Disc D Quotes

You are embarrassed." She leaned over to kiss him, and while he was distracted, snatched the disc. "That's cute. Really cute." "Shut up. Give me that." "I don't think so." Delighted, she danced back a step and held the disc out of reach. "I bet this is very hot. Aren't you curious?" "No." He made a grab, but she was very quick. "Eve, give me the damn thing." "This is fascinating." She edged back toward the open patio doors. "The sophisticated,seen-it-all Roarke is blushing.

Every room I've lived in since I was given my own room at eleven was lined with, and usually overfull of, books. My employment in bookstores was always continuous with my private hours: shelving and alphabetizing, building shelves, and browsing-- in my collection and others-- in order to understand a small amount about the widest possible number of books. Such numbers of books are constantly acquired that constant culling is necessary; if I slouch in this discipline, the books erupt. I've also bricked myself in with music--vinyl records, then compact discs. My homes have been improbably information-dense, like capsules for survival of a nuclear war, or models of the interior of my own skull. That comparison--room as brain-- is one I've often reached for in describing the rooms of others, but it began with the suspicion that I'd externalized my own brain, for anyone who cared to look.

He had a collection of science-fiction films on DVD and Blu-ray discs, and although he said he’d seen most of them before, Caitlin was surprised to discover how many of the cases were still shrink-wrapped. “Why’d you buy them if you weren’t going to watch them?” she asked. He looked at the tall, thin cabinets that contained the movies and seemed to ponder the question. “My childhood was on sale,” he said at last, “so I bought it.

I didn’t tell him that it was all stored as binary information on rapidly spinning shiny discs, partly because I’d have to look up the details myself, but mostly because by the time he’d understood the technology it would have been replaced by something else.

The Death of the Disc was a traditionalist who prided himself on his personal service and spent most of the time being depressed because this was not appreciated. He would point out that no one feared death itself, just pain and separation and oblivion, and that it was quite unreasonable to take against someone just because he had empty eye sockets and a quiet pride in his work. He still used a scythe, he'd point out, while the Deaths of other worlds had long ago invested in combine harvesters.

He held up a hand. "You've come perilously close to being written up for insubordination, Lieutenant. I expect better control from you, and have rarely had the need to remind you of it." "Yes, sir." "Moreover, I find myself insulted both on a personal and professional level that you assumed I had or would approve an asinine schedule that pulls you off a priority." "I apologize, Commander, and can only offer the weak excuse that any and all contact with Lee Chang results in my temporary insanity." "Understood." Whitney turned the disc over in his hand. "It surprises me, Dallas, that you didn't shove this down his throat." "Actually, sir, I had another orifice in mind." His lips quirked, just slightly. Then he snapped the disc in two, just as she had. "Thank you, Commander." "Let's get this damn circus over with, so we can both get back to work.

Abracadabra," Roarke stated, and opened it. "Now that's more like it." Hunkered down beside him, Eve studied the neat stacks of cash. "This is how he stayed out of a cage so long. No credit, no e-transfers. Cash on the line. And a file box, loaded with discs and vids." "Best of all." Roarke reached in, took out a PPC. "His personal palm, very likely uninfected and chock-full of interesting data." "Let's load it up, get it in." She pulled out her memo book. "What're you doing?" "Logging the entry. I better not see any of that green stuff or those baubles go into your pockets, Ace." "Now I'm offended." He straightened, brushed at his shirt. "If I nipped anything, you can bet your ass you wouldn't see me do it.

The upside for him was that my worsening reputation meant no one would believe me about anything else. He acted as if behaviour like mine (boy nicks thing) was beyond his comprehension. He’d never do anything wrong, upright citizen that he was, respectable, civilised and legally parked, he was in the privileged position of having absolute power in a world where racism, misogyny and in-house child molestation lay within the parameters of acceptability. If you queued properly, had a current tax disc in your car and always watched the Queen’s Speech at Christmas then you were exemplary (provided you were English).

The telephone company is urging people not to use the telephone unless it is absolutely necessary, in order to keep the lines open for emergency calls. We'll be right back after this break to give away a pair of Phil Collins concert tickets to caller number 95. -unidentified radio disc jockey after the 1990 Los Angeles earthquake

selected a disc, and turned the volume up louder than he’d ever pushed it. A gentle guitar riff; a tap-tapping of some percussion instrument—he pictured a man hitting a wooden spoon against his legs; a solid male voice, and the song broke into something more, a beat that filled his head with cool images and colors. “What is it?” “Led Zeppelin,” she said. “‘Ramble On.’” He sat against the wall, his eyes trained on the space in the corner, while she selected more songs, rocking back on her legs and staring at him intently. “Free Bird.” “Roundabout.” “Sympathy for the Devil.” “Time.” “The Wreck of the Edmund Fitzgerald.” “Brass in Pocket.” “Bad Company.” “Limelight.” “Crazy on You.” “Voodoo Child.” “Take the Long Way Home.” “Thank you,” he said. “Where have I been hiding all this time?

