Visiting A Grave Quotes

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Would you visit my grave if I died?” His eyes grew dark. “I’d die before you were ever in a grave, malyshka.” I loved his possessive side. And I loved his dark side, too.
Danielle Lori (The Maddest Obsession (Made, #2))
Not flowers—never flowers in Terrasen. Instead, they carried small stones to graves to mark their visits, to tell the dead that they still remembered. Stones were eternal—flowers were not.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I did two things on my seventy-fifth birthday. I visited my wife's grave. Then I joined the army. Visiting Kathy's grave was the less dramatic of the two.
John Scalzi (Old Man's War (Old Man's War, #1))
She wished she could visit Mariam's grave, to sit with her awhile, leave a flower or two. But she sees now that it doesn't matter. Mariam is never very far.... Mariam is in her own heart, where she shines with the bursting radiance of a thousand suns.
Khaled Hosseini (A Thousand Splendid Suns)
I mean it," I said. "You're in danger." "Relax, Harry. I'm not letting anyone lick me, and I'm not looking anyone in the eyes. It's kind of like visiting New York.
Jim Butcher (Grave Peril (The Dresden Files, #3))
When the weather's nice, my parents go out quite frequently and stick a bunch of flowers on old Allie's grave. I went with them a couple of times, but I cut it out. In the first place, I don't enjoy seeing him in that crazy cemetery. Surrounded by dead guys and tombstones and all. It wasn't too bad when the sun was out, but twice—twice—we were there when it started to rain. It was awful. It rained on his lousy tombstone, and it rained on the grass on his stomach. It rained all over the place. All the visitors that were visiting the cemetery started running like hell over to their cars. That's what nearly drove me crazy. All the visitors could get in their cars and turn on their radios and all and then go someplace nice for dinner—everybody except Allie. I couldn't stand it. I know it's only his body and all that's in the cemetery, and his soul's in Heaven and all that crap, but I couldn't stand it anyway. I just wished he wasn't there.
J.D. Salinger (The Catcher in the Rye)
Gavin saw a grave purely as a marker for the place where a corpse was decomposing; a nasty thought, yet people took it into their heads to visit and bring flowers, as though it might yet recover.
J.K. Rowling (The Casual Vacancy)
Visiting a grave site would not be appreciated at all to when visiting the individual wanting you to while living
Omar Farhad (Need a Ride? (Need a Ride #1))
Afterwards, go to a pub for lunch. I've got $260 in my savings account and I really want you to use it for that. Really, I mean it--lunch is on me. Make sure you have pudding--sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
Jenny Downham (Before I Die)
There’s a grave I need to visit.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Do not go to my grave. Mary knows, I am not there. Look for me in between pages and on people’s lips. Do not go to my old school. Do not go to my old house — I am not in any of those places. Look for me in your hearts and greet me there.
Kamand Kojouri
Alright! You sir, you sir, how about a shave? Come and visit your good friend Sweeney. You sir, too sir? Welcome to the grave. I will have vengenance. I will have salvation. Who sir, you sir? No ones in the chair, Come on! Come on! Sweeney's. waiting. I want you bleeders. You sir! Anybody! Gentlemen now don't be shy! Not one man, no, nor ten men. Nor a hundred can assuage me. I will have you! And I will get him back even as he gloats In the meantime I'll practice on less honorable throats. And my Lucy lies in ashes And I'll never see my girl again. But the work waits! I'm alive at last! And I'm full of joy!
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
How was it that a man could not walk onto his own property, visit the grave of his wife, eat the fruits of forty generations of his ancestors’ toil, without mortal consequence?
Susan Abulhawa
Holding the space doesn’t mean swaddling the family immobile in their grief. It also means giving them meaningful tasks. Using chopsticks to methodically clutch bone after bone and place them in an urn, building an altar to invite a spirit to visit once a year, even taking a body from the grave to clean and redress it: these activities give the mourner a sense of purpose. A sense of purpose helps the mourner grieve. Grieving helps the mourner begin to heal.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
I have always known that you will visit my grave. I see myself as a small brown bird, perhaps a sparrow, watching you from a low branch as you pray in front of my name. I will hear you sound out my epitaph: Aqui descansa una mujer que quiso volar. You will recall telling me that you once dreamed in Spanish, and felt the words lift you into flight. The sound of wings will startle you when you say "volar," and you will understand.
Judith Ortiz Cofer (The Latin Deli: Telling the Lives of Barrio Women)
Look at that grave.... Think anyone comes to visit that person?" "Probably not," says Frank. "What's the point in having a gravestone then?" asks Audrey.
