Venice At Night Quotes

It is a beautiful and delightful sight to behold the body of the Moon.

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. Mark the music.

In Venice in the Middle Ages there was once a profession for a man called a codega--a fellow you hired to walk in front of you at night with a lit lantern, showing you the way, scaring off thieves and demons, bringing you confidence and protection through the dark streets.

The moon shines bright: in such a night as this, When the sweet wind did gently kiss the trees, And they did make no noise, in such a night, Troilus methinks mounted the Troyan walls, And sigh'd his soul toward the Grecian tents, Where Cressid lay that night.

How sweet the moonlight sleeps upon this bank! Here will we sit and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.

Living as a couple never means that each gets half. You must take turns at giving more than getting. It’s not the same as a bow to the other whether to dine out rather than in, or which one gets massaged that evening with oil of calendula; there are seasons in the life of a couple that function, I think, a little like a night watch. One stands guard, often for a long time, providing the serenity in which the other can work at something. Usually that something is sinewy and full of spines. One goes inside the dark place while the other one stays outside, holding up the moon.

What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.

I wrote too many poems in a language I did not yet know how to speak But I know now it doesn't matter how well I say grace if I am sitting at a table where I am offering no bread to eat So this is my wheat field you can have every acre, Love this is my garden song this is my fist fight with that bitter frost tonight I begged another stage light to become that back alley street lamp that we danced beneath the night your warm mouth fell on my timid cheek as i sang maybe i need you off key but in tune maybe i need you the way that big moon needs that open sea maybe i didn't even know i was here til i saw you holding me give me one room to come home to give me the palm of your hand every strand of my hair is a kite string and I have been blue in the face with your sky crying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest now my heart is a pressed flower and a tattered bible it is the one verse you can trust so I'm putting all of my words in the collection plate I am setting the table with bread and grace my knees are bent like the corner of a page I am saving your place

What lurking temptations to forbidden tenderness find their finding-places in a woman's dressing-gown, when she is alone in her room at night!

By the sweet power of music: therefore the poet did feign that Orpheus drew trees, stones and floods; since nought so stockish, hard and full of rage, but music for the time doth change his nature. The man that hath no music in himself, nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils; The motions of his spirit are dull as night and his affections dark as Erebus: Let no such man be trusted. Mark the music.

The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.

He was aware for the first time of how quiet the city had gotten. After dark the streets and canals seemed to empty out. As if Venice felt less of an obligation to pretend to be part of this millennium at night, and had reverted to its medieval self again.

Thus it transpired that even Berlin could be mysterious. Within the linden's bloom the streetlight winks. A dark and honeyed hush envelops us. Across the curb one's passing shadow slinks: across a stump a sable ripples thus. The night sky melts to peach beyond that gate. There water gleams, there Venice vaguely shows. Look at that street--it runs to China straight, and yonder star above the Volga glows! Oh, swear to me to put in dreams your trust, and to believe in fantasy alone, and never let your soul in prison rust, nor stretch your arm and say: a wall of stone.

By day it is filled with boat traffic - water buses, delivery boats, gondolas - if something floats and it's in Venice, it moves along the Grand Canal. And by daylight it is one of the glories of the Earth. But at night, especially when the moon is full and the soft illumination reflects off the water and onto the palaces - I don't know how to describe it so I won't, but if you died and in your will you asked for your ashes to be spread gently on the Grand Canal at midnight with a full moon, everyone would know this about you - you loved and understood beauty.

That night we made love "the real way" which we had not yet attempted although married six months. Big mystery. No one knew where to put their leg and to this day I'm not sure we got it right. He seemed happy. You're like Venice he said beautifully. Early next day I wrote a short talk ("On Defloration") which he stole and had published in a small quarterly magazine. Overall this was a characteristic interaction between us. Or should I say ideal. Neither of us had ever seen Venice.

If she were his woman, he’d never allow it. He’d never let her out of his sight for fear something bad could happen to her. He’d protect her day and night.

Do you think,” she says, the words emerging thickly, “we might have used up all our conversation last night?” “Not possible,” says Oliver, and the way he says it, his mouth turned up in a smile, his voice full of warmth, unwinds the knot in Hadley’s stomach. “We haven’t even gotten to the really important stuff yet.” “Like what?” she asks, trying to arrange her face in a way that disguises the relief she feels. “Like what’s so great about Dickens?” “Not at all,” he says. “More like the plight of koalas. Or the fact that Venice is sinking.” He pauses, waiting for this to register, and when Hadley says nothing, he slaps his knee for emphasis. “Sinking! The whole city! Can you believe it?” She frowns in mock seriousness. “That does sound pretty important.” “It is,” Oliver insists. “And don’t even get me started on the size of our carbon footprint after this trip. Or the difference between crocodiles and alligators. Or the longest recorded flight of a chicken.” “Please tell me you don’t actually know that.” “Thirteen seconds,” he says, leaning forward to look past her and out the window. “This is a total disaster. We’re nearly to Heathrow and we haven’t even properly discussed flying chickens.

In such a night stood Dido with a willow in her hand upon the wild sea-banks, and waft her love to come again to Carthage Jessica: In such a night Medea gathered the enchanted herbs that did renew old Aeson. Lorenzo: In such a night did Jessica steal from the wealthy Jew, and with an unthrift love did run from Venice, as far as Belmont. Jessica: In such a night did young Lorenzo swear he lov'd her well, stealing her soul with many vows of faith, and ne'er a true one. Lorenzo: In such a night did pretty Jessica (like a little shrow) slander her love, and he forgave it her. Jessica: I would out-night you, did nobody come; but hark, I hear the footing of a man.

