“
Jessamine flushed. "I do not. I mean, I did not. I mean--ugh! Charlotte, Will's being vexing."
"And the sun has come up in the east," said Jem, to no one in particular.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Jessamine flushed. "Ugh! Charlotte, Will's being vexing."
"And the sun has come up in the east," said Jem to no one in particular.
...
"And the sun comes up in the WEST," said Will, who had apparently heard Jem's earlier comment.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Charlotte, Will’s being
vexing.'
'And the sun has come up in the east,'
said Jem, to no one in particular.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
The rain set early in tonight,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its best to vex the lake:
I listened with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneeled and made the cheerless grate
Blaze up and all the cottage warm;
”
”
Robert Browning
“
Oh no, not -'
OF COURSE, WHAT'S SO BLOODY VEXING ABOUT THE WHOLE BUSINESS IS THAT I WAS EXPECTING TO MEET THEE IN PSEPHOPOLOLIS
'But that's five hundred miles away!'
YOU DON'T HAVE TO TELL ME, THE WHOLE SYSTEM'S GOT SCREWED UP AGAIN, I CAN SEE THAT. LOOK, THERE'S NO CHANCE OF YOU-?
Rincewind backed away, hands spread protectively in front of him...
'Not a chance!'
I COULD LEND YOU A VERY FAST HORSE.
'No!'
IT WON'T HURT A BIT.
'No!' Rincewind turned and ran. Death watched him go, and shrugged bitterly.
”
”
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
“
Language, at least, may give up the secrets of life and death, leading us through the maze to the original Word as monster or angel, to the mournful place where we may meet Job and hear his cry, 'How long will you vex my soul and break me in pieces with words?
”
”
Janet Frame
“
Betterment is perpetual labor. The world is chaotic, disorganized, and vexing, and medicine is nowhere spared that reality. To complicate matters, we in medicine are also only human ourselves. We are distractible, weak, and given to our own concerns. Yet still, to live as a doctor is to live so that one's life is bound up in others' and in science and in the messy, complicated connection between the two It is to live a life of responsibility. The question then, is not whether one accepts the responsibility. Just by doing this work, one has. The question is, having accepted the responsibility, how one does such work well.
”
”
Atul Gawande (Better: A Surgeon's Notes on Performance)
“
A lotta good things about you, honey. One of them is that Ethan’s pickin’ up your vocabulary. Swear to Christ, before Conner took him to school today, he said he was vexed about something and if I got it right, he used it right seein’ as he was annoyed.
”
”
Kristen Ashley (The Will (Magdalene, #1))
“
Everyone, remain calm,” she announced. “I’m about to blow some shit up.” “Nay!” Vex shouted from the pilothouse. “We’ve a kid here now, all right?” “Sorry. I’m about to chaotically rearrange some shit up.” “That wasn’t the problem—” Vex started to say at the same moment Lu cried, “Don’t—
”
”
Sara Raasch (These Rebel Waves (Stream Raiders, #1))
“
Some people will still find a way to create a fire with wet logs.
”
”
Anthony Liccione
“
Malcolm Fade smiled. “Welcome, little Shadowhunters. Few of your kind ever see the inner chambers of Hypatia Vex.”
“Is she welcome, I wonder?” asked Hypatia, with a catlike smile. “Let her approach.”
Cordelia and Matthew advanced together, Cordelia moving cautiously around the rococo chairs and tables, gleaming with gilt and pearls. Close up, the pupils of Hypatia Vex’s eyes were the shape of stars: her warlock mark. “I cannot say I care for the idea of so many Nephilim infesting my salon. Are you interesting, Cordelia Carstairs?”
Cordelia hesitated.
“If you have to think about it,” said Hypatia, “then you’re not.”
“That hardly makes sense,” said Cordelia. “Surely if you do not think, you cannot be interesting.”
Hypatia blinked, creating the effect of stars turning off and on like lamps. Then she smiled. “I suppose you may stay a moment.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
The core predicament of medicine - the thing that makes being a patient so wrenching, being a doctor so difficult, and being a part of society that pays the bills they run up so vexing - is uncertainty. With all that we know nowadays about people and diseases and how to diagnose and treat them, it can be hard to see this, hard to grasp how deeply uncertainty runs. As a doctor, you come to find, however, that the struggle in caring for people is more often with what you do not know than what you do. Medicine's ground state is uncertainty. And wisdom - for both the patients and doctors - is defined by how one copes with it.
”
”
Atul Gawande (Complications: A Surgeon's Notes on an Imperfect Science)
“
My God." He pushed away from the bedpost. "Friends! And do you fall into bed with any man who's 'dear' to you? How am I to take that?"
"Of course I don't." She stood up, letting the knotted scarf slip away. "I can't seem to help myself. With you. About that. It's extremely vexing."
"You're quite right on that count," he said sullenly. "I'm damned vexed. I'd like to vex you right here on the floor, in fact. And the idea of Sturgeon vexing you is enough to dispose me to murder. Is that clear? Do you comprehend me?" He took a reckless stride toward her and caught her chin between his fingers. "I'm not your friend, my lady. I'm your lover.
”
”
Laura Kinsale (Lessons in French)
“
We assume success is about being famous, rich
and owning expensive things. But if you’ve pulled
yourself out of a dark place, that’s a great success in
itself. Don’t forget that you’re winning each day you
don’t give up and you make it through to the next.
”
”
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
“
As we drew nearer we could see that the three men fishing seemed old and solemn-looking men. They sat on three chairs in the punt and watched intently their lines. And the red sunset threw a mystic light upon the waters and tinged with fire the towering woods and made a golden glory of the piled-up clouds. It was an hour of deep enchantment of ecstatic hope and longing. The little sail stood out against the purple sky the gloaming lay around us wrapping the world in rainbow shadows and behind us crept the night.
We seemed like knights of some old legend sailing across some mystic lake into the unknown realm of twilight unto the great land of the sunset.
We did not go into the realm of twilight we went slap into that punt where those three old men were fishing. We did not know what had happened at first because the sail shut out the view but from the nature of the language that rose up upon the evening air we gathered that we had come into the neighbourhood of human beings and that they were vexed and discontented.
”
”
Jerome K. Jerome
“
A beast is just what you want. A big, dark medieval brute to throw you to the ground, tear the clothes from your body, and have his wicked way with you. I know I’m right. I haven’t forgotten how excited you were in the aftermath of that blast."
The nerve of him!
How could he tell?
She lifted her chin. "Well, I haven't forgotten the sound you made when I first touched your brow. It wasn't even a moan, it was more like . . . like a whimper."
He made a dismissive sound. "Oh yes. A plaintive, yearning whimper. Because you want an angel. A sweet, tender virgin to hold you and stroke you and whisper precious promises and make you feel human."
"That's absurd," he scoffed. "You're just begging to be taught a hard, fast lesson in what it means to please a man."
"You're just longing to put your head in my lap and feel my fingers in your hair.
He backed her up against a rock. "You need a good ravaging."
"You," she breathed, "need a hug."
They stared at each other for long, tense moments. At first, looking each other in the eye. Then looking each other in the lips. "You know what I think?" he said, coming closer. So close she could feel his breath wash warm against her cheek. "I think we’re having one of those vexing arguments again."
"The kind where both sides are right?"
"Hell, yes."
And this time, when they kissed, they both made that sound. That deep, moaning, yearning, whimpering sound.
That sound that said yes.
And at last.
And you are exactly what I need.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Strategic girls manage perception; idealistic girls go up against the narrative, because it’s at the root of the problem, and they get crushed every time.
”
”
Carina Chocano (You Play the Girl: And Other Vexing Stories That Tell Women Who They Are)
“
All love is bittersweet. Love is inexplicable; it is part poetry and part masochism. Part of love is the loss of self-control because one must openly surrender their sense of an exclusive self to the manic powers of love. The personal act of surrender to a lover leaves one vulnerable to entanglement in a maze of emotions. When we fall in love, our lover’s happiness and well-being assumes the primary role in our mind, they become copilots of our souls. When we are in love for the first time, we feel what it means to become a complete person; we identify who we are by seeing our reflection in our lover’s eye; and we sense what we might become when infused with love. When our lover leaves us, we feel vexed and vacant because we recognize that they took up such a large part of what made us feel intoxicated with life. When our lover abandons us, we lose our sense of self; we temporarily cease to exist as a whole person, and we must reconstruct the shattered remnants of oneself in the wake of a love lost.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Anna held up a small black-bound memorandum book. Cordelia hadn’t even seen her retrieve it. They strode out of the bedroom, Anna waving the book over her head in triumph. “This,” she announced, “will hold the answers to all our questions.”
Matthew looked up, his eyes fever-bright. “Is this your list of conquests?”
“Of course not,” Anna declared. “It’s a memorandum book… about my conquests. That is an important but meaningful distinction.”
Anna flipped through the book. There were many pages, and many names written in a bold, sprawling hand.
“Hmm, let me see. Katherine, Alicia, Virginia—a very promising writer, you should look out for her work, James—Mariane, Virna, Eugenia—”
“Not my sister Eugenia?” Thomas nearly upended his cake.
