Vienna Blood Quotes

We've searched our database for all the quotes and captions related to Vienna Blood. Here they are! All 17 of them:

Old Rekohu’s claim to singularity, however, lay in its unique pacific creed. Since time immemorial, the Moriori’s priestly caste dictated that whosoever spilt a man’s blood killed his own mana - his honor, his worth, his standing & his soul. No Moriori would shelter, feed, converse with, or even see the persona non grata. If the ostracized murderer survived his first winter, the desperation of solitude usually drove him to a blowhole on Cape Young, where he took his life. Consider this, Mr. D’Arnoq urged us. Two thousand savages (Mr. Evans’s best guess) enshrine “Thou Shalt Not Kill” in word & in deed & frame an oral “Magna Carta” to create a harmony unknown elsewhere for the sixty centuries since Adam first tasted the fruit of the Tree of Knowledge. War was as alien a concept to the Moriori as the telescope is to the Pygmy. Peace, not a hiatus betwixt wars but millennia of imperishable peace, rules these far-flung islands. Who can deny Old Rekohu lay closer to More’s Utopia than our States of Progress governed by war-hungry princelings in Versailles & Vienna, Washington & Westminster? “Here,” declaimed Mr. D’Arnoq, “and where only, were those elusive phantasms, those noble savages, framed in flesh & blood!” (Henry, as we later made our back to the Musket confessed, “I could never describe a race of savages too backwards to throw a spear as ‘noble.
David Mitchell (Cloud Atlas)
Might does not make right,” Talleyrand reminded. Has not Europe, he added, suffered enough from that doctrine, and paid for it “with so much blood and so many tears”? The golden age of peace could be right around the corner, if only every peacemaker would follow this course of action.
David King (Vienna 1814: How the Conquerors of Napoleon Made War, Peace, and Love at the Congress of Vienna)
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
An indescribable sadness emanated from the white splendour of the staircase and balustrade; the blood-red, now almost black splendour of the carpets. The huge palms in their huge pots looked like they had recently arrived from the cemetery. Their dark green leaves also looked blackish, like wizened, perished weapons from olden days.
Joseph Roth (The Tale of the 1002nd Night)
This is called My Youth in Vienna. It's a very nice edition--an association copy, Schnitzler to his Latin master, one Johann Auer, 'with thanks for the Auerisms.' [...] Here he apologizes for writing so much on 'the so-called Jewish question.' But he says that no Jew, no matter how assimilated, was allowed to forget the fact of his birth. [...] 'Even if you managed to conduct yourself so that nothing showed, it was impossible to remain completely untouched; as for instance a person may not remain unconcerned whose skin has been anesthetized but who has to watch, with his eyes open, how it is scratched by an unclean knife, even cut until the blood flows.' [...] He wrote that in the early 1900s. The imagery is very chilling, is it not, in the light of what followed. . . .
Geraldine Brooks (People of the Book)
Balint pondered the programme outlined by Slawata: centralization, rule by an Imperial Council, the ancient kingdom of Hungary reduced to an Austrian province, and national boundaries to be re-arranged statistically according to the ethnic origin of the inhabitants! Why all this? To what purpose? Slawata had given him the answer: Imperial expansion in the Balkans so that feudal kingdoms for the Habsburgs reached the Sea of Marmora; and it was all to be achieved with the blood of Hungarian soldiers and paid for by Hungarian tax-money! So it was merely to help Vienna spread Austrian hegemony over the nations of the Balkans that Tisza was to be helped to build up the Hungarian national armed forces.
Miklós Bánffy (They Were Counted)
Consider this, Mr. D’Arnoq urged us. Two thousand savages (Mr. Evans’s best guess) enshrine “Thou Shalt Not Kill” in word & in deed & frame an oral “Magna Carta” to create a harmony unknown elsewhere for the sixty centuries since Adam tasted the fruit of the Tree of Knowledge. War was as alien a concept to the Moriori as the telescope is to the Pygmy. Peace, not a hiatus betwixt wars but millennia of imperishable peace, rules these far-flung islands. Who can deny Old Rēkohu lay closer to More’s Utopia than our States of Progress governed by war-hungry princelings in Versailles & Vienna, Washington & Westminster? “Here,” declaimed Mr. D’Arnoq, “and here only, were those elusive phantasms, the noble savages, framed in flesh & blood!
David Mitchell (Cloud Atlas)
Who would have thought that a single suicide—or a double suicide, more properly—could put an entire city in a sour temper? Vienna valued its suicides, especially those that were dramatic, conducted with some flourish—like the young woman who had decked herself in full bridal regalia before flinging herself from a speeding train, or the circus artist who, in the midst of his performance, had cast away his pole and leaped from the high wire to his death. The audience had applauded, because he jumped with such verve that all believed it was part of his act. It was only as the blood began to pool under his shattered body that the cheers turned to gasps and the women turned their faces away, understanding that this man had added another digit to a suicide rate already the highest in Europe.
