Versatile Girl Quotes

My compass and guiding star: MyDaddy, that's who you are. Discipline I learned from you, With patience in all I do. Sang-froid you gifted to me, Along with versatility. You reveal the profound beauty Found in Family Duty. You've instilled me with toughness, To overcome any roughness. Thanks to you I conquer worlds; I strive to be MyDaddy's girl.

One woman sent me on a letter written to her by her daughter, and the young girl's words are a remarkable statement about artistic creation as an infinitely versatile and subtle form of communication: '...How many words does a person know?' she asks her mother. 'How many does he use in his everyday vocabulary? One hundred, two, three? We wrap our feelings up in words, try to express in words sorrow and joy and any sort of emotion, the very things that can't in fact be expressed. Romeo uttered beautiful words to Juliet, vivid, expressive words, but they surely didn't say even half of what made his heart feel as if it was ready to jump out of his chest, and stopped him breathing, and made Juliet forget everything except her love? There's another kind of language, another form of communication: by means of feeling, and images. That is the contact that stops people being separated from each other, that brings down barriers. Will, feeling, emotion—these remove obstacles from between people who otherwise stand on opposite sides of a mirror, on opposite sides of a door.. The frames of the screen move out, and the world which used to be partitioned off comes into us, becomes something real... And this doesn't happen through little Audrey, it's Tarkovsky himself addressing the audience directly, as they sit on the other side of the screen. There's no death, there is immortality. Time is one and undivided, as it says in one of the poems. "At the table are great-grandfathers and grandchildren.." Actually Mum, I've taken the film entirely from an emotional angle, but I'm sure there could be a different way of looking at it. What about you? Do write and tell me please..

Swann’s words might have had the result of distorting my eventual understanding of the sonata, as music is so versatile, too prone to suggestion to exclude entirely whatever somebody hints we might hear in it.

It might surprise you to know that the missionary position is most women’s favorite position. Missionary may at first glance seem boring, but it is also one of the most versatile positions. There are endless ways to modify it and take it to new levels.

But here he was pledged to defend, on the part of his betrothed's cousin, conduct that, on his own wife's part, would justify him in calling down on her all the thunders of Church and State..... What could he and she really know of each other, since it was his duty, as a "decent" fellow, to conceal his past from her, and hers, as a marriageable girl, to have no past to conceal? What if, for some one of the subtler reasons that would tell with both of them , they should tire of each other, misunderstanding or irritate each other? He reviewed his friends' marriages - the supposedly happy ones -and saw none that answered, even remotely, to the passionate and tender comradeship which he pictured as his permanent relation with May Welland. He perceived that such a picture presupposed, on her part, the experience, the versatility, the freedom of judgment, which she had been carefully trained not to possess; and with a shiver of foreboding he saw his marriage becoming what most of the other marriages about him were: a dull association of material and social interests held together by ignorance on the one side and hypocrisy on the other.

I'm going to get lecture-y for a second and add that I think the entire idea of tops and bottems, especially when coming from straight people who fetishize gay people, is an attempt to place some sort of hetero world over gay people. "Oh your're a bottom, so you're the woman." Gay guys who are strictly tops or bottoms tend to embrace this idea, too. Being a top only means you're "manly" or whatever because not being manly is considered bad by like adults and TV and stuff. Gay guys can buy into that crap just as easy as straight people. Whenever you see masc for masc on Grindr or whatever, what you're seeing is someone saying," I don't want people to think I'm like a woman, and I don;t want people to think that you're like a woman because people will think less of us." Sure people have preference but these ideas of masculine and feminine are kind of meaningless. I wear make-up. I think I'm pretty manly! We're all told this crap all the time, but you can reject it. Instead you're enforcing the idea that there is masculine and there is feminine, and that masculine is, for some unexplained reason, better. Finally, and this should probably be clear after the last bit, but you cant tell a top or a bottom or what a person's preferences are just by looking at him! Big, harry, muscled men love taking it up the ass. Trust me, I know. And slim, make-up wearing types, we love to f@$%. And in my case, get f@$%ed, too. Like I said, versatility is the best. So, in summary, it's wrong to assume all gay guys are having anal sex all the time. And it's ridiculous and offensive and stereotyping and hurtful to think that those who are penetrated are girly and those who penetrate are manly, something you've been doing. ... You're email is more like a mean joke you tell your friends, and I think that is because secretly you hate the way you're always being told what a girl should be like. And when you see a gay guy blurring the gender lines a little, like me, you're jealous of him. You want to put him in his place. You want to say, "he's not a man." Because if you can't blur those gender lines without being told you're gross or wrong, then you want to make sure that anyone who does cross those gender lines gets punished the way you would. But you shouldn't be punishing gay guys. You should be braking down the barriers that keep you from being who YOU want to be!

I tried to drown my grief for their anxiety in a long discussion....into which...[we] plunged on evening on twentieth-century poetry and the spirt of the age. We were very much in earnest, and our conclusions, which I wrote down afterwards, may be interesting, for reasons of comparison, to our successors who discuss similar topics, and congratulate themselves on their vast differences from "the pre-war girl" : (1) The age is intensely introspective, and the younger generation is beginning to protest that supreme interest in one's self is not sin or self-conscious weakness or to be overcome, but is the essence of progress (2) The trend of the age is towards an abandonment of specialization and the attainment of versatility - a second Renaissance in fact. (3) The age is in great doubt as to what it really wants, but it is abandoning props and using self as the medium of development. (4) The poetry of this age lies in its prose.

I was amazed to see the spectacular realistic sense within this girl- capability of strong convincing power with a mix and match of good looks and versatility. Like a deer getting caught helplessly by four or five tigers together, I too got caught in Kaira’s million dollar trustworthy charms