“Oh, probably not,” Anna said. “Laura, Lily… ah, Hypatia. Well, it was a brief encounter, and I suppose you might say she seduced me.…”
“Well, that hardly seems fair,” said James. “Like someone solving a case before Sherlock Holmes. If I were you I would feel challenged, as if to a duel.”
Matthew chuckled. Anna gave James a dark look. “I know what you’re trying to do,” she said.
“Is it working?” said James.
“Possibly,” said Anna, regarding the book. Cordelia couldn’t help but wonder: Was Ariadne’s name in there? Was she considered a conquest now, or something—someone—else?
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
We assume success is about being famous, rich and owning expensive things.
But if you’ve pulled yourself out of a dark place, that’s a great success in itself.
Don’t forget that you’re winning each day you don’t give up and you make it through to the next.
”
”
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
“
Vex shook her head when the man picked up his bow and, whistling a jaunty tune, started making his way down.
”
”
Marieke Nijkamp (Critical Role: Vox Machina--Kith & Kin)
“
Crip up or grip up … Criptum vexo vel carpo vex.
”
”
Paul Beatty (The Sellout)
“
I hope, that in the days, and weeks, and years to come, the question of where the dividing lines between adult and children’s fiction really are, and why they blur so, and whether we truly need them—and who, ultimately, books are for—will rise up in your mind when you least expect it to, and vex you, as you also are unable, in an entirely satisfactory manner, to answer it.
”
”
Neil Gaiman
“
Moshup made this island He dragged his toe through the water and cut this land from the mainland." He went on then, with much animation, to relate a fabulous tale of giants and whales and shape-shifting spirits. I let hi speak, because I did not want to vex him, but also because I liked to listen to the story as he told it, with expression and vivid gesture. Of course, I thought it all outlandish. But... it came to me that our story of a burning bush and a parted sea might also seem fabulous, to one not raised up knowing it was true.
”
”
Geraldine Brooks (Caleb's Crossing)
“
First of all, he asked Miss Lucas. I was so vexed to see him stand up with her! But, however, he did not admire her at all; indeed, nobody can, you know; and he seemed quite struck with Jane as she was going down the dance.
”
”
Jane Austen (Pride and Prejudice)
“
First of all, he asked Miss Lucas. I was so vexed to see him stand up with her! But, however, he did not admire her at all; indeed, nobody can, you know; and he seemed quite struck with Jane as she was going down the dance. So he inquired who she was, and got introduced, and asked her for the two next. Then the two third he danced with Miss King, and the two fourth with Maria Lucas, and the two fifth with Jane again, and two sixth with Lizzy and the Boulanger -"
"If he had ha any compassion for me," cried her husband impatiently, "he would not have danced half so much! For God's sake, say no more of his partners. O that he had sprained his ankle in the first dance!
”
”
Jane Austen (Pride and Prejudice)
“
Evil Hall had been transformed into a magnificent ballroom, glittering with green tinsel, black balloons, thousands of green-flamed candles, and a spinning chandelier streaking wall murals with emerald bursts of light. Around a towering ice sculpture of two entwined snakes, Hort and Dot stumbled through a waltz, Anadil wrapped her arms around Vex, Brone tried not to step on Mona's green feet, and Hester and Ravan swayed and whispered as more villainous couples waltzed around them. Ravan's bunk mates picked up the music on reed violins as more pairs flooded onto the floor, clumsy, bashful, but aglow with happiness, dancing beneath a spangled banner:
THE 1ST ANNUAL VILLAINS "NO BALL
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
Whether one calls slime molds, fungi, and plants “intelligent” depends on one’s point of view. Classical scientific definitions of intelligence use humans as a yardstick by which all other species are measured. According to these anthropocentric definitions, humans are always at the top of the intelligence rankings, followed by animals that look like us (chimpanzees, bonobos, etc.), followed again by other “higher” animals, and onward and downward in a league table—a great chain of intelligence drawn up by the ancient Greeks, which persists one way or another to this day. Because these organisms don’t look like us or outwardly behave like us—or have brains—they have traditionally been allocated a position somewhere at the bottom of the scale. Too often, they are thought of as the inert backdrop to animal life. Yet many are capable of sophisticated behaviors that prompt us to think in new ways about what it means for organisms to “solve problems,” “communicate,” “make decisions,” “learn,” and “remember.” As we do so, some of the vexed hierarchies that underpin modern thought start to soften. As they soften, our ruinous attitudes toward the more-than-human world may start to change. The second field of research that has guided me in this inquiry concerns the way we think about the microscopic organisms—or microbes—that cover every inch of the planet. In the last four decades, new technologies have granted unprecedented access to microbial lives. The outcome? For your community of microbes—your “microbiome”—your body is a planet. Some prefer the temperate forest of your scalp, some the arid plains of your forearm, some the tropical forest of your crotch or armpit. Your gut (which if unfolded would occupy an area of thirty-two square meters), ears, toes, mouth, eyes, skin, and every surface, passage, and cavity you possess teem with bacteria and fungi. You carry around more microbes than your “own” cells. There are more bacteria in your gut than stars in our galaxy. For humans, identifying where one individual stops and another starts is not generally something we
”
”
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
“
All relationships require work. They require endless communication and tremendous understanding, and they can be very challenging. But while giving up isn’t always the answer, sometimes you have to walk away, especially when you lose your sense of self.
”
”
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
“
The rain set early in tonight,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listened with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneeled and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side
And called me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread, o'er all, her yellow hair,
Murmuring how she loved me — she
Too weak, for all her heart's endeavor,
To set its struggling passion free
From pride, and vainer ties dissever,
And give herself to me forever.
But passion sometimes would prevail,
Nor could tonight's gay feast restrain
A sudden thought of one so pale
For love of her, and all in vain:
So, she was come through wind and rain.
Be sure I looked up at her eyes
Happy and proud; at last l knew
Porphyria worshiped me: surprise
Made my heart swell, and still it grew
While I debated what to do.
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string l wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without a stain.
And l untightened next the tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss:
I propped her head up as before,
Only, this time my shoulder bore
Her head, which droops upon it still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorned at once is fled,
And I, its love, am gained instead!
Porphyria's love: she guessed not how
Her darling one wish would be heard.
And thus we sit together now,
And all night long we have not stirred,
And yet God has not said aword!
”
”
Robert Browning (Robert Browning's Poetry)
“
We did not know what had happened at first, because the sail shut out the view, but from the nature of the language that rose up upon the evening air, we gathered that we had come into the neighbourhood of human beings, and that they were vexed and discontented.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
After this Daisy was never at home, and Winterbourne ceased to meet her at the houses of their common acquaintances, because, as he perceived, these shrewd people had quite made up their minds that she was going too far. They ceased to invite her, and they intimated that they desired to express observant Europeans the great truth that, though Miss Daisy Miller was a young American lady, her behaviour was not representative - was regarded by her compatriots as abnormal. Winterbourne wondered how she felt about all the cold shoulders that were turned towards her, and sometimes it annoyed him to suspect that she did not feel at all. He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon her ostracism or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible little organism a defiant, passionate, perfectly observant consciousness of the impression she produced. He asked himself whether Daisy's defiance came from the consciousness of innocence or from her being, essentially, a young person of the reckless class. It must be admitted that holding oneself to a belief in Daisy's "innocence" came to see Winterbourne more and more a matter of fine-spun gallantry. As I have already had occasion to relate, he was angry at finding himself reduced to chopping logic about this young lady; he was vexed at his want of instinctive certitude as to how far her eccentricities were generic, national, and how far they were personal. From either view of them he had somehow missed her, and now it was too late.
”
”
Henry James (Daisy Miller)
“
The car came opposite her, and she curtsied so low that recovery was impossible, and she sat down in the road. Her parasol flew out of her hand and out of her parasol flew the Union Jack. She saw a young man looking out of the window, dressed in khaki, grinning broadly, but not, so she thought, graciously, and it suddenly struck her that there was something, beside her own part in the affair, which was not as it should be. As he put his head in again there was loud laughter from the inside of the car.
Mr. Wootten helped her up and the entire assembly of her friends crowded round her, hoping she was not hurt.
"No, dear Major, dear Padre, not at all, thanks," she said. "So stupid: my ankle turned. Oh, yes, the Union Jack I bought for my nephew, it's his birthday to-morrow. Thank you. I just came to see about my coke: of course I thought the Prince had arrived when you all went down to meet the 4.15. Fancy my running straight into it all! How well he looked."
This was all rather lame, and Miss Mapp hailed Mrs. Poppit's appearance from the station as a welcome diversion. . . . Mrs. Poppit was looking vexed.
”
”
E.F. Benson (Miss Mapp (Lucia, #2))
“
And consider this which is near to thee, this boundless abyss of the past and of the future in which all things disappear. How then is he not a fool who is puffed up with such things or plagued about them and makes himself miserable? for they vex him only for a time, and a short time. Think
”
”
Marcus Aurelius (Meditations)
“
I was thinking that it was regrettable that your tastes have grown canalized so young. There it
was, raining soup-and you were caught without a spoon. Even three days of what you were
offered-urged on you!-would have been something to treasure when you reach my age. And you, you
young idiot, let jealousy chase you away! Believe me, at your age I would have gone Eskimo in a big
way, thankful that I had been given a free pass instead of having to attend church and study Martian to
qualify. I'm so vicariously vexed that my only consolation is the sour one that I know you will live to
regret it. Age does not bring wisdom, Ben, but it does give perspective . . . and the saddest perspective
of all is to see far, far behind you, the temptations you've passed up. I have such regrets myself but all of
them are as nothing to the whopper of a regret I am happily certain you will suffer.
