Vibrating High Quotes

We've searched our database for all the quotes and captions related to Vibrating High. Here they are! All 100 of them:

If death is this brilliant slide, this high, fine music felt as pure vibration, this plunging float in wind and silence, it's not so bad.
Jayne Anne Phillips
If you walked away from a toxic, negative, abusive, one-sided, dead-end low vibrational relationship or friendship — you won.
Lalah Delia
Shout out to everyone transcending a mindset, mentality, desire, belief, emotion, habit, behavior or vibration, that no longer serves them.
Lalah Delia
Just because you feel lost doesn't mean that you are. Sometimes you just have to relax, breathe deep, and trust the path you're on.
Lalah Delia
Vibe high and the magic around you will unfold.
Akilnathan Logeswaran
A JEWELRY STORE NAMED INDIA If you hold this Dazzling emerald Up to the sky, It will shine a billion Beautiful miracles Painted from the tears Of the Most High. Plucked from the lush gardens Of a yellowish-green paradise, Look inside this hypnotic gem And a kaleidoscope of Titillating, Soul-raising Sights and colors Will tease and seduce Your eyes and mind. Tell me, sir. Have you ever heard A peacock sing? Hold your ear To this mystical stone And you will hear Sacred hymns flowing To the vibrations Of the perfumed Wind.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Loving music had pushed all of us off the track- away from the normal pursuit of career, mate, and family, on an endless quest for that vibrating high, the plunge beyond time that comes only when you submerge yourself beneath the waterline of amplified sound. We were addicts, in a way, but also adept, enlightened by a noise most people considered no more than a pleasant distraction. What was left for us but to practice our art of listening?
Ann Powers (Weird Like Us: My Bohemian America)
History and societies do not crawl. They make jumps. They go from fracture to fracture, with a few vibrations in between. Yet we (and historians) like to believe in the predictable, small incremental progression.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Violet is the most soothing, tranquilizing and cooling color vibration. It encourages the healing of unbalanced mental conditions in people who are overly nervous or high-strung. Foods of the violet vibration are: purple broccoli, beetroot and purple grapes.
Tae Yun Kim (The First Element: Secrets to Maximizing Your Energy)
The separation of feminine and masculine has torn us into pieces. The balance of feminine and masculine will bring us back to peace
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
Nice piano," I said. "Do you play?" "oh no, but Edwart does!" Eva Mullen said. "A little," Edwart said sheepishly. "Go ahead, play!" Eva said. She picked up the triangle that was lying on the piano and handed it to Edwart. He started banging on it. It sounded like construction work very early in the morning. "Whoops. I messed up. Let me start over," he said. He started banging again. "Wait. Uh. I haven't practiced in a while. Let me start over." Edwart continued to bang the triangle. Eva closed her eyes and raised her arms, swaying rhythmically to Edwart's music. Edwart held the triangle up high, in what appeared to be a grand finish, but then he brought it down hard, hitting the top of the piano. He continued to bang the piano, putting the entire force of his slim body into each smash. The piano shook. The room vibrated. When he finished I subtly removed my hands from my ears. "I wrote that for you," Edwart murmured, drawing me close. "It's called Belle's Lullaby.
The Harvard Lampoon (Nightlight: A Parody)
The rise of the Divine Feminine does not have to be at the expense of the Sacred Masculine. It is about the complete respect of the differences that the Sacred Masculine and Divine Feminine bring to a physical and spiritual union.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
No. I wish you actually had a high-powered vibrator in your room instead of the sewing machine. I can’t hump that, can I?
Jen Frederick (Sacked (Gridiron, #1))
As emotional radars, empaths instantly pick up on the vibes around them and tend to gravitate the most towards those who are hurting – even if they’re not in a good place. Their intense desire to help and soothe the pain of others often results in a whole range of interpersonal and inner issues.
Mateo Sol (Awakened Empath: The Ultimate Guide to Emotional, Psychological and Spiritual Healing)
A high, positive vibration attracts positive events, people and situations; a low, negative vibration attracts more negativity.
Brenda El-Leithy (The Magnet 28 Day Challenge)
Alignment is a vibration, a movement of energy that feels at once grounded, centered, and enlightened and propels you gracefully forward toward what feels good and meant for you.
Kris Franken (The Call of Intuition: How to Recognize & Honor Your Intuition, Instinct & Insight)
So peaceful, the streets; so tranquil, so orderly; yet underneath the deceptively placid surfaces, a tremor, like that near a high-voltage power line. We’re stretched thin, all of us; we vibrate; we quiver, we’re always on the alert. Reign of terror, they used to say, but terror does not exactly reign. Instead it paralyzes. Hence the unnatural quiet.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
I want everyone to see your light just as I see your light.’ Jesus says. “It’s so bright. Don’t hide it anymore.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
Jin made a sound as high pitched as a tea kettle as his spherical body vibrated with excitement. "Pirate hunters. We're going to be pirate hunters." Damn it. She'd lost him. Jin bobbed up and down, looking like a jack in the box. "I never say this, but be yourself, Kira, and we can realize our lifelong dream." Jin screamed to himself as he careened in a circle. "We'll get a big fancy hat and an artificial leg. This is going to be great.
T.A. White (Threshold of Annihilation (The Firebird Chronicles, #3))
Sometimes you have to let others tell their story about you...even if most of it is fabricated. Your character will tell your side without any words spoken. Do your best to vibrate high even in the midst of a shit storm.
Sanjoy Dasgupta Jendayi
The way towards the peace and the balance is love… love and respect of everything. Knowing that there is a place for your neighbour, and there is a place for power, and there’s a place for trees and there’s a place for birds and plants. Once you start loving all these things, you leave them be. You respect them. Then there is balance.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
There is no way to tell if we are the pioneers of a visionary new age, whisking humanity into the high vibrations of an interdimensional love party, or post-modern Don Quixotes attacking techno-industrial windmills with our flimsy, rolled-up yoga mats.
Jonathan Talat Phillips (The Electric Jesus: The Healing Journey of a Contemporary Gnostic)
Some people are just world-changers. Wherever they go, things can't do anything else but change! They walk into a room and they're like, "This is all wrong, this needs to change." It's an energy thing. You're on this high vibrational level and you can't help but pull all the other energies up to your level. Even when you want to stop, you can't stop it.
