Village Festival Quotes

The real story isn’t half as pretty as the one you’ve heard. The real story is, the miller’s daughter with her long golden hair wants to catch a lord, a prince, a rich man’s son, so she goes to the moneylender and borrows for a ring and a necklace and decks herself out for the festival. And she’s beautiful enough, so the lord, the prince, the rich man’s son notices her, and dances with her, and tumbles her in a quiet hayloft when the dancing is over, and afterwards he goes home and marries the rich woman his family has picked out for him. Then the miller’s despoiled daughter tells everyone that the moneylender’s in league with the devil, and the village runs him out or maybe even stones him, so at least she gets to keep the jewels for a dowry, and the blacksmith marries her before that firstborn child comes along a little early. Because that’s what the story’s really about: getting out of paying your debts.

Legend has it that during the festival of Eostre, all fires had to be extinguished in the Goddess’ honour and could only be relit from a sacred flame in the centre of the village. The new fire was seen as a symbol of sacredness and purity, something which everyone wanted to bring into their homes at such a lovely time of year when everything was fresh and new.

Thank you! But actually, I think I prefer cooking just for fun after all. The part I really like is making good food for the people I care about. The thing I have always been best at is helping the village by gathering harvests out in the forest. I always thought that it wasn't special or important enough . . . but even if it is simple it is what I like best of all, and that is what matters.

I have grown up listening to my grandparents’ stories about ‘the other side’ of the border. But, as a child, this other side didn’t quite register as Pakistan, or not-India, but rather as some mythic land devoid of geographic borders, ethnicity and nationality. In fact, through their stories, I imagined it as a land with mango orchards, joint families, village settlements, endless lengths of ancestral fields extending into the horizon, and quaint local bazaars teeming with excitement on festive days. As a result, the history of my grandparents’ early lives in what became Pakistan essentially came across as a very idyllic, somewhat rural, version of happiness.

Thinking of those times as he passed the cemetery on his way to the evening’s festivities, Gabe recalled the day Matty’s body had been found and carried home. Gabe had been young then, only eight, a rambunctious resident of the Children’s House, happiest with solitary adventures and disinterested in schoolwork. But he had always admired Matty, who had tended and helped Seer with such devotion and undertaken village tasks with energy and good humor. It had been Matty who had taught Gabe to bait a hook and cast his line from the fishing rock, Matty who had shown him how to make a kite and catch the wind with it. The day of his death, Gabe had huddled, heartbroken, in the shadow of a thick stand of trees and watched as the villagers lined the path and bowed their heads in respect to watch the litter carrying the ravaged body move slowly through. Frightened by his own feelings, he had listened mutely to the wails of grief that permeated the community.

Home" It would take forever to get there but I would know it anywhere: My white horse grazing in my blossomy field. Its soft nostrils. The petals falling from the trees into the stream. The festival would be about to begin in the dusky village in the distance. The doe frozen at the edge of the grove: She leaps. She vanishes. My face— She has taken it. And my name— (Although the plaintive lark in the tall grass continues to say and to say it.) Yes. This is the place. Where my shining treasure has been waiting. Where my shadow washes itself in my fountain. A few graves among the roses. Some moss on those. An ancient bell in a steeple down the road making no sound at all as the monk pulls and pulls on the rope.

But when the Inglés had spoken to him of the message he had felt the way he used to feel when he was a boy and he had wakened in the morning of the festival of his village and heard it raining hard so that he knew that it would be too wet and that the bullbaiting in the square would be cancelled.

Then many strange people will be philosophers, for the lovers of sights seem to be included, since they take pleasure in learning things. And the lovers of sounds are very strange people to include as philosophers, for they would never willingly attend a serious discussion or spend their time that way, yet they run around to all the Dionysiac festivals, omitting none, whether in cities or villages, as if their ears were under contract to listen to every chorus. Are we to say that these people— and those who learn similar things or petty crafts— are philosophers? No, but they are like philosophers. And who are the true philosophers? Those who love the sight of truth.

