Village Friends Quotes

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Miriam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Miriam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings.
Khaled Hosseini (A Thousand Splendid Suns)
Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide: Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one. Give me comfort, give me edge. Give me novelty, give me familiarity. Give me predictability, give me surprise. And we think it’s a given, and toys and lingerie are going to save us with that. Ideally, though, we’re lucky, and we find our soul mate and enjoy that life-changing mother lode of happiness. But a soul mate is a very hard thing to find.
Aziz Ansari (Modern Romance)
It is true, of course, that there is no way of knowing for sure whether or not you can trust someone, for the simple reason that circumstances change all of the time. You might know someone for several years, for instance, and trust him completely as your friend, but circumstances could change and he could become very hungry, and before you knew it you could be boiling in a soup pot, because there is no way of knowing for sure.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
Joan of Arc came back as a little girl in Japan, and her father told her to stop listening to her imaginary friends. Elvis was born again in a small village in Sudan, he died hungry, age 9, never knowing what a guitar was. Michelangelo was drafted into the military at age 18 in Korea, he painted his face black with shoe polish and learned to kill. Jackson Pollock got told to stop making a mess, somewhere in Russia. Hemingway, to this day, writes DVD instruction manuals somewhere in China. He’s an old man on a factory line. You wouldn’t recognise him. Gandhi was born to a wealthy stockbroker in New York. He never forgave the world after his father threw himself from his office window, on the 21st floor. And everyone, somewhere, is someone, if we only give them a chance.
Iain S. Thomas
You wrote of being in a village upthread together, living as friends and neighbours do, and I could have swallowed this valley whole and still not have sated my hunger for the thought.
Amal El-Mohtar (This Is How You Lose the Time War)
Lucas couldn’t have imagined that he would have ever felt so alone. No family, no friends. Even his own village had turned against him. He peered into the icy water; it looked like it was about to freeze over. Maybe I should drown myself before I freeze to death? he pondered. Was there no one to help? He instinctively bowed his head and prayed. A warm feeling engulfed his battered body. “I’m not alone, I will never be alone. God is with me,” he blubbered.
Mark A. Cooper (The Edelweiss Express (Edelweiss Pirates #2))
It was at this time that I was reminded of the chain of support that keeps a sufferer afloat – the person at the core of a crisis needs the support of their family and best friends, while those people need support from their friends, partners and family. Then even those people twice removed might need to talk to someone about it too. It takes a village to mend a broken heart.
Dolly Alderton (Everything I Know About Love)
Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clangor of her laugh, to sit with her once more for a pot of chai and leftover halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much , to be old and play with Aziza's children. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad , Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
Khaled Hosseini (A Thousand Splendid Suns)
If you are baking a pie for your friends, and you read an article entitled 'How to Build a Chair' instead of a cookbook, you pie will probably end up tasting like wood and nails instead of like crust and fruity filling.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
Inside these letters, the eye will see Nearby are your friends, and VFD.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
In the village he [My friend Moe] said once, "Me and her is buddies, see? If her gate falls down, I go and fix it. If I git in a tight for money she helps me if she's got it, and if she ain't got it, she gits it for me. We stick together. You got to stick to the bridge that carries you across.
Marjorie Kinnan Rawlings (Cross Creek)
Those moments when we learn that mothers rage and fathers kill, that friends betray and authority is fallible, or that our own blank, innocent ignorance can destroy the pure, the good, and the loved are moments the very memory of which constitutes the beginning of a strategy to live in a world where such horrors exist.
Samuel R. Delany (The Motion of Light in Water: Sex and Science Fiction Writing in the East Village)
Parenthood has the power to redefine every aspect of life - marriage, work, relationships with family and friends. Those helpless bundles of power and promise that come into our world show us our true selves- who we are, who we are not, who we wish we could be.
Hillary Rodham Clinton (It Takes a Village: And Other Lessons Children Teach Us)
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings
Khaled Hosseini (A Thousand Splendid Suns)
Lem glowered. "Your lion friends ride into some village, take all the food and every coin they find, and call it foraging. the wolves as well, so why not us? no one robbed you, dog. You just been good and foraged.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I returned from the village. The house seemed unbearably dull. But I bore it. "There is no escape from loneliness and separation...." I told myself often. "Wife, child, brothers, parents, friends.... We come together only to go apart again. It is one continuous movement. They move away from us as we move away from them. The law of life can't be avoided. The law comes into operation the moment we detach ourselves from our mother's womb. All struggle and misery in life is due to our attempt to arrest this law or get away from it or in allowing ourselves to be hurt by it. The fact must be recognized. A profound unmitigated loneliness is the only truth of life. All else is false. My mother got away from her parents, my sisters from our house, I and my brother away from each other, my wife was torn away from me, my daughter is going away with my mother, my father has gone away from his father, my earliest friends - where are they? They scatter apart like the droplets of a waterspray. The law of life. No sense in battling against it...." Thus I reconciled myself to this separation with less struggle than before.
R.K. Narayan (The English Teacher)
Ye friends to truth, ye statesmen who survey The rich man's joys encrease, the poor's decay, 'Tis yours to judge, how wide the limits stand Between a splendid and a happy land.
Oliver Goldsmith (The Deserted Village)
And indeed, who can doubt that everything would be different and better, if only England were ruled by village idiots and their drunken friends?
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
Technology has transformed the world into a global village. And communities, families, friends, etc., into local islands.
Mokokoma Mokhonoana (N for Nigger: Aphorisms for Grown Children and Childish Grown-ups)
You wrote of being in a village upthread together, living as friends and neighbors do, and I could have swallowed this valley whole and still not have sated my hunger for the thought.
Amal El-Mohtar (This Is How You Lose the Time War)
In Sri Lanka, when two strangers meet, they ask a series of questions that reveal family, ancestral village, and blood ties until they arrive at a common friend or relative. Then they say, "Those are our people, so you are our people." It's a small place. Everyone knows everyone. "But in America, there are no such namings; it is possible to slip and slide here. It is possible to get lost in the nameless multitudes. There are no ropes binding one, holding one to the earth. Unbound by place or name, one is aware that it is possible to drift out into the atmosphere and beyond that, into the solitary darkness where there is no oxygen.
Nayomi Munaweera (What Lies Between Us)
Foreign Cash is not the answers to our problems, my friend. Africa needs the hearts and minds of its sons and daughters to nurture it. You were our pride, Mukoma Bryon. When you did not return, a whole village lost its investment. Africa is all that we have. If we do not build it, no one else will.
J. Nozipo Maraire (Zenzele: A Letter for My Daughter)
Once beyond the village, where the cottages ceased abruptly, on either side of the road they could smell through the darkness the friendly fields again; and they braced themselves for the last long stretch, the home stretch, the stretch that we know is bound to end, some time, in the rattle of the door-latch, the sudden firelight, and the sight of familiar things greeting us as long-absent travelers from far oversea.
Kenneth Grahame (The Wind in the Willows)
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
Christopher Hitchens (Hitch 22: A Memoir)
...this is the first time in the history of humankind where we are trying to experience sexuality in the long term, not because we want 14 children, for which we need to have even more because many of them won't make it, and not because it is exclusively a woman's marital duty. This is the first time that we want sex over time about pleasure and connection that is rooted in desire. So what sustains desire, and why is it so difficult? And at the heart of sustaining desire in a committed relationship, I think is the reconciliation of two fundamental human needs... So reconciling our need for security and our need for adventure into one relationship, or what we today like to call a passionate marriage, used to be a contradiction in terms. Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide: Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one. Give me comfort, give me edge. Give me novelty, give me familiarity. Give me predictability, give me surprise. And we think it's a given, and toys and lingerie are going to save us with that.
Esther Perel
If you know your enemy as you know your friend," her mother had said when she gave Mei the book, "then there is hope your enemy will become your friend.
Chris Rettstatt (The Sky Village (Kaimira, #1))
It doesn't take a village to raise children; it takes a whole galaxy - former friends, random acquaintances, complete strangers... even other children.
Brian K. Vaughan (Saga, Volume 1)
I can honestly say I could go two or three days without wondering what Savannah was doing or even thinking about her. Did this make my love less real? I asked myself that question dozens of times during that trip, but I always decided it didn't, for the simple reason that her image would ambush me when I least expected it, overwhelming me with the same ache I had the day I'd left. Anything might set it off: a friend talking about his wife, the sight of a couple holding hands, or even the way some of the villagers would smile as we passed.