C. JoyBell C.
He senses his energy, the prana, vibrating, looking for a release, either as a subconscious beast or as a conscious creator.
Misba (The High Auction (Wisdom Revolution, #1))
The common perception is that when a woman is pregnant, she is most beautiful and radiates the perfection of her beauty and power.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
We teach her about developing a relationship with her own Divine Being. We say that eventually she will learn that the Divine Being and [she] are One.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
Water is Consciousness of giving, healing. Like most things, when there is corruption or dishonouring or disrespect of any part of the Consciousness, water can turn or stop.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
We are all survivors of some tragedy, you'd be a fool to see a stranger and think they'd always had the easy road. None of us do, some are just better at living through wars.
Nikki Rowe
I accept love and bliss from benevolent, highly vibrational spirit friends for my highest good.
Amy Leigh Mercree (Joyful Living: 101 Ways to Transform Your Spirit and Revitalize Your Life)
Your body is molecular structure your body is a massive energy at a very high speed of vibration.
Bob Proctor
Heaven is all around you. You just can’t see us because we are vibrating at a higher level than you are. It’s kind of like a dog whistle. There is a noise, a pitch so high that the human ear cannot detect it but it is there nonetheless, for don’t you see all the dogs come running! When we cross Rainbow Bridge we become only love and love is the highest level of vibration; the highest “pitch” so to speak. This is why you cannot see us. We are here, only gone from your sight until one day you are the same vibration as we are. When you vibrate in love all the time you will not have to ask again if I am here, you will know that I am here with you.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: An Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Trilogy Book 3))
Sexuality is a multidimensional gift and act. It is a gifting through the act. It is a deep, spiritual connection with the partner and it’s also a pledge – to the Beings that we consciously call down when we conceive.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
Don't treat your friends like they're the audience of your one-woman show. These are people who are good to you. Offer to them something high-vibrational. Think to yourself, What's the most exciting thing I can say to this person?
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
I absolutely know that you can, under your own steam, dissolve the shell that separates you from a higher experience of Self and a much better life. You don't need gurus or to be catapulted into super-natural experiences by dramatic events — you are becoming such a high-frequency being right here in your physical body, that what used to be meta-physical, trans-personal, and para-normal is now almost ordinary." —from Frequency: The Power of Personal Vibration
Penney Peirce (Frequency: The Power of Personal Vibration)
When the world turns and and we operate at our own personal vibration, it is in our power to withhold our dignity and integrity at the highest possible frequency, with this as an active force, we can command our reality in the physical realm. Justly, we shall take all the opportunity that manifests itself in arms reach. To be one, and to have and do what we dream is concurrent only on a high wavelength, and operative to those who seek a higher sense of self. Are you ready to expand to these levels of operation? Have you taken the steps? Step forward and release all your fears.
Will Barnes (The Expansion of The Soul)
To manifest the quickest, stay in the highest frequency possible all the time. Do you know what a high frequency is? High-frequency is anytime you're feeling good, like when you hear birds singing, or little kids laughing; whenever love is emanating from you, or you're bouncing off the walls with joy. Simply put, the higher the frequency, the more divine, happy, and good it feels.
Linda West (The Frequency: Fulfill all Your Wishes by Manifesting With Vibrations (Use the Law of Attraction and Amazing Manifestation Strategies to Attract the Life You Want Book 1))
The masculine voice was low but clear, capturing the senses, running along the back of her neck like a caress, making her shiver in delight. Artemis very much feared she was gaping. The Duke of Wakefield had a voice to make angels—or devils—weep. It wasn’t the type of male voice currently admired—for the high, unnatural voice of the musico was the rage of London at the moment—but his was the sort of voice that would always seduce the ear. Sure and strong, with a vibrating masculinity on the low notes. She could sit and listen to a voice like this for hours.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
Random acts of kindness such as a smile to a stranger carry more weight than attending church every Sunday out of obligation. You can literally change the energy field around you by keeping your thoughts high-minded, and only attract those who gravitate toward the higher vibration. Remember that like attracts like, so when you bring that energy into your life, only good things can happen—and what you reap may arise from something you had no conscious awareness of sowing.
James Van Praagh (Adventures of the Soul: Journeys Through the Physical and Spiritual Dimensions)
There are no specific memories of the first time I used ketamine, which was around age 17 or 18. The strongest recollection of ketamine use regarded an instance when I was concurrently smoking marijuana and inhaling nitrous oxide. I was in an easy chair and the popular high school band Sublime was playing on the CD player. I was with a friend. We were snorting lines of ketamine and then smoking marijuana from a pipe and blowing the marijuana smoke into a nitrous-filled balloon and inhaling and exhaling the nitrous-filled balloon until there was no more nitrous oxide in the balloon to achieve acute sensations of pleasure, [adjective describing state in which one is unable to comprehend anything], disorientation, etc. The first time I attempted this process my vision behaved as a compact disc sound when it skips - a single frame of vision replacing itself repeatedly for over 60 seconds, I think. Everything was vibrating. Obviously I couldn't move. My friend was later vomiting in the bathroom a lot and I remember being particularly fascinated by the sound of it; it was like he was screaming at the same time as vomiting, which I found funny, and he was making, to a certain degree, demon-like noises. My time 'with' ketamine lasted three months at the most, but despite my attempts I never achieved a 'k-hole.' At a party, once, I saw a girl sitting in bushes and asked her what she was doing and she said "I'm in a 'k-hole.'" While I have since stopped doing ketamine because of availability and lack of interest, I would do ketamine again because I would like to be in a 'k-hole.
Brandon Scott Gorrell
Just like the movements in a symphony, the rain sent vibrations through his body, painting the world in a physical map of mountains, valleys and high peaks dropping into deep ravines. The physical structures were all created by sound itself, and the colors were intense and vivid—substance created by sound, by feeling.
Christine Feehan (Water Bound (Sea Haven/Sisters of the Heart, #1))
Listening to your ego brings your vibration down; listening to your higher self brings your vibration up.
