Villains Are Not Born Quotes

People are not born heroes or villains; they’re created by the people around them.

Sometimes family isn’t a thing we are born into but a choice we make. Sometimes”—Evie smiled—“the people who love you most in your life are the ones who choose you.

I think that God that we have created and allowed to shape our culture through, essentially Christian theology is a pretty villainous creature. I think that one of the things that male patriarchal figure has done is, allowed under it's, his church, his wing, all kinds of corruptions and villainies to grow and fester. In the name of that God terrible wars have been waged, in the name of that God terrible sexism has been allowed to spread. There are children being born all across this world that don't have enough food to eat because that God, at least his church, tells the mothers and fathers that they must procreate at all costs, and to prevent procreation with a condom is in contravention with his laws. Now, I don't believe that God exists. I think that God is creation of men, by men, and for men. What has happened over the many centuries now, the better part of two thousand in fact, is that that God has been slowly and steadily accruing power. His church has been accruing power, and the men who run that church, and they are all men, are not about to give it up. If they give it up, they give up luxury, they give up comfort.

I don't think whole populations are villainous, but Americans are just extraordinarily unaware of all kinds of things. If you live in the middle of that vast continent, with apparently everything your heart could wish for just because you were born there, then why worry? [...] If people lose knowledge, sympathy and understanding of the natural world, they're going to mistreat it and will not ask their politicians to care for it.

Here’s the life lesson I’ve learned, Fifi: Some people are born to play the hero, and some are born to play the bad guy. Fighting your destiny only makes life harder than it needs to be. Besides, people remember the villain long after they’ve forgotten the hero.

If you are a monster, stand up. If you are a monster, a trickster, a fiend, If you’ve built a steam-powered wishing machine If you have a secret, a dark past, a scheme, If you kidnap maidens or dabble in dreams Come stand by me. If you have been broken, stand up. If you have been broken, abandoned, alone If you have been starving, a creature of bone If you live in a tower, a dungeon, a throne If you weep for wanting, to be held, to be known, Come stand by me. If you are a savage, stand up. If you are a witch, a dark queen, a black knight, If you are a mummer, a pixie, a sprite, If you are a pirate, a tomcat, a wright, If you swear by the moon and you fight the hard fight, Come stand by me. If you are a devil, stand up. If you are a villain, a madman, a beast, If you are a strowler, a prowler, a priest, If you are a dragon come sit at our feast, For we all have stripes, and we all have horns, We all have scales, tails, manes, claws and thorns And here in the dark is where new worlds are born. Come stand by me.

Listen to me. The two most important decisions in our lives are not ours to make. Our creation and our death. We don’t choose to be born, and we don’t choose when or how we die. But everything in-between? That’s our jurisdiction. We can fill in the blanks as we please.

You see, I came into this world just like I’m assuming you did—full of excitement and promise. I wanted to do so much good work, help so many people, and give as much as I could to those who needed me. But then I learned a very harsh lesson—the world doesn’t always give back. I am not a tragic case of the world; I am the world—cruel, unfair, and not a fairy tale. People are not born heroes or villains; they’re created by the people around them. And one day when your bright-eyed and bushy-tailed view of life gets its first taste of reality, when bitterness and anger first run through your veins, you’ll discover that you are just like me—and it’ll scare you to death.

There is a reason why people love villains so much. No one wants a hero. A hero will choose the world over their lover. A villain will burn it down for insulting them.

The three of them were the ultimate warriors we all looked up to. Until the day it all came crashing down. That was the day our heroes died. That was the day a new hero was born.

What do you want?" To see the world burn, and a new one be born from the ashes…

Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend.

I expected the members of Earth’s leading society of villains to be smarter,” I said. “I don’t know why.” “They’re smarter in movies and books.” “They would have to be, wouldn’t they?” Morrison said. “In the real world, they can be what people like them usually are: a bunch of dudes born into money who used that money to take advantage of other people to make even more money. It works great until they start believing that being rich makes them smart, and then they get in trouble.

France is to me the heroine in the romance of all the nations of all time. This feeling was born in me years ago when I read how her noble sons had defended America in its cradle. Today I am proud that I am one of the millions who will come to save our heroine from the clutches of the villain from across the Rhine.

