Vibrant Hair Quotes

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Do you know the song Violet Crowned Athens?” he asked. Yellow hair like hers was rare among the Greeks. Though some people say that Helen of Troy . . .
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
I can't do this," Genya whispered. Her face was swollen from crying. Her vibrant hair lay limp down her back. "You don't have to do anything," Zoya said. "Just be here. Stay standing." "Not even that." "I've got you. I won't let you fall.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.
Vladimir Nabokov (Lolita)
I despise my own past and that of others. I despise resignation, patience, professional heroism and all the obligatory sentiments. I also despise the decorative arts, folklore, advertising, radio announcers' voices, aerodynamics, the Boy Scouts, the smell of naphtha, the news, and drunks. I like subversive humor, freckles, women's knees and long hair, the laughter of playing children, and a girl running down the street. I hope for vibrant love, the impossible, the chimerical. I dread knowing precisely my own limitations.
René Magritte
When you awaken you look so fresh Your skin so soft and hair an artistic mesh Your natural scent is a fragrant perfume Your dashing figure makes hearts fume Your bright mind is vibrant with wit Your captivating smile is brightly lit Your teeth are absolute perfection Nature endowed you with a fine selection Your eyes are spectacles of celestial charm Gorgeous and stunning, striking with alarm
Mohamad Jebara (The Illustrious Garden)
We checked ourselves in the mirror before we left. We were flushed and a little rumpled, but in a good way. We looked vibrant, wild, happy. The hair and the clothes and the makeup made me feel like someone new, but the happy is what made me unrecognizable.
Allison Larkin (Why Can't I Be You)
A hair has fallen loose from her bun and is dangling by the side of her face. Without a second thought, my hand rises and I brush my fingertips across her cheekbone, tucking the hair gently behind her ear. She sucks in a quick breath, her lips parting. She’s so damn pretty. Soft and sweet, but also vibrant and sharp. Is that how kissing her would taste?
Sarah Adams (The Cheat Sheet)
When Sterling’s eyesight did finally fail him completely, we were up in years, content to sit in our garden and reflect on what a wondrous and exciting life we’d led. He did not see my hair fade into silver. For him it was always a vibrant red. I watched him age gracefully and with dignity. He leaned on me much more than he did his walking stick, which was how it should be, because when I needed him most, he was always there for me. Each day I thought I could love him no more than I already did—and the following morning I was always proven wrong, for I awoke loving him just a little bit more.
Lorraine Heath (Surrender to the Devil (Scoundrels of St. James, #3))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Eric lifted the long lock of hair that he dyed a different vibrant color every forty-nine days without fail and stared at it. His memory had served him correctly. It was currently cobalt blue—the exact same shade as the under-layer of her hair. What were the chances? It had to be kismet. Destiny. Fate. Providence. All of the above... She’d said her name was Rebekah. That was Eric’s favorite name. At least, now it was.
Olivia Cunning (Wicked Beat (Sinners on Tour, #4))
And sometimes, when Alexander talked, Tatiana found her lower jaw drifting down and was suddenly and awkwardly aware that she had been staring at him so long that her mouth had dropped open. She didn’t know what to look at when he talked—his caramel eyes that blinked and smiled and shined and were grim or his vibrant mouth that moved and opened and breathed and spoke. Her eyes darted from his eyes to his lips and circled from his hair to his jaw as if they were afraid she would miss something if she didn’t stare at everything all at once.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
I looked above the jeans. Vintage Fugazi concert tee. Green flannel shirt. 10. I looked above the flannel. Two weeks’ worth of shaggy blond beard. Mmm. Country hipster. 11. I looked above the beard. Lips. 12. I looked at the lips. 13. I looked at the lips. 14. I looked at the lips. 15. COME ON. 16. I looked above the lips. 17. I was glad I looked above the lips. 18. The eyes and the hair were a package deal, the hair was falling across his eyes in a careless way that said “Hey, girl. I’ve got peas on my shoes, but who cares, because I’ve got these eyes and this hair, and it’s pretty fucking great.” 19. The hair was the color of tabbouleh. 20. His eyes were the color of . . . 21. Pickles? 22. Green beans? 23. No. Broccoli that had been steamed for exactly sixty seconds. Vibrant. Piercing.
Alice Clayton (Nuts (Hudson Valley, #1))
When he arrived, he found that the two most important women in his life—his mother and his young wife—were dying. At 3:00 a.m. on February 14, Valentine’s Day, Martha Roosevelt, still a vibrant, dark-haired Southern belle at forty-six, died of typhoid fever. Eleven hours later, her daughter-in-law, Alice Lee Roosevelt, who had given birth to Theodore’s first child just two days before, succumbed to Bright’s disease, a kidney disorder. That night, in his diary, Roosevelt marked the date with a large black “X” and a single anguished entry: “The light has gone out of my life.
Candice Millard (The River of Doubt: Theodore Roosevelt's Darkest Journey)
Karou was, simply, lovely. Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx. Beyond merely pretty, her face was vibrantly alive, her gaze always sparking and luminous, and she had a birdlike way of cocking her head, her lips pressed together while her dark eyes danced, that hinted at secrets and mysteries.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
I kiss your knees that self-communing prayers chastize, I kiss your feet that would appease the open sea; I wish to plunge my head between your vital thighs and in your hair-shirt weep for my iniquity; there, my dear saint, in that oblivion of the dim Chasm and the Boundless, rapt with scents vibrant and fresh, when I have finished softly chanting my long hymn, I shall assuage my torment on your wholesome flesh.
Stéphane Mallarmé (Collected Poems and Other Verse)
Her curls thick and vibrant, arranged by a lady's maid into a nautilus of braids.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I’d never met a redhead yet who didn’t have the same allure—a sort of blend of vibrant energy and freshness that made those of us with brown hair feel ridiculously dull.
Susanna Kearsley (Named of the Dragon)
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
Whitney Otto (Eight Girls Taking Pictures)
Color is one of the most important and distinctive elements in enhancing your image. Wearing the colors which are best matched to your personality, energy, skin tone, hair color, and body type will make you look healthier, more vibrant, confident, successful, and approachable.
