Vintage Quotes

...and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.

She's an old soul with young eyes, a vintage heart, and a beautiful mind.

To 'choose' dogma and faith over doubt and experience is to throw out the ripening vintage and to reach greedily for the Kool-Aid.

Nothing in life is fair. Fair is a dirty word and I'll thank you not to use that language around me.

He made me feel unhinged . . . like he could take me apart and put me back together again and again.

We are born at a given moment, in a given place, and like vintage years of wine, we have the qualities of the year and of the season in which we are born.

Vintage books, old china, antiques; maybe I love old things so much because I feel impermanent myself.

Yeah, okay. You're right. I was having dinner with Zombie Carl the other night. You know, steak, rare, and a bottle of vintage type A. He told me all his secrets, but too bad for you I promised him I wouldn't tell. In exchange I asked him to gather his best undead buddies and stalk me through my friend's yard. And oh, yeah, it was totally fine if they wanted to use me as an all-night-dinner buffet, because having organs is SO last year.

I was watching a collection of vintage '80s cereal commercials when I paused to wonder why cereal manufacturers no longer included toy prizes inside every box. It was a tragedy, in my opinion. Another sign that civilization was going straight down the tubes.

He would reach for me in the middle of the night, nearly every single night, wrapping one of those solid arms around my waist and pulling me in close. So. Close.

I knew a brother drowned himself in wine once. It was a poor vintage, though, and his corpse did not improve it." "You drank the wine?" "It's an awful thing to find a brother dead. You'd have need of a drink as well, Lord Snow.

Feeling - what authentic human fun!

As he gets older, he is given, increasingly, to thinking of his life as a series of retrospectives, assessing each season as it passes as if it’s a vintage of wine, dividing years he’s just lived into historical eras: The Ambitious Years. The Insecure Years. The Glory Years. The Delusional Years. The Hopeful Years.

The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth. There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.

I stood up. It was all too much. I could not even meet my own expectations, and to be asked to deal with all theirs too was suffocating.

In my life long study of human beings, I have found that no matter how hard they try, they have found no way yet to prevent the arrival of Monday morning. And they do try, of course, but Monday always comes, and all the drones have to scuttle back to their dreary workday lives of meaningless toin and suffering.

Popularity is more than looks. It’s not clothes, hair, or even possessions. When we let go of these labels, we see how flimsy and relative they actually are. Real popularity is kindness and acceptance. It is about who you are, and how you treat others.

Her skin smells of vintage books and pale moonlight, exotic things, forbidden loves and rainy nights.

So the final conclusion would surely be that whereas other civilizations have been brought down by attacks of barbarians from without, ours had the unique distinction of training its own destroyers at its own educational institutions, and then providing them with facilities for propagating their destructive ideology far and wide, all at the public expense. Thus did Western Man decide to abolish himself, creating his own boredom out of his own affluence, his own vulnerability out of his own strength, his own impotence out of his own erotomania, himself blowing the trumpet that brought the walls of his own city tumbling down, and having convinced himself that he was too numerous, labored with pill and scalpel and syringe to make himself fewer. Until at last, having educated himself into imbecility, and polluted and drugged himself into stupefaction, he keeled over--a weary, battered old brontosaurus--and became extinct.

... the vintage of history is forever repeating ~ same old vines, same old wines!

Are you suggesting I’m working with the zombies? That I paid them to pretend to attack me so that I’d trick you into letting me join you?”“Did you?” Mr. Holland demanded.“Yeah, okay,” I said in a sugar-sweet tone. “You’re right. I was having dinner with Zombie Carl the other night. You know, steaks, rare, and a bottle of vintage type A. He told me all his secrets, but too bad for you I promised him I wouldn’t tell. In exchange I asked him to gather his best undead buddies and stalk me through my friend’s yard. And oh, yeah, it was totally fine if they wanted to use me as an all-night dinner buffet, because having organs is so last season.

Lines don’t make beautiful women less beautiful

I don't think that science and the paranormal have to be at war; in fact, it's crucial that they work together. It seems naïve to believe that the world is exactly as it seems.

No popularity exists when tragedy strikes. All that's left are human hearts and love and ache. We all love each other, deep down, and when we see another soul in pain we can't help but hurt too.

