Skinny Legs And All Quotes

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Don't trust anybody who'd rather be grammatically correct than have a good time.
Tom Robbins (Skinny Legs and All)
The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.
J.D. Salinger (The Catcher in the Rye)
Ellen Cherry was from the south and had good manners. She didn´t have any panties on, but she had good manners.
Tom Robbins (Skinny Legs and All)
When humans were young, they were pushed around in strollers. When they were old, they were pushed around in wheelchairs. In between, they were just pushed around.
Tom Robbins (Skinny Legs and All)
Conservatives understand Halloween, liberals only understand Christmas. If you want to control a population, don't give it social services, give it a scary adversary.
Tom Robbins (Skinny Legs and All)
Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished.
Tom Robbins (Skinny Legs and All)
Reality whistles a different tune underwater.
Tom Robbins (Skinny Legs and All)
Of the Seven Dwarfs, the only one who shaved was Dopey. That should tell us something about the wisdom of shaving.
Tom Robbins (Skinny Legs and All)
Dip a slice of bread in batter. That's September: yellow, gold, soft and sticky. Fry the bread. Now you have October: chewier, drier, streaked with browns. The day in question fell somewhere in the middle of the french toast process.
Tom Robbins (Skinny Legs and All)
Every day is Judgement Day. Always has been. Always will be.
Tom Robbins (Skinny Legs and All)
The Conch Shell´s tint was that of a vagina blowing bubble gum.
Tom Robbins (Skinny Legs and All)
As long as a population can be induced to believe in a supernatural hereafter, it can be oppressed and controlled. People will put up with all sorts of tyranny, poverty, and painful treatment if they're convinced that they'll eventually escape to some resort in the sky where lifeguards are superfluous and the pool never closes. Moreover, the faithful are usually willing to risk their skins in whatever military adventure their government may currently be promoting.
Tom Robbins (Skinny Legs and All)
The loony legacy of money was that the arithmetic by which things were measured had become more valuable than the things themselves.
Tom Robbins (Skinny Legs and All)
To concentrate on heaven is to create hell.
Tom Robbins (Skinny Legs and All)
The Divine was expansive, but religion was reductive. Religion attempted to reduce the Divine to a knowable quantity with which mortals might efficiently deal, to pigeonhole it once and for all so that we never had to reevaluate it. With hammers of cant and spikes of dogma, we crucified and crucified again, trying to nail to our stationary altars the migratory light of the world.
Tom Robbins (Skinny Legs and All)
The trouble with you is that the only way you can communicate is through art. You’ve never learned to communicate your feelings to a man. You don’t even want to communicate in a relationship. You think that if you open up to love, you’ll lose your independence or your self-expression or creativity or whatever you call all that passionate, wonderful stuff that makes you feel alive inside.
Tom Robbins (Skinny Legs and All)
Well, Daddy, I used to believe that artists went crazy in the process of creating the beautiful works of art that kept society sane. Nowadays, though, artists make intentionally ugly art that’s only supposed to reflect society rather than inspire it. So I guess we’re all loony together now, loony rats in the shithouse of commercialism.
Tom Robbins (Skinny Legs and All)
Summer had come to sit on New York's face.
Tom Robbins (Skinny Legs and All)
This is the room where Jezebel frescoed her eyelids with history's tragic glitter
Tom Robbins (Skinny Legs and All)
I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close. "I love the smell of you," he said. "I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. "I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her. She gave a little gasp. "If you love me all so much, why are you still dressed?" she whispered. "You know nothing, Jon Snow. Noth---oh. Oh. OHHH." Afterward, she was almost shy, or as shy as Ygritte ever got. "The thing you did," she said, when they lay together on their piled clothes. "With your...mouth." She hesistated. "Is that...is it what lordss do to their ladies, down in the south?" "I don't think so." No one had ever told Jon just what lords did with their ladies. "I only...wanted to kiss you there, that's all. You seemed to like it." "Aye. I...I liked it some. No one taught you such?" "There's been no one," he confessed. "Only you.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
This is the room of the wolfmother wallpaper.
Tom Robbins (Skinny Legs and All)
Thirteen years old, I thought to myself, but I felt a spear of admiration for the girl. When I’d been sad, I hurt myself. Amma hurt other people. When I’d wanted attention, I’d submitted myself to boys: Do what you want; just like me. Amma’s sexual offerings seemed a form of aggression. Long skinny legs and slim wrists and high, babied voice, all aimed like a gun. Do what I want; I might like you.
Gillian Flynn (Sharp Objects)
You know a trillion times more about art than me. But I’ve learned that it isn’t necessary to know all that much. You just make what you wanna see, right? It’s a game, right? It’s like being paid for dreaming.
Tom Robbins (Skinny Legs and All)
Not naive,' Conch shell had corrected him. 'He simply has not been taught to fear the things you fear.
Tom Robbins (Skinny Legs and All)
And who ever said the world was fair, little lady? Maybe death is fair, but certainly not life. We must accept the unfairness as proof of the sublime flux of existence, the capricious music of the universe- and go on about our tasks
Tom Robbins (Skinny Legs and All)
…he glanced over his shoulder at her, regarding her, as he often did before they made love, as if she were a lost continent about to be rediscovered.
Tom Robbins (Skinny Legs and All)
The first thunderstorm of the season was in the dressing room, donning its black robes and its necklace of hailstones, strapping on its electrical sword.
Tom Robbins (Skinny Legs and All)
Mockingbirds are the true artists of the bird kingdom. Which is to say, although they're born with a song of their own, an innate riff that happens to be one of the most versatile of all ornithological expressions, mocking birds aren't content to merely play the hand that is dealt them. Like all artists, they are out to rearrange reality. Innovative, willful, daring, not bound by the rules to which others may blindly adhere, the mockingbird collects snatches of birdsong from this tree and that field, appropriates them, places them in new and unexpected contexts, recreates the world from the world. For example, a mockingbird in South Carolina was heard to blend the songs of thirty-two different kinds of birds into a ten-minute performance, a virtuoso display that serve no practical purpose, falling, therefore, into the realm of pure art.
Tom Robbins (Skinny Legs and All)
There are smiles that actually travel along telephone wires, although no engineer at Bell Laboratories could explain how it works.
Tom Robbins (Skinny Legs and All)
My heart is a Latin American food stall and your love is a health inspector from Zurich.
Tom Robbins (Skinny Legs and All)
We approach the divine by enlarging our souls and lighting up our brains.
Tom Robbins (Skinny Legs and All)
The illusion of the seventh veil was the illusion that you could get somebody else to do it for you. To think for you. To hang on your cross. The priest, the rabbi, the imam, the swami, the philosophical novelist were traffic cops, at best. They might direct you through a busy intersection, but they wouldn't follow you home and park your car.
Tom Robbins (Skinny Legs and All)
Early religions were like muddy ponds with lots of foliage. Concealed there, the fish of the soul could splash and feed. Eventually, however, religions became aquariums. Then hatcheries. From farm fingerling to frozen fish stick is a short swim.
Tom Robbins (Skinny Legs and All)
One tended to lose one’s bearings in the presence of willful and persistent acts of craziness, and the more gentle the act, the crazier it seemed, as if rage and violence, being closer to the norm, were easier to accommodate.
Tom Robbins (Skinny Legs and All)
What mattered to Abu was the music of the sentence. 'A shadow does not belong to the object that casts it.' To Abu, it was a little poem. And in general, it was the poetics, the music of things that tossed his confetti.
Tom Robbins (Skinny Legs and All)
The Divine was beyond description, beyond knowing, beyond comprehension. To say that the Divine was Creation divided by Destruction was as close as one could come to definition. But the puny of soul, the dull of wit, weren't content with that. They wanted to hang a face on the Divine. They went so far as to attribute petty human emotions (anger, jealousy, etc) to it, not stopping to realize that if God were a being, even a supreme being, our prayers would have bored him to death long ago.
Tom Robbins (Skinny Legs and All)
When I'd been sad, I hurt myself. Amma hurt other people. When I'd wanted attention, I'd submitted myself to boys: Do what you want; just like me. Amma's sexual offerings seemed a form of aggression. Long skinny legs and slim wrists and high, babied voice all aimed like a gun. Do what I want; I might like you.
Gillian Flynn (Sharp Objects)
Some families ran their own little version of the Middle East.
Tom Robbins (Skinny Legs and All)
If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
Tom Robbins (Skinny Legs and All)
not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.
Tom Robbins (Skinny Legs and All)
There is a sense in which a painted stick is a stick in bloom. This stick points to the hidden face of God. Sometimes it points to you.
Tom Robbins (Skinny Legs and All)
There are landscapes in which we feel above us not sky but space. Something larger, deeper than sky is sensed, is seen, although in such settings the sky itself is invariably immense. There is a place between the cerebrum and the stars where sky stops and space commences, and should we find ourselves on a particular prairie or mountaintop at a particular hour, our relationship with sky thins and loosens while our connection to space becomes solid as bone.
Tom Robbins (Skinny Legs and All)
Sentimental memories were like sugar-water icicles.
Tom Robbins (Skinny Legs and All)
anything that says Yes to life is automatically saying No to war.
Tom Robbins (Skinny Legs and All)
Those people who recognize that imagination is reality’s master, we call “sages,” and those who act upon it, we call “artists.
Tom Robbins (Skinny Legs and All)
Long as you’re not afraid, nobody can run your life for you. Remember that. Hell is being scared of things.
Tom Robbins (Skinny Legs and All)
Why did I allow the abuse to continue? Even as a teenager? I didn’t. Something that had been plaguing me for years now made sense. It was like the answer to a terrible secret. The thing is, it wasn’t me in my bed, it was Shirley who lay the wondering if that man was going to come to her room, pull back the cover and push his penis into her waiting mouth it was Shirley. I remembered watching her, a skinny little thing with no breasts and a dark resentful expression. She was angry. She didn’t want this man in her room doing the things he did, but she didn’t know how to stop it. He didn’t beat her, he didn’t threaten her. He just looked at her with black hypnotic eyes and she lay back with her legs apart thinking about nothing at all. And where was I? I stood to one side, or hovered overhead just below the ceiling, or rode on a magic carpet. I held my breath and watched my father pushing up and down inside Shirley’s skinny body.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Whenever a state or an individual cited 'insufficient funds' as an excuse for neglecting this important thing or that, it was indicative of the extent to which reality had been distorted by the abstract lens of wealth. During periods of so-called economic depression, for example, societies suffered for want of all manner of essential goods, yet investigation almost invariably disclosed that there were plenty of goods available. Plenty of coal in the ground, corn in the fields, wool on the sheep. What was missing was not materials but an abstract unit of measurement called 'money.' It was akin to a starving woman with a sweet tooth lamenting that she couldn't bake a cake because she didn't have any ounces. She had butter, flour, eggs, milk, and sugar, she just didn't have any ounces, any pinches, any pints. The loony legacy of money was that the arithmetic by which things were measured had become more valuable than the things themselves.
