Vintage Look Quotes

Popularity is more than looks. It’s not clothes, hair, or even possessions. When we let go of these labels, we see how flimsy and relative they actually are. Real popularity is kindness and acceptance. It is about who you are, and how you treat others.

Well …” He leans across the basket to place the necklace over my head. It falls in line atop my key. He drags my hair free, smoothing the strands to cover both chains. “I thought this could be symbolic. It’s made of the same kind of metal, looks vintage like the key. Together, they prove what I’ve always known. Even when we used to come here as kids.” “And what’s that?” I watch him, intrigued by how the tunnel’s opening tints one side of his smooth complexion with bluish light. “That only you have the key to open my heart.

I'm not Barbara Gordon. I have to keep remembering that. Tonight, I'm not Barbara. Tonight, I'm not the Police Commissioner's daughter. Tonight, I'm the one who pored over the details of the confidential police and reports when her dad wasn't looking. I'm the one who recognized the vintage costumes you wear. Tonight? Tonight, I'm Batgirl.

What I really love about them... is the fact that they contain someone's personal history...I find myself wondering about their lives. I can never look at a garment... without thinking about the woman who owned it. How old was she? Did she work? Was she married? Was she happy?... I look at these exquisite shoes, and I imagine the woman who owned them rising out of them or kissing someone...I look at a little hat like this, I lift up the veil, and I try to imagine the face beneath it... When you buy a piece of vintage clothing you're not just buying the fabric and thread - you're buying a piece of someone's past.

God, I’m tired.” “So sleep.” Gansey gave him a look. It was a look that asked how Ronan, of all people, could be so stupid to think that sleep was just a thing that could be so easily acquired. Ronan said, “So let’s drive to the Barns.” Gansey gave him another look. It was a look that asked how Ronan, of all people, could be so stupid as to think that Gansey would agree to something so illegal on so little sleep. Ronan said, “So let’s go get some orange juice.” Gansey considered. He looked to where his keys sat on the desk beside his mint plant. The clock beside it, a repellently ugly vintage number Gansey had found lying by a bin at the dump, said 3:32. Gansey said, “Okay.” They went and got some orange juice.

He looks expensive. In a vintage way. He has a good smile. It's kind of crooked.

I thought this vintage would suit you. What it lacks in subtlety . . .” He turned back, offering her a glass. “It makes up for in sensuality.” He tapped his glass against hers so the crystal sang, then watched as she sipped. God, what a face, he thought. All those angles and expressions, all that emotion and control. Just now she was fighting off showing both surprise and pleasure as the taste of the wine settled on her tongue. He was looking forward to the moment when the taste of her settled on his.

I can appreciate that,” says Henry. He’s adding to the list. I look over his shoulder. Sex Pistols, the Clash, Gang of Four, Buzzcocks, Dead Kennedys, X, the Mekons, the Raincoats, the Dead Boys, New Order, the Smiths, Lora Logic, the Au Pairs, Big Black, Pil, the Pixies, the Breeders, Sonic Youth… Henry, they’re not going to be able to get any of that up here.” He nods, and jots the phone number and address for Vintage Vinyl at the bottom of the sheet. “You do have a record player, right?” My parents have one,” Bobby says. Henry winces. What do you really like?” I ask Jodie. I feel as though she’s fallen out of the conversation during the male bonding ritual Henry and Bobby are conducting. Prince,” she admits. Henry and I let out a big Whoo! And I start singing “1999” as loud as I can, and Henry jumps up and we’re doing a bump and grind across the kitchen. Laura hears us and runs off to put the actual record on and just like that, it’s a dance party.

He turns toward the voice. It is as though the darkness itself has spoken. But when he looks closer he can make her out - the very pale blonde hair first, gleaming in what little light there is, then the shimmering stuff of her dress.

You may be outnumbered by your problems and facing hopeless circumstances, but God has a divine plan to bring you into restoration - and you don’t have to suffer any casualties.

Recent generations seem to consider ‘old-fashioned’ thinking as out-dated and without place in the modern world. I beg to differ. After all, who has greater faith? He who looks to and learns from the past, or the man who cares not for consequence?

With technology and everything, compact discs are going to be, like, vintage soon, right? The way vinyl is now. Like, if I ever have kids, they’re going to look at CDs and think, ‘What is this crap, geez, how clunky.’ By then everyone will have the fiftieth edition of iPods—or maybe they’ll just have music downloaded directly into their brains, like with microchips, or something. And I’ll be the old lady in the corner going, ‘Back when I was a kid, we had mix tapes, and floppy disks, and gas didn’t cost twenty bucks a gallon, and oh, yeah, MTV actually played music videos, if you can believe it.’ And they’ll probably say, ‘Oh, Mom, you and your stories, we’re jetting to the oxygen bar, see you later,’ and take off in their flying cars. You know there’ll be flying cars, it’s only a matter of time.

You might have said that his look was thoughtful until you realized that he was not a thoughtful man. It was the earnest and contained look of those who are a little hard of hearing or a little stupid.

I like how grocery stores play music while I'm shopping. Vintage pop really makes me want to pay full price and avoid looking for discounts. I need to implement that financial psychology here on my duck farm.

A special kind of hunger. And what might that be? I can present it here in the form of a cinematic image. One, I am in a little boat, floating on a quiet sea. Two, I look down, and in the water I see the peak of a volcano thrusting up from the ocean floor. Three, the peak seems pretty close to the water’s surface, but just how close I cannot tell. Four, this is because the hypertransparency of the water interferes with the perception of distance.

I looked above the jeans. Vintage Fugazi concert tee. Green flannel shirt. 10. I looked above the flannel. Two weeks’ worth of shaggy blond beard. Mmm. Country hipster. 11. I looked above the beard. Lips. 12. I looked at the lips. 13. I looked at the lips. 14. I looked at the lips. 15. COME ON. 16. I looked above the lips. 17. I was glad I looked above the lips. 18. The eyes and the hair were a package deal, the hair was falling across his eyes in a careless way that said “Hey, girl. I’ve got peas on my shoes, but who cares, because I’ve got these eyes and this hair, and it’s pretty fucking great.” 19. The hair was the color of tabbouleh. 20. His eyes were the color of . . . 21. Pickles? 22. Green beans? 23. No. Broccoli that had been steamed for exactly sixty seconds. Vibrant. Piercing.

[...] “What were you going to do if he’d refused ?” Jaenelle looked at him and smiled. Butterflies filled his stomach and tickled unmercifully before turning into heavy, sinking stones. “Well,” his darling said, “you have a wonderful deep voice too. So if Papa refused, I was going to ask you.” Saetan walked into the sitting room where he’d asked Geoffrey and Draca, the Keep’s Seneschal, to meet him. “My friends, this bottle of wine arrived this evening, compliments of Prince Sadi. Since it came from the wine cellar at the Hall, I can assure you it is a very fine vintage, one best enjoyed when shared.” He called in three glasses and opened the wine. Draca said nothing until he handed her a glass. “What iss the occassion ?” Saetan grinned. “My son has just realized how much his father loves him.

