Vibrant Woman Quotes

A busy, vibrant, goal-oriented woman is so much more attractive than a woman who waits around for a man to validate her existence.

If you learn to really sit with loneliness and embrace it for the gift that it is…an opportunity to get to know YOU, to learn how strong you really are, to depend on no one but YOU for your happiness…you will realize that a little loneliness goes a LONG way in creating a richer, deeper, more vibrant and colorful YOU.

The greatest thing a father can do for his children is to respect the woman that gave birth to his children. It is because of her that you have the greatest treasures in your life. You may have moved on, but your children have not. If you can’t be her soulmate, then at least be thoughtful. Whom your children love should always be someone that you acknowledge with kindness. Your children notice everything and will follow your example.

Every woman who is aroused by submission is also aroused by an alpha male who can tame her. These women aren’t looking for a husband in the bedroom who will make them feel safe and loved. They already have that in their relationship. These women are looking for a man who is strong enough to conquer them. That way the woman can still feel vibrant and independent… but also feel comfortable submitting to their lover. That’s the turn-on for women. They don’t want to be submissives… they want to feel like they can’t resist submitting.

Do you really love me? means, Will you accept me in process? Will you embrace what is different about me and applaud my efforts to become? Can I just be human---strong an vibrant some days, weak and frail on others?...Will you love me even when I disappoint you?...

No woman is a more vibrant instrument in the hands of the Lord than a woman of God who is thrilled to be who she is.

Perhaps all women are part faerie, for what woman can deny her faerie blood when the portals to her own land are open; when the full moon sings its insistent song; when sorrow and passion and rage pulse through her body at moon times. This is why women are the chosen ones of Faerie, pat of the vibrant, fluid, emotional soul of the world…

Nehemia was gone. That vibrant, fierce, loving soul; the princess who had been called the Light of Eyllwe; the woman who had been a beacon of hope—just like that, as if she were no more than a wisp of candlelight, she was gone. When it had mattered most Celaena hadn't been there. Nehemia was gone.

Not to change the subject, but…you do realize you’ve been going over the speed limit for quite a few miles? Never mind. And thank you Professor Ludefance. Somehow, I think this lecture is meant for me, but I have a lot more interchange of material and energy with my environment than most.” “In a physical sense, you’re not decaying at all, you’re a very vibrant young woman. The decay I’m speaking about for you is emotional. As for the professorship, that very lecture was given to me from a Turkish friend who had inherited a great deal of wealth and didn’t know what to do with himself. I learned this from him. As for you, you interact with your environment, but you are predatory, fearless, irritable, and listless. You’re getting no emotional feedback.” “And just where do you suggest I go to look for ‘emotional feedback,’ Mr. Professor?” “Aha. That’s the catch. You can’t. It’s not that mechanical. You merely have to be receptive and hope it comes along.” “Meanwhile, I’m being ground down by the second law of thermodynamics.” “In a sense, yes.” “Thank you so much, Professor. I never would have known.

I want you to think of two different situations. First, remember times when you've felt your best, at the top of your game, alive and vibrant. Pay attention to your posture, the muscles in your face, your breathing. Then, I want you to think of occasions where you've felt sick or anxious. Don't just think of people. Think of activities. This will help us reveal what makes you happy. Pay attention to how your body responds to these scenarios - it will serve as your biggest indicator in the future when you're actually doing things." This woman was damn brilliant. "And remember, it's okay to feel sad, but just try to limit your bouts with it to an hour a day. Let it all out, give yourself that time to heal, nurture and comfort yourself. You won't heal unless you grieve. Grieving is good." "Good grief?" "Yes. It takes courage to grieve.

But if you learn to really sit with that loneliness and embrace it as the gift that it is—an opportunity to get to know yourself, to learn how strong you really are, to depend on no one but yourself for your happiness—you will realize that a little loneliness goes a long way in creating a richer, deeper, more vibrant and colorful you.

Woman accomplishes what no man is capable of: a mind-blowing orgasm,’” Lace adds. “‘She was a vibrant woman.’” “‘She came, and she went.

Every woman who is aroused by submission is also aroused by an alpha male who can tame her. These women aren’t looking for a husband in the bedroom who will make them feel safe and loved. They already have that in their relationship. These women are looking for a man who is strong enough to conquer them. That way the woman can still feel vibrant and independent… but also feel comfortable submitting to their lover. That’s the turn-on for women. They don’t want to submissives… they want to feel like they can’t resist submitting.

Of all the foolish, horrific things he'd ever accomplished, falling in love with a woman he so completely didn't deserve made the top of his list. But he did love her. It wasn't a question or eve a sudden realization. He'd known, hadn't he? It was like a tether was between them, wrapped directly around his heart, that she had the power to push and pull at her leisure. She was woven into his being; in the blink of his eyes, in the crinkle of his smile, in his rusty unused laughter, she was there. From the moment he'd met her, he thought of her like the sun. Bright and vibrant, untouchable. But he was wrong. She wasn't light; she was color. Every single one, dancing otherworldly and bright over his unworthy eyes. She was the explosion of the vivid gleams and glows of the world around him, like a constant rainbow, shining not after the rain but during. She was everything he never deserved but longed for anyways.

Perhaps all women are part faerie, for what woman can deny her faerie blood when the portals to her own land are open; when the full moon sings its insistent song; when sorrow and passion and rage pulse through her body at moon times. This is why women are the chosen ones of Faerie, part of the vibrant, fluid, emotional soul of the world…

Yes,” I said. “Every woman who is aroused by submission is also aroused by an alpha male who can tame her. These women aren’t looking for a husband in the bedroom who will make them feel safe and loved. They already have that in their relationship. These women are looking for a man who is strong enough to conquer them. That way the woman can still feel vibrant and independent… but also feel comfortable submitting to their lover. That’s the turn-on for women. They don’t want to be submissives… they want to feel like they can’t resist submitting.

It’d be a shame if you let growing up dull your edges. I’m all for whatever makes you happy,” he qualifies. “You don’t need to be drinking for me to enjoy your company – you’ve always been fun no matter what. Lately, though, it seems like the real Gen is slipping away. Becoming a muted version of the incredible, terrifying, vibrant woman you used to be.

So although in Genesis 2, ezer is often translated "helper" or "helpmeet," its meaning includes far more. Woman is Man's ezer- she is a delivering, warring, supporting, shielding, capable, and vibrant female image bearer of God.

The golden shimmer of Edna's satin gown spread in rich folds on either side of her. There was a soft fall of lace encircling her shoulders. It was the color of her skin, without the glow, the myriad living tints that one may sometimes discover in vibrant flesh. There was something in her attitude, in her whole appearance when she leaned her head against the high-backed chair and spread her arms, which suggested the regal woman, the one who rules, who looks on, who stands alone.