Nicholas Sparks (Dear John)
If one morning in the Spring, a stranger came and said to me, Your mother, father, brother, sister, uncle, lover, friend, is dead. From a b-52, napalm bombing, search and destroy mission, air attack, Tet offensive, My Lai massacre, failed escape, I would not scream but make of my body a net, a tarp, stretched taut across the sky, the sea, over every village and hamlet. Prepared to catch everything from the sky, shade everything on the ground, rain water and receive you, war, with arms outstretched.
Lê Thi Diem Thúy
She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings. Mariam's final thoughts were a few words from the Koran, which she muttered under her breath. He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver. "Kneel," the Talib said. O my Lord! Forgive and have mercy, for you are the best of the merciful ones. "Kneel here, hamshira. And look down." One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
FOR THE DYING May death come gently toward you, Leaving you time to make your way Through the cold embrace of fear To the place of inner tranquillity. May death arrive only after a long life To find you at home among your own With every comfort and care you require. May your leave-taking be gracious, Enabling you to hold dignity Through awkwardness and illness. May you see the reflection Of your life’s kindness and beauty In all the tears that fall for you. As your eyes focus on each face, May your soul take its imprint, Drawing each image within As companions for the journey. May you find for each one you love A different locket of jeweled words To be worn around the heart To warm your absence. May someone who knows and loves The complex village of your heart Be there to echo you back to yourself And create a sure word-raft To carry you to the further shore. May your spirit feel The surge of true delight When the veil of the visible Is raised, and you glimpse again The living faces Of departed family and friends. May there be some beautiful surprise Waiting for you inside death, Something you never knew or felt, Which with one simple touch, Absolves you of all loneliness and loss, As you quicken within the embrace For which your soul was eternally made. May your heart be speechless At the sight of the truth Of all belief had hoped, Your heart breathless In the light and lightness Where each and everything Is at last its true self Within that serene belonging That dwells beside us On the other side Of what we see.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn't want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word "love", the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water--love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write "luve" on the wall. I wrote "luve" on the staircase, "luve" on the pantry, "luve" on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read "luve", "luve", "luve." Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their names. I asked at the post office, but the answer here was the same. Then it occurred to me that they would be at the manor house. How stupid I had been! I left the village and walked up a sloping lawn to a Georgian house, where a butler let me in. The squire was entertaining. There were twenty-five or thirty people in the hall, drinking sherry. I took a glass from a tray and looked through the gathering for Flora and my wife, but they were not there. Then I thanked my host and walked down the broad lawn, back to the meadow and the sparkling brook, where I lay on the grass and fell into a sweet sleep.
John Cheever
Almost all were total failures-they couldn't have been put on in the village hall for the author's friends. It wasn't a matter of lack of talent, but of miseducation. The authors of the pseudo-plays assumed that writing should be based on other writing, not on life. My play had been influenced by Beckett, but at least the content had been mine.
Keith Johnstone (Impro: Improvisation and the Theatre)
Alone in distant woods or fields, in unpretending sprout lands or pastures tracked by rabbits, even in a bleak and, to most, cheerless day like this, when a villager would be thinking of his inn, I come to myself. I once more feel myself grandly related. This cold and solitude are friends of mine.
Henry David Thoreau
Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap and turn themselves in their graves, before their surviving friends have travelled away from the neighborhood; so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities.
Washington Irving (The Legend of Sleepy Hollow)
Think about what it would mean to fight," he said. "Say we barricade ourselves here in the hotel and refuse to leave. They come at us with their Weapon, whatever it is. Some of us are hurt, some die. We go out to meet them with whatever weapons we can find - sticks, maybe, or pieces of broken glass. We battle each other. Maybe they set fire to the hotel. Maybe we march into the village and steal food from them nad they come after us and beat us. We beat them back. In the end, maybe we damage them so badly that they're too weak to make us leave. What do we have? Friends and neighbors and families dead. A place half destroyed, and those left in it full of hatred for us. And we ourselves will have to live with the memory of the terrible things we have done.
Jeanne DuPrau (The People of Sparks (Book of Ember, #2))
I was never afraid of my monsters. I controlled them. I slept with them in the dark, and they never stepped beyond their boundaries. My monsters had never asked to be bora with bolts in their necks, scaly wings, blood hunger in their veins, or deformed faces from which beautiful girls shrank back in horror. My monsters were not evil; they were simply trying to survive in a tough old world. They reminded me of myself and my friends: ungainly, unlovely, beaten but not conquered. They were the outsiders searching for a place to belong in a cataclysm of villagers’ torches, amulets, crucifixes, silver bullets, radiation bombs, air force jets, and flamethrowers. They were imperfect, and heroic in their suffering.
Robert McCammon (Boy's Life)
Story people are a bit like real people––no matter where their humble beginnings may lie, their journeys are shaped by family, friends, neighbors, co-workers, and all manner of acquaintances. Some encourage them, some guide them, some offer them unconditional love, some teach them, some challenge them to be their best. This story, like most stories, owes its existence to a village of unique and generous individuals.
Lisa Wingate (Before We Were Yours)
Peace in every home, every street, every village, every country- this is my dream. Education for every boy and every girl in the world. To sit down on a chair and read my books with all my friends at school is my right. To see each and every human being with a smile of happiness is my wish. I am Malala. My world has changed but I have not.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
I realize that people still read books now and some people actually love them, but in 1946 in the Village our feelings about books--I’m talking about my friends and myself--went beyond love. It was as if we didn’t know where we ended and books began. Books were our weather, our environment, our clothing. We didn’t simply read books; we became them. We took them into ourselves and made them into our histories. While it would be easy to say that we escaped into books, it might be truer to say that books escaped into us. Books were to us what drugs were to young men in the sixties. They showed us what was possible. We had been living with whatever was close at hand, whatever was given, and books took us great distances. We had known only domestic emotions and they showed us what happens to emotions when they are homeless. Books gave us balance--the young are so unbalanced that anything can make them fall. Books steadied us; it was as if we carried a heavy bag of them in each hand and they kept us level. They gave us gravity.
Anatole Broyard (Kafka Was the Rage: A Greenwich Village Memoir)
Three times now... We've fought world wars for our own nations, our own villages. We've hurt one another. We've hated one another. That hatred bred a lust for power, and that lust for power created ME. I was a Jinchuuriki, the embodiment of hatred and power. And I hated this world, and all the people in it... I wanted to destroy it with my own hands. The exact same thing Akatsuki is trying to do today. But one man, one ninja from Konoha stopped me. I was his enemy, yet he wept for me! I hurt him, yet he called me his friend! He saved me! My enemy, my fellow Jinchuuriki... He suffered the same pain as me, yet bore no ill will! There are no enemies here because we've all suffered at Akatsuki's hand! SO THERE IS NO SAND, NO STONE, NO LEAF, NO MIST, NO CLOUD! THERE ARE ONLY SHINOBI! And if you still hold a grudge against the Sand, then when this war is over, come and take my head instead! Our enemies are after the friend who saved my life! If they take him, if we hand him over, our world is finished! I want to protect him, and I want to protect our world! But I'm too young to protect it all on my own! All of you lend me your aid!
Masashi Kishimoto
...she immediately became the person they believed her to be: a peculiar, impatient girl, attractive enough yet too old and odd for the village boys who had once been her friends.
Daphne Kalotay (Russian Winter)
Inside an old man is always a young man, a young man shaped by his friends.
Lorna Graham (The Ghost of Greenwich Village)
I have a print - you can buy them at the Victoria and Albert Museum - of a photograph of the village street of Thetford, taken in 1868, in which William Smith is not. The street is empty. There is a grocer's shop and a blacksmith's and a stationary cart and a great spreading tree, but not a single human figure. In fact William Smith - or someone, or several people, dogs too, geese, a man on a horse - passed beneath the tree, went into the grocer's shop, loitered for a moment talking to a friend while the photograph was taken but he is invisible, all of them are invisible. The exposure of the photograph - sixty minutes - was so long that William Smith and everyone else passed through it and away leaving no trace. Not even so much of a mark as those primordial worms that passed through the Cambrian mud of northern Scotland and left the empty tube of their passage in the rock. I like that. I like that very much. A neat image for the relation of man to the physical world. Gone, passed through and away.