I wore only black socks, because I had heard that white ones were the classic sign of the American tourist. Black ones though,- those'll fool 'em. I supposed I hoped the European locals' conversation would go something like this: PIERRE: Ha! Look at that tourist with his camera and guidebook! JACQUES: Wait, but observe his socks! They are...black! PIERRE: Zut alors! You are correct! He is one of us! What a fool I am! Let us go speak to him in English and invite him to lunch!

Because I like being around you.” He’s still looking out the window, and I wonder if he’s focusing on one object when he says this and what that object is. “I probably shouldn’t, but I do. And I can’t say why. I mean, I can think of a bunch of reasons why.” Like? Like? “But given … the obvious roadblock, I’m not sure how much we can get to know each other.” He rushes on. “As people, because you’re an interesting person and I value that in friendship. That’s seriously what I’m after, not that I’m after you and I’m not talking about, you know, ‘knowing’ each other. Like in a biblical way or anything, although you’re obviously pretty. I mean, very pretty and totally worth knowing both ways … Okay, shut it, Oliver. Shut it.

He gave me a look of great contempt; as I supposed, for venturing, even by implication, to draw a parallel between a lack of affluence that might, literally, affect my purchase of rare vintages, and a figure of speech intended delicately to convey his own dire want for the bare necessities of life. He remained silent for several seconds, as if trying to make up his mind whether he could ever bring himself to speak to me again; and then said gruffly: 'I've got to go now.

All the benefit that a New Yorker gets out of Kansas is no more than what he might get out of Saskatchewan, the Argentine pampas, of Siberia. But New York to a Kansan is not only a place where he may get drunk, look at dirty shows and buy bogus antiques; it is also a place where he may enforce his dunghill ideas upon his betters.

I’m now selling Duck-Soup Popsicles in vintage meatloaf colors. The flavor of 1991 has never looked so good while camping. Just ask Bigfoot.

It is only when we look at the past and take from it the element of uncertainty that we can enjoy perfect peace.

It’s time to agree with what your Father God says in His Word and no longer put up with a lifestyle of just getting by.

If you and your family are not where you think you should be, you need to be open for God’s Spirit to point out the things that may be hindering your ability to advance.

It’s one thing to tell your children about God, but when they experience God in their life and witness faith in action, it’s the most life-changing experience available.

As parents, we have been entrusted with such a precious prize: the lives of eternal souls.

There is no greater reward in this life than having your family together, loving one another, and serving God.

That bitch should not be in a club like this. As if her language is not enough indication, there is also the matter of her Hot Topic mallrat outfit: short black leather skirt with buckles up the side, mass-produced “vintage” Ramones T-shirt, and piss-yellow leggings with some horrible pair of pink patent-leather shoes. She looks like a neon sign bumblebee by way of early Debbie Harry rip-off.

First, we must learn how to simplify and focus on what really matters. Second, we must understand how to build on the right foundation, with principles that work. We must build our families on timeless truths.

The culture is in a pivotal season of decision between throwing the family model out altogether, or fighting to get back to ground zero...the vintage family, refashioned and repurposed, by reclaiming its origin.

Don't let parenting become religious. Don't keep the amazing panorama of life from your children. Don't keep them from reaching for their dreams because you're afraid of the edge. Instead, be right there with them.

I think relationships are a lot like a champagne. This bottle here" - I lift it and por us each a little more - " it's crazy expensive. My dad got all of us Vooper kids a vintage from the year we were born for our twenty-first birthdays and told us to save it for the right time. We always interpreted that as save it for a special occasion. Engagements. Weddings. Celebrations. Baseball, if you're my brother." I hold the neck of the bottle, study the label. "But my dad didn't say save it for a special occasion. He said save it for the right time. It's a crucial differenc? Here? With me? he asks, his voice rough. "Apparently. And that's sort of my point." I set the bottle down and look at him. " I don't think you can plan for the right time. Or the right woman. As far as timing's concerned, maybe sometimes you've got to make it the right time and simply trust it's the right woman.

...Violet followed her friend into the massive kitchen with its Restoration Hardware fixture and faux-weathered, farmhouse-style cabinets. Its perplexed Violet, the way people tried to make the insides of new homes look old.

When Gabriel returned, he eagerly opened the wine, smiling to himself wickedly. He was in for a treat, and he knew it. He knew how Julianne looked when she tasted wine, and now he would have a repeat of her erotic performance from the other night. He felt himself twitch more than once in anticipation and wished that he had a video camera secretly placed in his condo somewhere. It would probably be too obvious to pull his camera out and take snapshots of her. He showed her the bottle first, noting with approval the impressed expression that passed across her face when she read the label. He’d brought this special vintage back from Tuscany, and it would have pained him to waste it on an undiscerning palate. He poured a little into her glass and stood back, watching, and trying very hard not to grin. Just as before, Julia swirled the wine slowly. She examined it in the halogen light. She closed her eyes and sniffed. Then she wrapped her kissable lips around the rim of the goblet and tasted it slowly, holding the wine in her mouth for a moment or two before swallowing. Gabriel sighed, watching her as the wine traveled down her long and elegant throat.

loved you very much. I might say that of Paris; my memories are heaped there. Somehow I was constantly returning—the train gliding through the endless suburbs or in blue air the airplane banking as, face close to the window, I looked down.

...when the Gods finished creating woman, they stood back and looked at what they'd done. They had given her a body strong enough to run a marathon, a mind fast enough to do six things at once, a heart big enough to love even while it was breaking, hands that could paint a masterpiece or feed a family or write a symphony. And they were afraid, because they saw that what they made was stronger than they were. They knew they had to create a secret weapon, one thing they could use to destroy her. So they gave her children.

How again after months there is awe. The most personal moment of the day appears unannounced. People wear leather. People refuse to die. There are strangers who look like they could know your name. And the smell of a bar on a cold night, or the sound of traffic as it follows you home. Sirens. Parties. How balconies hold us. Whatever enough is, it hasn’t arrived. And on some dead afternoon when you’ll likely forget this, as you browse through the vintage again and again—there it is, what everyone’s given up just to stay here. Jewelled hairpins, scratched records, their fast youth. Everything they’ve given up to stay here and find more.

