“
The troops arrived at the wall together and swept into the village, some through the gates and some through the holes blasted by the artillery. Then the slaughter began as they went from hut to hut, winkling out the defenders at bayonet point. The screaming showed the progress of the individual battles across the village until at last it was quiet.
”
”
Nigel Seed (No Road to Khartoum (Michael McGuire Trilogy 1))
“
Behind every door on every ordinary street, in every hut in every ordinary village in this middling planet of a trivial star, such riches are to be found. The strange journeys we undertake on our earthly pilgrimage, the joy and suffering we taste or confer, the chance events that leave us together or apart, what a complex trace they leave: so personal as to be almost incommunicable, so fugitive as to be almost irrecoverable.
”
”
Vikram Seth (Two Lives)
“
To those peoples in the huts and villages of half the globe struggling to break the bonds of mass misery, we pledge our best efforts to help them help themselves, for whatever period is required - not because the Communists may be doing it, not because we seek their votes, but because it is right. If a free society cannot help the many who are poor, it cannot save the few who are rich.
”
”
John F. Kennedy
“
In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. Defenseless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification. Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers. People are imprisoned for years without trial, or shot in the back of the neck or sent to die of scurvy in Arctic lumber camps: this is called elimination of unreliable elements.
”
”
George Orwell (A Collection of Essays)
“
From a lofty perch Tarzan viewed the village of thatched huts across the intervening plantation.
”
”
Edgar Rice Burroughs (Tarzan of the Apes)
“
Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well--thousands of acres of land--a whole province of France--all France itself--lay under the night sky, concentrated into a faint hairbreadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.
”
”
Charles Dickens (A Tale of Two Cities)
“
Don`t talk to me about Matisse
the European style of 1900, the tradition of the studio
where the nude style woman reclines forever
on a sheet of blood.
Talk to me instead about the culture generally
how the murderers were sustained
by the beauty robbed of savages: to our remote
villages the painters came, and our white-washed
mud-huts were splattered with gunfire.
”
”
Michael Ondaatje (Running in the Family)
“
It's a booley village," Ian told her. "The islanders used to take their animals into the hills for the summ. They'd camp out in these stone huts: men, women, and children. Everyone stayed up all night, sang, told stories, watched the stars. It must have been great craic."
"How do you know this stuff?" she asked, admiringly.
"I' a bloody genius." When she threw him a look, he grinned. " I also read it in the guidebook.
”
”
O.R. Melling (The Summer King (The Chronicles of Faerie, #2))
“
I’d like to run away, to flee from what I know, from what is mine, from what I love. I want to set off, not for some impossible Indies or for the great islands that lie far to the south of all other lands, but for anywhere, be it village or desert, that has the virtue of not being here. What I want is not to see these faces, this daily round of days. I want a rest from, to be other than, my habitual pretending. I want to feel the approach of sleep as if it were a promise of life, not rest. A hut by the sea, even a cave on a rugged mountain ledge, would be enough. Unfortunately, my will alone cannot give me that.
Slavery is the only law of life, there is no other, because this law must be obeyed; there is no possible rebellion against it or refuge from it. Some are born slaves, some become slaves, some have slavery thrust upon them. The cowardly love we all have of freedom -which if it were given to us we would all repudiate as being too new and strange –is the irrefutable proof of how our slavery weighs upon us.
”
”
Fernando Pessoa (The Book of Disquiet)
“
Then I said to myself, "If the centuries are going by, mine will come too, and will pass, and after a time the last century of all will come, and then I shall understand." And I fixed my eyes on the ages that were coming and passing on; now I was calm and resolute, maybe even happy. Each age brought its share of light and shade, of apathy and struggle, of truth and error, and its parade of systems, of new ideas, of new illusions; in each of them the verdure of spring burst forth, grew yellow with age, and then, young once more, burst forth again. While life thus moved with the regularity of a calendar, history and civilization developed; and man, at first naked and unarmed, clothed and armed himself, built hut and palace, villages and hundred-gated Thebes, created science that scrutinizes and art that elevates, made himself an orator, a mechanic, a philosopher, ran all over the face of the globe, went down into the earth and up to the clouds, performing the mysterious work through which he satisfied the necessities of life and tried to forget his loneliness. My tired eyes finally saw the present age go by end, after it, future ages. The present age, as it approached, was agile, skillful, vibrant, proud, a little verbose, audacious, learned, but in the end it was as miserable as the earlier ones. And so it passed, and so passed the others, with the same speed and monotony.
”
”
Machado de Assis (Memórias póstumas de Brás Cubas)
“
Over the plains of Ethiopia the sun rose as I had not seen it in seven years. A big, cool, empty sky flushed a little above a rim of dark mountains. The landscape 20,000 feet below gathered itself from the dark and showed a pale gleam of grass, a sheen of water. The red deepened and pulsed, radiating streaks of fire. There hung the sun, like a luminous spider's egg, or a white pearl, just below the rim of the mountains. Suddenly it swelled, turned red, roared over the horizon and drove up the sky like a train engine. I knew how far below in the swelling heat the birds were an orchestra in the trees about the villages of mud huts; how the long grass was straightening while dangling locks of dewdrops dwindled and dried; how the people were moving out into the fields about the business of herding and hoeing.
”
”
Doris Lessing (Going Home)
“
We are relatives at the village and yet we become strangers in the city
”
”
Thabo Katlholo (The Mud Hut I Grew Upon)
“
Put it on record
--I am an Arab
And the number of my card is fifty thousand
I have eight children
And the ninth is due after summer.
What's there to be angry about?
Put it on record.
--I am an Arab
Working with comrades of toil in a quarry.
I have eight childern
For them I wrest the loaf of bread,
The clothes and exercise books
From the rocks
And beg for no alms at your doors,
--Lower not myself at your doorstep.
--What's there to be angry about?
Put it on record.
--I am an Arab.
I am a name without a tide,
Patient in a country where everything
Lives in a whirlpool of anger.
--My roots
--Took hold before the birth of time
--Before the burgeoning of the ages,
--Before cypess and olive trees,
--Before the proliferation of weeds.
My father is from the family of the plough
--Not from highborn nobles.
And my grandfather was a peasant
--Without line or genealogy.
My house is a watchman's hut
--Made of sticks and reeds.
Does my status satisfy you?
--I am a name without a surname.
Put it on Record.
--I am an Arab.
Color of hair: jet black.
Color of eyes: brown.
My distinguishing features:
--On my head the 'iqal cords over a keffiyeh
--Scratching him who touches it.
My address:
--I'm from a village, remote, forgotten,
--Its streets without name
--And all its men in the fields and quarry.
--What's there to be angry about?
Put it on record.
--I am an Arab.
You stole my forefathers' vineyards
--And land I used to till,
--I and all my childern,
--And you left us and all my grandchildren
--Nothing but these rocks.
--Will your government be taking them too
--As is being said?
So!
--Put it on record at the top of page one:
--I don't hate people,
--I trespass on no one's property.
And yet, if I were to become starved
--I shall eat the flesh of my usurper.
--Beware, beware of my starvation.
--And of my anger!
”
”
Mahmoud Darwish
“
It seemed that the printers of the African maps had a slightly malicious habit of including, in large letters, the names of towns, junctions, and villages which, while most of them did exist in fact, as a group of thatched huts may exist or a water hole, they were usually so inconsequential as completely to escape discovery from the cockpit.
”
”
Beryl Markham (West with the Night)
“
She had finally come so far that she seemed to be seeing her own life from the uppermost summit of a mountain pass. Now her path led down into the darkening valley, but first she had been allowed to see that in the solitude of the cloister and in the doorway of death someone was waiting for her who had always seen the lives of people the way villages look from a mountain crest. He had seen sin and sorrow, love and hatred in their hearts, the way the wealthy estates and poor hovels, the bountiful acres and the abandoned wastelands are all borne by the same earth. And he had come down among them, his feet had wandered among the lands, stood in the castles and in huts, gathering the sorrows and sins of the rich and the poor, and lifting them high up with him on the cross." (1081)
”
”
Sigrid Undset (Kristin Lavransdatter)
“
The secret of village togetherness and happiness had always been the generosity of its people, but the secret to that generosity was village inefficiency and decay. The House of the World, like our village huts and our human bodies, no matter how magnificent, is not built to last very long. Because of this, all life must be regularly renewed... If a house is built too well, so efficiently that it is permanent and refuses to fall apart, then people have no reason to come together. Though the house stays together, the people fall apart, and nothing gets renewed
”
”
Martin Prechtel
“
stumbled upon an old article about race and the AYP and how China had declined to sponsor an exhibit because delegates had been harassed at previous world’s fairs, and how ethnographic displays were immensely popular, like the Igorrote exhibit, a mock village of grass huts, which was basically a human zoo.