Penelope Lively (Moon Tiger)
One day a man sees the sun setting and decides that his fortune is where the sun touches the land. He sets off towards it. He walks and walks and walks, and after a long time he arrives back in the village where he started. He has travelled the globe but when his friends ask him to describe the wonders of the world he is unable to reply, for his eyes have been blinded by the sun.
Danny Scheinmann (Random Acts Of Heroic Love)
Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide: Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one. Give me comfort, give me edge. Give me novelty, give me familiarity. Give me predictability, give me surprise. And we think it’s a given, and toys and lingerie are going to save us with that.6
Aziz Ansari (Modern Romance: An Investigation)
As children in a small village in Sierra Leone, my friends and I dreamed of travelling the world like the missionaries who opened our village school. As a British subject, I dreamed of walking the streets of London. I imagined my self in the United States of America visiting the places where the cowboy movies were made.
Francis Mandewah (FRIENDSHIP: A True Story of Adventure, Goodwill, and Endurance)
Did I tell you about Anton?" Loots said. Anton?" I shook my head. It was a week ago, Loots said. There had been a knock on the door of his apartment and when he opened it his old friend Anton was standing there. Anton was a clown. He belonged to a circus that toured the provinces, playing to small towns and villages. They talked about the old days for a while, but Anton became increasingly restless and distracted. In the end Loots had to ask him if there was something wrong. This is going to sound strange." The clown coughed nervously into his fist. "It's The Invisible Man. He's disappeared." Loots stared at his friend. He just vanished," Anton said, "into thin air." The Invisible Man?" Loots said. Yes." He's disappeared?" I told you it would sound strange," Anton said.
Rupert Thomson (The Insult)
He's so big, he can swallow a creeper whole (and he's so strong, he'll survive the explosion—the worst damage being a bad case of gas. The history book literally describes Mungo's huge farts after he ate a creeper. No, my friends, don't ever stand downwind of Mungo after he's devoured a charged creeper. It won't be a pleasant experience.)
Cube Kid (Diary of a Wimpy Villager: Book 2 (An unofficial Minecraft book))
If one morning in the Spring, a stranger came and said to me, your mother,father, brother, sister, uncle, lover, friend is dead from a b-52, napalm bombing, search and destroy misson, air attack, Tet offensive, My Lai massacre, failed escape, I would not scream but make of my body a net, a tarp, stretched taut across the sky, the sea, over every village and hamlet, prepared to catch everything from the sky, shade everything on the ground, rain water and receive yyou, war, with arms outstretched
Lê Thi Diem Thúy (The Gangster We Are All Looking For)
It was at this time that I was reminded of the chain of support that keeps a sufferer afloat—the person at the core of a crisis needs the support of their family and best friends, while those people need support from their friends, partners, and family. Then even those people twice removed might need to talk to someone about it too. It takes a village to mend a broken heart.
Dolly Alderton (Everything I Know About Love: A Memoir)
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade. We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off. And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
Catherynne M. Valente
Answer me something. This life, where you get to meet people and know them, and become friends, and then in a few days or a few weeks, either they leave or you do...is it worth it? I am not sure. I think so. Maybe having your heart broken like that is what keeps it open.
James Maskalyk (Six Months in Sudan: A Young Doctor in a War-torn Village)
Mrs. Gamely had gotten a letter through, inviting them to visit as soon as they could, and reporting that, in these years just before the millennium Lake of the Coheeries had had had hard winters--yes--but also extraordinary summers which had made the village overflow with natural wealth, "in the agrarian and lexicographical senses of the word. There is so much food, everywhere," her friend had written for her, "and so many new and wonderful words being generated, that the storehouses and closets are overflowing. We are tubflooded with neologisms, smoked fish, and fruit pies.
Mark Helprin (Winter's Tale)
Did I ever tell you about Asin? She is the wild woman of the woods. It's an old story of the People. My mom used to tell me about Asin. Asin couldn't bear being married or having children or having friends. She always wanted to run wild. She ran wild through the woods. If you saw her running you had to run to water as fast as you could and drink or her restlessness would come into you like a thirst that could never be quenched. She was happy and unhappy. She had wild long hair and she was very tall and she ran like the wind. When you saw dunegrass rippling in a line she was running through it. When the wind changed direction suddenly that was Asin. She was never satisfied or content and so she ran and ran and ran. She would grab men who were fishing alone and make love to them and then throw them down on the ground and run away weeping. She would grab children who wandered too far alone in the woods but she would return them to the same spot after three days and run away again. She would listen to women talking by the fire or working in the village or gathering berries but if they invited her to join them she ran away. You could hear her crying sometimes when the sun went down. She wanted something but she never knew what it was so she had nothing. She was as free as anyone ever could be and she was trapped. When I was young I wanted to be Asin. Many times I wanted to be Asin. So do you, Nora. I know. It's okay. It's alright. My sweet love. Poor Asin. Sometimes I think to be Asin would be the saddest thing in the world. Poor thing.
Brian Doyle (Mink River)
There was an old Taoist who lived in a village in ancient China, named Master Hu. Hu loved God and God loved Hu, and whatever God did was fine with Hu, and whatever Hu did was fine with God. They were friends. They were such good friends that they kidded around. Hu would do stuff to God like call him "The Great Clod." That's how he kidded. That was fine with God. God would turn around and do stuff to Hu like give him warts on his face, wens on his head, arthritis in his hands, a hunch in his back, canker sores in his mouth and gout in his feet. That's how He kidded. That God. What a kidder! But it was fine with Hu. Master Hu grew lumpy as a toad; he grew crooked as cherry wood; he became a human pretzel. "You Clod!" he'd shout at God, laughing. That was fine with God. He'd send Hu a right leg ten inches shorter than the left to show He was listening. And Hu would laugh some more and walk around in little circles, showing off his short leg, saying to the villagers, "Haha! See how the Great Clod listens! How lumpy and crookedy and ugly He is making me! He makes me laugh and laugh! That's what a Friend is for!" And the people of the village would look at him and wag their heads: sure enough, old Hu looked like an owl's nest; he looked like a swamp; he looked like something the dog rolled in. And he winked at his people and looked up at God and shouted, "Hey Clod! What next?" And splot! Out popped a fresh wart. The people wagged their heads till their tongues wagged too. They said, "Poor Master Hu has gone crazy." And maybe he had. Maybe God sent down craziness along with the warts and wens and hunch and gout. What did Hu care? It was fine with him. He loved God and God loved Hu, and Hu was the crookedest, ugliest, happiest old man in all the empire till the day he whispered, Hey Clod! What now? and God took his line in hand and drew him right into Himself. That was fine with Hu. That's what a Friend is for.
David James Duncan (The River Why)
As Wilson mourned his wife, German forces in Belgium entered quiet towns and villages, took civilian hostages, and executed them to discourage resistances. In the town of Dinant, German soldiers shot 612 men, women, and children. The American press called such atrocities acts of "frightfulness," the word then used to describe what later generations would call terrorism. On August 25, German forces bean an assault on the Belgian city of Louvain, the "Oxford of Belgium," a university town that was home to an important library. Three days of shelling and murder left 209 civilians dead, 1,100 buildings incinerated, and the library destroyed, along with its 230,000 books, priceless manuscripts, and artifacts. The assault was deemed an affront to just to Belgium but to the world. Wilson, a past president of Princeton University, "felt deeply the destruction of Louvain," according to his friend, Colonel House; the president feared "the war would throw the world back three or four centuries.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
I have seen," he said, "the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance, were it not for the most verdant islands that relieve the eye by their gay appearance; I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water, and gave you an idea of what the waterspout must be on the great ocean; and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche, and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud: but this country, Victor, pleases me more than all those wonders. The mountains of Switzerland are more majestic and strange; but there is a charm in the banks of this divine river, that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely, the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier, or retire to the inaccessible peaks of the mountains of our own country. "Clerval! beloved friend! even now it delights me to record your words, and to dwell on the praise of which you are so eminently deserving. He was a being formed in the "very poetry of nature." His wild and enthusiastic imagination was chastened by the sensibility of his heart.