Albert Borris (Crash Into Me)
I never know what people are thinking. It's like visiting a country where you don't speak the language and you're trying so hard to understand but no matter how many times you ask for juice, they keep bringing you milk.
Tracey Garvis Graves (The Girl He Used to Know)
I visit her grave as often as I can. I leave bouquets of rosemary and rue, and I tell her that I'm sorry, and I promise her that next time I'll do better. Next time someone makes me a hero, I'll save them.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
These are the kinds of things a guy thinks about when he visits his own grave.
Kami Garcia (Beautiful Redemption (Caster Chronicles, #4))
Old Spice           Every Sunday afternoon he dresses in his old army uniform, tells you the name of every man he killed. His knuckles are unmarked graves.   Visit him on a Tuesday and he will describe the body of every woman he could not save. He’ll say she looked like your mother and you will feel a storm in your stomach.   Your grandfather is from another generation– Russian degrees and a school yard Cuban national anthem, communism and religion. Only music makes him cry now.   He married his first love, her with the long curls down to the small of her back. Sometimes he would pull her to him, those curls wrapped around his hand like rope.   He lives alone now. Frail, a living memory reclining in a seat, the room orbiting around him. You visit him but never have anything to say. When he was your age he was a man. You retreat into yourself whenever he says your name.   Your mother’s father, “the almost martyr, can load a gun under water in under four seconds.   Even his wedding night was a battlefield. A Swiss knife, his young bride, his sobs as he held Italian linen between her legs.   His face is a photograph left out in the sun, the henna of his beard, the silver of his eyebrows the wilted handkerchief, the kufi and the cane.   Your grandfather is dying. He begs you Take me home yaqay, I just want to see it one last time; you don’t know how to tell him that it won’t be anything like the way he left it.
Warsan Shire (Teaching My Mother How to Give Birth)
This is the last time I would ever visit the cemetery or my wife's grave, but I didn't want to expend too much effort in trying to remember it. As I said, this is the place where she's never been anything but dead. There's not much value in remembering that.
John Scalzi (Old Man's War (Old Man's War, #1))
Hell's bells, Susan, you don't know what you've done. You've got to get out of here." She snorted. "Like hell." "I mean it," I said. "You're in danger." "Relax, Harry. I'm not letting anyone lick me, and I'm not looking anyone in the eyes. It's kind of like visiting New York.
Jim Butcher (Grave Peril (The Dresden Files, #3))
What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.
James Joyce (Ulysses)
The next visit I paid to Nancy Brown was in the second week in March: for, though I had many spare minutes during the day, I seldom could look upon an hour as entirely my own; since, when everything was left to the caprices of Miss Matilda and her sister, there could be no order or regularity. Whatever occupation I chose, when not actually busied about them or their concerns, I had, as it were, to keep my loins girded, my shoes on my feet, and my staff in my hand; for not to be immediately forthcoming when called for, was regarded as a grave and inexcusable offence: not only by my pupils and their mother, but by the very servant, who came in breathless haste to call me, exclaiming 'You're to go to the school-room directly, mum- the young ladies is WAITING!!' Climax of horror! actually waiting for their governess!!!
Anne Brontë (Agnes Grey)
When man of slender visits you / Nothing on earth that one can do / In well he’ll hide, or watery hole / And he will eat your mortal soul / so if thou seest the man so thin / pray you don’t see him again / for he is not from world we know / he cometh from far down below / on his bed of dirt from grave / from his dank and silent cave / he watches you yet has no sight / he taketh you away at night
Jack Goldstein (101 Amazing Slenderman Facts)
But Gilbert's visits were not what they once were. Anne almost dreaded them. It was very disconcerting to look up in the midst of a sudden silence and find Gilbert's hazel eyes fixed upon her with a quite unmistakable expression in their grave depths; and it was still more disconcerting to find herself blushing hotly and uncomfortably under his gaze, just as if—just as if—well, it was very embarrassing.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
The ones who love us best are the ones we'll lay to rest And visit their graves on holidays at best The ones who love us least are the ones we'll die to please If it's any consolation, I don't begin to understand them
Paul Westerberg
No pain, no gain." You can hear the phrase in the world of physical exercise and conditioning. Muscles that feel no pain are probably getting neither stronger, nor more flexible. It presents an analogy for the exercise of the heart. Those who run the risk of genuine love alone must worry about emotional pain. The more friends; the more good-byes - and the more wakes to attend, the more graves to visit, the more deaths to share. Those who truly live life to the fullest will bear the full cup of suffering. Only those who are willing to pay the price in pain and anguish find life full to the brim. Happy people also suffer; they are no more lucky than the rest. They create their own happiness. That's the rule of thumb. Some thumbs, however, don't seem to rule very well. Slogans and catch-words, for all their conventional wisdom, fail to carry the whole weight of truth; they leave too much room for false inferences. "No pain, no gain" may leave one with nothing but pain - an intolerable amount of it. There is simply no guarantee that pain will bring gain, that hardship will yield happiness, that suffering will make one a better person. It may; but it's not inevitable.
