Venom Quotes

We've searched our database for all the quotes and captions related to Venom. Here they are! All 100 of them:

Fear can’t hurt you,” she said. “When it washes over you, give it no power. It’s a snake with no venom. Remember that. That knowledge can save you.
Maureen Johnson (The Name of the Star (Shades of London, #1))
How long have you been with Raphael?” “You ask a lot of questions for a dead woman.” “What can I say? I prefer to die well-informed.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
Was I interrupting? I thought it was over." Rhys gave me a smile dripping with venom. He knew-through that bond, through whatever magic was between us, he'd known I was about to say no. "At least Feyre seemed to think so.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
People can have their opinions about everything in the world, but people's opinions end where the tip of my nose begins. Your opinions of others can only go so far as to where their own shoreline is. The world is for your taking, but other people are not. One is only allowed to have an opinion of me, if that person is done educating him/herself on everything about me. Before people educate themselves on everything about you, they're not allowed to open their venomous mouthes and have an opinion about you.
C. JoyBell C.
Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head; And this our life, exempt from public haunt, Find tongues in trees, books in the running brooks, Sermons in stones, and good in everything.
William Shakespeare (As You Like It)
My invite must have gotten lost in the mail," she said venomously. "But I don't mind crashing this party. -Maximum Ride talking to Max II
James Patterson (School's Out—Forever (Maximum Ride, #2))
Ransom really looked at the other man for the first time, shook his head, stared again. “Holy hell, your eyes are like a fucking viper’s.” Venom raised an eyebrow. “You have hair prettier than one of Astaad’s concubines.” Ransom gave the vampire the finger. Venom grinned.
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
Please nothing, she’s a vicious piranha. She looks all cute and cuddly, then she opens that mouth and lets loose so much venom she could double as a nest of scorpions. (Leo)
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
Venom’s pupils contracted the instant before he slid his sunglasses back on. She couldn’t help it. “Why isn’t your tongue forked?” “Why can’t you fly?” A smirk. “Those things on your back aren’t accessories you know.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
I could not stop wasting time. It was crazy. I wanted to do something with my life, but instead I went to sleep, or sung in the shower, or sat and stared at the wall. I couldn't even tell you about anything that I saw. I didn't talk to anybody. The cicadas kept dying outside, and as I dreamed, my mouth grew thick and venomous with silence.
Yiwei Chai
It was a pleasure to burn. It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.
Ray Bradbury (Fahrenheit 451)
I knew myself well enough to know I didn’t survive books. They tore me to shreds. I’d never met an inanimate object as talented at breaking hearts as a book.
Parker S. Huntington (Darling Venom)
I’m just wondering how exactly I went from being the Spider to the Robin fucking Hood of the greater Ashland area... Instead of stealing from the rich, I’m stabbing them to death for the poor.
Jennifer Estep (Venom (Elemental Assassin, #3))
I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this. [Cormac McCarthy's Venomous Fiction, New York Times, April 19, 1992]
Cormac McCarthy
I keep telling myself That you’re just a girl. Another leaf blown across my path Destined to pass on And shrivel into yourself Like all the others. Yet despite my venom You refuse to wither Or fade. You remain golden throughout, And in your gaze I am left to wonder if it is me alone Who feels the fall.
Kelly Creagh (Enshadowed (Nevermore, #2))
I still have a headache,” said Charlotte, without looking up from the floor. “There, you see?” Aunt Glenda gave a venomous smile. “I have a headache too,” said Mum. “But that doesn’t mean I’m about to start traveling in time.
Kerstin Gier (Ruby Red (Precious Stone Trilogy, #1))
I could see her daring a cobra to strike, swearing her venom would kill first.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
Illium, his expression subdued as it had been for too many days, turned to her. “Mind if I have a go?” “Kick his ass.” Stripping off his shirt and boots, Illium held out his hand for one of Venom’s blades. Lips curving, Venom passed it over. “Sure you can handle me, pretty, pretty Bluebell?” “Did I ever tell you about my snakeskin boots?” A savage grin, and she knew Venom was about to bear the brunt of whatever haunted the blue-winged angel. Venom swirled his blade in hand. “I do think I need some new feathers for my pillow.
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
Adolescent love is the greatest pain of all. It teaches you the power other people have to destroy you.