Susan C. Young (The Art of Preparation: 8 Ways to Plan with Purpose & Intention for Positive Impact (The Art of First Impressions for Positive Impact, #2))
There is nothing that the media could say to me that would justify the way they’ve acted. You can hound me. You can follow me, but in no way should you frighten those around me. To harm my wife and potentially harm my daughter—there is no excuse that could put any of you on the right side of morality. I met Rose when I was fifteen and she was fourteen, and through what she would call fate and I’d call circumstance of our hobbies, we’d cross paths dozens of times over the course of a decade. At seventeen, I attended the same national Model UN conference as Rose, and a delegate for Greenland locked us in a janitorial closet. He also stole our phones. He had to beat us dishonorably because he couldn’t beat us any other way. Rose said being locked in a confined space with me was the worst two hours of her life" They look bemused, brows furrowing. I can’t help but smile. “You’re confused because you don’t know whether she was exaggerating or whether she was being truthful. But the truth is that we are complex people with the ability to love to hate and to hate to love, and I wouldn’t trade her for any other person. So that day, stuck beside mops and dirtied towels, I could’ve picked the lock five minutes in and let her go. Instead, I purposefully spent two hours with a girl who wore passion like a dress made of diamonds and hair made of flames. Every day of my life, I am enamored. Every day of my life, I am bewitched. And every day of my life, I spend it with her.” My chest swells with more power, lifting me higher. “I’ve slept with many different kinds of people, and yes, the three that spoke to the press are among them. Rose is the only person I’ve ever loved, and through that love, we married and started a family. There is no other meaning behind this, and for you to conjure one is nothing less than a malicious attack against my marriage and my child. Anything else has no relevance. I can’t be what you need me to be. So you’ll have to accept this version or waste your time questioning something that has no answer. I know acceptance isn’t easy when you’re unsure of what you’re accepting, but all I can say is that you’re accepting me as me. I leave them with a quote from Sylvia Plath. “‘I took a deep breath and listened to the old brag of my heart.’” My lips pull higher, into a livelier smile. “‘I am, I am, I am.’” With this, I step away from the podium, and I exit to a cacophony of journalists shouting and asking me to clarify. Adapt to me. I’m satisfied, more than I even predicted. Some people will rewind this conference on their television, to listen closely and try to understand me. I don’t need their understanding, but my daughter will—and I hope the minds of her peers are wide open with vibrant hues of passion. I hope they all paint the world with color.
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
Alice haunted the mossy edge of the woods, lingering in patches of shade. She was waiting to hear his Austin-Healey throttle back when he careened down the utility road separating the state park from the cabins rimming the lake, but only the whistled conversation of buntings echoed in the branches above. The vibrant blue males darted deeper into the trees when she blew her own 'sweet-sweet chew-chew sweet-sweet' up to theirs. Pine seedlings brushed against her pants as she pushed through the understory, their green heads vivid beneath the canopy. She had dressed to fade into the forest; her hair was bundled up under a long-billed cap, her clothes drab and inconspicuous. When at last she heard his car, she crouched behind a clump of birch and made herself as small as possible, settling into a shallow depression of ferns and leaf litter.
Tracy Guzeman (The Gravity of Birds)
Are you even listening to me?” Tim asks in an annoyed tone. No. Nope. Not a bit. I’m staring at Bree’s long bare legs. I don’t mean to be, but damn, she looks killer tonight. She looks killer every single night, but right now, she’s making herself stand out in this skintight sparkling dress, hair long and wild but also somehow perfectly styled. And her eyes…wow. I don’t think I’ve ever seen her wear eyeliner before, and it makes her already vibrant eyes practically grab me by the collar of my suit and demand that I empty my pockets and give her everything I’ve got. You can take it all, Bree.
Sarah Adams (The Cheat Sheet)
He was a very tall, very thin creature that could only be described as a wood elf. His long, ponytailed hair was every color of autumn leaves; his skin was the hue of fresh-cut pine boards; and his eyes were the vibrant color of fresh spring foliage. He also wore blue jeans and brown loafers and a ragged t-shirt that read, "Choose your Weapon!" under which sat a line of Dungeons and Dragons dice of various shapes and denominations. Kay could barely believe it. For one, where did he get that shirt? These Otherworld people LIVED Dungeons and Dragons--they played it too? For a second Kay thought she might be looking at the most ironic t-shirt and t-shirt wearer combination ever.
Nils Johnson-Shelton (The Invisible Tower (Otherworld Chronicles, #1))
Madeline stood before him in a gown of rich, emerald-green silk. The low-cut bodice did miraculous things for her bosom, and the vibrant color made a striking contrast with her pale skin and dark hair. And her lips... something about the green brought out their richness. They looked like two lush slices of a ripened plum. His mouth watered.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
I continued to stare at the empty seat because my sensation of a vibrant presence there was unrelieved. And in my staring I perceived that the fabric of the seat, the inner webbing of swirling fibers, had composed a pattern in the image of a face—an old woman's face with an expression of avid malignance—floating amidst wild shocks of twisting hair.
Thomas Ligotti (Songs of a Dead Dreamer and Grimscribe)
You’re not selling breath mints, or fresh breath, you’re selling sex appeal, attractiveness—what you become after you take the breath mint. It’s not about the shampoo, it’s about shiny, sexy, vibrant hair that catches the eye of the cute guy who lives across the hall, causing him to turn, pause, then ask you out. It’s not about the shampoo, it’s about the big house and beautiful children you’ll have with that cute guy who finally notices you. And to seal the deal, said shampoo is infused with countless vitamins and minerals, all clinically proven to strengthen dry or damaged hair. Scientific proof breeds confidence. Hit ’em with the science if you have to, but hook ’em with the benefits first, let them know they want what you’re selling.
A.G. Riddle (Departure)
I can´t speak.I mean,I literally can´t seem to form words.Rush was always shockingly good looking.Tall,lean,dark hair,badass attitude,eyes so green they look like leaves in the sun.But now,he´s something else.He´s breathstealing.He´s wearing a black tank top and jeans that hang on his lean hips.Both arms are covered in vibrant ink,and lean,sexy muscle.And though he still has a boy´s wicked grin,he´s become a man everywhere else
Laura Wright (First Ink (Wicked Ink Chronicles, #1))
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
My eighty-eight birthday arrives shortly. I cannot fathom that number of years. I admit to seeing an old woman when I look in the mirror–the short, wispy, flyaway white hair that is evident I cut myself, the thick population of brown spots on the backs of my hands and forearms, the still–vibrant blue eyes– and I am surprised, always, because inside, where I live, I am at most forty, still eager for change, still hungry for learning, still curious, still yearning.