Then, just now, I went into my bedroom to find something else, and Lovecraft looked down on me. He’s dull metallic grey. His head is elongated, his eyes blank discs. It’s a bust of the author I received years ago for winning an award, and it’s always seemed scary. For a while I dressed him up in a D’Artagnan hat, complete with plume, and a pair of sunglasses with pink heart-shaped rims. But a young visitor wanted those for her Barbie. Now he has a bronze-blond fright wig. And “fright” is the defining word.

We didn’t speak again for seven years after that phone call. There comes a point where you realize you’re just banging your head against a brick wall: no matter how many times you do it, you’re never going to break through, you’re just going to end up with a constant headache. I still made sure she was looked after financially. When she said she wanted to move to Worthing, I bought her a new house. I paid for everything; made sure she had the best care when she needed a hip operation. She auctioned every gift I’d ever given her – everything from jewellery to platinum discs I’d had specially inscribed with her name – but she didn’t need money. She told the papers she was downsizing, but it was just another way of telling me to fuck off – like hiring an Elton John tribute act for her ninetieth birthday party. I ended up buying back some of the jewellery myself, stuff that had sentimental value to me, even if it no longer had for Mum.

Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.

Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her. Waiting for her. Perfection. He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings. Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation. She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently. She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much." He did not look away. "How do I look at you?" "I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me." "It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went. When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you." The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach. He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists. His gaze narrowed on her. "I am happy you approve, my lady." She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..." She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs. He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.

Because he’d talked to her about Catriona Bruce. He must be a lonely man. Living all on his own in that house since his mother died. Suddenly he had company, someone sympathetic, wanting him to talk, listening to him. Perhaps she had her own reasons for encouraging him to speak. She wanted his stories for her film. Perhaps she was just a nice kid who felt sorry for him. And the temptation was too much for him. Perhaps he’d had a whisky or two and that loosened his tongue. Whatever.’ ‘I can see that,’ Perez said. ‘I can even see him killing her afterwards to keep the whole thing quiet. But I can’t see him going into the Ross house, searching her room and finding the disk, finding the script and wiping all trace of it from the PC. I don’t get that.’ They sat looking at each other for a moment in silence. Taylor stretched, shuffled in his chair. He’d told Perez he had a bad back, disc trouble, that was why he couldn’t sit still, but Perez wasn’t convinced. It was the man’s mind that didn’t know how to rest, not his body. ‘So what do we do about it?’ Taylor said. ‘Time’s running out for me. I’ve promised I’ll be back at the end of the week. Any longer than that and they’ll start talking about a disciplinary.’ ‘I’m going to take another trip to the Anderson,’ Perez said. ‘Check she didn’t hand the film in early, give it to a friend to look at. If the film is safe we have to let the whole thing go. Like you said, the note on the back of the receipt incriminates Magnus. It shows he talked to her about Catriona. Euan says there’s no other way she could have known about the girl.’ Taylor stood up, lifting the plan with both hands on his way.

It got to the point where he didn’t even look up at the sky any more as he blundered back and forth. The human mind had evolved for just one universe, he thought. How much of this crap was he supposed to take? He felt exhausted, resentful, bewildered. “Wait.” He paused. He had loped out of the portal onto another stretch of scuffed, anonymous regolith. She was lying in his arms, her weight barely registering. He looked down into her face, and pushed up her gold sun visor. “Emma?” She licked her lips. “Look. Up there.” No Galaxy visible, but a starry sky. The stars looked, well, normal. But he’d learned that meant little. “So what?” Emma was lifting her arm, pointing. He saw three stars, dull white points, in a row. And there was a rough rectangle of stars around them—one of them a distinctive red—and what looked like a Galaxy disc, or maybe just a nebula, beneath … “Holy shit,” he said. She whispered, “There must be lots of universes like ours. But, surely to God, there is only one Orion.” And then light, dazzling, unbearably brilliant, came stabbing over the close horizon. It was a sunrise. He could actually feel its heat through the layers of his suit. He looked down at the ground at his feet. The rising light cast strong shadows, sharply illuminating the miniature crevices and craters there. And here was a “crater” that was elongated, and neatly ribbed. It was a footprint. He stepped forward, lifted his foot, and set it down in the print. It fit neatly. When he lifted his foot away the cleats of his boot hadn’t so much as disturbed a regolith grain. It was his own footprint. Good grief. After hundreds of universes of silence and remoteness and darkness, universes of dim light and shadows, he was right back where he started.

He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.