However much they may smile at her, the old inhabitants would miss Tillie. Her stories give them something to talk about and to conjecture about, cut off as they are from the restless currents of the world. The many naked little sandbars which lie between Venice and the mainland, in the seemingly stagnant water of the lagoons, are made habitable and wholesome only because, every night, a foot and a half of tide creeps in from the sea and winds its fresh brine up through all that network of shining waterways. So, into all the little settlements of quiet people, tidings of what their boys and girls are doing in the world bring real refreshment; bring to the old, memories, and to the young, dreams.

In Venice, a long time ago, when we had our own calendar and stayed aloof from the world, we began the days at night. What use was the sun to us when our trade and our secrets and our diplomacy depended on darkness? In the dark you are in disguise and this is the city of disguises.

Kerrigan?" she tried again. "Aye, Lady Mouse. I am here." Relieved, she smiled at the sound of his voice in her head. During the day, he was oft silent. But at night…at night he would speak softly to her and tell her of his travels through time as he eluded those who were after him. "Where are you today, my lord?" "I'm in Venice, during a carnival. It's beautiful here. There are minstrels and acrobats all around. Plenty of places to hide from Morgen and her spies." "You are safe?" "Aye, Lady Mouse. I am always safe. But I've no wish to talk about me. How are you doing?" "I miss you." She swore she could feel his pain as well as her own. "I miss you as well and I think of you constantly." -Kerrigan and Seren communicating though their thoughts as they were apart.

I've always preferred the city at night. I believe that San Judas, or any city, belongs to the people who sleep there. Or maybe they don't sleep - some don't - but they live there. Everybody else is just a tourist. Venice, Italy, for instance, pulls in a millions tourists for their own Carnival season but the actual local population is only a couple of hundred thousand. Lots of empty canals and streets at night, especially when you get away from the big hotels, and the residents pretty much have it to themselves when tourist season slows during the winter. Jude has character - everybody agrees on that. It also has that thing I like best about a city: You can never own it, but it you treat it with respect it will eventually invite you in and make you one of its true citizens. But like I said, you've got to live there. If you're never around after the bars close, or at the other end of the night as the early workers get up to start another day and the coffee shops and news agents raise their security gates, then you don't really know the place, do you?

How good, he thinks, that she breathes in oblivion with every breath she draws! That in childhood each night is a deep wide gulf between one day and the next.

Some cities are pretty at night, others only during the day but a handful truly great places can be both pretty at nighttime and at daytime. Venice is one of them.

And across the water, you would swear you could sniff it all; the cinnamon and the cloves, the frankincense and the honey and the licorice, the nutmeg and citrons, the myrrh and the rosewater from Persia in keg upon keg. You would think you could glimpse, heaped and glimmering, the sapphires and the emeralds and the gauzes woven with gold, the ostrich feathers and the elephant tusks, the gums and the ginger and the coral buttons mynheer Goswin the clerk of the Hanse might be wearing on his jacket next week. . . . The Flanders galleys put into harbor every night in their highly paid voyage from Venice, fanned down the Adriatic by the thick summer airs, drifting into Corfu and Otranto, nosing into and out of Sicily and round the heel of Italy as far as Naples; blowing handsomely across the western gulf to Majorca, and then to the north African coast, and up and round Spain and Portugal, dropping off the small, lucrative loads which were not needed for Bruges; taking on board a little olive oil, some candied orange peel, some scented leather, a trifle of plate and a parrot, some sugar loaves.

Whilst in the process of losing all his money, Cardano noticed that his opponent had marked the cards. Whereupon he leapt up, slashed his opponent across the face with his dagger and grabbed the money. Outwitting his host's spear-wielding servants, he fled into the night-shrouded maze of the streets, eventually falling into a canal. [Footnote: It is interesting to note that Cardano may well have been rector of the University of Padua at the time.]

Footnote 164: "I finally hooked up with Ashley. I went over to her place yesterday morning. Early. She lives in Venice. Her eyebrows look like flakes of sunlight. Her smile, I'm sure, burnt Rome to the ground. And for the life of me I didn't know who she was or where we met... We sat down and I wanted to talk. I wanted to ask her who she was, where we'd met, been before, but she just smiled and held my hand as we lay down on the hammock and started to swing above all those dead leaves... Before I left she told me our story: where we met - Texas - kissed, but never made love and this had confused and haunted her and she had needed it before she got married which was in four months to a man she loved who made a living manufacturing TNT exclusively for a highway construction firm up in Colorado where he frequently went on business trips and where one night, drunk, angry and disappointed he had invited a hooker back to his motel room and so on and who cared and what was I doing here anyway?... I was still hurting, abandoned, drank three glasses of bourbon and fumed on some weed, then came here, thinking of voices, real and imagined, of ghosts, my ghost, of her, at long last, in this idiotic footnote, when she gently pushed me out her door and I said quietly 'Ashley' causing her to stop pushing me and ask 'yes?' her eyes bright with something she saw that I could never see though what she saw was me, and me not caring now at least knowing the truth and telling her the truth: 'I've never been to Texas.'" - House of Leaves

All lonely, beautifully silent and so very enchanting the city seems at night when every tourist, hotelier and tour guide have gone to bed, almost like a ghost town if it weren’t for the one or other lit window and a few lonely insomniac people walking the alleys here and there.