I've no idea when I'm going to wear it, the girl replied calmly. I only knew that I had to have it. Once I tried it on, well... She shrugged. The dress claimed me.

I would never have broken up with you," I said earnestly. "I'm more miserable without you than I am with you." As soon as that sentence came out I groaned, because I knew how bad it sounded. But Declan laughed. "Vintage Simon Murray comment.

This is the time to remember that I’m the protagonist in my own story, facing every challenge with grace and wit.

Rectory always sounded to me like a place you would find a proctologist.

But now she loved winter. Winter was beautiful "up back" - almost intolerably beautiful. Days of clear brilliance. Evenings that were like cups of glamour - the purest vintage of winter's wine. Nights with their fire of stars. Cold, exquisite winter sunrises. Lovely ferns of ice all over the windows of the Blue Castle. Moonlight on birches in a silver thaw. Ragged shadows on windy evenings - torn, twisted, fantastic shadows. Great silences, austere and searching. Jewelled, barbaric hills. The sun suddenly breaking through grey clouds over long, white Mistawis. Ice-grey twilights, broken by snow-squalls, when their cosy living-room, with its goblins of firelight and inscrutable cats, seemed cosier than ever. Every hour brought a new revalation and wonder.

The longer I lived, the longer it would be until I saw him alive again, until I could taste his new lips and run my fingers through his new hair. We could be young and beautiful again . . .

I'm not Barbara Gordon. I have to keep remembering that. Tonight, I'm not Barbara. Tonight, I'm not the Police Commissioner's daughter. Tonight, I'm the one who pored over the details of the confidential police and reports when her dad wasn't looking. I'm the one who recognized the vintage costumes you wear. Tonight? Tonight, I'm Batgirl.

Is your blouse Azzedine Alaia?' 'No, you could say it's VERY authentic vintage.' Lachlain didn't care what it was; she'd never wear that damned unfinished shirt in public again.

While in a vintage restaurant..."the past isn't quaint while you're in it. Only at a safe distance, later, when you see it as decor, not as the shape your life's been squeezed into.

I can’t think of anything more depressing than to be an Egyptian high priest on display next to a set of vintage wagon wheels and a two-headed chicken.

What I really love about them... is the fact that they contain someone's personal history...I find myself wondering about their lives. I can never look at a garment... without thinking about the woman who owned it. How old was she? Did she work? Was she married? Was she happy?... I look at these exquisite shoes, and I imagine the woman who owned them rising out of them or kissing someone...I look at a little hat like this, I lift up the veil, and I try to imagine the face beneath it... When you buy a piece of vintage clothing you're not just buying the fabric and thread - you're buying a piece of someone's past.

Adolescence is the same tragedy being performed again and again. The only things that change are the stage props.

When we can't understand the science behind something in this world, we make up mythological entities that we can relate to. We personify the forces of nature that mystify us, using our boundless imaginations to comfort us and make us feel like we have some control over these things that are much bigger than we are.

What is the price of Experience? Do men buy it for a song? Or wisdom for a dance in the street? No, it is bought with the price Of all that a man hath, his house, his wife, his children Wisdom is sold in the desolate market where none come to buy And in the wither'd field where the farmer ploughs for bread in vain It is an easy thing to triumph in the summer's sun And in the vintage and to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the homeless wanderer To listen to the hungry raven's cry in wintry season When the red blood is fill'd with wine and with the marrow of lambs

You can't trust a guy showing off more cleavage than you.

Of course I am grateful, and I'm sure you are, as you put it, a special vintage," Bill said politely, "But I have my own wine cellar.

God, I’m tired.” “So sleep.” Gansey gave him a look. It was a look that asked how Ronan, of all people, could be so stupid to think that sleep was just a thing that could be so easily acquired. Ronan said, “So let’s drive to the Barns.” Gansey gave him another look. It was a look that asked how Ronan, of all people, could be so stupid as to think that Gansey would agree to something so illegal on so little sleep. Ronan said, “So let’s go get some orange juice.” Gansey considered. He looked to where his keys sat on the desk beside his mint plant. The clock beside it, a repellently ugly vintage number Gansey had found lying by a bin at the dump, said 3:32. Gansey said, “Okay.” They went and got some orange juice.