Parker S. Huntington (Darling Venom)
I’m not even pissed at the rumormongers. I’m pissed at whoever invented the Internet and handed the assholes in the world a platform on which to spew their venom.
Elle Kennedy (The Mistake (Off-Campus, #2))
This was perfect. I was about a ten on the poison scale. If he needed venom, I could inject it directly into his neck.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
That’s your damned female hormones talking, Jez.” Sonellion grabbed his crotch. “Grow some balls again.” She gave him a venomous look. “I have more clarity about the world in this body than I ever had with a set of balls.
Wendy Higgins (Sweet Reckoning (Sweet, #3))
What she lacks in poetry she makes up for in venom
Sarra Manning
“Madness weakens the mind and disease weakens the body, but nothing destroys the spirit like the loss of true love.” -THE BOOK OF THE ETERNAL ROSE
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Lily and James only made you Secret-Keeper because I suggested it,” Black hissed, so venomously that Pettigrew took a step backward. “I thought it was the perfect plan... a bluff... Voldemort would be sure to come after me, would never dream they’d use a weak, talentless thing like you... It must have been the finest moment of your miserable life, telling Voldemort you could hand him the Potters.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
I wish I had cancer. Or some other grand battle. Dementia, stroke, organ failure. If I lose those fights, I’m brave. But the thing I’m battling is my mind. And if I lose, they’ll just call me weak.
Parker S. Huntington (Darling Venom)
Evil is nothing but a word, an objectification where no objectification is necessary. Cast aside this notion of some external agency as the source of inconceivable inhumanity - the sad truth is our possession of an innate proclivity towards indifference, towards deliberate denial of mercy, towards disengaging all that is moral within us. But if that is too dire , let's call it evil. And paint it with fire and venom.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
Virginity is a concept invented by people to make women feel worthless for having sex.
Penelope Douglas (Tryst Six Venom)
The passage of time will usually extract the venom of most things and render them harmless
Haruki Murakami (The Wind-Up Bird Chronicle)
The taipan is the one to watch out for. It is the most poisonous snake on Earth, with a lunge so swift and a venom so potent that your last mortal utterance is likely to be: "I say, is that a sn--
Bill Bryson
How terrible it must be to be a member of the noble class. So many rules. Such restraint. You must feel like a caged bird, battering its wings against the sides of its golden prison.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
If you follow the pescribed way of how people want you to be, then it will be of great relieve if you commit suicide than to be dragged along like a donkey.
Michael Bassey Johnson
You should be more careful, you know." "Careful?" she managed to croak. "You're the one who knocked me over." "I couldn't resist," he said, and he actually had the nerve to wink at her. "It's not often I get the chance to put my hands on such a beautiful woman.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
There are other ways around it, she had added with such quiet venom. We might not be able to deal with him, but there are some friends that I made across the sea …
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I hate Olivia Jaeger. I fucking hate her, and I’d happily never love anything if I could hate her my whole life.
Penelope Douglas (Tryst Six Venom)
Jealousy is such a potent threatening emotion. It doesn’t just eat you alive—it eats you from within. It’s venom that spreads in your bloodstream, polluting you, killing you. It corrodes you until there’s nothing left.
Mia Asher (Arsen: A Broken Love Story)
Racists are snakes. Their minds are closed but their mouths are wide open, full of venom, ready to sting and destroy people around them.
Mouloud Benzadi
I know you love her. I’ve never seen you act this crazed in your life. I get that. But Nan hates her. If you love Blaire then protect her from the venom that is dripping from your sister’s fangs. Or I will.
Abbi Glines (Never Too Far (Rosemary Beach, #2; Too Far, #2))
Don't call anyone a devil, because within you, you can experience hell and the devil, and the devil is nothing, but you!
Michael Bassey Johnson
Are you?” “What?” “Venomous?” Another savage smile. He touched the tip of one fang with his tongue and when he drew it away, she saw a pearl of golden liquid. “Try me and see.” “Maybe later, after I’ve survived Michaela.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
When I saw you at the graveyard, looking so white, I knew something was wrong. I knew it." Azalea stared at him, the fire flickering highlights in his eyes. "So...I thought I should do something," he finished lamely. "You saw everything?" Mr. Bradford gave a half of a crooked smile. "I did knock." "You didn't see Mr...Mr.-" "Mr. Keeper?" Mr. Bradford spat the name. "Oh yes, I saw Mr. Keeper. Rather hard not to. I saw him try to kiss you. Or what he said was a kiss. I want to snap his head off!" Azalea had her hand over her mouth, shocked that someone as solemn and dignified as Mr. Bradford could have such venom. He took her hands, gently, and pushed up her sleeved, revealing her swollen wrists. His fringers traced the bruises. "You stopped him," said Azalea. She bowed her head, shy. "You kept him from-from-" "Ah, yes, my lady!" Mr. Bradford smiled a crooked smile in full. "His ponytail was simply begging to be yanked.
