Car Steering Wheel Quotes

We've searched our database for all the quotes and captions related to Car Steering Wheel. Here they are! All 100 of them:

Where is my chance to be somebody's Peter Van Houten?' He hit the steering wheel weakly, the car honking as he cried. He leaned his head back, looking up. 'I hate myself I hate myself I hate this I hate this I disgust myself I hate it I hate it I hate it just let me fucking die.
John Green (The Fault in Our Stars)
Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
Garth Stein (The Art of Racing in the Rain)
She ran down the street and round the corner and up two more streets and crossed the road. ‘Will I be safe from him?’ the girl had said. And will I be safe from Samuel? She reached her car and threw her bag on the front seat and sat holding the steering wheel. Where to go, where to run to?
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
Do you guys remember that time when we were all definitely going to die and then Ben grabbed the steering wheel and dodged a ginormous freaking cow and spun the car like the teacups at Disney World and we didn't die?
John Green (Paper Towns)
I'm tired of the whole anti gun thing. Saying that Guns cause Murders is like saying Steering Wheels cause car wrecks
Stanley Victor Paskavich (Return to Stantasyland)
Got to be worth a try, I suppose," said Crowley. "It's not as if I haven't got lots of other work to do, God knows." His forehead creased for a moment, and then he slapped the steering wheel triumphantly. "Ducks!" he shouted. "What?" "That's what water slides off!" Aziraphale took a deep breath. "Just drive the car, please," he said wearily.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
People, if you pay attention to them, change the direction of one another’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
Garth Stein (The Art of Racing in the Rain)
Take care of your car in the garage, and the car will take care of you on the road.
Amit Kalantri (Wealth of Words)
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. I just sat between them. After the song finished, I said something. 'I feel infinite.' And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was that great and because we all really paid attention to it. Five minutes of a lifetime were truly spent, and we felt young in a good way. I have since bought the record, and I would tell you what it was, but truthfully, it's not the same unless you're driving to your first real party, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
Stephen Chbosky (The Perks of Being a Wallflower)
Here's why I will be a good person. Because I listen. I cannot speak so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. it's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
Garth Stein (The Art of Racing in the Rain)
I am emotional about engines, if you hurt my car, you hurt my heart.
Amit Kalantri (Wealth of Words)
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished, I said something. “I feel infinite.
Stephen Chbosky (The Perks of Being a Wallflower)
Sometimes quiet is violent I find it hard to hide it My pride is no longer inside It's on my sleeve My skin will scream reminding me of Who I killed inside my dream I hate this car that I'm driving There's no hiding for me I'm forced to deal with what I feel There is no distraction to mask what is real I could pull the steering wheel
twenty one pilots
I don't pretend to know the minds of men," she said, hands tightening on the steering wheel as a woman on the sidewalk appeared to shield her chubby, squawking children away from the car. "They fear what they don't understand. And that fear turns to hate for reasons I'm sure even they can't begin to comprehend. And since they don't understand the children, since they fear them, they hate them. This can't be the first time you've heard of this. It happens everywhere.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
What bothered me most, though, was that I couldn’t fix anything. I couldn’t control anything. It was like driving a bumper car without a steering wheel. I kept getting slammed, and I just had to sit there and hold on tight.
Katherine Applegate (Crenshaw)
...I want to press my head into the steering wheel until the horn goes off. That way the horn will cover my screams
Kendare Blake (Anna Dressed in Blood (Anna, #1))
Someone was knocking on her windshield. Georgie lifted her head off the steering wheel. It was Kendrick. She couldn’t really hear what he was saying. She rolled down the window. “Are you okay?” he asked. “I’m fine.” “Okay.” Kendrick nodded. “’Cause, the thing is, you look kind of like you’re sitting in your car crying.” “I’m done crying,” she said. “Now I’m just sitting in the car.” “Oh, well. Okay.
Rainbow Rowell (Landline)
The steering wheel is turned by the driver, not the indicator, or the road sign.
Mokokoma Mokhonoana
Asking someone else to drive your sports car is like asking someone else to kiss your girlfriend.
