Vogue Quotes

We need to reclaim the word 'feminism'. We need the word 'feminism' back real bad. When statistics come in saying that only 29% of American women would describe themselves as feminist - and only 42% of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF THE SURVEY?

My life isn’t theories and formulae. It’s part instinct, part common sense. Logic is as good a word as any, and I’ve absorbed what logic I have from everything and everyone… from my mother, from training as a ballet dancer, from Vogue magazine, from the laws of life and health and nature.

Create your own style… let it be unique for yourself and yet identifiable for others.

It’s always about timing. If it’s too soon, no one understands. If it’s too late, everyone’s forgotten.

Gwen stopped putting her money in the bag. "You're giving your father a picture of a door for his birthday?" And she'd thought Mitch marking up pages in her copy of Vogue and telling her, "This is what I'd get you for your birthday if I had money" had been cheap.

Do you dance, Mr. Darcy?" Darcy: "Not if I can help it!" Sir William: "What a charming amusement for young people this is, Mr. Darcy! There is nothing like dancing, after all. I consider it as one of the first refinements of polished societies." Mr. Darcy: "Certainly, sir; and it has the advantage also of being in vogue amongst the less polished societies of the world; every savage can dance.

Bitch has more issues than Vogue.

So what else can I tell you?" I asked. "I mean, to get you to reveal Lily to me." She triangled her fingers under her chin. "Let's see. Are you a bed wetter?" "Am I a...?" "Bed wetter. I am asking if you are a bed wetter." I knew she was trying to get me to blink. But I wouldn't. "No, ma'am. I leave my beds dry." "Not even a little drip every now and then?" "I'm trying hard to see how this is germane." "I'm gauging your honesty. What is the last periodical you read methodically?" "Vogue. Although, in the interest of full disclosure, that's mostly because I was in my mother's bathroom, enduring a rather long bowel movement. You know, the kind that requires Lamaze." "What adjective do you feel the most longing for?" That was easy. "I will admit I have a soft spot for fanciful." "Let's say I have a hundred million dollars and offer it to you. The only condition is that if you take it, a man in China will fall off his bicycle and die. What do you do?" "I don't understand why it matters whether he's in China or not. And of course I wouldn't take the money." The old woman nodded. "Do you think Abraham Lincoln was a homosexual?" "All I can say for sure is that he never made a pass at me." "Are you a museumgoer?" "Is the pope a churchgoer?" "When you see a flower painted by Georgia O'Keefe, what comes to mind?" "That's just a transparent ploy to get me to say the word vagina, isn't it? There. I said it. Vagina.

Slippery use of the word “privilege” is part of a vogue of calling achievements “privileges”—a vogue which extends far beyond educational issues, spreading a toxic confusion in many other aspects of life.

Dancing was the only activity he enjoyed with a woman, and he regretted that court dancing was no longer in vogue. If you want to bed a woman, do it in the bedroom. If you want to seduce her, do it in the dance.

I envied women with signature hair-dos, signature perfumes, signature sign-offs. Novelists who tell Vogue Magazine: “I can’t live without my Smythson notebook, Pomegranate Noir cologne by Jo Malone and Frette sheets”. In the grip of madness, materialism begins to look like an admirable belief system.

What all these lofty and vague phrases boil down to is that the court can impose things that the voters don't want and the Constitution does not require, but which are in vogue in circles to which the court responds.

If Botticelli were alive today he'd be working for Vogue.

Real obscurantism is not to hinder the spread of what is true, clear, and useful, but to bring into vogue what is false.

I hope that I never become a vogue. A vogue is damned and doomed forever.

Bitch please. You've got more issues than Vogue. - Unknown

We mistakenly assume that bodily survival has a higher precedence than ego survival. This is simply not generally true. Ego will happily destroy the body for its own sake. Look at overweight executives headed for heart attacks on the way to getting their pictures in Fortune or anorexic models suffering slow starvation on their way to getting their pictures in Vogue. Protecting ego is the general case.

maintainence is elegance. Diana Vreeland. vogue magazine 1984.

When the Great Tao (Way or Method) ceased to be observed, benevolence and righteousness came into vogue.

trinket. A souvenir. It’s nothing.” “Oh, not nothing,” Macey said. She held her thin wrist out so that her bracelet caught the light. “I saw something just like it in the September Vogue.” Amazingly, that made me feel better. “Well, at least I’m a crazy person with good taste.

When statistics come in saying that only 29 percent of American women would describe themselves as feminist - and only 42 percent of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF SURVEY?

A teenage boy with a Mohawk sat across from me, sneering. I’d seen that look before. Why was it a problem to knit in public? “My grandma knits.” I ignored him. “So what are you making, Grandma?” Mohawk’s voice was ugly. I arched my eyebrow. “A cashmere cock ring. Your grandma ever knit one of those?” The kid’s eyes grew wide, and he suddenly became very interested in a four-year-old issue of Teen Vogue.

Funnily enough, “self-criticism” is an idea much in vogue in Marxist countries, but there it is subordinated to ideological considerations and must serve the State, and not truth and justice in men’s dealing with one another. The mass State has no intention of promoting mutual understanding and the relationship of man to man; it strives, rather, for atomization, for the psychic isolation of the individual. The more unrelated individuals are, the more consolidated the State becomes, and vice versa.