Tom Robbins (Skinny Legs and All)
And I'll have you know that if you hurt my son again, if he so much as sighs sadly over his coffee, I will hire a man, a Russian, probably, to hunt you down and rip all that shiny black hair from your head, then break your skinny arms and legs, and set you on fire, and then put you out with a hammer. And should there be children from your beastly rutting, I shall have the Russian man cut them to tiny pieces and feed them to Madame Jacob's dog. because, although he may be only a worthless, simpleminded, libertine artist, Lucien is my favorite, and I will not have him hurt. Do you understand?
Christopher Moore (Sacre Blue)
Kalbim bir üçüncü dünya ülkesi/Senin aşkınsa İsviçre'den gelmiş bir turist
Tom Robbins (Skinny Legs and All)
The rougher the world gets around me, the sweeter I seem to myself.
Tom Robbins (Skinny Legs and All)
We must accept unfairness as proof of the sublime flux of existence, the capricious music of the universe—and go on about our tasks. . . .
Tom Robbins (Skinny Legs and All)
It was a bright, defrosted, pussy-willow day at the onset of spring, and the newlyweds were driving cross-country in a large roast turkey.
Tom Robbins (Skinny Legs and All)
Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.
Tom Robbins (Skinny Legs and All)
For the ethical, political activism was seductive because it seemed to offer the possibility that one could improve society, make things better, without going through the personal ordeal of rearranging one's perceptions and transforming one's self. For the unconscionable, political reactivism was seductive because it seemed to protect one's holdings and legitimize one's greed. But both sides were gazing through a kerchief of illusion.
Tom Robbins (Skinny Legs and All)
The longer Ellen Cherry thought about it, the more convinced she became that the mission of the artist in an overtechnologized, overmasculinized society was to call the old magic back to life. Could it be done? Yeah, you pessimistic wimps, it could. Could she do it? Probably not, but she could give it a whirl.
Tom Robbins (Skinny Legs and All)
religion is a paramount contributor to human misery. It is not merely the opium of the masses, it is the cyanide.
Tom Robbins (Skinny Legs and All)
Originality is a myth perpetuated by the naive, the romantic, and the unscrupulous.
Tom Robbins (Skinny Legs and All)
we do know that she’s compassionate and eccentric—an excellent combination in a human being;
Tom Robbins (Skinny Legs and All)
this lonely, uncompromising, obsessive tug-of-war with presumed reality, this is what art is all about.
Tom Robbins (Skinny Legs and All)
Can a woman who does not know the contents of her handbag know the contents of her heart?
Tom Robbins (Skinny Legs and All)
...I can't abide snakes." "I don't even think of her as a snake." "Ce'Nedra," he said patiently, "she's long and skinny, she wriggles, she doesn't have any arms or legs, and she's poisonous. By definition, she's a snake." "...I'm bitterly disappointed in you, Prince Kheldar. She's a sweet, loving, brave little creature, and you're insulting her." He looked at her for a moment, then rose to his feet and bowed floridly to the earthenware bottle. "I'm dreadfully sorry, dear Zith," he apologized. "I can't think what came over me. Can you possible find it in your cold little green heart to forgive me?" Zith hissed at him, a hiss ending in a curious grunt. "She says to leave her alone," Sadi told him. "Can you really understand what she's saying?" "In a general sort of way, yes. Snakes have a very limited vocabulary, so it's not all that difficult to pick up a few phrases here and there." The eunuch frowned. "She's been swearing a great deal lately, though, and that's not like her. She's usually a very ladylike little snake." "I can't believe I'm actually involved in this conversation," Silk said, shaking his head and going off down the hall toward the back of the house.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
Wow,” the bobcat muttered from his desk. “Your sister’s right. Your legs really are skinny.” Toni briefly thought about swiping all the cat’s crap off his desk, but that wasn’t something she’d do to anyone who wasn’t one of her siblings. But that was the beauty of being one of the Jean-Louis Parker clan . . . sometimes you didn’t have to do anything at all, because there was a sibling there to take care of it for you. “It must be hard,” Kyle mused to the bobcat. “One of the superior cats. Revered and adored throughout history as far back as the ancient Egyptians. And yet here you sit. At a desk. A common drone. Taking orders from lowly canines and bears. Do your ancestors call to you from the great beyond, hissing their disappointment to you? Do they cry out in despair at where you’ve ended up despite such a lofty bloodline? Or does your hatred spring from the feline misery of always being alone? Skulking along, wishing you had a mate or a pack or pride to call your own? But all you have is you . . . and your pathetic job as a drone? Does it break your feline heart to be so . . . average? So common? So . . . human?” Toni cringed, which helped her not laugh.
Shelly Laurenston (Wolf with Benefits (Pride, #8))
since religion bore false witness to the Divine, religion was blasphemy. And once it entered into its unholy alliance with politics, it became the most dangerous and repressive force that the world has ever known.
Tom Robbins (Skinny Legs and All)
How different conditions would be today in the Middle East, how much saner and safer the entire earth might be, had those Christians not defiled a civilization too advanced for their arrogant little minds to understand.
Tom Robbins (Skinny Legs and All)
Hi." "Honey!" exclaimed Patsy. "Good to hear your voice! Listen, I oughtta go pull my robe on 'fore we commence. You caught me nekkid as a jaybird." " 'Nekkid' or 'naked,' mama?" "What's the blessed difference? Are you making Yankee fun of the way I talk? The way you used to talk?" "No, no, mama, let me tell you. Naked means you just don't have any clothes on. Nekkid means you don't have any clothes on and you're fixing to get into trouble.
Tom Robbins (Skinny Legs and All)
Anyone who maintains absolute standards of good and evil is dangerous. As dangerous as a maniac with a loaded revolver. In fact, the person who maintains absolute standards of good and evil usually is the maniac with the revolver.
Tom Robbins (Skinny Legs and All)
There was a marvelous, dark lyricism in his voice, the kind of defiance that is rooted in deep loneliness.
Tom Robbins (Skinny Legs and All)
Pigeon she strut on the rooftop Cockroach he strut on the sink My baby strut down to Jerusalem Where blood is the favorite drink
Tom Robbins (Skinny Legs and All)
It was 843 B.C.. The year the patriarchs won the pennant.
Tom Robbins (Skinny Legs and All)
People tend to take everything too seriously. Especially themselves.
Tom Robbins (Skinny Legs and All)
Never trust anyone who uses the word party as a verb but never trust anyone who would rather be grammatically correct than to party.
Tom Robbins
Since the Goddess always has been honored in sacred groves, it is understandable that patriarchs, then as now, leaned toward deforestation.
Tom Robbins (Skinny Legs and All)
true freedom was an internal condition not subject to the vagaries of politics. Freedom could not be owned. Therefore, it could not be appropriated.
Tom Robbins (Skinny Legs and All)
The world is a very strange place,and the dice are always rolling
Tom Robbins (Skinny Legs and All)
We all start out thinking that there is such a thing as perfection and that there's something wrong with us if we settle for less. First we won't eat the food with the brown spots. Then we hate ourselves because we have our own brown spots—pimples or ears that are too big or legs that are too skinny.
James Howe (The Watcher)
Boomer had asked her once, in a telephone call from Virginia, “Why does this stuff, these hand-painted hallucinations that don’t do nothin’ but confuse the puddin’ out of a perfectly reasonable wall, why does it mean so much to you?” It was a poor connection, but he could have sworn he heard her say, “In the haunted house of life, art is the only stair that doesn’t creak.
Tom Robbins (Skinny Legs and All)
Beauty is not long hair, skinny legs, tanned skin or perfect teeth. Believe me. Beauty is the face of who cried and now smiles, beauty is the scar on your knee since you fell when you were a kid, beauty is the circles when love doesn't let you sleep, beauty is the expression on the face when the alarm rings in the morning, it's the melted makeup when you have a shower, it's the laughter when you make a joke you're the only one who can understand, beauty is meeting his gaze and stopping understanding, beauty is your gaze when you see him, it's when you cry for all you paranoias, beauty is the lines marked by time. Beauty is what we feel in the inside which also shows outside us. Beauty is the marks the life leaves on us, all the kicks and the caresses the memories leave us. Beauty is letting yourself live.
Emma Watson
every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.
Tom Robbins (Skinny Legs and All)
The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.
Tom Robbins (Skinny Legs and All)
Information about time cannot be imparted in a straightforward way. Like furniture, it has to be tipped and tilted to get it through the door. If the past is a solid oak buffet whose legs must be unscrewed and whose drawers must be removed before, in an altered state, it can be upended into the entryway of our minds, then the future is a king-size waterbed that hardly stands a chance, especially if it needs to be brought up in an elevator. Those billions who persist in perceiving time as the pursuit of the future are continually buying waterbeds that will never make it beyond the front porch or the lobby. And if man's mission is to reside in the fullness of the present, then he's got no space for the waterbed, anyhow, not even if he could lower it through a skylight.
Tom Robbins (Skinny Legs and All)
Liberty, the very opposite of ownership and control, cannot, then, result from political action, either at the polls or the barricades, but rather evolves out of attitude. If it results from anything, it may be levity.
Tom Robbins (Skinny Legs and All)
You gotta come home. Be with me. After what we been through! We—we signed into that motel as man and wife! You put—you put your mouth on me." "Shoulda checked the fine print, hon," whispered Ellen Cherry, trying to assist him back onto the ivy vines as quietly as possible. "That blow job did not come with a lifetime warranty.
Tom Robbins (Skinny Legs and All)
Jerusalem was capital of southern Israel, known then as Judah. Isn't it true that there's always a rivalry between north and south? North and South Korea, North and South Vietnam, Northern and Southern Ireland, Yankees and Rebels, uptown and downtown. Somebody please tell me why that is? Maybe southerners get too much sun, like Mr. Sock over there, frying his threads, and northerners don't get enough (although I hardly think northern Israel a cool spot in the shade), but southern peoples--tropical and downtown types--always seem to lean toward decadence, whereas uptown, in the north, progress is favored. Decadence and progress obviously are at odds.
Tom Robbins (Skinny Legs and All)
Yedi cücelerin tek tıraş olanı Ahmak'tı. Bu bize, tıraş olmaktaki bilgelik hakkında bir fikir verebilir
Tom Robbins (Skinny Legs and All)
In a patriarchal society, the abiding sexuality of the healthy female was obliged to wear a prim disguise.