”
”
Jamie Ford (Love and Other Consolation Prizes)
“
Not in San Salvador, he thinks, where the shanty slums press against gleaming high-rises like the thatched huts of medieval peasants pressed against castle walls. Except these castle walls are patrolled by private security guards wielding automatic rifles and machine pistols. And at night, the guards venture out from the castle walls and ride through the villages ...and slaughter the peasants, leaving their bodies at crossroads and in the middle of village squares, and rape and kill women and execute children in front of their parents.
So the survivors will know their place.
It’s a killing ground, Art thinks.
El Salvador.
The Savior, my ass.
”
”
Don Winslow (The Power of the Dog (Power of the Dog, #1))
“
After they returned from the beach hut, Freddie went off to fix himself a drink
”
”
Lorna Cook (The Forgotten Village)
“
Language, George Orwell reminds us, is always political. It can be used to “make lies sound truthful and murder respectable.” The euphemism, he wrote, is the weapon of choice: "Defenseless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification.
”
”
David Correia (Police: A Field Guide)
“
No one was interested in Malabo - this was why the people in the village must have suspected him of having a deeper motive for visiting. He wanted something from them - why else would he come all this way to live in a hut? Altruism was unknown. Forty years of aid and charities and NGOs had taught them that. Only self-interested outsiders trifled with Africa, so Africa punished them for it.
”
”
Paul Theroux (The Lower River)
“
I have five flashlights and each performs its own trick. I have a raincoat with zippers and net material so I never get too hot in a downpour. I have a shelf crammed with books and a shortwave that speaks Arabic, Japanese, Dutch and Russian. They have mud huts with maybe a few chairs and faded pages of old magazines fastened to the wall. I ride my twenty-one speed Peace Corps-issue bike to Ferke not to save a dollar on transport but for the luxury of exercise. They ride in from their settlements on cranky old mopeds or bikes with a single cog because it's the only option. And they give me charity. I just stare at it - near tears. To refuse their offer would be pure insult. So I do the rounds again shaking hands with all the men in boubous saying over and over "An y che " Thank you.
”
”
Sarah Erdman (Nine Hills to Nambonkaha: Two Years in the Heart of an African Village)
“
In comparison to the church, with its constant clamor, the huts had the hushed, sacred air of deathbed scenes, the light barely illuminating the pallid faces of the soldiers, the village women moving slowly in their dark shawls, their children sitting in transfixed vigil by the beds. For these, Margarete always had a crust of bread, a piece of carrot. Sometimes Lucius entertained them by showing them his father’s hand shadows, other times by letting them listen to their hearts. Their wide eyes grew wider with the cold bell of the stethoscope, not seeming to understand what they were hearing, but astonished nonetheless. Manifestly, he did this out of kindness, or a sort of effort at improving relations, though in truth there was something fortifying in the chance to touch skin without gangrene, without fever, the bodies without a wound.
”
”
Daniel Mason (The Winter Soldier)
“
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
”
”
Arthur Rimbaud (A Season in Hell)
“
It was in a swampy village on the lagoon river behind the Turner Peninsula that Pollock's first encounter with the Porroh man occurred. The women of that country are famous for their good looks - they are Gallinas with a dash of European blood that dates from the days of Vasco da Gama and the English slave-traders, and the Porroh man, too, was possibly inspired by a faint Caucasian taint in his composition. (It's a curious thing to think that some of us may have distant cousins eating men on Sherboro Island or raiding with the Sofas.) At any rate, the Porroh man stabbed the woman to the heart as though he had been a mere low-class Italian, and very narrowly missed Pollock. But Pollock, using his revolver to parry the lightning stab which was aimed at his deltoid muscle, sent the iron dagger flying, and, firing, hit the man in the hand.
He fired again and missed, knocking a sudden window out of the wall of the hut. The Porroh man stooped in the doorway, glancing under his arm at Pollock. Pollock caught a glimpse of his inverted face in the sunlight, and then the Englishman was alone, sick and trembling with the excitement of the affair, in the twilight of the place. It had all happened in less time than it takes to read about it.
("Pollock And The Porroh Man")
”
”
H.G. Wells (Great Tales of Horror and the Supernatural)
“
Inexpensive Progress
Encase your legs in nylons,
Bestride your hills with pylons
O age without a soul;
Away with gentle willows
And all the elmy billows
That through your valleys roll.
Let's say goodbye to hedges
And roads with grassy edges
And winding country lanes;
Let all things travel faster
Where motor car is master
Till only Speed remains.
Destroy the ancient inn-signs
But strew the roads with tin signs
'Keep Left,' 'M4,' 'Keep Out!'
Command, instruction, warning,
Repetitive adorning
The rockeried roundabout;
For every raw obscenity
Must have its small 'amenity,'
Its patch of shaven green,
And hoardings look a wonder
In banks of floribunda
With floodlights in between.
Leave no old village standing
Which could provide a landing
For aeroplanes to roar,
But spare such cheap defacements
As huts with shattered casements
Unlived-in since the war.
Let no provincial High Street
Which might be your or my street
Look as it used to do,
But let the chain stores place here
Their miles of black glass facia
And traffic thunder through.
And if there is some scenery,
Some unpretentious greenery,
Surviving anywhere,
It does not need protecting
For soon we'll be erecting
A Power Station there.
When all our roads are lighted
By concrete monsters sited
Like gallows overhead,
Bathed in the yellow vomit
Each monster belches from it,
We'll know that we are dead.
”
”
John Betjeman (Collected Poems)
“
Why do we call the whole world's attention to the fact that we have no past? It isn't enough that the Romans were erecting great buildings when our forefathers were still living in mud huts; now Himmler is starting to dig up these villages of mud huts and enthusing over every potsherd and stone axe he finds. All we prove by that is that we were still throwing stone hatchets and crouching around open fires when Greece and Rome had already reached the highest stage of culture. We really should do our best to keep quiet about this past.
”
”
Adolf Hitler
“
Now her path led down into the darkening valley, but first she had been allowed to see that in the solitude of the cloister and in the doorway of death someone was waiting for her who had always seen the lives of people the way villages look from a mountain crest. He had seen sin and sorrow, love and hatred in their hearts, the way the wealthy estates and poor hovels, the bountiful acres and the abandoned wastelands are all borne by the same earth. And he had come down among them, his feet had wandered among the lands, stood in castles and in huts, gathering the sorrows and sins of the rich and the poor, and lifting them high up with him on the cross. Not my happiness or my pride, but my sin and my sorrow, oh sweet Lord of mine. She looked up at the crucifix, where it hung high overhead, above the triumphal arch.
”
”
Sigrid Undset (Kristin Lavransdatter)
“
stumbled upon an old article about race and the AYP and how China had declined to sponsor an exhibit because delegates had been harassed at previous world’s fairs, and how ethnographic displays were immensely popular, like the Igorrote exhibit, a mock village of grass huts, which was basically a human zoo. As I kept digging, I was intrigued to learn that 1909 was also the height of Washington State’s suffrage movement. Both the Washington Equal Suffrage Association and the National American Woman Suffrage Association held conventions in Seattle to take advantage of the publicity of the AYP.