”
”
Robert A. Heinlein
“
Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables Complete Series Book 1))
“
Theodora had an impressive vocabulary, which can be charming if it is used at a convenient time. But if you are in a great hurry and someone uses something like “skip tracer,” which you are unlikely to understand, then an impressive vocabulary is quite irritating. Another way of saying this is that it is vexing. Another way of saying this is that it is annoying. Another way of saying this is that it is bothersome. Another way of saying this is that it is exasperating. Another way of saying this is that it is troublesome. Another way of saying this is that it is chafing. Another way of saying this is that it is nettling. Another way of saying this is that it is ruffling. Another way of saying this is that it is infuriating or enraging or aggravating or embittering or envenoming, or that it gets one’s goat or raises one’s dander or makes one’s blood boil or gets one hot under the collar or blue in the face or mad as a wet hen or on the warpath or in a huff or up in arms or in high dudgeon, and as you can see, it also wastes time when there isn’t any time to waste.
”
”
Lemony Snicket
“
Unhealthy relationships drain all the goodness out of us. We give everything to someone who just won’t match our efforts and willingness to try. We empty our love bank to make them feel wealthier, while we become broke. We give ourselves up to someone who doesn’t respect us enough to treat us well in return.
”
”
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
“
Man’s conquest of Nature turns out, in the moment of its consummation, to be Nature’s conquest of Man. Every victory we seemed to win has led us, step by step, to this conclusion. All Nature’s apparent reverses have been but tactical withdrawals. We thought we were beating her back when she was luring us on. What looked to us like hands held up in surrender was really the opening of arms to enfold us for ever. If the fully planned and conditioned world (with its Tao a mere product of the planning) comes into existence, Nature will be troubled no more by the restive species that rose in revolt against her so many millions of years ago, will be vexed no longer by its chatter of truth and mercy and beauty and happiness. Ferum victorem cepit: and if the eugenics are efficient enough there will be no second revolt, but all snug beneath the Conditioners, and the Conditioners beneath her, till the moon falls or the sun grows cold.
”
”
C.S. Lewis (The Abolition of Man)
“
Richard Wright and his Negro intellectual colleagues never realized the plain truth that no one in the United States understood the revolutionary potential of the Negro better than the Negro's white radical allies. They understood it instinctively, and revolutionary theory had little to do with it. What Wright could not see was that what the Negro's allies feared most of all was that this sleeping, dream-walking black giant might wake up and direct the revolution all by himself, relegating his white allies to a humiliating second-class status. The negro's allies were not about to tell the Negro anything that might place him on the path to greater power and independence in the revolutionary movement than they themselves had. The rules of the power game meant that unless the American Negro taught himself the profound implications of his own revolutionary significance in America, it would never be taught to him by anybody else. Unless the Negro intellectuals understood that in pursuit of this self-understanding, they would have to make their own rules, by and for themselves, nationalism would forever remain--as it was for Wright-- "a bewildering and vexing question.
”
”
Harold Cruse
“
Ah, had I not taken my life up and given
All that life gives and the years let go,
The wind and honey, the balm and leaven,
The dreams reared high and the hopes brought low?
Come life, come death, not a word be said;
Should I lose you living, and vex you dead?
I never shall tell you on earth; and in heaven,
If I cry to you then, will you hear or know?
”
”
Algernon Charles Swinburne
“
Among such persons are those women who transform themselves into just that function of a man that is but weakly developed in him, and then become his purse, or his politics, or his social intercourse. Such beings maintain themselves best when they insert themselves in an alien organism; if they do not succeed they become vexed, irritated, and eat themselves up.
”
”
Friedrich Nietzsche
“
In the end—as in the beginning—it is the authentic performance of the Beatles’ peculiar, elaborate, unfettered art that matters. It is the performance that makes the text possible in the first place, that imbues it with the heartbreaking reality of our transitory existence. It is the impermanence of the moment—rendered seemingly permanent by magnetic tape and celluloid—that is so vexing in its realness that it somehow seems immutable. Take the rooftop concert, with London’s blustery, wintry winds swirling up from the streetscape as John, Paul, George, and Ringo make one last play for greatness after a month of soul-destroying misery. They climbed the stairs above 3 Savile Row and willed a final, breathtaking performance for the ages. It is the primal image of the Beatles having become lost in the pure joy of their sound, just as they had done so many years before in the Cavern and not so very long ago in Studio Two. Everything else—the gossip, the intrigue, the emotional collapse—suddenly becomes moot, irrelevant even, as Ringo keeps the backbeat strong and true on his Ludwigs, while George furrows his brow as he drives his Rosewood Telecaster home. And John and Paul, smiling at each other across the staves of memory, play their hearts out one more time. The rest is silence.
”
”
Kenneth Womack (Long and Winding Roads: The Evolving Artistry of the Beatles)
“
No sketches first, no studies, that's long past:
I do what many dream of, all their lives,
--Dream? strive to do, and agonize to do,
And fail in doing. I could count twenty such
On twice your fingers, and not leave this town,
Who strive--you don't know how the others strive
To paint a little thing like that you smeared
Carelessly passing with your robes afloat,--
Yet do much less, so much less, Someone says,
(I know his name, no matter)--so much less!
Well, less is more, Lucrezia: I am judged.
There burns a truer light of God in them,
In their vexed beating stuffed and stopped-up brain,
Heart, or whate'er else, than goes on to prompt
This low-pulsed forthright craftsman's hand of mine.
Their works drop groundward, but themselves, I know,
Reach many a time a heaven that's shut to me,
Enter and take their place there sure enough,
Though they come back and cannot tell the world.
”
”
Robert Browning (Men and Women)
“
A dream woke me," Arctor said. "A religious dream. In it there was this huge clap of thunder, and all of a sudden the heavens rolled aside and God appeared and His voice rumbled at me-what the hell did He say?-oh yeah. 'I am vexed with you, my son' He said. He was scowling. I was shaking, in the dream, and looking up, and I said, 'What'd I do now, Lord?' And He said, 'You left the cap off the toothpaste tube again.' And then I realized it was my ex-wife.
”
”
Philip K. Dick (A Scanner Darkly)
“
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation"
As some fond virgin, whom her mother’s care
Drags from the town to wholesome country air,
Just when she learns to roll a melting eye,
And hear a spark, yet think no danger nigh;
From the dear man unwillingly she must sever,
Yet takes one kiss before she parts for ever:
Thus from the world fair Zephalinda flew,
Saw others happy, and with sighs withdrew;
Not that their pleasures caused her discontent,
She sighed not that They stayed, but that She went.
She went, to plain-work, and to purling brooks,
Old-fashioned halls, dull aunts, and croaking rooks,
She went from Opera, park, assembly, play,
To morning walks, and prayers three hours a day;
To pass her time ‘twixt reading and Bohea,
To muse, and spill her solitary tea,
Or o’er cold coffee trifle with the spoon,
Count the slow clock, and dine exact at noon;
Divert her eyes with pictures in the fire,
Hum half a tune, tell stories to the squire;
Up to her godly garret after seven,
There starve and pray, for that’s the way to heaven.
Some Squire, perhaps, you take a delight to rack;
Whose game is Whisk, whose treat a toast in sack,
Who visits with a gun, presents you birds,
Then gives a smacking buss, and cries – No words!
Or with his hound comes hollowing from the stable,
Makes love with nods, and knees beneath a table;
Whose laughs are hearty, tho’ his jests are coarse,
And loves you best of all things – but his horse.
In some fair evening, on your elbow laid,
Your dream of triumphs in the rural shade;
In pensive thought recall the fancied scene,
See Coronations rise on every green;
Before you pass th’ imaginary sights
Of Lords, and Earls, and Dukes, and gartered Knights;
While the spread fan o’ershades your closing eyes;
Then give one flirt, and all the vision flies.
Thus vanish scepters, coronets, and balls,
And leave you in lone woods, or empty walls.
So when your slave, at some dear, idle time,
(Not plagued with headaches, or the want of rhyme)
Stands in the streets, abstracted from the crew,
And while he seems to study, thinks of you:
Just when his fancy points your sprightly eyes,
Or sees the blush of soft Parthenia rise,
Gay pats my shoulder, and you vanish quite;
Streets, chairs, and coxcombs rush upon my sight;
Vexed to be still in town, I knit my brow,
Look sour, and hum a tune – as you may now.
”
”
Alexander Pope
“
Upon entering, my first thought is “what the fuck” when I see the number of brothers has increased dramatically and my next is “oh fuck” they are not going to play fair. Vex is leaning up against the bar that Petey is sitting at, Pooh is standing near Axel in the center of the room, Fang is on a couch with a beer in his hand, two prospects are pretending to be playing pool and a few more brothers are scattered around the tables and seats in the main room. All eyes are on Ava.