Heather Dixon Wallwork (Entwined)
Monsters have the worst taste in women.
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
That’s hard core, Gin,” Finn replied. “Very hard core. Kind of kinky too.” A grim smile tightened my lips. “That’s me. Gin Blanco. Hard core and kinky to the bitter end.
Jennifer Estep (Venom (Elemental Assassin, #3))
She was broken. I was destroyed. This had disaster written all over it.
Parker S. Huntington (Darling Venom)
I don't judge you for what you've done, Gin. Why are you judging me for another man's mistakes?
Jennifer Estep (Venom (Elemental Assassin, #3))
Latent in every man is a venom of amazing bitterness, a black resentment; something that curses and loathes life, a feeling of being trapped, of having trusted and been fooled, of being helpless prey to impotent rage, blind surrender, the victim of a savage, ruthless power that gives and takes away, enlists a man, drops him, promises and betrays, and -crowning injury- inflicts on him the humiliation of feeling sorry for himself.
Paul Valéry
Finn did what he always did when confronted by an angry woman—he checked out her boobs.
Jennifer Estep (Venom (Elemental Assassin, #3))
The spider's web: She finds an innocuous corner in which to spin her web. The longer the web takes, the more fabulous its construction. She has no need to chase. She sits quietly, her patience a consummate force; she waits for her prey to come to her on their own, and then she ensnares them, injects them with venom, rendering them unable to escape. Spiders – so needed and yet so misunderstood.
Donna Lynn Hope
Suicide is a war of two fears—fear of death and fear of the thing that pushes you toward it. The stronger side always wins. And if you lose, the penalty is death.
Parker S. Huntington (Darling Venom)
Men don’t fall in love with women like you, Blaire.” He burns me with his gaze. “They lose their fucking minds.
Mia Asher (Sweetest Venom (Virtue, #2))
You know, you can touch a stick of dynamite, but if you touch a venomous snake it’ll turn around and bite you and kill you so fast it’s not even funny.
Steve Irwin
I know you want this as much as I do," he said. "You aren't going to report me. And even if you did, I'm inclined to think a night with you might well be worth imprisonment.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
How can God be so cruel to grow love in such hopeless places?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
The black widow, who had dispatched a lover or two, was sought out for her wisdom. The young spider asked her, "Did you keep his harmful secret under the threat of danger, or did you spin a web so confusing that he didn't know if you were friend or foe? Did you release him from the web and your presence or will you give another the venom in which to finish him?" The black widow was quiet and then said, "All of the above.
Donna Lynn Hope
This is the underside of my world. Of course you don’t want me to be stupid, bless you! you only want to make sure you’re intelligent. You don’t want me to commit suicide; you only want me to be gratefully aware of my dependency. You don’t want me to despise myself; you only want the flattering deference to you that you consider a spontaneous tribute to your natural qualities. You don’t want me to lose my soul; you only want what everybody wants, things to go your way; you want a devoted helpmeet, a self-sacrificing mother, a hot chick, a darling daughter, women to look at, women to laugh at, women to come for comfort, women to wash your floors and buy your groceries and cook your food and keep your children out of your hair, to work when you need the money and stay home when you don’t, women to be enemies when you want a good fight, women who are sexy when you want a good lay, women who don’t complain, women who don’t nag or push, women who don’t hate you really, women who know their job and above all—women who lose. On top of it all, you sincerely require me to be happy; you are naively puzzled that I should be wretched and so full of venom in this the best of all possible worlds. Whatever can be the matter with me? But the mode is more than a little outworn. As my mother once said: the boys throw stones at the frogs in jest. But the frogs die in earnest.
Joanna Russ (The Female Man)
The venom," she [Susan] said quietly. "They call it their Kiss." "I guess I can't blame them. It sounds a lot more romantic than 'narcotic drool.