Robert Dykstra (She Never Said Good-Bye)
Dear Jack: I have no idea who he was. But he saved me. From you. I watched from the doorway as he smacked, punched, and threw you against the wall. You fought back hard- I'll give you that- but you were no match for him. And when it was over- when you'd finally passed out- the boy made direct eye contact with me. He removed the rag from my mouth and asked me if I was okay. 'Yes. I mean, I think so,' I told him. But it was her that he was really interested in: the girl who was lying unconscious on the floor. Her eyes were swollen, and there looked to be a trail of blood running from her nose. The boy wiped her face with a rag. And then he kissed her, and held her, and ran his hand over her cheek, finally grabbing his cell to dial 911. He was wearing gloves, which I thought was weird. Maybe he was concerned about his fingerprints, from breaking in. But once he hung up, he removed the gloves, took the girl's hand, and placed it on the front of his leg- as if it were some magical hot spot that would make her better somehow. Tears welled up in his eyes as he apologized for not getting there sooner. 'I'm so sorry,' he just kept saying. And suddenly I felt sorry too. Apparently it was the anniversary of something tragic that'd happened. I couldn't really hear him clearly, but I was pretty sure he'd mentioned visiting an old girlfriend's grave. 'You deserve someone better,' he told her. 'Someone who'll be open and honest; who won't be afraid to share everything with you.' He draped his sweatshirt over her, kissed her behind the ear, and then promised to love her forever. A couple minutes later, another boy came in, all out of breath. 'Is she alright?' he asked. The boy who saved me stood up, wiped his tearful eyes, and told the other guy to sit with her until she woke up. And then he went to find scissors for me. He cut me free and brought me out to the sofa. 'My name's Ben,' he said. 'And help is on the way.' When the girl finally did wake up, Ben allowed the other guy to take credit for saving her life. I wanted to ask him why, but I haven't been able to speak. That's what this letter is for. My therapist says that I need to tell my side of things in order to regain my voice. She suggested that addressing my thoughts directly to you might help provide some closure. So far, it hasn't done the trick. Never your Jill, Rachael
Laurie Faria Stolarz (Deadly Little Voices (Touch, #4))
I’d taken everyone I loved and killed them off in my heart, one by one. I’d long been tending their graves—secretly visiting and mourning during the day, going out and erecting a cross on starry nights, lying inside and awaiting my own death on starless nights. That was my Atlantis, the kingdom I’d built in the name of separation. I’d never before unearthed so much of myself, and so suddenly at that. Inside the world of my tomb, everyone else was dead, I alone survived, and that was the reason for my sorrow. It didn’t take long to spot the largest sarcophagus. It was the one in which Shui Ling had been entombed, and across the front, it read: This woman is madly in love with me. And then reality finally hit me. I had my old schema (which offered a peephole, really) to blame for my decision to leave this woman, to kill her and preserve her body in this sarcophagus, where she’d stay mine forever. I’d evaded the perils of real relationships and robbed her of the ability to change with time. These two prospects had given rise to “my deep-rooted fear of a real separation, which in turn yielded the avoidant mentality that had only hastened it.
Qiu Miaojin (Notes of a Crocodile)
I visited Anna’s grave to give her a piece of my mind for ever believing it was better for me to spend those years without her. Then I bent down and kissed the gravestone, making sure she knew I understood the decision she ultimately made.
Penelope Ward (Park Avenue Player (A Series of Standalone Novels))
Are you lonely?" Jonathan asks. How could I tell him that my loneliness was crushing? How it felt awful to be lonely but not know how to reach out to people and fill the time I always had too much of? It wasn't that I didn't enjoy being alone, because I did, and could spend hours on solitary endeavors like reading or going for long walks without ever wishing for human companionship. I could visit the animals at the shelter or write another play for the children to perform. But sometimes I craved the presence of someone else, especially if I could be myself.