”
”
Lola Wright (Gunner (The Devil's Angels MC, #1))
“
Take these torture devices off me! I beg of you!” he cries. And like the good guy I am, I grab his shirt and pull it up, exposing his toned stomach. “Not my shirt!” “Oh! I thought you meant your clothes,” I say. “Sorry, ladies, false alarm.
”
”
Alice Winters (How to Vex a Vampire (VRC: Vampire Related Crimes, #1))
“
Herdsmen, I say, but they call themselves the good and just. Herdsmen, I say, but they call themselves the believers in the orthodox belief. Behold the good and just! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the lawbreaker:--he, however, is the creator. Behold the believers of all beliefs! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the law-breaker--he, however, is the creator. Companions, the creator seeketh, not corpses--and not herds or believers either. Fellow-creators the creator seeketh--those who grave new values on new tables. Companions, the creator seeketh, and fellow-reapers: for everything is ripe for the harvest with him. But he lacketh the hundred sickles: so he plucketh the ears of corn and is vexed. Companions, the creator seeketh, and such as know how to whet their sickles. Destroyers, will they be called, and despisers of good and evil. But they are the reapers and rejoicers. Fellow-creators, Zarathustra seeketh; fellow-reapers and fellow-rejoicers, Zarathustra seeketh: what hath he to do with herds and herdsmen and corpses! And thou, my first companion, rest in peace! Well have I buried thee in thy hollow tree; well have I hid thee from the wolves. But I part from thee; the time hath arrived. 'Twixt rosy dawn and rosy dawn there came unto me a new truth. I am not to be a herdsman, I am not to be a grave-digger. Not any more will I discourse unto the people; for the last time have I spoken unto the dead. With the creators, the reapers, and the rejoicers will I associate: the rainbow will I show them, and all the stairs to the Superman. To the lone-dwellers will I sing my song, and to the twain-dwellers; and unto him who hath still ears for the unheard, will I make the heart heavy with my happiness. I make for my goal, I follow my course; over the loitering and tardy will I leap. Thus let my on-going be their down-going!
”
”
Friedrich Nietzsche (The Works of Friedrich Nietzsche)
“
There was a fancy came,
When somewhere, in the journey with my friend,
We stepped into a hovel to get food;
And there began a yelp here, a bark there,—
Misunderstanding creatures that were wroth
And vexed themselves and us till we retired.
The hovel is life: no matter what dogs bit
Or cats scratched in the hovel I break from,
All outside is lone field, moon and such peace—
Flowing in, filling up as with a sea
Whereon comes Someone, walks fast on the white,
Jesus Christ's self, Don Celestine declares,
To meet me and calm all things back again.
”
”
Robert Browning (The Ring and the Book)
“
Classical scientific definitions of intelligence use humans as a yardstick by which all other species are measured. According to these anthropocentric definitions, humans are always at the top of the intelligence rankings, followed by animals that look like us (chimpanzees, bonobos, etc.), followed again by other “higher” animals, and onward and downward in a league table—a great chain of intelligence drawn up by the ancient Greeks, which persist one way or another to this day. Because these organisms don’t look like us or outwardly behave like us—or have brains—they have traditionally been allocated a position somewhere at the bottom of the scale. Too often, they are thought of as the inert backdrop to animal life. Yet many are capable of sophisticated behaviors that prompt us to think in new ways about what it means for organisms to “solve problems,” “communicate,” “make decisions,” “learn,” and “remember.” As we do so, some of the vexed hierarchies that underpin modern thought start to soften. As they soften, our ruinous attitudes toward the more-than-human world may start to change.
”
”
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
“
Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!”
“They seem to have already left.”
She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression.
“I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.”
“Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?”
His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it.
No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility.
“Ahem.” She crossed her arms over her chest, abruptly aborting his mission.
“It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.”
“We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“
“Summerfield? You didn’t say Summerfield.”
Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge.
She was tall for a woman. He liked his women tall.
“I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?”
Her brow creased. “What business do you have with Sir Lewis Finch?”
“Men’s business, love. The specifics needn’t concern you.”
“Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Dear Eloisa (said I) there’s no occasion for your crying so much about such a trifle. (for I was willing to make light of it in order to comfort her) I beg you would not mind it – You see it does not vex me in the least; though perhaps I may suffer most from it after all; for I shall not only be obliged to eat up all the Victuals I have dressed already, but must if Henry should recover (which however is not very likely) dress as much for you again; or should he die (as I suppose he will) I shall still have to prepare a Dinner for you whenever you marry any one else. So you see that tho perhaps for the present it may afflict you to think of Henry’s sufferings, yet I dare say he’ll die soon and then his pain will be over and you will be easy, whereas my Trouble will last much longer for work as hard as I may, I am certain that the pantry cannot be cleared in less than a fortnight
”
”
Jane Austen (Love and Freindship (and Other Early Works))
“
I grab it and look up at him while one hundred percent pretending it’s a microphone. “Can you give me an alternate pronunciation of the word?” “I’m going to kick your ass so hard,” he growls as he pulls me into a headlock. How this went from an innocent yet very sexy blow job to MMA, I’ll never know.
”
”
Alice Winters (How to Vex a Vampire (VRC: Vampire Related Crimes, #1))
“
I am above the forest region, amongst grand rocks & such a torrent as you see in Salvator Rosa's paintings vegetation all a scrub of rhodos. with Pines below me as thick & bad to get through as our Fuegian Fagi on the hill tops, & except the towering peaks of P. S. [perpetual snow] that, here shoot up on all hands there is little difference in the mt scenery—here however the blaze of Rhod. flowers and various colored jungle proclaims a differently constituted region in a naturalist's eye & twenty species here, to one there, always are asking me the vexed question, where do we come from?
[Letter to Charles Darwin 24 Jun 1849]
”
”
Joseph Dalton Hooker (Life and Letters of Sir Joseph Dalton Hooker O.M., G.C.S.I. (Cambridge Library Collection - Botany and Horticulture))
“
A big slice of the strange, a zap to the synaptic net, the shock of unending Otherness moistened with meaning, special stinks, grace notes, blaring daylight that illuminated without instructing. A marathon that addicted.
To wake up from cold sleep and go into that, fresh from the gewgaws and flashy bubble gum of techno-Earth, was – well, a consummation requiring digestion.
She could see that Redwing worried at this, could not let it go. Neither could she. Vexing thoughts came, flying strange and fragrant through her mind, but they were not problems, no. They were the shrapnel you carried, buried deep, wounds from meeting the strange.
”
”
Gregory Benford (Shipstar (Bowl of Heaven, #2))
“
I have to conclude, after fifteen years of philosophical inquiry, soaking up the finest minds in history, from Aristotle to Plato to Nietzsche to Zizek, after months spent pondering the most vexing conundrums ever devised by humankind, I have to conclude, that in the final analysis, life ain’t nuttin but money an’ fuck a bitch.
”
”
M.J. Nicholls (Trimming England)
“
The Toys
My little Son, who look'd from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobey'd,
I struck him, and dismiss'd
With hard words and unkiss'd,
—His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darken'd eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-vein'd stone,
A piece of glass abraded by the beach,
And six or seven shells,
A bottle with bluebells,
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I pray'd
To God, I wept, and said:
Ah, when at last we lie with trancèd breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou'lt leave Thy wrath, and say,
'I will be sorry for their childishness.
”
”
Coventry Patmore
“
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?"
Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again.
"Hello," Skulduggery said, speaking loudly to be heard over the alarm.
"Hi," said the man. "The door's locked."
"Is it?"
"Yes."
"That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?"
There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?"
Skulduggery tilted his head. "Who am I speaking with?"
"This is Oscar Nightfall."
"Are you sure?"
"What?"
"Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know."
Oscar Nightfall sounded puzzled. Who are you?"
"Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?"
"What's your name? Give me you name."
"No. It's mine."
"Tell me your name!"
"My name is Oscar Nightfall."
"What? No it isn't. That's my name."
"Is it? Since when?"
"Since I took it!"
"You didn't ask me if you could take it. I was using it first."
"Open this door immediately."
"I don't have the key."
"I'll fetch the Cleavers."
"I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go."
Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
”
”
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
“
I loved him not; and yet, now he is gone,
I feel I am alone.
I check’d him while he spoke; yet, could he speak,
Alas! I would not check.
For reasons not to love him once I sought,
And wearied all my thought
To vex myself and him: I now would give
My love could he but live
Who lately lived for me, and, when he found
’Twas vain, in holy ground
He hid his face amid the shades of death.
I waste for him my breath
Who wasted his for me! but mine returns,
And this lorn bosom burns
With stifling heat, heaving it up in sleep,
And waking me to weep
Tears that had melted his soft heart: for years
Wept he as bitter tears.
Merciful God! such was his latest prayer,
These may she never share.
Quieter is his breath, his breast more cold,
Than daisies in the mould,
Where children spell, athwart the churchyard gate,
His name and life’s brief date.
Pray for him, gentle souls, whoe’er you be,
And oh! pray too for me!
”
”
Walter Savage Landor
“
Yes. But do you have to KEEP all these things, and clean them and clean them, like this, every day? Couldn't you give them to somebody, or throw them away?"