Some of us are born rebellious. Like Jean Genet or Arthur Rimbaud, I roam these mean streets like a villain, a vagabond, an outcast, scavenging for the scraps that may perchance plummet off humanity's dirty plates, though often sometimes taking a cab to a restaurant is more convenient.

I was born to rule these lands. Besides dying, what were you born for, weakling?

What do you want? What do you want? ... To see the world burn, and a new one be born from the ashes…

Oh, she thought, horrified and fascinated in equal measure. This is how villains are born.

Free folk and kneelers are more alike than not, Jon Snow. Men are men and women women, no matter which side of the Wall we were born on. Good men and bad, heroes and villains, men of honor, liars, cravens, brutes … we have plenty, as do you.

The blood of a half-demon, born with no understanding of emotions, only the lust for killing and greed. He forced himself to learn, to understand, and to respect. He truly wanted to be a real human, but he failed.

If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.

But a dark, frightened part of her whispered that the most violent hate is born from the tightest love. And betrayal." •pg.213 - Nita's thoughts

people are not born heroes or villains ;they're created by the people around them

Sometimes family isn't a thing we are born into but a choice we make. Sometimes" -Evie smiled-"the people who love ypu most in your life are the ones who choose you.

It’s just how it is. Not everybody was born to be inherently ‘good’. The world is going to be filled with different characters, different flavours, different levels of respectability and whatnot, and Louis just so happens to be on the lower ranks. He’s not good, he’s not brave, and he’s not out to save anyone except himself. Even fairytales have their villains — it’s a part of life. And it’s always been that way. Louis’ always been a bit harsher around the edges. He certainly isn’t going to be winning any “Humanitarian of the Year” awards, that’s for sure. And he doesn’t mind it so much, being thoroughly unaffected by anything and everything and totally removed from his peers and their very trivial lives. Because he’s not like the rest of them. That’s the thing. They’re all the fucking same. With their money and their uppity attitudes and twattiness and their preconceived notions and recycled sentences that disappear as quickly as they come. The same.

Since the day he was born, he'd been defying the odds. Today was not the day to stop that trend. Unlike Ambrose, he wasn't about to give up or give in. So long as there was breath in his body, there was life. So long as there was life, there was hope. And so long as there was hope, there was the possibility of victory. Life wasn't about just getting by. It was about getting through, no matter what, and making the most of every minute. A chill went down his spine as he remembered what his father had said to him. <>. Nick Gautier would not be remembered as a coward or a villain. He was going out a hero and a champion. And he would not go down without a vicious, vicious fight.

I am myself indifferent honest,” I admitted. “But yet I could accuse me of such things that it were better my mother had not borne me. What should such fellows as I do crawling between earth and heaven? We are arrant knaves, all. Believe none of us.

Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.

It's bizarre, but as disgusting and evil and terrible as the Wolfman is, I can't help but feel he's unable to control himself. It seems to me he makes up bizarre excuses to make it okay for him to kill and rape, because he can't stop himself from killing and raping. Whether born or made, the Wolfman is more creature than human. He's a monster.

Do you think people are born villains, or do they live long enough to fight for those they care for, those they love, before realizing what they become?

Some villains were born, but I would be made. I would be her devil to keep her protected.

WANTED, A Gentleman of better character than he knows, who plays the Villain to the manner born. Prompt application to M.St.V. is greatly desired as a Promise remains to be kept.

There’s something annoyingly graceful about the way he moves – like he was born knowing the world would bend for him. It makes me want to trip him.

Oh, she thought, horrified and fascinated in equal measure. This is how villains are born.

Is there not genius in the villain? In the criminal? A magic born in the beginnings of the tiniest of rebellions? When I think of someone who has to create a masterplan to rob a store, the valor of a pirate, or a malicious CEO trying to tear down competition, at least they have a point of view. They are uninhibited by the parameters of previous motion. They are electric imaginers. And they make their money by thinking. The originality of a criminal’s thoughts requires a freedom so rare to attain—and from there, brilliant masterplans, blueprints, trajectories, and other devices are employed. No one owns them and they defy odds with every offense. To have the mind of a criminal, but the heart of an angel would be ideal, but who promised ideal? It’s too bad the cleverest of things were corrupt and have made us call geniuses stupid. Maybe it’s circumstance, maybe it’s hereditary, but the greatest criminals have the creativity and courage like no other.