Caroline A. Shearer (Raise Your Vibration: Tips and Tools for a High-Frequency Life (Raise Your Vibration min-e-book™ series, #1))
Mary’s consistent accounts of the abuse she endured, in defiance of cultural conditioning is echoed in Gnostic Traditions
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
Mary's courage to defy such an unflinching patriarchal societal structure, at the expense of letting go of everything, is inspiring – one that transcends time and culture.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
Imagine a world where there are no women. Imagine a world where there are no men. We must have balance. Honour and respect your sacred differences.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
Once we achieve this balance, we will see everyone as a balance of masculine and feminine. Everyone has a role. Every energy is of equal value.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
Mary’s insistence of seeing people’s Divine Spark is in line with the Gnostic view of seeking and knowing one’s divinity to do away with the world of ignorance.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
They do not wish to change people’s minds overnight. It is not their objective. What they see themselves doing is bringing in a new wave of Consciousness.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
I’m not sure how, but I remember you already. I’m not sure why, but I know this will be different from anything I ever knew in life before.
Cassady Cayne (The Universe Speaks, Are You Listening?: 111 High-Vibrational Oracle Messages on Love, Healing, and Existence to Unlock Your Inner Light)
Work on being so in touch with your sensuality until your energy is of such high value that you can’t be half-loved, rationally considered, or lived without... ever.
Lebo Grand
You’ve had so much coffee you’re vibrating, and probably at such a high frequency that you’re existing in multiple dimensions at once.
Amy T. Matthews (Someone Else's Bucket List)
The cold water beats the toned muscles beneath his tanned skin. He senses his energy, the prana, vibrating, looking for a release, either as a subconscious beast or as a conscious creator. Prana heals. Prana kills. Prana helps you evolve. The twinge of guilt comes. It’s hard not to be glad that the Apocalypse happened. Or they never could’ve found the highest possibilities for humans.
Misba (The High Auction (Wisdom Revolution, #1))
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
It is interesting to see that Mary Magdalene is in line with these Gnostic principles, where she focuses on the Divine Consciousness and the internal Divine Spark, in everyone, as well as in nature.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
do share my knowledge with some of the healers. Some already have that knowledge, and some of them take some new knowledge. I take knowledge from them as well, and together, our Consciousness expands.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
a highly organized and articulate set of ideas about anything. As in the case of a love affair the fit need not at the outset be perfect, so long as there is sufficient similarity . . . to set the vibrations between the two entities into sympathetic coordination with each other. . . . It is possible, and indeed common for different individuals to resonate in different manners to the same ideology. (EA,
Sianne Ngai (Ugly Feelings)
you are an exit wound the extra shot of tequila the tangled knot of hair that has to be cut out you are the cell phone ringing in a hushed theatre pebble wedged in the sole of a boot the bloody hangnail you are, just this once you are flip flops in a thunderstorm the boy’s lost erection a pen gone dry you are my father’s nightmare my mother’s mirage you are a manic high which is to say: you are a bad idea you are herpes despite the condom you are, I know better you are pieces of cork floating in the wine glass you are the morning after whose name I can’t remember still in my bed the hole in my rain boots vibrator with no batteries you are, shut up and kiss me you are naked wearing socks mascara bleeding down laughing cheeks you are the wrong guy buying me a drink you are the typo in an otherwise brilliant novel sweetalk into unprotected sex the married coworker my stubbed toe you are not new or uncommon not brilliant or beautiful you are a bad idea rock star in the back seat of a taxi burned popcorn top shelf, at half price you are everything I want you are a poem I cannot write a word I cannot translate you are an exit wound a name I cannot bring myself to say aloud
Jeanann Verlee
Things must really be bad if they think so too.” Instead of pitying someone, turn on your inner flashlight, maintain your high vibration, and guide that person back to peace through your positive presence.
Gabrielle Bernstein (Super Attractor: Methods for Manifesting a Life beyond Your Wildest Dreams)
Silence doesn’t mean no activity; it means highly synchronized actions, much like the work of a well-tuned motor. More noise and vibration never assure better engine performance; indeed, quite the opposite.
Love, Life, and Logic
everything is energy. The chair you’re sitting on, the building you’re in, the dog barking down the street, the flowers growing outside the window, and the thoughts going through your head. All of it is energy.
Caroline A. Shearer (Raise Your Vibration: Tips and Tools for a High-Frequency Life (Raise Your Vibration min-e-book™ series, #1))
The longer you wait for something, the more you appreciate it; the more gratitude you have when you get it moreover you don’t get high achieving it. The best thing is your VIBRATION of GRATITUDE is at the highest.
Deeksha Arora
Gratitude is the best medicine. It heals your mind, body and soul, increasing its vibration. Once you are vibrating at a higher frequency, you are aligning to the universe to attract more things to be grateful for.
Asma Bushra Anwar (Happily Ever After : Your Magic Potion For High Performance Through Holistic Wellness)
Sometimes you have to let others tell their story about you...even if most of it is fabricated. Your character will tell your side without any words spoken. Do your best to vibrate high even in the midst of a shit storm.
Sanjo Jendayi
Most of the time, that is what it feels like here, far away from the war, in the still heart of the tornado. So peaceful, the streets; so tranquil, so orderly; yet underneath the deceptively placid surfaces, a tremor, like that near a high-voltage power line. We’re stretched thin, all of us; we vibrate; we quiver, we’re always on the alert. Reign of terror, they used to say, but terror does not exactly reign. Instead it paralyzes. Hence the unnatural quiet.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
We often want quick answers, quick results, instant rewards, and that’s normal in our high tech, instant, Google driven world. To take that first step towards reaching a goal or realizing a dream, knowing that there will perhaps be a thousand more steps to follow in order to make it happen, can be daunting. It’s simple and yet complicated. The simple part of achieving success is that it just takes work. For me, staying focused on my goals and envisioning my dreams every day, makes the work flow almost on its own. The hard part is the mindset, and to not self sabotage, because you don’t believe in yourself. We often think we can’t achieve our wildest dreams or that we are somehow incapable, and then we never, ever take that first step. I never felt that I was a very confident person, but with the support of some wonderful people and my own inner fire, I kept going. The hardest part after working and working, was to actually accept that I deserved success. Success in itself is kind of scary too, as it comes with having to be responsible, and not flake out. The people who have supported you and invested in you deserve that. I guess what I am trying to say is that if you want something, you have to take action. A little step towards it every day. Then there is a reason to feel accomplished every day. Match your energy and vibration with what you envision. Believe. You deserve success, so go for it.