It got to the point where he didn’t even look up at the sky any more as he blundered back and forth. The human mind had evolved for just one universe, he thought. How much of this crap was he supposed to take? He felt exhausted, resentful, bewildered. “Wait.” He paused. He had loped out of the portal onto another stretch of scuffed, anonymous regolith. She was lying in his arms, her weight barely registering. He looked down into her face, and pushed up her gold sun visor. “Emma?” She licked her lips. “Look. Up there.” No Galaxy visible, but a starry sky. The stars looked, well, normal. But he’d learned that meant little. “So what?” Emma was lifting her arm, pointing. He saw three stars, dull white points, in a row. And there was a rough rectangle of stars around them—one of them a distinctive red—and what looked like a Galaxy disc, or maybe just a nebula, beneath … “Holy shit,” he said. She whispered, “There must be lots of universes like ours. But, surely to God, there is only one Orion.” And then light, dazzling, unbearably brilliant, came stabbing over the close horizon. It was a sunrise. He could actually feel its heat through the layers of his suit. He looked down at the ground at his feet. The rising light cast strong shadows, sharply illuminating the miniature crevices and craters there. And here was a “crater” that was elongated, and neatly ribbed. It was a footprint. He stepped forward, lifted his foot, and set it down in the print. It fit neatly. When he lifted his foot away the cleats of his boot hadn’t so much as disturbed a regolith grain. It was his own footprint. Good grief. After hundreds of universes of silence and remoteness and darkness, universes of dim light and shadows, he was right back where he started.

While I waited for my food I padded in my slippers down the hallway to my studio and turned on the equipment. First the power strips, then the synths and samplers. Then I loaded the discs into my Akai samplers, listening to them whir and click quietly as they took code from the discs and loaded it into their Japanese sampler brains. I climbed under a table and turned on my Soundcraft twenty-four-channel mixing desk, and finally I turned on the power amplifier for the speakers. My studio was up and running and making the calm hum that is the quiet background noise of a studio, like distant traffic or a beach at night. I didn’t know what I was going to work on, so I loaded up some old gospel samples I’d had for years but never figured out how to use. Years ago I’d written a fast euro track called “Why Does My Heart?” that used these samples. Luckily I’d never released it, as it was pretty bad.

He thought of where Wallace had come from and everywhere he’d gone. The pit bull no one wanted, bouncing off the walls at Paws & Claws. The outsider on the disc-dog circuit, from the wrong side of the tracks, with the wrong pedigree, unproven and distrusted. The surprise champion, changing hearts and minds with every catch. Finally, the established veteran, paving the way for others. Everything, all the accomplishments and accolades, was a result of Wallace’s intelligence and drive, his willingness to pour himself completely into the task at hand, and his unrelenting desire.

And Denny Laine, just weeks after the LP was released, had developed a sour view of the project, and Wings generally. “I look on Band on the Run as definitely their [Paul and Linda’s] album,” he complained to Disc’s Caroline Boucher, while promoting Ahh . . . Laine!, finally released on December 7. “We’re not a group anymore. I’m one of the three, or I’m an individual. If it was Wings I’d feel more a part of it. But it’s not my songs and I’d like to feel more involved and contribute as much as they do.

The system was free, so the product was you. Maybe you set up an email account in 1993 and used it twice. Maybe you watched the Sandra Bullock thriller The Net in 1995. Maybe you rifled through your mailbox in 1997 and realized you’d been sent a free CD with the software for America Online, only to mysteriously receive six more of those free discs over the next eighteen months. The internet was coming. The internet was coming. The internet was coming. When was it coming? Soon. How soon? Not today, and maybe not tomorrow. But definitely soon. It was always never quite there. And then, one day, there it was—impossible to avoid and impossible to recognize until the update was complete and all alternatives had been eliminated. There’s no date for when the transfer of power occurred. The record of the transfer has edited itself.

Motor testing also helps identify which nerve root may be the source of the problem. If there is weakness in quadriceps strength, it indicates that the L4 nerve root may be affected. Weakness on dorsiflexion indicates that the L5 nerve root may be affected, whereas plantar flexion weakness is indicative of an S1 radiculopathy (Fig. 2-13). A good way to help remember these is as follows. “Quad” means four—L4. Bending five toes toward the patient (dorsiflexion) tests L5. Pressing down on the gas (plantar flexion) of a new S1 Porsche tests S1. A positive straight-leg test is a nonspecific sign for lumbar disc herniation. The patient experiences pain in the back when

They’d talked about having a quiet night in, and they’d gotten the last disc of Middleman from Netflix.