The simplistic way of not conforming is to see what is in style in our culture and then do the opposite. If short hair is in vogue, the nonconformist wears long hair. If going to the movies is popular, then Christians avoid movies as “worldly.” The extreme case of this may be seen in groups that refuse to wear buttons or use electricity because such things, too, are worldly. A superficial style of nonconformity is the classical pharisaical trap. The kingdom of God is not about buttons, movies, or dancing. The concern of God is not focused on what we eat or what we drink. The call of nonconformity is a call to a deeper level of righteousness, that goes beyond externals. When piety is defined exclusively in terms of externals, the whole point of the apostle’s teaching has been lost. Somehow we have failed to hear Jesus’ words that it is not what goes into a person’s mouth that deflies a person, but what comes out of that mouth. We still want to make the kingdom a matter of eating and drinking.

The cry 'Liberty, equality, fraternity or death!' was much in vogue during the Revolution. Liberty ended by covering France with prisons, equality by multiplying titles and decorations, and fraternity by dividing us. Death alone prevailed.

That word can be very extreme… But I guess I am a modern-day feminist. I do believe in equality. Why do you have to choose what type of woman you are? Why do you have to label yourself anything? I’m just a woman and I love being a woman. If you’re attractive then you can’t be sexy, and you can’t be intelligent? What is all of that? -from Vogue

The best part of a writer's biography is not the record of his adventures but the story of his style. [Vogue, interview, 1969]

They're from France, Ruby said, Vogue magazine. They only speak French except for fuck you.

Denied a Lenin and deprived of Napoleon, France retreated into the last and, we must hope, indestructible redoubt, the world of Astérix. The postwar vogue for Parisian thinkers barely concealed their collective retreat into Hexagonal introversion and into the ultimate fortress of French intellectuality, Cartesian theory and puns.

The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's. Hmmmmm. Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in. Besides she was Daddy's perfect little girl. And who didn't love perfect?

...It's not that she has not tried to improve her condition before acknowledging its hopelessness. (Oh, come on, let's get the hell out of this, and get into the first person.) I have sought, by study, to better my form and make myself Society's Darling. You see, I had been fed, in my youth, a lot of old wives' tales about the way men would instantly forsake a beautiful woman to flock about a brilliant one. It is but fair to say that, after getting out in the world, I had never seen this happen, but I thought that maybe I might be the girl to start the vogue. I would become brilliant. I would sparkle. I would hold whole dinner tables spellbound. I would have throngs fighting to come within hearing distance of me while the weakest, elbowed mercilessly to the outskirts, would cry "What did she say?" or "Oh, please ask her to tell it again." That's what I would do. Oh I could just hear myself." -Review of the books, Favorite Jokes of Famous People, by Bruce Barton; The Technique of the Love Affair by "A Gentlewoman." (Actually by Doris Langley Moore.) Review title: Wallflower's Lament; November 17, 1928.

He did look like an ancient Viking. If they'd had a Viking Vogue magazine in their day, he'd have been on the front cover.

The New York of the plays, the movies, the books; the New York of The New Yorker and Vanity Fair and Vogue. It was a beacon, a spire, a beacon on top of a spire. A light, always glowing from afar, visible even from the cornfields of Iowa, the foothills of the Dakotas, the deserts of California. The swamps of Louisiana. Beckoning, always beckoning. Summoning the discontented, seducing the dreamers. Those whose blood ran too hot, and too quickly, causing them to look about at their placid families, their staid neighbors, the graves of their slumbering ancestors and say— I’m different. I’m special. I’m more. They all came to New York.

That disillusionment, moreover, like all other vogues, having had its beginning in the higher strata of society, had descended to the lower, where it was being worn threadbare, and that, now, those who were really and truly bored strove to conceal their misfortune as if it were a vice.

. . .fasting gives me singularly happy afternoons.

In those parts of the world where learning and science has prevailed, miracles have ceased; but in such parts of it as are barbarous and ignorant, miracles are still in vogue; which is of itself a strong presumption that in the infancy of letters, learning and science, or in the world's non-age, those who confided in miracles, as a proof of the divine mission of the first promulgators of revelation, were imposed upon by fictitious appearances instead of miracles.

Why do magazines do this to women?” Miranda complains now, glaring at Vogue. “It’s all about creating insecurity. Trying to make women feel like they’re not good enough. And when women don’t feel like they’re good enough, guess what?” “What?” I ask, picking up the grocery bag. “Men win. That’s how they keep us down,” she concludes. “Except the problem with women’s magazines is that they’re written by women,” I point out. “That only shows you how deep this thing goes. Men have made women coconspirators in their own oppression. I mean, if you spend all your time worrying about leg hair, how can you possibly have time to take over the world?

Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.

Mary: “Don’t be spiky, when I only want what you want – for you and Tony to walk into the sunset together.” Mabel: “Then why turn up looking like a cross between a Vogue fashion plate and a case of dynamite?” Mary: “Well, I can’t make it too easy for him.

Here was the real scandal of On Our Backs photography: We were women shooting other women — our names, faces, and bodies on the line — and we all brought our sexual agenda to the lens. Each pictorial was a memoir. That is quite the opposite of a fashion shoot at Vogue or Playboy, where the talent is a prop… When we began our magazine, female fashion and portrait models — all of them — were shot the same way kittens and puppies are photographed for holiday calendars: in fetching poses, with no intentions of their own.

We believe women are suffering not only because of the ways beauty is being defined; we are suffering because we are being defined by beauty. We are burdened with the task of looking beautiful and feeling beautiful (to others as well as to ourselves) because we live in a world that defines our value in terms of our physical appeal to others and defines our body image in terms of our physical appeal to ourselves. Being viewed as objects is the real root of our problem, not which beauty ideals are in vogue for female objects.

