Velvet Room Quotes

On the plus side, if he ever had to fight through a roomful of adolescent girls, he only needed to blink (his velvet brown eyes framed in embarassingly long lashes) a few times, and they would all faint.

There was that special smell made up of paper, ink, and dust; the busy hush; the endless luxury of thousands of unread books. Best of all was the eager itch of anticipation as you went out the door with your arms loaded down with books.

Your brother Robb has been crowned King in the North. You and Aemon have that in common. A king for a brother.” said Mormont. “And this too,” said Jon. “A vow.” The Old Bear gave a loud snort, and the raven took flight, flapping in a circle about the room. “Give me a man for every vow I’ve seen broken and the Wall will never lack for defenders.” “I’ve always known that Rob will be Lord of Winterfell.” Mormont gave a whistle, and the bird flew to him again and settled on his arm. “A lord’s one thing, a king’s another. They will garb your brother Robb in silks, satins, and velvets of a hundred different colors, while you live and die in black ringmail. He will wed some beautiful princess and father sons on her. You’ll have no wife, nor will you ever hold a child of your own blood in your arms. Robb will rule, you will serve. Men will call you a crow. Him they’ll call `Your Grace’. Singers will praise every little thing he does, while your greatest deeds all go unsung. Tell me that none of this troubles you, Jon… and I’ll name you a liar, and know I have the truth of it.” Jon drew himself up, taut as a bowstring “And if it did trouble me, what might I do, bastard as I am?” “What will you do?” Mormont asked. “Bastard as you are.” “Be troubled,” said Jon, “and keep my vows.

Footfalls in the hallway, outside the door, alerted Audun to the fact that they had company. The steps were light, a woman’s step, Audun suddenly thought. A moment later the woman entered the room. Her light brown hair was tinged with grey, and the rich black velvet gown she wore spoke to her status. The hazel eyes swept the room. In that instant Audun knew with certainty the identity of his visitor. “Good morning, grandmother. Have you come to offer me my crown?” Robert Reid – The Son

One of the previous Kings of the Enchanted Forest had been very fond of sweeping up and down staircases in a long velvet robe and his best crown, so he had added stairs wherever he thought there was room

Questions are not scary. What is scary is when people don’t have any. What is tragic is faith that has no room for them.

Walking into the library, I took in my breath sharply and stopped: glass fronted bookcases and Gothic panels, stretching fifteen feet to a frescoed and plaster-medallioned ceiling. In the back of the room was a marble fireplace, big as a sepulchre, and a globed gasolier--dripping with prisms and strings of crystal beading--sparkled in the dim. There was a piano, too, and Charles was playing, a glass of whiskey on the seat beside him. He was a little drunk; the Chopin was slurred and fluid, the notes melting sleepily into one another. A breeze stirred the heavy, moth-eaten velvet curtains, ruffling his hair.

When I see her,” I said, “it’s like - I don’t know what it’s like. It’s like I never saw anything at all before. It’s like I am filling up, like a wine-glass when it’s filled with wine. I watch the acts before her and they are like nothing - they’re like dust. Then she walks on the stage and - she is so pretty; and her suit is so nice; and her voice is so sweet… She makes me want to smile and weep, at once. She makes me sore, here.” I placed a hand upon my chest, upon the breast-bone. “I never saw a girl like her before. I never knew that there were girls like her…” My voice became a trembling whisper then, and I found that I could say no more. There was another silence. I opened my eyes and looked at Alice - and knew at once that I shouldn’t have spoken; that I should have been as dumb and as cunning with her as with the rest of them. There was a look on her face - it was not ambiguous at all now - a look of mingled shock, and nervousness, and embarrassment or shame. I had said too much. I felt as if my admiration for Kitty Butler had lit a beacon inside me, and opening my unguarded mouth had sent a shaft of light into the darkened room, illuminating all. I had said too much - but it was that, or say nothing.

Belonging to a place isn't nearly as necessary as belonging to people you love and who love you and need you.

After my bedroom, this was my favourite place in the world. It was carpeted, and had heavy bookcases and ticking clocks and velvet chairs, just like someone’s living room. It smelled of unturned pages and unseen adventures, and on every shelf were people I had yet to meet, and places I had yet to visit. Each time, I lost myself in the corridors of books and the polished, wooden rooms, deciding which journey to go on next. Mrs

There are silences and silences. No one of them is like another. There is the silence of grief in velvet-draped rooms of a plushly carpeted funeral parlor which is far different from the bleak and terrible silence of grief in a widower's lonely bedroom.

Velvet carpet," sighed Anne luxuriously, "and silk curtains! I've dreamed of such things, Diana. But do you know I don't believe I feel very comfortable with them after all. There are so many things in this room and all so splendid that there is no scope for imagination. That is one consolation when you are poor--there are so many more things you can imagine about.

Wine's terrible for babies." Dorian swept into the sitting room to join me, elegantly arranging himself on a love seat that displayed his purple velvet robes to best effect. "Well of course it is. I'd never dream of giving wine to an infant! What do you take me for, a barbarian? But for you... well, it might go a long way to make you a little less jumpy. You've been positively unbearable to live around. "I can't have it either. It affects the babies in utero.

However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie. All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.

However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon.

He was waiting for me at the best table in the room, toying with a glass of white wine and listening to the pianist who was playing a piece by Granados with velvet fingers.

Robes, dresses, frocks. They hung in endless rows, in hundreds, one beside the other all around the room - gleaming brocade, fluffy clouds of tulle and swansdown, flowery silk, night-black velvet with glittering spangles everywhere like small, many-coloured blinker beacons.

Mr. nelson sighed and stalked across the room to me. He thrust the velvet box into my hands. I cracked the box, and the sound echoed through the room. A glittering diamond stared back at me. But it wasn't just any diamond. It was two carats of commitment in a platinum setting.

But this was not what Blue was told. Again and again, she had her fingers spread wide, her palm examined, her cards plucked from velvet-edged decks and spread across the fuzz of a family friend’s living room carpet. Thumbs were pressed to the mystical, invisible third eye that was said to lie between everyone’s eyebrows. Runes were cast and dreams interpreted, tea leaves scrutinised and séances conducted. All the women came to the same conclusion, blunt and inexplicably specific. What they all agreed on, in many different clairvoyant languages, was this: If Blue was to kiss her true love, he would die.

One evening he was in his room, his brow pressing hard against the pane, looking, without seeing them, at the chestnut trees in the park, which had lost much of their russet-coloured foliage. A heavy mist obscured the distance, and the night was falling grey rather than black, stepping cautiously with its velvet feet upon the tops of the trees. A great swan plunged and replunged amorously its neck and shoulders into the smoking water of the river, and its whiteness made it show in the darkness like a great star of snow. It was the single living being that somewhat enlivened the lonely landscape.

That name. But Sofiya Volkova no longer exists. I left her back there, shut up in that place with the staircase leading deep underground, the velvet walls, the locked room.

I buried my face in the pink velvet facade of Jay Cee's love-seat and with immense relief the salt tears and miserable noises that had been prowling around in me all morning burst out into the room.

I took a deep breath, inhaling the musty scent of unbrushed velvet and candle wax. So the room was blood red, dark, and scary. I was here to get yelled at and maybe fired by a hooker in a sari, not sacrificed to Satan on a stone altar. p.250

Well, fuck a duck,” comes Morris’s delighted voice. I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over. “I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.” I narrow my eyes. “He told you about the picture?” “About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.” Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this. “I wish I was gay,” he says ruefully. A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.” “Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.” “Gee, thanks.” “Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.

Fanny's imagination had prepared her for something grander than a mere, spacious, oblong room, fitted up for the purpose of devotion—with nothing more striking or more solemn than the profusion of mahogany, and the crimson velvet cushions appearing over the ledge of the family gallery above. "I am disappointed, cousin," said she, in a low voice to Edmund. "This is not my idea of a chapel. There is nothing awful here, nothing melancholy, nothing grand. Here are no aisles, no arches, no inscriptions, no banners. No banners, cousin, to be 'blown by the night wind of Heaven.' No signs that a 'Scottish monarch sleeps below.

I have become an isolationist. I isolate in my room, the names of men on my tongue I can no longer pronounce, my memory of them unraveled by time. I look out my bedroom window onto the velveted backyard that expands into forever, my pigeons silent and content behind hexwire, the moon hooked in the limbs of my favorite peach tree, its purple bark the color of my lover’s skin.

My legs have the strength of mashed potatoes. I'm cold and clammy and my stomach churns like I vomited. That's because I did, in the viewing room, and I discovered that yellow bile does not blend well with red velvet industrial carpeting. My crowning achievement in overreaction.