Amit Kalantri (Wealth of Words)
Intelligence without wisdom is a like a car without a steering wheel. You can drive it as long as you don’t consider steering part of driving.
Craig D. Lounsbrough
She shoved open her car door and moved to get out. Instead she dropped her head to the steering wheel. She tried to pull the tough-girl mask over her sorrow and get on with her life. Instead she cried like adults learn to cry; silently and alone.
Ann Wertz Garvin (The Dog Year)
I heard an old man speak once, someone who had been sober for fifty years, a very prominent doctor. He said that he’d finally figured out a few years ago that his profound sense of control, in the world and over his life, is another addiction and a total illusion. He said that when he sees little kids sitting in the back seat of cars, in those car seats that have steering wheels, with grim expressions of concentration on their faces, clearly convinced that their efforts are causing the car to do whatever it is doing, he thinks of himself and his relationship with God: God who drives along silently, gently amused, in the real driver's seat.
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
The only picture of Tarrou he would always have would be the picture of a man who firmly gripped the steering-wheel of his car when driving, or else the picture of that stalwart body, now lying motionless. Knowing meant that: a living warmth, and a picture of death.
Albert Camus
Here’s why I will be a good person. Because I listen. I cannot speak so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street.
Garth Stein (The Art of Racing in the Rain)
Here’s why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never change the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
Garth Stein (Racing in the Rain: My Life as a Dog)
Yes, a guide can help point the way to your own sense of self and your purpose in life. No, a guide can't replace your own search. When you are in your car driving through town, signposts can tell you where each road goes, but only you can turn the steering wheel.
Deepak Chopra (Spiritual Solutions: Answers to Life's Greatest Challenges)
Among all the machines, motorcar is my favorite machine.
Amit Kalantri (Wealth of Words)
Doc turned in the seat and looked back. The disappearing sun shone on his laughing face, his gay and eager face. With his left hand he held the bucking steering wheel. Cannery Row looked after the ancient car. It made the first turn and was gone from sight behind a warehouse just as the sun was gone. Fauna said, 'I wonder if I'd be safe to put up her gold star tonight. What the hell's the matter with you, Mack?' Mack said, 'Vice is a monster so frightful of mien, I'm sure we should all be as happy as kings.' He put his arm around Hazel's shoulders. 'I think you'd of made a hell of a president,' he said.
John Steinbeck (Sweet Thursday (Cannery Row, #2))
How many of you are human?” I tap the steering wheel with a nervous rhythm. A red car passes me, slowing down. “You must be a wolf.” I speed up as the car turns around to follow me. “Oh, no you don’t, I’m in the middle of a freaking breakdown. Go away.
Elle Lincoln (Surrender (Fated Souls, #1))
You never had sex in a car.” “Yes, I have. You get ideas at least half the time whenever we’re in the back of one of your limos.” “Not the same at all. That’s a grown-up venue, a limo is. It’s sophisticated sex. And here we are, crammed together in the front seat of a police issue, and the lieutenant is both aroused and mildly embarrassed.” “I am not. Either.” But her pulse jumped, and her breath hitched when his thumbs brushed over the thin cotton covering her breasts. “This is ridiculous. We’re adults, we’re married. The steering wheel is jammed into the base of my spine.” “The first two are irrelevant, the last is part of the buzz. Music on, program five. Skyroof open.” She narrowed her eyes at him. “It’s not going to work. It’s uncomfortable and it’s stupid. And I have to work in this vehicle.” “I can make you come in ten seconds.” She actually smirked at him. “Ten,” she said, “nine, eight, seven, six, five . . . oh shit.” She’d underestimated his quick hands, his skilled fingers. He had her trousers unhooked, had her wet and throbbing. And over.
J.D. Robb (Salvation in Death (In Death, #27))
Here's why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story , you, upon hearing the words 'soccer' and 'neighbor' in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that no, you grew up in Brazil on the streets of Tres Coracoes with Pele and I might say, I thought you were from Tennessee, and you might say, not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
Garth Stein
A plane change in space is not unlike trying to hit the offramp of a freeway covered in black ice. Brakes do nothing. Accelerating spins the wheels. Regardless of what we do, the car’s going to continue sliding on down the lane, but with the steering turned hard and a whole lot of gas, we’ll gain a little sideways motion.