Tracey Garvis Graves (The Girl He Used to Know)
Visit the Navy-Yard, and behold a marine, such a man as an American government can make, or such as it can make a man with its black arts, -a mere shadow and reminiscence of humanity, a man laid out alive and standing, and already, as one may say, buried under arms with funeral accompaniments, though it may be, - "Not a drum was heard, not a funeral note, As his corse to the rampart were hurried; Not a soldier discharged his farewell shot, O'er the grave where our hero we buried.
Henry David Thoreau (Civil Disobedience)
So, where are you from?" Agent Carson asked Reyes. "Originally?" I whirled around to face him again, this time pinning him with a warning glare. Carson was an FBI agent, but I was all about stealth. Surely she wouldn't pick up on my silent threat. He studied my mouth, not the least bit worried about my warning glare, then said at last, "Here and there." I relaxed against the seatback. He didn't say hell. Thank God he didn't say hell. It was always hard to explain to friends how, exactly, one's fiance was born and raised in the eternal flames of damnation. How his father was, in fact, public enemy number one. And how he escaped from hell and was born on earth as a human to be with his true love. As romantic as it all sounded, it was difficult to articulate without garnering a visit from men with butterfly nets.
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
A person should be buried only half a meter, or two feet, below the surface. Then a tree should be planted there. He should be buried in a coffin that decays so that when you plant a tree on top the tree will take something out of his substance and change it into tree-substance. When you visit the grave you don’t visit a dead man, you visit a living being who was just transformed into a tree. You say, “This is my grandfather, the tree is growing well, fantastic.” You can develop a beautiful forest that will be more beautiful than a normal forest because the trees will have their roots in graves. It will be a park, a place for pleasure, a place to live, even a place to hunt.
Friedensreich Hundertwasser
My companions said to me, if I would visit the grave of my friend, I might somewhat alleviate my worries. I answered "could she be buried elsewhere than in my heart?
William Jones
I'm not letting anyone lick me, and I'm not looking anyone in the eyes. It's kind of like visiting New York.
Jim Butcher (Grave Peril (The Dresden Files, #3))
My solo three-month hike on the Pacific Crest Trail had many beginnings. There was the first, flip decision to do it, followed by the second, more serious decision to actually do it, and then the long third beginning, composed of weeks of shopping and packing and preparing to do it. There was the quitting my job as a waitress and finalizing my divorce and selling almost everything I owned and saying goodbye to my friends and visiting my mother’s grave one last time.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Pudge/Colonel: "I am sorry that I have not talked to you before. I am not staying for graduation. I leave for Japan tomorrow morning. For a long time, I was mad at you. The way you cut me out of everything hurt me, and so I kept what I knew to myself. But then even after I wasn't mad anymore, I still didn't say anything, and I don't even really know why. Pudge had that kiss, I guess. And I had this secret. You've mostly figured this out, but the truth is that I saw her that night, I'd stayed up late with Lara and some people, and then I was falling asleep and I heard her crying outside my back window. It was like 3:15 that morning, maybe, amd I walked out there and saw her walking through the soccer field. I tried to talk to her, but she was in a hurry. She told me that her mother was dead eight years that day, and that she always put flowers on her mother's grave on the anniversary but she forgot that year. She was out there looking for flowers, but it was too early-too wintry. That's how I knew about January 10. I still have no idea whether it was suicide. She was so sad, and I didn't know what to say or do. I think she counted on me to be the one person who would always say and do the right things to help her, but I couldn"t. I just thought she was looking for flowers. I didn't know she was going to go. She was drunk just trashed drunk, and I really didn't think she would drive or anything. I thought she would just cry herself to sleep and then drive to visit her mom the next day or something. She walked away, and then I heard a car start. I don't know what I was thinking. So I let her go too. And I'm sorry. I know you loved her. It was hard not to." Takumi
John Green (Looking for Alaska)
My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan
My mother’s family is passionate about visiting and cleaning the graves of their deceased. Once a year, the Peeks and the Nolens would gather to clean the tombstones and plant flowers at the grave sites of their people. Once, in Piedmont, when I was a little boy, I was helping to clean a grave of an ancestor of my grandfather named Jerry Mire Peek. When I asked my cousin Clyde whom this unknown relation was named after, he said, “He was named after the prophet Jerry Mire.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
Todd:I had him! His throat was there beneath my hand. No, I had him! His throat was there and now he'll never come again. Mrs. Lovett: Easy now, hush love hush I keep telling you, Whats your rush? Todd: When? Why did I wait? You told me to wait - Now he'll never come again. There's a hole in the world like a great black pit And it's filled with people who are filled with shit And the vermin of the world inhabit it. But not for long... They all deserve to die. Tell you why, Mrs. Lovett, tell you why. Because in all of the whole human race Mrs. Lovett, there are two kinds of men and only two There's the one staying put in his proper place And the one with his foot in the other one's face Look at me, Mrs Lovett, look at you. No, we all deserve to die Even you, Mrs Lovett, even I! Because the lives of the wicked should be made brief For the rest of us death will be a relief We all deserve to die. And I'll never see Johanna No I'll never hug my girl to me - finished! Alright! You sir, how about a shave? Come and visit your good friend Sweeney. You sir, too sir? Welcome to the grave. I will have vengenance. I will have salvation. Who sir, you sir? No ones in the chair, Come on! Come on! Sweeney's. waiting. I want you bleeders. You sir! Anybody! Gentlemen now don't be shy! Not one man, no, nor ten men. Nor a hundred can assuage me. I will have you! And I will get him back even as he gloats In the meantime I'll practice on less honorable throats. And my Lucy lies in ashes And I'll never see my girl again. But the work waits! I'm alive at last! And I'm full of joy! ps. love the movie the performance that Johnny Depp did was amazing and he sang amazing.