And even in the open air the stench of whiskey was appalling. To this fiendish poison, I am certain, the greater part of the squalor I saw is due. Many of these vermin were obviously not foreigners—I counted at least five American countenances in which a certain vanished decency half showed through the red whiskey bloating. Then I reflected upon the power of wine, and marveled how self-respecting persons can imbibe such stuff, or permit it to be served upon their tables. It is the deadliest enemy with which humanity is faced. Not all the European wars could produce a tenth of the havock occasioned among men by the wretched fluid which responsible governments allow to be sold openly. Looking upon that mob of sodden brutes, my mind’s eye pictured a scene of different kind; a table bedecked with spotless linen and glistening silver, surrounded by gentlemen immaculate in evening attire—and in the reddening faces of those gentlemen I could trace the same lines which appeared in full development of the beasts of the crowd. Truly, the effects of liquor are universal, and the shamelessness of man unbounded. How can reform be wrought in the crowd, when supposedly respectable boards groan beneath the goblets of rare old vintages? Is mankind asleep, that its enemy is thus entertained as a bosom friend? But a week or two ago, at a parade held in honour of the returning Rhode Island National Guard, the Chief Executive of this State, Mr. Robert Livingston Beeckman, prominent in New York, Newport, and Providence society, appeared in such an intoxicated condition that he could scarce guide his mount, or retain his seat in the saddle, and he the guardian of the liberties and interests of that Colony carved by the faith, hope, and labour of Roger Williams from the wilderness of savage New-England! I am perhaps an extremist on the subject of prohibition, but I can see no justification whatsoever for the tolerance of such a degrading demon as drink.

The handsome Vintage Internationals edition of Nabokov’s Ada, or, Ardor—an extended riff on alternate-world and time theories and a key early example in the retro-futuristic subgenre of science fiction that years later came to be known as steampunk—would look out of place in the science-fiction section, with the blue-foil lettering, the starships, the furry-faced aliens, the electron-starred vistas of cyberspace.

As then the Tulip for her morning sup Of Heav'nly Vintage from the soil looks up, Do you devoutly do the like, till Heav'n To Earth invert you — like an empty Cup. Perplext no more with Human or Divine, To-morrow's tangle to the winds resign, And lose your fingers in the tresses of The Cypress — slender Minister of Wine. And if the Wine you drink, the Lip you press End in what All begins and ends in — Yes; Think then you are To-day what Yesterday You were — To-morrow You shall not be less.

When I arrived back at Intro to Basic Art again later that week, I thought for a moment we had a new student who didn’t know about the assigned seats. Sitting at my table was a girl in a long flowered dress, very vintage-hippie. She actually was wearing real flowers in her hair, and hardly any make up. I sat down, ready to explain to this poor lost soul that the seat was already taken, when I looked again and realized it was the same girl. I ended up not saying anything at all; I couldn’t think of anything that wouldn’t be rude or just plain stupid.

Some grackles might possess souls and some grackles might possess intelligence but it was impossible to believe that any one grackle possessed both: not enough room in their brilliantined heads. A klatch of them walked unnervingly around the parking lot outside the vintage store like a family at a hotel wedding, looking for the right ballroom. One grackle was missing a foot, and Thea blamed him for it. If they had been magpies, she might have counted them up, wondering what they foretold, but grackles were just seagulls in widows’ weeds. They weren’t omens of anything except more grackles.

His eyes dragged over her. “Arin, your slave looks positively wild.” Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her. “No offense,” Cheat told him. “It was a compliment to your taste.” “What do you want, Cheat?” Arin said. The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.” The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey. The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move. “I’ll get the wine,” Arin said. “No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.” For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.” “Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said.

When we returned from our jog, several Pirahãs were huddled in a corner of our house, and there was a strong smell of alcohol in the air. Those in the huddle looked conspiratorial and stared at us. Some seemed angry, others ashamed. Others just stared down at something on the ground that they were all surrounding. As I approached, they parted. Pokó’s baby was on the ground, dead. They had forced cachaça down its throat and killed it. “What happened to the baby?” I asked, almost in tears. “It died. It was in pain. It wanted to die,” they replied. I just picked up the baby and held it, with tears now beginning to stream down my cheeks. “Why would they kill a baby?” I asked myself in confusion and grief.

When I got to the gig I was told I would be singing for a male vocalist. In walked this sexy, serene, toasted-almond-colored artsy young man—he just looked like the definition of an artist. His thick, dark hair was just in the beginning phases of dreadlocks. He had a perfect five o’clock shadow, with a thick stripe of goatee down the center of his chin. He was dressed rock star casual: heavy black leather vintage motorcycle jacket, black jeans, black T-shirt. He had a thin ring in his nose and smelled how I imagined ancient Egyptian oils would smell. His face was kind and fine, with a boyish smile. He went by the name of Romeo Blue. His friends called him Lenny. And about a year later, the world would know him as Lenny Kravitz.

But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In

This is for women whose purses are a morass of loose Tic Tacs, solitary Advils, lipsticks without tops, ChapSticks of unknown vintage, little bits of tobacco even though there has been no smoking going on for at least ten years, tampons that have come loose from their wrappings, English coins from a trip to London last October, boarding passes from long-forgotten airplane trips, hotel keys from God-knows-what hotel, leaky ballpoint pens, Kleenexes that either have or have not been used but there’s no way to be sure one way or another, scratched eyeglasses, an old tea bag, several crumpled personal checks that have come loose from the checkbook and are covered with smudge marks, and an unprotected toothbrush that looks as if it has been used to polish silver.

She’s in my arms, so sweet and vulnerable and yet so strong, determined and everything I want with every fibre of my being. Clary is spirited, smart, funny, stubborn and adorably nerdy. She isn’t a cool girl, always worried about her looks and hanging out with the cool crowd and being mean and putting people down in order to shine brighter. She is caring and courageous, she’s pretty and witty and doesn’t even know how sexy she is when she moves, when she smiles, when she lifts her bright eyes from a big book. She’ll quote dead poets and vintage 90s tv shows, she’ll tell you what she wants without trying to manipulate you into doing her bidding, she’ll tie you to her by setting you free, she will love you or hate you for who you are and not for who you appear to be. J.

I’m just getting to the good stuff (Cressida must seduce Nigel to gain access to the spy codes!) when Josh walks out of his house to get the mail. He sees me too; he lifts his hand like he’s just going to wave and not come over, but then he does. “Hey, nice onesie,” he says as he makes his way across the driveway. It’s faded light blue with sunflowers and it ties around the neck. I got it from the vintage store, 75 percent off. And it’s not a onesie. “This is a sunsuit,” I tell him, going back to my book. I try to subtly hide the cover with my hand. The last thing I need is Josh giving me a hard time for reading a trashy book when I’m just trying to enjoy a relaxing afternoon. I can feel him looking at me, his arms crossed, waiting. I look up. “What?” “Wanna see a movie tonight at the Bess? There’s a Pixar movie playing. We can take Kitty.” “Sure, text me when you want to head over,” I say, turning the page of my book. Nigel is unbuttoning Cressida’s blouse and she’s wondering when the sleeping pill she slipped in his Merlot will kick in, while simultaneously hoping it won’t kick in too soon, because Nigel is actually quite a good kisser. Josh reaches down and tries to get a closer look at my book. I slap his hand away, but not before he reads out loud, “Cressida’s heart raced as Nigel moved his hand along her stockinged thigh.” Josh cracks up. “What the heck are you reading?” My cheeks are burning. “Oh, be quiet.” Chuckling, Josh backs away. “I’ll leave you to Cressida and Noel then.” To his back, I call out, “For your information, it’s Nigel!