Wenn man im Mittelpunkt einer Party stehen will, darf man nicht hingehen.

Before it’s in fashion, it’s in Vogue.

How you spend your energy is ultimately what creates who you are." (On Beauty: Susan Sarandon, Vogue, January 8, 2016)

Pay equality is not going to happen because we scream and yell about it, it's going to happen when we start demanding it." (On Beauty: Susan Sarandon, Vogue, January 8, 2016)

God, the woman was cool. She had that pulled-together LA look about her, like she was ready to do a photo shoot for Vogue called Business Casual Chic.

Due to Jade's fortresslike manner, which, like any well-built castle, made access challenging, girls found her existence not only threatening but flat-out wrong. Although Bartelby Athletic Center featured the latest advertising campaign of Ms. Sturd's three member Benevolent Body-Image Club (laminated Vogue and Maxim covers above captions, “You Can't Have Thighs Like This and Still Walk" and "All Airbrushing"), Jade would only have to swan by, munching on a Snickers to reveal a disturbing truth: You could have thighs like that and still walk. She emphasized what few wanted to accept, that some people did win Trivial Pursuit: The Deity Looks Edition, and there wasn't a thing you could do about it, except come to terms with the fact that you'd only played Trivial Pursuit: John Doe Genes and come away with three pie pieces.

I always knew what men wanted to hear, the setting never mattered, and specifically in business, the playbook was so abundantly clear. Sexism goes in and out of vogue depending on the year or damning article making the rounds in the press, but the deep-seated sentiments never change.

Riker tells Data to just get on with it already, so Data says Ferengi are like Yankee traders from 18th-century America. This indicates that, in the 24th century, the traditional practice of using 600-year-old comparisons is still in vogue, like when you’re stuck in traffic on the freeway, and say, “Man, this is just like Vasco de Gama trying to go around the Cape of Good Hope!

When a person eats shortly before going to bed, digestion accompanies sleep. The two great physiological functions are completed together, leaving the maximum of freedom to the mind during the day.

and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....

It's true, I'd never understood whether this vogue for apologising is a sign of humility or of impudence: you do something you shouldn't have done, then you apologise and wash your hands of it. It reminds me of the old joke about a cowboy riding across the prairie who hears a voice from heaven telling him to go to Abilene, then at Abilene the voice tells him to go into the saloon and put all his money on number five. Tempted by the voice, he obeys, number eighteen comes up, and the voice murmur, Too bad, we've lost.

Hence the vogue for double majors. It isn’t enough anymore to take a bunch of electives in addition to your primary focus, to roam freely across the academic fields, making serendipitous connections and discoveries, the way that American higher education was designed (uniquely, among the world’s systems) to allow you to do.

Then again, 1947 was hell for any girl who would rather work calculus problems than read Vogue, any girl who would rather listen to Edith Piaf than Artie Shaw, and any girl with an empty ring finger but a rounding belly.

And Teen Vogue routinely educates girls that gender is a social construct. “The truth is, not all women menstruate and not all people who menstruate are women,” one article blithely informs readers, as if that were factual.3

Its half a dozen legs, divided into segments – either four or five, it was difficult to count them - had an elegance of movement that Lily found enthralling. As though choreographed to a beat mimicking the thumping in her breast, the precise spasmodic jerks of their several bends made her think of Madonna dancing to Vogue. They had the faultless coordination of intertwining cutlery in the hands of a hungry magician – or of the Queen eating dinner alone. This rush of ridiculous analogies caused Lily to laugh with delight, loudly, now without the slightest fear that the fly might be disturbed, because this fly was unlike other flies, and Lily knew that it would know not to feel under threat.

In the afternoon the digestion of the meal deprives me of the incomparable lightness which characterizes the fast days.

At this moment the phrase “police reform” has come into vogue, and the actions of our publicly appointed guardians have attracted attention presidential and pedestrian. You may have heard the talk of diversity, sensitivity training, and body cameras. These are all fine and applicable, but they understate the task and allow the citizens of this country to pretend that there is real distance between their own attitudes and those of the ones appointed to protect them. The truth is that the police reflect America in all of its will and fear, and whatever we might make of this country’s criminal justice policy, it cannot be said that it was imposed by a repressive minority. The abuses that have followed from these policies—the sprawling carceral state, the random detention of black people, the torture of suspects—are the product of democratic will.

Some people say the book is dying but I disagree. Bookshops might be on the way out, but not the book itself. As long as there are people there’s always market for a good story. Do you read?’ ‘Does Vogue, Heat, Attitude, The Gay Times and Hello! count?

One of my confreres sketched an explanation that attracted me: since the process of digestion is under the control of the brain, its cessation gave repose to the brain, allowed it a vacation.

Casiopea, meanwhile, looked at a heavy silver bracelet with black enamel triangles, of the "Aztec" style, which was much in vogue and meant to attract the eye of tourists with its faux pre-Hispanic motifs. It was a new concoction, of the kind that abound in a Mexico happy to invent traditions for mass consumption, eager to forge an identity after the fires of revolution--but it was pretty.