It wasn’t beautiful. A Winter wedding is a union of elation and depression, red velvet blankets in a cheap motel room stained with semen from sex devoid of meaning, and black mold clinging to the fringe of floral shower curtains like a heap of dead forevers. You sat down at the foot of the bed, looking at me like I had already
driven away. I was thinking about watching CNN. How fucked up is that? I wanted to know that your second hand, off-white dress, and my black polyester bow tie wasn’t as tragic as a hurricane devouring a suburb, or a train derailment in no where, Virginia, ending the lives of two young college hopefuls. I was naïve. I thought that there were as many right ways to feel love as the amount of
 pubic hair, 
 belly lint, and 
scratch marks abandoned by lovers in our honeymoon suite. When you looked at me in bed that night, I put my hand on your chest to feel a little more human. I don’t know what to call you; a name does not describe the aches, or lack of. This love is unusual and comfortable. If you were to leave, I know I’d search for days, in newspapers and broadcasts, in car accidents and exposés on genocide in Kosovo. (How do I address this? How is one to feel about a love without a name?) My heart would be ambivalent, too scared to look for you behind the curtains of the motel window, outside in the abyss of powder and pay phones because I don’t know how to love you. -Kosovo

Now I have more freedom than I have ever had at any time in my life, and I do only the things I always have. They were empty before, but Selina has given a meaning to them, I do them for her. I am waiting, for her - but, waiting, I think, is too poor a word for it. I am engaged with the substance of the minutes as they pass. I feel the surface of my flesh stir - it is like the surface of the sea that knows the moon is drawing near it. If I take up a book, I might as well never have seen a line of print before - books are filled, now, with messages aimed only at me. An hour ago, I found this: The blood is listening in my frame, And thronging shadows, fast and thick, Fall on my overflowing eyes... It is as if every poet who ever wrote a line to his own love wrote secretly for me, and for Selina. My blood - even as I write this - my blood, my muscle and every fibre of me, is listening, for her. When I sleep, it is to dream of her. When shadows move across my eye, I know them now for shadows of her. My room is still, but never silent - I hear her heart, beating across the night in time to my own. My room is dark, but darkness is different for me now. I know all its depths and textures - darkness like velvet, darkness like felt, darkness bristling as coir or prison wool.

We finally made our way to the front of the line, where a young bouncer snapped an underage wristband on me and gave me an appraising look, eyes scanning my waist-length hair before raising the velvet rope. I rushed under it with Jay on my heels. “For real, Anna, don't let me stand in the way of all these dudes tonight.” Jay laughed behind me, raising his voice as we entered the already packed room, music thumping. I knew I should have put my hair up before we came, but Jay's sister, Jana had insisted on my keeping it down. I pulled my hair over my shoulder and wound it into a rope with my finger, looking around at the tightly packed crowd and wincing slightly at the noise and blasts of emotion. “They only think they like me because they don't know me,” I said. Jay shook his head. "I hate when you say things like that.” “Like what? That I'm especially special?” I was trying to make a joke, using the term us Southerners fondly called people who "weren't right" but anger burst gray from Jay's chest, surprising me, then fizzled away. “Don't talk about yourself that way. You're just...shy.” I was weird and we both knew it. But I didn't like to upset him, and it felt ridiculous having a serious conversation at the top of our lungs. Jay pulled his phone from his pocket and looked at the screen as it vibrated in his hand. He grinned and handed it to me. Patti. “Hello?” I stuck a finger in my other ear so I could hear. “I'm just checking to see if you made it safely, honey. Wow, it's really loud there!” “Yeah, it is!” I had to shout. “Everything is fine. I'll be home by eleven.” It as my first time going to something like this. Ever. Jay had begged Patti for permission himself, and by some miracle got her to agree. But she was not happy about it. All day she'd been as nervous as a cat the vet.

The scent of my blood was mesmerizing in its intensity, a luscious, potent, ethereal haze that clung to the walls of the bathroom. It was far more intense than the opening of the vial itself. It was like a thousand ruby red vials. A million. It filled the room like an actual presence, and it dawned on us both at the same time that my blood not only contained the scent, but was the scent itself. Leather, like warm Egyptian incense, like a dark library in an old city. Jasmine, like the sweet, sweet scent of decay. Fire, like hot darkness. And red velvet rose, like a sheath of light and lilting femininity.

I had a very clear vision, of Selina with her hair about her shoulders, a crimson hat upon her head, a velvet coat, ice-skates - I must have been remembering some picture. I imagined myself beside her, the air coming sharply into our mouths. I imagined how it would be if I took her, not to Italy, but only to Marishes, to my sister's house; if I sat with her at supper, and shared her room, and kissed her - I cannot say what would frighten them most - her being a spirit-medium, or a convict, or a girl.

This is my favorite room, Cecil. I love the scent of oud and the fire pit and all these velvet chaise longues placed in a sunburst.

Hector was like a castaway who had washed up on a room of velvet curtains and marble floors. The revelers might as well have been wild animals ready to tear off a chunk of his flesh.

I buried my face in the pink velvet facade of Jay Cee's loveseat and with immense relief the salt tears and miserable noises that had been prowling around in me all morning burst out into the room.

Just looking at the outside of the library made Robin lose herself for a minute, remembering the feel of libraries. There was that special smell made up of paper, ink, and dust; the busy hush; the endless luxury of thousands of unread books. Best of all was the eager itch of anticipation as you went out the door with your arms loaded down with books. Libraries had always seemed almost too good to be true.

The Sleeping I have imagined all this: In 1940 my parents were in love And living in the loft on West 10th Above Mark Rothko who painted cabbage roses On their bedroom walls the night they got married. I can guess why he did it. My mother’s hair was the color of yellow apples And she wore a velvet hat with her pajamas. I was not born yet. I was remote as starlight. It is hard for me to imagine that My parents made love in a roomful of roses And I wasn’t there. But now I am. My mother is blushing. This is the wonderful thing about art. It can bring back the dead. It can wake the sleeping As it might have late that night When my father and mother made love above Rothko Who lay in the dark thinking Roses, Roses, Roses.

THE OFFICE FELT SUMPTUOUS EVEN IN NEAR DARKNESS. It reminded me of certain photographs by Edward Steichen: velvet shadows deepening into moody gloom, here and there a form suggested by a reflection of light on a radius of polished wood, the mysterious gleam of Tiffany glass in the pendant shade of a lamp not lit, the room implied rather than revealed, yet known as well as if it had been enraptured by sunshine instead of barely kissed by the ghost light of the haunted city beyond the windows.

This was the only door she ever opened, the door into herself. And her taciturnity was such that in a mirror, where every woman smiles at her reflection, she struck at herself over and over again, hammering her own effigy at her dumb forge. No flame, no air. Clad in red velvet, adorned in white, in black or pearl, her face heavily made up beneath the large pale forehead. In the heart of her room, encircled by candelabras, nothing but herself; a self always unseizable, and whose many faces she was forever unable to assemble in a single look.

In Man's heart is a little room. He has named it Oblivion. And things are ranged along its walls That he does not wish To think about. Every time that he pushes something in there, He closes the door very tightly. But in hours when he is weary, In the hours that walk around some midnights, When high fires have burned To a low flicker, Then the little door swings on its hinges And no thing Will make it stay closed All of the time. When he is near death, All the velvet-footed wanderers in there Join the throng around his bed. "We will not die," they whisper To one another, While Beauty waits with drawn lips, And dry eyes. But there is heard The patter of a little sad rain In her heart's garden, Where some little flower buds That were once thinking of the sun Will never open, Because Man keeps a little room Of oblivion in his soul.

It was darker in the tower than any place Devnee had ever been. The dark had textures, some velvet, some satin. The dark shifted positions. The dark continued to breathe. The breath of the tower lifted her clothing like the flaps of a tent, and sounded in her ears like falling snow. It's the wind coming through the double shutters, Devnee told herself. But how could the wind come through? There were glass windows between the inside and outside shutters. Or were there? The windows weren't just holes in the wall, were they? What if there was no glass? What if things crawled through those open louvers, crept into the room, blew in with the cold that fingered her hair? What creatures of the night could slither through those slats? She had not realized how wonderful glass was, how it protected you and kept you inside. She knew something was out there.

He returns to the blur of velvet and firelight in the main room, kicking off his shoes as he walks, managing to remove his suit jacket and vest before he reaches the bed but he is asleep before he can deal with additional buttons, linen sheets, and lamb's-wool pillows swallowing him like a cloud and he welcomes it, his last thoughts before sleeping a fleeting mix of reflections on the evening that has finally ended, questions and worries about everything from his sanity to hot to get paint out of his hair and then it is gone, the last wisp of thought wondering how you go to sleep if you're already dreaming.

Now, I've another errand for you,' said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!" I flew thither and back, bringing the desired vessels. "That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water." He held out the tiny glass, and I half filled it from the water-bottle on the washstand. "That will do;--now wet the lip of the phial." I did so; he measured twelve drops of a crimson liquid, and presented it to Mason. "Drink, Richard: it will give you the heart you lack, for an hour or so." "But will it hurt me?--is it inflammatory?" "Drink! drink! drink!" Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm-- "Now I am sure you can get on your feet," he said--"try." The patient rose. "Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!" "I do feel better," remarked Mr. Mason. "I am sure you do.

Joey was waiting in his grandmother’s living room, next to the wall of family pictures. “Everyone here loves you so much,” he said quietly, as I continued to hyperventilate, tears streaming down my cheeks. “And they have good reason. You’re wonderful, and no one’s ever made me feel more at home than you have. I want to be your home, and I want to do it forever. I want you to be my family. Will you marry me?” He got on one knee and opened the velvet box; in it was a beautiful ring I’d lusted after with my best friends. I yelled, “Oh my God, Joey, NO! That’s a diamond! This must have been so expensive! You should have gotten a cubic zirconia!” But also, I said yes.

