Venom Sad Quotes

Evil is nothing but a word, an objectification where no objectification is necessary. Cast aside this notion of some external agency as the source of inconceivable inhumanity - the sad truth is our possession of an innate proclivity towards indifference, towards deliberate denial of mercy, towards disengaging all that is moral within us. But if that is too dire , let's call it evil. And paint it with fire and venom.

.... she was like a flower. And suddenly, for a vivid minute, Hercule Poirot had a new conception of the dead girl. In that halting rustic voice the girl Mary lived and bloomed again. "She was like a flower." There was suddenly a poignant sense of loss, of something exquisite destroyed. In his mind phrase after phrase succeeded each other. Peter Lord's "She was a nice kid." Nurse Hopkins's "She could have gone on the films any time." Mrs. Bishop's venomous "No patience with her airs and graces." And now last, putting to shame, laying aside those other views, the quiet, wondering, "She was like a flower.

Mamaw could spew venom like a Marine Corps drill instructor, but what she saw in our community didn’t just piss her off. It broke her heart. Behind the drugs, and the fighting matches, and the financial struggles, these were people with serious problems, and they were hurting. Our neighbors had a kind of desperate sadness in their lives.

My pinky brushed his. I stuck it out, letting it drag along his skin before retreating. His bumped mine. Was it sad that I considered this foreplay?

General Dwight D. Eisenhower ordered the global media to film the unspeakable hell of the Holocaust. General Eisenhower feared there would come a day when there would be “Holocaust deniers” who would declare it never happened.5 Today, Iran's radical Islamic leaders, who have promised to wipe the Jews off the face of the map, are indeed Holocaust deniers.6 Sadly, their venom is gathering international support. From the tears and tragedy of World War II came the rebirth of the State of Israel in May

The Mind, that broods o’er guilty woes, Is like the Scorpion girt by fire, In circle narrowing as it glows The flames around their captive close, Till inly search’d by thousand throes, And maddening in her ire, One sad and sole relief she knows, The sting she nourish’d for her foes, Whose venom never yet was vain, Gives but one pang, and cures all pain, And darts into her desperate brain.— So do the dark in soul expire, Or live like Scorpion girt by fire; So writhes the mind Remorse hath riven, Unfit for earth, undoom’d for heaven, Darkness above, despair beneath, Around it flame, within it death!

You cannot deal with grief, not really. It is not a monster you can slay and be done with. Grief is an ambush predator, and we are the prey. It stalks us our entire lives, hiding in smells and sounds, in solitude and in crowds. It waits in items and in thoughts. Memories are the hunting grounds of grief, and when it pounces, its bite is venomous. It inflicts sadness or rage or sometimes despair. But grief is not an adventurous predator. Always it stalks old memories, not new. And that is how we move on. New memories where it is not welcome.

What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into

Gather close, and let us speak of nasty little shits. Oh, come now, we are no strangers to the vicious demons in placid disguises, innocent eyes so wide, hidden minds so dark. Does evil exist? Is it a force, some deadly possession that slips into the unwary? Is it a thing separate and thus subject to accusation and blame, distinct from the one it has used? Does it flit from soul to soul, weaving its diabolical scheme in all the unseen places, snarling into knots tremulous fears and appalling opportunity, stark terrors and brutal self-interest? Or is the dread word nothing more than a quaint and oh so convenient encapsulation of all those traits distinctly lacking moral context, a sweeping generalization embracing all things depraved and breath takingly cruel, a word to define that peculiar glint in the eye—the voyeur to one’s own delivery of horror, of pain and anguish and impossible grief? Give the demon crimson scales, slashing talons. Tentacles and dripping poison. Three eyes and six slithering tongues. As it crouches there in the soul, its latest abode in an eternal succession of abodes, may every god kneel in prayer. But really. Evil is nothing but a word, an objectification where no objectification is necessary. Cast aside this notion of some external agency as the source of inconceivable inhumanity—the sad truth is our possession of an innate proclivity towards indifference, towards deliberate denial of mercy, towards disengaging all that is moral within us. But if that is too dire, let’s call it evil. And paint it with fire and venom. There are extremities of behaviour that seem, at the time, perfectly natural, indeed reasonable. They are arrived at suddenly, or so it might seem, but if one looks the progression reveals itself, step by step, and that is a most sad truth.