Tom Robbins (Skinny Legs and All)
On the subject of Egypt, Ellen Cherry was so vague she thought Ramses II was a jazz piano player. From that, we might conclude that she was equally dumb about jazz.
Tom Robbins (Skinny Legs and All)
Ellen Cherry understood then that religion was an improper response to the Divine.
Tom Robbins (Skinny Legs and All)
Size is important, no matter what our apologist sisters say.
Tom Robbins (Skinny Legs and All)
and while meanness is a function of the insensitive, grumpiness is merely a function of the dissatisfied.
Tom Robbins (Skinny Legs and All)
If God didn’t prefer for us to drink at night, he wouldn’t have made neon!
Tom Robbins (Skinny Legs and All)
Slang just makes people more stupid, that’s all,
Tom Robbins (Skinny Legs and All)
Family trouble was the worst kind. Some families ran their own little versions of the Middle East.
Tom Robbins (Skinny Legs and All)
Could a person choose to be or not to be an artist?
Tom Robbins (Skinny Legs and All)
Talent was merely the underpinnings. To be an artist, you also had to have nerve. And to maintain nerve, you had to have drive.
Tom Robbins (Skinny Legs and All)
Wasn’t there a surplus in life of the boring, the repetitive, the mediocre, and the tame? Shouldn’t she be glad, grateful for this intrusion of the unexpected and unexplained?
Tom Robbins (Skinny Legs and All)
Pious dogma, if allowed to flourish, will always drive magic away.
Tom Robbins (Skinny Legs and All)
What is politics, after all, but the compulsion to preside over property and make other people’s decisions for them?
Tom Robbins (Skinny Legs and All)
So, even for those of us who can't personally witness Salome's dance, the fifth veil surely will fall. It will fall at the moment of our death. As we lie there, helpless, beyond distraction, electricity stealing out of our brains like a con man stealing out of a sucker's neighborhood, it will occur to many of us that everything we ever did, we did for money. And at that instant, right before the stars blink off, we will, according to what else we may have learned in life, burn with an unendurable regret--or have us a good silent laugh at our own expense.
Tom Robbins (Skinny Legs and All)
But the most insidious and dangerous of false religions is secular humanism. It’s so crafty, so sneaky, with its kindness and its decency, that only Satan hisself could’ve come up with it.
Tom Robbins (Skinny Legs and All)
One of the other musicians said that the tambourine is a female due to the fact that it makes a pretty jingle and is designed to be spanked. That is the more recent, patriarchal attitude, I suppose.
Tom Robbins (Skinny Legs and All)
Can’t they comprehend that not ever’thing’s done for a paycheck? That sometimes you just make a thing ’cause you wanna see how it’ll turn out, ’cause you have a feeling in your gut that it oughta be made?
Tom Robbins (Skinny Legs and All)
We all look so young. John with his rosy cheeks, Trevor with his chubby ones, Peter with his skinny legs. Underneath the picture I wrote, THE BEGINNING. “Aww,” he says tenderly. “Baby Lara Jean and Baby Peter. Where’d you find this?” “In a shoe box.” He flicks John’s smiling face. “Punk.” “Peter!” “Just kidding,” he says.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Beauty! Wasn't that what mattered? Beauty was hardly a popular ideal at that jumpy moment in history. The masses had been desensitized to it, the intelligentsia regarded it with suspicion. To most of her peers, 'beauty' smacked of the rarefied, the indulgent, the superfluous, the effete. How could persons of good conscience pursue the beautiful when there was so much suffering and injustice in the world? Ellen Cherry's answer was that if one didn't cultivate beauty, soon he or she wouldn't be able to recognize ugliness. The prevalence of social ugliness made commitment to physical beauty all the more essential. And the very presence in life of double-wide mobile homes, Magic Marker graffiti, and orange shag carpeting had the effect of making ills such as poverty, crime, repression, pollution, and child abuse seem tolerable. In a sense, beauty was the ultimate protest, and, in that it generally lasted longer than an orgasm, the ultimate refuge. The Venus de Milo screamed 'No!' at evil, whereas the Spandex stretch pant, the macrame plant holder were compliant with it. Ugly bedrooms bred ugly habits. Of course, it wasn't required of beauty that it perform a social function. That was what was valuable about it.
Tom Robbins (Skinny Legs and All)
Other women in tennis—blond women with big boobs and long legs—often get modeling contracts at age seventeen. They show up on the cover of men’s magazines within a year or so of hitting the court for the first time. But not thicker women, like me. Or dark-skinned women like Carla Perez or Suze Carter. Not women who are British Chinese, like Nicki, or downright scary in their intensity like her either. Not the women who aren’t skinny and white and smiling. And yet, no matter what type of woman you are, we all still have one thing in common: Once we are deemed too old, it doesn’t matter who we used to be.
Taylor Jenkins Reid (Carrie Soto Is Back)
even though the mind of humanity was ultimately one mind, still, each and every single individual had to establish his or her own special, personal, particular, unique, direct, one-on-one, hands-on relationship with reality, with the universe, with the Divine. It might be complicated, it might be a pain in the ass, it might be, most of all, lonely—but it was the bottom line.
Tom Robbins (Skinny Legs and All)
Both money and art powdered as they are with the romance and poetry of the age are magic. Rather money is magic art is magik. Money is stagecraft slight of hand a bag of clever tricks. Art is a plexus of forces and influences that act upon the senses by means of practical yet permanently inexplicable secret links. Admittedly the line between the two can be as thin as a dime.
Tom Robbins (Skinny Legs and All)
When I’d wanted attention, I’d submitted myself to boys: Do what you want; just like me. Amma’s sexual offerings seemed a form of aggression. Long skinny legs and slim wrists and high, babied voice, all aimed like a gun. Do what I want; I might like you.
Gillian Flynn (Sharp Objects)
The prevalence of social ugliness made commitment to physical beauty all the more essential. And the very presence in life of double-wide mobile homes, Magic Marker graffiti, and orange shag carpeting had the effect of making ills such as poverty, crime, repression, pollution and child abuse seem tolerable. In a sense, beauty was the ultimate protest, and, in that it generally lasted longer than an orgasm, the ultimate refuge. The Venus de Milo screamed "No!" at evil, whereas the Spandex stretch pant, the macrame plant holder were compliant with it.
Tom Robbins (Skinny Legs and All)
What was that sound? That rustling noise? It could be heard in the icy North, where there was not one leaf left upon one tree, it could be heard in the South, where the crinoline skirts lay deep in the mothballs, as still and quiet as wool. It could be heard from sea to shining sea, o'er purple mountains' majesty and upon the fruited plain. What was it? Why, it was the rustle of thousands of bags of potato chips being pulled from supermarket racks; it was the rustle of plastic bags being filled with beer and soda pop and quarts of hard liquor; it was the rustle of newspaper pages fanning as readers turned eagerly to the sports section; it was the rustle of currency changing hands as tickets were scalped for forty times their face value and two hundred and seventy million dollars were waged upon one or the other of two professional football teams. It was the rustle of Super Bowl week...
Tom Robbins (Skinny Legs and All)
Life still begins in the womb, cocky erections still collapse and lie useless when woman’s superior sexuality is finished with them, but men control the divine channels now, and while that control may be largely an illusion, their laws, institutions, and elaborate weaponry exist primarily to maintain it.
Tom Robbins (Skinny Legs and All)
She hadn't meant to fall asleep, but she was a bit like a cat herself, forever wandering in the woods, chasing after squirrels and rabbits as fast as her skinny legs could take her when the fancy struck, climbing trees like a possum, able to doze in the sun at a moment's notice. And sometimes with no notice at all.
Charles de Lint (A Circle of Cats (Newford))
If she’d had any doubts he was a real deal country boy, they disappeared when he unabashedly stripped down to nothing—the sun had kissed his arms to mid-bicep, although his torso wasn’t without a faint tan. She’d thought lazily that maybe he had a pond. She’d like to go skinny dipping with him. Leap onto his back and wrap her legs around his lean hips. Hold on to his broad shoulders and press her naked breasts into his back and drift into the cool water together. As he opened his button-fly jeans, revealing snug briefs underneath, she’d whispered for him to stop. He was hard and sinewy in all the right places, with shadows and valleys she wanted to explore with her mouth and hands and eyes, but her touch first went to the line where dark faded to light on his arm, neatly following the curve of his muscles. “Nice farmer’s tan.
Zoe York (Between Then and Now (Wardham, #0.5))
MOCKINGBIRDS ARE THE TRUE ARTISTS of the bird kingdom. Which is to say, although they’re born with a song of their own, an innate riff that happens to be one of the most versatile of all ornithological expressions, mockingbirds aren’t content to merely play the hand that is dealt them. Like all artists, they are out to rearrange reality. Innovative, willful, daring, not bound by the rules to which others may blindly adhere, the mockingbird collects snatches of birdsong from this tree and that field, appropriates them, places them in new and unexpected contexts, recreates the world from the world. For example, a mockingbird in South Carolina was heard to blend the songs of thirty-two different kinds of birds into a ten-minute performance, a virtuoso display that served no practical purpose, falling, therefore, into the realm of pure art.
Tom Robbins (Skinny Legs and All)
One day, I just decided to see how long I could go without eating. I never thought I was fat; if anything, my lack of boobs and scrawny legs told me that I was actually too skinny, but being extra-OCD about food soon became my thing. It gave me something to think about all day and it was a secret that I could obsess over without anyone else knowing.
Naya Rivera (Sorry Not Sorry: Dreams, Mistakes, and Growing Up)
Ama yine de müzikal bir şey bu, küçük bir şiir
Tom Robbins (Skinny Legs and All)
no amount of money could buy security, and if it could, it would be a bad bargain at any price, since security was a form of paralysis, just as satisfaction was a form of death;
Tom Robbins (Skinny Legs and All)
Oh, never trust a country That won’t permit live poultry to ride on the bus.
Tom Robbins (Skinny Legs and All)
I tell you, that switch from B.C. to A.D. must have driven people nuts. I bet more than a few Israelites missed their dental appointments.
Tom Robbins (Skinny Legs and All)
Jerusalem was where it all went down, man. It was connected to heaven like Spanish Harlem was connected to Puerto Rico.
Tom Robbins (Skinny Legs and All)
Since moving to New York, she had been gradually abandoning her old ideas about the nobility of suffering.
Tom Robbins (Skinny Legs and All)
What if the Christ and the Messiah come, and they’re two different guys?