The next forty minutes are a festival of soul eating. I know many immigrant families incorporate their traditional dishes into the Thanksgiving feast, but not my folks. Our menu is Norman Rockwell on crack. Turkey with gravy. Homemade cranberry relish and the jellied stuff from the can. Mashed potatoes, sweet potatoes with marshmallows, green bean casserole. Cornbread stuffing and buttery yeast rolls. The only nods to our heritage are mustard-seed pickled carrots and dill-cucumber salad, to have something cool and palate-cleansing on the plate. A crazy layered Jello-O dish, with six different colors in thin stripes, looking like vintage Bakelite. Jeff and the girls show up just in time for desserts... apple pie, pumpkin pie, pecan bars, cheesecake brownies, and Maria's flan.

But Eugene was untroubled by any thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of mane, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking – full of opulent cities, golden vintages, glorious triumphs, and lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die.

Maria winks at me, takes a mouthful of stuffing, and rolls her eyes in ecstasy. The next forty minutes are a festival of soul eating. I know many immigrant families incorporate their traditional dishes into the Thanksgiving feast, but not my folks. Our menu is Norman Rockwell on crack. Turkey with gravy. Homemade cranberry relish and the jellied stuff from the can. Mashed potatoes, sweet potatoes with marshmallows, green bean casserole. Cornbread stuffing and buttery yeast rolls. The only nods to our heritage are mustard-seed pickled carrots and dill-cucumber salad, to have something cool and palate-cleansing on the plate. A crazy layered Jello-O dish, with six different colors in thin stripes, looking like vintage Bakelite. Jeff and the girls show up just in time for desserts... apple pie, pumpkin pie, pecan bars, cheesecake brownies, and Maria's flan.

Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron. Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers. These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods. The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.

I know I will not find us lying beneath the stars. We won’t be walking through the sunflower fields. We won’t fall in love with the sun rise, or kiss in the afternoon. Maybe I’ll miss you, and then I’ll cry for you. And when I’ll miss you, I’ll look for you on my bookshelf. You’ll be there in between four hundred pages. Maybe covered in dust, maybe stained with tears, I’ll wipe it with my yellow t-shirt, The one I wore on October first. But no matter how much I cry, with a broken heart, on a Saturday night. I’ll grab the book close to my heart. Then I’ll close my hazy eyes and see you smile under clear sky. I’ll stay an old soul and you’ll stay my vintage dream. A dream that will bring me back to life like a fantasy novel, and break my heart like a dead poetry. I’ll open my eyes, the illusions will be destroyed. But no matter how much I cry. About you, I’ll never write. This isn’t our song. But years later, on a winter night, if ever, you’ll call it our song. Then believe me, in a blink, I’ll call it a love song.

Cheat wore a Valorian jacket Kestrel was sure she had seen on the governor the night before. He sat at the right hand of the empty head of the dining table, but stood when Kestrel and Arin entered. He approached. His eyes dragged over her. “Arin, your slave looks positively wild.” Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her. “No offense,” Cheat told him. “It was a compliment to your taste.” “What do you want, Cheat?” Arin said. The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.” The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey. The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move. “I’ll get the wine,” Arin said. “No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.” For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.” “Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said. “Pour.” Cheat shoved his glass toward her. She uncorked the bottle and poured--and kept pouring, even as the red wine flowed over the glass’s rim, across the table, and onto Cheat’s lap. He jumped to his feet, swatting wine from his fine stolen clothes. “Damn you!” “You said I should pour. You didn’t say I should stop.” Kestrel wasn’t sure what would have happened next if Arin hadn’t intervened. “Cheat,” he said, “I’m going to have to ask you to stop playing games with what is mine.

To all appearances, Vincent was at once knowledgeable and honest, a combination that gave him great credibility. He was quick to exploit the advantage. When the party had finished giving their food orders, he would say, “Very well, and would you like me to suggest or select wines to go with your meals?” As I watched the scene repeated almost nightly, there was a notable consistency to the customer’s reaction—smiles, nods, and, for the most part, general assent. Even from my vantage point, I could read their thoughts from their faces. “Sure,” the customers seemed to say, “You know what’s good here, and you’re obviously on our side. Tell us what to get.” Looking pleased, Vincent, who did know his vintages, would respond with some excellent (and costly) choices. He was similarly persuasive when it came time for dessert decisions. Patrons who otherwise would have passed up the dessert course or shared with a friend were swayed to partake fully by Vincent’s rapturous descriptions of the baked Alaska and chocolate mousse. Who, after all, is more believable than a demonstrated expert of proven sincerity?

Ellie made her way up the familiar twist of Wicker Road. Even with just the porch light on, her house looked inviting and settled. The single oak that took up the majority of her front lawn was already beginning to collect the first measures of snow. She quickly walked up the three steps and went in. There was nothing grandiose about the place, but it was a perfect fit for Ellie. The house looked a little like an old English cottage. It was tiny, reminding her of a dollhouse. Which suited her perfectly. Any bigger and the place would have echoed, and Ellie would have been aware of how acutely alone she was. She filled the walls with various pieces of artwork, and her queen-sized bed with pillows she made from pieces of vintage fabric. There were two fireplaces and wall-to-wall hardwood floors with perfectly worn-in wainscoting. The back rooms were all windows that could be opened up so it seemed almost a part of the garden. Ellie's study was lined with bookshelves on every wall except the alcove, in front of which she had placed an old secretary. She even had a small balcony off the master that looked over the garden and was a wonderful place to read.

I rolled my eyes at him and pulled the sweatshirt over my head, adjusting the deep sweetheart neckline of my dress. I'd secretly and specifically purchased the gorgeous cherry-red vintage cocktail dress for this party. I had found a pair of black cat-eye glasses at a retro clothing store near Pike Place Market to go with the dress, and the combination made me feel confident and sophisticated. "Don't look for a minute," I instructed, shimmying out of my jeans and smoothing the hemline down. The dress nipped in at the waist and flared out in a high hemline that showed off my legs. "Okay, I'm good." Rory gave me a sideways glance and did a double take. "Wow." He pulled up to a stop sign and turned, taking me in head to toe. "You look...wow." He shook his head, seemingly at a loss for words. I felt a flush of triumph. I'd never seen him look at me like that, admiration mixed with astonishment. He seemed genuinely stunned. I slicked on some red lipstick and examined my reflection in the tiny square of Rory's passenger mirror, aware of his eyes on me. I looked glamorous, surprisingly sexy. Like a movie starlet from the 1950s, a bombshell ingenue. I sat back, feeling almost giddy with triumph. I'd worn the dress for only one person. And he had finally noticed me.