I remember when you were a child. You used to have a nickname for all the flowers. You called the marigolds ‘fireflies,’ I recall, and lilies were ‘ladies’ purses.’” “I can’t believe you remember that,” Cass said. “You hardly even played out here with me.” “Remember how I used to hide things for you?” Cass remembered. Before they were engaged, Luca would bring her little treasures, things he found when he was out wandering around. Once it was a string of green ceramic beads. Another time he left her a smooth stone shaped like a heart. He used to mark the hiding places with lilies stolen from Agnese’s own plants. Cass had forgotten about the game until Luca mentioned it. “I liked that game,” Cass said. “I was sad when you got older and stop playing it. You practically quit talking to me.” “I got nervous around you after our arrangement became official,” Luca said. “I used to watch you sometimes, though.” “That’s kind of creepy, don’t you think?” Cass raised an eyebrow, and couldn’t help but crack a small smile. “You stopped being just a little girl.” A red flush crept across Luca’s high cheekbones. “I wasn’t very good at talking to women. I’m still not.

I got nervous around you after our arrangement became official,” Luca said. “I used to watch you sometimes, though.” “That’s kind of creepy, don’t you think?” Cass raised an eyebrow, and couldn’t help but crack a small smile. “You stopped being just a little girl.” A red flush crept across Luca’s high cheekbones. “I wasn’t very good at talking to women. I’m still not.” His shyness surprised her. Luca, the man, was proving to be so different from the boy she remembered. She thought of what Mada had said about growing to love somebody. She looked down at her hands and said haltingly, “My behavior has been inexcusable these last few days, so I won’t try to excuse it. I can only imagine what you must think of me.” Luca finally dared to sit on the bench across from Cass. “It’s all right,” he said, still twirling the rosebud in his big hands. “I guess your aunt sprang it on you, announcing our engagement so suddenly.” He smiled, but Cass could tell it was forced. Hurt still lingered in his eyes. “You know, most girls wouldn’t mind being Signora da Peraga.” “I know,” Cass said. She could think of nothing else to say. Luca said, this time with a warm smile, “But you are different from most girls, aren’t you, Cassandra?” Her hands tightened around her journal. Somehow Luca managed to see something good in her, even where there was nothing good to see. And yet, his words reminded her of Falco’s. “I’d prefer it if the idea of our engagement didn’t make you miserable,” Luca continued. “Does it?” he asked softly. “Make you miserable?” A few days ago, all Cass had wanted was to escape from her obligation to marry, and now she felt Luca loosening the band around her neck, unlocking the door to her cage. But Cass couldn’t tell him the truth. She had already hurt Falco. She wouldn’t hurt Luca and Agnese too. Being with Luca made sense. Being with Falco was madness. “I hate seeing you so sad,” Luca said after a pause. “I hate to think I may be the cause of your unhappiness.

Paolo and Cass stood facing each other for a moment. The tall boy made an effort to smile, but couldn’t manage it. Cass’s heart still thrummed in her chest. “He’s not a bad person,” Paolo said abruptly. “Sometimes I think that I am, but he isn’t.” He looked away into the darkness. “What you do…,” Cass croaked out. “What I saw…” She focused on the outline of the closest rosebush, its naked branches crooked as a witch’s fingers. “Each man calls barbarism what is not his own practice--” Cass finished his sentence. “For indeed, it seems we have no other test of truth and reason than the example and pattern of the opinions and customs of the country in which we live.” It was another quote from Michel de Montaigne. “Do you really think that applies in this instance?” Paolo looked up. His dark eyes looked a little sad. “We live in the same place--you, me, Falco. But we live in very different worlds. Surely you understand that?” Cass didn’t know what to say. Paolo went on, a little defensively, “We have reasons. It’s not for you to judge us.” He thrust a square parcel, wrapped in rough muslin, into her arms. “There’s a note in there,” Paolo said, gesturing at the bundle. “I’m sure he’d rather you hear from him, not me.” He bowed slightly, his inky black hair falling forward to obscure part of his face. “Buona notte, Signorina Cassandra.” With that, he turned away, disappearing into the darkness in just a few long strides.