There were two things about this particular book (The Golden Book of Fairy Tales) that made it vital to the child I was. First, it contained a remarkable number of stories about courageous, active girls; and second, it portrayed the various evils they faced in unflinching terms. Just below their diamond surface, these were stories of great brutality and anguish, many of which had never been originally intended for children at all. (Although Ponsot included tales from the Brothers Grimm and Andersen, the majority of her selections were drawn from the French contes de fées tradition — stories created as part of the vogue for fairy tales in seventeenth century Paris, recounted in literary salons and published for adult readers.) I hungered for a narrative with which to make some sense of my life, but in schoolbooks and on television all I could find was the sugar water of Dick and Jane, Leave it to Beaver and the happy, wholesome Brady Bunch. Mine was not a Brady Bunch family; it was troubled, fractured, persistently violent, and I needed the stronger meat of wolves and witches, poisons and peril. In fairy tales, I had found a mirror held up to the world I knew — where adults were dangerous creatures, and Good and Evil were not abstract concepts. (…) There were in those days no shelves full of “self–help” books for people with pasts like mine. In retrospect, I’m glad it was myth and folklore I turned to instead. Too many books portray child abuse as though it’s an illness from which one must heal, like cancer . . .or malaria . . .or perhaps a broken leg. Eventually, this kind of book promises, the leg will be strong enough to use, despite a limp betraying deeper wounds that might never mend. Through fairy tales, however, I understood my past in different terms: not as an illness or weakness, but as a hero narrative. It was a story, my story, beginning with birth and ending only with death. Difficult challenges and trials, even those that come at a tender young age, can make us wiser, stronger, and braver; they can serve to transform us, rather than sending us limping into the future.

Good-girl-gone-queer Lindsay Lohan, divorced single mother Britney Spears, Caitlyn Jenner with her sultry poses, Kim Kardashian having the gall to show up on the cover of Vogue with her black husband: All of them are tied to the tracks and gleefully run over, less for what they've done than for the threat they pose to the idea that female sexuality fits within a familiar and safe pattern. If control over women's bodies were the sole point of the trainwreck, that would be terrifying enough. But it's only the beginning: Shame and fear are used to police pretty much every aspect of being female. After you've told someone what to do with her body, you need to tell her what to do with her mind.

In the terms of our Great Society the Hell's Angels and their ilk are losers -- dropouts, failures and malcontents. They are rejects looking for a way to get even with a world in which they are only a problem. The Hell's Angels are not visionaries, but diehards, and if they are the forerunners or the vanguard of anything it is not the "moral revolution" in vogue on college campuses, but a fast-growing legion of young unemployables whose untapped energy will inevitably find the same kind of destructive outlet that "outlaws" like the Hell's Angels have been finding for years.

When humanitarianism came into vogue, and the unsound were tended at public expense, this natural selection ceased. And since these unfortunates were incapable alike of prudence and of social responsibility, they procreated without restraint, and threatened to infect the whole species with their rottenness.

There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.

conscience is an elastic and very flexible article, which will bear a deal of stretching and adapt itself to a great variety of circumstances. Some people by prudent management and leaving it off piece by piece like a flannel waistcoat in warm weather, even contrive, in time, to dispense with it altogether; but there be others who can assume the garment and throw it off at pleasure; and this, being the greatest and most convenient improvement, is the one most in vogue.

French philosopher whom professional philosophers generally accord highest honors is Descartes. Montaigne and Pascal, Voltaire and Rousseau, Bergson and Sartre do not enjoy their greatest vogue among philosophers, and of these only Rousseau has had any considerable influence on the history of philosophy (through Kant and Hegel).

If you want to work for Vogue, produce films, or open a restaurant, you had better get immense psychological reward from your gig, as the comp, and returns on your efforts, will likely suck. Competition will be fierce, and even if you manage to get in, you'll be easily replaceable, as there are always younger, hipper candidates nipping at your heels. Very few high-school graduates dream of working for Exxon, but a big firm in a large sector would give you a career trajectory with regular promotions a sexy industry won't.

Our higher officials are fond as a rule of nonplussing their subordinates; the methods to which they have recourse to attain that end are rather various. The following means, among others, is in great vogue, 'is quite a favourite,' as the English say; a high official suddenly ceases to understand the simplest words, assuming total deafness. He will ask, for instance, What's to-day?' He is respectfully informed, 'To-day's Friday, your Ex-s-s-s-lency.' 'Eh? What? What's that? What do you say?' the great man repeats with intense attention. 'To-day's Friday, your Ex—s—s—lency.' 'Eh? What? What's Friday? What Friday?' 'Friday, your Ex—s—s—s—lency, the day of the week.' 'What, do you pretend to teach me, eh?

derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize? let me get under your skin. i want to know what your fears taste like. i want to consume.

Instead of destroying and appropriating to himself nourishment taken from outside, man enters a state of nonviolence and detachment relative to the outside world.

Eating three times a day means takingon, almost without respite, the work of assimilation.

A city built upon mud; A culture built upon profit; Free speech nipped in the bud, The minority always guilty. Why should I want to go back To you, Ireland, my Ireland? ... Her mountains are still blue, her rivers flow Bubbling over the boulders. She is both a bore and a bitch; Better close the horizon, Send her no more fantasy, no more longings which Are under a fatal tariff. For common sense is the vogue And she gives her children neither sense nor money Who slouch around the world with a gesture and a brogue And a faggot of useless memories.