”
”
Jamie Ford (Love and Other Consolation Prizes)
“
The oldest wizards believe fire is made with the soul of dragons. That every ongoing flame is a sign that dragons still exist and likewise, if dragons were to end, the whole world would freeze in an instant. That is the reason why, in cold winter nights like this one, in which the frozen dews make it impossible for the villagers to gather and fills even the bravest of our warrior with fright to leave his hut, we keep the tradition of lighting every last torch in the village. For we know that, even in the worst winter, keeping the fire alive keeps alive our hopes of finding dragons once again
”
”
ian chercks (The ninth winter)
“
Glass spotted another dog by the creek, and this one he did not spare. Soon he had a fire burning in the center of the hut. Part of the dog he roasted on a spit over the fire and part he boiled in the kettle. He threw corn into the pot with the dog meat and continued his search through the village.
”
”
Michael Punke (The Revenant (Peter Decker and Rina Lazarus))
“
At the risk of stating the obvious, Washington is an absurdly well-caffeinated state. Its coffee IQ is through the roof. What surprised me was how widely dispersed it was. Everywhere, even in one-stoplight villages, there are wooden huts, Shackletonian in size and bearing yet decadently outfitted in state-of-the-art coffee-making tackle.
”
”
John O’Connor (The Secret History of Bigfoot: Field Notes on a North American Monster)
“
I asked my mother to repeat her stories so I could get them down for posterity. I also had another motive, to write a novel set in Holland in WW2. Since 1990, I’ve been on holiday with my family to the Veluwe, a beautiful national park where we love to cycle through magnificent woods and across expansive heaths. One year, we came across a World War 2 memorial deep in the woods. It had been designated in memory of a group of Jews who hid from the Germans by living in underground huts in a purpose built village. Several of these huts had been reconstructed and I found it hard to believe that whole families could have lived in these gloomy cramped spaces for years on end. The alternative, deportation to a concentration camp, was too awful to contemplate.
”
”
Imogen Matthews (The Hidden Village (Wartime Holland, #1))
“
longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible
”
”
Charles Dickens (A Tale of Two Cities)
“
There is an instrument that can hardly be heard; it is played in Africa for oneself alone, inside the hut, or outside without
bothering or attracting anyone. Rudimentary, archaic, apparently put together haphazardly, freely, by the village
blacksmith, the sanzas (that is its name): no two the same, no good even for a slightly elaborated melody, it is independent
of any scale.
Anarchical. A music of murmurs, the opposite of music for competitions, compositions. Instrument to relieve us dreamily
from all the noisemakers of this world.
”
”
Henri Michaux
“
Christmas In India
Dim dawn behind the tamerisks -- the sky is saffron-yellow --
As the women in the village grind the corn,
And the parrots seek the riverside, each calling to his fellow
That the Day, the staring Easter Day is born.
Oh the white dust on the highway! Oh the stenches in the byway!
Oh the clammy fog that hovers
And at Home they're making merry 'neath the white and scarlet berry --
What part have India's exiles in their mirth?
Full day begind the tamarisks -- the sky is blue and staring --
As the cattle crawl afield beneath the yoke,
And they bear One o'er the field-path, who is past all hope or caring,
To the ghat below the curling wreaths of smoke.
Call on Rama, going slowly, as ye bear a brother lowly --
Call on Rama -- he may hear, perhaps, your voice!
With our hymn-books and our psalters we appeal to other altars,
And to-day we bid "good Christian men rejoice!"
High noon behind the tamarisks -- the sun is hot above us --
As at Home the Christmas Day is breaking wan.
They will drink our healths at dinner -- those who tell us how they love us,
And forget us till another year be gone!
Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching!
Oh the black dividing Sea and alien Plain!
Youth was cheap -- wherefore we sold it.
Gold was good -- we hoped to hold it,
And to-day we know the fulness of our gain.
Grey dusk behind the tamarisks -- the parrots fly together --
As the sun is sinking slowly over Home;
And his last ray seems to mock us shackled in a lifelong tether.
That drags us back how'er so far we roam.
Hard her service, poor her payment -- she is ancient, tattered raiment --
India, she the grim Stepmother of our kind.
If a year of life be lent her, if her temple's shrine we enter,
The door is hut -- we may not look behind.
Black night behind the tamarisks -- the owls begin their chorus --
As the conches from the temple scream and bray.
With the fruitless years behind us, and the hopeless years before us,
Let us honor, O my brother, Christmas Day!
Call a truce, then, to our labors -- let us feast with friends and neighbors,
And be merry as the custom of our caste;
For if "faint and forced the laughter," and if sadness follow after,
We are richer by one mocking Christmas past.
”
”
Rudyard Kipling
“
[referencing African girls with no medical care while giving birth and the devastating fistulas they are left with untreated] Instead of receiving treatment, these young girls--often just girls of fifteen or sixteen--typically find their lives effectively over. They are divorced from their husbands and, because they emit a terrible odor from their wastes, are often forced to live in a hut by themselves on the edge of the village. Eventually, they starve to death or die of an infection that progresses along the birth canal. The fistula patient is the modern-day leper," notes Ruth Kennedy, a British nurse-midwife.
”
”
Nicholas D. Kristof (Half the Sky: Turning Oppression into Opportunity for Women Worldwide)
“
The Sandwich Maker would pass what he had made to his assistant who would then add a few slices of newcumber and fladish and a touch of splagberry sauce, and then apply the topmost layer of bread and cut the sandwich with a fourth and altogether plainer knife. It was not that these were not also skilful operations, but they were lesser skills to be performed by a dedicated apprentice who would one day, when the Sandwich Maker finally laid down his tools, take over from him. It was an exalted position and that apprentice, Drimple, was the envy of his fellows. There were those in the village who were happy chopping wood, those who were content carrying water, but to be the Sandwich Maker was very heaven.
And so the Sandwich Maker sang as he worked.
He was using the last of the year’s salted meat. It was a little past its best now, but still the rich savour of Perfectly Normal Beast meat was something unsurpassed in any of the Sandwich Maker’s previous experience. Next week it was anticipated that the Perfectly Normal Beasts would appear again for their regular migration, whereupon the whole village would once again be plunged into frenetic action: hunting the Beasts, killing perhaps six, maybe even seven dozen of the thousands that thundered past. Then the Beasts must be rapidly butchered and cleaned, with most of the meat salted to keep it through the winter months until the return migration in the spring, which would replenish their supplies.
The very best of the meat would be roasted straight away for the feast that marked the Autumn Passage. The celebrations would last for three days of sheer exuberance, dancing and stories that Old Thrashbarg would tell of how the hunt had gone, stories that he would have been busy sitting making up in his hut while the rest of the village was out doing the actual hunting.
And then the very, very best of the meat would be saved from the feast and delivered cold to the Sandwich Maker. And the Sandwich Maker would exercise on it the skills that he had brought to them from the gods, and make the exquisite Sandwiches of the Third Season, of which the whole village would partake before beginning, the next day, to prepare themselves for the rigours of the coming winter.
Today he was just making ordinary sandwiches, if such delicacies, so lovingly crafted, could ever be called ordinary. Today his assistant was away so the Sandwich Maker was applying his own garnish, which he was happy to do. He was happy with just about everything in fact.
”
”
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
“
To understand where things went wrong, we have to go back 15,000 years, to the end of the last ice age. Up until then, the planet had been sparsely populated and people banded together to stave off the cold. Rather than a struggle for survival, it was a snuggle for survival, in which we kept each other warm.22 Then the climate changed, turning the area between the Nile in the west and the Tigris in the east into a land of milk and honey. Here, survival no longer depended on banding together against the elements. With food in such plentiful supply, it made sense to stay put. Huts and temples were built, towns and villages took shape and the population grew.23 More importantly, people’s possessions grew. What was it Rousseau had to say about this? ‘The first man, who, after enclosing a piece of ground, took it into his head to say, “This is mine”’–that’s where it all started to go wrong. It couldn’t have been easy to convince people that land or animals–or even other human beings–could now belong to someone. After all, foragers had shared just about everything.24 And this new practice of ownership meant inequality started to grow. When someone died, their possessions even got passed on to the next generation. Once this kind of inheritance came into play, the gap between rich and poor opened wide.