Amazing Grace” Amazing grace, how sweet the sound, That saved a wretch like me! I once was lost, but now am found; Was blind, but now I see. ’Twas grace that taught my heart to fear, And grace my fears relieved; How precious did that grace appear, The hour I first believed. Through many dangers, toils and snares, I have already come; ’Tis grace hath brought me safe thus far, And grace will lead me home. The Lord has promised good to me, His Word my hope secures; He will my Shield and Portion be, As long as life endures. Yea, when this flesh and heart shall fail, And mortal life shall cease, I shall possess, within the veil, A life of joy and peace. The earth shall soon dissolve like snow, The sun forbear to shine; But God, who called me here below, Will be forever mine. When we’ve been there ten thousand years, Bright shining as the sun, We’ve no less days to sing God’s praise, Than when we’d first begun. Lyrics by John Newton, 1779 “Swing Low, Sweet Chariot” (Chorus) Swing low, sweet chariot, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. I looked over Jordan, and what did I see? (Coming for to carry me home) A band of angels coming after me. (Coming for to carry me home) (Chorus) If you get there before I do, (Coming for to carry me home) Tell all of my friends, that I'm coming there too. (Coming for to carry me home) (Chorus) Traditional lyrics Wallis Willis, circa 1865 “Battle Hymn of the Republic” Mine eyes have seen the glory of the coming of the Lord; He is trampling out the vintage where the grapes of wrath are stored; He hath loosed the fateful lightning of His terrible swift sword: His truth is marching on. (Chorus) Glory, Glory, hallelujah! Glory, glory, hallelujah! Glory, glory, hallelujah! His truth is marching on. I have seen Him in the watch-fires of a hundred circling camps, They have builded Him an altar in the evening dews and damps; I can read His righteous sentence in the dim and flaring lamps: His day is marching on. (Chorus) I have read a fiery gospel writ in burnished rows of steel: "As ye deal with my contemners, so with you my grace shall deal"; Let the Hero, born of woman, crush the serpent with his heel, Since God is marching on. (Chorus) He has sounded forth the trumpet that shall never call retreat; He is sifting out the hearts of men before His judgment-seat; Oh, be swift, my soul, to answer Him! Be jubilant, my feet! Our God is marching on. (Chorus) In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me. As He died to make men holy, let us die to make men free, While God is marching on. Lyrics by Julia Ward Howe, 1861

His mother left the room; then, moved by insupportable regret, I just murmured the words “Dr. Bretton.” He looked up from his book; his eyes were not cold or malevolent, his mouth was not cynical; he was ready and willing to hear what I might have to say: his spirit was of vintage too mellow and generous to sour in one thunder-clap. “Dr. Bretton, forgive my hasty words: do, do forgive them.” He smiled that moment I spoke. “Perhaps I deserved them, Lucy. If you don’t respect me, I am sure it is because I am not respectable. I fear, I am an awkward fool: I must manage badly in some way, for where I wish to please, it seems I don’t please.” “Of that you cannot be sure; and even if such be the case, is it the fault of your character, or of another’s perceptions? But now, let me unsay what I said in anger. In one thing, and in all things, I deeply respect you. If you think scarcely enough of yourself, and too much of others, what is that but an excellence?” “Can I think too much of Ginevra?” “I believe you may; you believe you can’t. Let us agree to differ. Let me be pardoned; that is what I ask.” “Do you think I cherish ill-will for one warm word?” “I see you do not and cannot; but just say, ‘Lucy, I forgive you!’ Say that, to ease me of the heart-ache.” “Put away your heart-ache, as I will put away mine; for you wounded me a little, Lucy. Now, when the pain is gone, I more than forgive: I feel grateful, as to a sincere well-wisher.” “I am your sincere well-wisher: you are right.” Thus our quarrel ended.

The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.

Sam was about to travel to Asia with her boyfriend and she was fretting about what her backers would think if she released some of her new songs while she was 'on vacation'. She was worried that posting pictures of herself sipping a Mai Tai was going to make her look like an asshole. What does it matter? I asked her, where you are whether you're drinking a coffee, a Mai Tai or a bottle of water? I mean, aren't they paying for your songs so that you can... live? Doesn't living include wandering and collecting emotions and drinking a Mai Tai, not just sitting in a room writing songs without ever leaving the house? I told Sam about another songwriter friend of mine, Kim Boekbinder, who runs her own direct support website through which her fans pay her monthly at levels from $5 to $1,000. She also has a running online wishlist of musical gear and costumes kindof like a wedding registry, to which her fans can contribute money anytime they want. Kim had told me a few days before that she doesn't mind charging her backers during what she calls her 'staring at the wall time'. She thinks this is essential before she can write a new batch of songs. And her fans don't complain, they trust her process. These are new forms of patronage, there are no rules and it's messy, the artists and the patrons they are making the rules as they go along, but whether these artists are using crowdfunding (which is basically, front me some money so I can make a thing) or subscription services (which is more like pay me some money every month so that I can make things) or Patreon, which is like pay per piece of content pledge service (that basically means pay me some money every time I make a thing). It doesn't matter, the fundamental building block of all of these relationships boils down to the same simple thing: trust. If you're asking your fans to support you, the artist, it shouldn't matter what your choices are, as long as you're delivering your side of the bargain. You may be spending the money on guitar picks, Mai Tais, baby formula, college loans, gas for the car or coffee to fuel your all-night writing sessions. As long as art is coming out the other side, and you're making your patrons happy, the money you need to live (and need to live is hard to define) is almost indistinguishable from the money you need to make art. ... (6:06:57) ... When she posts a photo of herself in a vintage dress that she just bought, no one scolds her for spending money on something other than effects pedals. It's not like her fan's money is an allowance with nosy and critical strings attached, it's a gift in the form of money in exchange for her gift, in the form of music. The relative values are... messy. But if we accept the messiness we're all okay. If Beck needs to moisturize his cuticles with truffle oil in order to play guitar tracks on his crowdfunded record, I don't care that the money I fronted him isn't going towards two turntables or a microphone; just as long as the art gets made, I get the album and Beck doesn't die in the process.

When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.

Look at these buttons,” one soldier said, fingering his gray wool jacket. “I soaked them overnight in a saucer filled with urine.” Chemicals in the urine oxidized the brass, giving it the patina of buttons from the 1860s. “My wife woke up this morning, sniffed the air and said, ‘Tim, you’ve been peeing on your buttons again.

He gave me a look of great contempt; as I supposed, for venturing, even by implication, to draw a parallel between a lack of affluence that might, literally, affect my purchase of rare vintages, and a figure of speech intended delicately to convey his own dire want for the bare necessities of life.

During an early break from the road in Buffalo, New York, Stevie and Chris were shopping for vintage clothes in a thrift store when Stevie came across an antique black silk top hat, the kind a gentleman once wore to the opera. She tried it on and decided it gave her a dramatic, even operatic look. Within months it would become her trademark.

He noted that she sipped the wine immediately, without the usual ritual of those accustomed to sampling fine vintages... no swirling of the glass to test the aroma, or the rivulets that the English called "legs" and the French more poetically referred to as "tears." As a member of the beau monde, Vivien should have been experienced at such a ritual. However, she did not look like a worldly courtesan accustomed to the finer things in life... she looked like a sheltered, naive young woman.

