Visiting My Father's Grave Quotes

We've searched our database for all the quotes and captions related to Visiting My Father's Grave. Here they are! All 15 of them:

Old Spice           Every Sunday afternoon he dresses in his old army uniform, tells you the name of every man he killed. His knuckles are unmarked graves.   Visit him on a Tuesday and he will describe the body of every woman he could not save. He’ll say she looked like your mother and you will feel a storm in your stomach.   Your grandfather is from another generation– Russian degrees and a school yard Cuban national anthem, communism and religion. Only music makes him cry now.   He married his first love, her with the long curls down to the small of her back. Sometimes he would pull her to him, those curls wrapped around his hand like rope.   He lives alone now. Frail, a living memory reclining in a seat, the room orbiting around him. You visit him but never have anything to say. When he was your age he was a man. You retreat into yourself whenever he says your name.   Your mother’s father, “the almost martyr, can load a gun under water in under four seconds.   Even his wedding night was a battlefield. A Swiss knife, his young bride, his sobs as he held Italian linen between her legs.   His face is a photograph left out in the sun, the henna of his beard, the silver of his eyebrows the wilted handkerchief, the kufi and the cane.   Your grandfather is dying. He begs you Take me home yaqay, I just want to see it one last time; you don’t know how to tell him that it won’t be anything like the way he left it.
Warsan Shire (Teaching My Mother How to Give Birth)
So, where are you from?" Agent Carson asked Reyes. "Originally?" I whirled around to face him again, this time pinning him with a warning glare. Carson was an FBI agent, but I was all about stealth. Surely she wouldn't pick up on my silent threat. He studied my mouth, not the least bit worried about my warning glare, then said at last, "Here and there." I relaxed against the seatback. He didn't say hell. Thank God he didn't say hell. It was always hard to explain to friends how, exactly, one's fiance was born and raised in the eternal flames of damnation. How his father was, in fact, public enemy number one. And how he escaped from hell and was born on earth as a human to be with his true love. As romantic as it all sounded, it was difficult to articulate without garnering a visit from men with butterfly nets.
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan
My mother’s family is passionate about visiting and cleaning the graves of their deceased. Once a year, the Peeks and the Nolens would gather to clean the tombstones and plant flowers at the grave sites of their people. Once, in Piedmont, when I was a little boy, I was helping to clean a grave of an ancestor of my grandfather named Jerry Mire Peek. When I asked my cousin Clyde whom this unknown relation was named after, he said, “He was named after the prophet Jerry Mire.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
My mother brought my father's ashes back with her to South Korea. We're finally together again as a family. I hope someday to honor my father's final request to bring him back to Hysean, where he can be buried next to his father and grandfather on the hill overlooking the Yalu River. If that time comes, I will visit my grandmother's grave as well and tell her that, once again, Chosun is whole.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
And now without redemption all mankind Must have been lost, adjudged to death and hell By doom severe, had not the Son of God, In whom the fullness dwells of love divine, His dearest mediation thus renewed. 'Father, Thy word is passed, man shall find grace; And shall grace not find means, that finds her way, The speediest of Thy winged messengers, To visit all Thy creatures, and to all Comes unprevented, unimplored, unsought, Happy for man, so coming; he her aid Can never seek, once dead in sins and lost; Atonement for himself or offering meet, Indebted and undone, hath none to bring: Behold Me then, Me for him, life for life I offer, on Me let Thine anger fall; Account Me man; I for his sake will leave Thy bosom, and this glory next to Thee Freely put off, and for him lastly die Well pleased, on Me let death wreak all his rage; Under his gloomy power I shall not long Lie vanquished; Thou hast given Me to possess Life in Myself forever, by Thee I live, Though now to death I yield, and am his due All that of Me can die, yet that debt paid, Thou wilt not leave Me in the loathsome grave His prey, nor suffer My unspotted soul Forever with corruption there to dwell; But I shall rise victorious, and subdue My vanquisher, spoiled of his vaunted spoil; Death his death's wound shall then receive, and stoop Inglorious, of his mortal sting disarmed.