”
”
Rutger Bregman (Humankind: A Hopeful History)
“
We’ve seen what happens with the development of the cell-phone technology that was deployed in Africa faster than any other technology ever in the history of humanity. We see small villages, where they have no running water, wood fires to cook with, and no electricity — yet there’s one little solar panel on top of a mud hut and that solar panel is not there for light. It’s there to charge a Nokia 1000 feature phone. That phone gives them weather reports, grain prices at the local market, and connects them to the world. What happens when that phone becomes a bank? Because with bitcoin, it can be a bank. What happens when you connect 6 1/2 billion people to a global economy without any barriers to access?
”
”
Andreas M. Antonopoulos (The Internet of Money)
“
The words and ways this requires are…potent. They come at a price—power always does. This isn’t a matter of wrong or right, you understand, but merely the working of the world. If you want strength, if you want to survive, there must be sacrifice.”
That’s not what Mags taught them. You can tell the wickedness of a witch by the wickedness of her ways. “So who paid your price?”
He bends his neck to look directly at her, weighing something. “A fever spread through my parents’ village that first winter.”
The word fever rings in Juniper’s ears, a distant bell toiling.
“It was nothing too remarkable, except the midwives and wise women couldn’t cure it. One of them came sniffing around, made certain deductions…I took her shadow, too. And the sickness spread further. The villagers grew unruly. Hysterical. I did what I had to do in order to protect myself.” That line has smoothed-over feel, like a polished pebble, as if he’s said it many times to himself. “But then of course the fever spread even further… I didn’t know how to control it, yet. Which kinda of people were expendable and which weren’t. I’m more careful these days.”
The ringing in Juniper’s ears is louder now, deafening.
An uncanny illness, the Three had called it. Juniper remembers the illustrations in Miss Hurston’s moldy schoolbooks, showing abandoned villages and overfull graveyards, carts piled high with bloated bodies. Was that Gideon’s price? Had the entire world paid for the sins of one broken, bitter boy?
And—were they paying again? I’m more careful these days. Juniper thinks of Eve’s labored breathing, the endless rows of cots at Charity Hospital, the fever that raged through the city’s tenements and row houses and dim alleys, preying on the poor and brown and foreign—the expendable. Oh, you bastard.
But Hill doesn’t seem to hear the hitch in her breathing. “People grew frightened, angry. They marched on my village with torches, looking for a villain. So I gave them one.” Hill lifts both hands, palm up: What would you have of me? “I told them a story about an old witch woman who lived in a hut in the roots of an old oak. I told them she spoke with devils and brewed pestilence and death in her cauldron. They believed me.” His voice is perfectly dispassionate, neither guilty nor grieving. “They burned her books and then her. When they left my village I left with them, riding at their head.”
So: the young George of Hyll had broken the world, then pointed his finger at his fellow witches like a little boy caught making a mess. He had survived, at any cost, at every cost. Oh, you absolute damn bastard.
”
”
Alix E. Harrow (The Once and Future Witches)
“
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
”
”
Viet Thanh Nguyen (The Sympathizer)
“
They are divorced from their husbands and, because they emit a terrible odor from their wastes, are often forced to live in a hut by themselves on the edge of the village, as Mahabouba was. Eventually, they starve to death or die of an infection that progresses along the birth canal.
”
”
Anonymous
“
It seems to me that, whether it is recognized or not, there is a terrific frustration which increases in intensity and harmfulness as time goes on, when people are always daydreaming of the kind of place in which they would like to live, yet never making the place where they do live into anything artistically satisfying to them. Always to dream of a cottage by a brook, while never doing anything original to the stuffy boarding-house room in a city; always to dream of a rock, glass, and timber house on the cliffs above the sea, while never putting anything of yourself into the small village brick house; or to dream of what you could do with a hut in the jungle yet never to think of your inherited family mansion as anything but a place to mark time, is to waste creativity by not allowing it to grow and develop through use. Trying out all the ideas that come to you, within the limits of your present place, money, talents, materials and so forth, will not use up everything you want to save for the future, but will rather generate and develop more ideas.
”
”
Edith Schaeffer (Hidden art)
“
1980. My friend Ellen and I went to Africa in 1980. We were being led around a Dogon village in Mali when our guide came to the women’s menstrual hut. He explained that when a woman was menstruating she was unclean, and as a result wasn’t involved in her usual activities. She would stay in the hut with other women who were menstruating. They’d hang out, sitting on a sheet, which periodically they’d wash out. They didn’t have sex with their husbands because the husband could get sick and die. Ellen took great issue with this, informing the guide of the countless times she and her husband (boyfriend, but he didn’t need to know that) had sex while she was bleeding, and he never got sick. Neither one believed the other and there was much shaking of heads at strange cultures, but privately, Ellen and I agreed that hanging out with other women for a few days once a month doing nothing sounded pretty good. 
”
”
Dianna Cohen (The Curse: Stories, Poems, Musings and Snatches of Conversation About Getting Your Period)
“
We left the hut and headed to the Dark Alley. Molly took me to a big cave and we were heading down the dark pits. - “Where exactly is this Dark Alley?” I asked her. - “It’s down by the caves.” Molly said. - “Down? So it’s under the ground?” I asked her. - “Of course, would you expect a Dark Alley to be under the bright sun?” Molly said sarcastically. - “Makes sense! Could you tell me more about this place?” - “The Dark Alley is where all Witches gather to talk and hold meetings. We are an organized society, after all. We discuss events and plans, and we share ideas for new potions and ingredients. It’s always a good place to learn a thing or two, and to get news from other regions of the world. We get to know exactly where humans are living, building cities or other structures, etc.” - “Oh, so we can discover where the humans who attacked my village live?” I asked her. - “Yes. That’s something you can ask.” She said. - “Nice. This place will be very useful for my mission, then.” I said. Day 27 We got to the Dark Alley.
”
”
Mark Mulle (A Villager or a Witch? (Becoming a Witch #1))
“
Where the baobab tree was the soul of the village, the palace was its heart, the inner machinations of what we were. Anarchic, mystical, complete. It was a hut the size of three houses and just as spacious inside. There were sleeping and cooking and bathing spaces, all separated by piles of strategically grouped books. It was the chaos of Nimm organized into one large space. You could walk through the open entranceway and see across the huge palace. My way was blocked by a great stack of vertically organized books.
”
”
Nnedi Okorafor (Akata Woman (The Nsibidi Scripts, #3))
“
The houses of the ruling and representative class were very different from those of the great majority of Virginians. When the traveller came to one of the widely separated gaps in the forest and found himself upon the borders of a great plantation, the estate presented the appearance of a small village. In the centre stood the house of the planter, around which were clustered the offices, all separate from the main building, the tobacco-houses, and the numerous huts of the negro quarters. In the fields the slaves were seen sawing wood and making clearings, or cultivating tobacco. Not far away the herds of cattle were at pasture, and the whole scene recalled an English farm.
”
”
Henry Cabot Lodge (A Short History of the English Colonies in America)
“
The twentieth century is a critical and dangerous time for humanity. It is time for intelligent people to renounce, once and for all, the thoughtless and sentimental habit of admiring a criminal if the scope of his criminality is vast enough, of admiring an arsonist if he sets fire not to a village hut but to capital cities, of tolerating a demagogue if he deceives not just an uneducated lad from a village but entire nations, of pardoning a murderer because he has killed not one individual but millions. Such criminals must be destroyed like rabid wolves. We must remember them only with disgust and burning hatred. We must expose their darkness to the light of day. And if the forces of darkness engender new Hitlers, playing on people’s basest and most backward instincts in order to further new criminal designs against humanity, let no one see in them any trait of grandeur or heroism. A crime is a crime, and criminals do not cease to be criminals because their crimes are recorded in history and their names are remembered. A criminal remains a criminal; a murderer remains a murderer. History’s only true heroes, the only true leaders of mankind are those who help to establish freedom, who see freedom as the greatest strength of an individual, a nation or a state, who fight for the equality, in all respects, of every individual, people and nation. 31
”
”
Vasily Grossman (Stalingrad)
“
In the center of Climentoro, a town in Huehuetenango, a dozen large white houses rose above the village’s traditional wooden huts like giant monuments. The structures were made of concrete and fashioned with archways, colonnaded porches, and elaborate moldings; some even boasted facades decorated with paintings of American flags. Their owners, who lived in the US, had sent money home to build American-inspired houses for when they returned, but few did. One three-story house with a faux-brick chimney was empty. The family of twelve had migrated a few years ago, leaving the vacant construction behind. Vecinos fantasmas, Feliciano Pérez, a local farmer, called them—ghost neighbors.