She swallowed his blood, a dark vintage from some forgotten cellar. She felt like Persephone in Hades, pomegranate seeds bursting against her teeth, juice rolling on her tongue, and the more she had, the more she hungered.

In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.

My mother, who would always buy her books new, hated it the vintage hardcovers with their cracked spines and threadbare cloth covers. True you couldn't go in there and buy the latest best seller, but when you held one of those volumes in your hands, you were leafing through another person'a life. Someone else had once loved that story, too. Someone else had carried that book in a backpack, devoured it over breakfast, mopped up that coffee stain at a Paris café, cried herself to sleep after that last chapter. The scent was distinctive: a slight damp mildew, a punch of dust. To me, it was the smell of history.

Tabitha was always trying unorthodox ways to set her up with guys. Although, to be fair to her sister, Tabitha didn't usually knock the guy unconscious before she forced them together. Still, with Tabitha there was a first time for just about anything. And extreme blind-dating was very vintage T.

Whichever wine was within, it was decidedly not identical to its neighbors. On the contrary, the contents of the bottle in his hand was the product of a history as unique and complex as that of a nation, or a man. In its color, aroma, and taste, it would certainly express the idiosyncratic geology and prevailing climate of its home terrain. But in addition, it would express all the natural phenomena of its vintage. In a sip, it would evoke the timing of that winter's thaw, the extent of that summer's rain, the prevailing winds, and the frequency of clouds. Yes, a bottle of wine was the ultimate distillation of time and place; a poetic expression of individuality itself.

Well …” He leans across the basket to place the necklace over my head. It falls in line atop my key. He drags my hair free, smoothing the strands to cover both chains. “I thought this could be symbolic. It’s made of the same kind of metal, looks vintage like the key. Together, they prove what I’ve always known. Even when we used to come here as kids.” “And what’s that?” I watch him, intrigued by how the tunnel’s opening tints one side of his smooth complexion with bluish light. “That only you have the key to open my heart.

His hand dove beneath my seat and surfaced with the sawed-off vintage Lupara. "I distinctly remember telling you not to bring that thing," I complained. "Felt like you were daring me.

Sometimes the wind along the Pacific shore blows so hard it steals your breath before you can inhale it.

Black and white, oldest of the vintages, newest of the last season.

Hatred is always a sin, my mother told me. Remember that. One drop of hatred in your soul will spread and discolor everything like a drop of black ink in white milk. I was struck by that and meant to try it, but knew I shouldn’t waste the milk.

No duties. I don’t have to be profound. I don’t have to be artistically perfect. Or sublime. Or edifying. I just wander. I say: ‘You were running, That’s fine. It was the thing to do.’ And now the music of the worlds transforms me. My planet enters a different house. Trees and lawns become more distinct. Philosophies one after another go out. Everything is lighter yet not less odd. Sauces, wine vintages, dishes of meat. We talk a little of district fairs, Of travels in a covered wagon with a cloud of dust behind, Of how rivers once were, what the scent of calamus is. That’s better than examining one’s private dreams. And meanwhile it has arrived. It’s here, invisible. Who can guess how it got here, everywhere. Let others take care of it. Time for me to play hooky. Buena notte. Ciao. Farewell.

I like to lie sometimes. You should know that about me.

I've come to see our central nervous system as a kind of vintage switchboard, all thick foam wires and old-fashioned plugs. The circuitry isn't properly equipped; after a surplus of emotional information the system overloads, the circuit breaks, the board runs dark. That's what shock is.

I'm trying to abandon the present, but I don't even have the skills to master the past.

We are the culture. All those people that are doing those dumb TV things and promoting hate…that’s the ‘counter’culture.

The Snow Man" One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves, Which is the sound of the land Full of the same wind That is blowing in the same bare place For the listener, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is. Wallace Stevens, The Collected Poems of Wallace Stevens. (Vintage; Reissue edition February 19, 1990)

I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed.

People laugh because they're nervous, or to cover up tension, or to flirt, or because there's some instant applause meter in their head telling them that it's the socially acceptable thing to do. Genuine laughter, I don't even think that happens daily.

Life isn't a vintage film," Christopher said. When he saw my confused face he explained. "Things aren't always black-and-white.

