Vineyard Related Quotes

We've searched our database for all the quotes and captions related to Vineyard Related. Here they are! All 16 of them:

I want to go to Martha’s Vineyard. I have an aunt named Martha. And an uncle by that name. Neither one is related to me.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron. Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers. These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods. The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.
Ulrich von Hutten (Ulrich von Hutten and the German Reformation)
To illustrate this claim, Benjamin relates a fable about a father who taught his sons the merits of hard work by fooling them into thinking that there was buried treasure in the vineyard by the house. The turning of soil in the vain search for gold results in the discovery of a real treasure: a wonderful crop of fruit. With the war came the severing of ‘the red thread of experience’ which had connected previous generations, as Benjamin puts it in ‘Sketched into Mobile Dust’. The ‘fragile human body’ that emerged from the trenches was mute, unable to narrate the ‘forcefield of destructive torrents and explosions’ that had engulfed it. Communicability was unsettled. It was as if the good and bountiful soil of the fable had become the sticky and destructive mud of the trenches, which would bear no fruit but only moulder as a graveyard. ‘Where do you hear words from the dying that last and that pass from one generation to the next like a precious ring?’ Benjamin asks.
Walter Benjamin (The Storyteller: Tales out of Loneliness)
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
Our lives, Domenic’s and mine, had been like an unraveling braid for the past couple of years. The proximate cause of our disengagement was a girl: Caryn, my first serious girlfriend. She and I had found each other as high school seniors. My plans to bum around Europe with Domenic after high school became plans to bum around Europe with Caryn. We all ended up going, but we didn’t see each other over there as much as we had planned. Then I went back to start college, at the University of California, Santa Cruz, and Caryn came with me. Domenic stayed on in Italy, living with relatives in the village where his father was born, in the eastern Appenines, working in a vineyard, learning Italian. (Domenic liked his own kind fine. I envied that.)
William Finnegan (Barbarian Days: A Surfing Life)
Thus the one absolutely essential requirement for the art of cooking is a love for its raw materials: the shape and feel of eggs, the sniff of flour, or mint, or garlic, the marvelous form and shimmer of a mackerel, the marbled red texture of a cut of beef, the pale green translucence of fresh lettuce, the concentric ellipses of a sliced onion, and the weight, warmth, and resilience of flour–dusted dough under your fingers. The spiritual attitude of the cook will be all the more enriched if there is a familiarity with barns and vineyards, fishing wharves and dairies, orchards and kitchen gardens.
Alan W. Watts (Does It Matter? Essays on Man's Relation to Materiality)
Above all, how did liberty relate to other great aims? Some Americans felt that the pursuit of liberty ultimately would safeguard other values, such as order and equality; others saw order and authority as prior goals in protecting liberty.
James MacGregor Burns (The American Experiment: The Vineyard of Liberty, The Workshop of Democracy, and The Crosswinds of Freedom)
At the time of the events I am about to relate, this already good-sized village was also fortified, which conferred upon it the honor of a commander in residence, and the benefit of a permanent garrison of Spanish soldiers, who taught modesty to the girls and women of the town, gave an occasional tap on the back to a husband or father, and, at summer’s end, never failed to spread out into the vineyards to thin the grapes and relieve the peasants of the trouble of harvesting them.
Alessandro Manzoni (The Betrothed: A Novel)
As usual, women were highly vulnerable to economic threat, whether as wives or workers or both. Marriage, divorce, and birth rates all fell sharply in the early 1930s. It was often too expensive to get a divorce or to have children. There was evidently a decline in sexual relations owing to fear of pregnancy, psychological demoralization following loss of a job, and women fatigued by having to work both outside and inside the home. Married women were tempting targets for legislators and organizations. Of 1,500 school systems contacted in 1930–31, over three-quarters would not hire married women and almost two-thirds dismissed women teachers if they were married. Although the unemployment rate for women was 4.7 percent in 1930 compared to 7.1 percent for men, this was partly because many women held low-income jobs for which men could not or would not compete.
James MacGregor Burns (The American Experiment: The Vineyard of Liberty, The Workshop of Democracy, and The Crosswinds of Freedom)
threat, whether as wives or workers or both. Marriage, divorce, and birth rates all fell sharply in the early 1930s. It was often too expensive to get a divorce or to have children. There was evidently a decline in sexual relations owing to fear of pregnancy, psychological demoralization following loss of a job, and women fatigued by having to work both outside and inside the home. Married women were tempting targets for legislators and organizations. Of 1,500 school systems contacted in 1930–31, over three-quarters would not hire married women and almost two-thirds dismissed women teachers if they were married. Although the unemployment rate for women was 4.7 percent in 1930 compared to 7.1 percent for men, this was partly because many women held low-income jobs for which men could not or would not compete.
James MacGregor Burns (The American Experiment: The Vineyard of Liberty, The Workshop of Democracy, and The Crosswinds of Freedom)
But history—a moving, organic network of causally related events—is hard to outwit or outflank. History embodies a logic and momentum of its own with resistances, rewards, and penalties. History soon outwitted the Whigs and left them in its dustbin.
James MacGregor Burns (The Vineyard of Liberty, 1787–1863 (The American Experiment Book 1))
When anyone from seaboard or country caught leprosy, they left relatives and friends and went to Pratofungo to spend the rest of their lives waiting for the disease to devour them. There were rumours of great jollifications to greet each new arrival; from afar songs and music were to be heard coming from the lepers' houses till night-fall. Many things were said of Pratofungo, although no healthy person had ever been there; but all rumours were agreed in saying that life there was a perpetual party. Before becoming a leper colony the village had been a great place for prostitutes and visited by sailors of every race and religion; and the women there, it seemed, still kept the licentious habits of those times. The lepers did no work on the land. except for a vine-yard of strawberry grapes whose juice kept them the whole year round in a state of simmering tipsiness. The lepers spent most of their time playing strange instruments of their own invention, such as harps with little bells attached to the string, and singing in falsetto, and painting eggs with daubs of every colour as if for a perpetual Easter.
Italo Calvino (Il visconte dimezzato)
I am amazed we make it to harvest. When I think of the many things that can go wrong, I'm grateful for any edible fruit. A type of humility marks a real farmer. Those of us who battle nature all year must ultimately accept the hand we are dealt. We're cautious even at harvest, privately smiling when we discover that the cards we hold may be OK, inwardly grateful that there hasn't been a disaster. We hear of someone else with bad luck: a farm caught under a hailstorm, a plum orchard that bore no crop, a vineyard with a mildew outbreak. Success is relative. We pick our fruit and whisper to ourselves, "It could have been worse.
David Mas Masumoto (Epitaph for a Peach: Four Seasons on My Family Farm)
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