The two most important decisions in our lives are not ours to make. Our creation and our death. We don’t choose to be born, and we don’t choose when or how we die. But everything in-between? That’s our jurisdiction.

The final complexity associated with building of a negative character lies in the fact that the image of a subject is often an outcome of parochial, ethnocentric, and orientalist viewpoints. In other words, it can be argued that historical or mythological villains might also have been treated in paradoxical manners. Their negative characteristics would have received much more attention by dominant intellectuals than their positive traits.

In her naïve imaginings, he had been like the tortured hero of a gothic romance, possessing a heart filled with dark passions borne from even darker tragedies. His gregarious charm was belied only by the shadows in his eyes, and in their clear amber depths she had thought she had seen a Byronic torment to which she might pose the balm. And she had been right about all of that, save for one crucial thing: He was not the hero. He was, in fact, the villain.

A certain kind of magic is born when the curtain rises. Intoxicated by the smell of the greasepaint and powered by the glow of the footlights, lovers successfully elope, villains get their just deserts and people die in epic stunts and yet live to tell the tale. Thousands pay to sit and be fooled by illusions and still jump to their feet to applaud despite their gullibility. It's an inexplicable, delicious, addictive power that keeps people entranced and coming back for more, again and again.

Those who say that children must not be frightened may mean two things. They may mean (1) that we must not do anything likely to give the child those haunting, disabling, pathological fears against which ordinary courage is helpless: in fact, phobias. His mind must, if possible, be kept clear of things he can’t bear to think of. Or they may mean (2) that we must try to keep out of his mind the knowledge that he is born into a world of death, violence, wounds, adventure, heroism and cowardice, good and evil. If they mean the first I agree with them: but not if they mean the second. The second would indeed be to give children a false impression and feed them on escapism in the bad sense. There is something ludicrous in the idea of so educating a generation which is born to the Ogpu and the atomic bomb. Since it is so likely that they will meet cruel enemies, let them at least have heard of brave knights and heroic courage. Otherwise you are making their destiny not brighter but darker. Nor do most of us find that violence and bloodshed, in a story, produce any haunting dread in the minds of children. As far as that goes, I side impenitently with the human race against the modern reformer. Let there be wicked kings and beheadings, battles and dungeons, giants and dragons, and let villains be soundly killed at the end of the book. Nothing will persuade me that this causes an ordinary child any kind or degree of fear beyond what it wants, and needs, to feel. For, of course, it wants to be a little frightened.

I often wonder what kind of person I would be, had I been born in another country, century, or culture. Would I be the same person at heart, or is the heart I know merely the product of a lifetime of circumstances, experiences and relationships? Understanding the ‘why’ when it comes to human nature is immensely important, particularly when it comes to the villains in our lives. Knowing the subtle differences between hero and villain is to understand the tiny threads which hold the villain back from redemption, and which prevent the hero’s own descent into darkness.

...the Western cultural chorus is shouting ever louder that authenticity is only found in following your flesh. To specifically deny what your body wants is a scandal in our culture. When pursuing your desire for same-gender sex and romance would publicly mark you as a hero - denying it makes you a villain.

Since the day he was born, he'd been defying the odds. Today was not the day to stop that trend. Unlike Ambrose, he wasn't about to give up or give in. So long as there was breath in his body, there was life. So long as there was life, there was hope. And so long as there was hope, there was the possibility of victory. Life wasn't about just getting by. It was about getting through, no matter what, and making the most of every minute. A chill went down his spine as he remembered what his father had said to him. 'The Malachai will never be forgotten. But it's entirely up to you as to how you'll be remembered.' Nick Gautier would not be remembered as a coward or a villain. He was going out a hero and a champion. And he would not go down without a vicious, vicious fight.