John Milton (Paradise Lost and Other Poems)
The marker slants, flowerless, day’s almost done, I stand above my father’s grave with rage, often, often before I’ve made this awful pilgrimage to one who cannot visit me, who tore his page out: I come back for more, I spit upon this dreadful banker’s grave who shot his heart out in a Florida dawn O ho alas alas When will indifference come, I moan & rave I’d like to scrabble till I got right down away down under the grass and ax the casket open ha to see just how he’s taking it, which he sought so hard we’ll tear apart the mouldering grave clothes ha then Henry will heft the ax once more, his final card, and fell it on the start.
John Berryman
Of course, the cadavers, in life, donated themselves freely to this fate, and the language surrounding the bodies in front of us soon changed to reflect that fact. We were instructed to no longer call them “cadavers”; “donors” was the preferred term. And yes, the transgressive element of dissection had certainly decreased from the bad old days. (Students no longer had to bring their own bodies, for starters, as they did in the nineteenth century. And medical schools had discontinued their support of the practice of robbing graves to procure cadavers—that looting itself a vast improvement over murder, a means once common enough to warrant its own verb: burke, which the OED defines as “to kill secretly by suffocation or strangulation, or for the purpose of selling the victim’s body for dissection.”) Yet the best-informed people—doctors—almost never donated their bodies. How informed were the donors, then? As one anatomy professor put it to me, “You wouldn’t tell a patient the gory details of a surgery if that would make them not consent.” Even if donors were informed enough—and they might well have been, notwithstanding one anatomy professor’s hedging—it wasn’t so much the thought of being dissected that galled. It was the thought of your mother, your father, your grandparents being hacked to pieces by wisecracking twenty-two-year-old medical students. Every time I read the pre-lab and saw a term like “bone saw,” I wondered if this would be the session in which I finally vomited. Yet I was rarely troubled in lab, even when I found that the “bone saw” in question was nothing more than a common, rusty wood saw. The closest I ever came to vomiting was nowhere near the lab but on a visit to my grandmother’s grave in New York, on the twentieth anniversary of her death. I found myself doubled over, almost crying, and apologizing—not to my cadaver but to my cadaver’s grandchildren. In the midst of our lab, in fact, a son requested his mother’s half-dissected body back. Yes, she had consented, but he couldn’t live with that. I knew I’d do the same. (The remains were returned.) In
Paul Kalanithi (When Breath Becomes Air)
To the Highland Girl of Inversneyde SWEET Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray rocks, this household lawn, These trees—a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode; In truth together ye do seem Like something fashion’d in a dream; Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature! in the light Of common day, so heavenly bright I bless Thee, Vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers: And yet my eyes are fill’d with tears. With earnest feeling I shall pray For thee when I am far away; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter’d, like a random seed, Remote from men, Thou dost not need The embarrass’d look of shy distress, And maidenly shamefacédness: Thou wear’st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread, Soft smiles, by human kindness bred; And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook’d, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea: and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven! that of its grace Hath led me to this lonely place: Joy have I had; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall; And Thee, the spirit of them all
William Wordsworth
Your beast's little trick didn't work on me,' she said with quiet steel. 'Apparently, an iron will is all it takes to keep a glamour from digging in. So I had to watch as Father and Elain went from sobbing hysterics into nothing. I had to listen to them talk about how lucky it was for you to be taken to some made-up aunt's house, how some winter wind had shattered our door. And I thought I'd gone mad- but every time I did, I would look at that painted part of the table, then at the claw marks farther down, and know it wasn't in my head.' I'd never heard of a glamour not working. But Nesta's mind was so entirely her own; she had put up such strong walls- of steel and iron and ash wood- that even a High Lord's magic couldn't pierce them. 