"Throw—these—things—away!" With a wild sweep of her arms, the horrified woman seemed to be trying to encompass in a protective embrace each last endangered treasure of mat and tidy. "Boy, are you crazy? These things are—are valuable. They cost money, and time and—and labor. Don't you know beautiful things when you see them?"
"Oh, yes, I love BEAUTIFUL things," smiled David, with unconsciously rude emphasis. "And up on the mountain I had them always. There was the sunrise, and the sunset, and the moon and the stars, and my Silver Lake, and the cloud-boats that sailed—"
But Mrs. Holly, with a vexed gesture, stopped him.
"Never mind, little boy. I might have known—brought up as you have been. Of course you could not appreciate such things as these. Throw them away, indeed!" And she fell to work again; but this time her fingers carried a something in their touch that was almost like the caress a mother might bestow upon an aggrieved child.
”
”
Eleanor H. Porter (Just David)
“
But I need living companions, who will follow me because they want to follow themselves—and to the place where I will. A light hath dawned upon me. Not to the people is Zarathustra to speak, but to companions! Zarathustra shall not be the herd's herdsman and hound! To allure many from the herd—for that purpose have I come. The people and the herd must be angry with me: a robber shall Zarathustra be called by the herdsmen. Herdsmen, I say, but they call themselves the good and just. Herdsmen, I say, but they call themselves the believers in the orthodox belief. Behold the good and just! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the lawbreaker:—he, however, is the creator. Behold the believers of all beliefs! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the law-breaker—he, however, is the creator. Companions, the creator seeketh, not corpses—and not herds or believers either. Fellow-creators the creator seeketh—those who grave new values on new tables. Companions, the creator seeketh, and fellow-reapers: for everything is ripe for the harvest with him. But he lacketh the hundred sickles: so he plucketh the ears of corn and is vexed. Companions, the creator seeketh, and such as know how to whet their sickles. Destroyers, will they be called, and despisers of good and evil. But they are the reapers and rejoicers.
”
”
Friedrich Nietzsche (Thus Spake Zarathustra: A Book for All and None - Illustrated)
“
Do you know how to play?” I asked.
Hannah gave me one of her vexed looks. “Goodness, Andrew, if it weren’t for me you wouldn’t know the first thing about marbles. Your brain is a regular sieve these days.”
I tapped my forehead to remind her I’d been sick. She looked so contrite I felt guilty. “Will you teach me all over again?”
Hannah poured her marbles onto the quilt and sighed. Without raising her eyes, she said, “Girls my age are supposed to be ladies, but sometimes I get mighty tired of trying to be what I’m not.”
Cradling an aggie almost as shiny as Andrew’s red bull’s-eye, she cocked her head, studied her targets, and shot. The aggie hit a glass marble and sent it spinning off the bed. Hannah grinned and tried again.
When all the marbles except the aggie were scattered on the floor, Hannah seized my chin and tipped my face up to hers. Looking me in the eye, she said, “If you promise not to tell a soul, I’ll give you as many lessons as you want. No matter what Papa thinks, I’d rather play marbles than be a lady, and that’s the truth.”
“Ringer,” I said sleepily. “Do you know how to play ringer?”
Hannah ruffled my hair. “You must be pulling my leg, Andrew. That’s what we always play. It’s your favorite game.”
I yawned. “Starting tomorrow, we’ll practice every day till I get even better than I used to be.”
“When I’m finished with you, you’ll be the all-time marble champion of Missouri.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
out with him again, that he may not be in Bingley's way." Elizabeth could hardly help laughing at so convenient a proposal; yet was really vexed that her mother should be always giving him such an epithet. As soon as they entered, Bingley looked at her so expressively, and shook hands with such warmth, as left no doubt of his good information; and he soon afterwards said aloud, "Mrs. Bennet, have you no more lanes hereabouts in which Lizzy may lose her way again to-day?" "I advise Mr. Darcy, and Lizzy, and Kitty," said Mrs. Bennet, "to walk to Oakham Mount this morning. It is a nice long walk, and Mr. Darcy has never seen the view." "It may do very well for the others," replied Mr. Bingley; "but I am sure it will be too much for Kitty. Won't it, Kitty?" Kitty owned that she had rather stay at home. Darcy professed a great curiosity to see the view from the Mount, and Elizabeth silently consented. As she went up stairs to get ready, Mrs. Bennet followed her, saying: "I am quite sorry, Lizzy, that you should be forced to have that disagreeable man all to yourself. But I hope you will not mind it: it is all for Jane's sake, you know; and there is no occasion for talking to him, except just now and then. So, do not put yourself to inconvenience." During their walk, it was resolved that Mr. Bennet's consent should be asked in the course of the evening. Elizabeth reserved to herself the application for her mother's. She could not determine how her mother would take it; sometimes doubting whether all his wealth and grandeur would be enough to overcome her abhorrence of the man. But whether she were violently set against the
”
”
Jane Austen (Pride and Prejudice)
“
Brandishing a green mallet, Hannah grinned at John. “We’ll take sides. You and me against Andrew and Theo.”
Hannah went first. Theo and I watched her knock her ball through the first two wickets and aim for the third. She missed and stepped back to let Theo take his turn.
I leaned on my mallet and waited. It had taken me a while to understand the game, but once I learned the rules, I’d become a pretty good strategist. As soon as I had the opportunity, I planned to knock John’s ball clear off the court, maybe all the way into the poison ivy at the bottom of the hill.
In a few minutes, I saw my chance. My ball rolled through a wicket and hit his. To keep mine steady, I put my foot on it and whacked my ball hard enough to drive John’s into the poison ivy.
“It’s dead,” I crowed. “I got you!”
Hannah gave me one of her vexed looks. Turning to John, she said, “I swear he’s getting more like his old self every day.”
At the same moment, Buster went tearing into the poison ivy and emerged with the ball in his mouth. Waging his tail proudly, he ran off with it. He’d lost Mrs. Armiger’s hat, but he wasn’t going to give up the ball. Ignoring our commands to drop it, he dashed under the rose trellis and disappeared behind the hedge.
“Drat,” Hannah said. “That stupid dog must have buried a dozen croquet balls by now.”
I glanced at John, hoping he’d be a bad sport. Maybe he’d say I cheated. Maybe he’d say it wasn’t fair. Maybe he’d disgrace himself by refusing to play. Instead, he slapped my back and said, “Well, it looks like you’ll win this game, Andrew.”
Hannah glowed with admiration. Frank Merriwell himself couldn’t have been a finer gentleman.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
With global advances in technology, our society is becoming more engrossed in personal gadgets than in the world around them. We hold our phones more than we hold real conversations, and each other. We’re so busy looking down at screens and engaging in digital interactions that we forget about the environment around us. It seems people would rather experience an event through a camera than use their eyes to enjoy what’s in front of them. Concert audiences are lit up by the shimmering of phone screens. This isn’t to say that we shouldn’t capture mementos of these precious times. But living through a screen prevents us from being present in the moment. As we continue to distract ourselves from the present moment, we become more anxious, fearful and stressed. Worries overwhelm us in our everyday lives because we’re now conditioned to live elsewhere, rather than right here. What’s more, we ignore the people around us and our personal relationships pay the price. This is often why we feel distressed, disconnected and lost. Our vibration is lowered because we feel like we’re in some imagined situation that doesn’t match up with our lived reality. We relive moments of the past, fear the future and create obstacles in our minds. We devote creative energy to destructive ideas – and this invites turmoil into our lives. Now is the only time you have. Once your past is gone, it doesn’t exist, no matter how many times you recreate it mentally. The future hasn’t even arrived; but again, you keep taking yourself there mentally. Tomorrow comes disguised as today and some of us don’t even notice. Nothing is more valuable than the present moment because you can never get it back.
”
”
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
“
How he confuted the philosophers by healing certain vexed with demons 80. 'And these signs are sufficient to prove that the faith of Christ alone is the true religion. But see! You still do not believe and are seeking for arguments. We however make our proof not in the persuasive words of Greek wisdom as our teacher has it, but we persuade by the faith which manifestly precedes argumentative proof. Behold there are here some vexed with demons;'—now there were certain who had come to him very disquieted by demons, and bringing them into the midst he said—'Do you cleanse them either by arguments and by whatever art or magic you choose, calling upon your idols, or if you are unable, put away your strife with us and you shall see the power of the Cross of Christ.' And having said this he called upon Christ, and signed the sufferers two or three times with the sign of the Cross. And immediately the men stood up whole, and in their right mind, and immediately gave thanks unto the Lord. And the philosophers, as they are called, wondered, and were astonished exceedingly at the understanding of the man and at the sign which had been wrought. But Antony said, 'Why marvel ye at this? We are not the doers of these things, but it is Christ who works them by means of those who believe in Him. Believe, therefore, also yourselves, and you shall see that with us there is no trick of words, but faith through love which is wrought in us towards Christ; which if you yourselves should obtain you will no longer seek demonstrative arguments, but will consider faith in Christ sufficient.' These are the words of Antony. And they marvelling at this also, saluted him and departed, confessing the benefit they had received from him.