I guess so, Paran. Now, if you’ll look in that pack of mine, you’ll find a jug of Worrytown wine. Its vintage is about a week.” The captain rose. “Meaning?” “Meaning it’s running out of time.

I suddenly remember what my mom used to repeat to me on a daily basis when I was in high school: nothing good can come from staying out past 11:00 p.m. or going on Craigslist. But where else could I test this idea with real results? I could post a Facebook status about it, but all people would do is comment with an LOL or smiley face emojis. I could call up my closest friends, but I’d probably be interrupting them in the middle of clinking glasses of some fancy vintage of Merlot with their SigNif to celebrate the end of a long workweek. But Kerri thought it sounded good, and she’s my voice of reason, even if she does have a 102-degree fever. “What section, Moose?” I say. Moose sits there, stuffed and still, not trying to stop me, so I proceed. Women looking for women. That seemed like a good home for this sort of thing. I open up a new post and I begin typing.

Glad to see word reached you. I forgot my phone and somehow throwing pebbles at random windows seemed like a losing strategy." "My roommate thinks I'm running drugs," said Dee flatly. "And that you're my dealer." James blinked. "At least she thought I looked enterprising." "She said you looked homeless." James straightened the sleeves of his orange leather jacket. "It's vintage

A fleet of restored vintage trolleys ran from the West Village to Downtown. They had adorable names like Rosie, Betty, Petunia, and the Green Dragon. They dinged cheerfully down the green median of a cobblestone path. Griffin took a few shots of Megan and Josh in front of the Green Dragon before we all climbed aboard. As we looped around the neighborhood, I looked out the window and felt the breeze on my face. The West Village was a great cross section of urban Dallas life. Yuppies, families, and empty nesters commingled on the streets. Most days a breeze blew down the corridor, making it bearable, even enjoyable, to sit outside the cafés year-round. A dog-friendly café with an adjoining dog park was down the block, and a parade of pups dripped down the street, tails wagging, sopping wet from doggie pools. A couple on roller skates did tricks for pedestrians before they skated away, hand in hand. It felt vibrant and magical. Homey.

Four years in, she had discovered the gallery when a hailstorm chased her off the street. The door stuck - it still did - and was set back from the street between two shops that sold vintage clothing. Glenice climbed the stairs and went in. A grey-faced man peered out around a curtain at the far end of the room. He nodded, and returned to his heater and his laptop. He knew Glenice of old: she wouldn't buy, steal or vandalise anything, and he had no interest in her. His lumpy black cat strolled out, inspected Glenice, tested the patch of light that the window threw on the floor and stalked back into the office. Quite often there was something here for Glenice. Today it was a room with a table, a vase, a dish of fruit and part of a window. The hungry blue of the window frame clashed perfectly with the blue of the tablecloth without taking it over. The vase held flowers, mauve, pinky yellow, pale red, blackish - Glenice tried and failed to call up the names of black flowers. The wall was a quiet, mortal sort of pink, and there were sleepy-looking pears slumped on a green dish. It looked to Glenice like the kind of room in which someone had gradually recovered from a long illness. She stared at the painting until her feet died from the cold and then she left.

Faced with a real fight, most animals will compromise. If the odds look bad, one or another will back off, or the fight will be discontinued by mutual consent. Humans are the only animals prepared to fight for a Pyrrhic victory.

but Daniel had genuine charm and authentic eccentricity. It was partly his appearance: a sweep of thick sandy hair, a bushy beard and high-magnification glasses which gave him cartoon eyes. He looked like a Looney Tunes lion crossed with an Open University professor. He dressed like Toad of Toad Hall in vintage tweed suits and spoke with an arch, old-fashioned cadence, like a junior Alan Bennett.

Deep Simplicity: Bringing Order to Chaos and Complexity John Gribbin, Random House (2005) F.F.I.A.S.C.O.: The Inside Story of a Wall Street Trader Frank Partnoy, Penguin Books (1999) Ice Age John & Mary Gribbin, Barnes & Noble (2002) How the Scots Invented the Modern World: The True Story of How Western Europe's Poorest Nation Created Our World & Everything in It Arthur Herman, Three Rivers Press (2002) Models of My Life Herbert A. Simon The MIT Press (1996) A Matter of Degrees: What Temperature Reveals About the Past and Future of Our Species, Planet, and Universe Gino Segre, Viking Books (2002) Andrew Carnegie Joseph Frazier Wall, Oxford University Press (1970) Guns Germs, and Steel: The Fates of Human Societies Jared M. Diamond, W. W. Norton & Company The Third Chimpanzee: The Evolution and Future of the Human Animal Jared Nt[. Diamond, Perennial (1992) Influence: The Psychology of Persuasion Robert B. Cialdini, Perennial Currents (1998) The Autobiography of Benjamin Franklin Benjamin franklin, Yale Nota Bene (2003) Living Within Limits: Ecology, Economics, and Population Taboos Garrett Hardin, Oxford University Press (1995) The Selfish Gene Richard Dawkins, Oxford University Press (1990) Titan: The Life of John D. Rockefeller Sr. Ron Chernow, Vintage (2004) The Wealth and Poverty of Nations: Why Some Are So Rich and Some So Poor David Sandes, W. W Norton & Company (1998) The Warren Buffett Portfolio: Mastering the Power of the Focus Investment Strategist Robert G. Hagstrom, Wiley (2000) Genome: The Autobiography of a Species in 23 Chapters Matt Ridley, Harper Collins Publishers (2000) Getting to Yes: Negotiating Agreement Without Giz.ting In Roger Fisher, William, and Bruce Patton, Penguin Books Three Scientists and Their Gods: Looking for Meaning in an Age of Information Robert Wright, Harper Collins Publishers (1989) Only the Paranoid Survive Andy Grove, Currency (1996 And a few from your editor... Les Schwab: Pride in Performance Les Schwab, Pacific Northwest Books (1986) Men and Rubber: The Story of Business Harvey S. Firestone, Kessinger Publishing (2003) Men to Match My Mountains: The Opening of the Far West, 1840-1900 Irving Stone, Book Sales (2001)

Over the last decade, entire neighbourhoods have lost their identity to the ever-growing clothing retail market. Since my first visit to the Marais quarter of Paris in 2003, I have seen the area shift from a charming, off-beat district featuring a mix of up-and-coming designers, traditional ateliers, bookstores and boulangeries to what amounts to an open-air shopping mall dominated by international brands. In the last five years, an antique shop has been replaced by a chic clothing store and the last neighbourhood supermarket transformed into a threestorey flagship of one of the clothing giants. The old quarter is now only faintly visible, like writing on a medieval palimpsest: overhanging the gleaming sign of a sleek clothes shop, on a faded ceramic fascia board, is written ‘BOULANGERIE’. In economically developed countries, people’s motivations for spending money have long since shifted from needs to desires. There’s no denying we need places to live in, food to nourish us and clothes to dress ourselves in, and, while we’re at it, we might as well do these things with a certain degree of refinement to help make life as pleasurable as possible. But when did the clothing industry turn into little more than a cash machine whose main purpose seems to be its own never-ending growth? Just as clothing retail shops are sucking the identity out of entire neighbourhoods, so that the architecture becomes little more than a backdrop for their products, the production of the garments they sell is eating away at the Earth’s resources and the life of the workers who are producing them. Fashion has become the second most polluting industry in the world. And with what result? Our wardrobes are cluttered with so many clothes that the mere sight of them becomes overwhelming, yet at the same time we feel a constant craving for the next purchase that will transform our look.