Riitta Klint
Filling ourselves and living with the energy of love feels wonderful. And because this energy resonates at a high vibrational level, it also attracts into our lives other high, vibrational experiences, many of which feel quite miraculous.
Susan Barbara Apollon (Touched by the Extraordinary, Book Two (Healing Stories of Love, Loss & Hope))
Buffalo is a long way from New York City; but apart from a dreamlike, feverish stop in Syracuse, where I walked and watered Popper and bought us a couple of cheese danishes because there wasn’t anything else—I managed to sleep almost the whole way, through Batavia and Rochester and Syracuse and Binghamton, with my cheek against the window and cold air coming through at the crack, the vibration taking me back to Wind, Sand and Stars and a lonely cockpit high above the desert.
Donna Tartt (The Goldfinch)
The 'magic' is the known and unknown quiet, spiritual, invisible thread which links and reveals harmonic elements to a universe of high vibrational sensory. And our beloved Bro. Maurice David knew it's undeniable creative power, from within.
T.F. Hodge
So they have each other’s essence in the body. It felt like total bliss because they were totally aligned and their spirits and energies were in the same vibrations, in resonance. “It’s a Sacred Union. And we will forever be connected,” she says with a smile.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
my own voice was now tinged with the dead too. The kind of unsettled feeling the newly deceased bring on is highly contagious. It moves through the phone line as a faint trembling, transforming the sound of words, bringing the world in sync with its vibration.
Haruki Murakami (Hombres sin mujeres)
It is evident that while she was a devoted mother, she was always conducting her responsibilities as a mother with a sense of higher consciousness. It is almost like she is weaving the threads of her existence and those closest to her into the Web of Consciousness by her actions.
Reena Kumarasingham (The Magdalene Lineage: Past Life Journeys Into the Sacred Feminine Mysteries)
When an object impacts the Moon at high speed, it sets the Moon slightly wobbling. Eventually the vibrations die down but not in so short a period as eight hundred years. Such a quivering can be studied by laser reflection techniques. The Apollo astronauts emplaced in several locales on the Moon special mirrors called laser retroreflectors. When a laser beam from Earth strikes the mirror and bounces back, the round-trip travel time can be measured with remarkable precision. This time multiplied by the speed of light gives us the distance to the Moon at that moment to equally remarkable precision. Such measurements, performed over a period of years, reveal the Moon to be librating, or quivering with a period (about three years) and amplitude (about three meters), consistent with the idea that the crater Giordano Bruno was gouged out less than a thousand years ago.
Carl Sagan (Cosmos)
5. When Begging Ends I love the idea of Divine Source. It reminds us that everything, the fulfillment of every need, always emanates from the One. So if you learn how to keep your vibration high and attuned to That, whatever is needed to sustain you can always occur, often in surprising and delightful ways. Your Source is never a particular person, place, or thing, but God Herself. You never have to beg. Furthermore, Divine Source says that whatever resonates with you will always find you. That which does not, will fall away. It’s that simple. When Outrageous Openness first came out, I experienced this as I took the book around—some stores were simply not drawn to it. But knowing about Divine Source and resonance, I didn’t care. I remember taking it to a spiritual bookstore in downtown San Francisco. The desultory manager sort of half-growled, “Oh, we have a long, long wait here. You can leave a copy for our ‘pile’ in the back room. Then you could call a ton and plead with us. If you get lucky, maybe one day we’ll stock it. Just keep hoping.” “Oh, my God, no!” I shuddered. “Why would I keep twisting your arm? It’ll go easily to the places that are right. You never have to convince someone. The people who are right will just know.” He looked stunned when I thanked him, smiling, and left. And sure enough, other store clerks were so excited, even from the cover alone. They nearly ripped the book out of my hands as I walked in. When I brought it to the main bookstore in San Francisco’s Castro district, I noticed the manager striding toward me was wearing a baseball cap with an image of the goddess Lakshmi. “Great sign,” I mused. He held the book for a second without even cracking it open, then showed the cover to a coworker, yelling, “Hey, let’s give this baby a coming-out party!” So a few weeks later, they did. Sake, fortune cookies, and all. Because you see, what’s meant for you will always, always find you. You never have to be bothered by the people who aren’t meant to understand. And anyway, sometimes years later, they are ready . . . and they do. Change me Divine Beloved into One who knows that You alone are my Source. Let me trust that You fling open every door at the right time. Free me from the illusion of rejection, competition, and scarcity. Fill me with confidence and faith, knowing I never have to beg, just gratefully receive.
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
If you can’t generate a high vibration, it might be because you don’t have any new thoughts to share. You aren’t spending time developing yourself; you aren’t reading or absorbing new art or ideas. You will never be able to reset or refresh a relationship if you keep doing the same old thing over and over again.
Jay Shetty (8 Rules of Love: How to Find It, Keep It, and Let It Go)
I want to look darkness in the eye and not be afraid. I want to feel the resonance of history and all the bad things people have done and try to understand why. I want to stand inside the Colosseum, feel the vibrations of so much death and despair. I want to walk the corridors of Columbine High. I want to touch the walls of Auschwitz.
Kathy Charles (John Belushi Is Dead)
the ether in which this little earth floats, in which we move and have our being, is a form of energy moving at an inconceivably high rate of vibration, and that the ether is filled with a form of universal power which adapts itself to the nature of the thoughts we hold in our minds; and influences us, in natural ways, to transmute our thoughts into their physical equivalent. If
Napoleon Hill (Think and Grow Rich)
The latest word of science is that the atom is composed of a multitude of corpuscles, electrons, or ions (the various names being applied by different authorities) revolving around each other and vibrating at a high degree and intensity. But the accompanying statement is made that the formation of the atom is really due to the clustering of negative corpuscles around a positive one — the positive corpuscles seeming to exert a certain influence upon the negative corpuscles, causing the latter to assume certain combinations and thus "create" or "generate" an atom. This is in line with the most ancient Hermetic Teachings, which have always identified the Masculine principle of Gender with the "Positive," and the Feminine with the "Negative" Poles of Electricity (so-called).