Today in Nepal, devotees of the goddess Gadhimai celebrate her festival every five years in the village of Bariyapur. A record was set in 2009 when 250,000 animals were sacrificed to the goddess. A local driver explained to a visiting British journalist that ‘If we want anything, and we come here with an offering to the goddess, within five years all our dreams will be fulfilled.’26

Squatters. The dispossessed. The water rats. Denizens of the deep, citizens of the shallows. And a lot of them were interested in trying something different, including which authorities they gave their consent to be governed by. Hegemony had drowned, so in the years after the flooding there was a proliferation of cooperatives, neighborhood associations, communes, squats, barter, alternative currencies, gift economies, solar usufruct, fishing village cultures, mondragons, unions, Davy’s locker freemasonries, anarchist blather, and submarine technoculture, including aeration and aquafarming. Also sky living in skyvillages that used the drowned cities as mooring towers and festival exchange points; containerclippers and townships as floating islands; art-not-work, the city regarded as a giant collaborative artwork; blue greens, amphibiguity, heterogeneticity, horizontalization, deoligarchification; also free open universities, free trade schools, and free art schools.

(Afterword) In the mountains of Bolivia--one place the book has yet to be published--every year, the poorest people gather in high Andes villages to celebrate the festival of "Tinku". There, the campesino men beat the crap out of one another. Drunk and bloody, they pound one another with just their bare fists, chanting, "We are men. We are men. We are men..." They fight the way they have for centuries. In their world, with little income or wealth, few possessions, and no education or opportunity, it's a festival they look forward to all year long. Then, when they're exhausted, the men and women go to church. And they get married. Being tired isn't the same as being rick, but most times it's close enough.

The reaction of the people below to this fantastic sight and sound was one of wild excitement. Details could be seen vividly from aloft. An elderly man and woman fell to their knees and prayed. People in the villages stood still and gaped upward. Most of them still had their Sunday finery on. "You could see people going to church...man, wife, and child walking along the country roads." Bombardier Herbert Light, through his binoculars, saw an open-air festival in progress, with the women dressed in colorful skirts and blouses. One of them threw her apron over her head in panic. As they roared over the wheat fields, the first unfriendly acts occurred: farmers threw stones and pitchforks at them. One farmer leading two horses was startled by the advancing planes and leaped into a nearby stream. A girl swimming in another river was reported by ten separate crews.

Pauline Trio One could sing October rain, and one had a gift for plain chant and prayer, a domain unsettled by love or its intimate other. What fits with this theology no one dares to say. These twins so perfectly in tune must know "the modesty of nature," the perfect art and texture that sustains the other name. Paris could not be the frame for loyal Romans, their shame worn upon their bodies light as air, and nothing is quite as endurable as death. Those who have taken this path move with an abiding breath. Such a common dance this dense intention of love's expense. Keep this for that special hour when the Roman drops his sour gift for abandoned splendour; et c'est la nuit, the footfall that troubles that other Paul. I have learned the felicity of fire, how in its wake something picks at buried seed. Think this a most festive deed, nature's mistake, borrowed flare of a village dance, satire of the sun's course, light you read through waste, repair. Death had freed that first opaque habitation (what a widening gyre), an aspen ache, a lustrous scar that might lead to a hidden grove, or breed astonishment in its loss; all entire, a shaping breath proposes its own pyre. Solitude guides me through this minor occasion; moon is my mentor, one on a spree. This notion, night's philanthropy, courts my favor. Devotion, love's predecessor, sings its tidy discretion. Such gentility reins all vigor, all caution.

He conjured a spotlight, which travelled down along the balcony, and rested on her face. ‘Your hair,’ he said. ‘All of the lights land in it.’ (All of the lights land in it: an excellent line. While I try to deny it, there were times – when I was younger – when this would have impressed me, too.) ‘Is this how you usually spend your Saturday nights?’ Mother asked. ‘No. Sometimes. I like the technology, you see. And I like to help out.’ Mother leaned against the railing alongside him. She let her hair fall against his arm. ‘I’ve never had company before,’ Father said, and smiled. ‘This makes things much more interesting.’ ‘I’m not that interesting at all,’ Mother said. ‘I mean, I’m pretty boring. Actually.’ ‘I don’t believe you. What’s the best thing that’s ever happened to you?’ ‘What?’ ‘Tell me the best thing that’s ever happened to you. Nobody’s boring when they tell you the best thing that’s ever happened. Go.’ Mother thought of her princess dress, and the faces of the villagers watching the Harvest Festival. In her mind, they multiplied, so that she led the parade through a crowd of hundreds – thousands – of well-wishers. ‘Fine,’ she said. She knew exactly how she would tell it. ‘See,’ Father said, at the end. ‘That wasn’t boring. But it wasn’t the best thing that ever happened to you, either.’ ‘It wasn’t?’ ‘Of course not,’ Father said. He concentrated on the fuse box, passing it from one great palm to the other. He was smiling, close to laughter. ‘That’s tonight.

