View From My Balcony Quotes

I’ve started dreaming in Spanish, which has never happened before. I wake up feeling different, like something inside me is changing, something chemical and irreversible. There’s a magic here working its way through my veins. There’s something about the vegetation, too, that I respond to instinctively - the stunning bougainvillea, the flamboyants and jacarandas, the orchids growing from the trunks of the mysterious ceiba trees. And I love Havana, its noise and decay and painted ladyness. I could happily sit on one of those wrought-iron balconies for days, or keep my grandmother company on her porch, with its ringside view of the sea. I’m afraid to lose all this, to lose Abuela Celia again. But sooner or later I’d have to return to New York. I know now it’s where I belong - not instead of here, but more than here. How can I tell my grandmother this?

I can’t get over the view. I spent most of the night sitting on the third-floor balcony watching the boats.” Don’t sing to them or they’ll crash on the rocks. The thought catches me off guard, but it sticks. I can picture her up there, dark hair flying around in the wind, beckoning to passing sailors. Will I ever get to see her up there? “You like the house?” I rasp. She shrugs one shoulder. And coming from Addison, that’s a resounding yes. “It reminds me of you.” Why am I holding my breath? “Does it?” “Mmmhmm. Old-fashioned and charming…” She squints at my backside. “With a big old kitchen.” The heat that weaves up my neck is humiliating, but I cough my way through it. I’m not sure if my usual embarrassment is at play, or if I’m remembering for the thousandth time how hard I came when she used that damn finger on me. Was it supposed to make me shake like a damn teenager? “It’s not polite to make ass jokes about your tour guide.” “Oh come on. You know I love that thing.

The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.) But Mum had a bad habit. Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view. Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning. I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum. Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading. The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again. The fight started. My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough. Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist. Down he went. Now this was not good news for me. It was bad form and showed a lack of control. On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent. So I winced, apologized, and then helped the guy up. I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present. I guess that the fighter in him loved it, and on that note I passed and was given my black belt. I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts. I had done this on my own and the hard way; you can’t buy your way to a black belt. I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night. Oh, and the bullying stopped.

On the left side of the balcony, at the rear just outside the open doorway through which I'm looking, I suddenly become aware of the presence of a figure. It is an imposing statue, about six feet high and apparently carved in one piece from some green stone - perhaps jade. The sculptor provided excellent detailing of fine robes, and a belt, and something - possibly a sword? - suspended from the belt. At first this stunning piece of sculpture seems just that - a harmless, inanimate statue. I'm curious to see more of it and move my point of view a little closer to get to look at its face. To my surprise, the statue is half animal, half human. It has the body of a powerful and well-muscled man but the head of a crocodile, like Sobek, the ancient Egyptian crocodile god. And now I suddenly realise it is alive - a living being, a supernatural guardian. At this moment its eyes swivel sideways and it is looking at me, taking note of me. The look is intelligent, appraising somehow sly, but yet not threatening. What is this living statue, this being of jade? The vision fades...

I have been in Paris, in Montmartre with my husband, and what I saw there cemented my views about women’s rights. Montmartre is supposed to be about liberation, or that is what I had been led to believe. And I suppose it is, in a way, but it seems to be about liberation—excuse me if I am shocking you—of men’s flesh, while women are more repressed than ever.

A balcony was outside, and I walked out with my breath held. I took in the dark sky in front of me, looking at a view I had never seen before from any other part of the Academy. It showed the side of the mountain and the large walls of Idaea miles behind it. But in between, there was something else, something I could barely make out in the darkness. It looked like rooftops, but they couldn’t be houses when there was nothing but large rocks all around them, could they? And to their side was something else but it was covered in darkness, like a damn black hole, so I couldn’t see much. Like deep, dark shadows were shielding it from my view on purpose.

Jasmine crossed the room to the balcony and opened the doors to find Aladdin floating in midair behind the railing, a mischievous grin on his face. "Look who came back," he said, before soaring above her on a large Persian carpet woven in an intricate pattern of rich blues and gold. "Magic Carpet!" Jasmine exclaimed. For a brief moment, her troubles faded from view as Carpet and Aladdin landed on the balcony beside her. Carpet bowed with a flourish, and Jasmine crouched down to hug the colorful fabric. It used its tassels to hug her back. "I thought you were with the Genie!" "It seems the little fella knew we needed him," Aladdin said, handing Jasmine a folded piece of parchment from his vest pocket. The Genie's loopy blue handwriting filled the page: Al and Jas, Can you take this carpet off my hands? It's getting to be a real drag, just letting me walk all over it. (Ba-da-bum!) For real, though, a little bird told me that you could use a pick-me-up. Since Carpet can literally take care of that, he's yours. Just save me a couple weeks a year for my annual World Carpet Tour, okay? Good luck, kids, and know I'm always rooting for you, G Jasmine hugged the parchment to her chest. "Thank you, Genie." She met Aladdin's eyes. "It's amazing, isn't it, how he always knows?" "It must come with the all-powerful-greatness package.

From a certain point of view, this morning, I looked from within my living room into a bedroom, over the balcony. A light was shining in there, certainly. You see, a ball, the Crystal Ball turned all colours in our field of a universe in one. You cannot trace this special colour as the blue one keeps on turning, over and over, over again.

I’ll take it back to when I didn’t wanna live here on Earth, and I was very suicidal at that moment, and actually was on the other side of a balcony. And to have the thought process of, “I wanna hit an off button,” that’s a scary place to be because for me, that was my answer. I always did it like “I gotta be perfect,” my relationship needs to be like my parents’ relationship that I viewed, but then I go through this horrible divorce and then it’s this embarrassment. And I remember, ‘cause when I tell this story, I tell people I heard a voice that said “Lock yourself in the bathroom, get off this balcony, and lock yourself in the bathroom,” but I know it was the voice of God. I went through my journey after that, getting back to a relationship with him, and that took time – and then finding myself, and saying, “Kel, you need to just find your love within you,” and then doing that, then my beautiful wife comes to me, and my two oldest children and my two youngest children, loving them all the same, within that, and understanding that my journey is a - a learning process, in that mistakes make you who you are, right? I like video games - old school ones – and so in Nintendo, they had a code that you learned and so you can jump levels; the designers made this code so that way they can fix bugs within the game. What I started to understand was, as I got closer to God and I started to get closer with mistakes or understanding who I was, now I know what the designer knows, the designer of me. So now I can jump levels, and I can get throught things a littler quicker than some might do because they are holding on to mistakes. I think that’s beautiful, when you go, “There’s no mistakes there’s just lessons.” And so it’s not going back and fixing anything ‘cause we can’t go back. One of my favorite movies is “Back to the Future,” but you can’t go back and fix it, man. You are who you are, so just learn from it and keep it pushing. Y’all said let’s get deep, right?