Then I saw the keyboard of an organ which filled one whole side of the walls. On the desk was a music-book covered with red notes. I asked leave to look at it and read, ‘Don Juan Triumphant.’ ‘Yes,’ he said, 'I compose sometimes.’ I began that work twenty years ago. When I have finished, I shall take it away with me in that coffin and never wake up again.’ 'You must work at it as seldom as you can,’ I said. He replied, 'I sometimes work at it for fourteen days and nights together, during which I live on music only, and then I rest for years at a time.’ 'Will you play me something out of your Don Juan Triumphant?’ I asked, thinking to please him. 'You must never ask me that,’ he said, in a gloomy voice. 'I will play you Mozart, if you like, which will only make you weep; but my Don Juan, Christine, burns; and yet he is not struck by fire from Heaven.’ Thereupon we returned to the drawing-room. I noticed that there was no mirror in the whole apartment. I was going to remark upon this, but Erik had already sat down to the piano. He said, 'You see, Christine, there is some music that is so terrible that it consumes all those who approach it. Fortunately, you have not come to that music yet, for you would lose all your pretty coloring and nobody would know you when you returned to Paris. Let us sing something from the Opera, Christine Daae.’ He spoke these last words as though he were flinging an insult at me.” “What did you do?” “I had no time to think about the meaning he put into his words. We at once began the duet in Othello and already the catastrophe was upon us. I sang Desdemona with a despair, a terror which I had never displayed before. As for him, his voice thundered forth his revengeful soul at every note. Love, jealousy, hatred, burst out around us in harrowing cries. Erik’s black mask made me think of the natural mask of the Moor of Venice. He was Othello himself. Suddenly, I felt a need to see beneath the mask. I wanted to know the FACE of the voice, and, with a movement which I was utterly unable to control, swiftly my fingers tore away the mask. Oh, horror, horror, horror!” Christine stopped, at the thought of the vision that had scared her, while the echoes of the night, which had repeated the name of Erik, now thrice moaned the cry: “Horror! … Horror! … Horror!

Martha’s Vineyard had fossil deposits one million centuries old. The northern reach of Cape Cod, however, on which my house sat, the land I inhabited—that long curving spit of shrub and dune that curves in upon itself in a spiral at the tip of the Cape—had only been formed by wind and sea over the last ten thousand years. That cannot amount to more than a night of geological time. Perhaps this is why Provincetown is so beautiful. Conceived at night (for one would swear it was created in the course of one dark storm) its sand flats still glistened in the dawn with the moist primeval innocence of land exposing itself to the sun for the first time. Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit. One remembered then that the land was only ten thousand years old, and one’s ghosts had no roots. We did not have old Martha’s Vineyard’s fossil remains to subdue each spirit, no, there was nothing to domicile our specters who careened with the wind down the two long streets of our town which curved together around the bay like two spinsters on their promenade to church.   NORMAN MAILER, from Tough Guys Don’t Dance

I’ve been around the world, and I thought I’d seen everything it had to offer until that night, until I saw you. In all my life, I’ve never seen anything so beautiful, not standing in the Blue Mosque or the Taj Mahal. Not in the streets of Rome or canals of Venice. Making you smile gives me life. Making you laugh gives me hope. Making you happy is all I want, other than to keep you

EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel

The fortnight in Venice passed quickly and sweetly- perhaps too sweetly; I was drowning in honey, stingless. On some days life kept pace with the gondola, as we nosed through the side canals and the boatman uttered his plaintive musical bird-cry of warning; on other days with the speed-boat bouncing over the lagoon in a stream of sun-lit foam; it left a confused memory of fierce sunlight on the sands and cool, marble interiors; of water everywhere, lapping on smooth stone, reflected in a dapple of light on painted cielings; of a night at the Corombona palace such as Byron might have known, and another Byronic night fishing for scampi in the shallows of Chioggia, the phosphorescent wake of the little ship, the lantern swinging in the prow, and the net coming up full of weed and sand and floundering fishes; of melon and prosciutto on the balcony in the cool of the morning; of hot cheese sandwiches and champagne cocktails at Harrys Bar.

m. He has waited so long-and we all know what torture waiting can be! His whole life is waiting-waiting for the next walk in the open, a waiting that begins as soon as he is rested from the last one. Even his night consists of waiting; for his sleep is distributed throughout the whole twenty-four hours of the day, with many a little nap on the grass in the garden, the sun shining down warm on his coat, or behind the curtains of his kennel, to break up and shorten the empty spaces of the day.

I asked her to tell me what the best moment of her life had been Did she? Yes, she told me about a trip the two of you had taken to Europe together right after you graduated from high school. Pascal in Paris, it had been a dream of hers to visit Pascal’s grave. On that trip she finally did. I’d never seen her so excited. That wasn’t it. It wasn’t? No, it was in a hostel in Venice. The two of you had been travelling for a couple of weeks and all of your clothes were filthy. You didn’t mind the dirty clothes very much. Lila said you were able to roll with the punches and for you, everything about the trip, even the dirty laundry, was a great adventure. But Lila liked things a certain way, and she hated being dirty. That day she had gone off in search of a laundry mat but hadn’t been able to find one. You were sleeping in a room with a dozen bunks, women and men together. In the middle of the night Lila woke up and realized you weren’t in your bed. She thought you must have gone to the bathroom, but after a couple minutes when you hadn’t returned she became worried. She climbed down from her bunk and went to the bathroom to find you, you weren’t there. She wondered up and down the hallway softly calling your name. A few of the rooms were private and had the doors closed. As she became increasingly worried she began putting her ear to those doors listening for you. Then she heard banging down below. Alarmed she went down the dark stairwell to the basement. She saw you before you saw her. You were working in the dim light of a single blub standing over an old hand operated washing machine. She asked what you were doing, what does it look like you said smiling. What Lila remembered from that night was that you actually looked happy to be standing there in the cold basement in the middle of the night washing clothes by hand. And she knew you wouldn’t have minded wearing dirty clothes for another week or two, you were doing it for her. She said that. Yes when I asked her what the best moment of her life had been she had told me that story. But it was nothing. To her it was.