I believe that information technologies, especially well-designed, purposeful ones, empower and renew us and serve to amplify our reach and our abilities. The ensuing connectedness dissolves away intermediary layers of inefficiency and indirection. Some of the most visible recent examples of this dissolving of layers are the transformations we have seen in music, movies and books. Physical books and the bookstores they inhabited have been rapidly disappearing, as have physical compact discs, phonograph records, videotapes and the stores that housed them. Yet there is more music than ever before, more books and more movies. Their content got separated from their containers and got housed in more convenient, more modular vessels, which better tie into our lives, in more consumable ways. In the process, layers of inefficiency got dissolved. By putting 3000 songs in our pockets, the iPod liberated our music from the housings that confined it. The iPhone has a high-definition camera within it, along with a bunch of services for sharing, distributing and publishing pictures, even editing them — services that used to be inside darkrooms and studios. 3D printing is an even more dramatic example of this transformation. The capabilities and services provided by workshops and factories are now embodied within a printer that can print things like tools and accessories, food and musical instruments. A remarkable musical flute was printed recently at MIT, its sound indistinguishable from that produced by factory-built flutes of yesterday.

Ronald D. Cohen relates that the hillbilly-focused Disc Collector magazine was formed in 1951. Various important online library catalogues list copies of Burke's Register of Record Collectors, which existed from 1957 at the latest.

The familiar guilt washed over her. Even after all these years, it was still there. She'd thought she'd put it behind her. After all, she'd come up with a solution that had worked for the past eight years. But still, it came forward, the memory of the little round blue disc, the one with a filled spot that was supposed to be empty. How could she explain that to Frank? He would think that she'd made it all up to get to his money. Even back then he'd been worth enough that most people would've thought what she'd done had been intentional.

He raced to Marinella at breakneck speed, about fifty miles an hour for normal drivers. As he was passing through the village of Villaseta, a carabiniere with disc signals in hand, who’d probably been hiding behind a blade of grass, suddenly appeared in front of him, gesturing for him to stop. “License and registration.” “Why, may I ask?” “The speed limit in a residential area is thirty miles an hour. Everybody and their dog knows this.” The inspector’s irritation at this new delay and the use of a cliché triggered an unfortunate reply. “Why, don’t the cats and birds know it?” The carabiniere gave him a dirty look. “Trying to be funny, are we?” He couldn’t allow himself to get into an argument. The guy was liable to run him in, and that would be all for Angelica that night.

Companies use various tests and methodologies. One popular test is called the Myers-Briggs Type Indicator. HubSpot uses a methodology called DISC, which stands for four basic personality types: dominant, influential, steady, and conscientious. You can be a mix of more than one trait—a D with a little bit of C mixed in, for example. The basic idea on all of these things is that you answer a zillion random questions, and a piece of software analyzes your answers to determine what kind of person you are. You do the test online. In the DISC assessment, you’re presented with statements to which you must answer yes or no. I am a neat and orderly person. I like peace and quiet. I am very persuasive. I am a very modest type. A week or so after filling out my questionnaire I am sent to a meeting where I will find out my results. It’s a group encounter, with about twenty people. I’m the only person from my department. The others seem to be mostly from sales. I don’t know any of them. DISC is based on concepts created in 1928 by a psychologist named William Marston, who also created the comic book character Wonder Woman. That tells you pretty much all you need to know about DISC. Other people picked up Marston’s concepts in the 1950s and 1970s, and used them to create personality assessment tests. The ideas are pretty much hogwash, and to make things worse, they are put into practice by people with no psychological training or expertise. At

Broadcaster's Poem I used to broadcast at night alone in a radio station but I was never good at it partly because my voice wasn't right but mostly because my peculiar metaphysical stupidity made it impossible for me to keep believing their was somebody listening when it seemed I was talking only to myself in a room no bigger than an ordinary bathroom I could believe it for a while and then I'd get somewhat the same feeling as when you start to suspect you're the victim of a practical joke So one part of me was afraid another part might blurt out something about myself so terrible that even I had never until that moment suspected it This was like the fear of bridges and other high places: Will I take off my glasses and throw them into the water, although I'm half blind without them? Will I sneak up behind myself and push? Another thing: As a reporter I covered an accident in which a train ran into a car, killing three young men, one of whom was beheaded. The bodies looked boneless, as such bodies do More like mounds of rags and inside the wreckage where nobody could get at it the car radio was still playing I thought about places the disc jockey's voice goes and the things that happen there and of how impossible it would be for him to continue if he really knew.