I added pieces the same way I’d constructed my body, from the inside out: boy-cut panties first (lacy), bra (sheer), stockings (thigh high), knee-length leather skirt (black), lime green midriff-baring shirt (polyester). David leaned against the wall and watched this striptease-in-reverse with fabulously expressive eyebrows slowly climbing toward heaven, I finished it off with a pair of strappy lime green three-inch heels, something from the Manolo Blahnik spring collection that I’d seen two months ago in Vogue. He looked me over, blinked behind the glasses, and asked, “You’re done?” I took offense, “Yeah. You with the fashion police?” “I don’t think I’d pass the entrance exam.” The eyebrows didn’t come down. “I never knew you were so…” “Fashionable?” “Not really the word I was thinking.” I struck a pose and looked at him from under my supernaturally lustrous eyelashes. “Come on, you know it’s sexy.” “And that’s sort of my point.

America fears anger from black people, has always feared anger from black people, considers black people angry even when something more like “despaired” or “fatigued” better suits the mood.

On any given day, half of the subway cars smelled like urine, and attempting to get anywhere on time was nearly impossible. It was stressful to live in the city and I still hadn’t found my niche, but I had dreams. One day when I’d paid off my massive pile of student loans and was working for Vogue, I’d move to the Upper East Side and get to experience the city in a whole new light.

We closed the deal and moved to New York. Where in fact I had lived before, from the time I was twenty-one and just out of the English Department at Berkeley and starting work at Vogue (a segue so profoundly unnatural that when I was asked by the Condé Nast personnel department to name the languages in which I was fluent I could think only of Middle English) until I was twenty-nine and just married.

Wealthy celebrities in particular are all too eager to jump onto the proverbial bandwagon of oppression, and lecture us about the evils within our country. In Vogue magazine, Taylor Swift said, “Rights are being stripped from basically everyone who isn’t a straight white cisgender male.” Congresswoman Alexandria Ocasio-Cortez, elected to Congress at twenty-nine years old, famously said that her generation “never saw American prosperity.” Such overstatements, totally devoid of evidence, only make sense in the context of a culture that has become accustomed to seeking victimhood over self-empowerment

It feels bad to wade in the repercussions of our behavior, it feels good to apologize and disavow and consider oneself exempt moving forward. But being online, being white, being online as a white person, means never being exempt. Antiracist as a noun does not exist. There's only people doing the work, or not. The person genuinely invested in the work doesn't run from discomfort but accepts it as the price of personhood taken for granted.

Racism in the UK takes a different form than it does in the United States, but there is no mistaking its existence and how engrained it is. A major theme of racism in the UK centers on the question of who is authentically “British.” It can come through in subtle acts of bias, micro-aggressions such as the Palace staffer who told the biracial co-author of this book, “I never expected you to speak the way you do,” or the Daily Mail headline, “Memo to Meghan: We Brits Prefer True Royalty to Fashion Royalty.” While their columnist was criticizing Meghan for her Vogue editorials, there was another way to read it, and that was that to be British meant to be born and bred in the UK—and be white.

Vogue began to focus on the body as much as on the clothes, in part because there was little they could dictate with the anarchic styles...In a stunning move, an entire replacement culture was developed by naming a 'problem' where it had scarcely existed before, centering it on the women's natural state, and elevating it to the existential female dilemma...The number of diet-related articles rose 70 percent from 1968 to 1972...The lucrative 'transfer of guilt' was resurrected just in time.

for, in the majority of cases, conscience is an elastic and very flexible article, which will bear a deal of stretching and adapt itself to a great variety of circumstances. Some people by prudent management and leaving it off piece by piece like a flannel waistcoat in warm weather, even contrive, in time, to dispense with it altogether; but there be others who can assume the garment and throw it off at pleasure; and this, being the greatest and most convenient improvement, is the one most in vogue.

Summertime on Icarus First published in Vogue, June 1960, as ‘The Hottest Piece of Real Estate in the Solar System’ Collected in Tales of Ten Worlds When I wrote this story, I certainly never dreamed that one day I would have an asteroid named after me: in 1996 the International Astronomical Union rescued 4923 from anonymity. As a result, I am now the proud absentee landlord of about 100 square kilometres of real estate out around Mars. It doesn’t come anywhere near the Earth, so I’m not worried about Deep Impact type lawsuits.

For the mind depends so much on the temperament and disposition of the bodily organs that, if it is possible to find a means of rendering men wiser and cleverer than they have hitherto been, I believe that it is in medicine that it must be sought. It is true that the medicine which is now in vogue contains little of which the utility is remarkable; but, without having any intention of decrying it, I am sure that there is no one, even among those who make its study a profession, who does not confess that all that men know is almost nothing in comparison with what remains to be known; and that we could be free of an infinitude of maladies both of body and mind, and even also possibly of the infirmities of age, if we had sufficient knowledge of their causes, and of all the remedies with which nature has provided us.

That some leader dangerous to the basic institutions of American society would arise, Lincoln thought inevitable. Safeguarding these institutions would require a public sufficiently united, sufficiently attached to freedom, and sufficiently wise, "to successfully frustrate his designs." Today it would also require a public sufficiently resistant to incessant criticisms and condemnations of their society for failing to achieve cosmic justice. Moreover, if the dangers in our own times were limited to those of "towering genius," there would be much less danger than there is. However, all that is needed are towering presumptions, which are increasingly mass-produced in our schools and colleges by the educational vogue of encouraging immature and inexperienced students to sit in emotional judgment on the complex evolution of whole ages and vast civilizations.