Elizabeth J. Church (The Atomic Weight of Love)
But every single day after work Tatiana brushed her hair and ran outside, thinking, please be there, and every single day after work Alexander was. Though he never asked her to go to the Summer Garden anymore or to sit on the bench under the trees with him, his hat was always in his hands. Exhausted and slow, they meandered from tram to canal to tram, reluctantly parting at Grechesky Prospekt, three blocks away from her apartment building. During their walks sometimes they talked about Alexander’s America or his life in Moscow, and sometimes they talked about Tatiana’s Lake Ilmen and her summers in Luga, and sometimes they chatted about the war, though less and less because of the anxiety over Pasha, and sometimes Alexander taught Tatiana a little English. Sometimes they told jokes, and sometimes they barely spoke at all. A few times Alexander let Tatiana carry his rifle as a balancing stick while she walked a high ledge on the side of Obvodnoy Canal. “Don’t fall into the water, Tania,” he once said, “because I can’t swim.” “Is that true?” she asked incredulously, nearly toppling over. Grabbing the end of his rifle to steady her, Alexander said with a grin, “Let’s not find out, shall we? I don’t want to lose my weapon.” “That’s all right,” Tatiana said, precariously teetering on the ledge and laughing. “I can swim perfectly well. I’ll save your weapon for you. Want to see?” “No, thank you.” And sometimes, when Alexander talked, Tatiana found her lower jaw drifting down and was suddenly and awkwardly aware that she had been staring at him so long that her mouth had dropped open. She didn’t know what to look at when he talked—his caramel eyes that blinked and smiled and shined and were grim or his vibrant mouth that moved and opened and breathed and spoke. Her eyes darted from his eyes to his lips and circled from his hair to his jaw as if they were afraid she would miss something if she didn’t stare at everything all at once. There were some pieces of his fascinating life that Alexander did not wish to talk about—and didn’t. Not about the last time he saw his father, not about how he became Alexander Belov, not about how he received his medal of valor. Tatiana didn’t care and never did more than gently press him. She would take from him what he needed to give her and wait impatiently for the rest.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I love you." He combed her fingers through her hair,drawing her head back so that their eyes met. "I don't like it, I may never get used to it, but I love you." With a sigh,he brought her close again. "You make my head swim." With her cheek against his chest, Gennie closed her eyes. "You can take time to get used to it," she murmured. "Just promise you won't ever be sorry it happened." "Not sorry," he agreed on a long breath. "A little crazed, but not sorry." As he ran a hand down her hair, Grant felt a fresh need for her, softer, calmer than before and no less vibrant. He nuzzled into her neck because he seemed to belong there. "Are you really in love with me, or did you say that because I made you mad?" "Both.I decided this morning I'd have to bend to your ego and let you tell me first." "Is that so?" With his brows drawn together, he tilted her head back again. "My ego." "It tends to get in the way because it's rather oversized." She smiled, sweetly.In retaliation, he crushed his mouth to hers. "You know," he managed after a moment. "I've lost my appetite for breakfsat." Smiling again, she tilted her face back to his. "Have you reall?" "Mmm. And I don't like to mention it..." He took his fingertips to the lapel of the robe,toying with it before he slid them down to the belt. "But I didn't say you could use my robe." "Oh, that was rude of me." The smile became saucy. "Would you like it back now?" "No hurry." He slipped his hand into hers and started toward the steps. "You can wait until we get upstairs.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.” Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice. “Under the circumstances, I don’t think I’m the one you ought to ask.” “I’ll stay,” she said after a moment and saw the tension in his shoulders relax. Unbuttoning her jacket, she gave it to him, along with her bonnet, and he took them over to the fireplace, hanging them on the pegs in the wall. “Stand by the fire,” he ordered, walking over to the table and filling two glasses with wine, watching as she obeyed. The front of her hair that had not been covered by her bonnet was damp, and Elizabeth reached up automatically, pulling out the combs that held it off her face on the sides and giving the mass a hard shake. Unconscious of the seductiveness of her gesture, she raised her hands, combing her fingers through the sides of it and lifting it. She glanced toward Ian and saw him standing perfectly still beside the table, watching her. Something in his expression made her hastily drop her hands, and the spell was broken, but the effect of that warmly intimate look in his eyes was vibrantly, alarmingly alive, and the full import of the risk she was taking by being here made Elizabeth begin to quake inside. She did not know this man at all; she’d only met him hours ago; and yet even now he was watching her with a look that was much too…personal. And possessive.
Judith McNaught (Almost Heaven (Sequels, #3))
They told me the drugs would take away the pain. They told me the drugs would help me sleep. They are wrong. The pain of losing Damien hasn't gone away. And I hardly ever sleep. There's a part of me that wishes I could close my eyes and shut out the world, but I can't. I can't because I know behind my eyelids, I'll see him. He'll be there looking so fresh and alive. His skin will be vibrant with color, his blue blue eyes sparkling. He'll flash me his radiant smile and for a few minutes, I'll actually believe that he didn't die. I'll believe it and then I wake up to discover that my mind is torturing me with what could have been and I lose control of my emotions. I scream. Sob. Hug my knees to my chest. Rock back and forth. Tug at my hair. I pace the length of my shoebox room and throw myself into the padded white walls. I pray for someone or something to come along and take the pain away. I pray for someone or something to erase my memory so that I'll never have to think of Damien again. And so that I'll never have to live with the painful reminder that I am the reason he died. Damien died for me. And for love. And I'm not quite sure what else. Maybe to prove a point.
Lauren Hammond (White Walls (Asylum, #2))
Lady Merritt Sterling was a vibrantly attractive woman with large, dark eyes, a wealth of lustrous sable hair, and a flawless porcelain complexion. Unlike her two sisters, she had inherited the shorter, stockier frame of the Marsden side instead of the slender build of her mother. Similarly, she had her father's square-shaped face and determined jaw instead of her mother's delicate oval one. However, Merritt possessed a charm so compelling that she eclipsed every other woman in the vicinity, no matter how beautiful. Merritt focused on whomever she was talking to with a wealth of sincere interest, as if she or he were the only person in the world. She asked questions and listened without ever seeming to wait for her turn to talk. She was the guest everyone invited when they needed to blend a group of disparate personalities, just as a roux would bind soap or sauce into velvety smoothness. It was no exaggeration to say that every man who met Merritt fell at least a little in love with her. When she had entered society, countless suitors had pursued her before she'd finally consented to marry Joshua Sterling, an American-born shipping magnate who had taken up residence in London.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The painting was so vibrant and alive with summertime that it seemed to fill the entire room with light. It depicted a small town on a summer day, and the people going about various tasks and activities. Over here was a picnic and happy children playing games, over there a postman delivering letters and chatting with a woman in curlers who was touching her hair in a way that suggested she was quite fond of the postman. Two boys in overalls and a young girl in a gingham dress were fishing by a stream beneath a big oak tree. A country church stood quietly at the end of town as if watching over all the people who would surely be sitting in its pews come Sunday morning.