The central ceremony of Ritual Witchcraft was the so-called "Sabbath" - a word of unknown origin having no relation to its Hebrew homonym. Sabbaths were celebrated four times a year - on Candlemass Day, February 2nd, on Rood Mass Day, May 1st, on Lammas Day, August 1st, and on the eve of All Hallows, October 31st. These were great festivals, often attended by hundreds of devotees, who came from considerable distances. Between Sabbaths there were weekly "Esbats" from small congregations in the village where the ancient religion was still practiced. At all high Sabbaths the devil himself was invariably present, in the person of some man who had inherited, or otherwise acquired, the honor of being the incarnation of the two-faced god of the Dianic cult. The worshipers paid homage to the god by kissing his reverse face - a mask worn, beneath an animal's tail, on the devil's backside. There was then, for some at least of the female devotees, a ritual copulation with the god, who was equipped for this purpose with an artificial phallus of horn or metal. This ceremony was followed by a picnic (for the Sabbaths were celebrated out of doors, near sacred trees or stones), by dancing and finally by a promiscuous sexual orgy that had, no doubt, originally been a magical operation for increasing the fertility of the animals on which primitive hunters and herdsmen depend for their livelihood. The prevailing atmosphere at the Sabbaths was one of good fellowship and mindless, animal joy. When captured and brought to trial, many of the who had taken part in the Sabbath resolutely refused, even under torture, even at the stake, to abjure the religion which had brought them so much happiness.

The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.

In Andhra, farmers fear Naidu’s land pool will sink their fortunes Prasad Nichenametla,Hindustan Times | 480 words The state festival tag added colour to Sankranti in Andhra Pradesh this time. But the hue of happiness was missing in 29 villages along river Krishna in Guntur district. The villagers knew it was their last Sankranti, a harvest festival celebrated to seek agricultural prosperity. For in two months, more than 30,000 acres of fertile farmland would be acquired for a brand new capital planned in collaboration with Singapore. The Nara Chandrababu Naidu government went about the capital project by setting aside the Centre’s land acquisition act and drawing up a compensation package for land-owning and tenant farmers and labourers. Many are opposed to it, and are not keen on snapping their centuries-old bond with their land and livelihood. In Penumaka village, Nageshwara Rao, 50, fears the future as he does not possess a tenancy certificate that could have brought some relief under the compensation package. “The entire village is against land-pooling but we hear the government is adamant,” Rao says, referring to municipal minister P Narayana’s alleged assertion that land would be taken with or without the farmers’ consent. Narayana is supervising the land-pooling process. “Naidu says he would give us Rs 50,000 per year in lieu of annual crops. We earn that much in a month here,” villager Meka Koti Reddy says. To drive home the point, locals in Undavalli village nearby have put up a board asking officials to keep off their lands that produce three crops a year. Unlike other parts of Andhra Pradesh, the water-rich land here is highly productive yielding 200 varieties of crops. Some farmers are also suspicious about the compensation because Naidu is yet to deliver on the loan-waiver promise. They are now weighing legal options besides seeking Prime Minister Narendra Modi’s intervention to retain their land. While the villagers opposing land-pooling are allegedly being backed by Jaganmohan Reddy’s YSR Congress Party, those belonging to the Kamma community — the support base for Naidu’s Telugu Desam Party — are said to be cooperative.  It is also believed that Naidu chose this location over others suggested by experts to primarily benefit the Kamma industrialists who own large swathes of land in Krishna and Guntur districts. But even the pro-project villagers cannot help feel insecure. “We are clueless about where our developed area would be. What if the project is not executed within Naidu’s tenure? Is there a legal recourse?” Idupulapati Rambabu of Mandadam says. This is despite Naidu’s assurance on January 1 at nearby Thulluru, where he launched the land-pooling process, asking farmers to give land without any apprehension. He said the deal in its present form would make them richer than him in a decade. “We are not building a mere city but a hub of economic activity loaded with superior infrastructure that is aimed at generating wealth. This would be a win-win situation for all,” Naidu tells HT. As of now, villages like Nelapadu struggling with low soil fertility seem to be winning from the package.

winter used to be the time of almost endless local festivals and religious celebrations, which brought villagers together. Most villages in Lahaul now have only a few people staying in them for the winter, rendering life there even more isolated. Electricity has entered the valley and along with it television satellite dishes.