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
The hearth is desolate. The children, the unconscious children, who once sang and danced in her presence, are gone. She gropes her way, in the darkness of age, for a drink of water. Instead of the voices of her children, she hears by day the moans of the dove, and by night the screams of the hideous owl. All is gloom. The grave is at the door. And now, when weighed down by the pains and aches of old age, when the head inclines to the feet, when the beginning and ending of human existence meet, and helpless infancy and painful old age combine together—at this time, this most needful time, the time for the exercise of that tenderness and affection which children only can exercise towards a declining parent—my poor old grandmother, the devoted mother of twelve children, is left all alone, in yonder little hut, before a few dim embers. She stands—she sits—she staggers—she falls—she groans—she dies—and there are none of her children or grandchildren present, to wipe from her wrinkled brow the cold sweat of death, or to place beneath the sod her fallen remains. Will not a righteous God visit for these things?
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Not long ago, after my last trip to Russia, I had a conversation with an American very eminent in the field of politics. I asked what he read, and he replied that he studied history, sociology, politics and law. "How about fiction - novels, plays poetry?" I asked. "No," he said, "I have never had time for them. There's so much else I have to read." I said, "Sir, I have recently visited Russia for the third time and don't know how well I understand Russians; but I do know that if I only read Russian history I could not have had the access to Russian thinking I have had from reading Dostoevsky, Tolstoy, Chekhov, Pushkin, Turgenev, Sholokhov, and Ehrenburg. History only recounts, with some inaccuracy, what they did. The fiction tells, or tries to tell, why they did it and what they felt and were like when they did it." My friend nodded gravely. "I hadn't though of that," he said. "Yes, that might be so; I had always thought of fiction as opposed to fact." But in considering the American past, how poor we would be in information without Huckleberry Fin, An American Tragedy, Winesburg, Ohio, Main Street, The Great Gatsby, and As I Lay Dying.
John Steinbeck (America and Americans)
MOUNT PLAASMOORDE If ever you visit South Africa And do Leave the brilliant beaches of Cape Town for a moment Climb Mount Plaasmoorde Witkruis monument And you’ll see the victims of apartheid White crosses marking a thousand white victims Planted in the earth of a million black victims They lie dissolved in the humus of the soils They were too many to have their own marked graves Too many to build black crosses for And just too hard to forget about Because they make the soil under your feet black
Dauglas Dauglas (Roses in the Rainbow)
I expected to feel only empty and heartbroken after Paul died. It never occurred to me that you could love someone the same way after he was gone, that I would continue to feel such love and gratitude alongside the terrible sorrow, the grief so heavy that at times I shiver and moan under the weight of it. Paul is gone, and I miss him acutely nearly every moment, but I somehow feel I’m still taking part in the life we created together. “Bereavement is not the truncation of married love,” C. S. Lewis wrote, “but one of its regular phases—like the honeymoon. What we want is to live our marriage well and faithfully through that phase too.” Caring for our daughter, nurturing relationships with family, publishing this book, pursuing meaningful work, visiting Paul’s grave, grieving and honoring him, persisting…my love goes on—lives on—in a way I’d never expected.