Jim Butcher (Death Masks (The Dresden Files, #5))
He who lives for nothing costs the lives of many, but he who lives for something greater than himself preserves those he loves.
Christopher Hopper
The glorification of hatred is predicated on a foundation of fear-induced ignorance venomous to haters and those they believe they hate.
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
He gave me a severe look over his spectacles and said, as if he thought the words were deadly venom and might kill me, "You are an untidy person.
Jim Butcher (Turn Coat (The Dresden Files, #11))
Falco's eyes widened in fake shock. "Well, then perhaps I should ask for a tour of the house." He grinned, clearly relishing Cass's embarrassment. "Can we start with your bedroom?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Authorities tend to frown on things they can't fit into a neat little box.
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
I don’t know what you’re referencing, madam,” the chairman says, his voice raised over mine. “I’m talking about menstruation, sir!” I shout in return. It’s like I set the hall on fire, manifested a venomous snake from thin air, also set that snake on fire, and then threw it at the board. The men all erupt into protestations and a fair number of horrified gasps. I swear one of them actually swoons at the mention of womanly bleeding.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Love is never satisfied with half-measures.  It won’t take parts of you.  It will own all of you, every single, longing piece.   “Love will make you its slave,” I stated venomously.  “It will ruin you.  Grind you under its heel until you don’t recognize what’s left.   “Love will take your soul.
R.K. Lilley (Breaking Him (Love is War, #1))
Spider venom comes in many forms. It can often take a long while to discover the full effects of the bite. Naturalists have pondered this for years: there are spiders whose bite can cause the place bitten to rot and to die, sometimes more than a year after it was bitten. As to why spiders do this, the answer is simple. It's because spiders think this is funny, and they don't want you ever to forget them.
Neil Gaiman (Anansi Boys)
My father knew he was a bastard. He was the venomous serpent in a bed of roses. Apparently, he didn't just acknowledge that fact, he beat people over the head with it. All that was missing was a neon sign that read EVIL AND CONFLICTED ABOUT IT with a flashing arrow pointing at his head.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
Jonah McAllister regarded me with cold eyes. "Oh, yes. That's her. The lovely Ms.Gin Blanco. The bitch who was giving my boy a hard time. A hard time? I supposed so, if you thought turning him in to the cops for attempted robbery, breaking a plate full of food in his face, and ultimately stabbing Jake McAllister to death was a hard time.
Jennifer Estep (Venom (Elemental Assassin, #3))
Horror stories? Absolutely. To share? Not on your life.
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
Trying to will yourself bigger boobs?
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
For the first time, I want to let people in. I didn't want to hang up on Nick. I had to. Because, for the first time, I wanted to say yes.
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
Venom has taken Naasir's place temporarily." This time, the amusement that shaped Raphael's lips was acute. "My mother called to ask what else I have in my menagerie." Elena snorted, in no doubt of Caliane's acerbic tone. "Can you blame her? First you send her a tiger creature who eats people he doesn’t like, and then a vampire with the eyes and fangs of a viper.” She held up a finger. “Oh, and let’s not forget the mortal you keep as a pet.” “My mother does not consider you my pet, Elena. She is very kind to pets.” “Oh, ouch!
Nalini Singh (Archangel's Shadows (Guild Hunter, #7))
The more fragile the animal, the more it needs to protect itself. So the more venom a creature has, the more we should be able to forgive that animal. They're the ones that need it most. And, really, what is more fragile than a jellyfish, which doesn't even have any bones?
Ali Benjamin (The Thing About Jellyfish)
Out, out, thou strumpet Fortune!" I cried with all the venom of Charlton Heston. Oberon asked. "It's a Shakespearean word for whore." <"Cool word! It rhymes with trumpet. And pump it. Why didn't the Black Eyed Peas use it in their song? Aren't rappers always looking for cool new rhymes? They should kick it old school with the Bard.>
Kevin Hearne (Hexed (The Iron Druid Chronicles, #2))
Fucking pro bono work. Going to get me killed one day.