The coast of Maine has many fishing villages and old seaports, and its past is steeped in maritime history. Twelve miles from Bath, we came into Wiscasset, known for the wrecks of two old sailing vessels: the four-masted cargo schooners the Hesper and the Luther Little. The Hesper was launched on the 4th of July, 1918. It was a wonderfully festive day when the Hesper was allowed to slide down the inclined ways, but because the ship builders had underestimated her weight, she only slid down the ways by about 10 yards before everything collapsed. The Hesper came to a grinding halt, but fortunately didn’t roll over. It was not until that August before the ship was once again shored up, and launched into the Sheepscot River. Her master was Captain Caleb A. Haskell from Deer Isle, who then sailed her to Lisbon, Portugal. On her maiden voyage she carried a 2,000 ton cargo of coal. I got to know Bo’sun, or Boatswain, Vernon Haskell, who drove the bus that later picked me up in Bangor. He also came from Deer Isle and sailed on these very same ships when he was a young man. Back in those days seafaring was a family tradition, and the Haskells were well-known seafaring folks in these parts. These two sailing ships are now gone and with their loss, some more maritime history is lost forever.

Pagoda are the centre of Burmese spiritual life, and every town and village has one. People visit the pagoda daily or weekly to pay respect to the Buddha relics which are often enshrined there, to meditate, to give alms, or to attend the festivals held on religious holidays. The pagoda is considered a place of spirituality and learning. The stairways leading up to the platform are decorated with educational paintings from Buddhist legend, often depicting the moral lessons in the Jataka tales about the Buddha’s previous incarnations. The peaceful principles of Buddhism, which encourage wisdom and compassion, are instilled through these teachings. The

When we first went to Provence, I assumed I would be observing a different culture. With attachment in mind, it became obvious to me that it is much more than a different culture — I was witnessing a culture at work and a culture that worked. Children greeted adults and adults greeted children. Socializing involved whole families, not adults with adults and children with children. There was only one village activity at a time, so families were not pulled in several directions. Sunday afternoon was for family walks in the countryside. Even at the village fountain, the local hangout, teens mixed with seniors. Festivals and celebrations, of which there were many, were all family affairs. The music and dancing brought the generations together instead of separating them. Culture took precedence over materialism. One could not even buy a baguette without first engaging in the appropriate greeting rituals. Village stores were closed for three hours at midday while schools emptied and families reconvened. Lunch was eaten in a congenial manner as multigenerational groupings sat around tables, sharing conversation and a meal. The attachment customs around the village primary school were equally impressive. Children were personally escorted to school and picked up by their parents or grandparents. The school was gated and the grounds could be entered only by a single entrance. At the gate were the teachers, waiting for their students to be handed over to them. Again, culture dictated that connection be established with appropriate greetings between the adult escorts and the teachers as well as the teachers and the students. Sometimes when the class had been collected but the school bell had not yet rung, the teacher would lead the class through the playground, like a mother goose followed by her goslings. While to North American eyes this may appear to be a preschool ritual, even absurd, in Provence it was selfevidently part of the natural order of things. When children were released from school, it was always one class at a time, the teacher in the lead. The teacher would wait with the students at the gate until all had been collected by their adult escort. Their teachers were their teachers whether on the grounds or in the village market or at the village festival. There weren't many cracks to fall through. Provençal culture was keeping attachment voids to a minimum.

Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets. Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination. Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre. While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.

Mexico online Travel Guide & Tourist Information Mexico is enormouse country so if you’re limited in time, you’ll have to decide what to see and where to go. Are you interested in cultural sights, adventures, beach time or big cities? MexicanRoutes.com will help you to plan your trip. This is the most complete Mexico online travel guide. All necessary tourist information: historic facts, tourist points of interest, how to get there, travel recommendations, local traditions, holidays and festivals, cuisine and much more. The best solution for backpacking trip, for road trip around Mexico and just for have idea about where to move and what to see. More than 250 mexican destinations: towns and villages. More than 100 archaeological zones. Suggested travel routes for your visit to Mexico.