As I thought about endings and – being a lover of fairy tales – I knew immediately that the deeply rooted last line in folk stories, ‘And they lived happily ever after’, is the core of what we think we know about endings. We hear it always in our hindbrain because it’s the last line most of us in the West have grown up with. That line stops the story at the point of greatest happiness. The wedding, the homecoming, the mystery unraveled, the villain disposed of, families reunited, babies born. If we went on in the story Cinderella, she might be whispered about in court: after all, her manners are not impeccable, she always has smudges of ash on her nose, and no one can trace her bloodline back enough generations. Perhaps she has grown fat eating all that rich food in the castle, and the prince’s eye has strayed. If we went on in The Three Little Pigs, the brother who builds with bricks will have kicked the other two lay-abouts out of his house, or hired them to run his successful company and they – angry at their lower status – plot to kill him. But, having little imagination, do it the only way they know how, by trying to boil him in the pot that still holds the memory of the wolf’s demise, so of course the brick building pig finds them out. But modern books pose a different problem. They present harder choices. It’s no longer fairy tale endings we are talking about, but the other stuff, more realistic, stronger, difficult, and maybe not happy-ever-after stuff.

One morning Jeanette, bucking Daddy on some point, hit on the argument probably every child in the world has used against his or her parents: 'I didn't ask to be born'. Daddy had an answer for it. 'I know you didn't ask to be born, honey, and as your father responsible for gettin' you into the world, I owe you something'. I owe you three hots and a cots, which is to say, I owe you three meals a day and a place to sleep. That's what I'm obliged for, and that's what I'm lookin' to see you get.' He nodded several times, overcome by the seriousness of this obligation, then leaned back in his chair with a curl to his mouth like a villain's mustache. ''Course, nobody says the meals has got to be chicken. S'pose I just give you bread and water? An' s'pose I let you sleep on the floor'? 'No, Daddy'! 'That's all I'm obliged for, honey. Everything else is gratis. Everything else I do for you is 'cause I want to, not 'cause I have to'. For days afterward, because Daddy had a tenacious mind of the sort that doesn't easily turn loose one idea and go on to another, he would set a plate in front of Jeanette with, 'See, I ain't obliged to give you this. I could give you bread and water and soup with just a little bit of fat floatin' in it, just to keep you alive. That's all I'm asked to give you. But you get more, right? You get this nice plateful, and I imagine when it comes to dessert, you'll have some of that, will you? All right, dessert, and all the other good stuff. But just remember, the good stuff I do for you is because I want to, because I'm your daddy and I love you and I want to, not because I have to'. The subtext to this was that it was not enough for us, the children, to behave in minimal ways either, that filial respect and dutifulness might be all that was basically required of us, but the good stuff, like doing well in school and sticking together as a family and paying attention to what Mommy and Daddy were trying to each us, we would do because we loved them and wanted them to love us.

A villain. The enemy. Sandor watched Sophie tug on her eyelashes—her nervous habit, back in full force. “Nothing is going to happen,” he promised, tucking her blond hair behind her ear with a surprisingly gentle touch for a seven-foot-tall goblin warrior. It definitely helped having Sandor back at her side—especially after almost losing him during the battle on Mount Everest. And Sandor wasn’t the only goblin at Foxfire anymore. Each of the six wings in the main campus building had been assigned its own patrol, with two additional squadrons keeping watch over the sprawling grounds. The Council had also added security throughout the Lost Cities. They had to. The ogres were still threatening war. And in the three weeks since Sophie and her friends had returned from hiding with the Black Swan, the Neverseen had scorched the main gate of the Sanctuary and broken into the registry in Atlantis. Sophie could guess what the rebels had hoped to gain from the elves’ secret animal preserve—they obviously didn’t know that she’d convinced the Council to set the precious alicorns free. But the registry attack remained a mystery. The Councillors kept careful records on every elf ever born, and no one would tell her if any files had been altered or stolen. A bubble popped on Sophie’s head, and Sandor caught the box of Prattles that had been hovering inside. “If you’re going to eat these, I should check them first,” he told her. Sandor’s wide, flat nose scented no toxins in the nutty candy, but he insisted on examining the pin before handing them over. Every box of Prattles came with a special collectible inside, and in the past, the Black

She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.” Oliver eyes her closely. “Perhaps he was born villainous.” “No one is born villainous.” “Oh?” he said with raised eyebrow. “So we’re all born good?” “Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.” “For a woman who loves murder and mayhem, you’re quite the philosopher.” “I like to understand how things work. Why people behave as they do.” He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.” She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.” His features turned stony. “What do you mean?” “Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.” “Perhaps he can’t,” he clipped out. “Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.” Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure. “I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear. A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed. “Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.” Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things… She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.” “Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.” “Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.” He paused in his caress. “So he’s doomed, then?” “No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.” His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do. “Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.