”
”
Athanasius of Alexandria (The Life of Saint Anthony)
“
I have spent a vexing half-hour scrapping with Fräulein Engel over the pen nib, which I swear I did not bend on purpose the first time. It is true that it spared me having to continue for a good long while but it did not move things along for that harpy to straighten it out against my teeth when I could have easily done it myself against the table. It is also true that it was stupid of me to bend it out of shape again, on purpose, the second she handed it back to me. Then she had to show me SEVERAL TIMES how, when she was at school, the nurse would use a pen nib to make a pinprick for a blood test.
I don’t know why I bent the stupid thing again. It is so easy to wind Miss Engel up. She always wins; but only because my ankles are tied to my chair.
Well, and also because at the end of every argument she reminds me of the deal I made with a certain officer of the Gestapo, and I collapse.
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
Horty had a theory about motivation. He told me that a lot of motivation could be boiled down to this: How bad do you want it? He would ask people, "What's the furthest you can run without stopping?" After they replied whatever distance, he followed up with "Could you run a mile further if I gave you a million dollars? What if I was running behind you holding a gun to your head, could you run even further?"
He said, "It's easy to say you want it real bad when you're sitting at home on the couch. But when the going gets tough, do you want it enough?"
We often think we can't go any farther and feel like we have nothing left to give, yet there is a hidden potential and strength in all of us, begging us to find it. We arrive at it via different means---something reward, sometimes fear. There was something to Horty's motivational theory, and finding that desire was the most vexing problem. How bad did I want it?
”
”
Scott Jurek (North: Finding My Way While Running the Appalachian Trail)
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I’ve long wanted to meet you. Only it’s too bad we’ve met so sadly …” Kolya would have liked very much to say something even more ardent, more expansive, but something seemed to cramp him. Alyosha noticed it, smiled, and pressed his hand. “I’ve long learned to respect the rare person in you,” Kolya muttered again, faltering and becoming confused. “I’ve heard you are a mystic and were in the monastery. I know you are a mystic, but … that didn’t stop me. The touch of reality will cure you … With natures like yours, it can’t be otherwise.” “What do you mean by ‘a mystic’? Cure me of what?” Alyosha was a little surprised. “Well, God and all that.” “What, don’t you believe in God?” “On the contrary, I have nothing against God. Of course God is only a hypothesis … but … I admit, he is necessary, for the sake of order … for the order of the world and so on … and if there were no God, he would have to be invented,”1 Kolya added, beginning to blush. He suddenly fancied that Alyosha might be thinking he wanted to show off his knowledge and prove how “adult” he was. “And I don’t want to show off my knowledge at all,” Kolya thought indignantly. And he suddenly became quite vexed. “I’ll admit, I can’t stand entering into all these debates,” he snapped. “It’s possible to love mankind even without believing in God, don’t you think? Voltaire did not believe in God, but he loved mankind, didn’t he?” (“Again, again!” he thought to himself.) “Voltaire believed in God, but very little, it seems, and it seems he also loved mankind very little,” Alyosha said softly, restrainedly, and quite naturally, as if he were talking to someone of the same age or even older than himself. Kolya was struck precisely by Alyosha’s uncertainty, as it were, in his opinion of Voltaire, and that he seemed to leave it precisely up to him, little Kolya, to resolve the question.
”
”
Fyodor Dostoevsky (The Brothers Karamazov: A Novel in Four Parts With Epilogue)
“
So Christiana went to speak to Dicky about taking us out and about, but when she found him in the office, the idiot was dead."
Daniel bit his lip at her vexed tone. There was absolutely no grief in her voice at all, just irritation with the inconvenience of it all. But then George had never been one to inspire the finer feelings in those he encountered. Clearing his throat, he asked, "Did he fall and strike his head, or-"
"No.He was simply sitting in his chair dead," she said with exasperation, and then added with disgust, "He was obviously a victim of his own excess. We suspected his heart gave out. Certainly the glass and decanter of whiskey next to him suggested he didn't take the best care of himself. I ask you,who drinks hard liquor first thing in the morning?"
Daniel shook his head, finding it difficult to speak. She was just so annoyed as she spoke of the man's death, as if he'd deliberately done it to mess up her plans. After a moment, he asked, "Are you sure he is dead?"
Suzette gave him another one of those adorable "Don't be ridiculous" looks. "Well, obviously he isn't. He is here now," she pointed out, and then shook her head and added almost under her breath, "Though I could have sworn...The man didn't even stir when he fell off the chair and slammed his head on the floor. Nor when I dropped him and his head crashed to the hardwood floor again, or when we rolled him in the carpet and dragged him upstairs, or when we dropped him in the hall and he rolled out of the carpet, or-"
"Er," Daniel interrupted, and then coughed into his hand to hide a laugh, before asking, "Why exactly were you carting him about in a carpet?"
"Well,don't be dense," she said with exasperation. "We couldn't let anyone know he was dead, could we?"
"Couldn't you?" he asked uncertainly.
Suzette clucked with irritation. "Of course not.We would have had to go into mourning then.How would I find a husband if we were forced to abstain from polite society to observe mourning?
”
”
Lynsay Sands (The Heiress (Madison Sisters, #2))
“
One day Lot went into Sodom, took office, tried to reform the evil city, succeeded in vexing his righteous, but unspiritual soul with the filthy conversation of the wicked, got down to the level of the natural man, lost his testimony and seemed to his friends and intimates like a madman or the most excuselessly inconsistent trifler when he attempted to take up once more his damaged testimony. Then there was a night when God’s angels came and snatched him out of the doomed city. The next morning the fire of God fell and Lot “saved so as by fire” looked on at the blaze and the burning of all his works of righteousness as wood hay and stubble, big in bulk but rejected of God. Looking forward to His Second Coming and backward for an illustration the Son of God declared as it was in the days of Lot so should it be when the Son of man should come again. There are good and righteous Christians—righteous enough but wholly unspiritual who are seeking to make spotless town of a world God has judged and doomed, failing to see the cross is not only the judgment of the individual, but equally the judgment of the world; that not only does the cross reveal the end of all flesh but the end in God’s sight of that system of things which men call the world; that on the cross the world is crucified to the Christian and the Christian to the world; and failing to see this, failing to get the mind of God are daily descending to the plane of the natural man, are losing and in many cases deliberately setting aside the testimony once for all delivered to the saints. Without warning, they will be snatched away to meet a descending Lord (if they be real and regenerated Christians) and this alone because their faith be it never so small holds them securely in the bonds of the covenant. After that the Lord will be revealed in flaming fire to execute judgment on the world and all the works of misguided social reformers because these works are built, not upon the righteousness of God, but the righteousness of man.
”
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Isaac Massey Haldeman (Why I Preach the Second Coming)
“
Hoover’s greatest challenge was one of the least visible: the humble screw thread. Screws, nuts, and bolts are universal fasteners. They function in industrial societies, as one writer put it, like salt and pepper “sprinkled on practically every conceivable kind of apparatus.” Yet every such society encounters, early on, the vexing problem of incompatible screw threads. Different screws have different measurements, including the thread angles. If those don’t line up between the males and the females, you are, so to speak, screwed. .... Screw thread incompatibilities grew even more worrisome with the advent of cars and planes—complex vibrating objects whose failure could mean death. The problem had hobbled the armed forces in the First World War, which led Congress to appoint a National Screw Thread Commission. Still, it took years, until 1924, before the first national screw thread standard was finally published. It wasn’t a big-splash innovation like the Model T or the airplane, but that hard-won screw thread standard quietly accelerated the economy nonetheless.
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Daniel Immerwahr (How to Hide an Empire: A History of the Greater United States)
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The Haight-Ashbury hippies had collectively decided that hygiene was a middle-class hang-up. So they determined to live without it. For example, baths and showers, while not actually banned, were frowned upon as retrograde. Wolfe was intrigued by these hippies who, he said, “sought nothing less than to sweep aside all codes and restraints of the past and start out from zero.”4 After a while their principled aversion to modern hygiene had consequences that were as unpleasant as they were unforeseen. Wolfe describes them thus: “At the Haight-Ashbury Free Clinic there were doctors who were treating diseases no living doctor had ever encountered before, diseases that had disappeared so long ago they had never even picked up Latin names, diseases such as the mange, the grunge, the itch, the twitch, the thrush, the scroff, the rot.”5 The itching and the manginess eventually began to vex the hippies, leading them individually to seek help from the local free clinics. Step by step, they had to rediscover for themselves the rudiments of modern hygiene. That rueful process of rediscovery is Wolfe’s Great Relearning. A Great Relearning is what has to happen whenever reformers go too far—whenever, in order to start over “from zero,” they jettison basic values, well-proven social practices, and plain common sense.
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Christina Hoff Sommers (The War Against Boys: How Misguided Policies are Harming Our Young Men)
“
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty.
Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention.
This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled.
How could he have mistaken her for his Vex?
While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right.
With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel.
With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone.
Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away.
Ready, though, didn’t mean he looked happy about it.
The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased.
Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.”
For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty.
Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride.
His bride was beautiful, and it was only right she be admired.
From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked.
He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success.
She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen.
And she is mine.