Father,” he said finally, “I don’t understand why the Council had to question Padan Fain.” With an effort he took his eyes off the woods and looked across Bella at Tam. “It seems to me, the decision you reached could have been made right on the spot. The Mayor frightened everybody half out of their wits, talking about Aes Sedai and the false Dragon here in the Two Rivers.” “People are funny, Rand. The best of them are. Take Haral Luhhan. Master Luhhan is a strong man, and a brave one, but he can’t bear to see butchering done. Turns pale as a sheet.” “What does that have to do with anything? Everybody knows Master Luhhan can’t stand the sight of blood, and nobody but the Coplins and the Congars thinks anything of it.” “Just this, lad. People don’t always think or behave the way you might believe they would. Those folk back there…let the hail beat their crops into the mud, and the wind take off every roof in the district, and the wolves kill half their livestock, and they’ll roll up their sleeves and start from scratch. They’ll grumble, but they won’t waste any time with it. But you give them just the thought of Aes Sedai and a false Dragon in Ghealdan, and soon enough they’ll start thinking that Ghealdan is not that far the other side of the Forest of Shadows, and a straight line from Tar Valon to Ghealdan wouldn’t pass that much to the east of us. As if the Aes Sedai wouldn’t take the road through Caemlyn and Lugard instead of traveling cross-country! By tomorrow morning half the village would have been sure the entire war was about to descend on us. It would take weeks to undo. A fine Bel Tine that would make. So Bran gave them the idea before they could get it themselves. They’ve seen the Council take the problem under construction, and by now they’ll be hearing what we decided. They chose us for the Village Council because they trust we can reason things out in the best way for everybody. They trust our opinions. Even Cenn’s, which doesn’t say much for the rest of us, I suppose. At any rate, they will hear there isn’t anything to worry about, and they’ll believe it. It is not that they couldn’t reach the same conclusion, or would not, eventually, but this way we won’t have Festival ruined, and nobody has to spend weeks worrying about something that isn’t likely to happen. If it does against all odds…well, the patrols will give us enough warning to do what we can.

Joe grinned. “We might never get Chet to leave this place!” Guests from the village began coming shortly after sunset. As the festivities got underway, torches were lighted to illuminate the area. One man arrived leading a bull and put it in the corral. Many of the younger villagers swarmed around the enclosure to see it.

What's really important about such festivals is that they kept the old spark of political self-consciousness alive. They allowed people to imagine that other arrangements are feasible, e ben for society as a whole, since it was always possible to fantasize about carnival bursting its seams and becoming the new reality. In the popular Babylonian story of Semiramis, the eponymous servant girl convinces the Assyrian king to let her be 'Queen for a Day' during some annual festival, prompt has him arrested, declares herself empress and leads her new armies to conquer the world. May Day came to be chosen as the date for the international workers' holiday largely because so many British peasant revolts had historically begun on that riotous festival. Villagers who played at 'turning the world upside' would periodically decide they actually preferred the world upside down, and took measures to keep it that way.

On a street around the corner from my coauthor’s house the parents have organized themselves into what they call “the little block that can.” Social relations are deliberately cultivated among the families living on this block. There are benches and picnic tables outside several of the homes where parents and kids of all ages gather. The children have learned to relate to all the adults on this street as attachment figures, surrogate aunts and uncles. Once a year the street is shut off to traffic for what, in effect, is a village festival. There are games, food is served, music is played from loudspeakers. The local fire department drives up with a red engine and children frolic in the spray of the fire hose.

The war on Christianity was also made manifest in the efforts to introduce neopaganism into the lives of the people. Joseph Ratzinger recalled that a young teacher in the village erected a maypole as a symbol of the pagan concept of the “life force.” He organized festivals for the summer solstice in homage to the sacredness of nature and dismissed traditional notions of sin, virtue, and redemption as alien ideas imposed by the cultural imperialism of the Jewish and Roman religion of Christianity. The old religious ideas had to make way for the new order, and the new order demanded a new age. Sixty years later, in his memoirs, Cardinal Ratzinger compared the anti-Christian neopaganism of the Nazis with the anti-Christian neopaganism of our own day: “When nowadays I hear how in many parts of the world Christianity is criticized as a destruction of individual cultural identity and an imposition of European values, I am amazed at how similar the types of argumentation are and at how familiar many a turn of phrase sounds.

Only once a year was I granted front row access to join my people at the festival under disguise. They would never have excluded me from any that I wished to join and would welcome me joyfully, but having all the attention on me made me uncomfortable. Blending in at the Festival of Dreams remained the easiest. Villagers dressed up and put on wigs for this particular one, which was why my bright violet hair wouldn’t stand out against the typical blonde, brown, and red hair of the villagers. For this, I was just Raven. Or, well, Terra.