Jennifer Estep (Venom (Elemental Assassin, #3))
Fire, loveliest of the four elements of the world, and yet an element too in Hell. While it burned adoringly in the core of the Temple, it had also scorched the life from a city, this night, and spewed its venom over the land. How strange of God to speak from a burning bush, and of Man to make a symbol of Heaven into a symbol of Hell.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
I am a child of the poisonous wind that copulated with the East River on an oil-slick, garbage infested midnight. I turn about on my own parentage. I inoculate against those very biles that brought me to light. I am a serum born of venoms. I am the antibody of all Time. I am the Cure. You do of the City, do you not? Manhattan is your punisher, let me be you shield.
Ray Bradbury (Long After Midnight)
I love the imagery of struggle. I sometimes wish I were suffering in a good cause, or risking my life for the good of others, instead of just being a gravely endangered patient. Allow me to inform you, though, that when you sit in a room with a set of other finalists, and kindly people bring a huge transparent bag of poison and plug it into your arm, and you either read or don't read a book while the venom sack gradually empties itself into your system, the image of the ardent solider is the very last one that will occur to you. You feel swamped with passivity and impotence: dissolving in powerlessness like a sugar lump in water.
Christopher Hitchens (Mortality)
Obviously, I need to study princesses further.
Nalini Singh (Archangel's Storm (Guild Hunter, #5))
Pain is growth. Fear is risk. You can’t be happy if you’re not growing and taking risks.
Parker S. Huntington (Darling Venom)
I told you not to trust a wolf,” he continued. His words dripped like honeyed venom. “Because it would only ever want to break you.” Darren let out a small, harsh laugh. “Haven’t you figured it out yet? I’m the wolf, Ryiah. I guess what I really should have told you was to never trust a prince, but that’s not quite as memorable.
Rachel E. Carter (Apprentice (The Black Mage, #2))
Shall each man," cried he, "find a wife for his bosom, and each beast have his mate, and I be alone? I had feelings of affection, and they were requited by detestation and scorn. Man! You may hate, but beware! Your hours will pass in dread and misery, and soon the bolt will fall which must ravish from you your happiness forever. Are you to be happy while I grovel in the intensity of my wretchedness? You can blast my other passions, but revenge remains—revenge, henceforth dearer than light or food! I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery. Beware, for I am fearless and therefore powerful. I will watch with the wiliness of a snake, that I may sting with its venom. Man, you shall repent of the injuries you inflict.
Mary Wollstonecraft Shelley (Frankenstein)
What would happen if a man's face could adequately express his suffering, if his entire inner agony would be objectified in his facial expression? Could we still communicate? Wouldn't we then cover our faces with our hands while talking? Life would really be impossible if the infinitude of feelings we harbor within ourselves would be fully expressed in the lines of our face. Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would be truly understand and appreciate the advantages of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
Emil M. Cioran (On the Heights of Despair)
Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the midst of the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would we truly understand and appreciate the advantage of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
Emil M. Cioran (On the Heights of Despair)
Johanna glances over at Finnick, to be sure, then turns to me. “How’d you lose Mags?” “In the fog. Finnick had Peeta. I had Mags for a while. Then I couldn’t lift her. Finnick said he couldn’t take them both. She kissed him and walked right into the poison,” I say. “She was Finnick’s mentor, you know,” Johanna says accusingly. “No, I didn’t,” I say. “She was half his family,” she says a few moments later, but there’s less venom behind it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Every man suddenly became related to Kino's pearl, and Kino's pearl went into the dreams, the speculations, the schemes, the plans, the futures, the wishes, the needs, the lusts, the hungers, of everyone, and only one person stood in the way and that was Kino, so that he became curiously every man's enemy. The news stirred up something infinitely black and evil in the town; the black distillate was like the scorpion, or like hunger in the smell of food, or like loneliness when love is withheld. The poison sacs of the town began to manufacture venom, and the town swelled and puffed with the pressure of it.
John Steinbeck (The Pearl)
Have you ever wondered, perhaps, why opinions which the majority of people quite naturally hold are, if anyone dares express them publicly, denounced as 'controversial, 'extremist', 'explosive', 'disgraceful', and overwhelmed with a violence and venom quite unknown to debate on mere political issues? It is because the whole power of the aggressor depends upon preventing people from seeing what is happening and from saying what they see.