As a special branch of general philosophy, pathogenesis had never been explored. In my opinion it had never been approached in a strictly scientific fashion--that is to say, objectively, amorally, intellectually. All those who have written on the subject are filled with prejudice. Before searching out and examining the mechanism of causes of disease, they treat of 'disease as such', condemn it as an exceptional and harmful condition, and start out by detailing the thousand and one ways of combating it, disturbing it, destroying it; they define health, for this purpose, as a 'normal' condition that is absolute and immutable. Diseases ARE. We do not make or unmake them at will. We are not their masters. They make us, they form us. They may even have created us. They belong to this state of activity which we call life. They may be its main activity. They are one of the many manifestations of universal matter. They may be the principal manifestation of that matter which we will never be able to study except through the phenomena of relationships and analogies. Diseases are a transitory, intermediary, future state of health. It may be that they are health itself. Coming to a diagnosis is, in a way, casting a physiological horoscope. What convention calls health is, after all, no more than this or that passing aspect of a morbid condition, frozen into an abstraction, a special case already experienced, recognized, defined, finite, extracted and generalized for everybody's use. Just as a word only finds its way into the Dictionary Of The French Academy when it is well worn stripped of the freshness of its popular origin or of the elegance of its poetic value, often more than fifty years after its creation (the last edition of the learned Dictionary is dated 1878), just as the definition given preserves a word, embalms it in its decrepitude, but in a pose which is noble, hypocritical and arbitrary--a pose it never assumed in the days of its vogue, while it was still topical, living and meaningful--so it is that health, recognized as a public Good, is only the sad mimic of some illness which has grown unfashionable, ridiculous and static, a solemnly doddering phenomenon which manages somehow to stand on its feet between the helping hands of its admirers, smiling at them with its false teeth. A commonplace, a physiological cliche, it is a dead thing. And it may be that health is death itself. Epidemics, and even more diseases of the will or collective neuroses, mark off the different epochs of human evolution, just as tellurian cataclysms mark the history of our planet.

Hedonism is not heroism for most men. The pagans in the ancient world did not realize that and so lost out to the “despicable” creed of Judeo-Christianity. Modern men equally do not realize it, and so they sell their souls to consumer capitalism or consumer communism or replace their souls—as Rank said—with psychology. Psychotherapy is such a growing vogue today because people want to know why they are unhappy in hedonism and look for the faults within themselves. Unrepression has become the only religion after Freud—as Philip Rieff so well argued in a recent book; evidently he did not realize that his argument was an updating and expansion of exactly what Rank had maintained about the historical role of psychology.

Heaven and hell,your hands are cold." "I never thought I'd prefer the dead silence of the Paths over anything,but it had to be better than listening to this idiot. And I didn't need any reminders that my hands were cold. Cold,mortal,dying hands. "Can we not talk?" "But you're such a charming conversationalist. Still,if you'd prefer to simply bask in the glory of my company, I understand. You're probably overwhelmed by holding my hand and want to enjoy the moment." I rolled my eyes. "It's all I can do not to swoon,but I'll try to contain myself." "I think swooning is highly underrated. You could bring it back into vogue." I turned my head to look at him rather than focus on the inky black around us. It was like people on the Paths existed outside anything else.Jack and I were the only two creatures alive,for all you could tell.What a horrible thought. "Where on earth did you come from?" I asked. He grinned,but there was a strange tightness to his face. "Telling that story would require talking,which I seem to recall you requested not happen.And here we are!" With a flourish he waved a hand-at nothing.

It seems to be little noticed that this yearning to dragoon and terrify all persons who happen to be lucky is at the bottom of the puerile radicalism now prevailing among us, just as it is at the bottom of Ku Kluxery. The average American radical today likes to think of himself as a profound and somber fellow, privy to arcana not open to the general; he is actually only a poor fish, with distinct overtones of the jackass. What ails him, first and last, is simply envy of his betters. Unable to make any progress against them under the rules in vogue, he proposes to fetch them below the belt by making the rules over. He is no more an altruist than J. Pierpont Morgan is an altruist, or Jim Farley, or, indeed, Al Capone. Every such rescuer of the downtrodden entertains himself with gaudy dreams of power, far beyond his natural fortunes and capacities. He sees himself at the head of an overwhelming legion of morons, marching upon the fellows he envies and hates. He thinks of himself in his private reflections (and gives it away every time he makes a speech or prints an article) as a gorgeous amalgam of Lenin, Mussolini and Genghis Khan, with the Republic under his thumb, his check for any amount good at any bank, and ten million heels clicking every time he winks his eye.

In fact, according to physicians, the functioning of the digestion depends less on the brain than on hormonal mechanisms and autoregulators. However, during a fast, the digestive system gets an increasing rest. About ten hours after a meal, the contractions stop and the feeling of hunger disappears; five or six hours later the glucose stops coming directly from the intestines and begins to produce itself from the reserve of glycogen contained in the liver. From then on, the body works on itself in a closed circuit, becoming itself the source of the energy it uses. Instead of destroying an appropriating to himself nourishment taken from outside, man enters a state of nonviolence and detachment relative to the outside world.