Mathias remembered that once when he was a boy, he'd gone up to a pile of red apples that lay in the market cart, in the market near Stolberg where his father often took him. He'd always loved apples, and he couldn't resist the temptation of grabbing one out of the pile. He chose the closest, a splendid red piece of fruit that he would never forget because of his overwhelming desire to take it and hide it in the folds of his clothing. A moment after Mathias reached out and snatched it, the pile slid and applies tumbled down all around him. The farmer, who knew his father, would have been satisfied with an apology. But his father, a successful craftsman who was well-known and respected in the town, had insisted on purchasing an entire basketful of apples, because of the trouble Mathias had caused. Mathias got the worst scolding his father had ever given him. Not because of the money, but for the small act of petty thievery, which an upright man like his father would never tolerate. He shouldered his punishment, and in the end was only allowed to eat as single apple from the basket. He spent the night thinking about the pile. He had to remove only one and the whole thing had come down. He wondered if the same thing might happen with any tower, no matter how majestic and imposing it might seem, were someone to remove the right stone from the base. The thought stayed with him throughout his life. Venice now seemed a lot like that pile of apples. If three murders truly represented an irresistible opportunity, then which nobleman would have seized it, knowing that such a thing would cause La Serenissima and everything it represented to come crashing down?

IN THE fifteenth century, a swampy parcel of land in the sestieri of Cannaregio was set aside for the construction of a new brass foundry, known in the Venetian dialect as a geto. The foundry was never built, and a century later, when the rulers of Venice were looking for a suitable spot to confine the city’s swelling population of unwanted Jews, the remote parcel known as Ghetto Nuovo was deemed the ideal place. The campo was large and had no parish church. The surrounding canals formed a natural moat, which cut off the island from the neighboring communities, and the single bridge could be guarded by Christian watchmen. In 1516, the Christians of Ghetto Nuovo were evicted and the Jews of Venice were forced to take their place. They could leave the ghetto only after sunrise, when the bell tolled in the campanile, and only if they wore a yellow tunic and hat. At nightfall they were required to return to the island, and the gates were chained. Only Jewish doctors could leave the ghetto at night. At its height, the population of the ghetto was more than five thousand. Now, it was home to only twenty Jews.

Doubtless, if, at that time, I had paid more attention to what was in my mind when I pronounced the words "going to Florence, to Parma, to Pisa, to Venice,” I should have realised that what I saw was in no sense a town, but something as different from anything that I knew, something as delicious, as might be, for a human race whose whole existence had passed in a series of late winter afternoons, that inconceivable marvel, a morning in spring. These images, unreal, fixed, always alike, filling all my nights and days, differentiated this period in my life from those which had gone before it (and might easily have been confused with it by an observer who saw things only from without, that is to say who saw nothing), as in an opera a melodic theme introduces a novel atmosphere which one could never have suspected if one had done no more than read the libretto, still less if one had remained outside the theatre counting only the minutes as they passed. And besides, even from the point of view of mere quantity, in our lives the days are not all equal. To get through each day, natures that are at all highly strung, as was mine, are equipped, like motor-cars, with different gears. There are mountainous, arduous days, up which one takes an infinite time to climb, and downward-sloping days which one can descend at full tilt, singing as one goes. During this month—in which I turned over and over in my mind, like a tune of which one never tires, these visions of Florence, Venice, Pisa, of which the desire that they excited in me retained something as profoundly personal as if it had been love, love for a person—I never ceased to believe that they corresponded to a reality independent of myself, and they made me conscious of as glorious a hope as could have been cherished by a Christian in the primitive age of faith on the eve of his entry into Paradise. Thus, without my paying any heed to the contradiction that there was in my wishing to look at and to touch with the organs of my senses what had been elaborated by the spell of my dreams and not perceived by my senses at all—though all the more tempting to them, in consequence, more different from anything that they knew— it was that which recalled to me the reality of these visions that most inflamed my desire, by seeming to offer the promise that it would be gratified.

It rained for four days and four nights, hard. Aniline wasn’t used to it. At first in the neighborhoods, ditches adjacent to the streets handled the flood. The water finished filling the ditches and hid the potholes in the roads. Rain then brimmed the streets over, making Aniline into Venice. It eventually spread out in the low spots in the driveways, invaded lawns, and crept up towards the house foundations. People wandered into the café with squelching boots and comments ranging from philosophical to querulous. Then the weather broke. They had two intensely hot days. Banks of mist rose off the saturated yards and fields. The roads drained, and a blanket of mud covered the pavements. As if all this wasn’t enough, a super-cell thunderstorm rolled towards them to give them another taste of violent Texas weather.

Hunter set up his easel outside across the road and began to try to paint the place, though microscopic droplets of salt fog inevitably got folded though not mixed in with the Payne’s gray and Naples yellow, and in years to come, as the small canvases from this period traveled the world increasing in value, this introduced modelings, shadows, redefinitions of space, which, though they were physically there, Hunter had not seen at the time—would have to wait for his later “Venice” and “London” phases even to recognize. All night, out in the great fjord, they heard the ice, they woke, they dozed again, the voices of the ice entered their dreams, dictated what they would see, what would happen to each dreaming eye as, helpless, it gazed. Just to the north loomed a far-spreading glacier, the only one in this entire domain of ice that had never been named, as if in fearful acknowledgment of its ancient nobility, its seemingly conscious pursuit of a project. . . .