I am always drawn back to places where I have lived, the houses and their neighborhoods. For instance,there is a brownstone in the East Seventies where, during the early years of the war, I had my first apartment. It was one room crowded with attic furniture, a sofa and fat chairs, upholstered in that itchy particular red velvet that one associates with hot days on a tram. The walls were stucco, and a color rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman ruins, freckled brown with age. The single window looked out on a fire escape. Even so, my spirits heightened whenever I felt in my pocket the key to this apartment; with all its gloom, it was still a place of my own, the first, and my books were there, and jars of pencils to sharpen, everything I needed, so I felt, to become the writer I wanted to be. It never occurred to me in those days to write about Holly Golightly, and probably it would not now except for a conversation with Joe Bell that set the whole memory of her in motion again.

Poor dear," Wendell said, bending to rub Shadow's ears. "When I retake my throne, I shall dedicate a fleet of servants to his needs. They shall make for him a velvet bed in every room, with a fire burning beside each one, and the bones of my enemies will be preserved for his enjoyment." "That started off well, but I did not care for the ending," I said.

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

Sixsmith, Eva. Because her name is a synonym for temptation: what treads nearer to the core of man? Because her soul swims in her eyes. Because I dream of creeping through the velvet folds to her room, where I let myself in, hum her a tune so-so-so softly, she stands with her naked feet on mine, her ear to my heart, and we waltz like string puppets. After that kiss, she says, “Vous embrassez comme un poisson rouge!” and in moonlight mirrors we fall in love with our youth and beauty. Because all my life, sophisticated, idiotic women have taken it upon themselves to understand me, to cure me, but Eva knows I’m terra incognita and explores me unhurriedly, like you did. Because she’s lean as a boy. Because her scent is almonds, meadow grass. Because if I smile at her ambition to be an Egyptologist, she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart, and couldn’t tell C major from a sergeant major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man—his best part is commandeered by his unperformed music—but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blowhole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance “beauty,” yet here she is, in these soundproofed chambers of my heart. Sincerely, R.F.

Before settling in to work, we noticed a large travel case on the mantelpiece. I unsnapped the latches and lifted the top. On one side there was a large desert scene on a marble base featuring miniature gold figurines, as well as a glass clock powered by changes in temperature. On the other side, set in a velvet case, was a necklace half the length of a bicycle chain, encrusted with what appeared to be hundreds of thousands of dollars’ worth of rubies and diamonds—along with a matching ring and earrings. I looked up at Ben and Denis. “A little something for the missus,” Denis said. He explained that others in the delegation had found cases with expensive watches waiting for them in their rooms. “Apparently, nobody told the Saudis about our prohibition on gifts.” Lifting the heavy jewels, I wondered how many times gifts like this had been discreetly left for other leaders during official visits to the kingdom—leaders whose countries didn’t have rules against taking gifts, or at least not ones that were enforced. I thought again about the Somali pirates I had ordered killed, Muslims all, and the many young men like them across the nearby borders of Yemen and Iraq, and in Egypt, Jordan, Afghanistan, and Pakistan, whose earnings in a lifetime would probably never touch the cost of that necklace in my hands. Radicalize just 1 percent of those young men and you had yourself an army of half a million, ready to die for eternal glory—or maybe just a taste of something better. I set the necklace down and closed the case. “All right,” I said. “Let’s work.

Well, you have to accept this.Check it out.You know how when someone dies, people are all sad and stuff?" "Yeah?" "Well,why are they sad?" His face scrunched up quizzically and then brightened. "Because they won't be able to see their loved ones again. They'll miss them." "No!" she shouted, suddenly standing and pacing like a detective delivering the evidence to a room full of suspects. "It's because they have to rely on faith that they will see that person again in heaven or..." Her eyes drifted toward the sky. "Wherever. When someone close to you dies, your faith is at its shakiest. Even if you're an atheist." He cocked his head to the side,"How do you figure?" "It just happens. Death causes people to reevaluate their beliefs. It brings up questions you don't want to ask;it creates anxiety.

Suddenly I was struck by the heavy fragrance of flowers. On the other side there was a garden about the size of a small room, a plot of ground raised by fill to the height of our belts. And full of flowers. A special, luxuriant flora. Long stemmed, with horn-shaped flowers whose petals were like black velvet. In one corner, a bush like a lily, arrayed with giant white blossoms like goblets. And scattered through that garden, thin-stemmed plants with white flowers marked by a single pink petal. It seemed that these gave off an exotic sweetness that cloyed and choked. In the midst of it all a bunch of fat crimson flowers lay tumbled, their silky, fleshy blossoms dipping down among the long stems of furious green grasses. This small, magical plot seemed a kaleidoscope. Just in front of my eyes purple irises bloomed up. A myriad fragrances mingled in its dazzling scent, and every hue of the rainbow glowed from those flowers.

There was a big “Sesame Street Live” extravaganza over at Madison Square Garden, so thousands of people decided to make a day of it and go straight from Sesame Street to Santa. We were packed today, absolutely packed, and everyone was cranky. Once the line gets long we break it up into four different lines because anyone in their right mind would leave if they knew it would take over two hours to see Santa. Two hours — you could see a movie in two hours. Standing in a two-hour line makes people worry that they’re not living in a democratic nation. People stand in line for two hours and they go over the edge. I was sent into the hallway to direct the second phase of the line. The hallway was packed with people, and all of them seemed to stop me with a question: which way to the down escalator, which way to the elevator, the Patio Restaurant, gift wrap, the women’s rest room, Trim-A-Tree. There was a line for Santa and a line for the women’s bathroom, and one woman, after asking me a dozen questions already, asked, “Which is the line for the women’s bathroom?” I shouted that I thought it was the line with all the women in it. She said, “I’m going to have you fired.” I had two people say that to me today, “I’m going to have you fired.” Go ahead, be my guest. I’m wearing a green velvet costume; it doesn’t get any worse than this. Who do these people think they are? “I’m going to have you fired!” and I wanted to lean over and say, “I’m going to have you killed.

Joey was waiting in his grandmother’s living room, next to the wall of family pictures. “Everyone here loves you so much,” he said quietly, as I continued to hyperventilate, tears streaming down my cheeks. “And they have good reason. You’re wonderful, and no one’s ever made me feel more at home than you have. I want to be your home, and I want to do it forever. I want you to be my family. Will you marry me?” He got on one knee and opened the velvet box; in it was a beautiful ring I’d lusted after with my best friends.

In those days there was no money to buy books. Books you borrowed from the rental library of Shakespeare and Company, which was the library and bookstore of Sylvia Beach at 12 rue de l’Odéon. On a cold windswept street, this was a lovely, warm, cheerful place with a big stove in winter, tables and shelves of books, new books in the window, and photographs on the wall of famous writers both dead and living. The photographs all looked like snapshots and even the dead writers looked as though they had really been alive. Sylvia had a lively, very sharply cut face, brown eyes that were as alive as a small animal’s and as gay as a young girl’s, and wavy brown hair that was brushed back from her fine forehead and cut thick below her ears and at the line of the collar of the brown velvet jacket she wore. She had pretty legs and she was kind, cheerful and interested, and loved to make jokes and gossip. No one that I ever knew was nicer to me. I was very shy when I first went into the bookshop and I did not have enough money on me to join the rental library. She told me I could pay the deposit any time I had the money and made me out a card and said I could take as many books as I wished. There was no reason for her to trust me. She did not know me and the address I had given her, 74 rue Cardinal Lemoine, could not have been a poorer one. But she was delightful and charming and welcoming and behind her, as high as the wall and stretching out into the back room which gave onto the inner court of the building, were the shelves and shelves of the richness of the library.

She dropped her coat on the back of a chair and crept quietly up to Jay’s room. She did her best not to wake him as she pulled the door closed behind her. She watched him sleep, stretched out on his back, feeling herself coming back to life in his presence. “What are you doing?” he mumbled without opening his eyes. Violet startled, feeling like she’d been caught doing something she shouldn’t have been. Like when they were little and they were busted for looking at a dirty magazine one of the other kids brought to school. Jay rolled onto his side and squinted one eye open at Violet, grinning. “Come over here,” he growled, lifting the corner of his sheet up, inviting her in. He looked rumpled and messy and alluring. Violet slipped off her shoes and climbed in beside him. He wrapped his arm around her back, pulling her close. His breath was warm, his body warmer, and she felt herself thawing for the first time since she’d stepped out into the shipyard that morning. Even the heat blasting inside her car on the way home hadn’t helped. She tucked her feet between his legs. “What are you doing here so early?” His voice was rough from sleep but it sounded like soft velvet. He stroked her back lazily. “Are you feeling better today?” Neither question really needed an answer; they were just Jay’s way of letting her know he’d been worried about her. “I didn’t mean to wake you,” she whispered as she let herself get comfortable against him. She’d been cold and tired, and now that she was warm again she thought she might actually be able to fall asleep, right there in his arms. He rested his chin against the top of her head. “You didn’t,” he assured her. “I was already awake.” Violet sighed. It felt so good to be here. It was the first time she’d felt comfortable since she’d gone to Seattle yesterday with Chelsea. Jay made her feel safe—among other things—and she needed that right now. She closed her eyes; they were gritty and raw from lack of sleep. She breathed deeply, inhaling him, and relaxing as she sank further into him . . . and into the pillow beneath her head. She fell asleep like that, wrapped in warmth. Wrapped in Jay.