Three Initiates (Kybalion: A Study of the Hermetic Philosophy of Ancient Egypt and Greece)
[N]ow that growing your own (food, dope, hair, younameit) is hip," wrote the author of an essay widely reprinted in alternative newspapers, "it's time to resurrect the Dope of the Depression - Homebrew." Homemade beer inspired "good vibrations" and a "pleasant high." Unlike the rest of "plastic, mass-produced shit" of modern America, homebrew represented "an exercise of craft" and empowered the "politically oriented" to retaliate against "Augustus [sic] Busch and the other fascists pigs who [were] ripping off the Common Man." "If you're looking for a cheap drunk," added the beer adviser, "go back to Gussie Busch. But if you dig the good vibes from using something you make yourself, plus an improvement in quality over the commercial shit," brew on, brothers and sisters, brew on.
Maureen Ogle (Ambitious Brew : The Story of American Beer)
You've given me everything I need of you-thanks to you I have all my heart desires, all I thought I might never have. All I need for a wonderful, fulfilling future. And I nearly lost it all." She held his gaze but was wise enough not to interrupt. If she had... He drew breath and forged on, "Nearly dying clarified things. When you stand on the border between life and death, the truly important things are easy to discern. One of the things I saw and finally understood was that only fools and cowards leave the truth of love unsaid. Only the weak leave love unacknowledged." Holding her gaze, all but lost in the shimmery blue of her eyes, he raised her hand to his lips, gently kissed. "So, my darling Heather, even though you already know it, let me put the truth-my truth-into words. I love you. With all my heart, to the depths of my soul. And I will love you forever, until the day I die." Her smile lit his world. "Just as well." Happiness shone in her eyes. She pressed his fingers. "Because I plan to be with you, by your side, every day for the rest of your life, and in spirit far beyond. I'm yours for all eternity." Smiling, he closed his hand about hers. "Mine to protect for our eternity." Yes. Neither said the word, yet the sense of it vibrated in the air all around them. A high-pitched giggle broke the spell, had them both looking along the path. TO Lucilla and Marcus, who slipped out from behind a raised bed and raced toward them. Reaching them, laughing with delight, the pair whooped and circled. Heather glanced to left and right, trying to keep the twins in sight, uncertain of what had them so excited. So exhilarated. Almost as if they were reacting to the emotions coursing through her, and presumably Breckenridge. Her husband-to-be. "You're getting married!" Lucilla crowed. Catching Lucilla's eyes as the pair slowed their circling dance, Heather nodded. "Yes, we are. And I rather think you two will have to come down in London to be flower girl and page boy." Absolute delight broke across Lucilla's face. She looked at her brother. "See? I told you-the Lady never makes a mistake, and if you do what shetells you, you get a reward." "I suppose." Marcus looked up at Breckenridge. "London will be fun." He switched his gaze to Lucilla. "Come on! Let's go and tell Mama and Papa.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
When you have a thought that lowers your vibration, be it a worry, a criticism, a fear, or a desire to gossip, turn it over to God (or the universe, angels, etc.) so that you release it. The more often you do this, the less often these thoughts will begin to form in the first place. If/when you struggle with this, remind yourself that a positive thought and a negative thought cannot share the same space, and, if you choose, you may replace one with the other.
Caroline A. Shearer (Raise Your Vibration: Tips and Tools for a High-Frequency Life (Raise Your Vibration min-e-book™ series, #1))
In the work of Ramanujan, the number 24 appears repeatedly. This is an example of what mathematicians call magic numbers, which continually appear, where we least expect them, for reasons that no one understands. Miraculously, Ramanujan's function also appears in string theory. The number 24 appearing in Ramanujan's function is also the origin of the miraculous cancellations occurring in string theory. In string theory, each of the 24 modes in the Ramanujan function corresponds to a physical vibration of the string. Whenever the string executes its complex motions in space-time by splitting and recombining, a large number of highly sophisticated mathematical identities must be satisfied. These are precisely the mathematical identities discovered by Ramanujan. (Since physicists add two more dimensions when they count the total number of vibrations appearing in a relativistic theory, this means that space-time must have 24 + 2 = 26 space-time dimensions.)
Michio Kaku (Hyperspace: A Scientific Odyssey Through Parallel Universes, Time Warps, and the Tenth Dimension)
Has it ever occurred to you- have you never, somewhere along the line, received vibrations to the effect- that this territory was a separate nation? No matter what its political bonds, a nation with its own people, existing within a nation? A society highly paradoxical, with alarming inequities, but with the private honor of thousands of persons winking like lightning bugs through the night? No war was ever fought for so many different reasons meeting in one reason clear as crystal. They fought to preserve their identity. Their political identity, their personal identity.
Harper Lee (Go Set a Watchman)
What is turbulence then? It is a mess of disorder at all scales, small eddies within large ones. It is unstable. It is highly dissipative, meaning that turbulence drains energy and creates drag. It is motion turned random. But how does flow change from smooth to turbulent? Suppose you have a perfectly smooth pipe, with a perfectly even source of water, perfectly shielded from vibrations—how can such a flow create something random? All the rules seem to break down. When flow is smooth, or laminar, small disturbances die out. But past the onset of turbulence, disturbances grow catastrophically. This onset—this transition—became a critical mystery in science.
James Gleick (Chaos: Making a New Science)
Willpower is not about resisting, forcing, or controlling—it’s about choosing. And there are just two basic choices: to feel expansive, loving, and connected to the high vibrations of your soul—to literally be your soul—or to feel contracted, afraid, and immersed in the low vibrations of suffering—to not be your soul. If you choose to feel alone and separate, you’ll assume you must do everything under your own steam by controlling yourself and the world, as I did for many years. If you choose to feel connected to life, you’ll need very little of the old type of willpower. You’ll discover that concepts like flow and synchronicity take the place of willpower.
Penney Peirce (Frequency: The Power of Personal Vibration)
When light shines on a leaf, or a daub of paint, or a lump of butter, it actually causes it to rearrange its electrons, in a process called "transition." There the electrons are, floating quietly in clouds within their atoms, and suddenly a ray of light shines on them. Imagine a soprano singing a high C and shattering a wineglass, because she catches its natural vibration. Something similar happens with the electrons, if a portion of the light happens to catch their natural vibration. It shoots them to another energy level and that relevant bit of light, that glass-shattering "note," is used up and absorbed. The rest is reflected out, and our brains read it as "color.".... The best way I've found of understanding this is to think not so much of something "being" a color but of it "doing" a color. The atoms in a ripe tomato are busy shivering - or dancing or singing, the metaphors can be as joyful as the colors they describe - in such a way that when white light falls on them they absorb most of the blue and yellow light and they reject the red - meaning paradoxically that the "red" tomato is actually one that contains every wavelength except red. A week before, those atoms would have been doing a slightly different dance - absorbing the red light and rejecting the rest, to give the appearance of a green tomato instead.