Mary Wollstonecraft Shelley (Frankenstein)
it takes a village to build success in publishing a book - it takes friends that are willing to help - it takes hours upon hours of no's to get to a yes, it takes many twists and turns with seemingly no end to the detours, it takes courage to face the unknowns - it takes and it takes and it takes - But then, like a flower opening its blossom - it gives.........
Rich Okun (The Sun, the Moon, the Stars and Maya: A Collection of Little Sayings About Enormous Things)
What do think about abortion?” “I could feel the tension growing in the plane. I dropped my head, acknowledging that we had very different value systems for our lives. Then I thought of a way to respond to his question. “You’re Jewish, right?” I asked. “Yes,” he said defensively. “I told you I was!” “Do you know how Hitler persuaded the German people to destroy more than six million of your Jewish ancestors?” The man looked at me expectantly, so I continued. ”He convinced them that Jews were not human and then exterminated your people like rats.” I could see that I had his attention, so I went on. “Do you understand how Americans enslaved, tortured, and killed millions of Africans? We dehumanized them so our constitution didn’t apply to them, and then we treated them worse than animals.” “How about the Native Americans?” I pressed. “Do you have any idea how we managed to hunt Indians like wild animals, drive them out of their own land, burn their villages, rape their women, and slaughter their children? Do you have any clue how everyday people turned into cruel murderers?” My Jewish friend was silent, and his eyes were filling with tears as I made my point. “We made people believe that the Native Americans were wild savages, not real human beings, and then we brutalized them without any conviction of wrongdoing! Now do you understand how we have persuaded mothers to kill their own babies? We took the word fetus, which is the Latin word for ‘offspring,’ and redefined it to dehumanize the unborn. We told mothers, ‘That is not really a baby you are carrying in your belly; it is a fetus, tissue that suddenly forms into a human being just seconds before it exits the womb.’ In doing so, we were able to assert that, in the issue of abortion, there is only one person’s human rights to consider, and then we convinced mothers that disposing of fetal tissue (terminating the life of their babies) was a woman’s right. Our constitution no longer protects the unborn because they are not real people. They are just lifeless blobs of tissue.” By now, tears were flowing down his cheeks. I looked right into his eyes and said, “Your people, the Native Americans, and the African Americans should be the greatest defenders of the unborn on the planet. After all, you know what it’s like for society to redefine you so that they can destroy your races. But ironically, your races have the highest abortion rates in this country! Somebody is still trying to exterminate your people, and you don’t even realize it. The names have changed, but the plot remains the same!” Finally he couldn’t handle it anymore. He blurted out, “I have never heard anything like this before. I am hanging out with the wrong people. I have been deceived!
Kris Vallotton
Twelve years ago, when I was 10, I played at being a soldier. I walked up the brook behind our house in Bronxville to a junglelike, overgrown field and dug trenches down to water level with my friends. Then, pretending that we were doughboys in France, we assaulted one another with clods of clay and long, dry reeds. We went to the village hall and studied the rust rifles and machine guns that the Legion post had brought home from the First World War and imagined ourselves using them to fight Germans. But we never seriously thought that we would ever have to do it. The stories we heard later; the Depression veterans with their apple stands on sleety New York street corners; the horrible photographs of dead bodies and mutilated survivors; “Johnny Got His Gun” and the shrill college cries of the Veterans of Future Wars drove the small-boy craving for war so far from our minds that when it finally happened, it seemed absolutely unbelievable. If someone had told a small boy hurling mud balls that he would be throwing hand grenades twelve years later, he would probably have been laughed at. I have always been glad that I could not look into the future.
David Kenyon Webster (Parachute Infantry: An American Paratrooper's Memoir of D-Day and the Fall of the Third Reich)
The radical economist J K Gibson-Graham (two women writing under one name) portray our society as an iceberg, with competitive capitalist practices visible above the waterline and below all kinds of aid and cooperation by families, friends, neighbors, churches, cooperatives, volunteers, and voluntary organizations from softball leagues, to labor unions, along with activities outside the market, under the table, bartered labor and goods, ad more, a bustling network of uncommercial enterprise. Kropotkin's mutual-aid tribes, clans, and villages never went away entirely, even among us, here and now.
Rebecca Solnit (A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster)
THE TRUTH IS BORN IN STRANGE PLACES Joan of Arc came back as a little girl in Japan, and her father told her to stop listening to her imaginary friends. Elvis was born again in a small village in Sudan, he died hungry, age 9, never knowing what a guitar was. Michelangelo was drafted into the military at age 18 in Korea, he painted his face black with shoe polish and learned to kill. Jackson Pollock got told to stop making a mess, somewhere in Russia. Hemingway, to this day, writes DVD instruction manuals somewhere in China. He’s an old man on a factory line. You wouldn’t recognise him. Gandhi was born to a wealthy stockbroker in New York. He never forgave the world after his father threw himself from his office window, on the 21st floor. And everyone, somewhere, is someone, if we only give them a chance.
pleasefindthis (I Wrote This For You)
Thus it was, that when the little hairy man arrived back from the village of Revelry (although why it was so called no man alive could say, for it was a gloomy, somber place, and had been for time out of mind) he found Tristran sitting glumly beside a hawthorn bush, wrapped in a blanket, and bewailing the loss of his hat. “They said cruel things about my true love,” said Tristran. “Miss Victoria Forester. How dare they?” “The little folk dare anything,” said his friend. “And they talks a lot of nonsense. But they talks an awful lot of sense, as well. You listen to ’em at your peril, and you ignore ’em at your peril, too.
Neil Gaiman (Stardust)
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army. 'Where are we?' asked Gil Gil. 'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?' 'What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man. 'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")
Pedro Antonio de Alarcón (Ghostly By Gaslight)
The brown autumn came. Out of doors, it brought to the fields the prodigality of the golden harvest, —to the forest, revelations of light,⁠—and to the sky, the sharp air, the morning mist, the red clouds at evening. Within doors, the sense of seclusion, the stillness of closed and curtained windows, musings by the fireside, books, friends, conversation, and the long, meditative evenings. To the farmer, it brought surcease of toil,⁠—to the scholar, that sweet delirium of the brain which changes toil to pleasure. It brought the wild duck back to the reedy marshes of the south; it brought the wild song back to the fervid brain of the poet. Without, the village street was paved with gold; the river ran red with the reflection of the leaves. Within, the faces of friends brightened the gloomy walls; the returning footsteps of the long-absent gladdened the threshold; and all the sweet amenities of social life again resumed their interrupted reign.
Henry Wadsworth Longfellow (Kavanagh)
It is one of the evils of rapid diffusion of news that the sorrows of all the world come to us every morning. I think each village was meant to feel pity for it’s own sick and poor whom it can help and I doubt if it is the duty of any private person to fix his mind on ills which he cannot help. (This may even become an escape from the works of charity we really can do to those we know). A great many people do now seem think that the mere state of being worried is in itself meritorious. I don’t think it is. We must, if it so happens, give our lives for others: but even while we’re doing it, I think we’re meant to enjoy Our Lord and, in Him, our friends, our food, our sleep, your jokes, and the birds song and the frosty sunrise.
C.S. Lewis (The Quotable Lewis)
Take the heart first. Then you don't feel the cold so much. The pain so much. With the heart gone, there's no reason to stay your hand. Your eyes can look on death and not tremble. It's the heart that betrays us, makes us weep, makes us bury our friends when we should be marching ahead. It's the heart that sickens us at night and makes us hate who we are. It's the heart that sings old songs and brings memories of warm days and makes us waver at another mile, another smouldering village.
Jeanette Winterson (The Passion)
Experience teaches,” said Gletkin, “that the masses must be given for all difficult and complicated processes a simple, easily grasped explanation. According to what I know of history, I see that mankind could never do without scapegoats. I believe it was at all times an indispensable institution; your friend Ivanov taught me that it was of religious origin. As far as I remember, he explained that the word itself came from a custom of the Hebrews, who once a year sacrificed to their god a goat, laden with all their sins.” Gletkin paused and shoved his cuffs into place. “Besides, there are also examples in history of voluntary scapegoats. At the age when you were given a watch, I was being taught by the village priest that Jesus Christ called himself a lamb, which had taken on itself all sin. I have never understood in what way it could help mankind if someone declares he is being sacrificed for its sake. But for two thousand years people have apparently found it quite natural.