The middle seat holds an old woman, teeny, not much bigger than a doll. She is creased and wrinkled and rheumy-eyed. Her eyes, though, beneath their cloudy scrim, sparkle like emeralds. And she is bright. She is very bright. Her cheeks rouged a happy pink. Her sweater a hot pink, the vibrant color masking the heavy load on her sloped, thin shoulders.

When I was twenty-five I met a woman who changed everything for me. She was bright and vibrant and whenever I was with her I felt like I could do anything.” "Even though our circumstances are strange, and we’re a bit of a mismatch, I really do want to be a part of your life. We may not be a regular kind of family, but if you’ll have me, I’ll be your family just the same.

I want to hold you close, to cherish and protect you, to draw you in until we are so close that I am lost within you, I want to take you to bed to watch the way your skin tightens benneth my fingers the way your body awakens under my touch. I want to trail kisses over you until you are lost in so much pleasure that way you don't know where you end and I begin.I want to tie you up and f__k you until there is no doubt that you are mine. I want to dress you up and take you out and show you off this beautiful, vibrant, brilliant woman. Everything I have built, all my companies, all my billions, they have no value compared to you. So no Nikki I will not take chances with your safety. I will not fight. I will not be defied. You do not want to move in with me thats fine. I will move in with you!

Did I develop my own set of random assumptions by utilizing the very little information available to me? For example, Leo Vodnik had held a magazine titled Construction Engineering Australia. Men are ten times more likely than women to die at work. Is that all it took for me to predict a “workplace accident” as his cause of death? Ethan Chang had his arm in a cast. Was it his injury that made me choose “assault,” together with the fact that injury and violence is a leading cause of death for young adult men? I know I watched Kayla Halfpenny at the airport and saw her knock over her drink and then her phone. Was it my observation of the sweet girl’s clumsiness together with the fact that road traffic injuries are one of the leading causes of death among young adults that led me to say “car accident”? Did I simply make random choices? Is that what led me to pancreatic cancer, the most feared cancer, for the vibrant woman who reminded me of my friend Jill, and breast cancer for the pregnant woman? Did I temporarily believe I was Madame Mae? I must have been thinking of my mother, because I kept saying “fate won’t be fought.” Had I somehow become a strange alchemy of the two of us? Both of us, after all, specialized in predictions.

Another woman, though, who has managed to keep her vibrant career thriving even with three kids, and who sometimes takes her children with her on overseas business trips, said, “Just go for it. It’s not that hard. You just have to push against all the forces that tell you what you can’t do anymore now that you’re a mom.

I continued to stare at the empty seat because my sensation of a vibrant presence there was unrelieved. And in my staring I perceived that the fabric of the seat, the inner webbing of swirling fibers, had composed a pattern in the image of a face—an old woman's face with an expression of avid malignance—floating amidst wild shocks of twisting hair.

Holy gods, when she looked at him, he’d almost fallen to his knees. Queen, and lover, and friend—and more. He hadn’t cared that they had an audience. He had needed to touch her, to reassure himself that she was all right, to feel the woman who could do such great and terrible things and still look at him with that beckoning, vibrant life in her eyes.

Even on TV, she was larger than life. At fifty, she was a vibrant, vivacious woman, not obviously pretty or delicate, but handsome, and never more so than when she encountered food and her eyes sparkled. Julia looked at food the way some people looked at their children, and when she cast her adoring gaze at three pounds of raw beef chuck, the folks at home knew something was up.

Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.

My eighty-eight birthday arrives shortly. I cannot fathom that number of years. I admit to seeing an old woman when I look in the mirror–the short, wispy, flyaway white hair that is evident I cut myself, the thick population of brown spots on the backs of my hands and forearms, the still–vibrant blue eyes– and I am surprised, always, because inside, where I live, I am at most forty, still eager for change, still hungry for learning, still curious, still yearning.

When women reassert their relationship with the wildish nature, they are gifted with a permanent and internal watcher, a knower, a visionary, an oracle, an inspiratrice, an intuitive, a maker, a creator, an inventor, and a listener who guide, suggest, and urge vibrant life in the inner and outer worlds. When women are close to this nature, the fact of that relationship glows through them. This wild teacher, wild mother, wild mentor supports their inner and outer lives, no matter what.

Lady Merritt Sterling was a vibrantly attractive woman with large, dark eyes, a wealth of lustrous sable hair, and a flawless porcelain complexion. Unlike her two sisters, she had inherited the shorter, stockier frame of the Marsden side instead of the slender build of her mother. Similarly, she had her father's square-shaped face and determined jaw instead of her mother's delicate oval one. However, Merritt possessed a charm so compelling that she eclipsed every other woman in the vicinity, no matter how beautiful. Merritt focused on whomever she was talking to with a wealth of sincere interest, as if she or he were the only person in the world. She asked questions and listened without ever seeming to wait for her turn to talk. She was the guest everyone invited when they needed to blend a group of disparate personalities, just as a roux would bind soap or sauce into velvety smoothness. It was no exaggeration to say that every man who met Merritt fell at least a little in love with her. When she had entered society, countless suitors had pursued her before she'd finally consented to marry Joshua Sterling, an American-born shipping magnate who had taken up residence in London.

The subtle scent of flowers was lost beneath the aroma of cooking meat and freshly cut fruit, heavy spices and mulled wine. A man in dark robes offered candied plums beside a woman selling scrying stones. A vendor poured steaming tea into short glass goblets across from another vibrant stall displaying masks and a third offering tiny vials of water drawn from the Isle, the contents still glowing faintly with its light. Every night of the year, the market lived and breathed and thrived. The stalls were always changing, but the energy remained, as much a part of the city as the river it fed on.

Once women have lost her and then found her again, they will contend to keep her for good. Once they have regained her, they will fight and fight hard to keep her, for with her their creative lives blossom; their relationships gain meaning and depth and health; their cycles of sexuality, creativity, work, and play are re-established; they are no longer marks for the predations of others; they are entitled equally under the laws of nature to grow and to thrive. Now their end-of-the-day fatigue comes from satisfying work and endeavors, not from being shut up in too small a mind-set, job, or relationship. They know instinctively when things must die and when things must live; they know how to walk away, they know how to stay. When women reassert their relationship with the wildish nature, they are gifted with a permanent and internal watcher, a knower, a visionary, an oracle, an inspiratrice, an intuitive, a maker, a creator, an inventor, and a listener who guide, suggest, and urge vibrant life in the inner and outer worlds. When women are close to this nature, the fact of that relationship glows through them. This wild teacher, wild mother, wild mentor supports their inner and outer lives, no matter what.