What are you doing here?" He shoved one hand in his pocket. "I need a wife." "And you came here..." She searched for an explanation for his outlandish statement. "Because you thought a company that sells feminine care products might also have a supply of women available for marriage? I can go to the stock room if you want and see what we have on the shelf. Are you looking for a blonde or a brunette? I guess it doesn't matter whether she likes you or not." "It's not just for me," Liam explained, pulling his hand out of his pocket. "I need a wife to preserve my family legacy." "So you want to breed her? Good to know. That takes Margie and Joan out of the running. They're both in their sixties." He dropped to one knee and held out a blue velvet box. "I want you. Marry me, Daisy." Of all the things she'd expected him to say, "Marry me," did not even make the top thousand. For a long moment, all she could do was stand and stare. "I think you have me confused with someone who would even want to be in the same room as you, much less wed you after such a romantic proposal.

The sitting room is subdued, symmetrical; it’s one of the shapes money takes when it freezes. Money has trickled through this room for years and years, as if through an underground cavern, crusting and hardening like stalactites into these forms. Mutely the varied surfaces present themselves: the dusk-rose velvet of the drawn drapes, the gloss of the matching chairs, eighteenth century, the cow’s-tongue hush of the tufted Chinese rug on the floor, with its peach-pink peonies, the suave leather of the Commander’s chair, the glint of brass on the box beside it.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

The butterfly wallpaper was now gone. It had been replaced by a moody, breathless wallpaper of silver, sprinkled with tiny white dots that looked like stars. It made her feel an odd sense of anticipation, like last night. Grandpa Vance couldn't have come in last night and done this. Did it really change on its own? It was beautiful, this wallpaper. It made the room look like living in a cloud. She put her hand against the wall by her dresser. It was soft, like velvet. How could her mother not have told her a room like this existed? She'd never mentioned it. Not even in a bedtime story.

She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.

All my life I have been a poor go-tosleeper. No matter how great my weariness, the wrench of parting with consciousness is unspeakably repulsive to me. I loathe Somnus, that black-masked headsman binding me to the block; and if in the course of years I have got so used to my nightly ordeal as almost to swagger while the familiar axe is coming out of its great velvet-lined case, initially I had no such comfort or defense, nothing — save a door left ajar into Mademoiselle’s room. That meek line of light was something I could cling to, since in absolute darkness my head would swim, just as the soul dissolves in the blackness of sleep.

It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!

They followed the remnants of a road down which once had spun the wheels of lacquered carriages carrying verbena-scented ladies who twittered like linnets in the shade of parasols; and leathery cotton-rich gentlemen gruffing at each through a violet haze of Havana smoke, and their children, prim little girls with mint crushed in their handkerchiefs, and boys with mean blackberry eyes, little boys who sent their sisters screaming with tales of roaring tigers. Gusts of autumn, exhaling through the inheriting weeds, grieved for the cruel velvet children and their virile bearded fathers: Was, said the weeds, Gone, said the sky, Dead, said the woods, but the full laments of history were left to the Whippoorwill.

The Lonely Astronomer I have slain the stars and hung them like heads of game on heaven's ceiling. The night has become my trophy room, slung with big cats and hippos, rhinos and buffalos and an exotic barasingha, a swampy cabaret star among the celestial jazz singers who, she claims, take liberties with the sacred lyrics and melodies of the spheres. Their eyes twinkle at me, their light ancient, folded in wrinkles of time like a black velvet purse. I wink back and smile. There is an intimate relationship between the suns and the rain, between the slayers and the slain. I run my fingers through their celestial skins, tracing their ley lines, and for a brief moment, linger in the tactile pleasures within.

The next morning, of course, Betsy made a list. Lists were always her comfort. For years she had made lists of books she must read, good habits she must acquire, things she must do to make herself prettier—like brushing her hair a hundred strokes at night, and manicuring her fingernails, and doing calisthenics before an open window in the morning. (That one hadn’t lasted long.) It was fun making this list, sitting in bed with her breakfast tray on her lap…hot chocolate, crisp hard rolls, and a pat of butter. Hanni had brought it to her after closing the windows and pushing back the velvet draperies. Betsy felt like a heroine in one of her own stories; their maids always awakened them that way. 1. Learn the darn money. 2. Study German. (You’ve forgotten all you knew.) 3. Buy a map and learn the city—from end to end, as you told Papa you would. 4. Read the history of Bavaria. You must have it for background. 5. Go to the opera. (You didn’t stay in Madeira because Munich is such a center for music and art???) 6. Go to the art galleries. (Same reason.) 7. Write! Full of enthusiasm, she planned a schedule. First, each morning, she would have her bath, and then write until noon. After the midday dinner she would go out and learn the city. She would go to the galleries, museums, and churches. She would have coffee out—for atmosphere. “Then I’ll come home and study German and read Bavarian history. And after supper…” she tried not to remember the look of that dining room…“I’ll write my diary-letter, except when I go to the opera or concerts.

Between Myself and Death To Jimmy Blanton's Music: Sophisticated Lady, Body and Soul A fervor parches you sometimes, And you hunch over it, silent, Cruel, and timid; and sometimes You are frightened with wantonness, And give me your desperation. Mostly we lurk in our coverts, Protecting our spleens, pretending That our bandages are our wounds. But sometimes the wheel of change stops; Illusion vanishes in peace; And suddenly pride lights your flesh— Lucid as diamond, wise as pearl— And your face, remote, absolute, Perfect and final like a beast's. It is wonderful to watch you, A living woman in a room Full of frantic, sterile people, And think of your arching buttocks Under your velvet evening dress, And the beautiful fire spreading From your sex, burning flesh and bone, The unbelievably complex Tissues of your brain all alive Under your coiling, splendid hair. * * * I like to think of you naked. I put your naked body Between myself alone and death. If I go into my brain And set fire to your sweet nipples, To the tendons beneath your knees, I Can see far before me. It is empty there where I look, But at least it is lighted. I know how your shoulders glisten, How your face sinks into trance, And your eves like a sleepwalker's, And your lips of a woman Cruel to herself. I like to Think of you clothed, your body Shut to the world and self contained, Its wonderful arrogance That makes all women envy you. I can remember every dress, Each more proud then a naked nun. When I go to sleep my eves Close in a mesh of memory. Its cloud of intimate odor Dreams instead of myself.

Montaigne also had an audience with the current octogenarian Pope, Gregory XIII. The secretary described the ritual in detail. First Montaigne and one of his young traveling companions entered the room where the Pope was seated, and knelt to receive a benediction. They sidled along the wall, then cut across towards him; halfway there, they stopped for another benediction. Then they knelt on a velvet carpet at the Pope’s feet, beside the French ambassador, who was presenting them. The ambassador knelt too, and pulled back the Pope’s robe to expose his right foot, shod in a red slipper with a white cross. The visitors each bent towards this foot and kissed it; Montaigne noted that the Pope lifted his toes a little to make the kiss easier. After this almost erotic performance, the ambassador covered the papal foot again, and rose to deliver a speech about the visitors.

Where are we going?” Arin stared out the carriage window at the trees of the Garden District, their bare branches slim and violet in the dusk. Kestrel fidgeted with her skirts. “Arin. You know that we are going to Irex’s party.” “Yes,” he said shortly, but didn’t tear his gaze away from the passing trees. Better he look at them than at her. The velvet dress was a deep red, the skirts deliberately crushed in a pattern highlighted by golden embroidered leaves that twined up toward the bodice, where they interlaced and would catch the light. Conspicuous. The dress made her conspicuous. Kestrel sank into her corner of the carriage, feeling her dagger dig into her side. This evening at Irex’s wouldn’t be easy. Arin seemed to think the same. He held himself so rigidly on the carriage seat across from her that he looked wooden. Tension seeped into the air between them. When torches lit the darkness outside the windows and the driver lined up behind other carriage waiting to access the pathway to Irex’s villa, Kestrel said, “Perhaps we should return home.” “No,” said Arin. “I want to see the house.” He opened the door. They were silent as they walked up the path to the villa. Though not as large as Kestrel’s, it was also a former Herrani home: elegant, prettily designed. Arin fell behind Kestrel, as was expected of slaves, but this made her uneasy. It was unsettling to feel him close and not see his face. They entered the house with the other guests and made their way into the receiving room, which was lined with Valorian weapons. “They don’t belong there,” she heard Arin say. She turned to see him staring in shock at the walls. “Irex is an exceptional fighter,” said Kestrel. “And not very modest.” Arin said nothing, so neither did Kestrel.

This is not exactly what I had in mind when I agreed to miss lunch," Alex said grumpily forty minutes later. He shifted uncomfortably and tried to see what I was doing. I stared him back into submission. "Wait." The art room is usually empty Thursday afternoons except for me. Ms. Evers leaves early to teach her UArts class and looks up.Of course, I am one of the few entrusted with the Secret Location of the Key. A few feet away from where I sat perched on a stool,Alex was posed on the anchient chaise we use for figure drawing. It's a relic, probably from the Palladinetti years: chipped mahogany and dusty velvet, what little remaining stuffing pokes out from a century of holes. I was probably luxurious once. Now it's like sitting on a slightly smelly board. But I'd wanted to sketch Alex as I so often saw him, reclining with his head propped on one hand,listening or talking or coaxing me to put down the glass, already,Ella,and come here.

