforts. He and his lieutenants were holding hundreds of meetings every night, all over Germany, and it was like one meeting; the same speech, whether it was a newspaper print or cartoon or signboard or phonograph record. No matter whether it was true or not—for Adi meant literally his maxim that the bigger the falsehood, the easier to get it believed; people would say you wouldn’t dare make up a thing like that. Imagine the worst possible about your enemies and then swear that you knew it, you had seen it, it was God’s truth and you were ready to stake your life upon it—shout this, bellow this, over and over, day after day, night after night. If one person states it, it is nonsense, but if ten thousand join in it becomes an indictment, and when ten million join in it becomes history. The Jews kill Christian children and use their blood as a part of their religious ritual! You refuse to believe it? But it is a well-known fact; it is called “ritual murder.” The Jews are in a conspiracy to destroy Christian civilization and rule the whole world. It has all been completely exposed in the Protocols of the Elders of Zion; the party has printed these, the Führer has guaranteed their authenticity, the great American millionaire Henry Ford has circulated them all over America. Everybody there knows that the charges are true, the whole world knows it—save only the Jew-lovers, the Jew-kissers, the filthy Jew-hirelings. Nieder mit den Juden!

But revocation was not enough for the betrayed Georgians. They needed to actually set fire to the prior act: The feeling of the Legislature was so strong, that, after the Yazoo act had been repealed, it was decided to destroy all the records and documents relating to the corruption. By order of the two Houses a fire was kindled in the public square of Louisville, which was then the capital. The enrolled act that had been secured by fraud was brought out by the secretary of state, and by him delivered to the President of the Senate for examination. That officer delivered the act to the Speaker of the House. The Speaker in turn passed it to the clerk, who read the title of the act and the other records, and then, committing them to the flames, cried out in a loud voice, “God save the State and preserve her rights, and may every attempt to injure them perish as these wicked and corrupt acts now do!”8

Just because,” Yehohshua returned to the original subject, “I informed you that I had seen you eating a fig underneath the tree you believe that I am the Son of God and the King of Israel?” Nathaniel affirmed Yehohshua’s question. Yehohshua smiled, “You will see things greater than these for most truly I say to all of you: you will see heaven open up and you will see God’s angels ascending and descending to the Son of Man.” “The ‘Son of Man’?” Nathaniel repeated. “What does that term mean?” “It means that I am here to help all people achieve satisfaction with their lives by giving myself to their needs.” “As Ya‘akov did when he left Beersheba to find a wife for himself in the city of Haran,” Yochanan whispered to Kefa. “What are you saying to me?” asked Nathaniel. “At the height of that ladder stands Yehuway. He pronounced to Ya‘akov that all the land that he saw belongs to him and to his descendants. Yehuway promised Ya‘akov that his children would become as numerous as the sands of the sea and that they would become special, set aside from the rest of the world so that He could present to them something extraordinary! He said He would never leave his children until He had completely accomplished what He had spoken.” “I recall it,” Kefa barely smiled. “Later Ya‘akov dug a well on that exact spot. I drank from it.” “It was the first recorded land purchase that any Israelite had ever made,” Nathaniel remembered his religious studies. “Owning land is a good thing,” Kefa again spoke in his monotone voice. Then trying to show wisdom, he injected, “But the seas – who can purchase them?

Most people do not realize that the Apostle John was actually using terminology familiar to 1st Century Jewish people. It was familiar, because it was language read in the Targums in the Synagogue every week. What John was doing by stating his first sentence in the manner was very similar to the technique used at the time (and today in some Orthodox Jewish sects), whereby one person would recite the first verse of a Psalm, and the students (or members of the Synagogue), would begin to recite the rest of the Psalm.   Jesus did this as is recorded in the New Testament. The hearers should have understood to recite the entirety of Psalm 22 in response, "And about the ninth hour Jesus cried out with a loud voice, saying, 'Eli, Eli, lema sabachthani?” that is, “My God, my God, why have you forsaken me?'"  Matthew 27:46

THERE WAS A HOUSE in the great Metropolis which was older than the town.  Many said that it was older, even, than the cathedral, and, before the Archangel Michael raised his voice as advocate in the conflict for God, the house stood there in its evil gloom, defying the cathedral from out its dull eyes. It had lived through the time of smoke and soot.  Every year which passed over the city seemed to creep, when dying, into this house, so that, at last it was a cemetery—a coffin, filled with dead tens of years. Set into the black wood of the door stood, copper-red, mysterious, the seal of Solomon, the pentagram. It was said that a magician, who came from the East (and in the track of whom the plague wandered) had built the house in seven nights.  But the masons and carpenters of the town did not know who had mortared the bricks, nor who had erected the roof.  No foreman’s speech and no ribboned nosegay had hallowed the Builder’s Feast after the pious custom.  The chronicles of the town held no record of when the magician died nor of how he died.  One day it occurred to the citizens as odd that the red shoes of the magician had so long shunned the abominable plaster of the town.  Entrance was forced into the house and not a living soul was found inside.  But the rooms, which received, neither by day nor by night, a ray from the great lights of the sky, seemed to be waiting for their master, sunken in sleep.  Parchments and folios lay about, open, under a covering of dust, like silver-grey velvet.