Bobby Underwood (Atelier: A Romantic Fantasy)
At length, she gave up on the pulling and pushing, and went straight to her last resort. Pleading. Big, brown calf's eyes implored him for mercy. Little did she know, this was the least likely tactic to work. Logan wasn't a man to be moved by tender emotion. However, he was a man- and he wasn't unmoved by a pretty face. What with all her exertions, he was starting to see a flush of color on her cheeks. And an intriguing spark of mystery behind those wide, dark eyes. This lass didn't belong in gray. With that dark hair and those rosy lips, she belonged in vibrant color. Deep Highland greens or sapphire blue. His own smile took him by surprise. She was going to look bonny wearing his plaid.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
towheads, the older one only slightly darker. He was looking at a picture of Anders with his arms around his wife and in that photo they were not much older than children themselves. There were pictures of birds, too, a group of prairie chickens standing in a field, an eastern bluebird so vibrant it appeared to have been Photoshopped. Anders took a lot of pictures of birds. Karen pulled off her hat and pushed her straight pale hair behind her ears. The flush that had been in her cheeks from the momentary burst of cold had faded. “This isn’t good news, right?” she said, twisting the rings on her finger, the modest diamond and the platinum band. “I’m glad to see you but I can’t imagine you’re just dropping by to say hello.” And for a split second Marina felt the slightest surge of relief. Of course she would know. Even if she hadn’t heard she would know in that way a soul knows. Marina wanted so badly to put her arms around Karen then,
Ann Patchett (State of Wonder)
So I explained to him what the Old One had told me. The process of braiding hair is like a prayer, he said. Each of the three strands in a single braid represents many things. In one instance they might represent faith, honesty and kindness. In another they might be mind, body and spirit, or love, respect and tolerance. The important thing, he explained, was that each strand be taken as representative of one essential human quality. As the men, or the women, braided their hair they concentrated or meditated on those three qualities. Once the braid was completed the process was repeated on the other side. Then as they walked through their day they had visible daily reminders of the human qualities they needed to carry through life with them. The Old One said they had at least about twenty minutes out of their day when they focused themselves entirely on spiritual principles. In this way, the people they came in contact with were the direct beneficiaries of that inward process. So braids, he said, reflected the true nature of Aboriginal people. They reflected a people who were humble enough to ask the Creator for help and guidance on a daily basis. They reflected truly human qualities within the people themselves: ideals they sought to live by. And they reflected a deep and abiding concern for the planet, for life, their people and themselves. Each time you braid your hair, he told me, you become another in a long line of spiritually based people and your prayer joins the countless others that have been offered up to the Creator since time began. You become a part of a rich and vibrant tradition. As the young boy listened I could see the same things going on in his face that must have gone on in my own. Suddenly, a braid became so much more than a hairstyle or a cultural signature. It became a connection to something internal as well as external - a signpost to identity, tradition and self-esteem. The words Indian, Native and Aboriginal took on new meaning and new impact.
Richard Wagamese (Richard Wagamese Selected: What Comes From Spirit)
She reached up to trace the firm, tempting curve of his lips with her fingertip. "I'm back to myself now," she told him. "I'm not going to be silly anymore." As Rhys glanced down at her quizzically, she tried to look solemn, but she couldn't help breaking into giggles. "I'm s-serious," she insisted. He didn't argue, only began to kiss her nose and cheeks and throat. Helen squirmed, more giggles slipping out. "That tickles." Her fingers slid into his beautiful hair, the locks thick and vibrant, like heavy black satin. His lips lingered at a tender place beneath her jaw until the nerves thrummed with excitement. Clumsily she guided his head, maneuvering his mouth to hers, and he obliged her with lazy, sensuous patience. She relaxed, moving easily with him as he turned to set his back against the counter, his arms wrapped safely around her. His head moved over hers, one of his hands coming up to support the back of her neck, massaging even though there was no more pain or tension, and she arched against him, purring in her enjoyment. It was heavenly to be clasped in the embrace of her magnificent lover...
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Yeah,” Steiner said. “Anyway, it looks to me like the building’s out of perspective—it’s too big where it is.” The old man nodded. “But it’s a necessary cheat. Otherwise nothing would show but the roof. As for the fallen pillar and statue, forget them—they wouldn’t be visible at all.” She didn’t care about the background; all of her attention was fixed upon the painting’s central figure. At the top of the hill, turned to look down at the ruins of the temple so anyone viewing the picture could only see her back, was a woman. Her hair was blonde, and hung down her back in a plait. Around one of her shapely upper arms—the right—was a broad circle of gold. Her left hand was raised, and although you couldn’t see for sure, it looked as if she was shading her eyes. It was odd, given the thundery, sunless sky, but that was what she appeared to be doing, just the same. She was wearing a short dress—a toga, Rosie supposed—which left one creamy shoulder bare. The garment’s color was a vibrant red-purple. It was impossible to tell what, if anything, she was wearing on her feet; the grass that she was standing in came almost up to her knees, where the toga ended.
Stephen King (Rose Madder)
One night, having spent a few days in peaceful solitude with my thoughts, I walked under the stars and along the cobbled streets and an idea crept all over me like arresting, vibrant blooms of wisteria. I don’t need a dazzlingly charismatic musician to write a line about me in a song. I don’t need a guru to tell me things about myself I think I don’t know. I don’t need to cut all my hair off because a boy told me it would suit me. I don’t need to change my shape to make myself worthy of someone’s love. I don’t need any words or looks or comments from a man to believe I’m visible; to believe I’m here. I don’t need to run away from discomfort and into a male eyeline. That’s not where I come alive. Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I’m bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event and the backing singers. And if this is it, if this is all there is – just me and the trees and the sky and the seas – I know now that that’s enough. I am enough. I am enough.
Dolly Alderton (Everything I Know About Love)
Legs? Check. I am five foot seven, after all. They’re slender but not too skinny. I run every morning, so my legs have always been slightly muscled, but in a feminine way — at least I hope they look feminine; bulky is not a word I’d want someone to use. I think the not too short, but short enough to still be very stylish, pleated and thickly cuffed navy blue shorts show my legs off nicely. My cork and white wedges with a cute little bow at each ankle are the perfect finishing touch. A simple dove-gray ribbed tank completes the outfit and hugs my curves. Maybe there is something to Mel’s theory after all.  My golden-blonde hair is sun-kissed in the summer, and its soft waves cascade to the middle of my back. I usually have it up, but tonight Melanie insisted that I leave it down and wavy. I let her play Barbie, and I can’t say I hate it. The real show-stopper, though, is my eyes. They’re a bright, vibrant green. They look almost fake, but as I lean into the mirror to get a closer look, I catch small little flecks of gold around the outside that I know no contact lens could replicate. I have always loved my eyes. I have my mother’s eyes. I’ve seen them in the few pictures I have from my childhood. Even if my eyes were the murkiest, dingiest, dullest brown, I still would have loved them, as long as they were my mother’s. It’s really the only thing I have left of her.  I gave in on the hair and let Melanie have a field day, but I insisted on keeping my makeup simple — a soft pale pink blush, clear lip gloss, and a light dusting of gold eye shadow is all I need. A quick swipe of some mascara, and the look is complete.
Melissa Collins (Let Love In (Love, #1))
Drowning in guilt and fear and desire, she tried to push his caressing hand away from her throat. His fingers delved into her hair with a grip just short of painful. His mouth was close to hers. He was surrounding her, all the strength and force and maleness of him, and she closed her eyes as her senses went quiet and dark in helpless waiting. "I'll make you tell me," she heard him mutter. And then she was kissing her. Somehow, Beatrix thought hazily, Christopher seemed to be under the impression she would find his kisses so objectionable that she would confess anything to make him desist. She couldn't think how he had come by such a notion. In fact, she couldn't really think at all. His mouth moved over hers in supple, intimate angles, until he found some perfect alignment that made her weak all over. She reached around his neck to keep from dropping bonelessly to the floor. Gathering her closer into the hard support of his body, he explored her slowly, the tip of his tongue stroking, tasting. Her body listed more heavily against his as her limbs became weighted with pleasure. She sensed the moment when his anger was eclipsed by passion, desire changing to white-hot need. Her fingers sank into his beautiful hair, the shorn locks heavy and vibrant, his scalp hot against her palms. With each inhalation, she drew in more of his fragrance, the trace of sandalwood on warm male skin. His mouth slid from hers and dragged roughly along her throat, crossing sensitive places that made her writhe. Blindly turning her face, she rubbed her lips against his ear. He drew in a sharp breath and jerked his head back. His hand came to her jaw, clamping firmly. "Tell me what you know," he said, his breath searing her lips. "Or I'll do worse than this. I'll take you here and now. Is that what you want?" As a matter of fact ...