Paul Kalanithi (When Breath Becomes Air)
Have you forgotten me? by Nancy B. Brewer The bricks I laid or the stitches I sewed. I was the one that made the quilt; a drop of blood still shows from my needle prick. Your wedding day in lace and satin, in a dress once worn by me. I loaned your newborn baby my christening gown, a hint of lavender still preserved. Do you know our cause, the battles we won and the battles we lost? When our soldiers marched home did you shout hooray! Or shed a tear for the fallen sons. What of the fields we plowed, the cotton, the tobacco and the okra, too. There was always room at my table for one more, Fried chicken, apple pie, biscuits and sweet ice tea. A time or two you may have heard our stories politely told. Some of us are famous, recorded on the pages of history. Still, most of us left this world without glory or acknowledgment. We were the first to walk the streets you now call home, Perhaps you have visited my grave and flowers left, but did you hear me cry out to you? Listen, my child, to the voices of your ancestors. Take pride in our accomplishments; find your strength in our suffering. For WE are not just voices in the wind, WE are a living part of YOU!
Nancy B. Brewer (Beyond Sandy Ridge)
Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
Dan, who was writing a book on the radical activity of the twenties and thirties, took the occasion of our trip to ask me about them. The whole thing seems to me so stale that I can't imagine anybody's now wanting to write about it, but we ran over the personalities and I told him a lot of stories. It seemed to me like that grisly museum of the early 1900's that I had had him visit at Niagara Falls: old stuffed two-headed calves, motheaten panthers attacking a stag, dried-up corpses from Indian graves, big bags made of rubber tires in which people had tried to shoot the falls--and around it all-powerful industrial life that no show of resistance could stop, which had ruined the landscape of the river and was crowding out everything else.
Edmund Wilson (Upstate: Records and Recollections of Northern New York)
Who am I trying to fool? I'm well aware that at every stage of history there have been crimes against humanity, and they couldn't have happened without humans to commit them. The crimes that have been visited on my children have been committed, and still are being committed, by young people just like them, by people stirring up their delusions, giving them delusions of grandeur. So why do I imagine that people might improve? Everything going on around us seems to indicate that the values our forebears passed down to us no longer apply. Instead, we have sown the seeds of mistrust, scepticism and resignation, which will grow into a jungle of nihilism and cynicism, a jungle in which you will never find the courage to even mention the names of goodness, truth and common humanity, a corp that is now bearing fruit with remarkable speed. We're obliged to dig our own children's graves, but what's even more shocking is that these crimes are creating a future in which there is no place for truth and human decency. Nobody dare to speak truth anymore. Oh, my poor children ... we are burying you, but you should realize that we are also digging a grave for our future. Can you hear me?
Mahmoud Dowlatabadi (The Colonel)
A being disappeared who was protected by none, dear to none, interesting to none, and who never even attracted to himself the attention of those students of human nature who omit no opportunity of thrusting a pin through a common fly, and examining it under the microscope. A being who bore meekly the jibes of the department, and went to his grave without having done one unusual deed, but to whom, nevertheless, at the close of his life appeared a bright visitant in the form of a cloak, which momentarily cheered his poor life, and upon whom, thereafter, an intolerable misfortune descended, just as it descends upon the mighty of this world!
Nikolai Gogol
And now without redemption all mankind Must have been lost, adjudged to death and hell By doom severe, had not the Son of God, In whom the fullness dwells of love divine, His dearest mediation thus renewed. 'Father, Thy word is passed, man shall find grace; And shall grace not find means, that finds her way, The speediest of Thy winged messengers, To visit all Thy creatures, and to all Comes unprevented, unimplored, unsought, Happy for man, so coming; he her aid Can never seek, once dead in sins and lost; Atonement for himself or offering meet, Indebted and undone, hath none to bring: Behold Me then, Me for him, life for life I offer, on Me let Thine anger fall; Account Me man; I for his sake will leave Thy bosom, and this glory next to Thee Freely put off, and for him lastly die Well pleased, on Me let death wreak all his rage; Under his gloomy power I shall not long Lie vanquished; Thou hast given Me to possess Life in Myself forever, by Thee I live, Though now to death I yield, and am his due All that of Me can die, yet that debt paid, Thou wilt not leave Me in the loathsome grave His prey, nor suffer My unspotted soul Forever with corruption there to dwell; But I shall rise victorious, and subdue My vanquisher, spoiled of his vaunted spoil; Death his death's wound shall then receive, and stoop Inglorious, of his mortal sting disarmed.