I don’t think I run roughshod over people, but if something sucks, I tell people to their face. It’s my job to be honest. I know what I’m talking about, and I usually turn out to be right. That’s the culture I tried to create. We are brutally honest with each other, and anyone can tell me they think I am full of shit and I can tell them the same. And we’ve had some rip-roaring arguments, where we are yelling at each other, and it’s some of the best times I’ve ever had. I feel totally comfortable saying “Ron, that store looks like shit” in front of everyone else. Or I might say “God, we really fucked up the engineering on this” in front of the person that’s responsible. That’s the ante for being in the room: You’ve got to be able to be super honest. Maybe there’s a better way, a gentlemen’s club where we all wear ties and speak in this Brahmin language and velvet code-words, but I don’t know that way, because I am middle class from California.

The room was two-tiered, its marble balconies filled with rams and water nymphs in fancy dress; a kaleidoscope of colours swayed in time to the beat of hypnotic music. A concerto of absent musicians, it played only in her mind. The numerous chandeliers with sculptured metal frames hung down from chains, with endless fireflies attached. At the far end stretched a grand staircase, dressed with a plush velvet carpet in deep cerise, and ceiling paintings edged with gold embossed dado rails clung to the walls. Then Eve honed in on herself and saw that she wore a crushed white taffeta A-line gown that fit her trim figure like a glove. Her butterfly mask with floral patterns embroidered in red and gold silk sat against her pale skin, her reflection like that of a porcelain doll. A matching shawl rested softly on her shoulders. Everything was so beautiful that she almost totally lost herself in the mirror’s reflection." (little snippet from our book)

I’m really enjoying my solitude after feeling trapped by my family, friends and boyfriend. Just then I feel like making a resolution. A new year began six months ago but I feel like the time for change is now. No more whining about my pathetic life. I am going to change my life this very minute. Feeling as empowered as I felt when I read The Secret, I turn to reenter the hall. I know what I’ll do! Instead of listing all the things I’m going to do from this moment on, I’m going to list all the things I’m never going to do! I’ve always been unconventional (too unconventional if you ask my parents but I’ll save that account for later). I mentally begin to make my list of nevers. -I am never going to marry for money like Natasha just did. -I am never going to doubt my abilities again. -I am never going to… as I try to decide exactly what to resolve I spot an older lady wearing a bright red velvet churidar kurta. Yuck! I immediately know what my next resolution will be; I will never wear velvet. Even if it does become the most fashionable fabric ever (a highly unlikely phenomenon) I am quite enjoying my resolution making and am deciding what to resolve next when I notice Az and Raghav holding hands and smiling at each other. In that moment I know what my biggest resolve should be. -I will never have feelings for my best friend’s boyfriend. Or for any friend’s boyfriend, for that matter. That’s four resolutions down. Six more to go? Why not? It is 2012, after all. If the world really does end this year, at least I’ll go down knowing I completed ten resolutions. I don’t need to look too far to find my next resolution. Standing a few centimetres away, looking extremely uncomfortable as Rags and Az get more oblivious of his existence, is Deepak. -I will never stay in a relationship with someone I don’t love, I vow. Looking for inspiration for my next five resolutions, I try to observe everyone in the room. What catches my eye next is my cousin Mishka giggling uncontrollably while failing miserably at walking in a straight line. Why do people get completely trashed in public? It’s just so embarrassing and totally not worth it when you’re nursing a hangover the next day. I recoil as memories of a not so long ago night come rushing back to me. I still don’t know exactly what happened that night but the fragments that I do remember go something like this; dropping my Blackberry in the loo, picking it up and wiping it with my new Mango dress, falling flat on my face in the middle of the club twice, breaking my Nine West heels, kissing an ugly stranger (Az insists he was a drug dealer but I think she just says that to freak me out) at the bar and throwing up on the Bandra-Worli sea link from Az’s car. -I will never put myself in an embarrassing situation like that again. Ever. I usually vow to never drink so much when I’m lying in bed with a hangover the next day (just like 99% of the world) but this time I’m going to stick to my resolution. What should my next resolution be?

No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?” “Oh! But this will not happen to me, I am sure.” “How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.

It was so dark in the attic that at first the girls could see little by candlelight. As soon as Nancy’s eyes became accustomed to the dimness, she groped her way forward in the cluttered room. “The attic is really very interesting,” she said, surveying the assortment of boxes and trunks. She called her friends’ attention to a fine old table which stood in one corner. “I believe Mr. March could sell that,” she said. “And look at these old-fashioned hatboxes!” She picked up one of the round, cardboard boxes. On it was the picture of a gay rural scene of early American life. “Let me see that!” exclaimed Bess, blowing off the dust. “Mr. March certainly could get something for this. Only yesterday Mother told me about a hatbox like this which brought a good price at an auction sale.” “There are at least a dozen here!” George declared excitedly. “All in good condition, too!” They were decorated with pictures of eagles and flowers, as well as scenes of American history. Two of them contained velvet bonnets with feather ornaments. “Girls, this attic may be a valuable find!” Nancy exclaimed.

You never asked about your present.' 'I assumed I wasn't getting one from you.' He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?' She shrugged. 'I just did.' He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him. Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.' He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring. 'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.' Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?' 'Touch the top. Just a tap.' Throwing a puzzled glance at him, she did so. Music exploded into the room. Nesta leaped back, a hand at her chest as he laughed. But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again. 'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.' 'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled. His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...' He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room. He had done all of this for her. Had found a way for her to have music- always. 'Nesta,' he breathed.

I sliced the chicken with my fingers and put it into a small skillet to warm, separate a couple of eggs, and whisk the yolks quickly until they have lightened and thickened. Pour in a healthy glug of cream, then grate a flurry of cheese over the top, mixing it in. I zest a lemon from the bowl into the mix, and then squeeze in the juice. Some salt and pepper. I go over to the pots in my window and, with the scissors I keep there, snip off some parsley and chives, which I chop roughly and add to the mix. When the pasta is al dente, I drain it quickly, reserving a bit of the cooking water, and add it to a large bowl with a knob of butter, mixing quickly to coat the pasta. I add in the lemon sauce, tossing with a pair of tongs. When the whole mass comes together in a slick velvet tumble of noodles, I taste for seasoning, add a bit more ground black pepper, and put the shredded chicken on top with a bit more grated cheese. A fork and a cold beer out of the fridge, and I take the bowl out to the living room, tossing Simca a piece of chicken, and settle on the couch to watch TV, twirling long strands of the creamy lemony pasta onto my fork with pieces of the savory chicken, complete comfort food.

She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.

One had heard and read a great deal about death, and even seen a little of it, and knew by heart the thousand commonplaces of religion and poetry which seemed to deaden one's senses and veil the horror. Society being immortal, could put on immortality at will. Adams being mortal, felt only the mortality. Death took features altogether new to him, in these rich and sensuous surroundings. Nature enjoyed it, played with it, the horror added to her charm, she liked the torture, and smothered her victim with caresses. Never had one seen her so winning. The hot Italian summer brooded outside, over the market-place and the picturesque peasants, and, in the singular color of the Tuscan atmosphere, the hills and vineyards of the Apennines seemed bursting with mid-summer blood. The sick-room itself glowed with the Italian joy of life; friends filled it; no harsh northern lights pierced the soft shadows; even the dying women shared the sense of the Italian summer, the soft, velvet air, the humor, the courage, the sensual fulness of Nature and man. She faced death, as women mostly do, bravely and even gaily, racked slowly to unconsciousness, but yielding only to violence, as a soldier sabred in battle. For many thousands of years, on these hills and plains, Nature had gone on sabring men and women with the same air of sensual pleasure.

Simi Chopra, will you marry me?" He opened the blue velvet box in his hand and showed me a beautiful sapphire ring surrounded by diamonds. My mouth opened, but all that spilled out was, "My brain..." A frown creased Jack's brow. "Not really the answer I was expecting." "I can't..." I shook my head. "You organized all this? Chloe? The dress? The car? Trey and all the renovations were real? When did you buy this house? It had to be after I told you I wanted to take a break." "Yes, it was." "But how did you know we'd get back together?" "Because if we weren't meant to be together, I would never have been in the bushes the night you tried to save Chloe in the museum. I wouldn't have held you in my arms and known deep in my bones that I'd met the woman I'd been waiting for all my life... a woman who is intelligent and beautiful and brave and loyal, who has a secret love of adventure and a wicked sense of humor, a woman who lights up every room she walks into and can take a group of misfits and turn them into a family. A woman I want to call my wife." He took the ring out of the box and slid it on my finger. "This was my mother's ring. It is the only thing I have left to remember her by, and there is no one else I have ever wanted to give it to but you." I looked at the ring and then at the man who had stolen my heart. "Yes, Jack, I'll marry you.