Enoch Powell
In my own professional work I have touched on a variety of different fields. I’ve done work in mathematical linguistics, for example, without any professional credentials in mathematics; in this subject I am completely self-taught, and not very well taught. But I’ve often been invited by universities to speak on mathematical linguistics at mathematics seminars and colloquia. No one has ever asked me whether I have the appropriate credentials to speak on these subjects; the mathematicians couldn’t care less. What they want to know is what I have to say. No one has ever objected to my right to speak, asking whether I have a doctor’s degree in mathematics, or whether I have taken advanced courses in the subject. That would never have entered their minds. They want to know whether I am right or wrong, whether the subject is interesting or not, whether better approaches are possible… the discussion dealt with the subject, not with my right to discuss it. But on the other hand, in discussion or debate concerning social issues or American foreign policy…. The issue is constantly raised, often with considerable venom. I’ve repeatedly been challenged on grounds of credentials, or asked, what special training do I have that entitles you to speak on these matters. The assumption is that people like me, who are outsiders from a professional viewpoint, are not entitled to speak on such things. Compare mathematics and the political sciences… it’s quite striking. In mathematics, in physics, people are concerned with what you say, not with your certification. But in order to speak about social reality, you must have the proper credentials, particularly if you depart from the accepted framework of thinking. Generally speaking, it seems fair to say that the richer the intellectual substance of a field, the less there is a concern for credentials, and the greater is the concern for content.
Noam Chomsky
After almost 70 years of being paralysed into silence by the Zionist venom — the accusation of anti-Semitism and Holocaust denial — the world in general and the West in particular, have continued to tolerate Israel’s unrelenting arrogance, barbarity, and contemptuous disregard for international law including the UDHR. That venom has prevented condemnation of incalculable cheating, lying, stealing, murdering, and ruthless violation of the legal and natural human rights of the Palestinian people by a nation devoid of conscience, humanity, or any of the noble principles claimed by the religion which it claims to represent.
William Hanna (The Grim Reaper)
And now the measure of my song is done: The work has reached its end; the book is mine, None shall unwrite these words: nor angry Jove, Nor war, nor fire, nor flood, Nor venomous time that eats our lives away. Then let that morning come, as come it will, When this disguise I carry shall be no more, And all the treacherous years of life undone, And yet my name shall rise to heavenly music, The deathless music of the circling stars. As long as Rome is the Eternal City These lines shall echo from the lips of men, As long as poetry speaks truth on earth, That immortality is mine to wear.
Ovid (Metamorphoses)
When people are kids their parents teach them all sorts of stuff, some of it true and useful, some of it absurd hogwash (example of former: don't crap your pants; example of latter: Columbus discovered America). This is why puberty happens. The purpose of puberty is to shoot an innocent and gullible child full of nasty glandular secretions that manifest in the mind as confusion, in the innards as horniness, upon the skin as pimples, and on the tongue as cocksure venomous disbelief in every piece of information, true or false, gleaned from one's parents since infancy. The net result is a few years of familial hell culminating in the child's exodus from the parental nest, sooner or later followed by a peace treaty and the emergence of the postpubescent as an autonomous, free-thinking human being who knows that Columbus only trespassed on an island inhabited by our lost and distant Indian relatives, but who also knows not to crap his pants.
David James Duncan (The River Why)
Who will you be when faced with the end? The end of a kingdom, The end of good men, Will you run? Will you hide? Or will you hunt down evil with a venomous pride? Rise to the ashes, Rise to the winter sky, Rise to the calling, Make heard the battle cry. Let it scream from the mountains From the forest to the chapel, Because death is a hungry mouth And you are the apple. So who will you be when faced with the end? When the vultures are circling And the shadows descend Will you cower? Or will you fight? Is your heart made of glass? Or a pure Snow White?
Lily Blake (Snow White & the Huntsman)
Let me tell you what I think about your fucking rules," he said, his voice dripping with venom as he pushed past Liam. "You sit up in your room and you pretend like you want what's best for everyone, but you don't do any of the work yourself. I can't tell if you're just a spoiled little shit, or if you're too worried about getting your pretty princess hands dirty, but it sucks. You are fucking awful, and you sure as hell don't have me fooled... You talk about us all being equals, like we're one big rainbow of peace and all that bullshit, but you never once believed that yourself, did you? You won't let anyone contact their parents, and you don't care about the kids that are still trapped in camps your father set up. You wouldn't even listen when the Watch kids brought it up. So what I want to know is, why can't we leave?... What's the point of this place, other than for you to get off on how great you are and toy with people and their feelings?