Have you heard anything about the murder?” she asked Luca. “Dreadful, that poor maid floating up in the canal.” Luca had the crumbling dessert halfway to his lips. He placed it neatly back on his plate and rubbed both hands on his napkin. His whole body seemed to tense up. Cass set her fork down. She stared at Luca as she waited for him to speak. “I have actually heard rumors,” he said slowly. “There was some gossip in the city about it. There is talk of a gang roving the cemeteries at night…” The temperature in the room seemed to drop several degrees. Agnese finished the second half of her pastry and chased it with a big swallow of wine. “Satanists, if you ask me,” Luca added. Agnese bobbed her head in agreement. “The girl was strangled and then cut up like a chicken, they say. I’m not even sure San Domenico is safe anymore.” “I don’t see why everyone is suddenly so concerned,” Cass said. Even to her own ears her voice sounded strained. “Venice has always had more than her share of murders.” “Drunken brawls and knife fights,” Luca said. He stared back at her. Was it her imagination, or did she see a challenge in his eyes? “But not murders of this kind. And of innocent women.” Cass’s throat felt as though she had swallowed a chicken bone. “Why so interested, Luca? Don’t you have other, more important duties to which you should attend?” She downed half a glass of wine in one swallow. Her mind flooded with terrible thoughts. Did Luca somehow know about Falco? Had he been spying on her?

We should tell her,” Cass whispered, once Siena had disappeared. “What reason do we have to tell anyone? I’m still wishing you hadn’t told me.” “She might be able to help,” Cass said in a low voice. “When it comes to the goings-on of Venice, the servants know almost as much as the Senate. Maybe more.” She craned her neck to peer through the doorway. The dark had seemingly swallowed Siena whole. “And, if we don’t tell her, she’s going to think you and I are…” Falco smirked. “We couldn’t have that now, could we? Lord knows I don’t want to give the woman reason to attack me again.” He touched the crown of his head gingerly and winced. “But what makes you think we can trust her?” Cass had to look away when Falco took God’s name in vain. How could he do that so casually? Her fingers went to her waist, but she’d already removed her rosary for the night. She’d say a prayer for him later, she decided. “She covered for me last night. She didn’t tell Agnese I’d snuck out.” A smile played at Falco’s lips. He brushed an unruly lock of Cass’s hair back from the left side of her face. “How did you manage to get caught in the first place?” he asked. “Long story.” Cass still hadn’t found his nude drawing, and she didn’t want to confess to having lost it. She hoped it would turn up before Agnese got back. If the old woman found it, she might keel over on the spot.

Why so interested, Luca? Don’t you have other, more important duties to which you should attend?” She downed half a glass of wine in one swallow. Her mind flooded with terrible thoughts. Did Luca somehow know about Falco? Had he been spying on her? “I consider it both my civic and domestic duty,” Luca said, smiling tightly. “I want to make sure that my wife-to-be isn’t troubled by any…undesirable company. The women of Venice are one of our most precious resources, after all. I want to be sure they are protected.” Anger flared inside Cass. She couldn’t believe she had softened to him earlier--that she had, for a second, even thought she could be happy with him. “The women of Venice are far more capable than most men realize,” she snapped. If the room got any colder, Cass would have to ask one of the servants to bring her a cloak. Agnese cleared her throat to speak, but to Cass’s amazement Luca cut her off. It was like he’d completely forgotten her aunt was at the table with them. His voice rose and his face reddened again, but this time not from embarrassment. “I am well aware that many women believe themselves to be stronger than they are. They might believe, for example, that it is a fully rational thing to go gallivanting around the city alone at night. They believe that they are playing a game--they have no idea how high the stakes really are.” Cass had never seen Luca show this much emotion, and it was both fascinating and frightening. A chill zipped up her spine. Was he threatening her? She forced herself to maintain eye contact. “You are not my husband yet,” she said softly, but with force. “And I do not have to listen to you.” Luca’s fork fell to the table with a clatter. “Then you are a sillier girl than I thought,” he burst out. “And I would urge you to be more careful. Where have you been spending your time, Cassandra?

You are not my husband yet,” she said softly, but with force. “And I do not have to listen to you.” Luca’s fork fell to the table with a clatter. “Then you are a sillier girl than I thought,” he burst out. “And I would urge you to be more careful. Where have you been spending your time, Cassandra?” “One might ask the same question of you,” she said. Both Siena and Madalena had claimed to have seen him on the Rialto. They couldn’t both be mistaken. Her eyes narrowed. “How long have you really been in Venice, Luca? You told me you had just arrived, but you were seen in the city more than a week ago! How do you explain that?” “All I have done since arriving in Venice is attend to your safety.” Luca flung his balled-up napkin onto his untouched dessert plate. “What you don’t know can hurt you, Cass.” He pushed his chair back abruptly from the table. For a second, no one said a word. The outburst had startled even Agnese into silence. Cass was sure that the servants were taking in every word. Luca seemed suddenly to remember that there were others in the room. He passed a hand through his hair. “I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.” Cass turned to her aunt the second Luca disappeared into the portego. “What on earth do you suppose that was about?” she asked. “It appears that during his time in France, your fiancé developed a bit of a temper,” Agnese said mildly, as though Luca’s outburst were perfectly normal. She blotted her mouth with her napkin and signaled a servant to bring her a second pastry. “Let’s just hope he saves some of that passion for your wedding night.

I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.” Cass turned to her aunt the second Luca disappeared into the portego. “What on earth do you suppose that was about?” she asked. “It appears that during his time in France, your fiancé developed a bit of a temper,” Agnese said mildly, as though Luca’s outburst were perfectly normal. She blotted her mouth with her napkin and signaled a servant to bring her a second pastry. “Let’s just hope he saves some of that passion for your wedding night.” Cass folded her napkin and put it on the table. She felt nauseated. She replayed the conversation with Luca again and again. He hadn’t even denied returning to Venice early. It was true--he’d been in town for at least a week, maybe more. Why had he lied to her? She thought of how she had seen, for just one second, his face contorted with rage as he warned her to be more careful. It was a side of Luca she had never seen--almost as though for just one second, he had slipped on a mask. Or perhaps he had slipped out of a mask. Maybe, in that moment, he had let drop the image of the ever-composed, always righteous Luca. It was more than just jealousy or overprotectiveness. Luca was hiding something. Cass was certain of it.