He was in love with her. Of all the foolish, horrific things he'd ever accomplished, falling in love with a woman he so completely didn't deserve made the top of his list. But he did love her. It wasn't a question or even a sudden realization. Hed known, hadn't he? He'd known from the moment shed called him pretty. It was like a tether between them, wrapped directly around his heart, that she had the power to push and pull at her leisure. Evangelina Celia Sage was woven into his being; in the blink of his eyes, in the crinkle of his smile, in his rusty unused laughter, she was there. From the moment he'd met her, he thought of her like the sun. Bright and vibrant, untouchable. But he was wrong. She wasn't light; she was color. Every single one, dancing otherworldly and bright over his unworthy eyes. She was the explosion of the vivid gleams and glows of the world around him, like a constant rainbow, shining not after the rain, but during. She was everything he never deserved but longed for anyway. He remembered the blood on her clothes, the employer who had hurt her before, the unjust way shed been treated, and the final nail in the proverbial coffin was that echoing, agonizing word. He was ruined. But he loved her anyway.

My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place.

The painting was so vibrant and alive with summertime that it seemed to fill the entire room with light. It depicted a small town on a summer day, and the people going about various tasks and activities. Over here was a picnic and happy children playing games, over there a postman delivering letters and chatting with a woman in curlers who was touching her hair in a way that suggested she was quite fond of the postman. Two boys in overalls and a young girl in a gingham dress were fishing by a stream beneath a big oak tree. A country church stood quietly at the end of town as if watching over all the people who would surely be sitting in its pews come Sunday morning.

nodded. “Of course. I can’t work beside the best prosecuting attorney in the state without holding my own.” He nodded. “I like that in a woman. A bit of strength. A bit of stubbornness.” Mom smiled brightly. “Well, my daughter is single.” “Mom,” I hissed. “Well, you are! And for far too long, if I might add.” Raymond faced me completely. “If that’s the case, then it’s a shame. You’re a beautiful, vibrant, intelligent woman. You should have every man who even looks at you falling at your feet.” I nodded politely. “Your words are kind, thank you.” “Say, would you be willing to go get—.” I handed Mom my wine glass. “I’m so sorry to interrupt, but I’m really not feeling well.

Woman of Virtue She could be as still as a statue But unapologetically vibrant Even in her silence She exudes confidence Yet, so humble She runs her race with courage Because she has a clear picture Of where she is going She knows who she is And what she really wants She understands what her worth signifies Extremely dignified Many odds she defies Has influence that no one denies No matter where she goes, she prospers She makes life so much better Never doubts her own power She whose face shines brighter Such a paragon of splendour That recognizes God’s favour Committed to excellence Crowned with brilliance Clothed by abundance Cloaked in resilience Conquers through experience She is someone I look up to A woman of virtue

Our team walked through the women’s empowerment center, which was operating in a multistory building, one of the stops we were contemplating for the First Lady. The young man and woman escorting us took us to the roof as part of the tour. I looked out over the city, and other than the bright blue sea, most everything I saw was dusty, arid, and brown except, off in the distance, where I noticed a patch of vibrant green. There were nice buildings and what appeared to be trees and grass. It looked like a desert oasis, or a mirage. “What’s that?” I asked. “That,” our consul general said, “is an Israeli settlement.” “But it’s so green. I thought you said there was very little running water here.” “That’s right,” he said. “There’s limited running water here. The Israelis control the water so twenty times more goes there than comes here.” It was the first time I saw up close what it was like to live under the daily humiliation Palestinians had suffered for years. There it was, a better, easier life, starting right at them.

Yeah,” Steiner said. “Anyway, it looks to me like the building’s out of perspective—it’s too big where it is.” The old man nodded. “But it’s a necessary cheat. Otherwise nothing would show but the roof. As for the fallen pillar and statue, forget them—they wouldn’t be visible at all.” She didn’t care about the background; all of her attention was fixed upon the painting’s central figure. At the top of the hill, turned to look down at the ruins of the temple so anyone viewing the picture could only see her back, was a woman. Her hair was blonde, and hung down her back in a plait. Around one of her shapely upper arms—the right—was a broad circle of gold. Her left hand was raised, and although you couldn’t see for sure, it looked as if she was shading her eyes. It was odd, given the thundery, sunless sky, but that was what she appeared to be doing, just the same. She was wearing a short dress—a toga, Rosie supposed—which left one creamy shoulder bare. The garment’s color was a vibrant red-purple. It was impossible to tell what, if anything, she was wearing on her feet; the grass that she was standing in came almost up to her knees, where the toga ended.

This week we'll be learning about key elements of high quality picture books. Using the award winner lists in our course materials, select one picture book and share why it received its award. For example, Abuela is listed in the 100 Picture Books Everyone Should Know. According to Publishers Weekly, this is why it's so good: "In this tasty trip, Rosalba is "always going places" with her grandmother--abuela . During one of their bird-feeding outings to the park, Rosalba wonders aloud, "What if I could fly?" Thus begins an excursion through the girl's imagination as she soars high above the tall buildings and buses of Manhattan, over the docks and around the Statue of Liberty with Abuela in tow. Each stop of the glorious journey evokes a vivid memory for Rosalba's grandmother and reveals a new glimpse of the woman's colorful ethnic origins. Dorros's text seamlessly weaves Spanish words and phrases into the English narrative, retaining a dramatic quality rarely found in bilingual picture books. Rosalba's language is simple and melodic, suggesting the graceful images of flight found on each page. Kleven's ( Ernst ) mixed-media collages are vibrantly hued and intricately detailed, the various blended textures reminiscent of folk art forms. Those searching for solid multicultural material would be well advised to embark.

I need to check your vitals, hon,” she explained. It had been several hours since I’d given birth. I guess this was the routine. She felt my pulse, palpated my legs, asked if I had pain anywhere, and lightly pressed on my abdomen, the whole while making sure I wasn’t showing signs of a blockage or a blood clot, a fever or a hemorrhage. I stared dreamily at Marlboro Man, who gave me a wink or two. I hoped he would, in time, be able to see past the vomit. The nurse then began a battery of questions. “So, no pain?” “Nope. I feel fine now.” “No chills?” “Not at all.” “Have you been able to pass gas in the past few hours?” *Insert awkward ten-second pause* I couldn’t have heard her right. “What?” I asked, staring at her. “Have you been able to pass gas lightly?” *Another awkward pause* What kind of question is this? “Wait…,” I asked. “What?” “Sweetie, have you been able to pass gas today?” I stared at her blankly. “I don’t…” “…Pass gas? You? Today?” She was unrelenting. I continued my blank, desperate stare, completely incapable of registering her question. Throughout the entire course of my pregnancy, I’d gone to great lengths to maintain a certain level of glamour and vanity. Even during labor, I’d attempted to remain the ever-fresh and vibrant new wife, going so far as to reapply tinted lip balm before the epidural so I wouldn’t look pale. I’d also restrained myself during the pushing stage, afraid I’d lose control of my bowels, which would have been the kiss of death upon my pride and my marriage; I would have had to just divorce my husband and start fresh with someone else. I had never once so much as passed gas in front of Marlboro Man. As far as he was concerned, my body lacked this function altogether. So why was I being forced to answer these questions now? I hadn’t done anything wrong. “I’m sorry…,” I stammered. “I don’t understand the question…” The nurse began again, seemingly unconcerned with my lack of comprehension skills. “Have you…” Marlboro Man, lovingly holding our baby and patiently listening all this time from across the room, couldn’t take it anymore. “Honey! She wants to know if you’ve been able to fart today!” The nurse giggled. “Okay, well maybe that’s a little more clear.” I pulled the covers over my head. I was not having this discussion.