'Elain said- said you went to visit me, though. That you tried.' Nesta snorted, her face grave and full of that long-simmering anger that she could never master. 'He stole you away into the night, claiming some nonsense about the Treaty. And then everything went on as if it had never happened. It wasn't right. None of it was right.' My hands slackened at my sides. 'You went after me,' I said. 'You went after me- to Prythian.' 'I got to the wall. I couldn't find a way through.' I raised a shaking hand to my throat. 'You trekked two days there and two days back- through the winter woods?' She shrugged, looking at the sliver she'd pried from the table. 'I hired that mercenary from town to bring me a week after you were taken. With the money from your pelt. She was the only one who seemed like she would believe me.' 'You did that- for me?' Nesta's eyes- my eyes, our mother's eyes- met mine. 'It wasn't right,' she said again. Tamlin had been wrong when we'd discussed whether my father would have ever come after me- he didn't possess the courage, the anger. If anything, he would have hired someone to do it for him. But Nesta had gone with that mercenary. My hateful, cold sister had been willing to brave Prythian to rescue me. ... I looked at my sister, really looked at her, at this woman who couldn't stomach the sycophants who now surrounded her, who had never spent a day in the forest but had gone into wolf territory... Who had shrouded the loss of our mother, then our downfall, in icy rage and bitterness, because the anger had been a lifeline, the cruelty a release. But she had cared- beneath it, she had cared, and perhaps loved more fiercely that I could comprehend, more deeply and loyally.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I know this village street by street, house by house; I know too the ten domed shrines that stand in the middle of the cemetery on the edge of the desert high at the top of the village; the graves too I know one by one, having visited them with my grandfather. I know those too who inhabit these graves, both those who died before my father was born and those who have died since my birth. I have walked in more than a hundred funeral processions, have helped with the digging of the grave and have stood alongside it in the crush of people as the dead man was cushioned around with stones and the earth heaped in around him. I have done this in the early mornings, in the intensity of the noonday heat in the summer months, and at night with lamps in our hands.
Tayeb Salih (Season of Migration to the North)
It’s good you have a grave to visit.” Ginny stared out the window with a pleasant smile on her face. There was no telling where her mind was. “When your father died, I remember standing at his grave and thinking, This is the place where I can leave my grief.
Karin Slaughter (Pretty Girls)
When we buried him, we planted flowers on his grave, and every time I visited I saw that those flowers were my father, were made out of him. He was being born again into the earth, in a new form, and it wouldn't be long until all of his atoms were dispersed across the village, then the country, and then the world, carried off inside birds, growing into plants, and into butterflies. What was the garden, then, if not heaven, if not a place made up of everything that had been lost to us, if not an afterlife? After that, the whole world could be heaven to me.
Seán Hewitt (All Down Darkness Wide)
Nesta pursed her lips. “I know the type.” Her mother’s mother had been the same way before she’d died of a deep-rooted cough that had turned into a deadly infection. Nesta had been seven when the stern-faced dame who had insisted on being called Grandmamma had beaten her palms raw with a ruler for missteps in her dancing lessons. Worthless, clumsy girl. You’re a waste of my time. Maybe this will help you remember to pay attention to my orders. Nesta had only felt relief when the old beast had died. Elain, who’d been spared the cruelties of Grandmamma’s tutelage, had wept and dutifully laid flowers at her grave—one soon joined by their mother’s stone marker. Feyre had been too young to understand, but Nesta had never bothered to lay flowers for her grandmamma. Not when Nesta bore a scar near her left thumb from one of the woman’s nastier punishments. Nesta had only left flowers for her mother, whose grave she had visited more often than she cared to admit. She hadn’t once visited her father’s grave outside Velaris.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
When your father died, I remember standing at his grave and thinking, This is the place where I can leave my grief. It wasn't immediately, of course, but I had somewhere to go, and every time I visited the cemetery, I felt like when I got back into my car, a tiny little bit of grief was gone.
Karin Slaughter (Pretty Girls)