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Jack stared at me. He had big blue eyes that were at war with the blue in his hair for attention—vibrant, sparkling, crystalline. His face? Defined cheekbones, full lips, straight nose and a strong jaw. In fact, I hadn’t really looked that close at him before, but he was kind of hot, if you could get past the whole punk thing (which for the record, wasn’t my thing at all).” --Jen
Nessie Strange (Living Dead Girl (Living Dead World #1))
Jack stared at me. He had big blue eyes that were at war with the blue in his hair for attention—vibrant, sparkling, crystalline. His face? Defined cheekbones, full lips, straight nose and a strong jaw. In fact, I hadn’t really looked that close at him before, but he was kind of hot, if you could get past the whole punk thing (which for the record, wasn’t my thing at all). --Jen
Nessie Strange (Living Dead Girl (Living Dead World #1))
Gerry reached up to smooth a bit of that snowy mane. The strands slipped through his fingers like silk to reveal a witch's mark, a spiral of olive-green stones that seemed to be a part of Ghost’s very forehead, shining against the translucent skin. Gerry had seen such marks before, peculiar glyphs burned into a witch's skin in vibrant jewel-tone inks to offer protection or enhance their power, or so the witches claimed. This was the first time he had seen actual jewels used, though. He thought it was beautiful, exotic like all of Ghost, with that white hair and those ice blue eyes. Gerry returned to admiring the peaceful face resting on his shoulder.
Morwen Navarre (Ghost's Sight (Ghost's Sight #1))
Charlotte’s disheveled blond head was buried in his chest. It took him too long, floating in the blissful aftermath, to realize that she was crying. Horror blasted his satisfaction to ash. He reared back and placed his hands on either side of her head, forcing her face up until he could see her eyes. “Mo leannan, mo chridhe, I’ve hurt you. I’m so sorry. I tried to be gentle, but you were like fire in my arms. I acted like a damn barbarian. Will you ever forgive me?” She regarded him with drenched eyes as a frown drew her brows together. “Ewan, what on earth are you talking about?” He dug his fingers into her thick, warm hair. “You’re crying,” he said flatly, sick with guilt. Her lips turned down in disapproval. “I suppose you expect me to tell you why.” “For God’s sake, just tell me I didn’t hurt you.” He leaned forward and traced kisses across her brow and down her temple where he felt the deep beat of her blood. “You didn’t.” Her hands encircled his wrists. “Well, a little. At first. But then…” “Thank heaven,” he breathed, kissing the salty moisture from her fluttering eyelashes. Under his wandering lips, he felt warmth flood her cheeks. “Then it was wonderful.” “Nonetheless you cried.” He drew back to stare into her face, trying to see past her beauty to what went on in her mind. “Are you lying to make me feel better?” She released a choked laugh and tried to avoid his gaze. “When have I ever tried to make you feel better?” “When have you ever cried?” “Oh, curse you, Ewan. Can’t you leave it alone?” With some difficulty, she tugged free and sat up. “Not when you’re unhappy.” He rose until he sat in front of her. She scowled. “You’re going to make me admit it, aren’t you?” By the second, guilt and worry faded. In their place came a great happiness that turned the whole world golden. “Admit what, Charlotte?” he asked, hoping like hell he hadn’t mistaken where she was going. She swallowed, her slender throat working. Her voice was low and vibrant with emotion. “I had no idea it could be like that. You made me feel things I never imagined were possible.” “Good things?” “Now you’re just looking for compliments.” “Charlotte,” he said warningly. Her lips curved. “Marvelous, wondrous, extraordinary things.” Lyle should be happy. After all, not long ago, the thought that she wouldn’t have him under any circumstances had tormented him. Hell, not much more than a day ago, she’d baulked at letting him into the house. Now she’d given him a promise of marriage and commended his lovemaking. He was a fool to want more, but for one luminous moment, he’d hoped she might declare her love. “It’s your first time,” he said in a gloomy voice. “I’m not surprised you’re feeling a wee bit floaty.” She stared hard at him. “First time or hundredth time, I believe it’s something remarkable between us that made it like that.” “Like what?” “Like the beauty tore my soul into pieces.” Her voice was husky. His heart crashed against his ribs at her confession. Surely that was enough. Why couldn’t he accept what she offered? She told him everything he wanted to hear—except the most important words of all. “That’s just pleasure.” She gave him the familiar unimpressed look. “I’m no expert, Ewan, but I’m pretty sure that pleasure alone wouldn’t make me cry.” She bit her lip, and her eyes deepened to dark honey. “Only love could make me cry.
Anna Campbell (Stranded with the Scottish Earl)
Right before you get out of the shower wet your hair down with cold water and it’ll close the cuticle, leaving your hair feeling smooth. Rinsing with cold water will also lock in the color to help your color stay fresh and vibrant.
Abby Smith (The Ultimate Hairstyle Handbook)
Because that’s what was important,” he continues. “She was bright and vibrant and she made people happy. Beauty fades, hair turns gray. Some people are lost before their time. But in the end, we don’t remember them for how they looked. We remember how they made us feel.
Shari L. Tapscott (Audette of Brookraven (Eldentimber, #4))
night before. His appreciation for the game had dropped markedly in recent years. He used the newspaper section mostly as a blind so that he could hold it up and appear to be reading while he was actually looking at Rachel. Other than the longer hair, she had changed little since he had last been with her. Still vibrantly attractive with an intangible sense of damage about her. It was in the eyes. They weren’t the hardened
Michael Connelly (Echo Park (Harry Bosch, #12; Harry Bosch Universe, #17))
When we add more panache to our lives, we feel more vibrant and alive. That confidence can’t help but spill out onto the world around us and attract new people, exciting opportunities, and good hair days. Who doesn’t want that?
Sheri Fink (InstaGrateful: Finding Your Bliss in a Social Media World)
Alexandra was a young, vibrant, beautiful woman. If she actively looked for a husband, he had no doubt she could snag any man she wanted. A vision of her twined in the arms of a healthy young man haunted him. A picture of them holding a tiny, auburn haired baby haunted him even more.