Geraldine Brooks (People of the Book)
The soldier fought at Ulm. He fought near Vienna. He fought at Austerlitz. In each battle the Emperor was victorious, and Gaspard himself distinguished for courage and loyalty. The shells exploded around him, and men died screaming, and the soldier fought beside his dead comrades with a fury he had not known he possessed. He became someone else, charging across the Austrian battlefield, thrusting his bayonet into the bodies of the enemy. He did not know himself. Afterward, he sat alone beside his campfire and shook his head to clear it, and felt his blood still surging in his veins, exhilarating as drink. His blood, and theirs. The greater the victory, the greater the surging power, as if he had taken into himself the life of those he had slain. He was only a little surprised to discover how much he loved war.
Ellen Datlow (Black Swan, White Raven)
She sits with shoulders slumped, staring at the wall, waiting for an answer, waiting to feel some joy. She's holding her breath without knowing it, listening to her body like a pregnant woman, listening, bending down deep into herself. But nothing stirs, everything is silent and empty like a forest when no birds are singing. She tries harder, this twenty-eight-year-old woman, to remember what it is to be happy, and with alarm she realizes that she no longer knows, that it's like a foreign language she learned in childhood but has now forgotten, remembering only that she knew it once. When was the last time I was happy? She thinks hard, and two little lines are etched in her bowed forehead. Gradually it comes to her: an image as though from a dim mirror, a thin-legged blond girl, her schoolbag swinging above her short cotton skirt. A dozen other girls are swirling about her: it's a game of rounders in a park in suburban Vienna. A surge of laughter, a bright trill of high spirits following the ball into the air, now she remembers how light, how free that laughter felt, it was never far away, it tickled under her skin, it swirled through her blood; one shake and it would spill out over her lips, it was so free, almost too free: on the school bench you had to hug yourself and bite your lip to keep from laughing at some funny remark or silliness in French class. Any little thing would set off waves of that effervescent girlish laughter. A teacher who stammered, a funny face in the mirror, a cat chasing its tail, a look from an officer on the street, any little thing, any tiny, senseless bit of nonsense, you were so full of laughter that anything could bring it out. It was always there and ready to erupt, that free, tomboyish laughter, and even when she was asleep, its high-spirited arabesque was traced on her young mouth.
Stefan Zweig (The Post-Office Girl)
Revolution, which is in the blood of Parisians, was not in the veins of the Viennese. In Hans's blood there was the Austrian amiability and the good manners learned in his nursery. He was not radical enough to come directly to final conclusions. Day and night, in his desolate prison barracks, while he was almost despairing of his coming home at all, he struggled to find a compromise. He found it in his decision to convince himself with his own eyes, as soon as he came home; the terrible reports reaching the prison camp might be exaggerated and aimed at convincing the prisoners that their camp was better than their home. But when he did see with his own eyes that it was far more terrible than anything he had heard, he did not allow himself any further evasion. Now at last he was ready for the final outcome. One of the first things to strike him was that people in Vienna did not realize what had happened, and it was like a slap in the face. They went about and expected to continue as usual. But there was nothing to continue! Vienna had been an imperial capital, and an imperial capital cannot do without an empire. But the empire no longer existed. Austria was the concept of a super-national nation uniting nationalities. The concept had been destroyed. “German Austria,” the little land with seven million inhabitants, carved out of an empire of fifty-five million, possessed neither money nor friends. Nevertheless, at St. Germain they had been cynical enough to pile the burden of a succession on them that had no basis for existence. Most incomprehensible of all to this returning prisoner was the attitude of Number 10. They were still calling die people begging in the streets “beggars,” because they either did not know or did not want to know that six out of every ten Viennese were compelled to beg and that Austria itself had been assigned a role which was nothing else than that of an international beggar. They carried on their businesses, continued to go to their offices, went on receiving their pensions.Revolution, which is in the blood of Parisians, was not in the veins of the Viennese. In Hans's blood there was the Austrian amiability and the good manners learned in his nursery. He was not radical enough to come directly to final conclusions. Day and night, in his desolate prison barracks, while he was almost despairing of his coming home at all, he struggled to find a compromise. He found it in his decision to convince himself with his own eyes, as soon as he came home; the terrible reports reaching the prison camp might be exaggerated and aimed at convincing the prisoners that their camp was better than their home. But when he did see with his own eyes that it was far more terrible than anything he had heard, he did not allow himself any further evasion. Now at last he was ready for the final outcome. One of the first things to strike him was that people in Vienna did not realize what had happened, and it was like a slap in the face. They went about and expected to continue as usual. But there was nothing to continue! Vienna had been an imperial capital, and an imperial capital cannot do without an empire. But the empire no longer existed. Austria was the concept of a super-national nation uniting nationalities. The concept had been destroyed. “German Austria,” the little land with seven million inhabitants, carved out of an empire of fifty-five million, possessed neither money nor friends. Nevertheless, at St. Germain they had been cynical enough to pile the burden of a succession on them that had no basis for existence. Most incomprehensible of all to this returning prisoner was the attitude of Number 10. They were still calling die people begging in the streets “beggars,” because they either did not know or did not want to know that six out of every ten Viennese were compelled to beg and that Austria itself had been assigned a role which was nothing else than that of an international beggar.