1. Sri Lanka’s Cultural and Historical Richness "Sri Lanka is a place where history lives in harmony with the present. From ancient temples to colonial fortresses, every corner of this island tells a story." Sri Lanka’s history stretches over 2,500 years, featuring incredible landmarks like the Sigiriya Rock Fortress and Anuradhapura's ancient ruins. The country is also home to the famous Temple of the Tooth in Kandy, an important religious site for Buddhists around the world. Each historic site tells a different story, making Sri Lanka a treasure trove of cultural and spiritual experiences. Find out more about planning a visit here. ________________________________________ 2. Nature’s Bounty and Biodiversity "In Sri Lanka, nature isn't merely observed; it's experienced with all the senses — from the scent of spice plantations to the sight of vibrant tea terraces and the sound of waves on pristine beaches." Sri Lanka’s national parks, like Yala and Udawalawe, are among the best places to see elephants, leopards, and a diverse range of bird species. The island’s ecosystems, from rainforests to coastal mangroves, create an incredible array of landscapes for nature lovers to explore. For those planning to visit these natural wonders, start your journey with a visa application. ________________________________________ 3. Sri Lankan Hospitality and Warmth "The true beauty of Sri Lanka is found in its people — hospitable, welcoming, and ready to share a smile or story over a cup of tea." The warmth of Sri Lankans is a common highlight for visitors, whether encountered in bustling cities or quiet villages. Tourists are frequently invited to join meals or participate in local festivities, making Sri Lanka a welcoming destination for international travelers. To experience this hospitality firsthand, ensure you have the right travel documents, accessible here. ________________________________________ 4. Beaches and Scenic Coastal Areas "Sri Lanka’s coastline is a place where sun meets sand, and every wave brings with it a sense of peace." With over 1,300 kilometers of beautiful coastline, Sri Lanka offers something for everyone. The south coast is famous for relaxing beaches like Unawatuna and Mirissa, while the east coast’s Arugam Bay draws surfing enthusiasts from around the globe. To enjoy these beaches, start by obtaining a Sri Lanka visa. ________________________________________ 5. Tea Plantations and the Hill Country "The heart of Sri Lanka beats in the hill country, where misty mountains and lush tea plantations stretch as far as the eye can see." The central highlands of Sri Lanka, with towns like Ella and Nuwara Eliya, are dotted with tea plantations that produce some of the world’s finest teas. Visiting a tea plantation offers a chance to see tea processing and sample fresh brews, with the cool climate adding to the serene experience. Secure your entry to the hill country with a visa application. ________________________________________ 6. Sri Lankan Cuisine: A Feast for the Senses "In Sri Lanka, food is more than sustenance — it’s an art form, a burst of flavors that range from spicy curries to sweet desserts." Sri Lankan cuisine is a rich blend of spices and textures. Popular dishes like rice and curry, hoppers, and kottu roti offer a true taste of the island. Food tours and local markets provide immersive culinary experiences, allowing visitors to discover the flavors of Sri Lanka. For a trip centered on food and culture, start your journey here.

became really interested in their traditions and the stories they told about the legendary birds…apart from that, we grew to know each other pretty well, it even turned out that one of the villagers, a girl named Melody was actually Maren’s friend. They had met a while back in one of her numerous voyages and when they realized it, they hugged almost like they were long lost friends. She was very nice and in fact even volunteered to show us around and also tell us a bit more about the islands.   She told us that during the annual legend festival

The day of the festival. On this day, the maidens in the village wear beautiful white dresses and wander the fields of green, searching for flowers.

Do your people ever have tournaments like this?” Shea thought about it. “I don’t think so. They’re mostly focused on training. Once an apprentice passes the last test, they’re assigned to a village or their next posting. It can be years before they circle back to the keep again.” She tilted her head. “Some of the towns have festivals where there are occasional competitions, like who can toss a rock the farthest.”   Shea had never been very interested in attending those, not understanding the interest in comparing whose throw had the longest reach.   “There are events like that, but most test a skill. My favorites have always been hand-to-hand combat or tests of horsemanship.”   Shea would have liked to see him compete in one of those. “And how many of these have you won?”   He gave her a wicked smile. “Every single one.”   She lifted an eyebrow. “Every one? Even your first?”   “I’m a legend. Haven’t you heard?”   She snorted. “You’re something all right.