John Milton (Paradise Lost and Other Poems)
From my childhood I had heard read, and read the Bible myself. Morning and evening the sacred volume was opened and prayers were said. The Bible was my first history, the Jews were the first people, and the events narrated by Moses and the other inspired writers, and those predicted by prophets were the all important things. In other books were found the thoughts and dreams of men, but in the Bible were the sacred truths of God. Yet in spite of my surroundings, of my education, I had no love for God. He was so saving of mercy, so extravagant in murder, so anxious to kill, so ready to assassinate, that I hated him with all my heart. At his command, babes were butchered, women violated, and the white hair of trembling age stained with blood. This God visited the people with pestilence -- filled the houses and covered the streets with the dying and the dead -- saw babes starving on the empty breasts of pallid mothers, heard the sobs, saw the tears, the sunken cheeks, the sightless eyes, the new made graves, and remained as pitiless as the pestilence. This God withheld the rain -- caused the famine, saw the fierce eyes of hunger -- the wasted forms, the white lips, saw mothers eating babes, and remained ferocious as famine.
Robert G. Ingersoll
Whoever has been poor and lonely himself understands other poor and lonely people all the better. At least we should learn to understand our fellow beings, for we are powerless to stop their misery, their ignominy, their suffering, their weakness, and their death. One day Frau Wilke whispered, as she stretched out her hand and arm to me: "Hold my hand. It's like ice." I took her poor, old, thin hand in mine. It was cold as ice. Frau Wilke crept about her home now like a ghost. Nobody visited her. For days she sat alone in her unheated room. To be alone: icy, iron terror, foretaste of the grave, forerunner of unpitying death. Oh, whoever has been himself alone can never find another's loneliness strange. I began to realize that Frau Wilke had nothing to eat. The lady who owned the house, and later took Frau Wilke's rooms, allowing me to stay in mine, brought, of course in pity for her forsaken state, every midday and evening a cup of broth, but not for long, and so Frau Wilke faded away. She lay there, no longer moving: and soon she was taken to the city hospital, where, after three days, she died. One afternoon soon after her death, I entered her empty room, into which the good evening sun was shining, gladdening it with rose-bright, gay and soft colors. There I saw on the bed the things which the poor lady had till recently worn.... The strange sight of them made me unspeakably sad, and my peculiar state of mind made it seem to me almost that I had died myself, and life in all its fullness, which had often appeared so huge and beautiful, was thin and poor to the point of breaking. All things past, all things vanishing away, were more close to me than ever. For a long time I looked at Frau Wilke's possessions, which now had lost their mistress and lost all purpose, and at the golden room, gloried by the smile of the evening sun, while I stood there motionless, not understanding anything anymore.
Robert Walser (Berlin Stories)
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Of course, the cadavers, in life, donated themselves freely to this fate, and the language surrounding the bodies in front of us soon changed to reflect that fact. We were instructed to no longer call them “cadavers”; “donors” was the preferred term. And yes, the transgressive element of dissection had certainly decreased from the bad old days. (Students no longer had to bring their own bodies, for starters, as they did in the nineteenth century. And medical schools had discontinued their support of the practice of robbing graves to procure cadavers—that looting itself a vast improvement over murder, a means once common enough to warrant its own verb: burke, which the OED defines as “to kill secretly by suffocation or strangulation, or for the purpose of selling the victim’s body for dissection.”) Yet the best-informed people—doctors—almost never donated their bodies. How informed were the donors, then? As one anatomy professor put it to me, “You wouldn’t tell a patient the gory details of a surgery if that would make them not consent.” Even if donors were informed enough—and they might well have been, notwithstanding one anatomy professor’s hedging—it wasn’t so much the thought of being dissected that galled. It was the thought of your mother, your father, your grandparents being hacked to pieces by wisecracking twenty-two-year-old medical students. Every time I read the pre-lab and saw a term like “bone saw,” I wondered if this would be the session in which I finally vomited. Yet I was rarely troubled in lab, even when I found that the “bone saw” in question was nothing more than a common, rusty wood saw. The closest I ever came to vomiting was nowhere near the lab but on a visit to my grandmother’s grave in New York, on the twentieth anniversary of her death. I found myself doubled over, almost crying, and apologizing—not to my cadaver but to my cadaver’s grandchildren. In the midst of our lab, in fact, a son requested his mother’s half-dissected body back. Yes, she had consented, but he couldn’t live with that. I knew I’d do the same. (The remains were returned.) In
Paul Kalanithi (When Breath Becomes Air)