With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it

We have the opportunity to forge a marriage between the masculine and feminine, more potent and more vibrant than any we have experienced on the earth for ages - more beautiful, perhaps, than any the earth has ever known.

The young woman, who was no one’s lady now save her own, pealed with a vibrant and wholesome mirth.

I abhor some of what Catholicism teaches about homosexuality, but I appreciate that in one respect the Church has come to see us whole. Where it used to regard homosexuality as a mere behavior, engaged in sinfully by heterosexuals, it now understands that some men love men and some women love women, and are so constituted as to have no meaningful choice in the matter. Where many denominations regard same-sex love itself as wicked, the Catholic Church asks of homosexuals not that they be heterosexual but that they remain celibate, which is, at least, possible. Now, to ask a human being to dwell in a bed of solitude without the touch of another, until God Himself extends His embrace, is to ask for the most profound and, for most people, enormous of sacrifices. Many people would rather die in loving company than live alone. That, indeed, is what makes the priestly vow of celibacy the supreme act of devotion that it is. There surely are some people who can live whole and healthy lives without sex. I know a middle-aged Catholic woman who, because she is both unmarried and devout, is celibate by choice. She is vibrant and proud, partly, of course, because her celibacy is chosen and principled, rather than furtive or paralytic. But to be celibate is one thing; to live without even the possibility of love is something else again, a stripping-out of self and soul which leaves behind an ageless child.

Lexi Cooper is not a quiet, mild mannered woman. She is outspoken, vibrant and fiercely protective of the people she loves.

The city of Florence lay sprawled out below us, a mass of both brownstone and red-tiled roofs nestled among the brilliant, vibrantly green, rolling Tuscan hills. Above it all rose the massive dome of Santa Maria del Fiore, Brunelleschi’s wonder, famous the world over. The cathedral rose above the city like a great sleeping dragon, watching over its domain even in its slumber.

I want to feel normal again,” she once told me. “Maybe if I pretend I am for long enough, it might actually happen.” Your mother is one of the strongest, smartest women I have ever met, but losing you cleaved her in two. The vibrant, caustic, witty, contrary woman I married splintered off into silence. She would tell you she gave in to mourning you for too long, let the pity and self-hate drag her into that black pit that I still crawl around in. If she did, her stay there was temporary. Somehow, she managed to wrench a piece of her former self out of the ground. She tells me that the other, miserable half, the chipped-off, cast-off half, still follows at a respectful distance, ready to take over the second she stumbles. Only through sheer strength of will does she manage to never stumble.

I didn’t like the conflation of love with purpose. My life before Priest was filled with drive. I loved my podcast, my schooling, my family and friends. I had dreams and goals. I existed outside of my feelings for Priest, a fully realized woman on an independent path through life. Loving Priest wasn’t like finding the North Star, a guiding force to hold my hand through life and show me the way. I didn’t need his love to acknowledge the beauty and worth of my own existence. But… Loving Priest made everything I loved about my life and myself vibrant and clear, somehow simply and utterly more profound. All those traumas I’d bore alone before him, all those things large and small I’d always believed I hated about myself, were suddenly given new depth and compassion. He hadn’t changed my life. It was that he had given me new perspective, limning everything both good and bad in the golden light of his love.

Honestly, I believe I lost my permission to be interesting.” She explained that, at first, the role of wife and mother fulfilled her, and she’d lived vicariously through her husband’s professional success. But then, more than a decade and a half later, she recognized that she’d lost her earlier identity—the vibrant and passionate woman who she’d worked so hard to become (and who her husband had originally fallen in love with).

Everyone—including Elsa—had assumed she would live an apologetic life, hidden among the needs of other, more vibrant people. The caretaker, the tender, the woman left behind to keep the home fires burning.

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Her eyes held no humor as she turned and stared at me, her vibrant light snuffed out. She was silently pleading, desperately begging me to keep her sister safe. I decided then and there that this woman should never beg. I understood she cared for her sister, but who cared for her? At that moment, she seemed so innocent. She was not the vicious, fire-wielding beast I had first met. She was just a girl who had been born into chaos. Kaden had backed her into a corner, her choices taken until she had reformed herself into a weapon. She had become what she needed to be to protect the only person who still saw good in her. Not able to bear the sight of her so alone in the dark, I reached out and took her hand the same way she had done mine during my night terrors. It had comforted me, and I wanted to do the same for her. “I promise to make sure Gabby is safe. I also promise that he will never lay a hand on you again. If he even tries to take you away, I promise I’ll make him regret ever being born.

As an Iranian woman in the West, I see and share a lot of concern about the fate of my country’s women. But I’m also disturbed at how commonly the Western people I know view female Iranians as either helpless victims or brainwashed enemies—even if they personally know vibrant, successful, multicultural Persian women. In both Iran and the West it’s still widely assumed that males have always been the authors of Iranian culture, business, law, religion, art, education, literature, agriculture, science, architecture, philosophy, social mores, and the writing of history. But of course Iranian women have always been creative, influential players in all of these fields. They’ve always had their own goals, values, passions, and accomplishments, whatever challenges they've faced, and their contributions have enriched the world. As I recall the commonly obscured female half of my heritage, I want to paint a big picture of women’s initiatives in every period of Iranian history. Of course many excellent authors and scholars have been working on that for decades, and their work has helped to dispel traditional bias. But I and my Western male co-author hope to make our own contribution. We want to link the insights and accounts of many Iranian women together, show their significance for the world, and do it through a stream of stories that people of all cultures might enjoy.

Might've saved yourself there. The heroine in the book is so dry and salty and apathetic -- about everything." Ben winced. "He probably thought that meant a strong female character." I threw up my hands. "I know, right? A woman can be emotional and vibrant and love things. That doesn't make her weak or inferior--argh! I'm not going to rant about it, it'll just make me upset.

As soon as I click on the last photo, the screen fills with the image of a drugged woman, and it’s like I’ve just been punched in the chest. Everything else disappears except for her. She’s barely able to keep her eyes open, but the deep, vibrant blue of them is impossible to miss. Her long, dark hair is loose, falling around her shoulders, and there’s something about her that seems so small, so fragile, so fucking innocent that it makes me want to kill every motherfucker in the place for daring to drag her into this.