J.M. Madden (Embattled Ever After (Lost and Found #5))
Yeah I see,” Syn said quietly. Ro’s phone rang and he picked it up, giving Syn a couple of private minutes, which were needed because his heart was beating a mile a minute. The fates can’t be that cruel. To make the only man, no forget that; the only person that Syn had been interested in in over ten years a suspect in a murder case he was overseeing. On top of everything else, the man is married. This isn’t good. Ro disconnected his call and Syn asked him, “How soon before this one arrives?” “He’s already here in room five. You coming?” Ro asked, taking Furious’ file from his hands. “I’ll watch.” Syn walked beside Ro to the interrogation rooms. Then he thought better of it, and decided he needed to be honest with his men. They worked effectively together, but most of all they had each other's backs. Ro was a good man and Syn felt he could trust him. “Ro wait.” “What’s up?” Syn blew out a breath and scratched at the hair on top of his head, which was grown out enough that it was already starting to curl. “Syn what’s going on?” Ro looked genuinely concerned, his vibrant blue eyes staring intently at him. Syn looked back and forth as uniforms brushed passed them in the hall. Ro clasped a firm grip on Syn’s shoulder and ushered him into one of the vacant offices. “Talk to me man. You’re my Sarge but I consider you a friend first. That’s the way we operate. If you have a problem, then I have a fuckin’ problem, and so do twenty-one other men. But between you and me right now, what’s up?” Syn rubbed the back of his neck and tried to ease some of the tension there. “This guy Furious.” Ro shook his head indicating he was listening. “I’m kind of, um … we uh … he’s my,” Syn stuttered not quite finding the right words. “You know him and you like him,” Ro finished for him. Syn looked Ro in the eye. “Yeah, I like him.” Syn took a deep breath. “He’s the first him that I’ve liked in a very long time.” “I see.” Ro rubbed his hand over his cheek again. Syn knew the gesture meant Ro was thinking. “Shit’s all fucked up now. I can’t date a goddamn suspect, a married goddamn suspect.” “Hey whoa. We don’t know the situation with the marriage yet. The reasons I thought he could be a suspect? They might be easily explained away.” “You’re the one said you think he’s hiding something,” Syn argued. “Yes, I did. This guy is married, right? He leaves his husband in a way that makes the man file a missing persons on him, and then Furious changes his name, and not back to his birth name. It looks like he’s hiding from him, I just need to find out why.” Ro pulled a paper from the file. “This shows him making regular deposits to an account in a bank located in Los Angeles. The account is under a different name and has over ninety thousand dollars in it.” “So he stole his husband’s money and hauled ass in the middle of the night. Fuckin’ great.” Syn yanked the door open, ready to charge into interrogation room five and tell Furious he could go to hell. “Geez, hold on a minute, Sarge.” Ro grabbed his arm and pulled him back inside, slamming the door closed. “No wonder Day likes you so much. Both of you go off half-cocked all the fucking time. That money wasn’t stolen. It was life insurance proceeds from when his father died. He might’ve been hiding it from the husband. The contributions he’s been making since then have been small but frequent.” “He’s a porn star, Ronowski! I can’t date a damn porn star! Fucking other women and probably men. What the fuck?” Syn was yelling and pacing now. He knew it wasn’t fair to yell at Ro, but he was the only one there now.
A.E. Via
Day looked up and had to clutch the banister to keep from falling over. He saw him. Saw his soon-to-be husband. Standing there, larger than life. In a suit that hung from his broad shoulders the way every suit should fit a man. God looked down at him, his hair falling to the front. Day hadn’t seen it like that before. Luxurious and soft. Like he’d just come from a salon. It was tucked behind his ears, but thick, soft strands still fell forward as God smiled down at him. A smile most people didn’t get to see. He looked like he was just as relieved to see Day standing there. Genesis stood behind him with his hand on his shoulder the exact same way Jackson was supporting him. Day finally breathed when God began to descend the stairs. When he reached the bottom, Day saw God’s chest deflate like he’d been holding his breath. They stepped in to each other, needing the closeness, the reality of what they were about to do flooding their bodies with anticipation and nerves. God never looked into the room, didn’t glance around to see who was there. His vibrant green eyes stayed on him when he lifted Day’s hands and gently kissed his palm, pressing Day’s hand to his face. There were a few soft sighs from the room, but Day couldn’t look away. He ran his hand through God’s hair, feeling the silky strands ease through his fingers, not a tangle to be found. He looked amazing. “You’re
A.E. Via (Nothing Special V (Nothing Special, #5))
Don’t stop on my account.” I shrieked at the sound of Apollo’s voice and jerked back, tripping over my feet. Aiden caught my arm, steadying me before I face-planted the floor. “Gods,” I muttered, placing a hand over my pounding heart. I’d been so caught up in Aiden I hadn’t even sensed Apollo’s presence. Apollo sat on the edge of the bed, head cocked to the side, one leg crossed over the other. His blond hair was loose, framing a face that was eerily perfect. Vibrant blue eyes stared back at me instead of the creepy all-white eyes of a god. I was surprised that he remembered how much they freaked me out. Aiden recovered first, moving to stand in front of me. He stiffened at the sound of Apollo’s amused chuckle. “How did you get in here?” “The wards on the house faded about three hours ago. Luckily, none of the other gods have realized that and, for the most part, they don’t want Alex dead.” And then he tacked on, “…right at this moment.” I looked at him blandly. “Good to know.” “Maybe next time you’d want to knock?” Aiden suggested, relaxing a fraction of an inch. Apollo’s shoulders lifted. “Where is the fun in that?” But he stood, his head inclining to the side. “We need to talk, but both of you look like you’ve been wrestling in mud.” “We’ve been training,” I pointed out. “Like you suggested.” If he was grateful that we’d actually followed instructions, it didn’t show. “I will be waiting downstairs. Try not to take ten years.” With that, he simply blinked out of existence. A moment later, I heard a startled yelp downstairs. Glad we weren’t the only ones he liked to do that to. I slumped against the wall. “I think he took a few years off my life.” Aiden’s brow arched. “I still think we need to put a bell on him.” My lips twitched. “And I still think that’s a good idea
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Entrancing in a gown of vibrant green silk, Grace radiated femininity, but not the frail, tepid sort borne by so many of her sex. She was bold and colorful- her lush red hair providing a perfect foil for the crisp apple green of her dress. Looking over at her, his mouth watered at the thought of taking a big juicy bite.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
Grace. Her name whispered through Jack's mind like the silken stroke of a hand. He'd never seen her look as pretty as she did tonight, the vibrant bronze hue of her gown lending her skin a creamy luminosity, her hair gleaming a rich, fiery red that reminded him of living flame. And passion. He wondered if that same intense fire lay hidden inside her, and he relished the idea of finding out.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
Now, I regarded my opponent carefully, as if we were sitting across from each other over a chessboard. Zagaev had a round head, a double chin that his beard obscured pretty well and bristly hair that couldn’t decide to be gray or less gray. His age, duBois had reported, was only forty-three. His head was large, his pallor anemic. He nervously gripped and ungripped his hands every few seconds. I knew this only because I heard the tinkle of cuffs behind his back. He wore a thick gold chain around his neck and an amulet on which was an unlikely icon. I was pretty sure it was Tsar Alexander II, who I knew from my studies was a moderate reformer—by absolute-ruler standards—in mid-nineteenth-century Russia. Still, it was curious that a Chechnyan would choose this particular image. Zagaev’s clothes were expensive, more than I could afford, more than I wanted to. His suit was cut from vibrant blue silk, the color of the sky in a child’s fantasy book. His snakeskin shoes glittered in the jarring overhead light. His sweat was repulsive; I could smell body odor and onions from across the table. I
Jeffery Deaver (Edge)
You look beautiful.” And that was true. Tawny’s hair was twisted up with a few tight curls framing her face. Her lips matched her mask and gown, a deep and vibrant shade of red. The thin, sleeveless dress hugged her lithe form. She wasn’t just beautiful as she walked toward where I stood by the fireplace. She was confident and at ease with her body and herself, and I was in awe of her. “Thank you.” She straightened the material along her shoulder and then dropped her hand. “You look absolutely stunning, Poppy.” A flutter erupted in my chest and spread to my belly.