”
”
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
“
This is how it comes to pass that one morning you open up the newspaper and discover that somebody else has written your book, or directed your play, or released your record, or produced your movie, or founded your business, or launched your restaurant, or patented your invention—or in any way whatsoever manifested some spark of inspiration that you’d had years ago, but had never entirely cultivated, or had never gotten around to finishing. This may vex you, but it really shouldn’t, because you didn’t deliver! You didn’t show up ready enough, or fast enough, or openly enough for the idea to take hold within you and complete itself. Therefore, the idea went hunting for a new partner, and somebody else got to make the thing.
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Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
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But, you have to know how to share, open up, and be vulnerable. This ‘not knowing how’ is one of the reasons people find it difficult to begin or maintain relationships, and it makes absolute sense.
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Vex King (Closer to Love)
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This article, therefore, cost me so much painful attention, and my faults in it vexed me so much, and I made so little progress in amendment, and had such frequent relapses, that I was almost ready to give up the attempt, and content myself with a faulty character
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Benjamin Franklin (The Autobiography of Benjamin Franklin)
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YOUNG CHILDREN MAY BE grueling, young children may be vexing, and young children may bust and redraw the contours of their parents’ professional and marital lives. But they bring joy too. Everyone knows this (hence: “bundles of joy”). But it’s worth considering some of the reasons why. It’s not just because they’re soft and sweet and smell like perfection. They also create wormholes in time, transporting their mothers and fathers back to feelings and sensations they haven’t had since they themselves were young. The dirty secret about adulthood is the sameness of it, its tireless adherence to routines and customs and norms. Small children may intensify this sense of repetition and rigidity by virtue of the new routines they establish. But they liberate their parents from their ruts too. All of us crave liberation from those ruts. More to the point, all of us crave liberation from our adult selves, at least from time to time. I’m not just talking about the selves with public roles to play and daily obligations to meet. (We can find relief from those people simply by going on vacation, or for that matter, by pouring ourselves a stiff drink.) I’m talking about the selves who live too much in their heads rather than their bodies; who are burdened with too much knowledge about how the world works rather than excited by how it could work or should; who are afraid of being judged and not being loved. Most adults do not live in a world of forgiveness and unconditional love. Unless, that is, they have small children. The most shameful part of adult life is how blinkered it makes us, how brittle and ungenerous in our judgments. It often takes a much bigger project to make adults look outward, to make them “boundless and unwearied in giving,” as the novelist and philosopher C. S. Lewis writes in The Four Loves. Young children can go a long way toward yanking grown-ups out of their silly preoccupations and cramped little mazes of self-interest—not just relieving their parents of their egos, but helping them aspire to something better.
”
”
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
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We are what we are, because of the vibrations of thought which we pick up and register, through the stimuli of our daily environment.
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Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
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What was apparent from my new positive behaviour was that it was pushing certain people away. When people were rude to me, I started reacting kindly to them. I didn’t show up to the battle they were preparing for. This repelled them because they didn’t have an answer for my response to their rudeness. This was great, because those people were the ones on a much lower frequency than I was, but who had no interest in raising theirs; they were too comfortable in their cynical ways. Our energies were incompatible and they shrank from my field of existence. I didn’t need to distance myself from them because they’d done the job for me.
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Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
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Science has thus found itself faced with this vexing duality, a universe made up of atoms which has to have two sets of principles to explain it, one set (relativity) for the whole, and another set (quantum mechanics) for the building blocks (atoms) out of which the whole is constituted.
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Gina Kolata (The New York Times Book of Mathematics: More Than 100 Years of Writing by the Numbers)
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giving up what you want most for what you want now can deprive you of life’s real treasures.
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Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
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Everything and anything done in a state of conscious awareness can be meditation – even the washing-up.
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Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
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Among Shakespeare scholars, the Shakespeare authorship question—the theory that William Shakespeare might not have written the works published under his name—does not exist; that is, it is not permitted. As a consequence, it has become the most horrible, vexed, unspeakable subject in the history of English literature. In literary circles, even the phrase “Shakespeare authorship question” elicits contempt—eye-rolling, name-calling, mudslinging. If you raise it casually in a social setting, someone might chastise you as though you’ve uttered a deeply offensive profanity. Someone else might get up and leave the room. Tears may be shed. A whip may be produced. You will be punished, which is to say, educated.
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Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
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In particular, I’d realized that although I possessed all the elements of a happy life, too often I took my circumstances for granted and allowed myself to become overly vexed by petty annoyances or fleeting worries. I’d wanted to appreciate my life more, and to live up to it better.
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Gretchen Rubin (Happier at Home: Kiss More, Jump More, Abandon a Project, Read Samuel Johnson, and My Other Experiments in the Practice of Everyday Life)
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That rough-looking diamond is put upon the wheel of the lapidary. He cuts it on all sides. It loses much--much that seemed costly to itself. The king is crowned; the diadem is put upon the monarch's head with trumpet's joyful sound. A glittering ray flashes from that coronet, and it beams from that very diamond which was just now so sorely vexed by the lapidary. You may venture to compare yourself to such a diamond, for you are one of God's people; and this is the time of the cutting process. Let faith and patience have their perfect work, for in the day when the crown shall be set upon the head of the King, Eternal, Immortal, Invisible, one ray of glory shall stream from you. "They shall be mine," saith the Lord, "in the day when I make up my jewels." "Better is the end of a thing than the beginning thereof.
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Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
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Po tilted his head at her. “Do you dislike children?” “I’ve never disliked the children I’ve met. I’ve just never wanted them. I haven’t wanted to mother them. I can’t explain it.” She remembered Giddon then, who had assured her that this would change. As if he knew her heart, as if he had the slightest understanding of her heart. She threw another bone into the fire and hacked another piece of meat from the goose. She felt Po’s eyes, and looked up at him, scowling. “Why are you glaring at me,” he asked, “when for all I can tell, you’re not angry with me?” She smiled. “I was only thinking Giddon would have found me a very vexing wife. I wonder if he would’ve understood when I planted a patch of seabane in the gardens. Or perhaps he would’ve thought me charmingly domestic.
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Kristin Cashore (Graceling (Graceling Realm #1))
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the shock of waking up to the fact that the world does not also belong to you; the shame at having been so naive as to have thought it did; the indignation, depression, and despair that follow this realization; and, finally, the marshaling of the handy coping mechanisms, compartmentalization, pragmatism, and diminished expectations.
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Carina Chocano (You Play the Girl: And Other Vexing Stories That Tell Women Who They Are)
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The most vexing managerial aspect of this problem of asymmetry, where the easiest path to growth and profit is up, and the most deadly attacks come from below, is that “good” management—working harder and smarter and being more visionary—doesn’t solve the problem. The resource allocation process involves thousands of decisions, some subtle and some explicit, made every day by hundreds of people, about how their time and the company’s money ought to be spent. Even when a senior manager decides to pursue a disruptive technology, the people in the organization are likely to ignore it or, at best, cooperate reluctantly if it doesn’t fit their model of what it takes to succeed as an organization and as individuals within an organization. Well-run companies are not populated by yes-people who have been taught to carry out mindlessly the directives of management. Rather, their employees have been trained to understand what is good for the company and what it takes to build a successful career within the company. Employees of great companies exercise initiative to serve customers and meet budgeted sales and profits. It is very difficult for a manager to motivate competent people to energetically and persistently pursue a course of action that they think makes no sense.
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Clayton M. Christensen (Disruptive Innovation: The Christensen Collection (The Innovator's Dilemma, The Innovator's Solution, The Innovator's DNA, and Harvard Business Review ... Will You Measure Your Life?") (4 Items))
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A pair of chickens walks up to the circulation desk at a public library and say, “Buk Buk BUK.” The librarian decides that the chickens desire three books, and gives it to them...and the chickens leave shortly thereafter. Around midday, the two chickens return to the circulation desk quite vexed and say, “Buk Buk BuKKOOK!” The librarian decides that the chickens desire another three books and gives it to them. The chickens leave as before. The two chickens return to the library in the early afternoon, approach the librarian, looking very annoyed and say, “Buk Buk Buk Buk Bukkooook!” The librarian is now a little suspicious of these chickens. She gives them what they request, and decides to follow them. She followed them out of the library, out of the town, and to a park. At this point, she hid behind a tree, not wanting to be seen. She saw the two chickens throwing the books at a frog in a pond, to which
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Olav Laudy (4000 decent very funny jokes)
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A positive answer would open up a new way of addressing a question that vexed Saint Augustine: "What was God doing before He created the world?" (Subtext: What was he waiting for? Wouldn't it have been better to start sooner?) Saint Augustine gave two answers.
First answer: Before God created the world, He was preparing Hell for people who ask stupid questions.
Second answer: Until God creates the world, no "past" exists. So the question doesn't make sense.
His first answer is funnier, but the second, spelled out at length in Chapter 10 of Augustine's Confessions, is more interesting. Augustine's basic argument is that the past no longer exists and the future does not yet exist; properly speaking, there is only the present. But the past has a sort of existence within minds, as present memory (as does of course the future, as present expectations). Thus the existence of a past depends on the existence of minds, and there can be no "before" in the absence of minds. Before minds were created, there was no before!
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Frank Wilczek (The Lightness of Being: Mass, Ether, and the Unification of Forces)
“
A First Kiss from Vexing the Highlander by Terry Spear in Enchanting the Highlander:
Feeling panicked, she was afraid she wouldn’t make it down the corridor to her room in time before she was caught.