”
”
Jonathan Blitzer (Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis)
“
They moved into the rain forest a few minutes later; the captain was near the head of the column and MacGregor at the rear. Their destination was the village of Ban Suk, five kilometers away, on the bank of the Chao Neua River that wriggled through the area with a hundred twists. The enemy had recently transformed the old hamlet into a regional headquarters and, according to reports, had sequestered a horde of ammunition in her thatch huts.
They moved along level ground. The path was soft and spongy, without much undergrowth. MacGregor walked with rapid strides, his weapon felt light. He expected to reach Ban Suk with energy to spare.
They slowed down after a kilometer or so, stooping to avoid branches that grew across a path strewn with rocks and clotted with bulging, mossy roots. MacGregor felt as if he’d entered a cavern of sound: bird calls, the trill of insects, a leopard’s groan, the hissing of rivers and streams. He listened for the slightest noise that seemed out of place such as the swish of a branch or a mechanical click. His heart sank when he heard a snap like the breaking of a bough and then, near the head of the column, an abrupt, shattering explosion. A voice called out sharply that the point man had tripped a land mine. He froze for a second, then, like the others, dropped to one knee and pointed his rifle into the trees. The captain stood up after several minutes and ordered MacGregor and Corporal Andrews to tend to the wounded man. “I think he’s dead, sarge,” Andrews said after they carried him into the brush. “Nothin’ we can do for him now.
”
”
Richard French (Testimonies (Witnesses, #3))
“
ripping into village huts and setting them aflame. The fire tendrils issuing from his hands went wild, scorching tree trunks, drummers and chanters alike, until it seemed as if the whole world would turn into a blazing inferno. He felt a terrific agony inside and his bones and tendons buckled under the pressure. Mara leapt aside as a wave of flame tore in front of her. She looked at him with stunned eyes. Like a rising crescendo, the flames billowed higher: unceasing,
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
Maté The moon was simply dying to tread the earth. She wanted to sample the fruit and to bathe in some river. Thanks to the clouds, she was able to come down. From sunset until dawn, clouds covered the sky so that no one could see the moon was missing. Nighttime on the earth was marvelous. The moon strolled through the forest of the high Paranà, caught mysterious aromas and flavors, and had a long swim in the river. Twice an old peasant rescued her. When the jaguar was about to sink his teeth into the moon’s neck, the old man cut the beasts throat with his knife; and when the moon got hungry, he took her to his house. “We offer you our poverty,” said the peasant’s wife, and gave her some corn tortillas. On the next night the moon looked down from the sky at her friends’ house. The old peasant had built his hut in a forest clearing very far from the villages. He lived there like an exile with his wife and daughter. The moon found that the house had nothing left in it to eat. The last corn tortillas had been for her. Then she turned on her brightest light and asked the clouds to shed a very special drizzle around the hut. In the morning some unknown trees had sprung up there. Amid their dark green leaves appeared white flowers. The old peasant’s daughter never died. She is the queen of the maté and goes about the world offering it to others. The tea of the maté awakens sleepers, activates the lazy, and makes brothers and sisters of people who don’t know each other. (86
”
”
Eduardo Galeano (Genesis (Memory of Fire Book 1))
“
As I got up, I posed the last question to him. ‘Baba, somebody told me that your government has initiated stringent measures for wildlife protection. Is that true?’ ‘Yes. There is a complete ban on the shooting of tigers and elephants. We have explained the importance of conservation to all the villages and they seem to have understood.’ ‘I wish our government had been as serious about it,’ I told him as we headed for the hut where dinner was waiting for us. Instead
”
”
Rajeev Bhattacharyya (Rendezvous with Rebels: Journey to Meet India's Most Wanted Men)
“
In the evening after they have brought their cattle home, they sit on the grass before their huts to know that you are among them unseen, to repeat in their songs the name which they have fondly given you.
While kings' crowns shine and disappear like falling stars, around village huts your name rises through the still night from the simple hearts of your lovers whose names are unrecorded.
”
”
Rabindranath Tagore (The Fugitive (Cosimo Classics Biography))
“
Things were becoming desperate. Putting the body of Dr. Livingstone and all their goods and chattels in one hut, they charged out of the town, and fired on the assailants, killing two and wounding several others. Fearing that they would only gather together in the other remaining villages and renew the attack at night, the men carried these quickly one by one and subsequently burnt six others which were built on the same side of the river, then crossing over, they fired on the canoes which were speeding towards the deep water of Bangweolo, through the channel of the Lopupussi, with disastrous results to the fugitive people. Returning to the town, all was made safe for the night. By the fortunes of war, sheep, goats, fowls, and an immense quantity of food fell into their hands; and they remained for a week to recruit. Once
”
”
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
“
21st April, 1873.—Tried to ride, but was forced to lie down, and they carried me back to vil. exhausted. [The men explain this entry thus:—This morning the Doctor tried if he were strong enough to ride on the donkey, but he had only gone a short distance when he fell to the ground utterly exhausted and faint. Susi immediately undid his belt and pistol, and picked up his cap which had dropped off, while Chumah threw down his gun and ran to stop the men on ahead. When he got back the Doctor said, "Chumah, I have lost so much blood, there is no more strength left in my legs: you must carry me." He was then assisted gently to his shoulders, and, holding the man's head to steady himself, was borne back to the village and placed in the hut he had so recently left. It
”
”
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
“
There was no disguising the fact that, if they kept along the main road, intelligence would precede them concerning that in which they were engaged, stirring up certain hostility and jeopardising the most precious charge they had. A plan was quickly hit upon. Unobserved, the men removed the corpse of the deceased explorer from the package in which it had hitherto been conveyed, and buried the bark case in the hut in the thicket around the village in which they had placed it. The object now was to throw the villagers off their guard, by making believe that they had relinquished the attempt to carry the body to Zanzibar. They feigned that they had abandoned their task, having changed their minds, and that it must be sent back to Unyanyembé to be buried there. In the mean time the corpse of necessity had to be concealed in the smallest space possible, if they were actually to convey it secretly for the future; this was quickly managed. Susi and Chuma went into the wood and stripped off a fresh length of bark from an N'gombe tree; in this the remains, conveniently prepared as to length, were placed, the whole being surrounded with calico in such a manner as to appear like an ordinary travelling bale, which was then deposited with the rest of the goods. They next proceeded to gather a faggot of mapira-stalks, cutting them in lengths of six feet or so, and swathing them round with cloth to imitate a dead body about to be buried. This
”
”
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
“
I asked the sergeant how we could prove a belief in equality despite our striking differences in wealth. He answered easily: “You got to be able to jump down off the truck into the sheep manure, go over there into that village of mud huts, walk down those narrow streets, and pick the dirtiest, stinkin’est village-peasant that you meet; and as you walk past him, you got to be able to make him know, just with your eyes, that you know that he is a man who hurts like we do, and hopes like we do, and wants for his kids just like we all do. That’s how you got to be able to do it. Nothin’ else ain’t going to work.
”
”
Robert Humphrey (Values For A New Millennium: Activating the Natural Law to: Reduce Violence, Revitalize Our Schools, and Promote Cross-Cultural Harmony)
“
In an old-fashioned medieval community, when my neighbour was in need, I helped build his hut and guard his sheep, without expecting any payment in return. When I was in need, my neighbour returned the favour. At the same time, the local potentate might have drafted all of us villagers to construct his castle without paying us a penny. In exchange, we counted on him to defend us against brigands and barbarians. Village life involved many transactions but few payments.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
To those peoples in the huts and villages of half the globe struggling to break the bonds of mass misery, we pledge our best efforts to help them help themselves, for whatever period is required—not because the Communists may be doing it, not because we seek their votes, but because it is right.