We are now ready to tackle Dickens. We are now ready to embrace Dickens. We are now ready to bask in Dickens. In our dealings with Jane Austen we had to make a certain effort to join the ladies in the drawing room. In the case of Dickens we remain at table with our tawny port. With Dickens we expand. It seems to me that Jane Austen's fiction had been a charming re-arrangement of old-fashioned values. In the case of Dickens, the values are new. Modern authors still get drunk on his vintage. Here, there is no problem of approach as with Austen, no courtship, no dallying. We just surrender ourselves to Dickens' voice--that is all. If it were possible I would like to devote fifty minutes of every class meeting to mute meditation, concentration, and admiration of Dickens. However my job is to direct and rationalize those meditations, that admiration. All we have to do when reading Bleak House is to relax and let our spines take over. Although we read with our minds, the seat of artistic delight is between the shoulder-blades. That little shiver behind is quite certainly the highest form of emotion that humanity has attained when evolving pure art and pure science. Let us worship the spine and its tingle. Let us be proud of being vertebrates, for we are vertebrates tipped at the head with a divine flame. The brain only continues the spine, the wick really runs through the whole length of the candle. If we are not capable of enjoying that shiver, if we cannot enjoy literature, then let us give up the whole thing and concentrate on our comics, our videos, our books-of-the-week. But I think Dickens will prove stronger.

Everything is blowing up around us, but there are still those who care about a broken lock, and others who are dutiful enough to try to fix it … But maybe that’s the way it should be. Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.

The Difference Between a good artist And a great one Is: The novice Will often lay down his tool Or brush Then pick up an invisible club On the mind’s table And helplessly smash the easels and Jade. Whereas the vintage man No longer hurts himself or anyone And keeps on Sculpting Light.

STAY CLOSE TO THE CHEESE.

You are but a tiny cluster upon the vines of heaven, where the grapes are worlds; yet you hold the power to ripen your bitter berries and add to the eternal vintage of cosmic sweetness if so you will.

The literal mind is baffled by the ironic one, demanding explanations that only intensify the joke. A vintage example, and one that really did occur, is that of P.G. Wodehouse, captured by accident during the German invasion of France in 1940. Josef Goebbels’s propaganda bureaucrats asked him to broadcast on Berlin radio, which he incautiously agreed to do, and his first transmission began: Young men starting out in life often ask me—“How do you become an internee?” Well, there are various ways. My own method was to acquire a villa in northern France and wait for the German army to come along. This is probably the simplest plan. You buy the villa and the German army does the rest. Somebody—it would be nice to know who, I hope it was Goebbels—must have vetted this and decided to let it go out as a good advertisement for German broad-mindedness. The “funny” thing is that the broadcast landed Wodehouse in an infinity of trouble with the British authorities, representing a nation that prides itself above all on a sense of humor.

I thought this vintage would suit you. What it lacks in subtlety . . .” He turned back, offering her a glass. “It makes up for in sensuality.” He tapped his glass against hers so the crystal sang, then watched as she sipped. God, what a face, he thought. All those angles and expressions, all that emotion and control. Just now she was fighting off showing both surprise and pleasure as the taste of the wine settled on her tongue. He was looking forward to the moment when the taste of her settled on his.

A timeless classical love story our romance shall be… I'll paint it on vintage canvas cause your love transcends the realms defeats any measure of time and lasts forever. (fragment from "Utopia", chapter Hope)

Time and again I hear how important the darker environment is to those at our vintage-faith worship gathering. Attenders feel they can freely pray in a corner by themselves without feeling that everyone is staring at them.

She was luminous. Her red hair had been braided a dozen ways, all swirled together in a high shaggy twist. Her eyelids were shimmering green, her lips crimson and matte. She wore black vintage ankle-high motorcycle boots. She was lethal.

Betty's lesson is much deeper than I ever expected:I wanted popularity; I wanted other people to like me. But it turns out most people are wanting to be discovered too.

we never choose anything at all. Things happen. Or not

To know the vintage and quality of a wine one need not drink the whole cask. It must be perfectly easy in half an hour to say whether a book is worth anything or worth nothing. Ten minutes are really sufficient, if one has the instinct for form. Who wants to wade through a dull volume? One tastes it, and that is quite enough – more than enough, I should imagine.