Victoria Finlay (Color: A Natural History of the Palette)
Then, only a minute later, my mood & my world changed. I hit my first correct soprano 2 note. I don’t even know where it came from, but I got it right. It was a D. The soprano 1 to my right was singing the B flat above me. I love that glorious high B flat & I should have been apoplectic with envy about not getting to sing it myself, but instead I was pinned to that D, vibrating with a wondrous musical rapport I’d never felt before. I was feeling harmony. Not just singing it, but physically feeling it. It was a rush. You don’t experience this when you’re singing the melody. I was completely in the power of the sound we were making together & I just stood there, afraid to move, thinking, Don’t end, don’t end, don’t end.
Stacy Horn (Imperfect Harmony: Finding Happiness Singing with Others)
Sunset’s the best time to take a stroll down Mouffetard, the ancient Via Mons Cetardus. The buildings along it are only two or three stories high. Many are crowned with conical dovecotes. Nowhere in Paris is the connection, the obscure kinship, between houses very close to each other more perceptible to the pedestrian than in this street. Close in age, not location. If one of them should show signs of decrepitude, if its face should sag, or it should lose a tooth, as it were, a bit of cornicing, within hours its sibling a hundred metres away, but designed according to the same plans and built by the same men, will also feel it’s on its last legs. The houses vibrate in sympathy like the chords of a viola d’amore. Like cheddite charges giving each other the signal to explode simultaneously.
Jacques Yonnet (Paris Noir: The Secret History of a City)
I watch people sometimes, wonder how they can walk around with the weight of what they know. Wonder if they feel like me, stumbling with lead shoes on the bottom of the ocean, swimming in a sea of the unsayable. It's a mistake we make, thinking it's words that tell us everything. It's sound that breaks glasses, cracks windows, sends cats up trees. Bats hear more than humans, understand more noise, let alone dogs. Maybe we're just not getting it, standing here listening for sensible speech, dying of loneliness and waiting for whatever it is. How do we know we're not calling and calling all the time, our throats so tight with it, it's too high to hear? At night I hear dogs barking, and think how much of their howling is outside my conscious range, so that I feel it like a vibration but mistake it for silence?
Cate Kennedy (Dark Roots)
RISE UP AND SALUTE THE SUN Rise up! RISE UP everyone! Rise up and salute the sun! Rise up and synergize as ONE. And division there shall be none. Yes! And division there shall be none! Wise up! Wise up and salute the sun! So what is right will always be won - And so what is wrong will be never be done. Yes! So what is wrong will never be done, And justice will always be won! Rise up! Wise up and salute the sun! Because what is turning Can never be undone, And what is churning Has already been spun. Yes, The lies are distorting the sum. And they're quickly earning The minds of our young. Rise Up! Wise up and vibrate knowledge and peace Throughout the streets and UNIVERSAL KINGDOM! Spread light to replace all the hatred And ignorance in the world - With Truth and amplified WISDOM! Rise up! Rise up and salute the sun. Get wise and join lights as ONE. Because the journey has just begun. Yes, The REVOLUTION has just begun. So wise up! Wise up and free all your minds. Rise up and stand up for all mankind! Put on your gold crowns and SHINE! Because the sun symbolizes what's lit inside. Illumination frees us and gives us eyes. It's what heals us and gives us life. It's also the symbol of the Most High -- -- THE LIGHT, The light in all its MIGHT! So RISE UP. Rise up and salute the sun! Wise up because the hour HAS COME And they've already sent us More than one drum! Hurry up! Hurry up before the last chime is STRUCK! RISE UP before the TIME IS UP! Rise up before they kill our dove! Wise up and fight with LIGHT and LOVE! RISE UP! Rise up EVERYONE. Rise up and salute the sun. Rise up and salute the sun! RISE UP AND SALUTE THE SUN - Poetry by Suzy Kassem
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
All Europe contributed to the making of Kurtz; and by and by I learned that, most appropriately, the International Society for the Suppression of Savage Customs had entrusted him with the making of a report, for its future guidance. And he had written it, too. I've seen it. I've read it. It was eloquent, vibrating with eloquence, but too high-strung, I think. Seventeen pages of close writing he had found time for! But this must have been before his — let us say — nerves, went wrong, and caused him to preside at certain midnight dances ending with unspeakable rites, which — as far as I reluctantly gathered from what I heard at various times — were offered up to him — do you understand? — to Mr. Kurtz himself. But it was a beautiful piece of writing. The opening paragraph, however, in the light of later information, strikes me now as ominous. He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of supernatural beings — we approach them with the might of a deity,' and so on, and so on. 'By the simple exercise of our will we can exert a power for good practically unbounded,' etc., etc. From that point he soared and took me with him. The peroration was magnificent, though difficult to remember, you know. It gave me the notion of an exotic Immensity ruled by an august Benevolence. It made me tingle with enthusiasm. This was the unbounded power of eloquence — of words — of burning noble words. There were no practical hints to interrupt the magic current of phrases, unless a kind of note at the foot of the last page, scrawled evidently much later, in an unsteady hand, may be regarded as the exposition of a method. It was very simple, and at the end of that moving appeal to every altruistic sentiment it blazed at you, luminous and terrifying, like a flash of lightning in a serene sky: 'Exterminate all the brutes!
Joseph Conrad (Heart of Darkness)
What he’s been working on is an idea, or the idea of an idea. It’s about a race of extraterrestrials who send a spaceship to explore Earth. They’re composed of crystals in a high state of organization, and they attempt to establish communications with those Earth beings they’ve assumed are like themselves: eyeglasses, windowpanes, Venetian paperweights, wine goblets, diamond rings. In this they fail. They send back a report to their homeland: This planet contains many interesting relics of a once-flourishing but now-defunct civilization, which must have been of a superior order. We cannot tell what catastrophe has caused all intelligent life to become extinct. The planet currently harbours only a variety of viscous green filigree and a large number of eccentrically shaped globules of semi-liquid mud, which are tumbled hither and thither by the erratic currents of the light, transparent fluid that covers the planet’s surface. The shrill squeaks and resonant groans produced by these must be ascribed to frictional vibration, and should not be mistaken for speech.