Your problem is that you do believe in all of that nonsense. And that’s why you’re scared.” “I’m not scared,” she insisted, but even she wasn’t convinced by the thin protestation. “Yes, you are, or you wouldn’t be asking all these questions. You’re stalling.” Falco bent down and started untying the gondola’s rigging. His hands worked through the ropes easily, as if this were a trick he’d performed many times before. “Hop aboard before I let it go completely loose.” Cass swore she saw him wink at her through the gloom. “My aunt will positively murder me if she finds out I took her gondola without asking.” In the middle of the night. With a strange boy. “Oh, don’t get your laces all in a knot. We’re just going to borrow it. We can have it back before your precious auntie realizes it’s missing.” Cass stood by the dock, staring at the sleek gondola. The early morning was cool, but the blood racing through her veins kept her warm. As long as Falco was certain they could return before anyone found out… Falco knelt in the middle of the boat, one hand held out in Cass’s direction, the other poised to release the gondola from the dock with a quick tug of the rope. “I understand if you don’t want to come. So many rules to break.” Falco’s voice still had that lilting quality to it, but his eyes were serious. “It is safer in the cage, isn’t it?” It was safer. If her parents had stayed in Venice instead of plunging themselves into plague-afflicted foreign cities, they might still be alive. They had wandered outside the little circle of safety and expectations, and had paid the ultimate price. But Cass didn’t want to stay in the circle. She wanted to live. Besides, if there really was a murderer out there, and he had his eye on Cass, what was the point in sitting around waiting for him to come to her?

The women of Venice are far more capable than most men realize,” she snapped. If the room got any colder, Cass would have to ask one of the servants to bring her a cloak. Agnese cleared her throat to speak, but to Cass’s amazement Luca cut her off. It was like he’d completely forgotten her aunt was at the table with them. His voice rose and his face reddened again, but this time not from embarrassment. “I am well aware that many women believe themselves to be stronger than they are. They might believe, for example, that it is a fully rational thing to go gallivanting around the city alone at night. They believe that they are playing a game--they have no idea how high the stakes really are.” Cass had never seen Luca show this much emotion, and it was both fascinating and frightening. A chill zipped up her spine. Was he threatening her? She forced herself to maintain eye contact. “You are not my husband yet,” she said softly, but with force. “And I do not have to listen to you.” Luca’s fork fell to the table with a clatter. “Then you are a sillier girl than I thought,” he burst out. “And I would urge you to be more careful. Where have you been spending your time, Cassandra?” “One might ask the same question of you,” she said. Both Siena and Madalena had claimed to have seen him on the Rialto. They couldn’t both be mistaken. Her eyes narrowed. “How long have you really been in Venice, Luca? You told me you had just arrived, but you were seen in the city more than a week ago! How do you explain that?” “All I have done since arriving in Venice is attend to your safety.” Luca flung his balled-up napkin onto his untouched dessert plate. “What you don’t know can hurt you, Cass.” He pushed his chair back abruptly from the table. For a second, no one said a word. The outburst had startled even Agnese into silence. Cass was sure that the servants were taking in every word. Luca seemed suddenly to remember that there were others in the room. He passed a hand through his hair. “I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.

She slid out of the felze and went to stand beside Falco as he moved the boat through the water. Fog swirled around the gondola. “Don’t expose yourself to the elements on my account,” Falco said with a crooked smile. “I don’t mind playing gondolier for you.” “Is it difficult?” Cass asked. “To steer the boat?” Though she’d ridden in a boat almost every single day since her birth, she had never paid any attention to the mechanics of it. “It’s not so bad,” he said. The wind blew a shock of dark hair into his eyes and Cass had the sudden urge to reach out and rearrange it. “Takes a little strength. Want to try?” Cass was surprised to hear herself saying yes. She secured the cloak tightly around her waist and pushed her hair back from her face. The boat wobbled as she stepped onto the tiny platform beside Falco, and she gasped. “You have to move with the rhythm of the water,” he explained. The platform was tiny, really only enough space for one person, so Falco had to press his body against Cass’s back. His forearms fit neatly across her hip bones; she could feel his soft hair brushing against her cheek. He exhaled, a warm breath that tickled her neck and sent a shiver through her. She stiffened and nearly lost her balance. Falco tightened his grip on her momentarily until she regained her footing. His body radiated heat through her cloak. Falco gave her the oar and put his hands on her waist to steady her. Cass awkwardly thrust the oar through the murky water and the boat skewed off at a funny angle. She felt herself wobbling, but Falco moved one hand from her waist to the oar and helped her guide it through the water. Cass began to relax her body against Falco’s. She laughed, in spite of the mist and the night and their destination. Steering the boat was fun, and she was doing something that probably no other woman in all of Venice had ever done. After a few minutes, she got the hang of steering and the long wooden gondola started to move swiftly through the water. Falco offered to take over, but she persisted, despite the aching in her arms and shoulders. “I’m impressed,” Falco said. “You’re a natural.” Cass was grateful that he was standing behind her, so he couldn’t see her smile. She didn’t want him to know how much the comment pleased her.

They passed by the docks that ran along the back of the Palazzo Ducale, home to the Doge of Venice. A pair of flat-bottomed peàtas were tied up here, and coarse-looking men walked up and down gangplanks, unloading crates and barrels. Cass blushed at the language they were using. She rarely heard such foul words, but then she had never paid much attention to commoners before. Maybe everyone in the working class spoke crudely. Falco had practically invited her to spend the night with him. She remembered the way his eyes had worked their way over her whole body, like he could see straight through her clothing. She felt her face growing hotter and turned quickly away from Siena. Cass was going to throw herself into the Grand Canal if the girl inquired about her health one more time.