Tom Robbins (Skinny Legs and All)
Elsewhere, they might call the wind Mariah, but here its name was Something Fishy.
Tom Robbins (Skinny Legs and All)
If he weren’t a stick his own self, I’d say he had a stick up his butt.
Tom Robbins (Skinny Legs and All)
How do you know that?” “Maybe I’m a fucking detective,
Tom Robbins (Skinny Legs and All)
In the haunted house of life, art is the only stair that doesn’t creak.
Tom Robbins (Skinny Legs and All)
How could something called 'The Breath of the Ass' help but bring trouble?
Tom Robbins
Surely such a pure, perfect sound could not be coming from the skinny little girl in the dreadful pink dress? But as he watched Rosanna, he no longer saw her sallow skin, or the way she seemed to be all arms and legs. Instead, he saw her huge, expressive brown eyes and noticed a hint of colour appear in her cheeks as her exquisite voice soared to a crescendo.
Lucinda Riley (The Italian Girl)
The year was 1952.” I clear my throat and look down at my paper. “It was summer, and Frank Sinatra was on the radio. Lana Turner and Ava Gardner were the starlets of the day. Stormy was eighteen. She was in the marching band, she was voted Best Legs, and she always had a date on Saturday night. On this particular night, she was on a date with a boy named Walt. On a dare, she went skinny-dipping in the town lake. Stormy never could turn down a dare.” Mr. Perelli laughs and says, “That’s right, she never could.” Other people murmur in agreement, “She never could.” “A farmer called the police, and when they shined their lights on the lake, Stormy told them to turn around before she would come out. She got a ride home in a police car that night.” “Not the first time or the last,” someone calls out, and everyone laughs, and I can feel my shoulders start to relax. “Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...) 'I really don't know, Dad,' (...) 'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?' (...) 'Right, Dad,' he says. (...) 'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?' 'OK, Dad,' says the boy (...) 'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?' Bunny Junior nods. 'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?' 'OK, Dad.' 'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone. 'So what do you go and do, Dad?' says Bunny Junior. 'Well, you've got to have something they think they need, you know, above all else.' 'And what's that, Dad?' 'Hope... you know... the dream. You've got to sell them the dream.
Nick Cave (The Death of Bunny Munro)
Girl, I’d warn you that God Almighty’s goin’ to strike you dead, exceptin’ I been warnin’ your mama that for years, and he in his infinite mercy has so far seen fit to withhold his lightnin’.
Tom Robbins (Skinny Legs and All)
His first—and worst—mistake was blindly doing what he was told to do. Without questioning their methods or their motives, he allowed politicians to make the decisions that led to his early demise.
Tom Robbins (Skinny Legs and All)
What I love most about Jerusalem is that it’s not about money.” “Pardon?” “New York here is a city about money. L.A.’s about money. Las Vegas is about money. Dallas the same. Tokyo and London, Milan, Zurich, Singapore, the whole reason for them is money. Tel Aviv’s about money. But Jerusalem, it’s not about money.” “He is absolutely right,” put in Abu. “Jerusalem is about . . . something else.
Tom Robbins (Skinny Legs and All)
She had only the slimmest notion of what he meant, but his voice made her so horny she could barely keep from squirming, crossing her legs, or hopping about, like a little girl who had to go to the bathroom. On
Tom Robbins (Skinny Legs and All)
I don’t understand skinny jeans. I don’t understand why people like them, wear them, or buy them. If I want something to hug my calves that tight, I would get a dog that follows me around and humps my legs all day.
Shelley Brown-Weird Girl Adventures from A to Z
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
Alex was right in front of the mantel now, bent forward, his nose mere inches from a picture of me. "Oh,God. Don't look at that!" It was from the year-end recital of my one and only year of ballet class. I was six: twig legs, a huge gap where my two front teeth had recently been, and a bumblebee costume. Nonna had done her best, but there was only so much she could do with yellow and black spandex and a bee butt. Dad had found one of those headbands with springy antennai attached. I'd loved the antennae. The more enthusiastic my jetes, the more they bounced. Of course, I'd also jeted my flat-chested little self out of the top of my costume so many times that, during the actual recital itself,I'd barely moved at all, victim to the overwhelming modesty of the six-year-old. Now, looking at the little girl I'd been, I wished someone had told her not to worry so much, that within a year, that smooth, skinny, little bare shoulder would have turned into the bane of her existence. That she was absolutely perfect. "Nice stripes," Alex said casually, straightening up. That stung. It should't have-it was just a photo-but it did. I don't know what I'd expected him to say about the picture. It wasn't that. But then, I didn't expect the wide grin that spread across his face when he got a good look at mine, either. "Those," he announced, pointing to a photo of my mulleted dad leaning against the painted hood of his Mustang "are nice stripes. That-" he pointed to the me-bee- "Is seriously cute." "You're insane," I muttered, insanely pleased. "Yeah,well, tell me something I don't know." He took the bottle and plate from me. "I like knowing you have a little vanity in there somewhere." He stood, hands full, looking expectant and completely beautiful. The reality of the situation hadn't really been all that real before. Now, as I started up the stairs to my bedroom, Alex Bainbridge in tow, it hit me. I was leading a boy, this boy, into my very personal space. Then he started singing. "You're so vain, I bet you think this song is about you. You're sooo vain....!" He had a pretty good voice. It was a truly excellent AM radio song. And just like that, I was officially In Deep
Melissa Jensen (The Fine Art of Truth or Dare)
I always imagined that when I got pregnant it would be awesome and everything would go perfectly, and I’d pose for all those artfully naked, pregnant Demi Mooresque pictures and put them all over my house, and suddenly I’d have less cellulite, and then I’d go into labor while I was standing in line at the bank, but it would be okay because the baby would get stuck in my pants leg, so it totally wouldn’t slam into the floor. Thank God for skinny jeans with maternity panels; am I right?
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
The ones who’re so upset about everybody not being the same, about competition, about standards of quality, about art objects having ’auras’ around them, they’re usually people with average abilities and average minds. And below average senses of humor.
Tom Robbins (Skinny Legs and All)
I happened to catch a glimpse of my reflection in the window glass. The image of myself that floated to the surface, tinged with blue against a backdrop of the signs, walls, and windows of the nearby buildings, looked absolutely miserable. Not sad, or tired, but the dictionary definition of a miserable person. This was the woman that I saw in the glass, while an assortment of other objects drifted in and out of the reflection. The space around my head was wild with baby hair or stray hairs that had come free. My shoulders sagged, and the skin around my eyes was sunken. My arms and legs looked stubby while my neck looked long and skinny. The tendons around my collarbone and throat stuck out, and my skin was anything but supple, as if the flesh had been deflated, leaving bizarre diagonal lines on my cheeks. What I saw in the reflection was myself, in a cardigan and faded jeans, at age thirty-four. Just a miserable woman, who couldn’t even enjoy herself on a gorgeous day like this, on her own in the city, desperately hugging a bag full to bursting with the kind of things that other people wave off or throw in the trash the first chance they get.
Mieko Kawakami (All the Lovers in the Night)
Hope springs eternal and all that, yet isn't it a fact that when we give up and quit hoping; genuinely, sincerely quit hoping, things usually change for the better? Zen masters say that when we become convinced that the human situation is hopeless, we approach serenity, the ideal state of mind.
Tom Robbins (Skinny Legs and All)
Can o'Beans was to remark that a comparison between the American Cowpoke and, say, the Japanese samurai, left the cowboy looking rather shoddy. 'Before a samurai went into battle,' Can o' Beans was to say, 'he would burn incense in his helmet so that if his enemy took his head, he would find it pleasant to his nose. Cowboys, on the other hand, hardly ever bathed or changed their crusty clothing. If a samurai's enemy lost his sword, the samurai gave him his extra one so that the fight might continue in a manner honorable and fair. The cowboy's specialty was to shoot enemies in the back from behind a bush. Do you begin to see the difference?' Spoon and Dirty Sock would wonder how Can o' Beans knew so much about samurai. 'Oh, I sat on the shelf next to a box of imported rice crackers for over a month,' Can o' Beans would explain. 'One can learn a lot conversing with foreigners.
Tom Robbins (Skinny Legs and All)
And I’ll have you know that if you hurt my son again, if he so much as sighs sadly over his coffee, I will hire a man, a Russian, probably, to hunt you down and rip all that shiny black hair from your head, then break your skinny arms and legs, and set you on fire, and then put you out with a hammer.
Christopher Moore (Sacré Bleu)
Then the door opens and a strange little man steps inside. He has a red glow to his skin, a black mustache, and a black hat. He walks all hunched up, with skinny legs and a lumpy bottom, as if he is hiding a tail inside his breeches. He sets dark eyes upon the girl and says: Hello Mathilde. Quite a trap you're in. Lucky for you, I can spin straw into gold. So let's play a game. He smiles jagged little teeth that shine like pearls. W-w-who are you? Mathilde asks. But she already knows the answer. He grabs his hat with long red claws and pops it off, revealing two pointy horns. The Devil, of course, he says.
Soman Chainani (Beasts and Beauty: Dangerous Tales)
Humanity was a function of nature. It could not, therefore, live separately from nature except in a self-deceiving masquerade. It could not live in opposition to nature except in a schizophrenic crime. And it could not blind itself to the wonders of nature without mutating into something too monstrous to love. Yes,
Tom Robbins (Skinny Legs and All)
An “alternative” to the mainstream frat boys and premed straight and narrow guys, these scholarly, charmless, intellectual brats dominated the more creative departments. As an art history major, I couldn’t escape them. “Dudes” reading Nietzsche on the subway, reading Proust, reading David Foster Wallace, jotting down their brilliant thoughts into a black Moleskine pocket notebook. Beer bellies and skinny legs, zip-up hoodies, navy blue peacoats or army green parkas, New Balance sneakers, knit hats, canvas tote bags, small hands, hairy knuckles, maybe a deer head tattooed across a flabby bicep. They rolled their own cigarettes, didn’t brush their teeth enough, spent a hundred dollars a week on coffee. They would come into Ducat, the gallery I ended up working at, with their younger—usually Asian—girlfriends. “An Asian girlfriend means the guy has a small dick,” Reva once said. I’d hear them talk shit about the art. They lamented the success of others. They thought that they wanted to be adored, to be influential, celebrated for their genius, that they deserved to be worshipped. But they could barely look at themselves in the mirror. They were all on Klonopin, was my guess. They lived mostly in Brooklyn, another reason I was glad to live on the Upper East Side.