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Shara was already an avid reader by then, but she had never realized until that moment what books meant, the possibility they presented: you could protect them forever, store them up like engineers store water, endless resources of time and knowledge snared in ink, tied down to paper, layered on shelves.... Moments made physical, untouchable, perfect, like preserving a dead hornet in crystal, one drop of venom forever hanging from its stinger. She felt overwhelmed. It was--she briefly thinks of herself and Vo, reading together in the library--a lot like being in love for the first time.
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
All games have morals; and the game of Snakes and Ladders captures, as no other activity can hope to do, the eternal truth that for every ladder you climb, a snake is waiting just around the corner; and for every snake, a ladder will compensate. But it's more than that; no mere carrot-and-stick affair; because implicit in the game is the unchanging twoness of things, the duality of up against down, good against evil; the solid rationality of ladders balances the occult sinuosities of the serpent; in the opposition of staircase and cobra we can see, metaphorically, all conceivable oppositions, Alpha against Omega, father against mother; here is the war of Mary and Musa, and the polarities of knees and nose ... but I found, very early in my life, that the game lacked one crucial dimension, that of ambiguity - because, as events are about to show, it is also possible to slither down a ladder and climb to triumph on the venom of a snake ...
Salman Rushdie
I'm speechless.I think at the rooftops of Paris. he touches my cheek,pulling my gaze back to him.I suck in my breath. "Anna.I'm sorry for what happened in Luxembourg Gardens.Not because of the kiss-I've never had a kiss like that in my life-but because I didn't tell you why I was running away.I chased after Meredith because of you." Touch me again. Please,touch me again. "All I could think about was what that bastard did to you last Christmas. Toph never tried to explain or apologize. How could I do that to Mer? And I ought to have called you before I went to Ellie's,but I was so anxious to just end it,once and for all,that I wasn't thinking straight." I reach for him. "St. Clair-" He pulls back. "And that.Why don't you call me Etienne anymore?" "But...no one else calls you that.It was weird.Right?" "No.It wasn't." His expression saddens. "And every time you say 'St. Clair,' it's like you're rejecting me again." "I have never rejected you." "But you have.And for Dave." His tone is venomous. "And you rejected me for Ellie on my birthday. I don't understand.If you liked me so much,why didn't you break up with her?" He gazes at the river. "I've been confused. I've been so stupid." "Yes.You have." "I deserve that." "Yes.You do." I pause. "But I've been stupid,too.You were right.About...the alone thing.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When the Devil was a woman, When Lilith wound Her ebony hair in heavy braids, And framed Her pale features all 'round With Botticelli's tangled thoughts, When she, smiling softly, Ringed all her slim fingers In golden bands with brilliant stones, When she leafed through Villiers And loved Huysmans, When she fathomed Maeterlinck's silence And bathed her Soul In Gabriel d'Annunzio's colors, She even laughed And as she laughed, The little princess of serpents sprang Out of her mouth. Then the most beautiful of she-devils Sought after the serpent, She seized the Queen of Serpents With her ringed finger, So that she wound and hissed Hissed, hissed And spit venom. In a heavy copper vase; Damp earth, Black damp earth She scattered upon it. Lightly her great hands caressed This heavy copper vase All around, Her pale lips lightly sang Her ancient curse. Like a children's rhyme her curses chimed, Soft and languid Languid as the kisses, That the damp earth drank From her mouth, But life arose in the vase, And tempted by her languid kisses, And tempted by those sweet tones, From the black earth slowly there crept, Orchids - When the most beloved Adorns her pale features before the mirror All 'round with Botticelli's adders, There creep sideways from the copper vase, Orchids- Devil's blossoms which the ancient earth, Wed by Lilith's curse To serpent's venom, has borne to the light Orchids- The Devil's blossoms- "The Diary Of An Orange Tree
Hanns Heinz Ewers (Nachtmahr: Strange Tales)
I rarely suffer lengthy emotional distress from contact with other people. A person may anger or annoy me, but not for long. I can distinguish between myself and another as beings of two different realms. It's a kind of talent (by which I do not mean to boast: it's not an easy thing to do, so if you can do it, it is a kind of a talent - a special power). When someone gets on my nerves, the first thing I do is transfer the object of my unpleasant feelings to another domain, one having no connection with me. Then I tell myself, Fine, I'm feeling bad, but I've put the source of these fellings into another zone, away from here, where I can examine it and deal with it later in my own good time. In other words, I put a freeze on my emotions. Later, when I thaw them out to perform the examination, I do occasionally find my emotions in a distressed state, but that is rare. The passage of time will usuallly extract the venom from most things and render them harmless. Then sooner or later, I forget about them.