Arthur Koestler (Darkness at Noon)
No man will speak to his master; but to a wanderer and a friend, to him who does not come to teach or to rule, to him who asks for nothing and accepts all things, words are spoken by the camp-fires, in the shared solitude of the sea, in riverside villages, in resting-places surrounded by forests—words are spoken that take no account of race or colour. One heart speaks—another one listens; and the earth, the sea, the sky, the passing wind and the stirring leaf, hear also the futile tale of the burden of life.
Joseph Conrad
Walking backwards is an excellent means of remembering how little you know. On the morning of September 11, 2001, I was sitting in a café in the West Village with my friends Lucy and Adrian when a woman ran in and said a plane had just hit the World Trade Center. A plane? we asked. Like a Cessna? She didn’t know. She hadn’t seen it happen. We went out to the street on that bright morning to see a fire high up in the distance. The waiter came out and told us to get back inside. We hadn’t paid the check. I paid the check. Lucy said she didn’t have time for this. She was teaching at Bennington in Vermont, and this was the first day of classes. She had to make her train. We said our goodbyes and Adrian and I walked downtown to see what had happened. We both wrote for the New York Times. Surely there would be a story for one of us. We had just passed Stuyvesant Park when the first tower fell. I would tell you we were idiots, but that’s only true in retrospect. In fact we were so exactly in the middle of history that we had no way to understand what we were seeing.
Ann Patchett (These Precious Days: Essays)
The late 1920s were an age of islands, real and metaphorical. They were an age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Seas or the West Indies, or better still for Paris, from which they could scatter to Majorca, Corsica, Capri or the isles of Greece. Paris itself was a modern city that seemed islanded in the past, and there were island countries, like Mexico, where Americans could feel that they had escaped from everything that oppressed them in a business civilization. Or without leaving home they could build themselves private islands of art or philosophy; or else - and this was a frequent solution - they could create social islands in the shadow of the skyscrapers, groups of close friends among whom they could live as unconstrainedly as in a Polynesian valley, live without moral scruples or modern conveniences, live in the pure moment, live gaily on gin and love and two lamb chops broiled over a coal fire in the grate. That was part of the Greenwich Village idea, and soon it was being copied in Boston, San Francisco, everywhere.
Malcolm Cowley (Exile's Return: A Literary Odyssey of the 1920s)
At a friend’s house in Greenwich Village I remember talking of the frustration of trying to find the precise word for one’s thoughts, saying that the ordinary dictionary was inadequate. ‘Surely a system could be devised,’ I said, ‘of lexicographically charting ideas, from abstract words to concrete ones, and by deductive and inductive processes arriving at the right word for one’s thought.’ ‘There is such a book,’ said a Negro truck-driver: ‘Roget’s Thesaurus’ A waiter working at the Alexandria Hotel used to quote his Karl Marx and William Blake with every course he served me. A comedy acrobat with a Brooklyn ‘dis’, ‘dem’ and ‘dose’ accent recommended Burton’s Anatomy of Melancholy, saying that Shakespeare was influenced by him and so was Sam Johnson. ‘But you can skip the Latin.’ With the rest of them I was intellectually a fellow-traveller.
Charlie Chaplin (My Autobiography (Neversink))
Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces,she could not help but wish for more of it. She wished she could see Laila again , wished to hear the clangor of her laugh,... Mariam wished for so much in those final moments. Yet as she closed her eyes , it was not regret any longer but a sensation of abundant peace that wshed over her. She thought of her entry into this world , the harami child of a lowly villager , an unintended thing , a pitiable , regrettable accident. A weed , And yet she was leaving the wolrd as a woman who had loved and been loved back. She was leaving it as a friend , a companion , a guardian. A mother. A person of consequence at last. No. It was no so bad , Mariam thought , that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
Khaled Hosseini (A Thousand Splendid Suns)
I returned from the village. The house seemed unbearably dull. But I bore it. "There is no escape from loneliness and separation...." I told myself often. "Wife, child, brothers, parents, friends.... We come together only to go apart again. It is one continuous movement. They move away from us as we move away from them. The law of life can't be avoided. The law comes into operation the moment we detach ourselves from our mother's womb. All struggle and misery in life is due to our attempt to arrest this law or get away from it or in allowing ourselves to be hurt by it. The fact must be recognized. A profound unmitigated loneliness is the only truth of life. All else is false.
R.K. Narayan (The English Teacher)
I prayed. I flattened myself under her bed and prayed. My mother sat up, rigid, trembling. The machines flew overhead then away and back again, the sound retreating and filling my head once more. I lay next to my mother, wondering about the fate of my brothers, my sisters ans stepsisters, my father and friends. I knew that when the helicopters were gone, life would have changed irreversibly in our village. But would it be over? Would the crickets leave? I did not know. My mother did not know. It was the beginning of the end if knowing that life would continue. Do you have a feeling, Michael, that you will wake up tomorrow? That you will eat tomorrow? That the world will not end tomorrow?
Dave Eggers (What Is the What)
These social media shamings bear an uncanny resemblance to medieval witch hunts.” If you were accused of being a witch back then, you were shit out of luck. Being accused was all it took. Forget “innocent until proven guilty.” Nobody bothered to prove your guilt. Nobody dared to speak up on your behalf, for fear of being called a witch sympathizer. Because if you were seen as the friend of a witch, you were the next one to be accused of being a witch. As soon as a woman was accused of being a witch, she was a pariah without any friends. Nobody wanted to be seen in public with her. The whole village ganged up on her. Everyone was trying to outdo everyone else in their antiwitch fervor: “Look at me! I'm throwing rocks at the witch! Look at how much I hate witches! I am definitely NOT a witch myself!” Whenever I see a social media mob ganging up on a celebrity for supposedly saying something “offensive” it reminds me of the Salem witch hysteria: “That's racist! And me calling you a racist proves that I'm definitely not a racist myself! That's sexist! I shame you! And that means I'm definitely not sexist myself! I shame you for being a bad person. That means I'm a good person! Look at how really really offended I am! That means I'm a really really good person!” According to the bible, Jesus said "let he who is without sin throw the first rock." But a lot of people seem to think he said: "If you throw rocks at someone else, it proves that you're without sin.
Oliver Markus Malloy (Why Creeps Don't Know They're Creeps - What Game of Thrones can teach us about relationships and Hollywood scandals (Educated Rants and Wild Guesses, #2))
You feel safer in your bedroom, but you’re actually much safer in the shelter.” It didn’t matter how I felt. She made me go into the shelter every time the sirens wailed. Men came and removed all the signposts from the roads around the village, so that when Hitler invaded he wouldn’t know where he was. When he invaded, we were to bury our radio. Jamie had already dug a hole for it in the garden. When Hitler invaded we were to say nothing, do nothing to help the enemy. If he invaded while I was out riding, I was to return home at once, as fast as possible by the shortest route. I’d know it was an invasion, not an air raid, because all the church bells would ring. “What if the Germans take Butter?” I asked Susan. “They won’t,” she said, but I was sure she was lying. “Bloody huns,” Fred muttered, when I went to help with chores. “They come here, I’ll stab ’em with a pitchfork, I will.” Fred was not happy. The riding horses, the Thortons’ fine hunters, were all out to grass, and the grass was good, but the hayfields had been turned over to wheat and Fred didn’t know how he’d feed the horses through the winter. Plus the Land Girls staying in the loft annoyed him. “Work twelve hours a day, then go out dancing,” he said. “Bunch of lightfoots. In my day girls didn’t act like that.” I thought the Land Girls seemed friendly, but I knew better than to say so to Fred. You could get used to anything. After a few weeks, I didn’t panic when I went into the shelter. I quit worrying about the invasion. I put Jamie up behind me on Butter
Kimberly Brubaker Bradley (The War That Saved My Life (The War That Saved My Life, #1))
Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide: Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one. Give me comfort, give me edge. Give me novelty, give me familiarity. Give me predictability, give me surprise. And we think it’s a given, and toys and lingerie are going to save us with that.