Ottessa Moshfegh (My Year of Rest and Relaxation)
O shoe, leather ship that sails our cement rivers and woven seas, steering by the star of fashion, circumnavigating hostile reefs of tar and bubble gum; one hour, a tanker ferrying champagne to a playboy’s sip; the next, a raft in the slime; bon voyage, bright barge! May you dock in calm closets, safe from the rape of shoe trees.
Tom Robbins (Skinny Legs and All)
when Goblin clutches me by the wrist, and lays, not her skinny finger, but the handle of a key, upon her lip.  She invites me, with a jerk, to follow her.  I do so.  She leads me out into a room adjoining - a rugged room, with a funnel-shaped, contracting roof, open at the top, to the bright day.  I ask her what it is.  She folds her arms, leers hideously, and stares.  I ask again.  She glances round, to see that all the little company are there; sits down upon a mound of stones; throws up her arms, and yells out, like a fiend, ‘La Salle de la Question!’ The Chamber of Torture!  And the roof was made of that shape to stifle the victim’s cries!  Oh Goblin, Goblin, let us think of this awhile, in silence.  Peace, Goblin!  Sit with your short arms crossed on your short legs, upon that heap of stones, for only five minutes, and then flame out again.
Charles Dickens (Pictures from Italy)
Politics is the science of domination, and persons in the process of enlargement and illumination are notoriously difficult to control. Therefore, to protect its vested interests, politics usurped religion a very long time ago. Kings bought off priests with land and adornments. Together, they drained the shady ponds and replaced them with fish tanks. The walls of the tanks were constructed of ignorance and superstition, held together with fear. They called the tanks “synagogues” or “churches” or “mosques.” After the tanks were in place, nobody talked much about soul anymore. Instead, they talked about spirit. Soul is hot and heavy. Spirit is cool, abstract, detached. Soul is connected to the earth and its waters. Spirit is connected to the sky and its gases. Out of the gases springs fire. Firepower. It has been observed that the logical extension of all politics is war. Once religion became political, the exercise of it, too, could be said to lead sooner or later to war. “War is hell.” Thus, religious belief propels us straight to hell. History unwaveringly supports this view. (Each modern religion has boasted that it and it alone is on speaking terms with the Deity, and its adherents have been quite willing to die—or kill—to support its presumptuous claims.) Not every silty bayou could be drained, of course. The soulfish that bubbled and snapped in the few remaining ponds were tagged “mystics.” They were regarded as mavericks, exotic and inferior. If they splashed too high, they were thought to be threatening and in need of extermination. The fearful flounders in the tanks, now psychologically dependent upon addictive spirit flakes, had forgotten that once upon a time they, too, had been mystical. Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished. Those who witness the dropping of the fourth veil might see clearly what Spike Cohen and Roland Abu Hadee dimly suspected: that not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.
Tom Robbins (Skinny Legs and All)
How thin he was, I thought, looking at him now, his long pale legs so skinny as they stretched out before him. And how fat I had grown. When had that happened? The body going to flab. My mother had been hounding me about it for years, encouraging me to go to the gym, but there was something comforting to me about it. I was an elderly man, after all, with the kind of girth one expected from an elderly man. It was strange, though, since I wasn’t much of an eater, wasn’t much of a drinker and yet was still going to seed. Not that it mattered now anyway. What would be the point of losing weight when I had only a few months left to live?
John Boyne
At night the wind moaned. The gnarled and stunted tree trunks creaked and groaned and forced Yossarian’s thoughts each morning, even before he was fully awake, back on Kid Sampson’s skinny legs bloating and decaying, as systematically as a ticking clock, in the icy rain and wet sand all through the blind, cold, gusty October nights. After Kid Sampson’s legs, he would think of pitiful, whimpering Snowden freezing to death in the rear section of the plane, holding his eternal, immutable secret concealed inside his quilted, armor-plate flak suit until Yossarian had finished sterilizing and bandaging the wrong wound on his leg, and then spilling it out suddenly all over the floor.
Joseph Heller (Catch-22)
Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.
Maggie Shipstead (Great Circle)
In Europe my family left their toes, but to Ellis Island they brought a dream. The old American dream. Work hard, save your money, be decent, and success you're bound to have. A business of your own. A house. Nice food on the table, carpets, curtains. Maybe two weeks in December in Miami Beach. Only if you're my family you swim with your slippers on. Okay. I grew up with that dream. But these artists you're describing, the self-promoting crybabies what are intentionally being scholckmeisters and gonifs, they dream the new American dream. And the new one is to achieve wealth and recognition without having the burden of intelligence, talent, sacrifice, or the human values what are universal.
Tom Robbins (Skinny Legs and All)
P.S.” Kimmie continues, nodding toward my sculptor of Adam’s lips, the assignment was to sculpt something exotic, not erotic. Are you sure you weren’t so busy wishing me dead that you just didn’t hear right? Plus, if it was eroticism you were going for, how come there’s no tongue wagging out of his mouth?” “And what’s exotic about your piece?” “Seriously, it doesn’t get more exotic than leopard, particularly if that leopard is in the form of a swanky pair of kitten heels . . . but I thought I’d start out small.” “Right,” I say, looking at her oblong ball of clay with what appears to be four legs, a golf-ball-sized head, and a long, skinny tail attached. “And, from the looks of your sculpture,” she continues, adjusting the lace bandana in her pixie-cut dark hair, “I presume your hankering for a Ben Burger right about now. The question is, will that burger come with a pickle on the side or between the buns?” “You’re so sick,” I say, failing to mention that my sculptor isn’t of Ben’s mouth at all. “Seriously? You’re the one who’s wishing me dead whilst fantasizing about your boyfriend’s mouth. Tell me that doesn’t rank high up on the sik-o-meter.” “I have to go,” I say, throwing a plastic tarp over my work board. “Should I be worried?” “About what?” “Acting manic and chanting about death?” “I didn’t chant.” “Are you kidding? For a second there I thought you were singing the jingle to a commercial for roach killer: You deserve to die! You deserve to die! You deserve to die!
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me “I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole. “There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see. “Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing. “I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away. “You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power.
Neil Gaiman (American Gods (American Gods, #1))
You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody’d be different. The only thing that would be different would be you. Not that you’d be so much older or anything. It wouldn’t be that, exactly. You’d just be different, that’s all. You’d have an overcoat on this time. Or the kid that was your partner in line the last time had got scarlet fever and you’d have a new partner. Or you’d have a substitute taking the class, instead of Miss Aigletinger. Or you’d heard your mother and father having a terrific fight in the bathroom. Or you’d just passed by one of those puddles in the street with gasoline rainbows in them. I mean you’d be different in some way—I can’t explain what I mean. And even if I could, I’m not sure I’d feel like it.
J.D. Salinger (The Catcher in the Rye)
The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody'd be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way — I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.
J.D. Salinger (The Catcher in the Rye)
The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody’d be different. The only thing that would be different would be you. Not that you’d be so much older or anything. It wouldn’t be that, exactly. You’d just be different, that’s all. You’d have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you’d have a new partner. Or you’d have a substitute taking the class, instead of Miss Aigletinger. Or you’d heard your mother and father having a terrific fight in the bathroom. Or you’d just passed by one of those puddles in the street with gasoline rainbows in them. I mean you’d be different in some way — I can’t explain what I mean. And even if I could, I’m not sure I’d feel like it.
J.D. Salinger (The Catcher in the Rye)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
I was dressed to leave the house, and was crossing the stage on my way out, when he tapped me on the shoulder. Never shall I forget the repulsive sight that met my eye when I turned round. He was dressed for the pantomimes in all the absurdity of a clown’s costume. The spectral figures in the Dance of Death, the most frightful shapes that the ablest painter ever portrayed on canvas, never presented an appearance half so ghastly. His bloated body and shrunken legs — their deformity enhanced a hundredfold by the fantastic dress — the glassy eyes, contrasting fearfully with the thick white paint with which the face was besmeared; the grotesquely-ornamented head, trembling with paralysis, and the long skinny hands, rubbed with white chalk — all gave him a hideous and unnatural appearance, of which no description could convey an adequate idea, and which, to this day, I shudder to think of. His voice was hollow and tremulous as he took me aside, and in broken words recounted a long catalogue of sickness and privations, terminating as usual with an urgent request for the loan of a trifling sum of money. I put a few shillings in his hand, and as I turned away I heard the roar of laughter which followed his first tumble on the stage.
Charles Dickens (The Complete Works of Charles Dickens)
In front of me girls were entering and exiting the showers. The flashes of nakedness were like shouts going off. A year or so earlier these same girls had been porcelain figurines, gingerly dipping their toes into the disinfectant basin at the public pool. Now they were magnificent creatures. Moving through the humid air, I felt like a snorkeler. On I came, kicking my heavy, padded legs and gaping through the goalie mask at the fantastic underwater life all around me. Sea anemones sprouted from between my classmates’ legs. They came in all colors, black, brown, electric yellow, vivid red. Higher up, their breasts bobbed like jellyfish, softly pulsing, tipped with stinging pink. Everything was waving in the current, feeding on microscopic plankton, growing bigger by the minute. The shy, plump girls were like sea lions, lurking in the depths. The surface of the sea is a mirror, reflecting divergent evolutionary paths. Up above, the creatures of air; down below, those of water. One planet, containing two worlds. My classmates were as unastonished by their extravagant traits as a blowfish is by its quills. They seemed to be a different species. It was as if they had scent glands or marsupial pouches, adaptations for fecundity, for procreating in the wild, which had nothing to do with skinny, hairless, domesticated me.
Jeffrey Eugenides (Middlesex)
When they were children at Loeanneth they'd spent the summer in and out of the water, their skin turning brown beneath the sun, their hair bleaching almost white. Despite her weak chest, Clemmie had been the most outdoorsy of them all, with her long, skinny foal's legs and windblown nature. She should have been born later. She should have been born now. There were so many opportunities these days for girls like Clemmie. Alice saw them everywhere, spirited, independent, forthright, and focused. Mighty girls unbounded by society's expectations. They made her glad, those girls, with their nose rings and their short hair and their impatience with the world. Sometimes Alice felt she could almost glimpse her sister's spirit moving in them. Clemmie had refused to speak to anyone in the months after Theo disappeared. Once the police had done their interviews, she'd shut her mouth, tight as a clam, and behaved as if her ears had switched off too. She'd always been eccentric, but it seemed to Alice, looking back, that during the late summer of 1933 she became downright wild. She hardly returned home, prowling around the airfields, slicing at the reeds by the stream with a sharpened stick, creeping inside the house only to sleep, and not even that most nights. Camping out in the woods or by the stream. God only knew what she ate. Birds' eggs, probably. Clemmie had always had a gift for raiding nests.
