Vienna Christmas Quotes

We've searched our database for all the quotes and captions related to Vienna Christmas. Here they are! All 11 of them:

Each city has its own romantic season. Once a year, a city's architectural, cultural and horticultural variables come into alignment with the solar course in such a way that men and women passing eachother in the thoroughfares few and unusual sense of romantic promise. Like Christmas time in Vienna, April in Paris and autumn in New York.
Amor Towles (Rules of Civility)
I’d come across a strap-on penis. It seemed pretty old and was Band-Aid colored, about three inches long and not much bigger around than a Vienna sausage, which was interesting to me. You’d think that if someone wanted a sex toy she’d go for the gold, sizewise. But this was just the bare minimum, like getting AAA breast implants. Who had this person been hoping to satisfy, her Cabbage Patch doll? I thought about taking the penis home and mailing it to one of my sisters for Christmas but knew that the moment I put it in my knapsack, I’d get hit by a car and killed. That’s just my luck. Medics would come and scrape me off the pavement, then, later, at the hospital, they’d rifle through my pack and record its contents: four garbage bags, some wet wipes, two flashlights, and a strap-on penis.
David Sedaris (Calypso)
Tonight the Ghost of Christmas Yet to Come marched in goose-step and raised a hand to salute "Heil Hitler!" Tonight the ghost wore a swastika on his armband instead of the simple red and white colors of Austria. And yet, on this silent night, the horrible specter seemed all but invisible in Vienna. Murphy could only wonder if he was the sole person at Sacher's who could hear the anthem of Hitler's hordes echoing distantly from beyond the mountains.
Bodie Thoene (Vienna Prelude (Zion Covenant, #1))
He felt her hand creep from her muff into his pocket as they walked the snowy streets to buy their Christmas tree; dusted the pollen off her nose after he had brought her the first king-cups. By the gay and gilded fountains of Peterhof they bandied preposterous names for their unborn child. At night, in their big wooden bed, he watched her spoon cherry jam into her tea and told her that her habits were disgusting, that he loved her more than life itself.
Eva Ibbotson (A Glove Shop in Vienna and Other Stories)
THE TERRORIST ATTACKS came one after another during 1985, all broadcast live on network television to tens of millions of Americans. In June two Lebanese terrorists hijacked TWA Flight 847, murdered a Navy diver on board, and negotiated while mugging for cameras on a Beirut runway. In October the Palestinian terrorist Abu Abbas hijacked the cruise ship Achille Lauro in Italy, murdered a sixty-nine-year-old Jewish-American tourist, Leon Klinghoffer, dumped his body overboard, and ultimately escaped to Baghdad with Egyptian and Italian collaboration. Just after Christmas, Palestinian gunmen with the Abu Nidal Organization opened fire on passengers lined up at El Al ticket counters in Vienna and Rome, killing nineteen people, among them five Americans. One of the American victims was an eleven-year-old girl named Natasha Simpson who died in her father’s arms after a gunman unloaded an extra round in her head just to make sure. The attackers, boyish products of Palestinian refugee camps, had been pumped full of amphetamines by their handlers just before the holiday attacks.
Steve Coll (Ghost Wars: The Secret History of the CIA, Afghanistan & Bin Laden from the Soviet Invasion to September 10, 2001)
In German-speaking countries Percht is the equivalent of Abundia and Satia. Their identical nature was clearly established by Thomas von Haselbach (ca. 1420–1464), professor of theology at the University of Vienna, who provided other names for these nocturnal visitors: Habundia, Phinzen, Sack Semper, and Sacria.24 Phinzen is the personification of Thursday, Sack Semper is a bogeyman, a member of the Christmas processions as well as the personification of Sempertac, which falls eight days following Three Kings Day (Epiphany).
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
Neely Kate lowered her arm, her chest heaving from her exertion. “That man tried to steal my purse!” “You should have just let him have it. You could have gotten hurt.” “He’s the one who got hurt. I have three cans of Vienna sausages in here.