I asked her to tell me what the best moment of her life had been Did she? Yes, she told me about a trip the two of you had taken to Europe together right after you graduated from high school. Pascal in Paris, it had been a dream of hers to visit Pascal’s grave. On that trip she finally did. I’d never seen her so excited. That wasn’t it. It wasn’t? No, it was in a hostel in Venice. The two of you had been travelling for a couple of weeks and all of your clothes were filthy. You didn’t mind the dirty clothes very much. Lila said you were able to roll with the punches and for you, everything about the trip, even the dirty laundry, was a great adventure. But Lila liked things a certain way, and she hated being dirty. That day she had gone off in search of a laundry mat but hadn’t been able to find one. You were sleeping in a room with a dozen bunks, women and men together. In the middle of the night Lila woke up and realized you weren’t in your bed. She thought you must have gone to the bathroom, but after a couple minutes when you hadn’t returned she became worried. She climbed down from her bunk and went to the bathroom to find you, you weren’t there. She wondered up and down the hallway softly calling your name. A few of the rooms were private and had the doors closed. As she became increasingly worried she began putting her ear to those doors listening for you. Then she heard banging down below. Alarmed she went down the dark stairwell to the basement. She saw you before you saw her. You were working in the dim light of a single blub standing over an old hand operated washing machine. She asked what you were doing, what does it look like you said smiling. What Lila remembered from that night was that you actually looked happy to be standing there in the cold basement in the middle of the night washing clothes by hand. And she knew you wouldn’t have minded wearing dirty clothes for another week or two, you were doing it for her. She said that. Yes when I asked her what the best moment of her life had been she had told me that story. But it was nothing. To her it was.
Michelle Richmond (No One You Know)
...The gulag—with its millions of victims, if you listen to Solzehnitsyn and Sakharov—supposedly existed in the Soviet Union right down to the very last days of communism. If so—as I've asked before—where did it disappear to? That is, when the communist states were overthrown, where were the millions of stricken victims pouring out of the internment camps with their tales of torment? I'm not saying they don't exist; I'm just asking, where are they? One of the last remaining camps, Perm-35—visited in 1989 and again in '90 by Western observers—held only a few dozen prisoners, some of whom were outright spies, as reported in the Washington Post. Others were refuseniks who tried to flee the country. The inmates complained about poor-quality food, the bitter cold, occasional mistreatment by guards. I should point out that these labor camps were that: they were work camps. They weren't death camps that you had under Nazism where there was a systematic extermination of the people in the camps. So there was a relatively high survival rate. The visitors also noted that throughout the 1980s, hundreds of political prisoners had been released from the various camps, but hundreds are not millions. Even with the great fall that took place after Stalin, under Khrushchev, when most of the camps were closed down...there was no sign of millions pouring back into Soviet life—the numbers released were in the thousands. Why—where are the victims? Why no uncovering of mass graves? No Nuremburg-style public trials of communist leaders, documenting the widespread atrocities against these millions—or hundreds of millions, if we want to believe our friend at the Claremont Institute. Surely the new...anti-communist rulers in eastern Europe and Russia would have leaped at the opportunity to put these people on trial. And the best that the West Germans could do was to charge East German leader Erich Honecker and seven of his border guards with shooting persons who tried to escape over the Berlin Wall. It's a serious enough crime, that is, but it's hardly a gulag. In 1955[sic], the former secretary of the Prague communist party was sentenced to two and a half years in prison. 'Ah, a gulag criminal!' No, it was for ordering police to use tear gas and water cannons against demonstrators in 1988. Is this the best example of bloodthirsty communist repression that the capitalist restorationists could find in Czechoslovakia? An action that doesn't even qualify as a crime in most Western nations—water cannons and tear gas! Are they kidding? No one should deny that crimes were committed, but perhaps most of the gulag millions existed less in reality and more in the buckets of anti-communist propaganda that were poured over our heads for decades.
Michael Parenti
To the Highland Girl of Inversneyde SWEET Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray rocks, this household lawn, These trees—a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode; In truth together ye do seem Like something fashion’d in a dream; Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature! in the light Of common day, so heavenly bright I bless Thee, Vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers: And yet my eyes are fill’d with tears. With earnest feeling I shall pray For thee when I am far away; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter’d, like a random seed, Remote from men, Thou dost not need The embarrass’d look of shy distress, And maidenly shamefacédness: Thou wear’st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread, Soft smiles, by human kindness bred; And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook’d, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea: and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven! that of its grace Hath led me to this lonely place: Joy have I had; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall; And Thee, the spirit of them all
William Wordsworth