”
”
Barack Obama (The Audacity of Hope: Thoughts on Reclaiming the American Dream)
“
One d-day,” Old Gertrude muttered, in an agonizingly slow and leathery voice that suggested she was actually closer to two hundred years old, “there is going to be … a gigantic f-fish … called Brian ….” “Yes?” asked Yam, scribbling down her every word frantically (which was unnecessary, because she left such long pauses in between her words that he could have written them down, climbed to the top of one of the highest jungle trees bordering the village, tamed the fifty or so parrots living in its branches, and then come down again before she even said the next thing). Gertrude’s lips quivered. “It is going to eat ….” “Eat, yes, what’s it going to eat?” cried the Chief. Gertrude’s whole body was shaking from the sheer effort now. Sweat ran down her brow. Her blank face had morphed into a look of such concentration that it could probably be considered a workout. The whole village leaned forward, their breaths held in excitement. “It is going to eat,” Old Gertrude whispered …. “Yes!?” cried the Chief. “THE SUN,” Old Gertrude finished. Steve gawped in disbelief. “A fish is going to eat the sun?” “BRILLIANT!” shouted Yam, hurriedly writing the last words of Old Gertrude’s newest prediction into the book. “SHE’S DONE IT AGAIN!” bellowed the Chief—and with that, the entire village erupted into an enormous cheer—with the exception of Gertrude herself, that was, who had sagged in relief now the sheer effort of verbalizing her ‘prediction’ was over. “HURRAH FOR OLD GERTRUDE!” chorused the village. Chuck clucked crossly, rustling his feathers. “Hmph.” “AND ALL HAIL THE ONE TRUE KING, OF COURSE!” the natives added. Chuck stopped his rustling. “Better.” “Get her back to her hut and put her in bed, Yam,” said the Chief. “She looks like she’s about to fall over.” Yam nodded, then scooped up Old Gertrude and hurried her away, at rather a quicker pace than he’d brought her out at. “So, there you go,” said the Chief, looking pleased. “You’ve witnessed one of Old Gertrude’s amazing predictions. A gigantic fish eating the sun, eh? Madness! I do hope I’m alive to see it!
”
”
Splendiferous Steve (The Quest for the Obsidian Pickaxe, Books 1 - 5: An Unofficial Minecraft Series (The Quest for the Obsidian Pickaxe Collection))
“
Wayna Qhapaq died in the first smallpox epidemic. The virus struck Tawantinsuyu again in 1533, 1535, 1558, and 1565. Each time the consequences were beyond the imagination of our fortunate age. “They died by scores and hundreds,” recalled one eyewitness to the 1565 outbreak. “Villages were depopulated. Corpses were scattered over the fields or piled up in the houses or huts.… The fields were uncultivated; the herds were untended [and] the price of food rose to such an extent that many persons found it beyond their reach. They escaped the foul disease, but only to be wasted by famine.
”
”
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
“
…a short seven miles away is the Neolithic village called Skara Brae. There is preserved a huddle of roofless huts, dug half underground into midden and sand dune. There, you can marvel at the domestic normality, that late Stone Age people had beds and cupboards and neighbours and beads. You can feel both their presence, their day-to-day lives, and their utter absence. It’s a good place to go. It re-calibrates your sense of time.
”
”
Kathleen Jamie (Findings)
“
By 1891, six years into the attempt to build the EIC, the whole project was on the verge of bankruptcy. It would have been easy for Léopold to raise revenues by sanctioning imports of liquor that could be taxed or by levying fees on the number of huts in each village, both of which would have caused harm to the native population. A truly “greedy” king, as Hochschild repeatedly calls him, had many fiscal options that Léopold did not exercise.
”
”
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
“
The natives started their trek to the village and the bus followed slowly. No one saw any lions, but Butubu pointed out graceful elands and kudus. They resembled American deer but their horns were quite different. Those of the elands were long and straight and pointed slightly backwards. The kudus’ rose straight up from the forehead and curved in such a way that from a distance they resembled snakes. Suddenly Butubu stopped the bus. “Look!” he said, pointing toward a tree-shaded area. “There’s a family of hyrax. In Africa we call them dassies.‘” “Aren’t they cute?” Bess exclaimed. “Are they some kind of rabbit?” “No,” Butubu replied. “If you will look closely, you will see that they have no tails. People used to think they belonged to the rat family. But scientists made a study of their bodies and say their nearest relatives are the elephants.” “Hard to believe,” said Burt. “Think of a rabbit-sized elephant!” The small, dark-brown animals were sunning themselves on an outcropping of rocks. Three babies were hopping about their mother. Butubu explained that they were among the most interesting African animals. “The babies start walking around within a few minutes of their birth and after the first day they’re on their own. They return to the mother only long enough to be fed, but they start eating greens very quickly.” Butubu drove on but continued to talk about the dassies. “There is an amusing folk tale about these little animals. It was said that in the days when the earth was first formed and animals were being put on it, the weather was cold and rainy. ”When all the animals were called to a certain spot to be given tails, the dassie did not want to go. As other kinds passed him, he begged them to bring him back a tail.“ Nancy laughed. “But none of them did.” “That is right,” Butubu answered. “And so to this day they have no tails that they can use to switch flies.” Everyone in the bus thanked him for relating the charming little legend, then looked out the windows. They were approaching a village of grass-roofed huts. The small homes were built in a semicircle.
”
”
Carolyn Keene (The Spider Sapphire Mystery (Nancy Drew, #45))
“
Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
”
”
Viet Thanh Nguyen (The Sympathizer (The Sympathizer #1))
“
When breakfast was over you could tell by the long, long shadow of the fig tree that it was still very early in the morning. On sunny days Doña Teresa could tell the time almost exactly by its shadow, but on rainy days she just had to guess, because there was no clock in her little cabin. It was lucky that it was so early, because there were so many things to be done. The Twins and their mother were not the only busy people about, however, for there were two hundred other peons beside Pancho who worked on the hacienda, and each one had a little cabin where he lived with his family. There were other vaqueros besides [p 20 ] Pancho. There were ploughmen, and farmers, and water-carriers, and servants for the great white house where Señor Fernandez lived with his wife and pretty daughter Carmen. And there was the gatekeeper, José, 9 whom the Twins loved because he knew the most wonderful stories and was always willing to tell them. There were field-workers, and wood-cutters, and even fishermen. The huts where they all lived were huddled together like a little village, and the village, and the country for miles and miles around, and the big house, and the little chapel beside it, and the schoolhouse, and everything else on that great hacienda, belonged to Señor Fernandez. It almost seemed as if the workers all belonged to Señor Fernandez, too, for they had to do just what he told them to, and there was no other place for them to go and nothing else for them to do if they had wanted ever so much to change. [p 21 ]
All the people, big and little, loved the fiesta of San Ramon. They thought the priest’s blessing would cause the hens to lay more eggs, and the cows to give more milk, and that it would keep all the creatures well and strong. Though it was a feast day, most of the men had gone away from their homes early, when Pancho did; but the women and children in all the little cabins were busy as bees, getting themselves and their animals ready to go in procession to the place where the priest was to bless them. As soon as breakfast was eaten, Doña Teresa said to Tonio: “Go now, my Tonio, and make Tonto beautiful! His coat is rough and full of burs, and he will make a very poor figure to show the priest unless you give him a good brushing. Only be careful
”
”
Lucy Fitch Perkins (The Mexican Twins)
“
When I say that intellectual life cultivates our aspirations, I do not mean that it expands career choices, although of course it may do that. We may discover a desire to be a firefighter or a forest ranger through exercising the love of learning. We may decide to leave everything to live in a poor hut outside the village, growing vegetables, praying, and offering spiritual advice when asked. But human aspiration is deeper in range and broader in scope than our outward life. We aspire to ways of being: to be wise, or kind; to be vast in understanding, steadfast in truth, humble in success, witty in adversity. Albert Schweitzer, who left a brilliant career in divinity and music to provide medical care to the poor in Africa, pointed out that not everyone has the opportunity to make such a dramatic and costly choice.27 But anyone furnished with the basic necessities of life can aspire to the splendor of humanity, even if his or her individual splendor is not widely known or recognized
”
”
Zena Hitz (Lost in Thought: The Hidden Pleasures of an Intellectual Life)
“
I am glad that Hochschild admits that the photographs in his book are fake. Still, to his point, I do not doubt that the traditional African hippo whip was used by EIC officials. Nor do I doubt that chains were used to confine prisoners in the EIC when prisons were not available. Nor do I doubt that the Arab tradition of chopping off the hands of fallen enemies persisted well into the EIC era, even among natives employed by the government or concession companies. So what? If Hochschild’s argument is that the area should have been colonized from the start (as his hero Edmund Morel argued), I would agree. If his argument is that the EIC should have been financed by liquor imports or village hut taxes rather than the 40 hours per month labor requirement for those who could not pay individual taxes, I will side with the King.