It was almost laughable, because why would a woman so vibrant, so alive, love a monster from Hell?

Did I develop my own set of random assumptions by utilizing the very little information available to me? For example, Leo Vodnik had held a magazine titled Construction Engineering Australia. Men are ten times more likely than women to die at work. Is that all it took for me to predict a “workplace accident” as his cause of death? Ethan Chang had his arm in a cast. Was it his injury that made me choose “assault,” together with the fact that injury and violence is a leading cause of death for young adult men? I know I watched Kayla Halfpenny at the airport and saw her knock over her drink and then her phone. Was it my observation of the sweet girl’s clumsiness together with the fact that road traffic injuries are one of the leading causes of death among young adults that led me to say “car accident”? Did I simply make random choices? Is that what led me to pancreatic cancer, the most feared cancer, for the vibrant woman who reminded me of my friend Jill, and breast cancer for the pregnant woman? Did I temporarily believe I was Madame Mae? I must have been thinking of my mother, because I kept saying “fate won’t be fought.” Had I somehow become a strange alchemy of the two of us? Both of us, after all, specialized in predictions. There are certain events in my life that I believe may have had a profound effect on me. For example: the little boy who drowned at the blowhole when I was a child. I have never forgotten the sound of his mother screaming. That boy had brown eyes and dark hair. When I saw that dear little brown-eyed, dark-haired baby, did I think of that poor boy and therefore predict the baby would drown at the same age? Did I look at the young bride, Eve, and remember the charming woman who came to my mother for readings, who was so excited about her forthcoming wedding, the first wedding I ever attended? Did I think of the time I saw her at the shops, her inner light snuffed out, and remember how she died in a fire believed to have been lit by her husband? Why did I choose self-harm for Allegra, the beautiful flight attendant? Was it simply that I saw repressed pain in her eyes from the back injury I now know she suffered on that flight? Was it because I knew the rate of suicide in young females has been steadily increasing over recent years? Was I thinking of death as I boarded the plane and contemplating the fact that everyone on that plane would one day die, and wondering what their causes of death would ultimately be? Well. That’s the only one of my questions I can answer with certainty. Of course I was thinking of death. I had my husband’s ashes in my carry-on bag. I was missing my two best friends. I was thinking of every person I had ever lost throughout my life.

A large metal plaque affixed to the rock said: GRANDMA GATEWOOD MEMORIAL TRAIL THIS SIX-MILE TRAIL IS DEDICATED TO THE MEMORY OF GRANDMA GATEWOOD, A VIBRANT WOMAN, SEASONED HIKER, AND LONG-TIME HOCKING HILLS ENTHUSIAST. THE PATH BEGINS HERE, VISITS CEDAR FALLS, AND TERMINATES AT ASH CAVE. JANUARY 17, 1981

He’d met her soft gaze while she talked but now he turned away from her instead of arguing. He didn’t see it that way; he thought it was too late. What he saw was a beautiful young woman agreeing to life with him, having a child or two, then waking up one morning to realize she hadn’t really lived yet. She’d have gone from her mother’s sickbed to Luke. She would still be young, beautiful, vibrant and sorry she hadn’t looked a little further, for someone with more to offer her. Maureen was wrong. If that happened, if Shelby gave him a few years and then came to her senses and walked away, it was going to hurt a lot more. A lot more. She

My favourite quotes, Part Two -- from Michael Connelly's "Harry Bosch" series The Black Box On Bosch’s first call to Henrik, the twin brother of Anneke - Henrik: "I am happy to talk now. Please, go ahead.” “Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.” “Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.” “I’m sure you do.” Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered. The Burning Room 2 Grace was a young saxophonist with a powerful sound. She also sang. The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope. It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was. ---------------- He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone. The Burning Room 3 “What do you want to know, Bosch?” Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever. At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due. ------------ “I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” Angle of Investigation 1972 They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job. Now He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her. The Scarecrow At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.

up the pathway to the front door.  She’d called and left him a message, letting him know that she was coming, and that she’d leave the documents with the housekeeper if he wasn’t there.  Ringing the doorbell, she couldn’t stop the blush that stole up her cheeks as she remembered the last time she’d been here.  Had it really been only two days ago?  It seemed like a lot longer.  Did he still have those stockings?  Surely he’d tossed them out by now.  And no, she hadn’t dared to purchase another pair.  Not after the last debacle.  When the door opened, she was bracing herself to face Hunter once again.  Her plan was to congratulate him, just as she would any other client, hand him the champagne and the closing documents, and then leave as quickly as possible.  Just as she would all of her other clients.  They were all trying to unpack, overwhelmed with the process but excited about their new purchase.  She very seriously doubted if anything overwhelmed Hunter, but she was going to go through her routine anyway.  All of her clients deserved the same treatment, and she shouldn’t slack off with Hunter simply because…well, because he could make her feel things that… “Goodness, come in out of the heat, my dear!” the housekeeper urged, waving Kara into the cool interior.  “Mr. West is out back in the pool, but he said he was expecting you and that you’d know the way.  If he needs anything at all,” she said, as she hefted a purse onto her shoulder that Kara suspected could substitute for a suitcase, “just tell him to give me a ring.” Kara opened her mouth to stop the woman as the two of them exchanged places, the housekeeper moving to the outside even as Kara was nudged inside.  Kara went so far as to lift her hand, trying to indicate that she wanted to say something, but the efficient woman bustled out of the house, closing the front door in the process.  Kara stared at the closed door for several long moments, wondering how that had just happened.  Her plan had been simple.  Just hand over the bottle and documents, convey her congratulations and head back.  What had just happened?  Kara turned around.  It felt strange to be standing here, alone, in Hunter’s house.  She’d been here two days ago, but the house hadn’t been his.  The man now owned the house, all the furniture, and the acres of land and waterfront.  It felt much more intimate now for some reason.  Looking around, she wished that she could just leave the documents on the kitchen counter or the rough, wooden coffee table that looked perfect next to the white sofas.  Everything felt and looked clean and comfortable, exactly as she would have decorated this area.  The pops of green were vibrant and exhilarating, a perfect accompaniment to the fresh, white furniture.  With a sigh, she turned away from the alluring great room décor and searched out the man of the moment.  As she stepped past the sofas, she saw him.  In the pool.  Without any clothes on! Oh goodness, she thought with a strangled breath.  It took her several moments to realize that she needed to inhale, her breath caught in her throat as she watched the man’s bare skin, and all the muscles, and…well, all of him!  Okay, so he wasn’t naked, he was wearing a bathing suit but his broad, muscular back and those arms…they were even more ridged with muscles than she’d thought.  He was spectacular!  Never in her wildest imaginings had she pictured him that buff, but there