After all” —Carwyn stared— “we both know I could pull this entire building down on top of us if I wanted to.” “Yes, sir.” Jerome didn’t flinch. “But doing that might ruin that kick-ass Soundgarden T-shirt you’ve got going on.” Carwyn looked down at the T-shirt that peeked out from his heavy leather jacket. “It’s vintage.” The guard lifted one shoulder. “Probably not a good idea to mess it up.

I am at the concert and I am smirking in the corner, ignoring what my peers are discussing. Let us picture something good. I'm wearing a level-two bulletproof vest under my Ralph Lauren vintage flannel, and already it's almost entirely concealed. Makes me look slightly more built, nobody's complaining. It also protects against nine millimeter and forty caliber rounds, the only kinds police use anymore. I think. Over that, a Swiss military jacket littered with pockets, all of which I custom fit to hold the six magazines accompanying my short barrel rifle. It's a gun small enough to fit perfectly along my back while still under my coat. In the pockets of my Levi five-elevens - a switchblade and one smoke grenade, reserved for either my entrance or exit. I still haven't decided. In my waistband is a... ... and then two squad cars skid to a halt outside. I see them before they see me, as the front windows are tinted in my favor. With a fresh magazine, I am and shoot at - "HEY!" Someone shouting playfully in my face has yanked me back into the concert hall

My father looked carelessly at the title page of my book, and said, "Ah! Cornelius Agrippa! My dear Victor, do not waste your time upon this; it is sad trash.

It’s a book! All books should be read, and you know, maybe this is the story I need to read today,” she’d point to her recently completed book. “That’s what books do; they offer us something we’re looking for.

A loser like Larry didn’t deserve a fine vintage car like Gloria. The Corvette Stingray had been lovingly restored by a jackass who named his car, yet treated his kids like afterthoughts. I planned to lovingly tear the fucking thing apart. “Have your fun then we’ll torch it and get a beer,” Vaughn said, yawning. “Did anyone see you?” I asked just to annoy him. My question worked like a charm and Vaughn squinted disgusted at me then walked over to a large rock where he sat down and looked at his phone. Swinging the bat, I smashed out the taillight. As painful as it was to tear apart such a beautiful car, Lark needed vengeance. In my mind, I wasn’t hitting the Corvette. I was destroying every person who ever hurt my girl. Every stepfather who hit her, mocked her, and ignored her. I imagined the hung over fucker who let her little brother die. I even pictured her mother who chose the latest fuck over her own kids. I hated them all for every tear Lark ever shed. If I couldn’t hunt them down, I’d destroyed the prized possession of the latest bastard to mistreat my muse. Smashing the windows, the lights, denting the cherry red doors, I trashed the car until I was out of breath. Eventually, I grabbed a blade and tore the tires, just to finish off my rage. “Wuss,” Vaughn said, standing over me as I leaned against the car. “Shame about Gloria. She was a beauty.” “I haven’t been to the batting cage in awhile. I think I pulled something” “Sure,” Vaughn muttered, yanking me to my feet. “Let’s light this little bitch up and get a beer.” “I need to get home to Lark.” “Are you fucking kidding me? I steal this car for you and don’t even get to trash it and you won’t have a beer with me? What an asshole.” “Please, don’t cry,” I said, patting his shoulder. “I don’t have the energy to hold you until your sobs turn to baby hiccups.” Vaughn laughed. “I miss Judd. The guy knew how to drink a beer and he didn’t mind when I pissed myself weeping like a chick.” “The guy is the epitome of patience,” I said, picking up the container of gas. “Or indifference. He always did seem a little bored when you two were talking.” “You looking to have me use that bat on you, is that it?” Grinning, I splashed gasoline on Gloria, careful not to have the liquid hit me. Once the car was thoroughly drenched, Vaughn lit a match.

new setup. You can check the security cameras over on your right, with a click of that blue button. Uh, you can toggle between the Hall cams and the Vent cams. Uh, then over on your far left, you can flip up your maintenance panel. You know, use this to reboot any systems that may go offline. Uh, in trying to make the place feel more vintage we have overdone it a bit! Heh heh. Some of this equipment is BARELY functional! Uh, I wasn't joking about the fire, that- that's a real risk. Uhm, but the MOST IMPORTANT THING, you have to watch for, is the Ventilation.  Look, this place will give you the spooks man, and if you let that ventilation go offline, then you'll start seeing some craaazy stuff man, keep that air blowing! Ok, keep an eye on things, and we'll try to have something new for ya' tomorrow night.

Hey man! Ok, I have some awesome news for you! First of all: We found some vintage audio training cassettes. Dude, these are like, prehistoric! I think they were like, training tapes, for like other employees or something like that. So, I thought we could like, have them playing, like over the speakers while people walk through the attraction? Dude, that makes this feel, LEGIT man. But I have an even better surprise for you, and you're not gonna believe this! We found one. A REAL one. Uh, oh uhm, gotta go man! W-well look I-It's in there somewhere, I-I'm sure you'll see it. Okay, I'll leave you with some of this great audio I found. Talk to you late man!" Click! "Oh, Hello! Hello, hello! Uh, welcome to your new career as a performer/entertainer, for Freddy Fazbear's Pizza. Uh, these tapes will provide you, with much needed information on how to handle/climb into/climb out of, mascot costumes. Right now, we have 2 specially designed suits, that

recognized her after all this time. She’s looking fearfully smart, apparently,

Ahh, I know.” Dr. Shandy looked relieved. “Some of this wine will be just the right thing. Have some.” “Will it help?” Jam asked. “Well, no, it never actually helps. But it’s a really nice vintage.

To one side, a vintage Rolls-Royce Silver Wraith, polished to a gem-like brilliance, sat on a flatbed trailer, ready to be taken to its new owner. Constance looked from Pendergast to the Rolls and back again. “I really don’t need two, you know,” he said.