”
”
Bruce Gilley (The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind)
“
Nngg…” A groan made him and Iris look at the other bed and its occupant. The inu stirred, eyes fluttering open. He looked around the room before noticing Kevin. “You…” “I’m surprised you’re already up,” Kevin said. “Anyone else would have gone into shock after losing an arm. You inu really are a hardy species.” “But they’re not as hard as you, Stud,” Iris quipped. Kevin rolled his eyes. “Why didn’t you kill me?” asked Cien. “Because I don’t believe in killing if I don’t have to.” “I should have died.” “That’s your foolish pride talking. Only a fool asks for death after his enemy spares him.” Cien scoffed. “Che. I don’t expect a human like you to understand. To a warrior like myself, our pride means everything. We inu are a proud race. For us to be defeated in single combat, and by a human no less, is nothing short of disgraceful.” “A human like me, huh?” Kevin murmured, turning his back on Cien. “You can think that way if you want. I certainly won’t try to force your perceptions of me to change. I don’t really care enough to try. Anyway, I suggest you get some rest. You haven’t been out for that long, and you no longer have a right arm. Even an inu can’t shrug that off like it’s nothing.” Kevin wandered to the hut’s entrance and looked out. No one else was around. The hut that Orin was letting them stay in was further removed from everyone else, over on the outskirts of New Genbu. Kevin didn’t mind, especially since no one in the village liked him. “That was a stupid thing to say,” Iris started, “even for a dog.” “What was that?!” Cien growled. “I dare you to get up and say that to my face you—owch!” He yelped when something smacked him in the face. Looking down at the object as it fell to the ground and landed by his head, he frowned. “Is that… a shoe?” “Don’t fight with my mate’s sister,” Kevin said, grabbing his discarded sneaker and putting it back on. “She started it,” Cien mumbled as Iris snickered behind her hand. “What was that?!” “Nothing,” he said, his body jolting as if he’d touched a live wire. That tone of voice… it had sounded almost feral! Like it belonged to some kind of animal instead of a human! “I’m glad to hear that. Now, then, do as I said and get some sleep. I’m going to be interrogating you tomorrow, and I want you to be perfectly capable of answering every question I have.” Kevin smiled. “I am the victor, after all, and this is my request.” “R-right.” Cien felt his forehead break out in a cold sweat. Who knew humans could be so frightening?
”
”
Brandon Varnell (A Fox's Mission (American Kitsune, #11))
“
Desperately, he looked out over the fjord. Far below, on the other side of the frozen strait, his village huddled in the snow. Firnstayn: four longhouses and a handful of huts, all ringed by a laughably weak palisade. The wooden wall, built from the trunks of fir trees, was meant to keep wolves at bay and to be an obstacle to plunderers. The palisade would never stop the manboar.
”
”
Bernhard Hennen (The Elven (The Saga of the Elven, #1))
“
Initially the training in Ajahn Chah’s tradition requires long periods of communal walking and sitting practice, and frequent all-night sittings in the Buddha Hall. After training together with the collective of monks, you may then be directed to a period of practice in solitude for some months. For this part of the training, monks live in isolated caves or in more distant parts of jungles and mountains, a long morning’s walk from the last remote village. Or, in certain retreat centers, small huts are provided for solitary intensive meditation. My own training included a solitary retreat for one year and three months. I didn’t leave my room, just meditated fifteen to eighteen hours a day, sitting for an hour, walking for an hour, then sitting again. I’d see my teacher every two days for a fifteen-minute interview. You don’t have to be in solitude very long before any pride you have goes away. It is quite humbling. Your mind will do anything. Every past thing you’ve ever done or imagined comes back. Every mood, every fear, every longing, your loneliness, your pain, your love, creativity, and boredom appear with great intensity.
”
”
Jack Kornfield (Bringing Home the Dharma: Awakening Right Where You Are)
“
At the inn I could not stay more than three days and there were no apartments available close to the hermitage. Fortunately, I heard of a village about four versts away and I went there to look; God was with me and helped me to find a place. I made arrangements with a farmer to live in a little hut and guard his vegetable garden during the summer months. Praise be to God! I found a quiet place. Now I could begin to study interior prayer according to the method which was shown to me and I could still visit with the elder.
”
”
Anonymous (The Way of a Pilgrim: And the Pilgrim Continues His Way (Image Classics Book 8))
“
Diamond Hill—what a glorious name for a place. No one outside of Hong Kong would have guessed it was the moniker of a squatter village in Kowloon East. In the fifties and sixties, it was a ghetto with its share of grime and crime, and sleaze oozing from brothels, opium dens, and underground gambling houses. There and then, you found no diamonds but plenty of poor people residing on its muddy slopes. Most refugees from mainland China settled in dumps like this because the rent was dirt cheap. Hong Kong began prospering in the seventies and eighties, and its population exploded, partly due to the continued influx of refugees. Large-scale urbanization and infrastructure development moved at breakneck speed. There was no longer any room for squatter villages or shantytowns. By the late eighties, Diamond Hill was chopped into pieces and demolished bit by bit with the construction of the six-lane Lung Cheung Road in its north, the Tate’s Cairn Tunnel in its northwest, and its namesake subway station in its south. Only its southern tip had survived. More than two hundred families and businesses crammed together in this remnant of Diamond Hill, where the old village’s flavor lingered. Its buildings remained a mishmash of shoddy low-rise brick houses and bungalows, shanties, tin huts, and illegal shelters made of planks and tar paper occupying every nook and cranny. There was not a single thoroughfare wide enough for cars. The only access was by foot using narrow lanes flanked by gutters. The lanes branched out and merged, twisted and turned, and dead-ended at tall fences built to separate the village from the outside world. The village was like a maze. The last of Diamond Hill’s residents were on borrowed time and borrowed land. They had already received eviction notices from the Hong Kong government, and all had made plans for the future. The government promised to compensate longtime residents for vacating the land, but not the new arrivals.
”
”
Jason Y. Ng (Hong Kong Noir)
“
Politics and the English Language Orwell says the following on the use of euphemism by politicians: In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of the political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. Defenseless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification. Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers.
”
”
Martin Cohen (Philosophy For Dummies, UK Edition)
“
Well,” I said, looking at Skeleton Steve. We paused at the top of the boggy hill and looked down at Worla hut. Bald
”
”
Skeleton Steve (Diary of a Teenage Zombie Villager, Box Set (Diary of a Teenage Zombie Villager #1-4))
“
At this site, going back at least 790,000 years, there is evidence for Acheulean tools, Levallois tools, evidence of controlled fire, organised village life, huts that housed socially specialised tasks of different kinds and other evidence of culture among Homo erectus. Erectus may have stopped here on the way out of Africa.
”
”
Daniel L. Everett (How Language Began: The Story of Humanity's Greatest Invention)
“
A husband says to his wife 'Dear, did you hear the rumor that the post-man has all the women in the village except one?´And his wife exclaims, 'Oh I bet it's that stuck-up Mira in hut number thirty!
”
”
Paulina Simmons
“
Jung loved to tell “The Rainmaker Story” which he used to illustrate our journey of return to ourselves. This story is so popular in our circles that you may have heard it before. In this story, a remote village in China was experiencing a prolonged drought. The fields were parched, the crops were dying and the people were facing starvation. They had done everything they could. They prayed to their ancestors; their priests took the sacred images from their temples and marched them around the parched fields. But no prayers or rituals brought the rain that they so badly needed. In despair, the villagers pooled their last few resources and sent for a rainmaker from far away. When the little old man arrived, he found the cattle dying and the people in a miserable state. When the people asked him what he wanted, he said only a small hut and a little food and water. He went into the hut, closed the door, and left the people wondering what he was doing. On the third day, it began to rain. When he emerged, they asked him what he did. “Oh,” he replied, “that is very simple. I didn’t do anything. I came from an area that was in Tao, in balance. Your area is disturbed, out of balance, and when I came into it, I became disturbed. I retreated to the little hut to meditate, to bring myself back into balance. When I am able to get myself in order, everything around me is set right.