Never Let Me Down" (feat. Jay-Z, J-Ivy) [Intro:] Yeah Grandmama Told you I won't let you down Told you I won't let this rap game change me, right? [Chorus:] When it comes to being true, at least true to me One thing I found,one thing I found Oh no you'll neva let me down, Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) [Jay-Z:] Yo, yo first I snatched the street then I snatched the charts, First had they ear now I hav they're heart, Rappers came and went, I've been hear from the start, Seen them put it together Watch them take it apart, See the Rovers roll up wit ribbons I've seen them re-poed, re-sold and re-driven So when I reload, he holds #1 position When u hot I'm hot And when your feet cold, mines is sizzelin It's plain to see Nigga's can't f*** wit me Cuz ima be that nigga fo life This is not an image This is God given This is hard liven Mixed wit crystal sipping It's the most consistent Hov Give you the most hits you can fit inside a whole disc and Nigga I'm home on these charts, y'all niggaz visitin It's Hov tradition, Jeff Gordan of rap I'm back to claim pole position, holla at ya boy [Chorus] [Kanye West:] I get down for my grandfather who took my momma Made her sit that seat where white folks ain't wanna us to eat At the tender age of 6 she was arrested for the sit in With that in my blood I was born to be different Now niggas can't make it to ballots to choose leadership But we can make it to Jacob and to the dealership That's why I hear new music And I just don't be feeling it Racism still alive they just be concealing it But I know they don't want me in the damn club They even made me show I.D to get inside of Sam's club I did dirt and went to church to get my hands scrubbed Swear I've been baptised at least 3 or 4 times But in the land where nigga's praise Yukons and getting paid It gon' take a lot more than coupons to get us saved Like it take a lot more than do-rags to get your waves Noting sadder than that day my girl father past away So I promised to Mr Rany I'm gonna marry your daughter And u know I gotta thank u for they way that she was brought up And I know that u were smiling when u see that car I bought her And u sent tears from heaven when u seen my car get balled up But I can't complaint what the accident did to my Left Eye Cuz look what a accident did to Left Eye First Aaliyah and now romeo must die I know a got angels watching me from the other side

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The odour that pervaded the room was sickening. The sinister-looking man with the scar came in again and sniffed. I sniffed. Then the proprietor came in and sniffed. “Say,” I said in the toughest voice I could assume, “you got a leak. Wait. I seen the gas company wagon on the next block when I came in. I’ll get the man.” I dashed out and hurried up the street to the place where Kennedy was waiting impatiently. Rattling his tools, he followed me with apparent reluctance. As he entered the wine-shop he snorted, after the manner of gas-men, “Where’s de leak?” “You find-a da leak,” grunted Albano. “What-a you get-a you pay for? You want-a me do your work?” “Well, half a dozen o’ you wops get out o’ here, that’s all. D’youse all wanter be blown ter pieces wid dem pipes and cigarettes? Clear out,” growled Kennedy. They retreated precipitately, and Craig hastily opened his bag of tools. “Quick, Walter, shut the door and hold it,” exclaimed Craig, working rapidly. He unwrapped a little package and took out a round, flat disc-like thing of black vulcanised rubber. Jumping up on a table, he fixed it to the top of the reflector over the gas-jet. “Can you see that from the floor, Walter?” he asked under his breath. “No,” I replied, “not even when I know it is there.” Then he attached a couple of wires to it and led them across the ceiling

The odour that pervaded the room was sickening. The sinister-looking man with the scar came in again and sniffed. I sniffed. Then the proprietor came in and sniffed. “Say,” I said in the toughest voice I could assume, “you got a leak. Wait. I seen the gas company wagon on the next block when I came in. I’ll get the man.” I dashed out and hurried up the street to the place where Kennedy was waiting impatiently. Rattling his tools, he followed me with apparent reluctance. As he entered the wine-shop he snorted, after the manner of gas-men, “Where’s de leak?” “You find-a da leak,” grunted Albano. “What-a you get-a you pay for? You want-a me do your work?” “Well, half a dozen o’ you wops get out o’ here, that’s all. D’youse all wanter be blown ter pieces wid dem pipes and cigarettes? Clear out,” growled Kennedy. They retreated precipitately, and Craig hastily opened his bag of tools. “Quick, Walter, shut the door and hold it,” exclaimed Craig, working rapidly. He unwrapped a little package and took out a round, flat disc-like thing of black vulcanised rubber. Jumping up on a table, he fixed it to the top of the reflector over the gas-jet. “Can you see that from the floor, Walter?” he asked under his breath. “No,” I replied, “not even when I know it is there.” Then he attached a couple of wires to it and led them across the ceiling toward the window, concealing them carefully by sticking them in the shadow of a beam. At the window he quickly attached the wires to the two that were dangling down from the roof and shoved them around out of sight. “We’ll have to trust that no one sees them,” he said. “That’s the best I can do at such short notice. I never saw a room so bare as this, anyway. There isn’t another place I could put that thing without its being seen.” We gathered up the broken glass of the gas drippings bottle, and I opened the door.