Whoreson dog,” “whoreson peasant,” “slave,” “you cur,” “rogue,” “rascal,” “dunghill,” “crack-hemp,” and “notorious villain” — these are a few of the epithets with which the plays abound. The Duke of York accosts Thomas Horner, an armorer, as “base dunghill villain and mechanical” (Henry VI., Part 2, Act 2, Sc. 3); Gloucester speaks of the warders of the Tower as “dunghill grooms” (Ib., Part 1, Act 1, Sc. 3), and Hamlet of the grave-digger as an “ass” and “rude knave.” Valentine tells his servant, Speed, that he is born to be hanged (Two Gentlemen of Verona, Act 1, Sc. 1), and Gonzalo pays a like compliment to the boatswain who is doing his best to save the ship in the “Tempest” (Act 1, Sc. 1). This boatswain is not sufficiently impressed by the grandeur of his noble cargo, and for his pains is called a “brawling, blasphemous, uncharitable dog,” a “cur,” a “whoreson, insolent noise-maker,” and a “wide-chapped rascal.

We think of men as antiheroes, as capable of occupying an intense and fascinating moral grey area; of being able to fall, and rise, and fall again, but still be worthy of love on some fundamental level, because if it was the world and its failings that broke them, then we surely must owe them some sympathy. But women aren’t allowed to be broken by the world; or if we are, it’s the breaking that makes us villains. Wronged women turn into avenging furies, inhuman and monstrous: once we cross to the dark side, we become adversaries to be defeated, not lost souls in need of mending. Which is what happens, when you let benevolent sexism invest you in the idea that women are humanity’s moral guardians and men its native renegades: because if female goodness is only ever an inherent quality – something we’re born both with and to be – then once lost, it must necessarily be lost forever, a severed limb we can’t regrow. Whereas male goodness, by virtue of being an acquired quality – something bestowed through the kindness of women, earned through right action or learned through struggle – can just as necessarily be gained and lost multiple times without being tarnished, like a jewel we might pawn in hardship, and later reclaim.

Look at what I wrote at the beginning of this memoir. Have I caught anything at all of the extraordinary night when Paul Dempster was born? I am pretty sure that my little sketch of Percy Boyd Staunton is accurate, but what about myself? I have always sneered at autobiographies and memoirs in which the writer appears at the beginning as a charming, knowing little fellow, possessed of insights and perceptions beyond his years, yet offering these with false naivete to the reader, as though to say, 'What a little wonder I was, but All Boy.' Have the writers any notion or true collection of what a boy is? I have and I have reinforced it by forty-five years of teaching boys. A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also schemer, self-seeker, traitor, Judas, crook, and villain - in short, a man. Oh these autobiographies in which the writer postures and simpers as a David Copperfield or a Huck Finn! False, false as harlots' oaths! Can I write truly of my boyhood? Or will that disgusting self-love which so often attaches itself to a man's idea of his youth creep in and falsify the story? I can but try. And to begin I must give you some notion of the village in which Percy Boyd Staunton and Paul Dempster and I were born.

I was born to be your god and I have the power to end your miserable existence.

I expected the members of Earth’s leading society of villains to be smarter,” I said. “I don’t know why.” “They’re smarter in movies and books.” “They would have to be, wouldn’t they?” Morrison said. “In the real world, they can be what people like them usually are: a bunch of dudes born into money who used that money to take advantage of other people to make even more money. It works great until they start believing that being rich makes them smart, and then they get in trouble. Unless they find someone else to take advantage of.

Worry about underpopulation and lack of young men for soldiering led in 1889 to an extension of French nationality to those born in France of non-French fathers. In 1927, war-bled France relaxed restrictions on immigration, only to be villainously attacked on the right for letting in the wrong kind of foreigner, notably Jews, an exclusion codified in Vichy’s nationality laws.

You mentioned that there’s no one particularly bad among your relatives. But do you believe there are inherently bad people in this world? No one is born a villain. Everyone appears to be good or at least normal until a crucial moment reveals their true nature. That’s what makes people so frightening.