Jennifer L. Armentrout
Matthew?" Pure, sweet and with a joyous inflection that rang with disbelief and hope all at once, it floated above all other sounds. His eyes slid from the men waiting to hear his news to search for the lips bearing his name. In all his imaginings, he hadn't pictured her like this. A lush, pearly-haired goddess with rosy cheeks, vibrant, flashing eyes and laughing mouth made her way toward him, acknowledging those who would detain her, including some young rakes who reached out in yearning. She smiled them aside and with a mere touch of her slender fingers parted shoulders the way God did oceans. Her forest-green dress made her look like a sylvan goddess comes to play among the mortals.
Karen Brooks (The Chocolate Maker's Wife)
The comb,” she said, “is a symbol of the sea. If the ritual is performed properly, the comb is always made of whale bone and always decorated with water images.” She took the comb from me and set it on the boulder. She then lifted the mirror to reflect my face. I’d become toned from my work in the smithy. The sunlight overhead made my black hair shimmer blue and brought out the violet color of my eyes. Behind me, the forest glowed vibrant green. “A woman, and her womb, is all earth, but around her is all spirit, air. She is ready. She is all. She is the fertile land. Around her is the air of heaven. But her womb cannot grow without—” “Without seed…water,” I said. Epona lowered the mirror. “Land and sea. The mirror and the comb are fertility magic. They have nothing to do with beauty. They are a reflection of the two forces, male and female, that come together to bring life into the world, the land and sea merging to become one living force,” Epona said then turned and touched the stone. “Someone married here.” She reached out to touch the symbols. “In days long past, true love was pledged here. Long forgotten.
Melanie Karsak (Highland Raven (Celtic Blood #1))
As he began to strum his harp, he filled his mind with images of earth. Old crumbling stones and tangled grasses and wildflowers and weeds and saplings that put down deep roots, growing into mighty trees. The color of dirt, the scent of it. How it felt clutched in the hollow of one’s palm. The voice of branches swaying in the breeze, and the slope of the earth as it rose and fell, faithful and steady. Jack closed his eyes and began to sing. He didn’t want to see the spirits manifest, but he heard the grass hissing near his knees, and he heard the tree boughs groaning above him, and he heard the scratch of stone, as if two were being rubbed together. When he heard Adaira’s soft gasp, Jack opened his eyes. The spirits were forming themselves, gathering around him to listen. He played and sang and watched as the trees became maidens with long arms and hair made of leaves. The grass and pennywort knotted themselves into what looked to be mortal lads, small and green. The stones found their faces like old men waking from a long dream. The wildflowers broke their stems and gathered into the shape of a woman with long dark hair and eyes the color of honeysuckle, her skin purple as the heather that bloomed on the hills. Yellow gorse crowned her, and she waited beside the Earie Stone, whose face was still forming, craggy and ancient. As Jack played Lorna’s ballad he felt as if he was slowly sinking into the earth. His limbs were becoming heavy, and he drooped like a flower wilting beneath a fierce sun. It was like the sensation of falling asleep. He swore he saw daisies blooming from his fingertips, and every time he plucked his strings the petals broke away but regrew just as swiftly. And his ankles…he couldn’t move them, the tree roots had begun to take hold of him. His hair was turning into grass, green and long and tangled, and as the song ended he struggled to remember who he was, that he was mortal, a man. Someone was coming to him, bright as a fallen star, and he felt her hands on his face, blissfully cold. “Please,” the woman said, but not to him. She beseeched the wildflower spirit with her long dark hair and crown of vibrant gorse. “Please, this man belongs to me. You cannot claim him.” “Why, mortal woman,” one of the pennywort lads said from the ground, his words raspy as summer hay falling to a scythe. “Why did you sit so far away from him? We thought he sang to be taken by us.” Jack snapped out of the haze. Adaira was kneeling beside him, her hand shifting to his arm. He was stricken to see that he had truly been turning into the earth—grass, flowers, and roots. His harp clattered from his tingling hands; he struggled to breathe as he watched his body return to him. “He is mine, and he played to bring you forth by my command,” Adaira said calmly. “I long to speak to you, spirits of the earth.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
I studied myself, and he released me, shaking my hair with his right hand. The casual gesture of affection coupled with his dazzling appearance-the vibrant eyes, the exquisitely proportional features-entranced me even as the trance endured by Goblin slowly wore away.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
She was everything I had ever wanted to be and so much more. What with her sparkly eyes and animated, gesticulated hands, her beautiful blonde hair cascading down gracefully like silk and her eyes so electric and cheeks the colour of rose. Vivacious and vibrant though she was in her innate talent at being able to hold a conversation with anyone, she loved and prized being alone paramount to being besieged.
Aliza S. (the poppy fields near the French countryside)
Striking black-and-white photographs of a vibrant young woman with long, straight hair and a cello in her embrace.
Kate Morton (The Clockmaker's Daughter)
She looks young - too young really to be here - with a round face framed with short auburn hair and luminous opal-green irises. Their shade is the exact color of the fields outside our village, rich and vibrant after the monsoon rains, and I return her smile, fighting the stab of homesickness that shoots through me.
Natasha Ngan (Girls of Paper and Fire (Girls of Paper and Fire, #1))
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Saad Jalal Toronto Canada
I remember a little girl,” I say, my voice ragged and worn. I don’t even recognize it. I watch as Sydney pauses her steps, turning to face me, her eyes a vibrant sea of awe and wonder. “That was you?” She nods, a gesture that is slow and timid as she tucks a gilded strand of hair behind one ear. I’m unable to determine if her expression is pained or joyful. Her voice shakes when a query floats over to me from across the room. “You remember me?” “I thought I created you.” Sydney’s unease seems to wash away at my words and her body relaxes, a smile blooming to life. “I’ve always been here.