Reflection on the places and sights that seem to show us the essence of civilization supports the view that it has an ideal aspect: civilization is not so much what we have as a picture of what we need. For me, some representative objects civilization are, to start the list: the classical squares and crescents of the New Town in Edinburgh; a table set for lunch in a quiet, leafy garden; Venice seen across the lagoon; the golden glow of lamplight in a bookish room, glimpsed through a window walking home at night from the station. What they suggest moves beyond what they actually are: they point to an ideal, even when they fall short in reality

His father had promised to show him the world. They'd go to Egypt, he'd said, and climb the Pyramids. They'd go to China and take a nice long stroll along that Great Wall. They'd see the Eiffel Tower in Paris and the Colosseum in Rome and at night, by the light of the stars, they'd glide through Venice in a black wooden gondola. "The moon above," he sang, "is yours and mine...

I had a sudden premonition that this might be the night he drank himself to death. After he finished one bottle, he fumbled the porcelain decanter of single malt out of its velvet-lined box, hands shaking, fingers trembling. He barely managed to peel off the foil, then couldn’t unscrew the cap. I didn’t offer to help. I hoped he’d give up. In frustration, he bashed the bottle against the fireplace, cracking off the cap, and drank straight from its jagged neck. All this time he continued talking. Or tried to. He sounded strangely maudlin—strange, that is, for a man who, even in his cups, usually avoided self-pity. He conceded that he was lonely and grateful I had kept him company. A forlorn figure in his chair, the bottle tucked between his thighs, he reminded me of Gustave von Aschenbach in Thomas Mann’s Death in Venice. Tomorrow, I thought, he’ll be dead, and word will go out around the world. There’s no way he can survive this. Perhaps

Tourism Tourism is the largest segment of the Italian economy. Millions of Italians work in the tourist industry. They work in hotels and restaurants. They drive taxis and lead tour groups. Tourists flock to Italy for its gorgeous scenery, beautiful weather, and incredible art. Italy if the fifth most visited nation in the world, welcoming about forty million tourists each year. One major destination is the Italian Riviera, which draws visitors with its beautiful beaches, sunny days, and cool nights. Many tourists head to Rome to see its ancient ruins and magnificent art. Tuscany is also rich in art and appealing landscapes. Twenty million people travel to Venice every year to experience the charms of a city that has canals instead of roads.

Rima was employed in the Goncalves Library, a small and impoverished specialist archive in twenty-first century Seville, Spain, which houses an eclectic collection of books and manuscripts. There are hidden treasures a the Goncalves, including a dusty discovery that Rima unearthed, an English commonplace book from the late sixteenth century. Rima was forced out of her job there and found employment at the Congregation's library on the Isola della Stella, in Venice, after the previous librarian and secretary (traditionally always a human) died of a heart attack.

Yes, he knew me to be a blood drinker. Indeed, he had some name for me: vampire. And he had been wattering me for several years. He had in fact glimpsed me in grand salons and ballrooms so I might indeed write this off to my carelessness. And on the night I had first opened my hous to the citizens of Venice, he had come.

The arsenal was physically and psychologically central to Venice. Everyone was reminded of 'the House of Work' on a daily basis by the ringing of the marangona, the carpenter's bell, from the campanile in St Mark's Square to set the start and end of the working day. Its workers, the arsenalotti, were aristocrats among working men. They enjoyed special privileges and a direct relationship with the centres of power. They were supervised by a team of elected nobility and had the right to carry each new doge around the piazza on their shoulders; they had their own place in state processions; when the admiral of the arsenal died, his body was borne into St Mark's by the chief foremen and twice raised in the air, once to betoken his acceptance of his responsibilities and again his fulfilling of them. The master shipwrights, whose skills and secret knowledge were often handed down through the generations, were jealously guarded possessions of the Venetian state. The arsenal lent to the city an image of steely resolve and martial fury. The blank battlements that shut out the world were patrolled at night by watchmen who called to each other every hour; over its intimidating gateway the lion of St Mark never had an open book proclaiming peace.

Thus, it came to pass that Martha and William spent every night in Venice sleeping somewhere above the slowly decaying remains of their foster daughter and a box of murdered puppies.

Tossing a smile my way I nodded back to her. Veronica had come home. Somewhere in a thirty-six dollar a night shack a Nazi dwarf was making it with two call girls. Los Angeles was one hell of a city.

Ladies & Gentlemen, welcome to Count Mario Conti’s Valentine Masquerade Ball. The evening’s entertainment ‘Love in Venice’ is soon to begin. Frolic, enjoy and hearken yourselves to a night of wanton debauchery.

Tyrone, after wandering with his family through France, the Netherlands, and Germany, finally took up residence in Italy, subsidized by the Pope. Every night, deep in his cups, he would brag that come Hell or high water he would die in Ireland. In 1616 the great rebel O’Neill passed away, a frustrated exile, in Venice.   T

Piazza San Marco might seem like the one place in Venice that is always busy, but I can tell you it’s not so. As it grows later, the crowds thin and the cafés empty; the tourists go back to their hotels, footsore after a day of walking the calli; the street hawkers disappear too, the music stops, the chairs and tables are packed away. That doesn’t stop you dancing, however, not if that’s the mood you’re in and your partner won’t admit to tiring. It wasn’t a warm night but our bodies had heat in them. We made our own music, like Coco and Silvio once had, dancing past the bell tower and beside the Doge’s Palace right to the banks of the Grand Canal. We stepped together until my feet felt bruised and my shoulders ached. We danced when everyone else was sleeping and there wasn’t a soul to see it. We continued until Angelo decided it was time to be still.

again, only to groan, tear away from the illuminated buildings, and head into the blackness once more. Each stop was a luminescent island in the dark. The boat was a needle, threading the glowing pearls of an enormous necklace. Did the necklace grace the throat of a vibrant and beautiful woman or that of a trollop, painted and decayed? Venice’s enveloping night cloak made it impossible to tell.