Kate Morton
Legs? Check. I am five foot seven, after all. They’re slender but not too skinny. I run every morning, so my legs have always been slightly muscled, but in a feminine way — at least I hope they look feminine; bulky is not a word I’d want someone to use. I think the not too short, but short enough to still be very stylish, pleated and thickly cuffed navy blue shorts show my legs off nicely. My cork and white wedges with a cute little bow at each ankle are the perfect finishing touch. A simple dove-gray ribbed tank completes the outfit and hugs my curves. Maybe there is something to Mel’s theory after all.  My golden-blonde hair is sun-kissed in the summer, and its soft waves cascade to the middle of my back. I usually have it up, but tonight Melanie insisted that I leave it down and wavy. I let her play Barbie, and I can’t say I hate it. The real show-stopper, though, is my eyes. They’re a bright, vibrant green. They look almost fake, but as I lean into the mirror to get a closer look, I catch small little flecks of gold around the outside that I know no contact lens could replicate. I have always loved my eyes. I have my mother’s eyes. I’ve seen them in the few pictures I have from my childhood. Even if my eyes were the murkiest, dingiest, dullest brown, I still would have loved them, as long as they were my mother’s. It’s really the only thing I have left of her.  I gave in on the hair and let Melanie have a field day, but I insisted on keeping my makeup simple — a soft pale pink blush, clear lip gloss, and a light dusting of gold eye shadow is all I need. A quick swipe of some mascara, and the look is complete.
Melissa Collins (Let Love In (Love, #1))
I used to be a roller coaster girl" (for Ntozake Shange) I used to be a roller coaster girl 7 times in a row No vertigo in these skinny legs My lipstick bubblegum pink As my panther 10 speed. never kissed Nappy pigtails, no-brand gym shoes White lined yellow short-shorts Scratched up legs pedaling past borders of humus and baba ganoush Masjids and liquor stores City chicken, pepperoni bread and superman ice cream Cones. Yellow black blending with bits of Arabic Islam and Catholicism. My daddy was Jesus My mother was quiet Jayne Kennedy was worshipped by my brother Mark I don’t remember having my own bed before 12. Me and my sister Lisa shared. Sometimes all three Moore girls slept in the Queen. You grow up so close never close enough. I used to be a roller coaster girl Wild child full of flowers and ideas Useless crushes on polish boys in a school full of white girls. Future black swan singing Zeppelin, U2 and Rick Springfield Hoping to be Jessie’s Girl I could outrun my brothers and Everybody else to that reoccurring line I used to be a roller coaster girl Till you told me I was moving too fast Said my rush made your head spin My laughter hurt your ears A scream of happiness A whisper of freedom Pouring out my armpits Sweating up my neck You were always the scared one I kept my eyes open for the entire trip Right before the drop I would brace myself And let that force push my head back into That hard iron seat My arms nearly fell off a few times Still, I kept running back to the line When I was done Same way I kept running back to you I used to be a roller coaster girl I wasn’t scared of mountains or falling Hell, I looked forward to flying and dropping Off this earth and coming back to life every once in a while I found some peace in being out of control allowing my blood to race through my veins for 180 seconds I earned my sometime nicotine pull I buy my own damn drinks & the ocean Still calls my name when it feels my toes Near its shore. I still love roller coasters & you grew up to be Afraid of all girls who cld ride Fearlessly like me.
Jessica Care Moore
I’m going to say this once here, and then—because it is obvious—I will not repeat it in the course of this book: not all boys engage in such behavior, not by a long shot, and many young men are girls’ staunchest allies. However, every girl I spoke with, every single girl—regardless of her class, ethnicity, or sexual orientation; regardless of what she wore, regardless of her appearance—had been harassed in middle school, high school, college, or, often, all three. Who, then, is truly at risk of being “distracted” at school? At best, blaming girls’ clothing for the thoughts and actions of boys is counterproductive. At worst, it’s a short step from there to “she was asking for it.” Yet, I also can’t help but feel that girls such as Camila, who favors what she called “more so-called provocative” clothing, are missing something. Taking up the right to bare arms (and legs and cleavage and midriffs) as a feminist rallying cry strikes me as suspiciously Orwellian. I recall the simple litmus test for sexism proposed by British feminist Caitlin Moran, one that Camila unconsciously referenced: Are the guys doing it, too? “If they aren’t,” Moran wrote, “chances are you’re dealing with what we strident feminists refer to as ‘some total fucking bullshit.’” So while only girls get catcalled, it’s also true that only girls’ fashions urge body consciousness at the very youngest ages. Target offers bikinis for infants. The Gap hawks “skinny jeans” for toddlers. Preschoolers worship Disney princesses, characters whose eyes are larger than their waists. No one is trying to convince eleven-year-old boys to wear itty-bitty booty shorts or bare their bellies in the middle of winter. As concerned as I am about the policing of girls’ sexuality through clothing, I also worry about the incessant drumbeat of self-objectification: the pressure on young women to reduce their worth to their bodies and to see those bodies as a collection of parts that exist for others’ pleasure; to continuously monitor their appearance; to perform rather than to feel sensuality. I recall a conversation I had with Deborah Tolman, a professor at Hunter College and perhaps the foremost expert on teenage girls’ sexual desire. In her work, she said, girls had begun responding “to questions about how their bodies feel—questions about sexuality or arousal—by describing how they think they look. I have to remind them that looking good is not a feeling.
Peggy Orenstein
lived in the house. There were aunts, uncles, cousins, grandparents, and friends. A grill was set up on the patio, and delicious smells wafted from platters of burgers on picnic tables in the yard. It was the perfect sort of day for Munchy to get her fill of people blood. Who would have thought that giving a person one tiny bite could result in such a delightful snack? Munchy was aware that most people thought she was a pest. They tried to swat her whenever she got near, but Munchy was fast and an expert at dodging humans’ flailing fingers. I don’t want to hurt anyone, Munchy thought. But a mosquito bite just takes a second, and then I fly off to find the next person. Satisfied at last, Munchy buzzed back to the garden where she lived with her best friends Wiggly Worm, Rattles Snake, and Snarky Snail. “I’m full!” she announced. “I don’t think I’ll eat for a week!” “There’s some kind of celebration going on over there,” remarked Wiggly, who was playing in the dirt. “I know!” smiled Munchy. “The family has so many guests over—so many guests with delicious blood.” Snarky made a face. “I think it’s the Fourth of July or something—but, Munchy, do you really have to do that to people? Mosquito bites make them awfully uncomfortable.” “Only for a second,” Munchy replied. “It’s just an itty-bitty sting.” “No, it isn’t,” protested Snarky, who ventured into the backyard more than any of his friends. “Mosquito bites are itchy and uncomfortable for a long time—sometimes several days. I’ve seen those two little kids scratching and complaining about bites you’ve given them.” “I think that’s true,” agreed Rattles, who also went into the yard more often, now that the humans knew he was a friendly rattlesnake. “Oh, no,” murmured Munchy. Mosquito bites hadn’t seemed like a big deal before—but they did now. She didn’t want to be responsible for making people feel itchy all the time! With a sigh, Munchy said, “I guess I’ve got to quit. From now on, I’ll stick to sugar-water shakes at the Garden Town soda fountain—but it isn’t going to be easy!” With some help from her friends, Munchy was able to stop biting people once and for all. And, when the other mosquitoes that lived in the garden heard about her new lifestyle, they decided to give it a shot, as well. In no time, the backyard was practically a mosquito-safe zone! The kids and their friends could now play in the yard for hours with no worries about being bitten. They had no more itchy skin and no more discomfort. Munchy felt like she had done a wonderful thing. And no one ever tried to swat her away again! Just for Fun Activity Make itty-bitty bugs using circles of Fun Foam for bodies, tissue paper cut-outs for wings, googly eyes (you can find them at craft stores), and shortened pipe cleaners for long, skinny noses and legs. Have fun!
Arnie Lightning (Wiggly the Worm)
There were mini Vienna hot dogs with all the classic Chicago toppings. A macaroni 'n' cheese bar with all kinds of fun add-ins. Cold sesame noodles in tiny white cardboard Chinese take-out containers, sliders served with small cones of skinny fries. Fried chicken legs, barbecued ribs, mini gyros in tiny three-inch pitas. All of it the most delicious and perfectly prepared elevated junk food, complete heaven, and just what I love. She gave us each a bamboo tray with a piece of parchment paper on it to use as plates, and large kitchen tea towels instead of napkins. There were cold beers in a tub, endless bottles of rosé, and a massive birthday cake, chocolate with fluffy vanilla frosting, and rainbow sprinkles. And then, after coffee, mini ice-cream sandwiches on chocolate chip cookies.
Stacey Ballis (Recipe for Disaster)
It was quite common for households in towns like mine to have BB rifles, commonly called slug guns. These were air rifles that shot very tiny soft lead pellets called slugs. They weren’t that lethal unless you shot at very close range, but they could blind you if you got shot in the eye. Most teenagers had them to control pests like rats, or to stun rabbits. However, most kids used them to shoot empty beer cans lined up on the back fence, practising their aim for the day they were old enough to purchase a serious firearm. Fortunately, a law banning guns was introduced in Australia in 1996 after thirty-five innocent people were shot with a semi-automatic weapon in a mass shooting in Tasmania. The crazy shooter must have had a slug gun when he was a teenager. But this was pre-1996. And my brothers, of course, loved shooting. My cousin Billy, who was sixteen years old at the time – twice my age – came to visit one Christmas holiday from Adelaide. He loved coming to the outback and getting feral with the rest of us. He also enjoyed hitting those empty beer cans with the slug gun. Billy wasn’t the best shooter. His hand-eye coordination was poor, and I was always convinced he needed to wear glasses. Most of the slugs he shot either hit the fence or went off into the universe somewhere. The small size of the beer cans frustrated him, so he was on the lookout for a bigger target. Sure enough, my brothers quickly pushed me forward and shouted, ‘Here, shoot Betty!’ Billy laughed, but loved the idea. ‘Brett, stand back a bit and spread your legs. I’ll shoot between them just for fun.’ Basically, he saw me as an easy target, and I wasn’t going to argue with a teenager who had a weapon in his hand. I naively thought it could be a fun game with my siblings and cousin; perhaps we could take turns. So, like a magician’s assistant, I complied and spread my skinny young legs as far apart as an eight-year-old could, fully confident he would hit the dust between them . . . Nope. He didn’t. He shot my leg, and it wasn’t fun. Birds burst out of all the surrounding trees – not from the sound of the gunshot, but from my piercing shriek of pain. While I rolled around on the ground, screaming in agony, clutching my bleeding shin, my brothers were screaming with laughter. I even heard one of them shout, ‘Shoot him while he’s down!’ Who needs enemies when you have that kind of brotherly love? No one rushed to help; they simply moved to the back fence to line up the cans for another round. I crawled inside the house with blood dripping down my leg, seeking Mum, the nurse, to patch me up. To this day, I have a scar on my leg as a souvenir from that incident . . . and I still think Billy needed glasses. I also still get very anxious when anyone asks me to spread my legs.
