Villains Are Made Not Born Quotes

If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.

It's bizarre, but as disgusting and evil and terrible as the Wolfman is, I can't help but feel he's unable to control himself. It seems to me he makes up bizarre excuses to make it okay for him to kill and rape, because he can't stop himself from killing and raping. Whether born or made, the Wolfman is more creature than human. He's a monster.

Some villains were born, but I would be made. I would be her devil to keep her protected.

Is there not genius in the villain? In the criminal? A magic born in the beginnings of the tiniest of rebellions? When I think of someone who has to create a masterplan to rob a store, the valor of a pirate, or a malicious CEO trying to tear down competition, at least they have a point of view. They are uninhibited by the parameters of previous motion. They are electric imaginers. And they make their money by thinking. The originality of a criminal’s thoughts requires a freedom so rare to attain—and from there, brilliant masterplans, blueprints, trajectories, and other devices are employed. No one owns them and they defy odds with every offense. To have the mind of a criminal, but the heart of an angel would be ideal, but who promised ideal? It’s too bad the cleverest of things were corrupt and have made us call geniuses stupid. Maybe it’s circumstance, maybe it’s hereditary, but the greatest criminals have the creativity and courage like no other.

The final complexity associated with building of a negative character lies in the fact that the image of a subject is often an outcome of parochial, ethnocentric, and orientalist viewpoints. In other words, it can be argued that historical or mythological villains might also have been treated in paradoxical manners. Their negative characteristics would have received much more attention by dominant intellectuals than their positive traits.

She had a very cross look about her. So, I asked what was wrong. “Everything. Everything's wrong. And it's the fairy tales to blame. Good beats evil. Happily ever after. The world so desperately claims to be a princess, a knight, a hero. A good guy. But I've seen inside myself and I'm none of these things. But I look at the villains. The villains who made mistakes then hated themselves for it. The villains who know what it's like to lose themselves. The villains who are angry and bitter and desperate, the results of fractured dreams and slaughtered hopes. No one bothers with the 'why?' They think, 'They must have been born evil.' But they weren't. And I know. Because I wasn't either.” She breathed. And we sat there. Two

Villains are not born—they are made.  And in the case of a Villainess, she is crafted and carved out of the fires of a broken heart and God help the man who thinks to trespass, bruise her further and then survive the encounter.

I know it difficult to teach of 6 billion people to love each others... But atleast some can give up hate... Just trail of thoughts for you.. The beings on the planet came to existance. Somehow.. Not willing to debate about the source being God or Science.. Then they started evolving and adapting with the natural srrounding.. Some went to Africa the nature burnt their skins and raised the melanin content in their bodies and made them "Blacks".. Some went to Europe the same malanin was washed away as wasnt required and they became "Whites".. And the most fortunate like us came to Southern Asia and became "Browns" Similar was the case with adaptation to the fooding habits too... These habits took ages to settle in and were forced by nature... With passage of time humans gathered some wisdom and wanted too move away from the natural coarse of life designed by nature for them. In most of the ancient paintings found people have been shown killing or exploiting others.. In most of the recorded history maximum elaboration is about Battles and Wars. Where winners were always HEROES and losers were VILLAINS.. In recorded history very few VILLAINS actually won final wars. People started choosing the Victorious as heroes out of fear. The victorious could define and dictate terms to the society. This continues for ages till further evolution of human brains started. The evolution of human brains led to disloyalty towards the victorious and powerful rulers. Their brains taught them the power of togetherness clubbed with conspiracy could uproot the rulers. They started resisting the powerful. May be this is the time when something called religions came to existence to tame the behaviour of Man from the fear of unknown... i.e. Heaven and Hell. They held the societies together got in rules and regulations but again these were based on hating others and protecting community, cities or co-followers. Unfortunately now These Fears of Unknown from different geographical locations are confronting each other stating my fear is bigger than your fear.. But eventually every one has some path i.e. Birth to Death ... During this lengthy thoughts i have understood that its not the fault of a Black to be black and there is no contribution of a White in being born a white... So being Brown is Great... Eternal life is fro the people who did things for generations to remember that's what heaven and hellz all about. - A Black can show supremacy by being Nelson Mandella - A White can help and heal people to Become Mother Teressa - A Brown can liberate and fight for Kids and become Kailash Satyarthi At this point you must also know that Thousands of Years have Gone.. and one thing that remains constant after "CHANGE" is "HATE" Can we change or let it be as was written on the WALL...