They [the dying in hospitals] did not blow up in mid-air like Kraft or the dead man in Yossarian's tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. […] They didn't take it out on the lam weirdly inside a cloud the way Clevinger had done. They didn't explode into blood and clotted matter. They didn't drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn't get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, bludgeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don't business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain't. There were no famines or floods. Children didn't suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn't stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh! accelerating at the rate of thirty-two feet per second to land with hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hair strawberry ice cream, bleeding, pink toes awry

Peter is still amazed at the degree to which a certain widening gyre of accolades can change an artist's work, literally change it, not just the new stuff but the old as well, the pieces that have been around for a while, that have seemed "interesting" or "promising" but minor, until (not often, just once in a while) an artist is by some obscure consensus declared to have been neglected, misrepresented, ahead of his time. What's astonishing to Peter is the way the work itself seems to change, more or less in the way of a reasonably pretty girl who is suddenly treated as a beauty. Peculiar, clever Victoria Hwang is going to be in Artforum next month, and probably in the collections of the Whitney and the Guggenheim; Renee Zellweger - moonfaced, squinty-eyed, a character actress if ever there was one - was just on the cover of Vogue, looking ravishing in a silver gown. It is, of course, a trick of perception - the understanding that that funny little artist or that quirky-looking girl must be taken with new seriousness - but Peter suspects there's a deeper change at work. Being the focus of that much attention (and, yes, of that much money) seems to differently excite the molecules of the art or the actress or the politician. It's not just a phenomenon of altered expectations, it's a genuine transubstantiation, brought about by altered expectations. Renée Zellweger becomes a beauty, and would look like a beauty to someone who had never heard of her. Victoria Hwang's videos and sculptures are about, it seems, to become not just intriguing and amusing but significant.

Provided that a writer of almanacs has already gained enough authority for people to bother to read his books, examining his words for implications and shades of meaning, he can be made to say anything whatever – like Sybils. There are so many ways of taking anything, that it is hard for a clever mind not to find in almost any subject something or other which appears to serve his point, directly or indirectly. [C] That explains why an opaque, ambiguous style has been so long in vogue. All an author needs to do is to attract the concern and attention of posterity. (He may achieve that not so much by merit as by some chance interest in his subject-matter.) Then, whether out of subtlety or stupidity, he can contradict himself or express himself obscurely: no matter! Numerous minds will get out their sieves, sifting and forcing any number of ideas through them, some of them relevant, some off the point, some flat contradictory to his intentions, but all of them doing him honour. He will grow rich out of his students’ resources – like dons being paid their midsummer fees at the Lendit fair.

I like to watch Peter when he doesn’t know I’m looking. I like to admire the straight line of his jaw, the curve of his cheekbone. There’s an openness to his face, an innocence--a certain kind of niceness. It’s the niceness that touches my heart the most. It’s Friday night at Gabe Rivera’s house after the lacrosse game. Our school won, so everyone is in very fine spirits, Peter most of all, because he scored the winning shot. He’s across the room playing poker with some of the guys from his team; he is sitting with his chair tipped back, his back against the wall. His hair is still wet from showering after the game. I’m on the couch with my friends Lucas Krapf and Pammy Subkoff, and they’re flipping through the latest issue of Teen Vogue, debating whether or not Pammy should get bangs. “What do you think, Lara Jean?” Pammy asks, running her fingers through her carrot-colored hair. Pammy is a new friend--I’ve gotten to know her because she dates Peter’s good friend Darrell. She has a face like a doll, round as a cake pan, and freckles dust her face and shoulders like sprinkles. “Um, I think bangs are a very big commitment and not to be decided on a whim. Depending on how fast your hair grows, you could be growing them out for a year or more. But if you’re serious, I think you should wait till fall, because it’ll be summer before you know it, and bangs in the summer can be sort of sticky and sweaty and annoying…” My eyes drift back to Peter, and he looks up and sees me looking at him, and raises his eyebrows questioningly. I just smile and shake my head. “So don’t get bangs?” My phone buzzes in my purse. It’s Peter. Do you want to go? No. Then why were you staring at me? Because I felt like it.

Now,' cried the fiend, 'follow me! You must understand that I cannot get out by the great gate - the porter will not suffer that. Once here, there is no retreat. Follow me, therefore: we will just go to your house, where you shall dress yourself; for you can hardly go to a ball in your present costume - especially as it is not a bal masque. Mind and wrap yourself well up in your winding-sheet, for the nights are cold, and you may feel unpleasantly touched by it.' As he said this, Satan laughed malignantly; and I continued silently to walk after him. 'I am sure,' continued he, 'that, in spite of the service I am doing you, you do not yet like me. You are always thus, you men - ungrateful to your friends. Not that I blame ingratitude; it is a vice upon which I pride myself, since I invented it myself; and I must say, that it is one most in vogue. But I do wish to see you a little more merry - it is the only thing I ask of you.' I answered not, but still followed my guide, white as a statue, and as cold. I was silent; but, at the pauses in the fiend's voice, I could hear my teeth chatter against each other, and my bones rattle in my body. ("The Dead Man's Story")

I twirled in front of the mirror slowly, wanting to see the full effect of my new dress front and back. It was a daring little thing made of black silk, its front held by thin strings tied behind my neck and completely backless.  I did another twirl, asking out loud, “Do you think this looks good on me?” I wanted my friends’ opinions before they left to have dinner with their families and I had to leave for my second date with my week-old boyfriend. “Everything looks good on you,” Alyx said, rolling her eyes. She was on the armchair in the corner, one leg tossed carelessly over the side. Slender with boyishly cut hair, she could always be counted on to say the truth, no matter how harsh it was. Even so, I still felt insecure. I always was when it came to the boy I loved. Glancing at the other girl who made up our close-knit trio, I asked Yanna, “What do you think?” “It’s what I always think,” Yanna said simply. Petite and curvy, she was lying on her stomach on the floor, flipping through the latest issue of Teen Vogue. Seeing that I was waiting for an explanation, she laughed and elaborated obediently, “You look drop dead gorgeous.”  The words should have comforted me, but it didn’t. I knew Yanna meant what she said, and not just because she happened to be the nicest and most polite person I knew. She was also hopeless when it came to lying, and that was probably why I felt worse now. Doubt had shadowed her gaze as she uttered the compliment, and the sight made it harder for me to stay deaf to the warning inside my head.