Jana Deleon (Rose and Helena Save Christmas (Rose Gardner Mystery, #6.4, Ghost-in-Law, #6.5))
That man tried to steal my purse!” “You should have just let him have it. You could have gotten hurt.” “He’s the one who got hurt. I have three cans of Vienna sausages in here.” Rose started to ask her friend why she had Vienna sausages in her purse, then shook her head. “Never mind. Let’s go get you some lunch.
Jana Deleon (Rose and Helena Save Christmas (Rose Gardner Mystery, #6.4, Ghost-in-Law, #6.5))
love visiting the Christmas markets up north. Mia would too. Vienna, Prague, Budapest. When it’s snowing outside and there’s ice-skating and Christmas trees everywhere. Desserts everywhere. Mulled wine, hot cider. Everyone is so happy, running around in their thick jackets and wool hats. It’s a fairy tale.” “Wait, Budapest. Is that part of Europe?” “Sí, it’s part of the EU, but it’s less expensive there. A different currency. You can stay in these, emm, great historic apartments for very little. Last time, my friends and I stayed in a place overlooking the Danube with a piano in the living room. We hired a pianist and violinist to play for us . . . for barely anything.
Boo Walker (A Spanish Sunrise)
Russian Zionists, for the most part, were not Orthodox, and most had had a formal secular education, but one cannot compare even the most secularized among them with Herzl, who was so non-observant that he did not have his son Hans circumcised. When the chief rabbi of Vienna came to visit Herzl at his home in December of 1895, Herzl was decorating the children’s Christmas tree.
Derek Jonathan Penslar (Theodor Herzl: The Charismatic Leader (Jewish Lives))
In the Vienna Folklore Museum is a yellowing wooden goat head on a pole. It has flapping black ears, short, curved horns, wide black eyes and an enormous, gaping, snapping mouth, lined with sharp little rows of carved wooden teeth. The jaw is rigged so that it snaps closed when the performer, holding the pole and hidden beneath a sheet, pulls on a thin piece of string dangling from the back of the monster’s head. This creature is called a Habergeiß, a name almost certainly related to goats (‘geiß’ is the Austrian for ‘goat’) and it can be found prowling the streets and snapping at the unwary in Bavarian towns over Epiphany.ix Over in Poland there’s the Turon, another horned, shaggy monster head with a clacking jaw that’s held on a pole by a performer under a sheet. The Turon is led on a rope house to house, where its escort sings carols and the Turon jumps and claps his jaw, chasing the householders. In Romania there are the Corlata, monsters who appear at the end of the year led by groups visiting houses, and are made from (you’ll never guess) a horned, wooden head – a stag’s, this time – with a clacking jaw, held on a pole by a performer who hides under a sheet (although the sheet that covers the Corlata can often be extremely brightly patterned – one photograph from 2010 shows it covered in brilliant flowers). In North-East Germany there’s the Klapperbock (the snapping buck), in the Italian Tyrol there are the Schanppvieh – snapbeasts (although these normally appeared at Carnival rather than Christmas). In Switzerland there’s the Schnabelgeiß, the ‘beak goat’, which looks like all the other goat monsters except that the snout narrows to a point, to take the form of a beak. In Finland and Sweden there are the Nuuttipukki, more stags who bother householders, this time on St Knut’s Day, on 13 January (hence their name). And we’ve already come across the Finnish Julebukk – the Yule goat – another goat monster portrayed by a performer hiding under a sheet, this time made of animal hides. In some parts of Lithuania and Silesia, meanwhile, there was the Schimmelreiter – the grey rider – which came with a new innovation. As in Britain, this monster was a horse, with a snapping head that was often a horse’s skull held on a pole, but this one was played by multiple people and could be ridden.x It starts to feel like you can’t go to Europe over the Christmas period without being snapped at by an animal head on a pole, held by a performer lurking under a cloth.
Sarah Clegg (The Dead of Winter: Beware the Krampus and Other Wicked Christmas Creatures)