In a moment I was in a misty place full of fire in which there was a great crowd of suffering souls. They were praying fervently, but to no avail, for themselves; only we can come to their aid.” She explained that her guardian angel had led her on this journey to purgatory, as recorded in her Diary. “I asked these souls what their greatest suffering was. They answered me in one voice that their greatest torment was longing for God.

Ithan said slowly, “Hel is our enemy.” “Is it?” Aidas laughed, ears twitching. “Who wrote the history?” “The Asteri,” Tharion said darkly. Aidas turned approving eyes on him. “You’ve heard the truth in some form, I take it.” “I know that the official history of this world is not necessarily to be believed.” Aidas leapt off the counter, trotting to the coffee table again. “The Asteri fed their lies to your ancestors. Made the scholars and philosophers write down their version of events under penalty of death. Erased Theia from the record. That library your former employer possesses,” he said, turning to Bryce, “is what remains of the truth. Of the world before the Asteri, and the few brave souls who tried to voice that truth afterward. You knew that, Bryce Quinlan, and protected the books for years—yet you have done nothing with that knowledge.” “What the fuck?” Ithan asked Bryce. Aidas only asked, “What was this world before the Asteri?” Tharion said, “Ancient humans and their gods dwelled here. I’ve heard the ruins of their civilizations are deep beneath the sea.” Aidas inclined his head. “And where did the Asteri come from? Where did the Fae or the shifters or the angels come from?” Bryce cut in, “Enough with the questions. Why not just tell us? What does this have to do with my…gifts?” She seemed to choke on the word. “The war approaches its crescendo. And your power isn’t ready.” Bryce flicked the length of her ponytail over her shoulder. “How fucking cliché. Whatever my powers are, I want nothing to do with them. Not if they somehow link me to you—the Asteri will consider that a serious threat. Rightly so.” “People have died so you could have this power. People have been dying in this battle for fifteen thousand years so we could reach this point. Don’t play the reluctant hero now. That is cliché.

Sometimes my soul feels very peaceful, happy to be contained. Other times it has the urge to send envoys into the world, and I find myself sending unguarded passionate messages, voice notes and even recordings of me singing to my friends. It makes me think of the bit in the song where Joni breaks into the Canadian national anthem. I find the whole song moving, but this particular part, her 'o Canada', sounds like a moment where she forgets the audience and performs in the way you might in a private scene with a lover, family member or friend. No one wants to be a lonely soul, only filled up with yourself and the abstractions of the soul in art. Like a squid stuffed with its own tentacles. A lonely painter, living in a box of paints. But, it occurs to me, needing to identify what or who the 'you' is when I sing Joni's song is another example of my ego troubling with a convention I don't really believe in. My 'you' could be liquid, flowing from one thing to another. It could contain many people and things, be so vast as to be God-sized, an oceanic you. Or it could be small and exact like a square of pure pigment, with a startling itselfness, which once it goes beyond me can transform all it touches.

In Micah 5:2 God eliminated all the cities of the world and selected Bethlehem, with a population of less than one thousand people, as the Messiah’s birthplace. Then through a series of prophecies he even defined the time period that would set this man apart. For example, Malachi 3:1 and four other Old Testament verses require the Messiah to come while the Temple of Jerusalem is still standing (see Psalm 118:26; Daniel 9:26; Zechariah 11:13; Haggai 2:7-9). This is of great significance when we realize that the Temple was destroyed in AD 70 and has not since been rebuilt. Isaiah 7:14 adds that Christ will be born of a virgin. A natural birth of unnatural conception was a criterion beyond human planning and control. Several prophecies recorded in Isaiah and the Psalms describe the social climate and response that God’s man will encounter: His own people, the Jews, will reject him, and the Gentiles will believe in him (see Psalms 22:7-8; 118:22; Isaiah 8:14; 49:6; 50:6; 52:13-15). He will have a forerunner, a voice in the wilderness, one preparing the way before the Lord, a John the Baptist (see Isaiah 40:3-5; Malachi 3:1). Notice how one passage in the New Testament (Matthew 27:3-10) refers to certain Old Testament prophecies that narrow down Christ’s address even further. Matthew describes the events brought about by the actions of Judas after he betrayed Jesus. Matthew points out that these events were predicted in passages from the Old Testament (see Psalm 41:9; Zechariah 11:12-13). In these passages God indicates that the Messiah will (1) be betrayed, (2) by a friend, (3) for thirty pieces of silver, and that the money will be (4) cast on the floor of the Temple. Thus the address becomes even more specific. A prophecy dating from 1012 BC also predicts that this man’s hands and feet will be pierced and that he will be crucified (see Psalm 22:6-18; Zechariah 12:10; Galatians 3:13). This description of the manner of his death was written eight hundred years before the Romans used crucifixion as a method of execution. The precise lineage; the place, time, and manner of birth; people’s reactions; the betrayal; the manner of death—these are merely a fraction of the hundreds of details that make up the “address” to identify God’s Son, the Messiah, the Savior of the world.