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
Eleven-year-old Virgil Salinas already regretted the rest of middle school, and he’d only just finished sixth grade. He imagined all those years stretching ahead of him like a long line of hurdles, each of them getting taller, thicker, and heavier, and him standing in front of them on his weak and skinny legs. He was no good at hurdles. He’d found this out the hard way: in gym class, where he was the smallest, most forgettable, and always picked last.
Erin Entrada Kelly (Hello, Universe)
but the script he saw written all about him, on the signposts and facades of Alexandria, was musical, all right. It ran complicated scales on the optic nerve. Everywhere, the Arabic alphabet wiggled and popped, enlivening crumbling architecture with outbursts of linguistic jazz, notations from the DNA songbook, energetic markings as primal as grunts and as modern as the abstract electricity of synthesizer feedback.
Tom Robbins (Skinny Legs and All)
All thought flew from my mind when he pulled the shirt from over his head, revealing the elegant sweep of his back, the hard-packed muscles rippling under smooth skin. Arms, chiseled like a god's, reached down and... "Oh, sweet baby Jesus," I murmured fervently. He pushed his jeans off and bared an ass that was, frankly, spectacular. Those tight globes flexed as he kicked the jeans away with one long leg. Turn away. Get out of here. I shouldn't look. I coveted my privacy, and I was blatantly watching Lucian strip naked. He deserved his privacy too. But I couldn't blink. I couldn't move. He was...glorious. My fingers gripped the railing, holding on tight. The light of the pool gave his skin an unworldly greenish cast. He rolled his shoulders...unf...and then dove in. The water rippled outward in his wake. I actually shivered with lust as I tracked him along the bottom of the pool, a pale arrow of flesh darting through the turquoise glow. Silently, he surfaced on the far side of the pool, then neatly turned to do laps. Perfect form. Long strong arms. Clean, steady strokes. Édith Piaf kept singing as Lucian set a steady but brutal pace. He went at it lap after lap. I grew fairly dizzy with rude thoughts about his stamina. The night was cool, but my flesh was hot. God, that water looked so good. I could practically feel it running over my fevered skin.
Kristen Callihan (Make It Sweet)
All they see is a pair of skinny legs, big eyes and a fierce stare. But I see more than that. I see strength and determination. Potential, promise and possibility.
Louise Nicks (Soren: The Angel & The Prize Fighter)
Quick! What aisle are the douches in? I've got three bitches at the beach cottage and they all stick to high heaven."... "You do carry Massengill, don't you? That's the best brand, according to my research." "Ah..." What kind of man researches douches? A man who goes to bed with three women... "Would you mind checking your inventory in the back? I'll need more." "I'm not allowed to leave the register, but I'll be happy to page our stock boy." Douche-man grunted and flipped the package around. "It's gonna take at least two boxes for Loa. She's big. Got wide hips. Skinny legs, though. Kinda like a twenty-gallon tank on toothpicks.
Vonnie Davis (For the Love of a Fireman (Wild Heat, #2))
Baltsaros ran across the ice. His tears froze on his cheeks. He was furious. They would pay. All of them. His skinny legs were a blur. He was fast! Fast like the lion on his family crest. His breath heaved in his bony chest. They would pay. Pay for being so… being so mean! Baltsaros tripped over a chunk of ice and went sprawling. He let out a cry and pulled himself up, wrapping his thin arms around his knee and rocking as he sobbed. There was blood on the ice. He had torn open his knee. He had ripped his pants. Mother would be furious about the pants. He sat and wept like a baby. It wasn’t fair! Then he saw the men on the ice. Strangers. Red hands. Red feet.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
So, it was to the pay phone that she descended, bearing the coin of the realm.
Tom Robbins (Skinny Legs and All)
I'm your f-friend?” says the Winter Soldier, kind of perking up a little. Sam almost starts crying himself. It's like those videos on youtube of people rescuing fighting dogs who start out all skinny and mean and growly and end up all fat and happy and rolling around licking people. He just wants to be loved, man, it's not his fault that he's all scarred up and scary with a missing front leg and doggie anxiety, and do they make ThunderShirts for humans? Because Sam needs to buy a set in supersoldier sizes.
Spitandvinegar
When I started sixth grade, the other kids made fun of Brian and me because we were so skinny. They called me spider legs, skeleton girl, pipe cleaner, two-by-four, bony butt, stick woman, bean pole, and giraffe, and they said I could stay dry in the rain by standing under a telephone wire. At lunchtime, when other kids unwrapped their sandwiches or bought their hot meals, Brian and I would get out books and read. Brian told everyone he had to keep his weight down because he wanted to join the wrestling team when he got to high school. I told people that I had forgotten to bring my lunch. No one believed me, so I started hiding in the bathroom during lunch hour. I’d stay in one of the stalls with the door locked and my feet propped up so that no one would recognize my shoes. When other girls came in and threw away their lunch bags in the garbage pails, I’d go retrieve them. I couldn’t get over the way kids tossed out all this perfectly good food: apples, hard-boiled eggs, packages of peanut-butter crackers, sliced pickles, half-pint cartons of milk, cheese sandwiches with just one bite taken out because the kid didn’t like the pimentos in the cheese. I’d return to the stall and polish off my tasty finds. There was, at times, more food in the wastebasket than I could eat. The first time I found extra food—a bologna-and-cheese sandwich—I stuffed it into my purse to take home for Brian. Back in the classroom, I started worrying about how I’d explain to Brian where it came from. I was pretty sure he was rooting through the trash, too, but we never talked about it. As I sat there trying to come up with ways to justify it to Brian, I began smelling the bologna. It seemed to fill the whole room. I became terrified that the other kids could smell it, too, and that they’d turn and see my overstuffed purse, and since they all knew I never ate lunch, they’d figure out that I had pinched it from the trash. As soon as class was over, I ran to the bathroom and shoved the sandwich back in the garbage can.
Jeannette Walls (The Glass Castle)
Well, Mr. Cranton,” she said, brows raised. “When you told me you needed my gown so as to clean the sea stains and tar from it, I had no idea that you had… uh, other uses for it.” Loud guffaws met her remark. “Really, Captain O’ Devir,” she said, turning to the grinning Irishman. “Your so-called Navy has some odd ways of amusing itself.” “Odd ways that saved all of our hides,” cried a nearby seaman. “Three cheers for our captain!” “Hip hip, huzzah! Hip hip, huzzah! Hip hip, huzzah!” Nerissa, confused, could only stare at them all. They’d surely lost their minds. “I expected there to be a sea fight, and I’m very glad there was not, but how did you manage to avoid getting blown to the ends of the earth, Captain O’ Devir?” He just shrugged, his eyes hungry and dark as he took in her long, willowy form, her legs clearly outlined in Midshipman Cranton’s skinny breeches. “Well, Lady Nerissa, ye’re the most valuable person on this ship and that countryman of yers back there knows it. He wouldn’t dare fire on us with you up here on deck.” “But I wasn’t up here on deck.” “Aye, precisely. But that piece of sh—… ehm, that blaggard back there, didn’t know that. Ye’ll stay in Cranton’s uniform so he doesn’t find out.” “What? What are you all talking about?” Lieutenant Morgan, chewing on a piece of dried ginger, was the one who clarified it for her. “Captain O’ Devir would never risk your life by having you up on deck where musket or cannonballs could be flying, so he had Cranton here pretend to be you.” The youth rubbed the back of his head. “Didn’t need to hit me quite so hard, sir,” he said good naturedly. “I nearly didn’t have to fake being knocked out cold.” “My heavens,” Nerissa said, as laughter greeted the youth’s remark, and immediately the sailor’s teasing resumed. “Still think you make a fetching young lady, Mr. Cranton!” “Can I call on you, my lady?” asked Tackett the sailing master, making an elegant leg to the blushing youth. “I’d love to run my fingers through your hair….” “Hell, I’d love to run mine through his cleavage.” “Hahaha!” “Shut yer gobs, ye rogues,” said Captain O’ Devir. “That’s an officer ye’re talkin’ to. Give him some respect.” More guffaws, because it was hard to give a man any respect when he stood before them in a lady’s gown, red-faced, fuming, and reaching into his bosom to tear out the other stocking. He flung it down. “My apologies, Lady Nerissa,” he said, looking like he was about to take a swing at the sailing master. “You should not have to listen to such talk.” She couldn’t help but be caught up in their high spirits. “I have brothers,” she said, smiling. “There’s not much that will offend me, I can assure you.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
Was she simply too shallow to suffer indefinitely, or was she too wise to become attached to her suffering, too feisty to permit it to rule her life? She voted for wise and feisty, and walked on, kicking leaves.
Tom Robbins (Skinny Legs and All)
There it is, forming behind us: The Fat Blue Phalanx. All the smug self-satisfied maleness you can drink, and free refills at the station house. It's all I can see in cops, that patriarchal bullshit that will never yield to a contract of mutual respect. That grunting fuck-obsessed inability to deobjectify you and treat you as a person, it’s a subclass of male that will never, ever change, no matter what. There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they’d whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides you’re not supposed to let it get to you. You’re supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren’t allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don’t like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don’t) who if you’re lucky will offer to go beat them up knowing you won’t take him up on it because you know perfectly well he’d probably get his ass kicked, most of the boys you know are highly ass-kickable because they’ve been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and the grime of uneducated testosterone. its thanx to our weak boyfriends that we have cops at all, surrogate cock and balls to maintain ‘order’, whatever that is. Or was. And where does it really leave you as a prisoner of the suburbs? Fuming over some tiny incident that the aggressors have already forgotten about, but you have the sinking feeling you've just sniffed the true underbelly and the aroma was not what you get in Calvin Klein ads. Scratch 'n' sniff, scratch 'n' sniff, peel the onion... will you ever get down to the reality of what this place is about? And I know I shouldn't brand individual cops with the big blue brush but in my mind these guys are a symbol of the whole iron-cage Boy system that makes me always a victim, no matter what I do, it's a cage I can't escape. I'm the little princess. They dominate, they aggress, they protect.