J. Edgerton/ The Spirit of Christmas Page 17 Continued JONAS AND JAMES (SINGING) “O come all ye faithful. Joyful and triumphant. O come ye, o come ye to Bethlehem. Come and behold him. Born the king of angels. O come let us adore him. O come let us adore him. O come let us adore him. Christ the lord.” “Sing, choirs of angels, Sing in exultations. Sing, all ye citizens of heavn above; Glory to god, Glory in the highest. O come let us adore him. O come let us adore him. O come let us adore him, Christ the lord!” An occasional passer-by dropped a coin into the cup held by the littlest Nicholas. Thorn tipped his hat to them, trying to keep his greedy looks to a minimum. “Sing loudly my little scalawags. We’ve only a few blocks to go of skullduggery. Then you’ll have hot potato soup before a warm fire.” The Nicholas boys sang louder as they shivered from the falling snow and the wind that seemed to cut right through their shabby clothes, to their very souls. A wicked smile spread over the face of the villainous Mr. Thorn, as he heard the clink of a coin topple into the cup. “That’s it little alley muffins, shiver more it’s good for business.” His evil chuckle automatically followed and he had to stifle it. They trudged on, a few coins added to the coffer from smiling patrons. J. Edgerton/ The Spirit of Christmas Page 18 Mr. Angel continued to follow them unobserved, darting into a doorway as Mr. Thorn glanced slyly behind him, like a common criminal but there was nothing common about him. They paused before the Gotham Orphanage that rose up with its cold stone presence and its’ weathered sign. Thorn’s deep voice echoed as ominous as the sight before them, “Gotham Orphanage, home sweet home! A shelter for wayward boys and girls and a nest to us all!” He slyly drew a coin from his pocket, and twirled it through his fingers. Weather faced Thorn then bit down on the rusty coin, to make sure that it was real. He then deposited all of the coin into the inner pocket of his coat, with an evil chuckle. IV. “GOTHAM ORPHANAGE” “Now never you mind about the goings on of my business. You just mind your own. Now off with ya. Get into the hall to prepare for dinner, such as it is,” Thorn’s words echoed behind them. “And not a word to anyone of my business or you’ll see the back of me hand.” He pushed the boy toward the dingy stone building that was their torment and their shelter. The tall Toymaker glanced after them and then trod cautiously towards Gotham Orphanage. Jonas and James paced along the cracked stone pathway and up the front steps of the main entryway, that towered in cold stone before them. Thorn ushered the boys through the weathered front door to Gotham’s Orphanage. Mr. Angel paced after them and paused, unobserved, near the entrance. As they trudged across the worn hard wood floors of Gotham Orphanage, gala Irish music was heard coming from the main hall of building. Thorn herded the boys into the main hall of the orphanage that was filled with every size and make of both orphan boys and girls seated quietly at tables, eating their dinner. Then he turned with an evil look and hurriedly headed down the long hallway with the money they’ve earned. Jonas and James paced hungrily through the main hall, before a long table with a large, black kettle on top of it and loaves of different types of bread. They both glanced back at a small makeshift stage where orphans in shabby clothes sat stone faced with instruments, playing an Irish Christmas Ballad. Occasionally a sour note was heard. At a far table sat Men and Women of the Community who had come to have dinner and support the orphanage. In front of them was a small, black kettle with a sign that said “Donations”.

Villains are not born—they are made.  And in the case of a Villainess, she is crafted and carved out of the fires of a broken heart and God help the man who thinks to trespass, bruise her further and then survive the encounter.

She had a very cross look about her. So, I asked what was wrong. “Everything. Everything's wrong. And it's the fairy tales to blame. Good beats evil. Happily ever after. The world so desperately claims to be a princess, a knight, a hero. A good guy. But I've seen inside myself and I'm none of these things. But I look at the villains. The villains who made mistakes then hated themselves for it. The villains who know what it's like to lose themselves. The villains who are angry and bitter and desperate, the results of fractured dreams and slaughtered hopes. No one bothers with the 'why?' They think, 'They must have been born evil.' But they weren't. And I know. Because I wasn't either.” She breathed. And we sat there. Two

We all want to be the hero but some of us are born to be villains and side characters.