Memories whirled in the back of her head. Not frightening this time. The owner of that voice made her smile. He protected her, and he loved her. When she was with him, the world felt right. As long as she was with him, she was safe. He entered the room, crossing at an angle to her so that she saw just his shoulders and a glimpse of flat stomach. Not a stitch of clothing covered him. Not one. She could see the backs of his thighs and his bare behind. Round and strong and firm. Dark hair cut short gave his profile greater sternness. She knew beyond certainty she had every right to be here, with him perfectly naked. Her heart swelled with joy, a feeling so intense she wanted to cry out to the world. He stopped at the window and stood there, one arm resting atop the sash, staring at the hills rising toward Scotland. His arm came forward on the sash, and he shifted so that he faced her. "Well," he said in a soft voice that made her breath catch. His voice was velvet, liquid velvet, and she was drowning in it, filled all the way to her soul. That voice, a woman could love. "Good afternoon." Bluer eyes she'd never seen. Nor more piercing ones. She drowned in eyes of an incredible, piercing blue. The light shimmered as a cloud crossed the sun. But this man, this man with eyes like frost on a window, whose eyes made battle-hardened men quail and who seemed so foreign to tenderness, made her complete...

It had been years since he'd seen a woman handle a crowd of admirers so deftly- not since Lily in her gambling days. Fascinated, he wondered where the hell she had come from. He knew about all the new arrivals in London, and he'd never seen her before. She must be some diplomat's wife, or some exclusive courtesan. Her lips were red and pouting, her pale white shoulders enticingly bare above the blue velvet of her gown. She laughed frequently, tossing her head back in a way that caused her chestnut curls to dance. Like the other men present, Derek was captivated by her figure, the luscious round breasts, the tiny waist, all revealed by a well-fitted gown that was unlike the shapeless Grecian styles of the other women. "A toast to the loveliest bosom in London!" Lord Bromley, a rakish ne'er-do-well, exclaimed. Titillated and excited, the crowd raised their glasses with a cheer. Waiters rushed to bring more liquor. "Miss," one of them begged, "I entreat you to cast my dice for me." "Whatever good luck I have is yours," she assured him, and shook the dice in the box so vigorously that her breasts quivered beneath their shallow covering. The temperature in the room escalated rapidly as a host of admiring sighs greeted the display. Derek decided to intervene before the crowd's mood became too highly charged. Either the vixen didn't realize the lust she was inciting, or she was doing it deliberately. Either way, he wanted to meet her.

The men who projected and are pushing on this enterprise, with an executive ability that would maintain and manoeuvre an army in a campaign, are not, however, consciously philanthropists, moved by the charitable purpose of giving employment to men, or finding satisfaction in making two blades of grass grow where one grew before. They enjoy no doubt the sense of power in bringing things to pass, the feeling of leadership and the consequence derived from its recognition; but they embark in this enterprise in order that they may have the position and the luxury that increased wealth will bring, the object being, in most cases, simply material advantages—sumptuous houses, furnished with all the luxuries which are the signs of wealth, including, of course, libraries and pictures and statuary and curiosities, the most showy equipages and troops of servants; the object being that their wives shall dress magnificently, glitter in diamonds and velvets, and never need to put their feet to the ground; that they may command the best stalls in the church, the best pews in the theatre, the choicest rooms in the inn, and—a consideration that Plato does not mention, because his world was not our world—that they may impress and reduce to obsequious deference the hotel clerk. This life—for this enterprise and its objects are types of a considerable portion of life—is not without its ideal, its hero, its highest expression, its consummate flower. It is expressed in a word which I use without any sense of its personality, as the French use the word Barnum—for our crude young nation has

The boy's smile was a mockery of innocence. 'Are you frightened?' 'Yes,' I said. Never lie- that had been Rhys's first command. The boy stood, but kept to the other side of the cell. 'Feyre,' he murmured, cocking his head. The orb of faelight glazed the inky hair in silver. 'Fay-ruh,' he said again, drawing out the syllables as if he could taste them. At last, he straightened his head. ''Where did you go when you died?' 'A question for a question,' I replied, as I'd been instructed over breakfast. ... Rhys gave me a subtle nod, but his eyes were wary. Because what the boy had asked... I had to calm my breathing to think- to remember. But there was blood and death and pain and screaming- and she was breaking me, killing me so slowly, and Rhys was there, roaring in fury as I died. Tamlin begging for my life on his knees before her throne... But there was so much agony, and I wanted it to be over, wanted it all to stop- Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there. I bunched my hands into fists. I had lived; I had gotten out. I would get out today. 'I heard the crack,' I said. Rhys's head whipped toward me. 'I heard the crack when she broke my neck. It was in my ears, but also inside my skull. I was gone before I felt anything more than the first lash of pain.' The Bone Carver's violet eyes seemed to glow brighter. 'And then it was dark. A different sort of dark than this place. But there was a... thread,' I said. 'A tether. And I yanked on it- and suddenly I could see. Not through my eyes, but- but his,' I said, inclining my head toward Rhys. I uncurled the finger of my tattooed hand. 'And I knew I was dead, and this tiny scrap was all that was left of me, clinging to the thread of our bargain.' 'But was there anyone there- were you seeing anything beyond?' 'There was only that bond in the darkness.' Rhysand's face had gone pale, his mouth a tight line. 'And when I was Made anew,' I said, 'I followed that bond back- to me. I knew that home was on the other end of it. There was light then. Like swimming up through sparkling wine-' 'Were you afraid?' 'All I wanted was to return to- to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home. So I followed the bond home.' 'There was no other world,' the Bone Carver pushed. 'If there was or is, I did not see it.' 'No light, no portal?' Where is it that you want to go? The question almost leaped off my tongue. 'It was only peace and darkness.' 'Did you have a body?' 'No.' 'Did-' 'That's enough from you,' Rhysand purred- the sound like velvet over sharpest steel. 'You said a question for a question. Now you've asked...' He did a tally on his fingers. 'Six.' The Bone Carver leaned back against the wall and slid to a sitting position. 'It is a rare day when I meet someone who comes back from true death. Forgive me for wanting to peer behind the curtain.

„The air was saturated with the finest flour of a silence so nourishing, so succulent, that I could move through it only with a sort of greed, especially on those first mornings of Easter week, still cold, when I tasted it more keenly because I had only just arrived in Combray: before I went in to say good morning to my aunt, they made me wait for a moment, in the first room where the sun, still wintry, had come to warm itself before the fire, already lit between the two bricks and coating the whole room with an odour of soot, having the same effect as one of those great country ‘front-of-the-ovens’, or one of those château mantelpieces, beneath which one sits hoping that outdoors there will be an onset of rain, snow, even some catastrophic deluge so as to add, to the comfort of reclusion, the poetry of hibernation; I would take a few steps from the prayer stool to the armchairs of stamped velvet always covered with a crocheted antimacassar; and as the fire baked like a dough the appetizing smells with which the air of the room was all curdled and which had already been kneaded and made to ‘rise’ by the damp and sunny coolness of the morning, it flaked them, gilded them, puckered them, puffed them, making them into an invisible, palpable country pastry, an immense ‘turnover’ in which, having barely tasted the crisper, more delicate, more highly regarded but also drier aromas of the cupboard, the chest of drawers, the floral wallpaper, I would always come back with an unavowed covetousness to snare myself in the central, sticky, stale, indigestible and fruity smell of the flowered coverlet.

Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.

Beautiful,” said Amar. “I found it gruesome,” I said, shivering. Amar rose and walked to where I stood. “I was not talking about the story.” “Oh.” “Why do you like such a gruesome tale?” In Bharata, we were taught that it was a tale of the god’s might. But I saw another story within it: the play of interpretation that turned something terrifying and iron-clad into something that could be conquered. I was reminded of the star room where Amar had taken me only days ago. The story was like a different way of seeing. “It gave me hope…that maybe there was some way around the horoscope. It was a lesson in language too, almost like a riddle…” Amar stared at me and then he laughed. “Only my queen would find hope in horror.” He took my hand in his and his gaze was burning. “You are my hope and more.” “What does that make you? My horror?” “And more,” he said. All I saw were his eyes. Velvet dark. The kind of umbra that shadows envy. Amar stared at me and his gaze was desperate with hope. Reckless. I should’ve stopped. I should’ve stepped away. But I didn’t. I leaned forward, and a soft growl--like surrender--escaped his throat. He dug his fingers into my back and pulled me into a kiss. Amar’s kiss was furious. No heat. Just lightning. Or maybe that was what his touch teased out of me--vivid streaks of light, dusk and all her violent glory. I was lost. I leaned into his kiss and the world around us peeled into nothing. I felt like I could stand over chasms empty of time, and this moment, like a chain of soft-blooming stars, would still be ours. We kissed until we couldn’t breathe. And then we kissed until we needed the touch of one another like breath itself.