”
”
Bud Harris (Becoming Whole: A Jungian Guide to Individuation)
“
210998006405217643 Seeds Index Keywords Index ID Locations – Coordinates X Y Z 01 Spawn 230 73 -170 02 Woodland mansion 508 84 -848 03 Taiga valley village 529 63 -1205 04 Ravine 494 63 -815 05 Witch hut 1159 70 -1518 06 Stronghold portal 1507 27 223 07 Dungeon with zombies 1509 27 203
”
”
CraftsMineShip (40 Premium Seeds with Coordinates: Minecraft Seeds Collection, Volume 1)
“
The wisest of earth's scholars, and the most astute of her politicians, can lift no finger to help the Kingdom of God save by coming in to the school of Jesus, and learning of Him by the inshining of the Holy Spirit. That lonely, laboring soul in back court, or isolated village, or far off heathen hut, who is spelling out under the unique Teacher the lessons of this great deliverance, and so building character on these sayings of His, is doing more to realize on earth the Kingdom of God, and so to bring the golden age, than all the company of diplomatists and politicians, who are forgetful in all practical things of the Nazarene. To the learning of these first great lessons, let us set ourselves with all submission of spirit and surrender of life.
”
”
G. Campbell Morgan (The Works of G. Campbell Morgan (25-in-1). Discipleship, Hidden Years, Life Problems, Evangelism, Parables of the Kingdom, Crises of Christ and more!)
“
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.
”
”
Viet Thanh Nguyen (The Sympathizer)
“
Indians walk softly and hurt the landscape hardly more than the birds and squirrels, and their brush and bark huts last hardly longer than those of wood rats, while their more enduring monuments, excepting those wrought on the forests by the fires they made to improve their hunting grounds, vanish in a few centuries. How different are most of those of the white man, especially on the lower gold region—roads blasted in the solid rock, wild streams dammed and tamed and turned out of their channels and led along the sides of cañons and valleys to work in mines like slaves. Crossing from ridge to ridge, high in the air, on long straddling trestles as if flowing on stilts, or down and up across valleys and hills, imprisoned in iron pipes to strike and wash away hills and miles of the skin of the mountain's face, riddling, stripping every gold gully and flat. These are the white man's marks made in a few feverish years, to say nothing of mills, fields, villages, scattered hundreds of miles along the flank of the Range. Long will it be ere these marks are effaced, though Nature is doing what she
”
”
John Muir (John Muir Ultimate Collection: Travel Memoirs, Wilderness Essays, Environmental Studies & Letters (Illustrated): Picturesque California, The Treasures ... Redwoods, The Cruise of the Corwin and more)
“
BEFORE COMMITTING TO ANOTHER There was a couple who were about to get married in Plum Village, the practice center where I live. They wanted to see me before the wedding ceremony and I received them in my hut. They said, “Thay, there are only twenty-four hours left before our wedding. What do you think that we can do to prepare for our married life to be successful?” I said, “The most important thing for you to do is to look deeply into yourself, to see if there is something that is still an obstacle for you. Is there anyone with whom you haven’t reconciled? Is there anything within you that you haven’t reconciled with?” Reconciliation can also be with your own self. If you don’t reconcile with yourself, happiness with another person is impossible.
”
”
Thich Nhat Hanh (How to Love (Mindfulness Essentials, #3))
“
After we returned to the Continental late that afternoon I left Marina, summoned Sharif, called a taxi, and told the driver to head out of town. When we reached a filthy village, I ordered a halt and told Sharif to follow me down an alley. At the first dried clay hut, without windows and with open door, I poked my nose in and saw a woman, half a dozen scabious children, some chickens and a baby lying on heaps of rags.
One of its eyes festered and was crawling with flies. I suggested to the mother that trachoma was easily curable and she should take her baby to the clinic. She seemed embarrassed. Sharif had a long, earnest conversation. Finally he explained: 'It isn't trachoma. You see, under our law any healthy boy, when he grows up, has to do military service. But his father needs this one in the fields to help draw the plough. So his mother put his mother put his eye out with a pin.' At that point, reflecting on Lotfallah's princely luncheon, I knew there had to be an Egyptian revolution.
”
”
C.L. Sulzberger
“
Hello.” “Hello.” “You’re not too crowded?” “No, it’s all right.” “Have you been in the jug a long time?” “Long enough.” “Are you past the halfway mark?” “Just.” “Look over there: how poverty-stricken our villages are—straw thatch, crooked huts.” “An inheritance from the Tsarist regime.” “Well, but we’ve already had thirty Soviet years.” “That’s an insignificant period historically.” “It’s terrible that the collective farmers are starving.” “But have you looked in all their ovens?” “Just ask any collective farmer in our compartment.” “Everyone in jail is embittered and prejudiced.” “But I’ve seen collective farms myself.” “That means they were uncharacteristic.” (The goatee had never been in any of them—that way it was simpler.) “Just ask the old folks: under the Tsar they were well fed, well clothed, and they used to have so many holidays.” “I’m not even going to ask. It’s a subjective trait of human memory to praise everything in the past. The cow that died is the one that gave twice the milk. [Sometimes he even cited proverbs!] And our people don’t like holidays. They like to work.” “But why is there a shortage of bread in many cities?” “When?” “Right before the war, for example.” “Not true! Before the war, in fact, everything had been worked out.” “Listen, at that time in all the cities on the Volga there were queues of thousands of people…” “Some local failure in supply. But more likely your memory is failing you.” “But there’s a shortage now!” “ ‘Old wives’ tales. We have from seven to eight billion poods of grain.” “And the grain itself is rotten.” “Not at all. We have been successful in developing new varieties of grain.”[…] And so forth. He is imperturbable. He speaks in a language which requires no effort of the mind. And arguing with him is like walking through a desert. It’s about people like that that they say: “He made the rounds of all the smithies and came home unshod.”[
”
”
Jordan B. Peterson (We Who Wrestle with God: Perceptions of the Divine)
“
And the village was deserted, the huts gaped black, rotting, all askew within the fallen enclosures. A calamity had come to it, sure enough. The people had vanished. Mad terror had scattered them, men, women, and children, through the bush, and they had never returned. What became of the hens I don’t know either. I should think the cause of progress got them,
”
”
Joseph Conrad (Heart of Darkness)
“
They streamed aboard over three gangways, they streamed in urged by faith and the hope of paradise, they streamed in with a continuous tramp and shuffle of bare feet, without a word, a murmur, or a look back; and when clear of confining rails spread on all sides over the deck, flowed forward and aft, overflowed down the yawning hatchways, filled the inner recesses of the ship—like water filling a cistern, like water flowing into crevices and crannies, like water rising silently even with the rim. Eight hundred men and women with faith and hopes, with affections and memories, they had collected there, coming from north and south and from the outskirts of the East, after treading the jungle paths, descending the rivers, coasting in praus along the shallows, crossing in small canoes from island to island, passing through suffering, meeting strange sights, beset by strange fears, upheld by one desire. They came from solitary huts in the wilderness, from populous campongs, from villages by the sea. At the call of an idea they had left their forests, their clearings, the protection of their rulers, their prosperity, their poverty, the surroundings of their youth and the graves of their fathers. They came covered with dust, with sweat, with grime, with rags—the strong men at the head of family parties, the lean old men pressing forward without hope of return; young boys with fearless eyes glancing curiously, shy little girls with tumbled long hair; the timid women muffled up and clasping to their breasts, wrapped in loose ends of soiled head-cloths, their sleeping babies, the unconscious pilgrims of an exacting belief. 'Look at dese cattle,' said the German skipper to his new chief mate.
”
”
Joseph Conrad (Lord Jim)