Serve the gods and you will experience how they are looking after you and that they are sending you mentors.27 With Socrates and Plato, the idea of a personal daimon becomes part of the historical record, though most likely the notion had already been around for quite some time.28 While Socrates’ confident claim of a personal daimonion that advised him throughout his life ultimately led to his death sentence, he refused to give details about this being or inner voice during his apologia at court. Indeed, his daimonion had advised him not to defend himself; thus he appeared unprepared during his trial and even rejected an apologia offered to him by the speaker Lysias.

Plutarch records that in the early years of the reign of Tiberius the pilot of a ship rounding the Greek archipelago passed a certain island at dawn on the solstice day and heard his name called from shore: “Thamus! When you come near the Palodes, tell them that the great god Pan is dead!” He thought at first to refuse, being afraid, but when he came opposite the Palodes, he called out the words as he had heard them: “Pan is dead! The great god Pan is dead!” And then there arose from the island a lamenting and wailing, not of one voice but of many mingled, as though the earth itself mourned. A shiver ran up Pierce’s spine beneath the blanket. He had read this story before, and had shivered then too.

I am not super-attached to my career,' Audrey Tautou says in that sultry, Gallic voice of hers, a glint of recklessness in her big brown eyes. 'I have several plan Bs: I want to become a sailor; I like to draw; I would love to learn many things, but I don’t have time…' She trails off, leaving an uncertain silence hanging over the Kensington hotel room where we’ve met to discuss her latest film, a delightful comic confection called Beautiful Lies. 'That is the problem, you know,' she continues, more carefully. 'That is the reason why I will quit acting very soon.' She lets out a strange little laugh, a creaky exhalation, as if her own admission has taken her by surprise... 'I didn’t want to have this power,' she says, with a shrug. 'I would rather have freedom; and to find that you have to stop being in big, exposed movies. I don’t surf on the big waves. When I see them coming, I take my board and go straight back to the beach.'... 'I am always surprised to be chosen by a director for a role because I never understand why they like me,' she says. Surely, I suggest, that is false modesty, coming from one of Europe’s most bankable stars. 'Oh no, really, I am serious,' she says, leaning forward and planting her feet back on the carpet. 'I am always surprised to be cast.' Does her track record – in Jeunet’s hits; or in Stephen Frears’s acclaimed Dirty Pretty Things, or as a compellingly self-possessed Coco Chanel in Anne Fontaine’s 2009 biopic – not give her at least a little confidence? 'No,' she says with a scowl, 'pas du tout.' 'A few months ago, I watched one of my old movies and I thought to myself, 'Oh, Jesus!’ Thank God that at the point I made that film I didn’t realise the extent to which I was terrible. Oh, mon dieu! Mon dieu!' But surely, I say, she can take from that the reassurance that she has only improved as an actress. 'Or,' she says, jabbing a finger in the air, 'I say to myself, does it simply mean that if in another 10 years I rewatch the films I am making today I will say, 'Oh mon dieu, how terrible I was then.’ She laughs that odd, breathy laugh again and then looks me dead in the eye. 'You have to be very careful in this life.

Ithan said slowly, “Hel is our enemy.” “Is it?” Aidas laughed, ears twitching. “Who wrote the history?” “The Asteri,” Tharion said darkly. Aidas turned approving eyes on him. “You’ve heard the truth in some form, I take it.” “I know that the official history of this world is not necessarily to be believed.” Aidas leapt off the counter, trotting to the coffee table again. “The Asteri fed their lies to your ancestors. Made the scholars and philosophers write down their version of events under penalty of death. Erased Theia from the record. That library your former employer possesses,” he said, turning to Bryce, “is what remains of the truth. Of the world before the Asteri, and the few brave souls who tried to voice that truth afterward. You knew that, Bryce Quinlan, and protected the books for years—yet you have done nothing with that knowledge.” “What the fuck?” Ithan asked Bryce. Aidas only asked, “What was this world before the Asteri?” Tharion said, “Ancient humans and their gods dwelled here. I’ve heard the ruins of their civilization are deep beneath the sea.

When I was a boy I used to wish that God had given primordial men the gift of writing, because they would’ve been able to record the dates on which new stars appeared in the night sky. Then we’d know precisely how far away each star was, because we’d know—to the day—when each one’s light first reached the Earth. But men didn’t invent writing until long after the emergence of the stars, so astronomers are forced to use more indirect means to deduce their distances. My teachers told me that God wanted us to reason things out for ourselves. But what if that’s not true? What if”—his voice cracked—“what if God had no intentions about us at all?

You prayed for deliverance. Begged God to send a message. Please, Lord, hear me.” Their voice overlayed atop his, tumbling unnaturally from his lips like a warped recording. He wrapped the bandage around their arm, over the curve of their thumb, and lifted his eyes to meet theirs. “But I heard you first.”  Kye swallowed. “And you are?”  “Not God.