We’ve got things under control here.” “‘We’?” Kerry repeated. “Shouldn’t you be out sampling cake or agonizing over invitation fonts? Assuming you don’t have clients to design interiors for.” “I have clients,” Fiona replied easily, honest joy beaming from her every pore. “Very happy ones. Trust me, after running McCrae Interiors, I can juggle Fiona’s Finds and planning a wedding at the same time with my eyes closed.” Kerry gave her sister a hard time--it was what they did--but she was truly happy for Fiona, with both her new business success and her lovely and loving relationship with their longtime family friend, Ben Campbell. Fiona had sold a successful business in Manhattan to return home and start over. She’d just opened a small design studio in a converted cottage near the harbor, focusing on recycling and repurposing antique and vintage items into something fresh and new. Her designs were both eco-friendly and wallet friendly, and the Cove had embraced her return home and her new business with equal enthusiasm. “Remember you said that,” Kerry commented. “When it’s go time on the big aisle walk and you’re still running around like a crazy person trying to pull everything together at the last second, I don’t want to hear about it.” Fiona batted her eyelashes again as she took an extralong sip on the straw in her glass of lemon water. “I’m the epitome of a happy, relaxed bride. McCrae girls don’t do bridezilla. Well, Hannah didn’t, Alex was lovely, and I’m charming of course.” She looked at Kerry over the tip of her straw, smiling sweetly. “We’ll reserve final judgment until it’s your turn.” “Har, har,” Kerry said, but Fiona was high on wedding crack again so she let her run with it. “Besides, after handling weddings for Logan, Hannah, and the Grace-Delia double do out on that island, this will be a cakewalk. Ha!” Fiona went on, then laughed. “Cakewalk.” “You’re a designer? And you do weddings?” Maddy turned on her stool and spun Fiona on hers until they were facing each other. She gripped Fiona’s forearms and grinned. “Hello, my new best and dearest friend.” “Oh, brother.” Kerry surrendered, tossing her towel on the bar.

Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.

Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.

After bringing Beatrix to his room, Christopher sent for cans of hot water and a hip bath, and a bottle of champagne. And he insisted on washing her, despite her cringing and protesting. “I can’t just sit here,” she protested, straddling the metal tub and lowering herself carefully, “and let you do something I’m perfectly capable of doing myself.” Christopher went to the dresser, where a silver tray bearing champagne and two fluted crystal glasses had been set. He poured a glass for her, and brought it to Beatrix. “This will keep you occupied.” Taking a sip of the cool, bubbly vintage, Beatrix leaned back to look at him. “I’ve never had champagne in the afternoon,” she said. “And certainly never while bathing. You won’t let me drown, will you?” “You can’t drown in a hip bath, love.” Christopher knelt beside the tub, bare-chested and sleek. “And no, I won’t let anything happen to you. I have plans for you.” He applied soap to a sponge, and more to his hands, and began to bathe her.

As history has shown, any new computing device capable of running a game will, by hook or by crook, soon have them available. (aka, the "Loguidice Law")

A good idea is to do advance research on the Internet, since an increasing number of restaurants now post their wine lists on their Web sites. Before leaving for the restaurant, take a few minutes to scan the list, maybe even look up reviews or scores online as well. Or if the wine list isn’t on the Web site, call the restaurant to ask them to fax or e-mail it to you, or at least to discuss it over the phone. This is especially helpful if you’ll be choosing the wine for a large dinner group and makes you look like a real hero when the sommelier arrives. Not only do you make a quick choice, but you can even toss out a few comments about the region or vintage.

Marion stared into his face. “Thank you.” She blinked back sudden tears. “Mr. Bradley, you’re swell. You’ve helped my family so much, and I never appreciated it before.” “Thank you.” Mr. Bradley returned her look, intensely. “I care for all of you. You’re some of the best people I’ve ever known.” Marion smiled and mumbled, “Mr. Sour-face.” “What was that?” “Nothing!” She grinned wider. He smiled back. It was a nice smile.

I don’t know how to ask this,” Everett began. “You and Mr. Bradley…you’re not…” He gestured helplessly with his left hand. “I mean, there’s not, uh, something…is there?” After a bewildered moment Ellen’s eyes widened. “Oh, no! Not—not at all.” Everett’s breath hitched. “I thought—I thought perhaps there was. That’s why I hesitated…but if there isn’t…then I got the right color.” He studied his crimson bouquet, spinning it slowly in a mesmerizing circle. Ellen gulped. Everett looked up, walked forward, and glanced down at his roses, then held them out to her and recaptured her gaze. “I remember you said you liked roses. I think you said white roses, but they don’t have the right meaning.” He smiled sheepishly. Ellen’s eyes dropped. She reached out a shaky hand and clasped the firm, cool, de-thorned stems. “You…do understand me then?” he asked. “Perfectly.” Ellen burst into tears.

We love the unexpected, the gloriously chaotic combination of a million different elements. We love things that have history. We’re not looking for perfection. If we love something, we will find a way to make it fit. We love rock ’n’ roll style as well as farmhouse. We love boho and hippie and country. The truth is, we’re a little of all those things combined. You could say we have commitment issues. We love color, but we also love white. We love vintage concert posters mixed with red-lacquered Asian pieces, then combined with chippy, peely farmhouse furniture and maybe topped off with fringed velvet curtains. For us, the design process is a gut-wrenchingly beautiful thing, a deeply meditative process, a cultural exploration of who you are, and it’s one of the most personal things you can do. If a home is set up the right way, there’s something you can feel, and it’s not for anyone else; it’s for yourself. All the stars (or the chandeliers) align, and you just know: It’s right.

I walked in and glanced around. Hotspots first, by instinct and long habit: seats facing the entrance, partially concealed corners, ambush positions. I detected no problems. I moved inside. The interior was vast, and decorated like a Hollywood prop warehouse. Everywhere there were antiques and curios: iron cash registers, a red British telephone booth, a cluster of parasols, busts and statues, shelves of colored bottles and jugs. Even the tables and chairs looked vintage. Had it been less capacious, it would have felt cluttered. The ceilings were high and of bare wood, the walls stone and alabaster.

The man was handsome, and he taught English in the same department as me--- and the second he showed up at my apartment and saw my bookshelf, he laughed. "You turn them around when guests come over, right?" he asked, motioning to the sanguine embraces and lusty women across the covers. He plucked one off the shelf--- a vintage-looking bodice ripper with Jason Baca on the cover, inches away from dragging his tongue across the woman's neck. "This Fabio's not exactly a Chuck Palahniuk." "That's not Fabio." "My mistake, they all look the same." I sighed. "Well, that's a pity." "Why?" "Because you have to leave. The door's there, if you've forgotten." He chuckled nervously. "I didn't... You're kidding." "No. I didn't judge you when you said you collected swords. You don't put them away when company comes over, do you? Besides, romance outsells every other genre--- by a lot, and it's still growing even when sales in every other genre are declining. In the US alone, romance sells about nineteen billion units a year." I plucked the paperback from his hand. "You can take that to your next fight club. Now there's the door.

Pam was looking especially Pammish tonight. Her blond hair was absolutely straight and shining, her pale blue suit looked like a vintage gem, and she was wearing hose with seams up the back, which she turned around to show me. “Wow,” I said, which was the only possible response. “You’re looking great.” She put my red skirt and red and white blouse to shame. “Yes,” she said with considerable satisfaction. “I am.

He gives me an innocent look. “Don’t tempt the scorpion if you don’t want to get stung.” He eyes me up and down while he opens one of the bottles. He holds it up before he pours us a glass and says, “It’s vintage.