It makes you worry about what people think about who you married, or if your new house you bought is less expensive than the last one you bought, or that your husband may have a roving eye.” Amanda felt a sudden twinge of sympathy, and ruthlessly tried to quell it. She really didn’t want to feel it for the mayor at all. “Doesn’t excuse her bad behavior, I know, but thought it would help for you to hear a bit about her. My Dad says she used to be really well-liked in town. She didn’t always push people around like this.” Amanda thought about that, trying to imagine the mayor as a carefree bride, hopeful for her future. It wasn’t easy. She needed some time to think about it. Maybe the mayor changed because she thought she had to change, or because she was afraid what would happen to her world if she didn’t. Maybe she was just trying to survive. Amanda subdued any twinges of compassion as she furiously cleaned in the corner between the wall and the massive bed. Yes, people change, she thought, but that doesn’t give anyone the right to treat other people like garbage. Just because she had a bad life doesn’t mean she can act like she rules everyone else. She saw the corner of the torn envelope the moment she flipped back the corner of the rug. She picked it up and was just going to toss it into the small garbage can she was dragging with her through the room, when her eyes caught some writing on the outside. YOU HAVE TWO HOURS Big dark letters, written in an angry scrawl across the front. Amanda’s blood ran cold. This wasn’t a piece of mail carelessly left. This was something that had been deliberately hidden, and that was much more personal and angry. She glanced sideways at James, who was busy ripping down the heavy velvet curtains, a cloud of dust poofing around his head. It took only a moment for Amanda to fold the envelope in half and stuff it into her pocket. She patted it hard to ensure there’d be no telltale bulge, and pulled the

I’m really not in the mood for your bullshit, Patrick. Go, before Ryder sees your car in the driveway or something.” “Oh, you expectin’ Ryder?” he slurs. “He gonna ride in on his white horse like a knight and save you? Is that what your hopin’ for? Maybe that’s why you been holdin’ out on me. You wanna give it to him instead.” His eyes are glassy, slightly unfocused. It’s obvious I can’t let him drive home like this. Shit. Ignoring his drunken little tirade, I reach for his hand and drag him into the living room, pushing him toward the velvet sofa. “C’mon, Patrick, you need to lie down. I’m going to call someone to come pick you up.” His legs buckle the minute they hit the cushions, and he crumples into a heap--half on the floor, half on the sofa. He starts to make a retching noise, and I hurriedly slip off my hoodie and shove it under his face. “I swear, if you puke on my sofa, I’m going to freaking kill you.” Mercifully, he doesn’t. Instead, he starts making a quiet, snuffling noise. Like he’s passed out cold. I run upstairs and grab my cell from my bedroom, trying to decide who to call. Obviously, Ryder makes the most sense, since he lives just up the road and can be here in a matter of minutes. But what if he mentions it to his mom? I mean, I can tell him not to, but then it makes me look guilty, like I’m trying to hide something. It’s not my fault that Patrick showed up on my doorstep unannounced. I run through the other options in my head. Calling Ben or Mason is about the same as calling Ryder. They’re his best friends. They talk. I could try Tanner. He is my cousin, so I could invoke some sort of family loyalty oath of silence or something. Only problem is, Tanner lives on the far side of town--about as far away from here as anyone can be and still live in Magnolia Branch. Which means leaving a passed-out, about-to-puke Patrick on my couch for a good twenty minutes, waiting for a ride. Nope. Not gonna happen. With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.

The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!

Clad in red velvet it came, the very covering my old Master had so loved, the dream king, Marius. It came swaggering and camping through the lighted streets of Paris as though God had made it. But it was a vampire child, the same as I, son of the seventeen hundreds, as they reckoned the time to be then, a blazing, brash, bumbling, laughing and teasing blood drinker in the guise of a young man, come to stomp out whatever sacred fire yet burnt in the cleft scar tissue of my soul and scatter the ashes. It was The Vampire Lestat. It wasn't his fault. Had one of us been able to strike him down one night, break him apart with his own fancy sword and set him ablaze, we might have had a few more decades of our wretched delusions. But nobody could. He was too damned strong for us. Created by a powerful and ancient renegade, a legendary vampire by the name of Magnus, this Lestat, aged twenty in mortal years, an errant and penniless country aristocrat from the wild lands of Auvergne, who had thrown over custom and respectability and any hope of court ambitions, of which he had none anyway since he couldn't even read or write, and was too insulting to wait on any King or Queen, who became a wild blond-haired celebrity of the boulevard gutter theatricals, a lover of men and women, a laughing happy-go-lucky blindly ambitious self-loving genius of sorts, this Lestat, this blue-eyed and infinitely confident Lestat, was orphaned on the very night of his creation by the ancient monster who made him, bequeathed to him a fortune in a secret room in a crumbling medieval tower, and then went into the eternal comfort of the ever devouring flames. This Lestat, knowing nothing of Old Covens and Old Ways, of soot covered gangsters who thrived under cemeteries and believed they had a right to brand him a heretic, a maverick and a bastard of the Dark Blood, went strutting about fashionable Paris, isolated and tormented by his supernatural endowments yet glorying in his new powers, dancing at the Tuileries with the most magnificently clad women, reveling in the joys of the ballet and the high court theater and roaming not only in the Places of Light, as we called them, but meandering mournfully in Notre Dame de Paris itself, right before the High Altar, without the lightning of God striking him where he stood. Armand’s description of Lestat from The Vampire Armand

I cast my gangly body into the shadow of the stable and watched them, curious to see my uncle with a triumphant smile on his mouth. He called for Jedha, the Master-at-Arms, and they spoke in low, swift voices before turning in to the house. I stayed in the shadows and trailed them through the hall into the mahogany library, the wooden doors left slightly ajar. I can’t remember what they said to one another—how my uncle had gotten the Providence Card away from the highwaymen—only that they were consumed with excitement. I waited for them to leave, my uncle fool enough not to lock the Card away, and I stole into the heart of the room. Writ on the top of the Card were two words: The Nightmare. My mouth opened, my childish eyes round. I knew enough of The Old Book of Alders to know this particular Providence Card was one of only two of its kind, its magic formidable, fearsome. Use it, and one had the power to speak into the minds of others. Use it too long, and the Card would reveal one’s darkest fears. But it wasn’t the Card’s reputation that ensnared me—it was the monster. I stood over the desk, unable to tear my eyes away from the ghastly creature depicted on the Card’s face. Its fur was coarse, traveling across its limbs and down its hunched spine to the top of its bristled tail. Its fingers were eerily long, hairless and gray, tipped by great, vicious claws. Its face was neither man nor beast, but something in between. I leaned closer to the Card, drawn by the creature’s snarl, its teeth jagged beneath a curled lip. Its eyes captured me. Yellow, bright as a torch, slit by long, catlike pupils. The creature stared up at me, unmoving, unblinking, and though it was made of ink and paper, I could not shake the feeling it was watching me as intently as I was watching it. Trying to grasp what happened next was like mending a shattered mirror. Even if I could realign the pieces, cracks in my memory still remained. All I’m certain of was the feel of the burgundy velvet—the unbelievable softness along the ridges of the Nightmare Card as my finger slipped across it. I remember the smell of salt and the white-hot pain that followed. I must have fallen or fainted, because it was dark outside when I awoke on the library floor. The hair on the back of my neck bristled, and when I sat up, I was somehow aware I was no longer alone in the library. That’s when I first heard it, the sound of those long, vicious claws tapping together. Click. Click. Click. I jumped to my feet, searching the library for an intruder. But I was alone. It wasn’t until it happened again—click, click, click—that I realized the library was empty. The intruder was in my mind.

A few hours later, Jane came out of her boudoir to find her husband in his dressing gown, stretched out across the bed reading the newspaper and idly petting their spaniel Little Archer, a pup from Mrs. Patch’s brood. Seizing the moment, Little Archer leapt off the bed and into her dressing room, where he could chew up slippers to his heart’s content. Dom, however, didn’t even look up as she entered. “They’re calling this the most elegant coronation in history.” He snorted. “I noticed there’s no mention of its being the most interminable.” “Dom,” she purred as she closed the dog into the dressing room for the moment. “All that pomp and circumstance is so tedious.” Still reading, he turned the page of the newspaper. “Ravenswood told me that King William is determined to make sure that parliamentary reform is enacted.” She walked languidly forward. “Dom.” He snapped the paper to straighten it. “It’s about bloody time. I should think--” “Dom!” she practically shouted. “Hmm?” He glanced up, then frowned. “Why are you wearing your coronation robe?” “I was cold,” she said with a teasing smile. She let the robe fall open. “Since I have nothing on underneath.” Dom stared, then gulped. Unsurprisingly, his staff jerked instantly to attention. “If you’re trying to torture me,” he said hoarsely, “you’re doing a good job of it.” She sashayed toward the bed, letting the velvet and ermine robe swing about her. “No torture intended.” She put one knee on the bed. “Dr. Worth said I may resume relations with my husband whenever I am ready.” He blinked, then rose to his knees and seized her about the waist. “May I assume that you’re ready?” he rasped as he brushed a kiss to her cheek. “You have no idea.” She met his mouth with hers. They kissed a long moment, a hot, heavenly kiss that reminded her of how very talented her husband was at this aspect of marriage. She untied his dressing gown and shoved it off his shoulders. He had just finished tearing off his drawers when she shoved him down onto the bed. His eyes lit up as she hovered over him. “Ah, so it’s to be like that, my wicked little seductress?” “Oh, yes.” She grinned at him. “I do so enjoy having a viscount fall before me.” She started to remove her robe, but he stayed her with his hand. “Don’t.” He raked her with a heated glance. “Next session of parliament, I’ll endure the boredom of the endless speeches by imagining you seducing me in all your pomp and circumstance.” “My pomp is nothing to yours, my love,” she murmured as she caught his rampant flesh in her hand. “Yours is quite…er…pompous.” “That’s what happens if the viscount falls.” He thrust against her hand. “His pomp always rises.” And as she laughed, they created a pomp and circumstance all their own.