Aziz Ansari (Modern Romance: An Investigation)
When they reached the table, Hannah started to introduce them. “Layla, this is Joe. Joe, this is—” “We’ve already met,” said Joseph, extending his hand and smiling. “Have we?” asked Layla, baffled. “Have you?” said Hannah. This was news to her. “Yeah, we have,” continued Joseph. “A couple of hours ago. On the road into the village. You tried to kill me, remember?” “Kill you?” gasped Layla. “You’re the biker? The one I knocked over?” “You knocked him over?” repeated Hannah in horror. “I didn’t mean to,” explained Layla quickly. “It was an accident. I was going to tell you about it. I just haven’t had the chance yet.” Turning to Joseph, Hannah asked, “Are you okay? Are you hurt at all?” “Well,” he replied somberly, “apart from my right arm, which I’m not sure is going to be of much use to me ever again, I’m fine.” As Layla’s jaw dropped open, he added quickly, “I’m joking. Really, it’s just a joke. I’m fine.” “Right, well, in that case,” Hannah continued, “as I was saying, Layla, this is Joseph Scott. Joe, this is Layla Lewis, your would-be killer, next door neighbor, and my best friend. She’s house-sitting whilst Lenny’s in Scotland.” “Next door neighbor, huh?” replied Joseph, taking a swig from his pint glass. “That could prove interesting.
Shani Struthers (The Runaway Year (The Runaway Series, #1))
He was born in an obscure village, the child of a peasant. He grew up in another village, where he worked in a carpenter shop until he was 30. Then, for three years, he was an itinerant preacher. He never wrote a book. He never held an office. He never had a family or owned a home. He didn’t go to college. He never lived in a big city. He never traveled 200 miles from the place where he was born. He did none of the things that usually accompany greatness. He had no credentials but himself. He was only 33 when the tide of public opinion turned against him. His friends ran away. One of them denied him. He was turned over to his enemies and went through the mockery of a trial. He was nailed to a cross between two thieves. While he was dying, his executioners gambled for his garments, the only property he had on earth. When he was dead, he was laid in a borrowed grave, through the pity of a friend. [Twenty] centuries have come and gone, and today he is the central figure of the human race. I am well within the mark when I say that all the armies that ever marched, all the navies that ever sailed, all the parliaments that ever sat, all the kings that ever reigned—put together—have not affected the life of man on this earth as much as that one, solitary life.29 If
Norman L. Geisler (I Don't Have Enough Faith to Be an Atheist)
Life’s shrouded crossing seems to jump off with a hunger to take a blood-quickening journey, a desire to search for enchantment over the next hillock. We launch our feral voyage with a primitive pulsation to explore unknown lands and a desire to become acquainted with both village people and sophisticated ancient civilizations. Along the way, we will meet friends and foes. In our lightest moments, we will make love to a beautiful mate under a canopy of stars. In the darkest hours, we will fret about how to evade danger and scheme how best to conquer our enemies. The rainbow of experiences that we endure will undoubtedly bemuse, bruise, batter, and occasionally sully us. These hard on the hide shards of experience will also reveal our polychromatous character. By undertaking vivid encounters in the wilderness, with any luck, we will discover a numinous interior world. With immersion into a myriad of life shaping experiences, an undeterred person will stumble onto a path leading to personal illumination. The passage of liberation that a crusader must inevitably endure leads to a shocking psychological transformation, a spiritual overhaul allowing the seeker to finally overcome infantile images and febrile delusions that would otherwise continue to derail their fervent urge to forge an emergent personality, acquire wisdom, and attain bliss.
Kilroy J. Oldster (Dead Toad Scrolls)
Mariam kept her eyes to the ground, on her shadow, on her executioner's shadow trailing her. Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could she Leila again, wished to hear the clangour of her laugh, ... Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who has loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. This was a legitimate end to a life of illegitimate beginnings." --A Thousand Splendid Suns
Khaled Hosseini
When a fine old carpet is eaten by mice, the colors and patterns of what's left behind do not change,' wrote my neighbor and friend, the poet Jane Hirschfield, after she visited an old friend suffering from Alzheimer's disease in a nursing home. And so it was with my father. His mind did not melt evenly into undistinguishable lumps, like a dissolving sand castle. It was ravaged selectively, like Tintern Abbey, the Cistercian monastery in northern Wales suppressed in 1531 by King Henry VIII in his split with the Church of Rome. Tintern was turned over to a nobleman, its stained-glass windows smashed, its roof tiles taken up and relaid in village houses. Holy artifacts were sold to passing tourists. Religious statues turned up in nearby gardens. At least one interior wall was dismantled to build a pigsty. I've seen photographs of the remains that inspired Wordsworth: a Gothic skeleton, soaring and roofless, in a green hilly landscape. Grass grows in the transept. The vanished roof lets in light. The delicate stone tracery of its slim, arched quatrefoil windows opens onto green pastures where black-and-white cows graze. Its shape is beautiful, formal, and mysterious. After he developed dementia, my father was no longer useful to anybody. But in the shelter of his broken walls, my mother learned to balance her checkbook, and my heart melted and opened. Never would I wish upon my father the misery of his final years. But he was sacred in his ruin, and I took from it the shards that still sustain me.
Katy Butler (Knocking on Heaven's Door: The Path to a Better Way of Death)
I spoke to Massasoit, the sachem of the Pokanoket, as a pniese should, with respect and honor. “Befriend the English,” I said. “Make them come to understand and support our people.” Massasoit did not listen at first. He watched silently through that winter. Then Samoset came to visit. He was a sachem of the Pemaquid people, who lived farther up the coast. He had done much trading with the English. He knew some of their language. “Let me talk with the Songlismoniak,” he said to Massasoit, nodding to me as he spoke. Massasoit agreed. The next day, March 16th of 1621, Samoset strode into the English settlement. “Welcome, English,” he said in their tongue. He showed them the two arrows in his hand. One had a flint arrowhead, the other had the arrowhead removed. The arrows symbolized what we offered them, either war or peace. The English placed a coat about his shoulders to warm him. They invited him into one of their houses. They gave him small water, biscuits and butter, pudding and cheese. “The food was so good,” Samoset said to me later, laughing as he spoke, “I decided to spend the night.” When he left the next day, he promised to return with a friend who spoke their language well. So it was that five days later, on the 22nd of March, I walked with Samoset back into my own village. Once Patuxet, now it was Plymouth. I looked around me. Though much was changed, I knew that I at last had returned to the land of my home. “Perhaps these men can share our land as friends,” I told my brother, at my side.