Ernst Lothar (The Vienna Melody)
Landsteiner wasn’t finished. In 1919, he left Vienna and traveled to New York City to work at the Rockefeller Institute. While there, he took blood from rhesus monkeys and injected it into rabbits and guinea pigs, which allowed him to identify yet another protein on the surface of red blood cells called Rh (for rhesus monkey). This finding helped explain why some blood transfusions thought to have been with the right type of blood had still caused serious reactions. People with Rh negative blood can’t receive blood from someone who is Rh positive (about 85 percent of people are Rh positive). This is especially a problem during pregnancy when mothers who are Rh negative are carrying a baby who is Rh positive. The Rh-negative mother can react against her baby’s blood while the baby is still in the womb, with occasionally fatal results. This problem was so severe that until a solution could be found—inoculation of mothers with a product called RhoGAM—couples were prohibited by law to marry if the woman was Rh negative and the man was Rh positive.
Paul A. Offit (You Bet Your Life: From Blood Transfusions to Mass Vaccination, the Long and Risky History of Medical Innovation)
The ferment and frustration Margaret had witnessed firsthand in both Europe’s workers and the intelligentsia could no longer be contained. Uprisings across the Continent brought a new French republic, the resignation of Austria’s Prince Metternich in Vienna, the separation of Hungary from Austrian rule. There had been popular insurrections in all the states of Germany. Margaret was optimistic that democracy in Italy, where Milan was now “in the hands of my friends”—the young radicals she had met the previous summer—would be achieved without “need to spill much blood.
Megan Marshall (Margaret Fuller: A New American Life)
Vienna made you irritable as much as it made me blossom. I wouldn’t realize until later that you were irritable precisely because I was in bloom, because there were suddenly so many sources of joy in my life apart from your presence.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
That morning, inside the cabin below, they’d found the body of Roger Tokely, fifty-eight, slouched forward in a straight-back chair, head bent, as if examining something on the floor between his feet. His beer belly prevented the body from falling forward to the floor. He faced a big-screen television mounted on the eastern wall in front of him. His arms hung on either side of his body, palms out. He wore baggy gray sweatpants and a yellow T-shirt. His feet were bare and swelled grotesquely, the thick toes looking like stubby purple Vienna sausages. There was a large pool of blood on the floor beneath Tokely’s chair. Cody guessed it was thirty inches across. The outside four inches of the pool was clear and the inside was dark and oval-shaped. Next to the pool on the right side of the body was a stainless-steel revolver.
C.J. Box (The Highway (Highway Quartet #2))
A figure who was much reviled in his own time but whose speculations and medical practice also paved the way for the germ theory was the Hungarian gynecologist Ignaz Philipp Semmelweis (1818–1865). In the 1840s, working at the Vienna General Hospital, Semmelweis was appalled by the rate of maternal mortality from puerperal fever, now known to be a severe bacterial blood infection and then the leading cause of death in lying-in hospitals.
Frank M. Snowden III (Epidemics and Society: From the Black Death to the Present)
Each layer was a clean, crisp white. Marzipan over rich Vienna cream icing, edged with sugar lace, a delicate spidery web of lines, the perfect allusion of the bobbin lace that Princess Rose liked to weave. Or at least claimed she wove as a useful anecdote. His notes stated that she gave biannual speeches as patron of the City of London Arts and Crafts Guild. Flowers wound up the side of the cake, the blooming vine of a fairy tale. He studied the effect with distaste. A tap of the leftmost flower, and the petals changed color from an iridescent pink to a deep, brooding blood purple, almost black in tone. He swept his hand in front of the cake. One after another, the edges of the peony poppies bled, thee dark color leaching over the celestial pink. Still fairy tale, but with the inevitable malevolent element. Better. Also better suited to a dungeon or coffin than a reception table, but from the impression he got of the bride, the Tim Burton vibe was strongly in her wheelhouse.
Lucy Parker (Battle Royal (Palace Insiders, #1))