She looked again at Falco’s painting of her--for her. Even though her expression was full of joy, he’d somehow managed to catch a hint of sadness in her form. The hesitance in how she lay there, as though expecting that happiness to vanish at any moment. This must be what Falco meant when he said he had done it for the art. For the first time, Cass understood. This, this truth, was exactly what she wanted to capture in her writing. She felt like weeping, but she wasn’t sure why. She and Falco understood each other, finally. It was the best possible outcome--the only possible outcome. But as she refolded a single corner of muslin over the canvas, an overwhelming sense of loss gripped her. This painting, this letter, it was Falco’s good-bye. Even if he remained in Venice, he would be gone to her. They would exist side by side, but in parallel worlds that never crossed over. Cass couldn’t believe she had ever thought Falco might be a murderer. What he had done went against the Church, but he did have reasons. Maybe de Montaigne was right. Perhaps Cass had no right to judge what Falco was doing--what he must do--to survive. She had never known, would never know, what it was like to want for money. For anything, really, except for love. Maybe love was to be the one thing that would remain forever out of reach. The thought was unbearable. Cass sat down at the servants’ table and laid her head down against the rough canvas. She tried to feel each individual brushstroke through her cheek. Each stroke was a part of Falco, a tiny piece of the man she loved.

Did I interrupt something? A sordid little tryst, perhaps?” “You must be joking.” Cass was in no mood for humor. Besides, the closest she’d ever been to a tryst was when he’d fallen on top of her in the street earlier that day. “Always. Sadly, you don’t seem like the type of girl who would be up for a midnight…encounter.” Falco’s eyes drifted downward. “Too bad.” Cass realized her cloak had fallen open, exposing the white nightgown she wore underneath. She pulled the velvet fabric tight around her body. Then the shrubbery rippled once more with unfamiliar movement. Cass’s heart froze. “We should get out of here,” she said. “It’s not safe.” “Not safe?” Falco raised an eyebrow. “Why? Because it’s dark and you might accidentally trip over your own two feet? I feel quite safe. In fact, I was just settling in to do some reading.” Cass furrowed her brow. “Reading?” Falco wagged her journal in front of her. “This is yours, I presume.” A slow smile spread across his face. “Let’s find out exactly what you’ve been doing, shall we?” “Give it back!” Cass reached for the journal, but Falco easily dodged her. He opened the leather-bound book to a random page and cleared his throat. Clutching a hand to his chest, he pretended to read aloud in a high-pitched voice. “Oh, how I love the way his fingers explore my soft flesh. The way his eyes see into my very soul.” This time, Cass managed to snatch the book out of his hands. “That is not what it says.” “I guess that means you won’t be keeping me warm tonight?” Falco quirked an eyebrow. Before she could muster up a response, he laughed. “Then again, the accommodations probably wouldn’t meet your standards. You’ve probably never slept on anything but the finest satins, have you?” Cass hoped the darkness camouflaged her scarlet cheeks. Who was this boy to talk to her the way he did? “Is that why you’re here? Looking for a date?” Cass gestured toward a row of pointed headstones. “I do believe you’re in luck. I see some ladies who won’t be able to refuse you.” The words flew out of her mouth before she could rethink them. “Funny. And correct. Sort of. I was actually just looking for a place to get a little rest.” For a second, the smile dropped from his face, and an expression passed across it that Cass couldn’t identify. “Sleep in a graveyard?” Cass frowned. “You can’t be serious.

In among the grass were finger-sized burrow holes in the ground. I didn’t know what made them. Steve recognized them as the homes of bird-eating spiders. I was impressed. “There are spiders that eat birds?” “Sure thing, mate,” he said. “Birds, lizards, any little thing they can get their fangs into.” He wrangled two of them out of their underground homes, and I was able to get a close-up look at them. They looked like tarantulas, only their abdomens were much larger. They rarely encountered humans, and so the two Steve handled got all fired up. I could see the venom drip from their fangs. “These little beauties are being collected by the pet trade,” Steve said, gently handling one of the giant spiders. “But they don’t handle captivity well, so a lot of them die.” Henry filmed the whole episode. “When collectors dig up these beautiful spiders,” Steve explained to the camera, “they often destroy their underground homes and completely ruin an entire habitat.” It was the kind of situation that always made Steve sad. He set the big girl down to return to her burrow. “Crikey,” he said, “wasn’t she gorgeous?” I myself had never really considered using the words “gorgeous” and “spider” in a sentence together. After getting to know the bird-eaters, I finally settled on my own description: “cool.

It’s a universally known fact that ‘I’m fine’ is the only phrase in the English language with indefinite meanings. I’m not okay. I’m okay. I’m sad. I’m happy. I can’t do this anymore. I’ll be okay. I’m lost.

I think you'll like this book. It's about sadness, madness, and dissatisfaction. It's about us.