Joseph Bruchac (Squanto's Journey: The Story of the First Thanksgiving)
Once upon a time there was a fish who lived in a deep lake all by himself. Every day the fish would watch with envy as a boy from the nearby village played with the animals on the land. The boy would run with the horses, wrestle with the dogs, and climb the trees with the squirrels. The fish wanted so badly to play with the boy, too, but he knew that as a fish it was impossible. One day a fairy flying high above the lake dropped her wand in the water. The fish, being the gentleman he was, retrieved the wand for the fairy. ‘As a reward for this kind gesture, I will grant you one wish,’ the fairy told the fish. He thought long but he didn’t think hard, for the fish knew which wish he wanted the fairy to grant him. ‘I want legs, just like all the animals on the land, so I, too, can play with the little boy from the village,’ the fish said. With one simple flick of her wand, the fairy magically turned the fish’s fins into legs and feet and he walked on land for the first time. The next day when the boy appeared, the fish happily showed him his new legs. The two became very good friends and every day they ran with the horses, wrestled with the dogs, and climbed trees with the squirrels. However, one day the little boy was playing too close to the edge of the lake and fell into the water. The fish ran to the edge of the lake and tried to save him, but he couldn’t go in the water without his fins. The little boy couldn’t swim, either, and drowned in the lake. The fish wished he had never wished for legs, because had he just stayed the normal fish God had intended him to be, the little boy would still be alive to this day. The
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
Whether he talked or not made little difference to my mood. My only enemy was the clock on the dashboard, whose hands would move relentlessly to one o'clock. We drove east, we drove west, amidst the myriad villages that cling like limpets to the Mediterranean shore, and today I remember none of them. All I remember is the feel of the leather seats, the texture of the map upon my knee, its frayed edges, its worn seams, and how one day, looking at the clock, I thought to myself, 'This moment now, at twenty past eleven, this must never be lost, ' and I shut my eyes to make the experience more lasting. When I opened my eyes we were by a bend in the road, and a peasant girl in a black shawl waved to us; I can see her now, her dusty skirt, her gleaming, friendly smile, and in a second we had passed the bend and could see her no more. Already she belonged to the past, she was only a memory. I wanted to go back again, to recapture the moment that had gone, and then it came to me that if we did it would not be the same, even the sun would be changed in the sky, casting another shadow, and the peasant girl would trudge past us along the road in a different way, not waving this time, perhaps not even seeing us. There was something chilling in the thought, something a little melancholy, and looking at the clock I saw that five more minutes had gone by. Soon we would have reached our time limit, and must return to the hotel. 'If only there could be an invention', I said impulsively, 'that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again." (Rebecca, chapter five)
Daphne du Maurier
When they had ended their prayers, the Angel of Death recovered his loquacity and his gayety and ascending the chariot again, preceded by Gil Gil, spoke as follows. 'The village you see on that mountain is Gethsemane. In it was the Garden of Olives. On the other side you can distinguish an eminence crowned by a temple which stands out against a starry sky - that is Golgotha. There I passed the greatest day of my existence. I thought I had vanquished God himself - and vanquished he was for some hours. But, alas! on that mount, too, it was that three days later I saw myself disarmed and my power brought to naught on the morning of a certain Sunday. Jesus had risen from the dead. There, too, took place on the same occasion my great single combat with Nature. There took place my duel with her, that terrible duel (at the third hour of the day, I remember it well), when, as soon as she saw me thrust the lance of Longinus in the breast of the Saviour she began to throw stones at me, to upturn the cemeteries, to bring the dead to life, and I know not what besides. I thought poor Nature had lost her senses.' The Angel of Death seemed to reflect for a moment... ("The Friend of Death")
Pedro Antonio de Alarcón (Ghostly By Gaslight)
I had tracked down a little cafe in the next village, with a television set that was going to show the World Cup Final on the Saturday. I arrived there mid-morning when it was still deserted, had a couple of beers, ordered a sensational conejo au Franco, and then sat, drinking coffee, and watching the room fill up. With Germans. I was expecting plenty of locals and a sprinkling of tourists, even in an obscure little outpost like this, but not half the population of Dortmund. In fact, I came to the slow realisation as they poured in and sat around me . . . that I was the only Englishman there. They were very friendly, but there were many of them, and all my exits were cut off. What strategy could I employ? It was too late to pretend that I was German. I’d greeted the early arrivals with ‘Guten Tag! Ich liebe Deutschland’, but within a few seconds found myself conversing in English, in which they were all fluent. Perhaps, I hoped, they would think that I was an English-speaker but not actually English. A Rhodesian, possibly, or a Canadian, there just out of curiosity, to try to pick up the rules of this so-called ‘Beautiful Game’. But I knew that I lacked the self-control to fake an attitude of benevolent detachment while watching what was arguably the most important event since the Crucifixion, so I plumped for the role of the ultra-sporting, frightfully decent Upper-Class Twit, and consequently found myself shouting ‘Oh, well played, Germany!’ when Helmut Haller opened the scoring in the twelfth minute, and managing to restrain myself, when Geoff Hurst equalised, to ‘Good show! Bit lucky though!’ My fixed grin and easy manner did not betray the writhing contortions of my hands and legs beneath the table, however, and when Martin Peters put us ahead twelve minutes from the end, I clapped a little too violently; I tried to compensate with ‘Come on Germany! Give us a game!’ but that seemed to strike the wrong note. The most testing moment, though, came in the last minute of normal time when Uwe Seeler fouled Jackie Charlton, and the pig-dog dolt of a Swiss referee, finally revealing his Nazi credentials, had the gall to penalise England, and then ignored Schnellinger’s blatant handball, allowing a Prussian swine named Weber to draw the game. I sat there applauding warmly, as a horde of fat, arrogant, sausage-eating Krauts capered around me, spilling beer and celebrating their racial superiority.
John Cleese (So, Anyway...: The Autobiography)
Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clamour of her laugh, to sit with her once more for a pot of chai and left over halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much, to be old and play with Aziza's children. Near the goalpost, the man behind her asked her to stop. Mariam did. Through the crisscrossing grid of the burqa, she saw his shadow arms lift his shadow Kalashnikov. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings. Mariam's final thoughts were a few words from the Koran, which she muttered under her breath. He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver. "Kneel," the Talib said O my Lord! Forgive and have mercy, for you are the best of the merciful ones. "Kneel here, hamshira and look down." One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
The Arab world has done nothing to help the Palestinian refugees they created when they attacked Israel in 1948. It’s called the ‘Palestinian refugee problem.’ This is one of the best tricks that the Arabs have played on the world, and they have used it to their great advantage when fighting Israel in the forum of public opinion. This lie was pulled off masterfully, and everyone has been falling for it ever since. First you tell people to leave their homes and villages because you are going to come in and kick out the Jews the day after the UN grants Israel its nationhood. You fail in your military objective, the Jews are still alive and have more land now than before, and you have thousands of upset, displaced refugees living in your country because they believed in you. So you and the UN build refugee camps that are designed to last only five years and crowd the people in, instead of integrating them into your society and giving them citizenship. After a few years of overcrowding and deteriorating living conditions, you get the media to visit and publish a lot of pictures of these poor people living in the hopeless, wretched squalor you have left them in. In 1967 you get all your cronies together with their guns and tanks and planes and start beating the war drums. Again the same old story: you really are going to kill all the Jews this time or drive them into the sea, and everyone will be able to go back home, take over what the Jews have developed, and live in a Jew-free Middle East. Again you fail and now there are even more refugees living in your countries, and Israel is even larger, with Jerusalem as its capital. Time for more pictures of more camps and suffering children. What is to be done about these poor refugees (that not even the Arabs want)? Then start Middle Eastern student organizations on U.S. college campuses and find some young, idealistic American college kids who have no idea of what has been described here so far, and have them take up the cause. Now enter some power-hungry type like Yasser Arafat who begins to blackmail you and your Arab friends, who created the mess, for guns and bombs and money to fight the Israelis. Then Arafat creates hell for the world starting in the 1970s with his terrorism, and the “Palestinian refugee problem” becomes a worldwide issue and galvanizes all your citizens and the world against Israel. Along come the suicide bombers, so to keep the pot boiling you finance the show by paying every bomber’s family twenty-five thousand dollars. This encourages more crazies to go blow themselves up, killing civilians and children riding buses to school. Saudi Arabia held telethons to raise thousands of dollars to the families of suicide bombers. What a perfect way to turn years of military failure into a public-opinion-campaign success. The perpetuation of lies and uncritical thinking, combined with repetitious anti-Jewish and anti-American diatribes, has produced a generation of Arab youth incapable of thinking in a civilized manner. This government-nurtured rage toward the West and the infidels continues today, perpetuating their economic failure and deflecting frustration away from the dictators and regimes that oppress them. This refusal by the Arab regimes to take an honest look at themselves has created a culture of scapegoating that blames western civilization for misery and failure in every aspect of Arab life. So far it seems that Arab leaders don’t mind their people lagging behind, save for King Abdullah’s recent evidence of concern. (The depth of his sincerity remains to be seen.)
Brigitte Gabriel (Because They Hate)
Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron. Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers. These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods. The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.