Jennifer Hartmann (Lotus)
As soon as I click on the last photo, the screen fills with the image of a drugged woman, and it’s like I’ve just been punched in the chest. Everything else disappears except for her. She’s barely able to keep her eyes open, but the deep, vibrant blue of them is impossible to miss. Her long, dark hair is loose, falling around her shoulders, and there’s something about her that seems so small, so fragile, so fucking innocent that it makes me want to kill every motherfucker in the place for daring to drag her into this.
Sonja Grey (Paved in Venom (Melnikov Bratva Book 2))
There was something magnetic about this girl. Something so vibrant he didn’t want to look away. The dark night was powerless against the constant burning of her hair, and he thought it must feel like caressing the sun.
Natalie C. Parker (Stormbreak (Seafire, #3))
So,” Roland says, rolling it off his tongue until that one little word sounds obscene. “What’s my punishment for peeping?” No words. None. This man makes my blood boil. He leaves me torn between punching him smack in the jaw and telling him to go back to hell—or else doing something so rotten I’m sure it means jail time. I’m paralyzed with choices. Finally, my hand decides for me. I square my jaw, stretch up on my toes, and—while he locks up, staring at me with wide eyes—grasp a fistful of his hair, and yank. I’m not trying to make him bald or anything. I just want to make a point. But I’m not expecting the way his breath catches. The way he goes stock-still with a vibrant intensity, and a faint, rough sound catches in the back of his throat. Something that sounds like pleasure. His eyes close, the expression on his face searing into my head—until I realize what I’m doing and just how insane he’s made me. Snatching my hand back, I retreat a step, struggling to catch my breath. Roland’s eyes drift open slowly, lingering in a slow, searching burn. “Interesting. I had no idea you were so kinky, Miss Landry,” he whispers. Oh. Oh, frick. I’ve done it now.
Nicole Snow (Damaged Grump)
Hey, suit guy!" The man bellowed. Chris bit back the urge to yell. He turned, expecting to be confronted by a hand held out for money. What he saw was a pair of enormous eyes, the same color as the spring sky, set in a face with high cheekbones and a delicate chiseled jaw. The man's short, spiked hair was dyed a vibrant purple, making his creamy pale skin glow. Letting his gaze shift downward in a sudden still silence, Chris took in the sleek, sculpted muscles under the snug green t-shirt, the faded jeans molded to slim hips and thighs. He'd never in his life's seen anyone so beautiful.
Ally Blue (Love's Evolution)
When Predator sailed into war, she sang. The rapid winds and rising shrieks suddenly blended into a single harmonious tone. Lines in the rigging and the yards and the masts themselves quivered in time, and began giving off their own notes of music, in harmony with one another. As the speed increased, the chord rose and rose, and built and built, until it reached a crescendo of pure, eerie, inhuman fury. Grimm felt the music rise around him, felt the ship straining eagerly to her task, and his own heart raced in fierce exultation in time with her. Every line of the ship, every smudge upon her decks, every stain upon the leathers of his aeronauts leapt into his mind in vibrant detail. He could feel the ship's motion, forward and down, could feel the wind of her passage, could feel the rising terror of his crew. One of the men screamed--one of them always did--and then the entire crew joined in with Predator, shrieking their battle cries together with their ship's. The ship would not fail them--Grimm knew it; he felt it, the way he could feel sunlight on his face or the rake of wind in his hair.
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
Yeah, either that or he's going to put two in the back of my fuckin' head. A few minutes later, I see headlights coming around the bend and feel my balls tighten instantly in response. He's here. Shit. “Get a grip,” I mutter to myself. “He can't kill you. Otherwise he gets nothing.” It's something I've repeated to myself a million times already. And even now, after saying it one million and one times, it doesn't make me feel one iota better. Trujillo is a wild card. He's unpredictable and I never know what he's going to do, let alone what he’s thinking. He very well could decide that I’m more trouble than it’s worth. That he'll eat the money I owe him just to wash his hands of me. I just don't know. And it's that uncertainty that has my balls climbing up into my throat. The black SUV pulls into the rest stop, as I’m trying to avoid comparing the sound of gravel crunching beneath the tires with the sound my bones would make beneath those same tires. The SUV pulls to a stop in front of me and the driver cuts the lights. After being nearly blinded by the headlights, it takes my eyes a minute to re-adjust to the darkness. I hear the door open. Blinking away the spots, I watch as the driver walks around to the rear door and opens it. Gabriel Trujillo steps out of the vehicle and makes his way over to me. His dark hair is slicked back, and his thick beard neatly trimmed. The dark designer suit is well-fitted to his frame, with a vibrant blue pocket square, complete with matching tie - providing the only bit of color. Trujillo looks the part of a respectable businessman. He's anything but respectable though. Gabriel Trujillo is the head of one of the most notorious, violent, and brutal drug cartels in Mexico. Like most of the cartels, he's expanded his business operations into the U.S., moving drugs, guns, and girls. He's also eliminating his competitors along the way. The mass graves that seem almost commonplace south of the border these days, have been cropping up in places like Arizona and New Mexico. Recently, a couple had even been found in southern Colorado.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
Early twenties, he could have been a twin to Sterling or Brax, all shining golden hair and vibrant blue eyes, with a slim athletic build in a perfectly-tailored suit. He would have looked like a young Greek God if not for the petulant sneer on his face.
Ivy Layne (Stolen Heart (The Hearts of Sawyers Bend, #1))
My eyes are drawn to her. Compelled by the vibrant green that seems to spark a wild forest within them, and I can't help but notice how her hair, an unruly cascade of curls, sits atop her head like a wild, untamed crown. Desire, unwanted yet undeniable, flows through me, a current driven by the sheer force of her presence. It’s an ache, a longing to reach out, to forget the blood and violence, if just for a second.
Leila Matthews (Tangled In Vengeance (Sinfully Corrupt Series Book 1))
Whoever had painted this had talent, capturing the somber expressions of Ione, Rhahar, and then Rhain, the God of Common Men and Endings often depicted in Atlantia. The red hair of Aios, the Goddess of Love, Fertility, and Beauty, was as vibrant as fire, not having faded in the years since the ceiling was painted. Penellaphe, the Goddess of Wisdom, Loyalty, and Duty, appeared peaceful and serene, while Bele, the Goddess of the Hunt, looked as I imagined she would if awake: like she was about to whack someone across the head with her bow. Even the different shades of skin, from the rich-brown-hued Theon, the God of Accord and War, and his twin, Lailah, the Goddess of Peace and Vengeance, to the deeper, cooler black skin of Saion, the God of Sky and Soil, were rendered with exquisite detail.
Jennifer L. Armentrout (A Soul of Ash and Blood (Blood and Ash, #5))
The dress is modest, with long sleeves, but it hugs her figure to perfection. That rich blue against her creamy skin and vibrant hair is far more eye-catching than any amount of bare flesh could be.
Sophie Lark (Bloody Heart (Brutal Birthright, #4))