Margaret Atwood (The Blind Assassin)
Flat cat?'" "It has a Latin name but I never bothered to learn it." Angelo tickled it with a forefinger; it began to purr like a high-pitched buzzer. It had no discernible features, being merely a pie-shaped mass of sleek red fur a little darker than Castor's own hair. "They're affectionate little things and many of the sand rats keep them for pets—a man has to have someone to talk to when he's out prospecting and a flat cat is better than a wife because it can't talk back. It just purrs and snuggles up to you. Pick it up." Castor did so, trying not to seem gingerly about it. The flat cat promptly plastered itself to Castor's shirt, fattened its shape a little to fit better the crook of the boy's arm, and changed its purr to a low throbbing which Castor could feel vibrate in his chest. He looked down and three beady little eyes stared trustfully back up at him, then closed and disappeared completely. A little sigh interrupted the purrs and the creature snuggled closer. Castor chuckled. "It is like a cat, isn't it?" "Except that it doesn't scratch. Want to buy it?
Robert A. Heinlein (The Rolling Stones)
how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
When people have a low vibration they are more reactive and less able to observe and think properly. Trauma, sadness, injustice, apathy and anger, all these things bring a person down to a state from where many never get out. Then because these people can't control themselves, they are constantly reacting to the high energies they feel - pulling them down. They attack the wrong target and fear what they need the most. They literally become antagonistic to higher vibrations. It's in their nature and they can't control that. Neither do they want. They will rationalize "disbelief" and prove you wrong to make you confused before they change, even when they promise to change, because they don't want to. And why would they if they can confuse you? Confusion is a low vibration scheme, and as you go lower in this vibration of lies, you feel more lost and confused about yourself. It then happens that you are forced to abandon any group that vibrates at a low frequency because they insist on making you confused. Certainty - which is not the same as arrogance but is instead the knowing of something to be true -, is a high frequency level. And the creatures of the darkness attack precisely that certainty, by making you feel ashamed of what you know, by calling you a narcissist. You find them in all religions without exceptions. Very few people know what the light is because they have never seen their real face in a mirror when the light is on.
Dan Desmarques
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.
Victor Hugo (The Hunchback of Notre Dame)
No teacher of RE ever said to me: “Beyond the limited realm of the senses, the shallow pool of the known, is a great untamable ocean, and we don’t have a fucking clue what goes on in there.” What we receive through sight, sound, smell, taste, and touch is all we know. We have tools that can enhance that information, we have theories for things that we suspect lie beyond that information, filtered through an apparatus limited once more to those senses. Those senses are limited; the light range we detect is within a narrow spectrum, between infrared light and ultraviolet light; other species see light that we can’t see. In the auditory realm, we hear but a fraction of the sound vibrations; we don’t hear high-pitched frequencies, like dog whistles, and we don’t hear low frequencies like whale song. The world is awash with colors unseen and abuzz with unheard frequencies. Undetected and disregarded. The wise have always known that these inaccessible realms, these dimensions that cannot be breached by our beautifully blunt senses, hold the very codes to our existence, the invisible, electromagnetic foundations upon which our gross reality clumsily rests. Expressible only through symbol and story, as it can never be known by the innocent mind. The stories are formulas, poems, tools for reflection through which we may access the realm behind the thinking mind, the consciousness beyond knowing and known, the awareness that is not connected to the haphazard data of biography. The awareness that is not prickled and tugged by capricious emotion. The awareness that is aware that it is aware. In meditation I access it; in yoga I feel it; on drugs it hit me like a hammer—at sixteen, staring into a bathroom mirror on LSD, contrary to instruction (“Don’t look in the mirror, Russ, it’ll fuck your head up.” Mental note: “Look in mirror.”). I saw that my face wasn’t my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I’d taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature.
Russell Brand (Revolution)
Colonel Fedmahn Kassad shouted a FORCE battle cry and charged through the dust storm to intercept the Shrike before it covered the final thirty meters to where Sol Weintraub crouched next to Brawne Lamia. The Shrike paused, its head swiveling frictionlessly, red eyes gleaming. Kassad armed his assault rifle and moved down the slope with reckless speed. The Shrike shifted. Kassad saw its movement through time as a slow blur, noting even as he watched the Shrike that movement in the valley had ceased, sand hung motionless in the air, and the light from the glowing Tombs had taken on a thick, amberish quality. Kassad’s skinsuit was somehow shifting with the Shrike, following it through its movements through time. The creature’s head snapped up, attentive now, and its four arms extended like blades from a knife, fingers snapping open in sharp greeting. Kassad skidded to a halt ten meters from the thing and activated the assault rifle, slagging the sand beneath the Shrike in a full-power wide-beam burst. The Shrike glowed as its carapace and steel-sculpture legs reflected the hellish light beneath and around it. Then the three meters of monster began to sink as the sand bubbled into a lake of molten glass beneath it. Kassad shouted in triumph as he stepped closer, playing the widebeam on the Shrike and ground the way he had sprayed his friends with stolen irrigation hoses in the Tharsis slums as a boy. The Shrike sank. Its arms splayed at the sand and rock, trying to find purchase. Sparks flew. It shifted, time running backward like a reversed holie, but Kassad shifted with it, realizing that Moneta was helping him, her suit slaved to his but guiding him through time, and then he was spraying the creature again with concentrated heat greater than the surface of a sun, melting sand beneath it, and watching the rocks around it burst into flame. Sinking in this cauldron of flame and molten rock, the Shrike threw back its head, opened its wide crevasse of a mouth, and bellowed. Kassad almost stopped firing in his shock at hearing noise from the thing. The Shrike’s scream resounded like a dragon’s roar mixed with the blast of a fusion rocket. The screech set Kassad’s teeth on edge, vibrated from the cliff walls, and tumbled suspended dust to the ground. Kassad switched to high-velocity solid shot and fired ten thousand microfléchettes at the creature’s face.