Ulrich von Hutten (Ulrich von Hutten and the German Reformation)
Is it not very important, while we are young, to be loved and to love? It seems to me that most of us neither love nor are loved. And I think it is essential, while we are young, to understand this problem very seriously because it may be that while we are young, we can be sensitive enough to feel it, to know its quality, to know its perfume and perhaps, when we grow older, it will not be entirely destroyed. So, let us consider the question—that is, not that you should not be loved, but that you should love. What does it mean? Is it an ideal? Is it something far away, unattainable? Or is it something that can be felt by each one at odd moments of the day? To feel it, to be aware, to know the quality of sympathy, the quality of understanding, to help naturally, to aid another without any motive, to be kind, to be generous, to have sympathy, to care for something, to care for a dog, to be sympathetic to the villager, to be generous to your friend, to be forgiving, is that what we mean by love? Or is love something in which there is no sense of resentment, something which is everlasting forgiveness? And is it not possible while we are young, to feel it? Most of us, while we are young, do feel it—a sense of outward agony, sympathy to the villager, to the dog, to those who are little. And should it not be constantly tended? Should you not always have some part of the day when you are helping another or tending a tree or garden or helping in the house or in the hostel so that as you grow into maturity, you will know what it is to be considerate naturally—not with an enforced considerateness that is merely a negative word for one’s own happiness, but with that considerateness that is without motive. So, should you not when you are young, know this quality of real affection? It cannot be brought into being; you have to have it, and those who are in charge of you, like your guardian, your parents, your teachers, must also have it. Most people have not got it. They are concerned with their achievements, with their longings, with their success, with their knowledge, and with what they have done. They have built up their past into such colossal importance that it ultimately destroys them. So, should you not, while you are young, know what it is to take care of the rooms, to care for a number of trees that you yourself dig and plant so that there is a feeling, a subtle feeling of sympathy, of care, of generosity, the actual generosity—not the generosity of the mere mind—that means you give to somebody the little that you may have? If that is not so, if you do not feel that while you are young, it will be very difficult to feel that when you are old. So, if you have that feeling of love, of generosity, of kindness, of gentleness, then perhaps you can awaken that in others.
J. Krishnamurti (Relationships to Oneself, to Others, to the World)
Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.
Rudyard Kipling
No one but she had realized that the ballroom bore a rather startling resemblance to the gardens at Charise Dumont’s country house, and that the arbor at the side, with its trellised entrance, was a virtual replica of the place where she and Ian had first waltzed that long-ago night. Across the room, the vicar was standing with Jake Wiley, Lucinda, and the Duke of Stanhope, and he raised his glass to her. Elizabeth smiled and nodded back. Jake Wiley watched the silent communication and beamed upon his little group of companions. “Exquisite bride, isn’t she?” he pronounced, not for the first time. For the past half-hour, the three men had been merrily congratulating themselves on their individual roles in bringing this marriage about, and the consumption of spirits was beginning to show in Duncan and Jake’s increasingly gregarious behavior. “Absolutely exquisite,” Duncan agreed. “She’ll make Ian an excellent wife,” said the duke. “We’ve done well, gentlemen,” he added, lifting his glass in yet another congratulatory toast to his companions. “To you, Duncan,” he said with a bow, “for making Ian see the light.” “To you, Edward,” said the vicar to the duke, “for forcing society to accept them.” Turning to Jake, he added, “And to you, old friend, for insisting on going to the village for the servingwomen and bringing old Attila and Miss Throckmorton-Jones with you.” That toast belatedly called to mind the silent duenna who was standing stiffly beside them, her face completely devoid of expression. “And to you, Miss Throckmorton-Jones,” said Duncan with a deep, gallant bow, “for taking that laudanum and spilling the truth to me about what Ian did two years ago. ‘Twas that, and that alone, which caused everything else to be put into motion, so to speak. But here,” said Duncan, nonplussed as he waved to a servant bearing a tray of champagne, “you do not have a glass, my dear woman, to share in our toasts.” “I do not take strong spirits,” Lucinda informed Duncan. “Furthermore, my good man,” she added with a superior expression that might have been a smile or a smirk, “I do not take laudanum, either.” And on that staggering announcement, she swept up her unbecoming gray skirts and walked off to dampen the spirits of another group. She left behind her three dumbstruck, staring men who gaped at each other and then suddenly erupted into shouts of laughter.
Judith McNaught (Almost Heaven (Sequels, #3))
The essence of Roosevelt’s leadership, I soon became convinced, lay in his enterprising use of the “bully pulpit,” a phrase he himself coined to describe the national platform the presidency provides to shape public sentiment and mobilize action. Early in Roosevelt’s tenure, Lyman Abbott, editor of The Outlook, joined a small group of friends in the president’s library to offer advice and criticism on a draft of his upcoming message to Congress. “He had just finished a paragraph of a distinctly ethical character,” Abbott recalled, “when he suddenly stopped, swung round in his swivel chair, and said, ‘I suppose my critics will call that preaching, but I have got such a bully pulpit.’ ” From this bully pulpit, Roosevelt would focus the charge of a national movement to apply an ethical framework, through government action, to the untrammeled growth of modern America. Roosevelt understood from the outset that this task hinged upon the need to develop powerfully reciprocal relationships with members of the national press. He called them by their first names, invited them to meals, took questions during his midday shave, welcomed their company at day’s end while he signed correspondence, and designated, for the first time, a special room for them in the West Wing. He brought them aboard his private railroad car during his regular swings around the country. At every village station, he reached the hearts of the gathered crowds with homespun language, aphorisms, and direct moral appeals. Accompanying reporters then extended the reach of Roosevelt’s words in national publications. Such extraordinary rapport with the press did not stem from calculation alone. Long before and after he was president, Roosevelt was an author and historian. From an early age, he read as he breathed. He knew and revered writers, and his relationship with journalists was authentically collegial. In a sense, he was one of them. While exploring Roosevelt’s relationship with the press, I was especially drawn to the remarkably rich connections he developed with a team of journalists—including Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—all working at McClure’s magazine, the most influential contemporary progressive publication. The restless enthusiasm and manic energy of their publisher and editor, S. S. McClure, infused the magazine with “a spark of genius,” even as he suffered from periodic nervous breakdowns. “The story is the thing,” Sam McClure responded when asked to account for the methodology behind his publication. He wanted his writers to begin their research without preconceived notions, to carry their readers through their own process of discovery. As they educated themselves about the social and economic inequities rampant in the wake of teeming industrialization, so they educated the entire country. Together, these investigative journalists, who would later appropriate Roosevelt’s derogatory term “muckraker” as “a badge of honor,” produced a series of exposés that uncovered the invisible web of corruption linking politics to business. McClure’s formula—giving his writers the time and resources they needed to produce extended, intensively researched articles—was soon adopted by rival magazines, creating what many considered a golden age of journalism. Collectively, this generation of gifted writers ushered in a new mode of investigative reporting that provided the necessary conditions to make a genuine bully pulpit of the American presidency. “It is hardly an exaggeration to say that the progressive mind was characteristically a journalistic mind,” the historian Richard Hofstadter observed, “and that its characteristic contribution was that of the socially responsible reporter-reformer.
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
In good truth he had started in London with some vague idea that as his life in it would not be of long continuance, the pace at which he elected to travel would be of little consequence; but the years since his first entry into the Metropolis were now piled one on top of another, his youth was behind him, his chances of longevity, spite of the way he had striven to injure his constitution, quite as good as ever. He had come to that period of existence, to that narrow strip of tableland, whence the ascent of youth and the descent of age are equally discernible - when, simply because he has lived for so many years, it strikes a man as possible he may have to live for just as many more, with the ability for hard work gone, with the boon companions scattered, with the capacity for enjoying convivial meetings a mere memory, with small means perhaps, with no bright hopes, with the pomp and the circumstance and the fairy carriages, and the glamour which youth flings over earthly objects, faded away like the pageant of yesterday, while the dreary ceremony of living has to be gone through today and tomorrow and the morrow after, as though the gay cavalcade and the martial music, and the glittering helmets and the prancing steeds were still accompanying the wayfarer to his journey's end. Ah! my friends, there comes a moment when we must all leave the coach with its four bright bays, its pleasant outside freight, its cheery company, its guard who blows the horn so merrily through villages and along lonely country roads. Long before we reach that final stage, where the black business claims us for its own speecial property, we have to bid goodbye to all easy, thoughtless journeying and betake ourselves, with what zest we may, to traversing the common of reality. There is no royal road across it that ever I heard of. From the king on his throne to the laborer who vaguely imagines what manner of being a king is, we have all to tramp across that desert at one period of our lives, at all events; and that period is usually when, as I have said, a man starts to find the hopes, and the strength, and the buoyancy of youth left behind, while years and years of life lie stretching out before him. The coach he has travelled by drops him here. There is no appeal, there is no help; therefore, let him take off his hat and wish the new passengers good speed without either envy or repining. Behld, he has had his turn, and let whosoever will, mount on the box-seat of life again, and tip the coachman and handle the ribbons - he shall take that journey no more, no more for ever. ("The Banshee's Warning")
Charlotte Riddell
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said." As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee. Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'" Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation. From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together. The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on." And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))