He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.

Time doesn’t heal wounds. It just makes room for scars.

CUENCA 2016 Do You Believe in Magic? So, I'm thinking, maybe this Universe thing really works. I've only used up two of my wishes so maybe I should try for a really big one on the third --   You may have noticed that I have been somewhat "antsy" and slightly disturbed by the lack of men taller than 5 ft 5 here -- well, really, the lack of men in general. I freely admit, I miss the male relationships I usually have (or used to have before I was ill). So, in the spirit of my usual blatant honesty, here is my Wish List, Dear Universe. I will pay you back somehow, I promise. And I'll be good. I promise. And this will be my last wish forever, I promise. Okay? Here goes. My Perfect Man would be a man. I am 100% sure of that. Not a woman. He should be tall. At least 6 feet. Well, maybe 5 ft. 8. Okay. 5 ft. 7 but that's my final offer. He should have read Kafka. Well, at least he should know who Kafka is. Okay. He should be able to read. He should be able to discuss art and agree that its beauty lies in the subjectivity of its appreciation. A picture of dogs playing poker on a velvet background, hanging in his living room, is a deal breaker. He should have thick black/gray hair. Well, he should have hair. Okay. Thinning hair is okay. Well, no hair is good, too, as I now know what thinning hair feels like.  So, you got me.  Hair is negotiable. He should have a sense of humor. Reading this list should make him laugh.

As he stood, a single red petal fell from his black velvet cloak. “I’m glad you came out of your room. I hope to see you at supper.” Luca unfastened the cloak from around his neck and handed it to her. “Here. It’s getting dark. You might get cold.” Cass accepted the cloak and draped it across her front like a blanket. A square of white cotton fell out of the pocket and she reached down and picked it up. Luca’s handkerchief. Her fingers stroked the embroidered initials--LdP. She thought back to her conversation with Madalena about dropping handkerchiefs. It seemed like the exchange had happened in another lifetime. She tucked the square of fabric back into the pocket of his cloak. Luca smiled. “Thanks,” he said. “I manage to lose more of those than you can imagine.” He turned back toward the house. The air turned cool as the stars came out, but Luca’s cloak kept Cass surprisingly warm. A blurry face appeared at one of the windows. Cass recognized Agnese’s favorite white cap. Cass gave her aunt a hesitant wave and the face vanished. Cass wondered if everyone had been worrying about her. She remembered the cautious way Luca had approached her, as if she were a wild horse that might spook and run off.

As I’ve been telling you, Cassandra, you need to be cautious. People are not always what they seem.” Cass lifted her chin and forced herself to sound casual. “I feel very safe here on San Domenico.” She added, for good measure, “Especially now that you’re staying with us.” Luca smiled faintly. “I’m glad to hear it. I thought maybe you were finding my presence burdensome.” He flicked his eyes toward the mantel clock. “You should probably get dressed.” Luca was already dressed. He wore black breeches and boots with a wine-colored silk doublet that fit snugly across his broad shoulders. A gold embroidered velvet cape hung from one shoulder. Most of his thick blondish hair was covered by a small-brimmed black velvet hat adorned with a plume of burgundy and white feathers. “You look nice,” Cass said, partially to soften him and partially because it was true. “So do you,” he responded instantly. “I mean, you will--I mean, you do now too, but--” She turned back toward her room as Luca fumbled over his words. His politeness was sort of charming. So different from the men in the streets who hollered and clapped when women walked by. He probably wouldn’t even try to kiss her again unless she specifically told him it was all right. For a brief second, Cass wondered what it would be like to stand on her tiptoes and press her mouth against Luca’s pale lips. His beard had grown out some in the past few days. What would it feel like against the smooth skin of her cheek?

Hugh Collins wasn’t exactly what Perdita had visualised as a northern landlord. An elegant man with beautifully styled white hair, he was dressed in a red velvet waistcoat and smelled distinctly of whisky. It looked like James had long since made himself comfortable and was lounging in front of a roaring open fire, with what looked like a single malt in his glass. Perdita felt her temper rise but stifled it and decided to direct what little energy she had left elsewhere. She followed, dumbed by fatigue, to a back room where Hugh had laid a table in front of another huge fire.

Josephine!" A stentorian bellow shook the candles in their sconces. Unconsciously, Amy grabbed Richard’s arm, looking about anxiously for the source of the roar. About the room, people went on chatting as before. "Steady there." Richard patted the delicate hand clutching the material of his coat. "It’s just the First Consul." Snatching her hand away as though his coat were made of live coals, Amy snapped, "You would know." "Josephine!" The dreadful noise repeated itself, cutting off any further remarks. Out of an adjoining room charged a blur of red velvet, closely followed by the scurrying form of a young man. Amy sidestepped just in time, swaying on her slippers to avoid toppling into Lord Richard. The red velvet came to an abrupt stop beside Mme Bonaparte’s chair. "Oh. Visitors." Once still, the red velvet resolved into a man of slightly less than medium height, clad in a long red velvet coat with breeches that must once have been white, but which now bore assorted stains that proclaimed as clearly as a menu what the wearer had eaten for supper. "I do wish you wouldn’t shout so, Bonaparte." Mme Bonaparte lifted one white hand and touched him gently on the cheek. Bonaparte grabbed her hand and planted a resounding kiss on the palm. "How else am I to make myself heard?" Affectionately tweaking one of her curls, he demanded, "Well? Who is it tonight?" "We have some visitors from England, sir,"his stepdaughter responded. "I should like to present…" Hortense began listing their names. Bonaparte stood, legs slightly apart, eyes hooded with apparent boredom, and one arm thrust into the opposite side of his jacket, as though in a sling. Bonaparte inclined his head, looked down at his wife, and demanded, "Are we done yet?" Thwap! Everyone within earshot jumped at the sound of Miss Gwen’s reticule connecting with Bonaparte’s arm. "Sir! Take that hand out of your jacket! It is rude and it ruins your posture. A man of your diminutive stature needs to stand up straight." Something suspiciously like a chuckle emerged from Lord Richard’s lips, but when Amy glanced sharply up at him, his expression was studiedly bland. A dangerous hush fell over the room. Flirtations in the far corners of the room were abandoned. Business deals were dropped. The non-English speakers among the assemblage tugged at the sleeves of those who had the language, and instant translations began to be whispered about the room – suitably embellished, of course. "It’s an assassination attempt!" a woman next to Amy cried dramatically, swooning back into the arms of an officer who looked as though he didn’t quite know what to do with her, but would really be happiest just dropping her. "No, it’s not, it’s just Miss Gwen," Amy tried to explain. Meanwhile, Miss Gwen was advancing on Bonaparte, backing him up so that he was nearly sitting on Josephine’s lap. "While we are speaking, sir, this habit you have of barging into other people’s countries without invitation – it is most rude. I will not have it! You should apologise to the Italians and the Dutch at the first opportunity!" "Mais zee Italians, zey invited me!" Bonaparte exclaimed indignantly. Miss Gwen cast Bonaparte the severe look of a governess listening to substandard excuses from a wayward child. "That may well be," she pronounced in a tone that implied she thought it highly unlikely. "But your behaviour upon entering their country was inexcusable! If you were to be invited to someone’s home for a weekend, sirrah, would you reorganise their domestic arrangements and seize the artwork from their walls? Would you countenance any guest who behaved so? I thought not." Amy wondered if Bonaparte could declare war on Miss Gwen alone without breaking his peace with England. "So much for the Peace of Amiens!" she started to whisper to Jane, but Jane was no longer beside her.

What is it?” Leo’s arms closed around her. Gasping, she buried her face against the solid surface of his chest. They were half sitting, half lying amid heaps of rotted timber, stone, and earth. One of his hands came to her head, curving over her skull protectively. “What happened?” Her voice was muffled in his shirt. “Undercroft.” He smoothed her hair and pressed her even closer into the protection of his body. “Yes. Why does that frighten you?” She could hardly speak between panting breaths. “Isn’t that … where they keep the bodies?” The tremulous question hung in the air as Leo puzzled over it. “Oh. No, it’s not that kind of undercroft.” A quiver of rueful amusement ran through his voice, and she felt his mouth touch the rim of her ear. “You’re thinking of one of the rooms beneath modern churches, where the deceased are put away. But a medieval undercroft is different. It’s only a storeroom beneath the keep.” Catherine didn’t move. “There are no s-skeletons in here?” “No. Nor skulls, nor coffins.” His hand continued to stroke tenderly over her hair. “Poor darling. It’s all right. Nothing fearsome down here. Take a deep breath. You’re safe.” Catherine continued to lie in his arms as she caught her breath. She tried to take in the fact that Leo, her enemy and tormentor, was calling her “poor darling” and petting her. His lips brushed her temple and lingered gently. Holding still, she absorbed the sensation. She had never been attracted to men of his size, preferring those of less intimidating stature. But he was strong and comforting, and he seemed so genuinely concerned, and his voice was like dark velvet wrapping around her.