Venom Marvel Quotes

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It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling
Pablo Neruda
She looked at me with gentle indignation. She was what we have after sixty million years of the Cenozoic. There were a lot of random starts and dead ends. Those big plated pea-brain lizards didn’t make it. Sharks, scorpions and cockroaches, as living fossils, are lasting pretty well. Savagery, venom and guile are good survival quotients. This forked female mammal didn’t seem to have enough tools. One night in the swamps would kill her. Yet behind all that fragility was a marvelous toughness. A Junior Allen was less evolved. He was a skull-cracker, two steps away from the cave. They were at the two ends of our bell curve, with all the rest of us lumped in the middle. If the trend is still supposed to be up, she was of the kind we should breed, accepting sensitivity as a strength rather than a weakness. But there is too much Junior Allen seed around.
John D. MacDonald (The Deep Blue Good-By)
Steve knew just how and when to find them. We headed out early the next morning, before there was wind. The temperature was exactly right at eighty-six degrees Fahrenheit. Steve got a faraway look in his eye, as though he was concentrating or communicating. Then he headed off. Ten minutes later, we were on the trail of a fierce snake. “Would you like to tail one?” Steve asked. “Are you kidding?” I said. “I don’t know how to catch a fierce snake.” Steve had already “tailed” one of the snakes. Gently grabbing the end of its tail, he could hold it at arm’s length and examine it. During this procedure, snakes would often defecate, and we could get some clue about what they’d been eating. Steve would tail a snake, put it in a bag, release it, and keep what remained. “You grab the next one,” Steve said. He spotted a four- or five-foot-long fierce snake. It glistened in the sun like glass, brilliantly shiny and sleek. “It’s warming up now,” Steve said as we approached. “You’re going to have to be quick.” Yes, Terri, I said to myself, please be quick so as not to get struck by the most venomous snake on earth. If you get bitten out here, you’re in a load of trouble. We crept up behind the fierce snake. I got close enough to grab it, but the snake suddenly and violently swung its head around, directly at me, poised and ready to strike. I backed off abruptly. Time and again I approached the snake just as I’d seen Steve do it: Walk up behind the snake as it started to slither away, and grab it by the tail. I knew what to do, but I couldn’t do it. Every time I reached down, the snake would swing around and I would jump a mile. We wandered farther and farther on the trail of the snake. I could see our truck way in the distance. I sweated profusely. I kept thinking the same thought. If I get bitten by this snake, I’m dead. Then I would try to push that thought away. Stop thinking, just grab the snake. Steve wouldn’t ask you to do something that you couldn’t do. But the whole process was becoming ridiculous. “What am I doing wrong?” I wailed. “You are too bloody scared,” Steve said. “Oh,” I said. Then I reached down and picked up the snake. It was magic. Once I had the nice, soft, supple body in my hands, it was as though the snake and I had a connection. Its skin was warm to my touch from sitting in the sun. I suddenly understood exactly how to hold on so it wouldn’t get away, and yet not squeeze it so tightly that it would get angry. The snake naturally kept trying to move off. I let the front part of its body stay on the ground and held the tail up. I felt such triumph--not that I had dominated the snake, but that it had let me pick it up. Steve held out the catch bag, and I carefully dropped the snake in. He tied a knot in the bag. We looked at each other and grinned. Then we both whooped and hollered and jumped in the air. He hugged and kissed me. “I’m proud of you, Terri,” he said. Once again I marveled at Steve’s instincts. He knew that this particular snake would be okay for me to pick up. He never hesitated, he never yelled at me or coached me--until I asked for help. Then he simply told me what to do.
Terri Irwin (Steve & Me)
To tell a name is to control the thing,
Diane Duane (Marvel classic novels - Spider-Man: The Venom Factor Omnibus)
Your drawing!” Her lantern fell to the ground, the candle flame blowing out as she ran after the flying parchment and tackled it. “So fierce,” Falco murmured, holding out a hand to help Cass to her feet. “I’m beginning to enjoy picking you up off the ground.” Cass looked down at the paper in her hand, which had unrolled during its journey across the grass. The moonlight illuminated what he had drawn: a gorgeous reproduction of the gravestone with the doves on top. Cass flipped the parchment over. On the other side, Falco had sketched the rough outline of a woman’s body. Cass’s breath caught; she couldn’t tear her eyes away from the figure. She marveled at the sharpness of the knees and elbows, at the soft roundness of the figure’s breasts. The face was still a heart-shaped blank, but the hair looked familiar: it fell in thick, lustrous waves like Cass’s own. Falco laughed, leaning in close to Cass. “It almost looks like you’re blushing. Why? It’s not like you’ve never seen a woman’s body before.” “You’ve obviously seen more than I have,” Cass said sharply. Her fingers trembled as she handed the parchment back to Falco, trying to look everywhere but at the drawing, wishing he hadn’t seen her staring at it. Who is she? She wanted to ask, but the words held fast to her lips. “If I have, it’s a shame.” Even in the dark, his eyes were flashing. “If I had your body, I’d stare at it for hours. Days, maybe.” Cass sucked in a sharp breath. “You can’t just say things like that. It’s not, it’s not--” “Proper?” Falco finished. “Perhaps. I didn’t mean it to be offensive. A woman’s body is a beautiful thing.” He took ahold of Cass’s hand and twisted it from side to side, opening and closing her fingers. “The human form, it’s a symphony. Tiny interlocking movements that join together in song.” He slid his hands down over her knuckles until he was gripping the very tips of her fingers. “You play a more delicate tune than I do. Have you never noticed?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))