Every night we’d go out and listen to bands play. Fort Collins had a music scene that was second to none for a town its size. Any night of the week you could find 10 or 15 bands playing. All of them were playing original music, too. No cover bands. I never understood going out to listen to music that you could hear on a CD. We mostly saw punk bands, including Suicide Fan Club, Armchair Martian, Baldo Rex, The Fairlanes, Fester, The Nobodys, Pinhead Circus, and others. Another local favorite was Where’s the Bishop, which merged punk and funk beautifully. It was such a great time.

What I wouldn't give for a jibarito joint in Shady Palms," I said, ladling heaps of arroz con gandules on my plate. The rice and beans looked so simple, but one bite was like tasting the rice of the gods. Xander groaned. "Oh man, jibaritos. I still haven't mastered making them at home. You'd think it wouldn't be too hard since I can make tostones, but somehow smashing and double-deep-frying plantain discs is different than doing that to a whole plantain to make a sandwich." Jibaritos were a Puerto Rican specialty, consisting of steak or pork, lettuce, tomato, onions, and garlic sauce sandwiched between smashed, fried plantains. They were both simple and utterly decadent, and when a craving hit, nothing else would do.

Though the back sufferer isn't aware of it, it is generally known by students of the spine that the last intervertebral disc, between the fifth lumbar vertebra and the sacrum, is more or less degenerated in most people by the age of twenty. Discs are structures located between the bodies of spinal bones to take up the shock. They are firmly attached to the vertebral bodies above and below, and in no way can they "slip." Enclosed by a tough, fibrous outer shell, there is a thick fluid inside, which is what absorbs the shock. The discs at the lower end and in the neck, because of all the activity in those locations, begin to wear out at an early age, some by the age of twenty, as stated. (page 118)

For example, the diagnostic study (CT scan or MRI) might show a herniated disc at the interspace L4-L5, one of the possible consequences of which might be weakness in the muscles that elevate the foot and the toes. The examination, however, revealed that not only those muscles were weak but so were the ones in the back of the leg, muscles that are not energized by the spinal nerve passing by interspace L4-L5. Then when I found on examination that the buttock muscles in the vicinity of the sciatic nerve were painful to pressure, it was apparent that the nerve disturbance was not coming from the region of the herniated disc but from the sciatic nerve that serves both sets of muscles. (page 120)

It may be tempting but is inadvisable to attribute symptoms to normal aging phenomena. In my experience, disc degeneration is no more pathological than graying hair or wrinkling skin. In recent years, there have been numerous reports the medical literature of herniated discs in patients with no history of back pain. They were discovered inadvertently on CT or MRI studies done to investigate other parts of the body. (page 122)

HE HAD BEEN trained in a hidden monastery by the ninjas of Xi’en. He had studied yoga and meditation under an Avrantic guru. His strength, stamina and ability to withstand pain were legendary. He was as silent as a shadow of a black cat in the night, as deadly as a cobra’s fang. He moved like a panther, taut and sinuous. He could climb up rock-faces with his bare hands and stay underwater for hours without breathing. His skill and luck at love and cards was legendary, and he had almost beaten the Civilian at chess once. He was wondering what to wear. When in doubt, Black is the answer, the dance teacher in Ektara had said. He dressed, swiftly. It had been a long time since he had worn the original costume. Black silk clothes, padded boots. The cloth around the face, with slits for his eyes. The fire-resistant Xi’en lava-worm black silk cape. Of course, disguises and camouflage were fun, and often necessary, but this was his favourite. He strapped on his Necessity Belt. He had been all around the world and seen many beautiful things, but this was the finest example of vaman craftsmanship he had ever seen. He opened a trunk under his bed and started thinking about his assignment. His fingers, trained by years of practice, began sliding things into the right pockets on his belt. Into the little sheaths went the darts, the crossbow bolts and the blackened throwing knives. With practiced ease his fingers found the little pouches, side by side, one after the other, for the wires, the brass knuckles, the vial of oil, the sachet of poisonous powder and the shuriken, the little blackened poisoned-tipped discs the ninjas used. On his back was the slim bag that contained a little black chalk, his stamp and his emergency scarab. If he was killed or captured, it would fly to the Civilian. The message inside said Killed or captured. Sorry. He slung a pouch over his shoulder. It contained his blowpipes, ropes, strangling cords and cloth-covered grappling hooks. Over his other shoulder went the light and specially constructed crossbow. The flat bag filled with what he called his ‘special effects’ went on his back. He felt a little naked. He strapped on little black daggers in sheaths to his left arm and outer thighs. He tapped his left foot thrice on the floor and felt the blade slide to the front of the boot. He tapped again and it slid back to the heel. (...) He slipped on his gloves. Finally, he picked up the sheath that contained his first love. It was the one love he’d always been faithful to, the long, curved, deadly and beautiful Artaxerxian dagger that glittered and shone even in the candlelight as he pulled it out and held it lovingly. It was the only weapon he had never blackened. The Silver Dagger. He attached it to the Necessity Belt. Now he was dressed to kill.