Tricia Sullivan (Maul)
I met Jesse for the first time when I was twelve, and I thought he was a bit of a dork. He had long, skinny legs and twiggy arms. His hair was a blond mess, and he spent all his time playing football with Hunter, and mostly ignoring me and Georgia. When I saw him on Saturday morning, in my living room, hair ruffled from him falling asleep on the sofa, my mouth felt like it was filled with sawdust, and I could barely choke out a ‘hello.’ He’d got kind of … gorgeous over the years. He’d grown into his gangly arms and legs, and developed muscles, and the kind of chiselled jaw you think only exists in romance novels, not in the real world. Right away, his looks put him way out of my league, but when you threw in the fact he was on his way to being a football legend in America, he was obviously a guy who wouldn’t look twice at plain old Isabelle Mills. He tried really hard to make conversation with me, I guess because he felt sorry for me. I appreciated his efforts, and I think I may have even flirted with him a little over lunch before reminding myself I definitely wasn’t going to get his attention. Boys were Georgia’s area of expertise. She already had a boyfriend, Elliott, but that didn’t stop the other guys at college from checking her out. She was just so confident, whereas I preferred to sit in the background.
Kyra Lennon (Blindsided (Game On, #2))
On the subject of Egypt, Ellen Cherry was so vague she thought Ramses II was a jazz piano player.
Tom Robbins (Skinny Legs and All)
Oh, I thought that this day and age you maybe would be known as bovine custodial officers.
Tom Robbins (Skinny Legs and All)
Muddy Waters he play in the river Joan Rivers she play in the mud Swami guru play in a big salad bowl Counting lettuce and chewing his cud
Tom Robbins (Skinny Legs and All)
She had never paid much attention to the Middle Eastern situation, per se, and now she knew why. It was an overload of craziness. It was a seventy-piece orchestra rehearsing a funeral dirge and a wedding march simultaneously in a broom closet.
Tom Robbins (Skinny Legs and All)
She was even grateful at first for this backdoor entry into the New York art scene, although rather quickly she came to think of it as entering a peacock through its rectum.
Tom Robbins (Skinny Legs and All)
If it weren’t for Phoenician blinds, it’d be curtains for all of us.
Tom Robbins (Skinny Legs and All)
Club Kyiv’s “exclusive” clientele seemed to consist of young rich kids intermingled with overweight businessmen in suits and gold-digging prostitutes. Bishop couldn’t tell the difference between the working girls and the women there simply for a good time. To him they all looked the same, and he had never seen so many fake breasts, collagen-enhanced lips, hair extensions, and spray tans in one spot before. These girls wore the shortest skirts he had ever seen. How the hell do they stay warm showing that much skin, he wondered. They looked ridiculous in their winter coats with skinny bare legs protruding beneath them. Like ostriches, he realized with a smile.
Jack Silkstone (PRIMAL Unleashed (PRIMAL #2))
Time, in his view, was a short, sloppy path from Eve’s crayon box to the Messiah’s fire box.
Tom Robbins (Skinny Legs and All)
That drummer is hot,” Sam says. He’s still watching the footage with no sound, since we play the TV with subtitles for Logan all the time. “I would have thought you’d like the lead singer best,” Emily says, watching his face. He shakes his head. “Not my type.” “Not enough ass,” Pete tosses out. “He’s not into skinny chicks.” Pete looks over at Emily. “No offense, Em.” Emily rolls her eyes and points to her very pregnant belly. Sam shoots Pete a look and shoves Pete’s legs out of his lap. Pete makes a move like he’s grabbing and squeezing. “Sam likes a girl he can hold on to.” Sam’s face goes pink as he shrugs. “I like curves,” he says. “I can’t help it.” Pete shoves him again. “He wants tits and ass,” he says, making that squeezing motion again. “And a brain,” Sam says, holding up his finger. “And an appetite,” I add. Sam raises his brow. “I like to cook. So I like a girl who likes to eat. Go figure.” Emily laughs. Sam must feel the need to explain himself because he goes on. “I hate taking a girl to dinner and having her order a salad. Or having her tell me she can’t eat one of my famous cupcakes because she’s on a diet.” He shivers like he’s repulsed by the very idea of it. He draws an hourglass figure in the air with his hands. “I’ll take tits, ass, and thighs, please,” he says, as though he’s ordering dinner. “And, dammit, if there’s icing that can be licked off places, I want her to be able to partake without thinking about calories.” “TMI, Sam!” Emily cries, covering her ears. Sam laughs, so I throw a remote at his head. “Act like a gentleman,” I warn, because I feel like I should. But that shit’s funny as hell.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Jim needed his equal: a powerful, aggressive, and sexy woman. He got me, Dali, a skinny vegetarian girl who had to wear glasses with lenses as thick as Coke bottle bottoms, threw up when she smelled blood, and was about as useful in a fight as a fifth leg on a donkey. To top it all off, my own mother, who loved me more than the whole world, wouldn’t describe me as pretty. She told people that I was smart, brave, and educated. Unfortunately none of it helped me right now, because tonight I wanted to be sexy. I wanted to seduce Jim.
Ilona Andrews (Night Shift (World of Kate Daniels, #8.5; SPI Files, #0.5; Psy-Changeling, #12.5; Barbarian, #1))
These things were almost my height, standing upright on skinny legs with bony, L-shaped knees—if they were knees at all—and up on their toes like spastic ballerinas. Their torsos were too long for their legs and emaciated
Erick Rhetts (Lost on Skinwalker Ranch)
These things were almost my height, standing upright on skinny legs with bony, L-shaped knees—if they were knees at all—and up on their toes like spastic ballerinas. Their torsos were too long for their legs and emaciated as if they had never eaten. They had these round protruding bellies, almost like the kind you see on those starving kids in Africa, and the chest was angular as if looking down on a pointed roof, the skin—patchy with thin hair and scaled with mange—sucked in between the rib bones. Their arms weren’t much different than the legs, elbows bony like the knees, only sticking out to the sides like chicken wings so that the forearms and paws—they definitely looked more paw than hand—were forced in towards the body and outward like kangaroo arms. There was no neck to speak of, as if their heads had been nestled haphazardly between the tapering shoulders, except they were jutting forward as if the things were craning to get a better look. Their muzzles were much shorter and weirder looking than you’d expect from canines, as if
Erick Rhetts (Lost on Skinwalker Ranch)
In my first or second year I was made to play rugby for the school team. God knows why. Something to do with the first team being off in France. Maybe I was the only boy with two legs available. I don’t know. Either way, I got forced to play rugby, and what I remember most about that experience is the misery. I turned up knowing nothing about the rules (and years and years later, I still know nothing about the rules of rugby), took one look at what was happening on the pitch and thought, You have got to be kidding. Our opponents all had beards. We were twelve, and although I was reasonably tall, I was a proper skinny kid, and not at all built for scrums
Jenson Button (Life to the Limit: My Autobiography)
Half a long pepper and lastly a teaspoon of troll fat.' 'Yuck,' Stef said, as she looked down at the small bowl of fat. 'Yes, it is a bit gross, but it's very effective,' Miss Maker said, as she walked over to the front row and paused by a cauldron that belonged to a girl with red hair. 'That looks fantastic, Patricia.' 'How does she know all our names?' Gerty whispered to Charlotte, forgetting that Miss Maker could hear them. 'Gerty, Charlotte, how are you getting on?' She smiled over at them. 'Erm, okay,' Gerty muttered quietly. Yeah, okay I think,' Charlotte added. 'Great!' Miss Maker walked back to the front of the room. 'Now take your spoons and place them into the cauldron, careful not to splash any of the potion. Turn it in a clockwise direction twenty times, like this’ She began to turn her spoon, counting the turns aloud. 'When you've done that, carefully remove your spoon.' 'Now take your wand out and say, 'strength potion make me strong.' Then add one cup of cranberry juice and stir another ten times in a clockwise direction. Pour a glass and drink up girls. This spell will only last for three hours, and then your body’s strength will return to normal.' Stef was the first to drink her potion, followed by Margaret and then Demi. Charlotte and Gerty exchanged looks before they picked up their glasses and drank the liquid. Charlotte looked down to see her arms begin to bulk up under her cardigan until large muscles were visible. 'Look, look!' Gerty lifted her blouse, revealing a six-pack of muscles on her tummy. ''Whoa,' Charlotte said, as she looked down at her own stomach and legs and saw that they were changing too. 'My thighs are huge,' Alice said disgustedly, clutching hold of her muscled leg. 'I feel so strong,' Gerty giggled, as she reached out and lifted Charlotte with one hand and balanced her above her head, spinning her around like a spinning top. 'I feel weaker Miss Maker, what's happening?' Stef asked, as she stumbled and gripped onto the table for support before looking down at herself. Her arms and legs had become much smaller, and she looked skinny and haggard. There were gasps at Stef's appearance as the other girls gathered around her. 'Can you show me what direction is clockwise?' Miss Maker passed Stef a spoon. Stef nodded as she put the spoon into the cauldron and stirred to her left. 'Oh dear.' Miss Maker shook her head. 'That is anti-clockwise, you're lucky the spell is only for three hours.' She led Stef over to the comfy chair that was behind her desk and then addressed the other girls. 'This is a perfect example of how careful you must be when brewing potions and a great lesson for us all. Now, we have to tidy up. Please be careful when cleaning the cauldrons and glasses, don't forget your new strength.' 'Have you seen Demi's muscles? They're huge!' A girl with black hair pointed to Demi's arms.
Katrina Kahler (Witch School, Book 1)
The mud is too thick, clinging like coconut caramel to my mother’s legs. She finds she cannot carry my sleeping self while keeping up with everyone else. On her left side she carries a bag with an extra set of dark clothes for both of us, food and water; her right arm forms a nook cradling me, her right hand encircling my skinny thigh while I cling to her neck and look behind her shoulder. Three gold rings are sewn into the folds of her dark pants and shirt. We are fugitives now, all wearing black, simple clothes, dimly lit forms barely visible in the humid night.
Tuan
Maybe all my problems would be solved if I got the fat sucked out of my thighs. Things just fall into place more easily for skinny-legged women. Look at Alexa Chung.
Genevieve Novak (No Hard Feelings)
I don’t understand skinny jeans. I don’t understand why people like them, wear them, or buy them. If I want something to hug my calves that tight, I would get a dog that follows me around and humps my legs all day.
Shelley Brown (Weird Girl Adventures from A to Z)
Black skinny jeans cling to long, lean legs that start at Monday and stretch all the way through next week.
Kennedy Ryan (Flow (Grip, #0.5))
Who knows what causes the human brain to split its britches. It would seem that the brain hangs so many curtains between itself and the true universe that eventually light can no longer reach it, and it molds and rots and festers in the dark.
Tom Robbins (Skinny Legs and All)