Haruki Murakami (The Wind-Up Bird Chronicle)
Thrice the brinded cat hath mew’d. Thrice and once the hedge-pig whined. Harpier cries ’Tis time, ’tis time. Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder’s fork and blind-worm’s sting, Lizard’s leg and owlet’s wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf Of the ravin’d salt-sea shark, Root of hemlock digg’d i’ the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver’d in the moon’s eclipse, Nose of Turk and Tartar’s lips, Finger of birth-strangled babe Ditch-deliver’d by a drab, Make the gruel thick and slab: Add thereto a tiger’s chaudron, For the ingredients of our cauldron. Double, double toil and trouble; Fire burn and cauldron bubble. By the pricking of my thumbs, Something wicked this way comes.
William Shakespeare
We may see a Creature with forty-nine heads Who lives in the desolate snow, And whenever he catches a cold (which he dreads) He has forty-nine noses to blow. 'We may see the venomous Pink-Spotted Scrunch Who can chew up a man with one bite. It likes to eat five of them roasted for lunch And eighteen for its supper at night. 'We may see a Dragon, and nobody knows That we won't see a Unicorn there. We may see a terrible Monster with toes Growing out of the tufts of his hair. 'We may see the sweet little Biddy-Bright Hen So playful, so kind and well-bred; And such beautiful eggs! You just boil them and then They explode and they blow off your head. 'A Gnu and a Gnocerous surely you'll see And that gnormous and gnorrible Gnat Whose sting when it stings you goes in at the knee And comes out through the top of your hat. 'We may even get lost and be frozen by frost. We may die in an earthquake or tremor. Or nastier still, we may even be tossed On the horns of a furious Dilemma. 'But who cares! Let us go from this horrible hill! Let us roll! Let us bowl! Let us plunge! Let's go rolling and bowling and spinning until We're away from old Spiker and Sponge!
Roald Dahl (James and the Giant Peach)
Know this: I, Mercurius, have here set down a full, true and infallible account of the Great Work. But I give you fair warning that unless you seek the true philosophical gold and not the gold of the vulgar, unless you heart is fixed with unbending intent on the true Stone of the Philosophers, unless you are steadfast in your quest, abiding by God’s laws in all faith and humility and eschewing all vanity, conceit, falsehood, intemperance, pride, lust and faint-heartedness, read no farther lest I prove fatal to you. For I am the watery venomous serpent who lies buried at the earth’s centre; I am the fiery dragon who flies through the air. I am the one thing necessary for the whole Opus. I am the spirit of metals, the fire which does not burn, the water which does not wet the hands. If you find the way to slay me you will find the philosophical mercury of the wise, even the White Stone beloved of the Philosophers. If you find the way to raise me up again, you will find the philosophical sulphur, that is, the Red Stone and Elixir of Life. Obey me and I will be your servant; free me and I will be your friend. Enslave me and I am a dangerous enemy; command me and I will make you mad; give me life and you will die.
Patrick Harpur (Mercurius: The Marriage of Heaven and Earth)
Realizing the seriously ruthless, venomous habits and agendas of evil always instills a more fierce passion and longing for a closer God. Men, out of pride, may claim their own authorities over what constitutes good and evil; they may self-proclaim a keen knowledge of subjective morality through religion or science. But that is only if they are acknowledging the work of evil as a cartoon-like, petty little rain cloud in the sky that merely wants to dampen one's spirits. On the contrary, a man could be without a doubt lit with the strength, the peace, and the knowledge of the gods, his gods, but when or if the devils grow weary in unsuccessful attempts to torment him, they begin tormenting his loved ones, or, if not his loved ones, anyone who may attempt to grasp his philosophies. No matter how godly he may become, God is, in the end, his only hope and his only grace for the pressures built around him - it is left up to a higher authority and a more solid peace and a wider love to eclipse not just one's own evils but all evils for goodness to ultimately matter. If all men were gods, each being would dwell in a separate prison cell, hopeless, before finally imploding into nothingness.
Criss Jami (Killosophy)