I didn’t say anything, Viper,” he chuckled sadly. Her eyes blinked open after several flutters. “Why do you call me that?” His head cocked to one side, studying, before he replied, “You’re as quick as one and your bite goes deep.” She could only nod to that. He was accurate. She brought death and destruction on everyone she cared for. Suffice it to say, her proverbial fangs were venomous. As if he sensed where her thoughts had gone, he gently stroked her jaw and explained, “My heart belongs to you. You hold it prisoner.” The

If I faced how I really felt, it would hurt too much. I was an expert at running away from my feelings. From confrontations. From anything that meant anything to me. I didn’t want to hide anymore, but I didn’t want to feel, either. And, if I was honest with myself, I knew what I’d become: a woman filled with remorse, confusion, sadness, and yes—a huge amount of venom. I was the coiled-up snake waiting for the perfect millisecond to attack. I was also the timid house mouse that ran and hid at the first sign of trouble. Snakes normally ate mice, but in my case, the mouse won hands down, time after time. If I could be the snake, just once, maybe I’d have a chance.

Mamaw could spew venom like a Marine Corps drill instructor, but what she saw in our community didn’t just piss her off. It broke her heart. Behind the drugs, and the fighting matches, and the financial struggles, these were people with serious problems, and they were hurting. Our neighbors had a kind of desperate sadness in their lives. You’d see it in how the mother would grin but never really smile, or in the jokes that the teenage girl told about her mother “smacking the shit out of her.” I knew what awkward humor like this was meant to conceal because I’d used it in the past. Grin and bear it, says the adage. If anyone appreciated this, Mamaw did.

Gallo and his party laughed along with everyone else at Don’s insults—sadly, there is no record of Don zinging Crazy Joe—and, after the show ended, they headed over to Umberto’s Clam House in Little Italy for Crazy Joe’s big birthday party. At around 4:30 a.m., as Gallo sat at his table, a middle-aged gunman calmly walked up and pumped two bullets into him before escaping in a getaway car. Crazy Joe, mortally wounded, staggered after him before collapsing in the street. The gangland slaying triggered a bloody mob war that lasted two years.

Sadness releases from my chest. Like a snake, it slithers down my legs. I swear I feel its mouth bite into my thigh. Its miserable venom seeps into my bloodstream. I grind my teeth together to stop the sadness from penetrating my brain, my heart.... my soul.

(2) The sense of their own sinfulness will be overruled for the good of the godly. Thus our own sins shall work for good. This must be understood warily, when I say the sins of the godly work for good - not that there is the least good in sin. Sin is like poison, which corrupts the blood, infects the heart, and, without a sovereign antidote, brings death. Such is the venomous nature of sin, it is deadly and damning. Sin is worse than hell, but yet God, by His mighty over ruling power, makes sin in the issue turn to the good of His people. Hence that golden saying of Augustine, ‘God would never permit evil, if He could not bring good out of evil.’ The feeling of sinfulness in the saints works for good several ways. (a) Sin makes them weary of this life. That sin is in the godly is sad, but that it is a burden is good. St. Paul’s afflictions (pardon the expression) were but a play to him, in comparison of his sin. He rejoiced in tribulation (2 Corinthians 7:4). But how did this bird of paradise weep and bemoan himself under his sins! ‘Who shall deliver me from the body of this death?’ (Romans 7:24). A believer carries his sins as a prisoner his shackles; oh, how does he long for the day of release! This sense of sin is good. (b) This inbeing of corruption makes the saints prize Christ more. He that feels his sin, as a sick man feels his sickness, how welcome is Christ the physician to him! He that feels himself stung with sin, how precious is the brazen serpent to him! When Paul had cried out of a body of death, how thankful was he for Christ! ‘I thank God through Jesus Christ our Lord’ (Romans 7:25). Christ’s blood saves from sin, and is the sacred ointment which kills this quicksilver.

Evil is nothing but a word, an objectification where no objectification is necessary. Cast aside this notion of some external agency as the source of inconceivable inhumanity—the sad truth is our possession of an innate proclivity towards indifference, towards deliberate denial of mercy, towards disengaging all that is moral within us. But if that is too dire, let’s call it evil. And paint it with fire and venom. There are extremities of behaviour that seem, at the time, perfectly natural, indeed reasonable. They are arrived at suddenly, or so it might seem, but if one looks the progression reveals itself, step by step, and that is a most sad truth.