In truth, I am certain that Aisha was afraid. She, like so many believers living in persecution, simply refused to be controlled by her fear. By faith, she found a way to overcome her fear. Because of the testimonies that I had already heard, I was able to instantly recognize and understand the significant role that music and the HeartSong played in building and bolstering this young Muslim woman's faith. It was very similar to what I had already observed and heard from believers like Dmitri and Tavian in their very different cultures. And thinking back to the book of Acts, I recalled the story of Paul and Silas and their imprisonment almost two thousand years ago. In pirson, Paul and Silas sang. It was clear that a vibrant faith like Aisha's could take root, survive and thrive in hostile conditions. That much was certain. Recognizing factors in her faith journey that I had seen in so many other places was fascinating and life-giving. Though I had never seen the connections before, they were now unavoidable. Suffering believers in Russia- and in China- and in Eastern Europe- and in Southeast Asia- and ion the world of Islam- and in Bible days- were telling the very same story, doing the very same things to survive, experiencing the presence of the very same God.

Like an impressionist’s stroke on a canvas, up-close formed a new image. This image was vibrant and alive. This image was not the woman who

As an Asian American woman within black radical circles, Grace surely was anomalous, but this raised no significant concerns or barriers to her participation in various black organizations, struggles, and movements. While she never attempted to conceal her ethnic identity, Grace developed a political identity as a black movement activist—that is, an activist based in a black community and operating within black movements. Living with Jimmy in a black community in the 1950s and immersing herself in the social and political worlds of black Detroit, she solidified this political identity through her activism. By the early 1960s she was firmly situated within a network of activists building organizations, staging protests, and engaging in a range of grassroots political initiatives. By mid-decade, when the Black Power movement emerged, Grace was a fixture within black radical politics in Detroit and widely known in movement circles nationally. Together, Jimmy and Grace helped to build a vibrant local black protest community in Detroit, the city that served not only as their home and political base, but also as a catalyst for new ideas about social change. They formulated their theories through grassroots activism in the context of—and at times directly in response to—the tremendous urban transformation experienced by the Motor City during the decades following World War II. Alongside their local efforts, the couple forged an ever-widening network of activists, artists, and intellectuals across the country, engaging multiple spaces of black activist politics. A diverse group of younger black activists from Detroit and across the country visited their eastside Detroit home—“ the Boggses’ University,” as one of them labeled it. 2 Each received theoretical training, political education, and a sense of historical continuity between past and future struggles. Through their extraordinary partnership James and Grace Lee Boggs built several organizations, undertook innumerable local activist initiatives, produced an array of theoretical and political writings, and mentored a generation of activists.

again, only to groan, tear away from the illuminated buildings, and head into the blackness once more. Each stop was a luminescent island in the dark. The boat was a needle, threading the glowing pearls of an enormous necklace. Did the necklace grace the throat of a vibrant and beautiful woman or that of a trollop, painted and decayed? Venice’s enveloping night cloak made it impossible to tell.

When a woman is in love, the change is apparent to everyone around her. The love she receives from her partner, the confidence that love gives her, and her desire to make the effort to look beautiful for him all give her energy. Her skin glows, her eyes shine, and she becomes even more beautiful. In the same way, things that are loved by their owner and treated with care are vibrant and radiate an aura of wanting to be of more service to their owner. Things that are cherished shine.

The pictures she drew on were vibrant as ever, though. The crumbling stone farmstead overlooking the great Luberon valley where she was born. The blending room of the distillery in Manosque where she had experienced a kind of rebirth, beginning the transformation into the woman she was now. Scent was memory, and memory a complex blend of scent and emotion: the perfect flowers of the lavender hills, like millions of mauve butterflies fluttering on stalks; the violet; the heliotrope of home, with its heart of sweet almond and cherry vanilla. She mixed them all into her signature fragrance Lavande de Nuit, along with a breath of civet musk and a haunting trace of smoke.

When I read and watch Donald Trump shrug off or Twitter away that global warming is a hoax, his brushoffs don’t have the fire and passion of other things he off-handedly rejects. It’s a good sign recognizable to anyone loving Geminis in his or her life. I have a dear elder brother who’s an intellectually vibrant Gemini. I’ve also delved deep into the romantic and psychological depths with a lover born under the sign of “The Twins.” Thus from long and first-hand experience I contend that I can correctly sense the moment a Gemini’s stance on something is going void of course. There’s a little less feistiness. A tone of indifference grows. I can detect the subtle disengagement growing in Trump’s voice. If I’m not being fooled that there isn’t a new descent into deeper disinterest, the change in tone foreshadows a Gemini minded man or woman is about to shift gears

Nehemia was gone. That vibrant, fierce, loving soul; the princess who had been called the Light of Eyllwe; the woman who had been a beacon of hope—just like that, as if she were no more than a wisp of candlelight, she was gone.

Be Fierce, Be Fabulous, Be vibrant, Be healed, Be who you are - A Phenomenal Woman!

   Difficulty relaxing    Insomnia    Impatience    Taking on too much responsibility      Recent major life change (marriage, divorce, birth of child, death of close relative, purchase of home, new job, loss of job, etc.)    Irritability    Tension headaches    Sense of isolation from others    Difficulty delegating  

He’d never understood how a lass could have such a hold on someone’s heart. Eoin grew up wondering why his father never remarried; he would’ve if it had been he who’d lost his wife. It was unnatural for a man to live alone so long, and how many years did it take for a heart to heal anyways? Surely not a lifetime.   But all of that was before Bri. And now, as he held her in his arms, feeling the warmth of her skin so vibrant and alive against him, he knew exactly the power a woman could wield over a man’s soul.

The Bible is vibrant because it is entirely about living creatures; and since God, though living, cannot be described or even imagined, the attention is directed relentlessly on man and woman.

This may not seem like leadership in action, but it is. Successful leadership isn’t dictatorship. It injects fundamental ideas and processes into the bloodstream of an organization and of individuals who see things the same way but lack the leverage to carry them out on their own. As a one-man or one-woman protectorate of a humane, sustainable business process, the leader sees to it that new ideas emerge and bloom when the timing is right. Dictators come and go, and when they go the dictatorship goes with them. When a true leader departs, the company he leaves behind is healthy, self-governing, vibrant, and intact.

[Those two Kurdish women soldiers] made me feel guilty towards the goodness I had not seen because pettiness had blinded me to it. How had I failed to register the many people who did accept me as I was, veiled and alien in their world, just because there were some who stared, or muttered—or shouted, like that crazy woman on the bus? How had I failed to see the decency of vibrant parks with children, care for the weak and unemployed—for what can one call it but decency? How, I sometimes wondered with shock and pain, how had I failed to register this basic decency, simply because there were also idiots in the world who excluded me and mine?