Your shelter, You dispel the fears of the world. Therefore, we seek refuge in You. For You are our beginning, middle, and final resting place. Therefore we pray to Thee—shine Your merciful glance upon us. Draw our souls unto Thee and deliver us, for we are created in Your image. By You, we are sent into this world, and in You we find final refuge. Amein.” “Amein,” they echoed. “Come and bring your sick and needy to us for healing,” I said, releasing a grateful sigh. For the people had received my words and appreciated them. The Gentiles, Samaritans, Jews, and pagans, had all come together to share in a moment of devotion. Their sick came forward to receive healing and many were baptized. During the pagan festival of Estre, eggs and rabbits were given as gifts unto us as symbols of earth’s renewal and fertility. The rabbits, we kept as pets and the children delighted in them. While the eggs were given as rewards to those faithful dogs who protected our village. In return, we gave gifts of handcrafted wooden rosary beads, upon which they learned to pray. We taught this type of daily prayer and supplication,

During the last fifty years, owing to the gradual impoverishment of the country and migration from the villages, these religious festivals have been considerably reduced and in some cases have ceased altogether. This has affected the circulation of money within the village economy and on the social side has made life dull and drab.

Later, over his favorite grand crème in the Café des Marauds, he was listening with half an ear to Joséphine as she told him the story of the village's first chocolate festival and the resistance it had met from the church. The coffee was good, sprinkled with shavings of dark chocolate and with a cinnamon biscuit by the side of the cup. Narcisse was sitting opposite with his usual seed catalogue and a café-cassis.

He once recounted a time when he was trying to meditate and kept getting interrupted by sounds from a festival in a nearby village. Then, as he recalls it, he had a realization: “The sound is just the sound. It’s me who is going out to annoy it. If I leave the sound alone, it won’t annoy me. . . . If I don’t go out and bother the sound, it’s not going to bother me.

In a curious parallel to Warlock and Moeran’s rowdy tenure at Eynsford, on the other side of the country in North Devon the village of Georgeham had been intruded upon by another outside artistic presence. Novelist Henry Williamson moved to a cottage there in 1921 and proceeded to outrage local decency with a string of louche girlfriends, naked swimming displays, throwing apples at neighbouring farmers, dressing like a proto-hippy in loose clothing and bare feet. Best known as author of the children’s book Tarka the Otter, Williamson’s many books, including his fifteen-volume fictionalised memoir A Chronicle of Ancient Sunlight, testify to a quasi-mystical relationship with nature and the English landscape, while his reputation was later severely tarnished because of his vocal support of the Hitler Youth and Oswald Mosley’s British fascist movement. His son Harry, born in 1950, was destined to become an associate of hippy progressive rockers Gong in the early 1970s, and was part of the collective that organised the earliest free festivals at Stonehenge (see Chapter 16). Already, in the unconventional lifestyle choices of the likes of Warlock, Moeran and Williamson, the pre-echoes of a later British counter-cultural pattern are faintly detectable.

It is the time of dark and of cold,” she said, “when the fields are unyielding with frost and life sleeps in the earth. During this time, the world dreams, and in her dreams, she relieves the past. Images of the dead appear to those who are aware enough to perceive them.” “I know of this festival,” Shan said. “In our village, we would put out saucers of blood and milk for the spirits. Girls would wear red ribbons in their hair and the lads red garters on their knees. On the night of the Grave, we’d build a bonfire on the green, and dance in a circle to keep the spirits at bay.” “These are old customs,” said Sinaclara, “memories of old practices. In ancient times, the Night of the Grave was called Aya’even, which in the old tongue meant the forest of the dead. It is but one point on the great wheel of life, death, and rebirth. Because of its associations with darkness and the dead, it has within it inherent hope, for without death, there can not be life. This is why it is celebrated by those who no longer remember its true meaning. The memory of that hope lives on.

Marquee hire for weddings, corporate events, parties and festivals throughout the Lake District, Cumbria and North Lancashire we provide tailor made solutions for your event. Whatever your requirements are, with over 20 years experience we can help. Contact us to discuss your event in more detail for a quote and arrange a site visit. Holding an event in a barn, village hall, sports hall etc We can help by lining your venue to your specification.

come alive as the center of Holy Spirit festivals. It’s a celebration in which huge pots of soup and baskets of bread are served, a reminder to practice charity. The chapels are covered with fresh flowers, and each village forms a procession with young girls dressed as queens in white dresses and capes,