​There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And the children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill the certificates - died of malnutrition - because the food must rot, must be forced to rot. ...and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.

Perhaps an eternal law of art is that, for everything discovered, something of value is forgotten.

Our Imperfections Are What Make Us Perfect.

There are people to whom one need not show off. It’s a great comfort sometimes.

You deserve to die," I whisper, suddenly realizing Iv'e said the words aloud. "Excuse me?" "Nothing." "Not nothing. You just told me that I deserve to be maggot feed." "Not maggot feed, just-" "Dead!" "Forget it" "I don't know why I said that. Just daydreaming, I guess." "Daydreaming about my death?" "Forget it", I repeat. "Are you sure you aren't still mad that I wouldn't let you borrow my vintage fishnet leggings?" "More like I didn't want to borrow them,

All my favorite establishments were either overly crowded or pathetically empty. People either sipped fine vintages in celebration or gulped intoxicants of who cares what kind, drowning themselves in a lack of moderation, raising a glass to lower inhibitions, imbibing spirits to raise their own.

All is finite in the present; and even that finite is infinite in it velocity of flight towards death. But in God there is nothing finite...Upon a night of earthquake he builds a thousand years of pleasant habitations for man. Upon the sorrow of an infant he raises oftentimes from human intellects glorious vintages that could not else have been.

I can appreciate that,” says Henry. He’s adding to the list. I look over his shoulder. Sex Pistols, the Clash, Gang of Four, Buzzcocks, Dead Kennedys, X, the Mekons, the Raincoats, the Dead Boys, New Order, the Smiths, Lora Logic, the Au Pairs, Big Black, Pil, the Pixies, the Breeders, Sonic Youth… Henry, they’re not going to be able to get any of that up here.” He nods, and jots the phone number and address for Vintage Vinyl at the bottom of the sheet. “You do have a record player, right?” My parents have one,” Bobby says. Henry winces. What do you really like?” I ask Jodie. I feel as though she’s fallen out of the conversation during the male bonding ritual Henry and Bobby are conducting. Prince,” she admits. Henry and I let out a big Whoo! And I start singing “1999” as loud as I can, and Henry jumps up and we’re doing a bump and grind across the kitchen. Laura hears us and runs off to put the actual record on and just like that, it’s a dance party.

It was only once I was in the car ... that the only two reasons I hadn't joined right in with the loon with the gray crew cut, beating my head and screaming "Fuck!" in primal syncopation, were (1) I'd be embarrassed and (2) I didn't want to get my cute vintage suit any dirtier than it already was. Performance anxiety and a dry-cleaning bill, those were the only things keeping me from stark raving lunacy.

President Oliver, stop staring at my sister and get on the float before I assassinate your butt!” Ginnie yells.

Here in the corner attic of America, two hours’ drive from a rain forest, a desert, a foreign country, an empty island, a hidden fjord, a raging river, a glacier, and a volcano is a place where the inhabitants sense they can do no better, nor do they want to.

There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.

The larger question for the Northwest, where the cities are barely a hundred years old but contain three-fourths of the population, is whether the wild land can provide work for those who need it as their source of income without being ruined for those who need it as their source of sanity.

I thought Oliver was trying hard before, but now I realize it's quite the opposite-- he doesn't try, he just is, makes up his mind and doesn't check if it's going to work for his image or come off wrong. Since the rest of us are being so self-aware, his presence seems calculated. No one can possibly be that breezy, saying what he thinks, feeling what he feels. I can see why people don't like him for this very reason-- it's so much easier to call him a poser. Because if he's the real deal, then that makes the rest of us fakes.

For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.

Oh, fish sauce! How we missed it, dear Aunt, how nothing tasted right without it, how we longed for the grand cru of Phu Quoc Island and its vats brimming with the finest vintage of pressed anchovies! This pungent liquid condiment of the darkest sepia hue was much denigrated by foreigners for its supposedly horrendous reek, lending new meaning to the phrase "there's something fishy aroud here," for we were the fishy ones. We used fish sauce the way Transylvanian villagers were cloves of garlic to ward off vampires, in our case to establish a perimeter with those Westerners who could never understand that was truly fishy was the nauseating stench of cheese. What was fermented fish compared to curdled milk?