A woman’s body is a canvas So come with brush and paint and oil To flaunt your vibrant feathers.

The Beast   Her flesh shook wildly with his zeal His mounting thrusts and grouses  Her dangling breasts, the scene surreal Hanging low in bestial crouches   She didn’t enjoy this rough and tumble, The discomfort on her knees The ignominious avowal That indulged his boorish needs.   It must be humiliation, The yearning need to dominate, Or perhaps subjugation Relentless craving to tailgate   Coitus more ferarum Such cheeky form complied, Should I pretend delirium To assuage his fragile pride?   “Is this what you like?” he groans, Panting his impending crest As she patiently marks his moans A rousing book might be best.     His hard appendage, badge of jock The emblem of his gender He struts and prances like a cock The self-confident contender   To take a woman from behind Subjugate her femininity In favor of a selfish grind The bestial superiority   Other problems are created By this brutish currier Air with thrusting is injected Magnifying discomfiture   In erogenous responses Tis anatomy prevails In a woman’s breaths and arches That would exorcise travails   Don’t you realize that, fool, A woman’s body is a canvas So come with brush and paint and oil To flaunt your vibrant feathers.   Two bodies tangled in emotion Excite my inner essence As you ride into oblivion Rejoin my acquiescence.   Sex is relished done in tandem, Essence of anatomy Locus charm of lotus blossom As you make a play for me.

Then you must allow me to call on you tomorrow. I will court you as is proper and ask you to marry me every day until you agree.” “Marry you?” Her eyes flared with shock. Had she thought he wanted her as a mistress? He would never dishonor her so. “But how can you want to marry a woman my age?” “Yes.” He chuckled. “What was I thinking? A beautiful, vibrant woman in the prime of her life. How could I want to marry a woman like that? How could I want a woman like that in my bed?” “Gabriel!” God

• A life enhancer is alive and well and carrying out God's will in his or her life. It's exciting being around this person, and you'll feel constantly energized. Which person best describes you? Do you need to make some changes? If so, what will you do? ecoming a woman of God begins by making a personal commitment to Jesus Christ. Only He can give you the fresh start you're looking for. Second Corinthians 5:17 is a great reminder: "If anyone is in Christ.. .the old has gone, the new has come!" I discovered this true principle for myself as a 16-year-old Jewish girl when I received Christ into my heart. My life changed from that moment on. The years since have certainly been an exciting adventure, and I'm not finished yet! Far from it. Growing in godliness is a lifelong process. God is the One who makes life vibrant, but He requires my cooperation. I must always be willing to change what God wants me to change and learn what He wants to teach me. Simple? Sometimes... but sometimes not. Worth it? Absolutely! ome of my most wonderful experiences have happened within my family. Jesus said, "Where two or three come together in my name, there I am with them" (Matthew 18:20), and I've certainly felt His presence! I've experienced something special during ordinary times, such as... • spending time with Bob over breakfast • tucking a child into bed

my body, my work, my voice, my confidence, my power, my determination to demand a life as potent, vibrant, public, and complex as any man's.

Alexandra was a young, vibrant, beautiful woman. If she actively looked for a husband, he had no doubt she could snag any man she wanted. A vision of her twined in the arms of a healthy young man haunted him. A picture of them holding a tiny, auburn haired baby haunted him even more.

Is it possible to create an amazing relationship, wherein each person grows without sacrificing important aspects of who they are? A relationship wherein together they are unquestionably more alive, more vibrant, and more true to themselves precisely because they are together? Could a relationship exist where the bond is not only rooted in raising children, shared bank accounts, and a shared address, but grounded in something much deeper? If it was possible, I knew it would mean one partner counting on the other to tell the truth, especially truths that the person wasn’t yet seeing on their own. This might mean calling out shadow qualities and feelings causing shame. However, it is just as likely that it would mean revealing unacknowledged greatness and articulating superpowers, because both kinds of qualities are typically more apparent to a woman’s partner than they are to her.

I think about it. I don’t stop thinking about it, even after I finish painting the woman’s dress with burnt orange and crimson and topaz yellow. I paint because it’s the next step—what does it mean if there isn’t another step? Drawing feels so open and skeletal. My sketchbook is a collection of imprints from my soul. They aren’t finished—they need to be colored in, and decorated, and turned into something much prettier than what they are. If I don’t have emerald greens and magentas and lilacs, I just have Kiko. Black-and-white. Bare and smudged. I’m not confident enough to let my drawings speak for me. I need my paintings to say something else entirely. Maybe this is my problem. Maybe this is what Hiroshi has been trying to tell me. My paintings aren’t honest enough. Cringing, I close my eyes and picture what the starfish woman will look like when she is finished. She’s vibrant and beautiful and commands the attention of the painting. But this isn’t her story. And then my mind pictures the girl standing behind her, hidden behind the luminous splendor. She’s gray and plain, but she’s beautiful, too, in her own way. But the woman will never see it because she’s too busy being beautiful herself. The painting isn’t about the starfish. It’s about the girl who wants to venture out into the ocean, away from the starfish, so she can feel like she matters. Because the girl will never matter to the starfish. In the finished painting in my head, the girl will finally know this. It’s the honest story I want to tell. I will make this painting the truest painting I’ve ever done. And after that . . . I will swim into the ocean.