I dated a disc jockey for a time, a man I met at a jazz club. That went on for only a few months. After he’d worried me half to death with too much talking, I dumped him by calling into a radio station and dedicating the Billie Holiday song to him “You Ain’t Gonna Bother Me No More.

Last night We camped in the rain A psychic shook a bag of cowrie- Studded discs onto a table & told Me I’d get back my lost notebook Mercury is in retrograde and you Are on the road, he said. He looked Like a LARPer

First: make sure you know with whom you are dealing. The tactics in this situation are determined by where your customer stands in the organization. Are you dealing directly with a decision maker? A pure “D” on the DiSC profile? If so, give her the information she asks for. If you are dealing with a person in the middle of a large organization, you have a much tougher task. The trick is to tease him, showing just enough to demonstrate that you are the best company for the job without giving away valuable information. You can say anything to a client, you can show all kinds of examples of how you have solved your other clients’ problems, and you can demonstrate your sterling reputation by trotting out a list of the important companies that have been your customers—but you must never, ever hand over a written proposal full of specific solutions to their problems. Never give the mid-level buyer anything he can pass on to others. Once he has that, you’re toast. Bob tells us that we should provide specific solutions only after a commitment. A real, solid, irrevocable decision to proceed. A purchase order or a deposit. Get them hooked, and then give them everything they ask for and more. Over-deliver. Bathe them with your love. Show them that choosing your company was the best decision they ever made, and make sure that this is true. Then you can ask for a letter of recommendation and referrals. These are what will get you past the next mid-level buyer.

For the next two hours, he would toy with her, giving her a chance to repent. Whether she did or not made no difference. He fingered the knife in his pocket. The blade was sharp and tonight she would feel it. Her time would run out an hour before sunrise. As with the others, he would weigh down her body with a cement block. Barely alive, she would struggle against death as they all had. The water would fill her lungs. The last thing she would see on this earth would be his eyes, the eyes of her murderer. How long would it take before her family, her friends reported her missing? A day, possibly two? Surely no longer. Then the search would begin. He would watch the news reports, recording them all on his DVR. In a week or two, some tourist or jogger would spot a floater in the Potomac. All evidence washed away, she would be just another woman executed by the D.C. Killer. He would add her disc to his collection. He whiled away the time thinking about his first kill. She had lounged in her bath, thinking she was alone. When he entered the bathroom, she smiled. The expression on his face made her smile falter. He came at her, grasping her by the shoulders. He pushed her down, holding her struggling body under. Her eyes wide with terror, she tried to plead with her murderer, to ask her husband “Why?” He sank her body in the Potomac, the first victim of the D.C. Killer. The door opened. Shannon Miller stood in the breach, surveying the parking lot. Nervous, she started to go back inside, then changed her mind. She peered toward him, her eyes straining to penetrate the mist and gloom. He was a shadow, invisible to her. Seeing no threat, she stepped out, locked the door and hurried across the deserted lot to her car, a red Toyota with more rust than red. The tap-tap of her high heels pulsated on the cracked asphalt. The beat of her shoes matched the throb of his heart. He could hear her heavy, fearful breathing. He smiled. The moon scurried behind the clouds as if hiding its face in horror. He was an avenger, a messenger of God. His mission was to rid the nation's capital of immoral women. Fearing him, prostitutes now walked the streets in pairs. Even in their terror, they still pursued their wicked trade. At times he saw them huddled in groups of three or four. They reminded him of children in a thunderstorm. Like a spirit, he crept in her direction. The only light was cast by the Miller Lite sign and a distant street lamp. The light in the parking lot had burned out weeks ago, throwing it into darkness. He stalked her as a lion does its prey. He moved slowly, silently, low to the ground, keeping the car between them. His dark running suit blended with the night. He was the Dark Angel, the Angel of Death. In another life, he had passed over Egypt, killing the firstborn of those condemned by God. Her eyes darted in every direction, still she didn't see him. He was invisible. Her hands shook as she tried to get the key in the door. The 11 o'clock news reported that another one had been found. If he stuck with his pattern, the D.C. Killer would strike again tonight. By morning a woman would be dead. She prayed it wouldn’t be her. She fumbled, dropping the key ring. She stooped to pick it up, her head turning in every direction, her ears alert to every sound. Now, without seeing him, she sensed him. She lowered her eyes, trying again, successfully this time. She turned the key. There was a click. She sighed, unaware that she had been holding her breath. The dome light flashed as she opened the door. He was on her in an instant. Their bodies slammed against the door. The light blinked out. He held her in an iron grip with one hand over her mouth and the blade poking into her