The world into which we are born is imagined as a stage full of actors but with no script, or director. Everyone assumes they are the hero, but discover they are not the protagonists of the ongoing play. We are forced to play certain roles and speak certain dialogues. But we revolt. We want our own script to be performed and our own dialogues to be heard. So we negotiate with fellow actors. Some succeed in getting heard with some people, others fail with most people, no one succeeds with everybody. We cling to our scripts, submit to other people’s scripts, speak dialogues we do not want to, only to stay relevant and connected to the larger narrative, or at least to a subplot. Heroes emerge. Villains emerge. Heroes of one plot turn out to be villains of other plots. Eventually, all leave the stage but the play continues. Who knows what is actually going on? Vishnu,

Three hours later we broke through the clouds. Chicago sprawled below us, a bristling parasite of steel and stone clinging to the curve of Lake Michigan. Skyscrapers rose up from the urban expanse like the pistons of a mighty engine, standing tall and sharp in the rainy gloom. Home was sin and sleaze and glitz in the desert sun. Vegas would steal every penny in your pocket, but it’d make sure you had a great time on your way to the gutter. Chicago didn’t have time to play games. It was a machine for printing money, moving at the speed of industry, and it only offered two choices: keep up or be left behind. Las Vegas was born from a gangster’s dream of fleecing tourists in paradise. Chicago was born from a trading post, built on the bones of an Indian massacre. Neither city has ever forgotten this.

heroine born with lover and her father after accident of her father test of three daughters proved she have no blood relationship with them and father dead and he ensured her to hero she have no confidence and depend to others hero try to insult to change her but she didn't after her second sister is villainous heroine killed father because will and heroine try to find her real father and say pic edit by villainous thinking hero father was her real father and aborts her child and not giving explanation hero divorced her and engaged to villainess and final became independent and figure that father already died and go back to get hero and revenge for died child

heroine born with lover and her father after accident of her father test of three daughters proved she have no blood relationship with them and father dead and he ensured her to hero she have no confidence and depend to others hero try to insult to change her but she didn't after her second sister is villainous heroine killed father because will and heroine try to find her real father and say pic edit by villainous thinking hero father was her real father and aborts her child and not giving explanation hero divorced her and engaged to villainess and final became independent and figure that father already died and go back to get hero and revenge for died child Book name

Halloween was the worst offender, the one day of the year when people revealed the faces they wished they could wear every day. Heroes, villains, sexed-up archetypes—costumes that screamed what they wanted to be, what they couldn't admit they were. It was funny how the tide had turned. Growing up, we cheered for the heroes. They were brave, just, and invincible. But now? Now, everyone rooted for the villains. Villains weren't born evil. They were shaped by pain and rejection. They were the ones who had suffered, the ones people could relate to. Heroes endured tragedy, but villains were tragedy. We could see ourselves in their fractures.

Please note that the Gallup-documented changes in trust did not flow from the verifiable truth or falsity of the content. In the bubble, facts are no match for belief. There is no Democrat Party child-sex ring being operated out of a Washington, D.C., pizzeria, and never was. There is no fleet of UN black helicopters poised to invade the capitals of the world and steal their sovereignty, and never was. There was no U.S. military operation under the Obama administration to overthrow Texas and jail patriots in a vacant Walmart (I’m pretty sure we already have Texas, don’t we?). There was no George W. Bush administration plot to blow up the Twin Towers on 9/11 as a false-flag operation. There was no fake moon landing. Baby Barack Obama was born in a Honolulu, Hawaii, hospital, just as the birth certificate and contemporaneous newspaper announcements said. And at Sandy Hook Elementary School in 2012, having already shot his own mother to death, Adam Lanza murdered twenty children and six adults. It was not a hoax. No matter what that asshole Alex Jones or his addled followers believe, the victims’ grieving parents were not “crisis actors” in a plot to undermine the Second Amendment. It was a fucking massacre conducted with a fucking assault rifle such as the fucking NRA has fought for decades to be readily available.