The great correspondent of the seventeenth century Madame de Sevigne counseled, "Take chocolate in order that even the most tireome company seem acceptable to you," which is also sound advice today!

Like seeing roasted meat and other dishes in front of you and suddenly realizing: This is a dead fish. A dead bird. A dead pig. Or that this noble vintage is grape juice, and the purple robes are sheep wool dyed with shellfish blood. Or making love—something rubbing against your penis, a brief seizure and a little cloudy liquid. Perceptions like that—latching onto things and piercing through them, so we see what they really are. That’s what we need to do all the time—all through our lives when things lay claim to our trust—to lay them bare and see how pointless they are, to strip away the legend that encrusts them. Pride is a master of deception: when you think you’re occupied in the weightiest business, that’s when he has you in his spell.

Why was fabulousness important? The world was a scary, sad place and adornment was one of the only ways she knew to make herself and the people around her forget their troubles. That was why she had opened her store almost five years ago. Everyone who entered the little square white house with miniature Corinthian columns, cherub statues, and French windows seemed to leave carrying armloads of newly handmade and well spruced-up recycled vintage clothing, humming sixties girl-group songs, seventies glam and punk, eighties New Wave one-hit wonders, or nineties grunge, doing silly dances, and not caring what anyone thought. Weetzie loved the old dresses she found and sold, because they had their own secret histories. She always wondered where, when, and how they had been worn. What they had seen. Old dresses were like old ladies.

it is obvious that all vices have a grievous effect on those who indulge them and often on others too. But I believe that the one which can transport us with the most unbridled haste into danger is anger. This is nothing other than a sudden thoughtless impulse, provoked by some perceived offence, which banishes reason and clouds the eyes of the mind, rousing the soul to blazing fury.

With technology and everything, compact discs are going to be, like, vintage soon, right? The way vinyl is now. Like, if I ever have kids, they’re going to look at CDs and think, ‘What is this crap, geez, how clunky.’ By then everyone will have the fiftieth edition of iPods—or maybe they’ll just have music downloaded directly into their brains, like with microchips, or something. And I’ll be the old lady in the corner going, ‘Back when I was a kid, we had mix tapes, and floppy disks, and gas didn’t cost twenty bucks a gallon, and oh, yeah, MTV actually played music videos, if you can believe it.’ And they’ll probably say, ‘Oh, Mom, you and your stories, we’re jetting to the oxygen bar, see you later,’ and take off in their flying cars. You know there’ll be flying cars, it’s only a matter of time.

We see the illusion of individual predilection being maintained, for example, in the array of different styles of iPhone cases available to us. We wonder which of the provided range of colourful or sophisticated sheaths best communicates to the world our unique character. Thus we lean towards the wood effect, or the Batman one (ironically sported, of course), or the vintage Union Jack. Meanwhile, it is much harder to honestly ask ourselves whether our lives would be improved were we not to be attached to our devices quite as umbilically, and how much misery they bring us alongside the various conveniences and amusements. Whether we might be more authentically ourselves if, with a pioneering and curious spirit, we occasionally left them at home. It

I don’t understand how, up to now, an atheist could know there is no God and not kill himself at once. To recognize that there is no God, and not to recognize at the same time that you have become God, is an absurdity, otherwise you must necessarily kill yourself. Once you recognize it, you are king, and you will not kill yourself but will live in the chiefest glory. But one, the one who is first, must necessarily kill himself, otherwise who will begin and prove it? It is I who will necessarily kill myself in order to begin and prove it. I am still God against my will, and I am unhappy, because it is my duty to proclaim self-will. Everyone is unhappy, because everyone is afraid to proclaim self-will. That is why man has been so unhappy and poor up to now, because he was afraid to proclaim the chief point of self-will and was self-willed only on the margins, like a schoolboy. I am terribly unhappy, because I am terribly afraid. Fear is man’s curse … But I will proclaim self-will, it is my duty to believe that I do not believe. I will begin, and end, and open the door. And save. Only this one thing will save all men and in the next generation transform them physically; for in the present physical aspect, so far as I have thought, it is in no way possible for man to be without the former God. For three years I have been searching for the attribute of my divinity, and I have found it: the attribute of my divinity is—Self-will! That is all, by which I can show in the main point my insubordination and my new fearsome freedom. For it is very fearsome. I kill myself to show my insubordination and my new fearsome freedom.” Dostoevsky, Fyodor (2010-05-06). Demons (Vintage Classics) (p. 619). Random House, Inc.. Kindle Edition.