Ben smiled his sweet, lazy grin and turned them in another circle. It was a crystal moment. A balmy summer night in Venice, the water lapping quietly at the dock as a beautiful boy danced with her under colored lanterns. A slow turn and whirl that reminded Tenzin she was alive. After everything… she was alive. She tucked the dance into a corner of her mind, next to the scattering of other crystal memories. A baby’s laughter. The feeling of stars inside her. A gentle brush of paint over bare skin. A familiar face stamped on the boy in front of her. An unexpected dance on a warm summer night.

Now the hungry lion roars, And the wolf behowls the moon,Whilst the heavy ploughman snores, All with weary task fordone

The old man’s eyes are unpolished sapphires, and, in the haze of a thousand years of incense burned, he tells me tales of Canaletto, of Guardi and Titian and Tiepolo. He speaks of them as though they are his confidants, the fellows with whom he sups on Thursday nights. He says life is a search for beauty and that art dissolves loneliness. His and mine, I think. I am not alone. I am a wanderer in a blue felt cloche, come to Venice to stitch together her fantasies.

He was finally where he wanted to be. Curled around her, he listened to the waves out the window of the crappy little apartment he’d rented in Venice. It was only one room and the carpet smelled like shit, but after last night, Alex decided that one room wasn’t so bad. After they’d tumbled through the door of the apartment the night before, lips never parting, devouring each other as they ripped off clothing, the bed had only been a few steps away. A few steps to put him exactly where he’d wanted to be. Next to her, for the rest of his life.

The area confirmed his feelings about Giudecca: bleak cement buildings, crudely rectangular, devoid of any attempt at embellishment or adornment: cubes for living in, worsened – at least in his eyes – by the view: across the sullen waters of the laguna sprawled the petrochemical horror of Marghera, staggered rows of brick smokestacks from which spewed, day and night… Brunetti’s thoughts stopped there, for he had, like the other residents of Venice, little idea of what rose up in thick clouds from those stacks and even less reason to believe what he was told it was.

But all the story of the night told over, / And all their minds transfigured so together, / More witnesseth than fancy’s images, / And grows to something of great constancy; / But, howsoever, strange and admirable

Venice, California, in the old days had much to recommend it to people who liked to be sad. It had fog almost every night and along the shore the moaning of the oil well machinery and the slap of dark water in the canals and the hiss of sand against the windows of your house when the wind came up and sang among the open places and along the empty walks.

The man who rescued the crusade, Giannozzo Manetti, then fifty-nine years old, was the close friend and mentor of Vespasiano. For many years he had been at the heart of Florence’s humanist movement, one of the men who gathered in Vespasiano’s bookshop, “admirably disputing great things.” The son of one of Florence’s wealthiest merchants, he had studied alongside Tommaso Parentucelli, whose secretary he later became and for whom, when Tommaso became pope, he made translations from both Greek and Hebrew. He was a dedicated scholar, sleeping no more than five hours a night in order to devote more time to his studies. Like his friends Poggio and Leonardo Bruni, he was also a busy civic official, serving Florence numerous times as an ambassador to Venice, Genoa, Milan, Naples, and Rome. He took up the thankless post of governor of various Florentine dependencies such as Pistoia and Scarperia, where, as Vespasiano observed, he “found everything in great disorder and full of deadly feuds.”16 Manetti’s greatest claim to fame was his treatise On the Dignity and Excellence of Man, which he completed in 1452 and dedicated to King Alfonso of Naples. The tribute was a rare diplomatic misstep on Manetti’s part, because Alfonso was at war with Florence at the time, leading to mutterings in Florence of Manetti’s treason. Vespasiano prudently waited until 1455 and the Treaty of Lodi before producing a copy of the manuscript. As with the “Decades of the King,” the manuscript was elegantly and expertly produced, featuring the “new antique letters” and white vine-stem decorations in which Vespasiano had come to specialize. Giannozzo Manetti (1396–1459): scholar, businessman, diplomat, writer.

I was so shocked that I could hardly eat. Here was a woman who had been nothing but friendly to me until now. I had been a model tenant—no noise, no visitors, no late nights, and I helped with the household chores. But in her mind I was now condemned to hell, and therefore she could have no contact with me in case my sin somehow came to roost on her. I was glad this wasn’t my idea of God or religion!

In his literary commonplace book, Jefferson transcribed these lines from a version of Shakespeare’s Merchant of Venice: The Man who has not Music in his Soul, Or is not touch’d with Concord of sweet Sounds, Is fit for Treasons, Stratagems, & Spoils, The Motions of his Mind are dull as Night, And his Affections dark as Erebus: Let no such Man be trusted.

A kid asked him what his painting was. “It’s Venice at night, an accountant’s soul, the blood of imbeciles. Smoker’s lung. Tenure. The inside of a lock, the taste of iron. Despair. A city with the streetlights shot out, the heart of a school board director.” Some teachers whisper he’s having a breakdown. I think he’s the sanest person I know(181)”.

Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.

State of the mind, in general. There grows,In my most ill compos’d affection, such  A stanchless avarice, that, were I king,I should cut off the nobles for their lands.Shak.Macbeth. The man that hath no musick in himself,Nor is not mov’d with concord of sweet sounds,Is fit for treasons, stratagems, and spoils;The motions of his spirit are dull as night,And his affections dark as Erebus:Let no such man be trusted.Shakesp.Merchant of Venice.6. Quality;