Alban must have assumed the same thing and suddenly moved her against the wall with his hot body pressing indecently close and held her hostage. “Forgive me,” he breathed against her cheek. And then he moved his warm lips against her mouth and kissed her.
A lady with the right upbringing would never, ever kiss a gentleman—or an untitled Highlander—let alone do so in the king’s own castle when he planned to marry her off to one of his loyal lords. She would never have kissed Alban back—or so she told herself—except to pretend she was not who she was, rather just a servant girl having a good time with one of the king’s honored guests.
Yet, she gave into the kiss as if she’d been trained in the art of kissing, which, with the way Alban was kissing her back, she found it easy to follow his lead. She soaked up the feel of his warm mouth against hers, and the smoldering flame that ignited low in her belly and fanned the heat all the way through her, despite the chill in the corridor. His chest pressed against her breasts, making them tingle with the most delicious need. His manhood stirred against her waist, and she realized why her mother had warned her and her sister never to kiss a gentleman in such a manner. Indeed, not until she was wed to him, for she felt urges she’d never known she could experience. Womanly urges that compelled her to take this further.
She wrapped her arms around his neck, Alban’s mouth smiling slightly against her lips, as she pressed him tighter. She thought if he was as close as he could be, whoever was about to pass them by—hopefully without stopping to speak—would not see her, as tall as Alban was. Though she was hoping the Highlander would not presume she was always this forward with a man whether she knew him or not. Yet she was thrilled beyond measure to enjoy his attentions, even if it was just to keep her reputation intact. But if the man stopped to speak with Alban, and the Highlander quit kissing her to speak with the person in kind, her character would be in tatters.
“Ahem,” the male said, but continued to walk on by.
She didn’t dare glance in his direction to see if she knew the man. Alban didn’t either, but she wasn’t sure if it was because he was so wrapped up in kissing her, or because he was afraid to reveal who she was.
If Alban hadn’t been holding her so close, she would have melted right into the stone floor, her body boneless. His breathing was as labored as hers, his heartbeat pounding just as fast. He didn’t make a move to release her, waiting while the footfalls faded away. He smelled of summer and the woods, of freshly-washed, earthy male. And then the footsteps were gone.
Yet even then, Alban didn’t let her go. “Wait, just a moment more.
”
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Terry Spear (Enchanting the Highlander)
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His heart warmed at her thanks. He didn’t hear many kind words from the lasses and would take what he could get, even from a dishonored woman who had caught a bairn out wedlock. Oddly, he didn’t think poorly of her. Whether it was her vexed brow, her guileless, soft mouth, or her vulnerable size, he had not the heart to condemn her. He didn’t even mind so much that she found him distasteful for being overlarge, although talking with her now, she didn’t seem overly upset to be in his arms. He endeavored to keep her talking, keep her distracted from her disgust. “You never answered my first question,” he said. “Who are you? And where are you from if ye’re no’ English?” “Ugh. I don’t know. Is there an answer that won’t get me burned at the stake or locked up in a ward for the hopelessly insane?” Like most things out of her mouth, that had been a peculiar answer. “You could try the truth,” he offered, slowing his pace since he heard Archie’s voice not far off. “No,” she said flatly. “I couldn’t. At least not the whole truth. How about we just go with my name, Melanie, and with the honest fact that I’m a long way from home and have no idea how to get back.” Her green eyes pierced his. “I’m afraid you might be stuck with me, Darcy Keith.
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Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
“
Lord Charles?" "Amy." He smiled sleepily and rose up on one elbow, the blanket sliding down one shoulder. "Good morning." Temporary silence. Charles was unaware that Amy had a friend with her, and he was totally oblivious to the sight he presented to the two girls, his hair tousled by sleep, his pale blue eyes clear as aquamarine as a shaft of sunlight drove through the window and caught him full in the face. A sighted man would, of course, have squinted; Charles did not, and instead, Mira and Amy were treated to a brilliant, wide-open view of clear, intelligent eyes, romantically down turned at the outer corners and fringed by long straight lashes tinged with gold. "Hell and tarnation above, Amy, ye sure weren't jokin'! He's bleedin' gorgeous!" "Mira!" cried Amy, horrified. Charles was hard-pressed to hide his amusement. He knew, of course, or had at least suspected, that Amy had a girlish infatuation for him, and he'd tried his best not to embarrass her by calling attention to it. He determined not to do so now. "And whom do I have the pleasure of addressing?" he asked, still supporting himself on one elbow and blinking the sleep from his eyes. Mira, standing there with her mouth open, was transfixed by that slow, deliberate blink. In a heartbeat, she saw what Amy had described: studied thoughtfulness, kindness, compassion. The way the man lowered those long eyelashes over those translucently clear eyes, then slowly brought them back up again, did something funny to her insides. Cripes, no wonder Amy was smitten! "Mira Ashton, patriot," she announced. "I'm Amy's friend. She tells me ye're a blasted Brit who took it upon himself to be merciful to Will, so I guess I'll take it upon myself to be merciful to you. Besides, I hear ye're being nice to Amy, and since everyone else in this house treats her like donkey dung, I figger the least I can do is be civil to ye — redcoat or not." "Mira!" Amy gasped. "Well, it's true. Where are those two bleedin' leeches, anyhow?" Despite himself, and his irritation with both the girl's language and her rather vexing use of the word "Brit," Charles got to his feet and bowed, his spirits suddenly quite buoyed. If Amy had friends like this, maybe he shouldn't be worrying about her, after all. "Still in bed, I daresay," he said.
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Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
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Fighting me would be an exercise in futility, Countess.” As if to assert his point, he reached out to grasp her jaw, tilting her chin up to meet his gaze. “As would trying to escape.” Narrowing her eyes, she held her voice firm. “Yet I am certain my attempts could be very vexing.” For an eternity, they stared at each other, locked in a silent battle of wills. Rafael’s scowl deepened before he released her.
”
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Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
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Alex smiled as the duke and Will began to scold her friends, causing Gavin to lean down and whisper in her ear, “I am happy to see you smiling again.” She turned to him. “I remain vexed with you, my lord. I cannot believe you did not tell me about Montgrave!” “Alex, I will not argue with you. You can be angry if you need to be, but I almost lost you today and there are other things I would prefer to do than spar.” “For example?” Alex asked. “For example.” He wrapped his arms around her again, and her heart began to pound as he continued, “I’d prefer to remind myself that you are safe. And that you are mine.” She smiled up at him. “I am yours, my lord. As much as you are mine.” He clasped her to him, holding her tightly until a throat cleared from across the room, and Alex and Gavin remembered that they had an audience. “Blackmoor,” the duke said, his casual tone belying his intent gaze, “perhaps you would like to explain exactly why your arms are wrapped around my daughter?
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Sarah MacLean (The Season)
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This is how it comes to pass that one morning you open up the newspaper and discover that somebody else has written your book, or directed your play, or released your record, or produced your movie, or founded your business, or launched your restaurant, or patented your invention—or in any way whatsoever manifested some spark of inspiration that you’d had years ago, but had never entirely cultivated, or had never gotten around to finishing. This may vex you, but it really shouldn’t, because you didn’t deliver!
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Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
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In chess one realises that all education is ultimately self education. This idea is a timely consideration in our data driven world. Chess lends itself to structural information and quantitive analysis in a range of ways. For instance the numerical value of the pieces, databases of millions of games, computerised evaluation functions and the international rating system. However, the value of the experience of playing the game is more qualitative than quantitive. Like any competitive pursuit or sport, chess is an elaborate pretext for the production of stories. The benign conceit of rules and points and tournaments generates a narrative experience in which you are at once co-director, actor and spectator. Chess is education in the literal sense of bringing forth, and it is self education because our stories about a game emerge as we play it, as we try to achieve our goals, just as they do in real life. Chess stories are of our own making and they are often about challenges we overcame or failed to overcome. Every chess player knows the experience of encountering a vexed colleague whose desperate to share their tragic tale in which they were “completely winning!” until they screwed up and lost. And yet we also know tougher characters who recognise that taking resolute responsibility for your mistakes, no matter how painful, is the way to grow as a person and a player. As the child psychologist Bruno Bettelheim says: "we grow, we find meaning in life and security in ourselves by having understood and solved personal problems on our own, not by having them explained to us by others”.
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Jonathan Rowson (The Moves That Matter: A Chess Grandmaster on the Game of Life)
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The optical unconscious remains elusive. This concept is not something that is directly available to sight, but it nevertheless informs and influences what comes into view. By attending to this idea, one might become newly aware of previously unnoticed details and dynamics, as well as the material, social, and psychic structures that shape perception. In several of his books, the British psychoanalyst Christopher Bollas described this disavowed dimension as the "unthought known." This refers to material that is either emotionally undigested or actively barred from consciousness." As Bollas teaches us, this "unthought" material is, in fact, an integral part of knowledge. And indeed, it seems photography may be one of the principal means to circulate this unconscious material that remains vexingly obscure. Like latent memories, details of photographic information snap into focus and become visible in unpredictable moments. As Benjamin put it, they"flash up" in moments of danger and desire - and they can quickly fade from view unless seized in a moment of recognition.
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Shawn Michelle Smith (Photography and the Optical Unconscious)