Kevin Swift… where am I? What are you doing here?” “You’re awake.” Polydora’s lips twisted into a displeased frown. “Of course, I am awake. Now answer my questions.” Kevin sat down. He slowly lowered himself to the ground and crossed his legs. Polydora’s eyes watched him like a hawk. “I’m not exactly sure where to start,” Kevin said after a moment. “The place where you and I are currently staying is called New Genbu, and I’m here because Monstrang and Kuroneko asked me to try and convince Orin, one of the Four Saints, to join forces with them.” “I understand your situation. Yes, that makes sense. However, I still don’t know what I’m doing here. The last thing I remember is…” Polydora trailed off, her eyes widening as she looked at something behind Kevin. “You! You are one of the fiends who was chasing me!” Cien was unruffled by the woman’s anger. “I was. However, I am not anymore. Try not to blow your top off, old hag.” “O-old hag?!” Polydora shrieked. “I’m only twenty-two years old.” “Really?” Cien sounded surprised, but Kevin thought he saw vindictive joy gleaming in the inu’s eyes. “You certainly don’t look that young. I guess that’s what happens to women who don’t know their place.” Kevin winced. He’d noticed it before, but male inu tended to be chauvinistic, and it seemed this particular inu wasn’t going to act in a way that might have suggested otherwise. “My place?” Polydora’s glare could’ve melted steel, but Cien looked unconcerned. “And what place is that?” “In the kitchen, of course.” Oh, boy. Kevin felt sweat gather on his forehead. This isn’t going to turn out well. “In the kitchen?” Polydora was beyond angry. The look on her face, which had taken on the vibrant red hue of rage, made her appear like she was ready to murder someone. “You foul, sexist, heathen! If I hadn’t lost my weapons in our first engagement, I would kill you where you stand—where you lay!” “So, the yama uba needs her weapons to kill, does she?” Cien’s grin was the utter definition of superiority. “I guess that’s what it means to be a race of nothing but women. You need weapons to be strong.” “That does it! I think this despicable mutt needs a lesson in manners!” “Bring it on, hag! I’ll beat you to a pulp!” Before Cien or Polydora could do much more than stand up, Kevin acted. Cien was taken down with a swift kick to the stomach, while Polydora tripped when Kevin kicked the back of her foot. She fell onto her bottom with a harsh “Oof!” “That’s enough out of the both you,” Kevin said calmly. “Polydora, I understand that you’re angry, but I need him to tell me what he knows about the Yamata Alliance, or do you not want to rescue Phoebe?” Polydora, who’d been about to shout at him, snapped her mouth closed. Kevin nodded. “And you.” He pointed at Cien. “Insult one of my friends again, and I will be sure to humiliate you so thoroughly your pride will be in tatters by the time I’m done.” Cien hesitated, but then he jutted out his chin in defiance. “Just try it. There’s nothing you can do to me that you haven’t already done.” Kevin’s creepy smile made Cien lean back. “I wouldn’t be too sure of that. You forget that I’m the mate to a kitsune. Pranking is in their blood, you know? Keep insulting my friend and I’ll drug you, strip you naked, cover you in tar and feathers, attach you to the back of a car, and have it drag you through a heavily populated city. Don’t push me.” Needless to say, Cien shut up.

she died doing what she loved most... taking care of herself" "woman accomplishes what no man is capable of: a mind-blowing orgasm" "she was a vibrant woman" "she came and she went

Charlie tried to picture this vibrant, sensuous woman in a nun’s habit. He simply couldn’t do it.

Many times I wondered why my mom continued to survive, why her body pressed on without her in it, why we couldn’t let this vibrant, beautiful woman go with dignity instead of acting as bystanders to her decline. I’ve learned our culture is not necessarily one of compassion. We champion those who suffer, even while we don’t want to suffer ourselves.

Woman of Virtue She could be as still as a statue But unapologetically vibrant Even in her silence She exudes confidence Yet so humble She runs her race with courage Because she has a clear picture Of where she is going She knows who she is And what she wants She understands what her worth signifies Extremely dignified Many odds she defies She has influence that no one denies No matter where she goes, she prospers She makes life so much better Never doubts her own power She whose face shines brighter Such a paragon of splendour That recognises God’s favour Committed to excellence Crowned with brilliance Clothed by abundance Cloaked in resilience Conquers any turbulence She is someone I look up to A woman of virtue

Our inner-self is mainly designed by our thoughts, opinions, and self-awareness. The more logical and reasonable thoughts and opinions we have, the more vibrant world we create around us." - From 'The Art of Being an Empowered Woman

The comb,” she said, “is a symbol of the sea. If the ritual is performed properly, the comb is always made of whale bone and always decorated with water images.” She took the comb from me and set it on the boulder. She then lifted the mirror to reflect my face. I’d become toned from my work in the smithy. The sunlight overhead made my black hair shimmer blue and brought out the violet color of my eyes. Behind me, the forest glowed vibrant green. “A woman, and her womb, is all earth, but around her is all spirit, air. She is ready. She is all. She is the fertile land. Around her is the air of heaven. But her womb cannot grow without—” “Without seed…water,” I said. Epona lowered the mirror. “Land and sea. The mirror and the comb are fertility magic. They have nothing to do with beauty. They are a reflection of the two forces, male and female, that come together to bring life into the world, the land and sea merging to become one living force,” Epona said then turned and touched the stone. “Someone married here.” She reached out to touch the symbols. “In days long past, true love was pledged here. Long forgotten.

One can of soda a day increases a woman’s risk of type 2 diabetes by 80 percent.

It’s a good thing this woman is hiding. Because when this story comes out, she’s going to regret stealing from a man Florida worships.

Her laugh was so vibrant, shoulders shaking, chest heaving; it was the laugh of a woman who, when she laughed, really laughed.

As he began to strum his harp, he filled his mind with images of earth. Old crumbling stones and tangled grasses and wildflowers and weeds and saplings that put down deep roots, growing into mighty trees. The color of dirt, the scent of it. How it felt clutched in the hollow of one’s palm. The voice of branches swaying in the breeze, and the slope of the earth as it rose and fell, faithful and steady. Jack closed his eyes and began to sing. He didn’t want to see the spirits manifest, but he heard the grass hissing near his knees, and he heard the tree boughs groaning above him, and he heard the scratch of stone, as if two were being rubbed together. When he heard Adaira’s soft gasp, Jack opened his eyes. The spirits were forming themselves, gathering around him to listen. He played and sang and watched as the trees became maidens with long arms and hair made of leaves. The grass and pennywort knotted themselves into what looked to be mortal lads, small and green. The stones found their faces like old men waking from a long dream. The wildflowers broke their stems and gathered into the shape of a woman with long dark hair and eyes the color of honeysuckle, her skin purple as the heather that bloomed on the hills. Yellow gorse crowned her, and she waited beside the Earie Stone, whose face was still forming, craggy and ancient. As Jack played Lorna’s ballad he felt as if he was slowly sinking into the earth. His limbs were becoming heavy, and he drooped like a flower wilting beneath a fierce sun. It was like the sensation of falling asleep. He swore he saw daisies blooming from his fingertips, and every time he plucked his strings the petals broke away but regrew just as swiftly. And his ankles…he couldn’t move them, the tree roots had begun to take hold of him. His hair was turning into grass, green and long and tangled, and as the song ended he struggled to remember who he was, that he was mortal, a man. Someone was coming to him, bright as a fallen star, and he felt her hands on his face, blissfully cold. “Please,” the woman said, but not to him. She beseeched the wildflower spirit with her long dark hair and crown of vibrant gorse. “Please, this man belongs to me. You cannot claim him.” “Why, mortal woman,” one of the pennywort lads said from the ground, his words raspy as summer hay falling to a scythe. “Why did you sit so far away from him? We thought he sang to be taken by us.” Jack snapped out of the haze. Adaira was kneeling beside him, her hand shifting to his arm. He was stricken to see that he had truly been turning into the earth—grass, flowers, and roots. His harp clattered from his tingling hands; he struggled to breathe as he watched his body return to him. “He is mine, and he played to bring you forth by my command,” Adaira said calmly. “I long to speak to you, spirits of the earth.

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