Leaders manage and change church culture most effectively and accurately when expositing the Word of God. God can, and does, change our presuppositions, our foundational beliefs, and our very core identities. He does it all the time. In the same way, if we want to develop cultures of leadership development in the local church, we will need to be renewed by the Word of God. We should not expect that the members of our congregation have any more capacity than we do to behave differently apart from the work of the Holy Spirit through the Word of God. As we teach the text, we are utilizing God’s means to conform the Church to His glorious image. Managing culture through exposition is not simply a tool in the belt; it is the work of discipleship at the congregational level. There is a power in exposition that nothing else can match. When we lead our churches through exposition, we are leading them to grow by trusting God. What a glorious thing to join God in His work in drawing men and women to trust in Him. Whether we are correcting belief in the culture, affirming a crucial conviction, or training for a new behavior, it is crucial for the local church to shape culture according to God’s design. It will take time, but God is in the business of renewing our minds, as well as our lives. For a church to change into an epicenter of leadership development, God’s Word will lead the way. Strategic visions and professional frameworks will never have the power to replace the exposition of God’s Word. Illustration. To form culture, the leader must make the exposition come alive. As people born into history, born into a specific time and a specific place, we need to be able to touch, feel, and see ideas and concepts. We learn from a very young age that people learn more by watching than by hearing. For a culture to really change, it needs new stories, new heroes, and even new villains. As leaders labor for new culture or reinforce a healthy one in a local church, there are few tasks more crucial than providing concrete examples. This can, and should, be done first by personal modeling on the part of the leader. People will follow your example before they follow your vision.

I know it difficult to teach of 6 billion people to love each others... But atleast some can give up hate... Just trail of thoughts for you.. The beings on the planet came to existance. Somehow.. Not willing to debate about the source being God or Science.. Then they started evolving and adapting with the natural srrounding.. Some went to Africa the nature burnt their skins and raised the melanin content in their bodies and made them "Blacks".. Some went to Europe the same malanin was washed away as wasnt required and they became "Whites".. And the most fortunate like us came to Southern Asia and became "Browns" Similar was the case with adaptation to the fooding habits too... These habits took ages to settle in and were forced by nature... With passage of time humans gathered some wisdom and wanted too move away from the natural coarse of life designed by nature for them. In most of the ancient paintings found people have been shown killing or exploiting others.. In most of the recorded history maximum elaboration is about Battles and Wars. Where winners were always HEROES and losers were VILLAINS.. In recorded history very few VILLAINS actually won final wars. People started choosing the Victorious as heroes out of fear. The victorious could define and dictate terms to the society. This continues for ages till further evolution of human brains started. The evolution of human brains led to disloyalty towards the victorious and powerful rulers. Their brains taught them the power of togetherness clubbed with conspiracy could uproot the rulers. They started resisting the powerful. May be this is the time when something called religions came to existence to tame the behaviour of Man from the fear of unknown... i.e. Heaven and Hell. They held the societies together got in rules and regulations but again these were based on hating others and protecting community, cities or co-followers. Unfortunately now These Fears of Unknown from different geographical locations are confronting each other stating my fear is bigger than your fear.. But eventually every one has some path i.e. Birth to Death ... During this lengthy thoughts i have understood that its not the fault of a Black to be black and there is no contribution of a White in being born a white... So being Brown is Great... Eternal life is fro the people who did things for generations to remember that's what heaven and hellz all about. - A Black can show supremacy by being Nelson Mandella - A White can help and heal people to Become Mother Teressa - A Brown can liberate and fight for Kids and become Kailash Satyarthi At this point you must also know that Thousands of Years have Gone.. and one thing that remains constant after "CHANGE" is "HATE" Can we change or let it be as was written on the WALL...

Sometimes family isn’t a thing we are born into but a choice we make. Sometimes”—Evie smiled—”the people who love you most in your life are the ones who choose you.

Sometimes family isn't a thing we are born into but a choice we make. Sometimes"- Evie smiled- "the people who love you most in your life are the ones who choose you.

Sometimes family isn't a thing we are born into but a choice we make. Sometimes ... the people who love you most in your life are the ones who choose you.

She’d know that many a villain was born because some soulless corporation devoured the little guy, who just so happened to have been working on a serum, or glider, or something else that could be handily repurposed to turn them into a villain capable of threatening a large metropolitan area. Then again, the fact that it kept happening implied corpos had some poor pattern recognition.