It ain't my idea to leave before dawn. My ole lady decided to visit Nana, that's why the house stinks of hairspray. You know why she's leaving early: so nobody sees her scurry through town on foot. All she wants is for them to see her arrived, all hunky-dory. Not scurrying. It's a learning I made since the car went. 'Well I just can't believe there isn't a pair of Tumbledowns around town, I mean, I'll have to try down by Nana's.' She gives off breathy noises, and flicks her fingertips through my hair. Then she takes a step back and frowns. It means goodbye. 'Promise me you won't miss your therapy.' An electric purple sky spills stars behind the pumpjack, calling home the last moths for the night. It reminds me of the morning when ole Mrs Lechuga was out here, all devastated. I try not to think about it. Instead I look ahead to today. Going to Keeter's is a smart idea; if anybody sees me out there, they'll say, 'We saw Vernon out by Keeter's,' and nobody will know if they mean the auto shop, or the piece of land. See? Vernon Gray-matter Little. In return, I've asked Fate to help me solve the cash thing. It's become clear that cash is the only way to deal with problems in life. I even scraped up a few things to pawn in town, if it comes to that. I know it'll come to that, so I have them with me in my pack – my clarinet, my skateboard, and fourteen music discs. They're in the pack with my lunchbox, which contains my sandwich, the two joints, and a piece of paper with some internet addresses on it. As for the joints and the piece of paper, I heard the voice of Jesus last night. He advised me to get wasted, fast. If at first you don't succeed, he said, get wasted off your fucken ass. My plan is to sit out at Keeter's and get some new ideas, ideas borne out of the bravery of wastedness. I ride down empty roads of frosted silver, trees overhead swish cool hints of warm panties in bedclothes. Liberty Drive is naked, save for droppings of hay, and Bar-B-Chew Barn wrappers. In this light you can't see the stains on the sidewalk by the school. As the gym building passes by, all hulky and black, I look the other way, and think of other things. Music's a crazy thing, when you think about it. Interesting how I decided which discs not to pawn. I could've kept some party music, but that would've just tried to boost me up, all this thin kind of 'Tss-tss-tss,' music. You get all boosted up, convinced you're going to win in life, then the song's over and you discover you fucken lost. That's why you end up playing those songs over and over, in case you didn't know. Cream pie, boy. I could've kept back some heavy metal too, but that's likely to drive me to fucken suicide. What I need is some Eminem, some angry poetry, but you can't buy that stuff in Martirio. Like it was an animal sex doll or something, you can't buy angry poetry. When you say gangsta around here, they still think of Bonnie & fucken Clyde. Nah, guess what: I ended up keeping my ole Country albums. Waylon Jennings, Willie Nelson, Johnny Paycheck – even my daddy's ole Hank Williams compilation. I kept them because those boys have seen some shit – hell, all they sing about is the shit they've seen; you just know they woke up plenty of times on a wooden floor somewhere, with ninety flavors of trouble riding on their ass. The slide-guitar understands your trouble. Then all you need is the beer.

Papallones d’incerts colors mortes al peu del llit M’agradaria comprovar una vegada més com pot arribar a ésser dolça la teva veu i quanta tendresa amagada guarden les teves paraules. Però és de dia i no puc arribar a tu. Voldria immobilitzar la nit a les vidrieres, trencar definitivament rellotges, calendaris, comptagotes. Per sempre més hores, dies, mesos. Eternitzar la sedosa, vellutada nit. Però és de dia i tan sols puc inventar-te. Provaré sort al disc de marcar cinc números cabalístics. La veu! Quin pessigolleig per les parets!, quina enrampada! Com es cremen al mur les meves paraules entre el ciment armat i la calç, o arriben tanmateix a tu? Sona el timbre, llunyà, llunyaníssim. No el sents? Dorms? No vull insistir. Les meves paraules a caramulls, en eixams, en guarda, et fan companyia. Papallones d’incerts colors volen ran del teu rostre. Horabaixa seran mortes als peus del teu llit. Mig adormit creuràs que són mosquits. Fa setmanes que la televisió anuncia un insecticida nou d’una absoluta eficàcia.

The wires in the ampule modulator unit are marked as follows according to international convention: blue = neutral or live; yellow = live or blue; blue and live = neutral and green; black = instant death. (Except where prohibited by law.) Switch the computer on. Your hard drive will automatically download. (Allow three to five days.) When downloading is complete, your screen will say: "Yeah, what?" Now it is time to install your software. Insert Disc A (marked "Disc D" or "Disc G") into Drive Slot B or J, and type: "Hello! Anybody home?" At the DOS command prompt, enter your License Verification Number. Your License Verification Number can be found by entering your Certified User Number, which can be found by entering your License Verification Number. If you are unable to find your License Verification or Certified User numbers, call the Software Support Line for assistance. (Please have your License Verification and Certified User numbers handy as the support ø staff cannot otherwise assist you.)