I looked above the jeans. Vintage Fugazi concert tee. Green flannel shirt. 10. I looked above the flannel. Two weeks’ worth of shaggy blond beard. Mmm. Country hipster. 11. I looked above the beard. Lips. 12. I looked at the lips. 13. I looked at the lips. 14. I looked at the lips. 15. COME ON. 16. I looked above the lips. 17. I was glad I looked above the lips. 18. The eyes and the hair were a package deal, the hair was falling across his eyes in a careless way that said “Hey, girl. I’ve got peas on my shoes, but who cares, because I’ve got these eyes and this hair, and it’s pretty fucking great.” 19. The hair was the color of tabbouleh. 20. His eyes were the color of . . . 21. Pickles? 22. Green beans? 23. No. Broccoli that had been steamed for exactly sixty seconds. Vibrant. Piercing.

[...] “What were you going to do if he’d refused ?” Jaenelle looked at him and smiled. Butterflies filled his stomach and tickled unmercifully before turning into heavy, sinking stones. “Well,” his darling said, “you have a wonderful deep voice too. So if Papa refused, I was going to ask you.” Saetan walked into the sitting room where he’d asked Geoffrey and Draca, the Keep’s Seneschal, to meet him. “My friends, this bottle of wine arrived this evening, compliments of Prince Sadi. Since it came from the wine cellar at the Hall, I can assure you it is a very fine vintage, one best enjoyed when shared.” He called in three glasses and opened the wine. Draca said nothing until he handed her a glass. “What iss the occassion ?” Saetan grinned. “My son has just realized how much his father loves him.

There are some people who say they’re able to ‘compartmentalize’ things, as though it is possible to put negative or distressing thoughts into neat mental drawers to be taken out only at a psychologically convenient time. It’s a beguiling idea, but I’ve never bought it. In my experience, sadness and regret seek into one’s consciousness willy-nilly, or they suddenly leap out at you with a snarl. The only real remedy is time…

An extreme representative of this view is Ted Kaczynski, infamously known as the Unabomber. Kaczynski was a child prodigy who enrolled at Harvard at 16. He went on to get a PhD in math and become a professor at UC Berkeley. But you’ve only ever heard of him because of the 17-year terror campaign he waged with pipe bombs against professors, technologists, and businesspeople. In late 1995, the authorities didn’t know who or where the Unabomber was. The biggest clue was a 35,000-word manifesto that Kaczynski had written and anonymously mailed to the press. The FBI asked some prominent newspapers to publish it, hoping for a break in the case. It worked: Kaczynski’s brother recognized his writing style and turned him in. You might expect that writing style to have shown obvious signs of insanity, but the manifesto is eerily cogent. Kaczynski claimed that in order to be happy, every individual “needs to have goals whose attainment requires effort, and needs to succeed in attaining at least some of his goals.” He divided human goals into three groups: 1. Goals that can be satisfied with minimal effort; 2. Goals that can be satisfied with serious effort; and 3. Goals that cannot be satisfied, no matter how much effort one makes. This is the classic trichotomy of the easy, the hard, and the impossible. Kaczynski argued that modern people are depressed because all the world’s hard problems have already been solved. What’s left to do is either easy or impossible, and pursuing those tasks is deeply unsatisfying. What you can do, even a child can do; what you can’t do, even Einstein couldn’t have done. So Kaczynski’s idea was to destroy existing institutions, get rid of all technology, and let people start over and work on hard problems anew. Kaczynski’s methods were crazy, but his loss of faith in the technological frontier is all around us. Consider the trivial but revealing hallmarks of urban hipsterdom: faux vintage photography, the handlebar mustache, and vinyl record players all hark back to an earlier time when people were still optimistic about the future. If everything worth doing has already been done, you may as well feign an allergy to achievement and become a barista.