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Closing her eyes, she fit the violin under her chin, and set the bow to the strings. Faith had never been as blind as this. The first thing that came to mind was the sound of her fingers breaking. Her life, as she knew it, dying. The shock and the pain of it, and the utter devastation. They’ve killed me, she thought. So she played it. Next came the memory of warm, strong hands reaching for hers in the darkness. The unknown clasping her fingers, healing her, lending her strength and reassurance. It was the only thing in the world when she had nothing. It had been her lifeline. And she played it. Then came trust, the tentative unfurling, when she believed against all evidence that the person who came to her in the darkness would help her in any way he could. The impossibly intense adventure of his arm, sliding around her shoulders. The miracle of warmth when she had known nothing but coldness. That first kiss, oh, the surprise of it! The agonizing uncertainty… was it all right to allow this? How could it feel so incredibly good? Could she possibly kiss him again? Oh, when could she kiss him again? The burning that took hold, the incandescent light that shone despite all the shadows stacked around them. The unbearable, delicious hunger that was the sweetest pain… that she would give anything, anything, if only she could feel it again… Always before, when she had played, she’d had the awareness of the violin and the bow as instruments in her craft. Her music had been self-conscious, aware. Now, as she played, she went somewhere she had never gone before. She lost awareness of the violin altogether. She became the music. She was the story, the vibration. She became the story of love, the notes written in kisses and caresses on her skin. She felt the symphony, the swelling highs in the lifts, and the terrible lows in the falls, and hope was the cruelest note of all, the devastation that came afterward, utterly intolerable. She poured it all out, all the emotion, the experience, the exquisite delight along with the terror. There was no hiding any of it from a god anyway. The only other being she had been so naked with was Morgan, and he was gone. Gone, while the love she felt for him had become the very breath of life to her. Give him back to me, she begged with her music. Give him back. When the last note speared through the air, she had nothing left to give.
Thea Harrison (Spellbinder (Moonshadow, #2))
While the visual areas of the brain are active, other areas involved with smell, taste, and touch are largely shut down. Almost all the images and sensations processed by the body are self-generated, originating from the electromagnetic vibrations from our brain stem, not from external stimuli. The body is largely isolated from the outside world. Also, when we dream, we are more or less paralyzed. (Perhaps this paralysis is to prevent us from physically acting out our dreams, which could be disastrous. About 6 percent of people suffer from “sleep paralysis” disorder, in which they wake up from a dream still paralyzed. Often these individuals wake up frightened and believing that there are creatures pinning down their chest, arms, and legs. There are paintings from the Victorian era of women waking up with a terrifying goblin sitting on their chest glaring down at them. Some psychologists believe that sleep paralysis could explain the origin of the alien abduction syndrome.) The hippocampus is active when we dream, suggesting that dreams draw upon our storehouse of memories. The amygdala and anterior cingulate are also active, meaning that dreams can be highly emotional, often involving fear. But more revealing are the areas of the brain that are shut down, including the dorsolateral prefrontal cortex (which is the command center of the brain), the orbitofrontal cortex (which can act like a censor or fact-checker), and the temporoparietal region (which processes sensory motor signals and spatial awareness). When the dorsolateral prefrontal cortex is shut down, we can’t count on the rational, planning center of the brain. Instead, we drift aimlessly in our dreams, with the visual center giving us images without rational control. The orbitofrontal cortex, or the fact-checker, is also inactive. Hence dreams are allowed to blissfully evolve without any constraints from the laws of physics or common sense. And the temporoparietal lobe, which helps coordinate our sense of where we are located using signals from our eyes and inner ear, is also shut down, which may explain our out-of-body experiences while we dream. As we have emphasized, human consciousness mainly represents the brain constantly creating models of the outside world and simulating them into the future. If so, then dreams represent an alternate way in which the future is simulated, one in which the laws of nature and social interactions are temporarily suspended
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
For instance, emotional memories are stored in the amygdala, but words are recorded in the temporal lobe. Meanwhile, colors and other visual information are collected in the occipital lobe, and the sense of touch and movement reside in the parietal lobe. So far, scientists have identified more than twenty categories of memories that are stored in different parts of the brain, including fruits and vegetables, plants, animals, body parts, colors, numbers, letters, nouns, verbs, proper names, faces, facial expressions, and various emotions and sounds. Figure 11. This shows the path taken to create memories. Impulses from the senses pass through the brain stem, to the thalamus, out to the various cortices, and then to the prefrontal cortex. They then pass to the hippocampus to form long-term memories. (illustration credit 5.1) A single memory—for instance, a walk in the park—involves information that is broken down and stored in various regions of the brain, but reliving just one aspect of the memory (e.g., the smell of freshly cut grass) can suddenly send the brain racing to pull the fragments together to form a cohesive recollection. The ultimate goal of memory research is, then, to figure out how these scattered fragments are somehow reassembled when we recall an experience. This is called the “binding problem,” and a solution could potentially explain many puzzling aspects of memory. For instance, Dr. Antonio Damasio has analyzed stroke patients who are incapable of identifying a single category, even though they are able to recall everything else. This is because the stroke has affected just one particular area of the brain, where that certain category was stored. The binding problem is further complicated because all our memories and experiences are highly personal. Memories might be customized for the individual, so that the categories of memories for one person may not correlate with the categories of memories for another. Wine tasters, for example, may have many categories for labeling subtle variations in taste, while physicists may have other categories for certain equations. Categories, after all, are by-products of experience, and different people may therefore have different categories. One novel solution to the binding problem uses the fact that there are electromagnetic vibrations oscillating across the entire brain at roughly forty cycles per second, which can be picked up by EEG scans. One fragment of memory might vibrate at a very precise frequency and stimulate another fragment of memory stored in a distant part of the brain. Previously it was thought that memories might be stored physically close to one another, but this new theory says that memories are not linked spatially but rather temporally, by vibrating in unison. If this theory holds up, it means that there are electromagnetic vibrations constantly flowing through the entire brain, linking up different regions and thereby re-creating entire memories. Hence the constant flow of information between the hippocampus, the prefrontal cortex, the thalamus, and the different cortices might not be entirely neural after all. Some of this flow may be in the form of resonance across different brain structures.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)