In the same essay, Said (who is reviewing Peter Stansky and William Abrams, co-authors obsessed with the Blair/Orwell distinction) congratulates them on their forceful use of tautology: ‘Orwell belonged to the category of writers who write.’ And could afford to write, they might have added. In contrast they speak of George Garrett, whom Orwell met in Liverpool, a gifted writer, seaman, dockworker, Communist militant, ‘the plain facts of [whose] situation—on the dole, married and with kids, the family crowded into two rooms—made it impossible for him to attempt any extended piece of writing.’ Orwell’s writing life then was from the start an affirmation of unexamined bourgeois values. This is rather extraordinary. Orwell did indeed meet Garrett in Liverpool in 1936, and was highly impressed to find that he knew him already through his pseudonymous writing—under the name Matt Lowe—for John Middleton Murry’s Adelphi. As he told his diary: I urged him to write his autobiography, but as usual, living in about two rooms on the dole with a wife (who I gather objects to his writing) and a number of kids, he finds it impossible to settle to any long work and can only do short stories. Apart from the enormous unemployment in Liverpool, it is almost impossible for him to get work because he is blacklisted everywhere as a Communist. Thus the evidence that supposedly shames Orwell by contrast is in fact supplied by—none other than Orwell himself! This is only slightly better than the other habit of his foes, which is to attack him for things he quotes other people as saying, as if he had instead said them himself. (The idea that a writer must be able to ‘afford’ to write is somewhat different and, as an idea, is somewhat—to use a vogue term of the New Left—‘problematic’. If it were only the bourgeois who were able to write, much work would never have been penned and, incidentally, Orwell would never have met Garrett in the first place.)

Back in the twentieth century, American girls had used baseball terminology. “First base” referred to embracing and kissing; “second base” referred to groping and fondling and deep, or “French,” kissing, commonly known as “heavy petting”; “third base” referred to fellatio, usually known in polite conversation by the ambiguous term “oral sex”; and “home plate” meant conception-mode intercourse, known familiarly as “going all the way.” In the year 2000, in the era of hooking up, “first base” meant deep kissing (“tonsil hockey”), groping, and fondling; “second base” meant oral sex; “third base” meant going all the way; and “home plate” meant learning each other’s names. Getting to home plate was relatively rare, however. The typical Filofax entry in the year 2000 by a girl who had hooked up the night before would be: “Boy with black Wu-Tang T-shirt and cargo pants: O, A, 6.” Or “Stupid cock diesel”—slang for a boy who was muscular from lifting weights—“who kept saying, ‘This is a cool deal’: TTC, 3.” The letters referred to the sexual acts performed (e.g., TTC for “that thing with the cup”), and the Arabic number indicated the degree of satisfaction on a scale of 1 to 10. In the year 2000, girls used “score” as an active verb indicating sexual conquest, as in: “The whole thing was like very sketchy, but I scored that diesel who said he was gonna go home and caff up [drink coffee in order to stay awake and study] for the psych test.” In the twentieth century, only boys had used “score” in that fashion, as in: “I finally scored with Susan last night.” That girls were using such a locution points up one of the ironies of the relations between the sexes in the year 2000. The continuing vogue of feminism had made sexual life easier, even insouciant, for men. Women had been persuaded that they should be just as active as men when it came to sexual advances. Men were only too happy to accede to the new order, since it absolved them of all sense of responsibility

We need to reclaim the word 'feminism'. We need the word 'feminism' back real bad. When statistics come in saying that only 29% of American women would describe themselves as feminist - and only 42% of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF THE SURVEY? These days, however, I am much calmer-since I realized that it's technically impossible for a woman to argue against feminism. Without feminism, you wouldn't be allowed to have a debate on a woman's place in society. You'd be too busy giving birth on the kitchen floor-biting down on a wooden spoon so as not to disturb the men's card game-before going back to hoeing the rutabaga field. This is why those female columnists in the Daily Mail-giving daily wail against feminism-amuse me. They paid you 1,600 pounds for that, dear, I think. And I bet it' going into your bank account and not your husband's. The more women argue, loudly, against feminism, the more they both prove it exists and that they enjoy its hard-won privileges. Because for all that people have tried to abuse it and disown it, "feminism" is still the word we need...We need the only word we have ever had to describe "making the world equal for men and women". Women's reluctance to use it sends out a really bad signal. Imagine if, in the 1960's, it had become fashionable for black people to say they "weren't into" civil rights. "No, I'm not into Civil Rights! That Martin Luther King is too shouty. He just needs to chill out, to be honest." But then, I do understand why women started to reject the word feminism. It ended up being invoked in so many baffling inappropriate contexts that you'd presume it was some spectacularly unappealing combination of misandry, misery, and hypocrisy, which stood for ugly clothes, constant anger, and, let's face it, no fucking...Feminism has had exactly the same problem that "political correctness" has had: people keep using the phrase without really knowing what it means.