Peter Cawdron (Losing Mars (First Contact))
Gee, my apologies for being a bad captive,” I snap. “If I’d have known––” The rest of my words go unheard as King presses a button on his steering wheel, and the car is suddenly filled with loud rock music. “Great. Fine,” I mutter to myself, crossing my arms and turning my head away from him. “Perfect victim coming right up.
S.J. Tilly (King (Alliance, #2))
The main thing now was to find the steering wheel. At first, Billy windmilled his arms, hoping to find it by luck. When that didn’t work, he became methodical, working in such a way that the wheel could not possibly escape him. He placed himself hard against the left-hand door, searched every square inch of the area before him. When he failed to find the wheel, he moved over six inches, and searched again. Amazingly, he was eventually hard against the right-hand door, without having found the wheel. He concluded that somebody had stolen it. This angered him as he passed out. He was in the back seat of his car, which was why he couldn’t find the steering wheel.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Sometimes quiet is violent I find it hard to hide it My pride is no longer inside It's on my sleeve My skin will scream reminding me of Who I killed inside my dream I hate this car that I'm driving There's no hiding for me I'm forced to deal with what I feel There is no distraction to mask what is real I could pull the steering wheel I have these thoughts, so often I ought To replace that slot with what I once bought 'Cause somebody stole my car radio And now I just sit in silence I ponder of something terrifying 'Cause this time there's no sound to hide behind I find over the course of our human existence One thing consists of consistence And it's that we're all battling fear Oh dear, I don't know if we know why we're here Oh my, too deep, please stop thinking I liked it better when my car had sound There are things we can do But from the things that work there are only two And from the two that we choose to do Peace will win and fear will lose It is faith and there's sleep We need to pick one please because Faith is to be awake And to be awake is for us to think And for us to think is to be alive And I will try with every rhyme To come across like I am dying To let you know you need to try to think I have these thoughts, so often I ought To replace that slot with what I once bought 'Cause somebody stole my car radio And now I just sit in silence
twenty one pilots
You have to be completely unimaginative to sit down without fear in a fuel-filled capsule. One second you’re firmly ensconced in everyday life and thinking about dinner and your tax return, the next you’re wedged in deformed metal while the flames devour you, and all that lies between the one state and the other is a clumsy turn of the steering wheel, half a second of inattention. But I didn’t want to be someone who can’t cope with everyday life. People have simply agreed that driving a car is something harmless.
Daniel Kehlmann (You Should Have Left)
Even as I wrote my note to Fern, for instance, expressing sentiments and regrets that were real, a part of me was noticing what a fine and sincere note it was, and anticipating the effect on Fern of this or that heartfelt phrase, while yet another part was observing the whole scene of a man in a dress shirt and no tie sitting at his breakfast nook writing a heartfelt note on his last afternoon alive, the blondwood table's surface trembling with sunlight and the man's hand steady and face both haunted by regret and ennobled by resolve, this part of me sort of hovering above and just to the left of myself, evaluating the scene, and thinking what a fine and genuine-seeming performance in a drama it would make if only we all had not already been subject to countless scenes just like it in dramas ever since we first saw a movie or read a book, which somehow entailed that real scenes like the one of my suicide note were now compelling and genuine only to their participants, and to anyone else would come off as banal and even somewhat cheesy or maudlin, which is somewhat paradoxical when you consider – as I did, setting there at the breakfast nook – that the reason scenes like this will seem stale or manipulative to an audience is that we’ve already seen so many of them in dramas, and yet the reason we’ve seen so many of them in dramas is that the scenes really are dramatic and compelling and let people communicate very deep, complicated emotional realities that are almost impossible to articulate in any other way, and at the same time still another facet or part of me realizing that from this perspective my own basic problem was that at an early age I’d somehow chosen to cast my lot with my life’s drama’s supposed audience instead of with the drama itself, and that I even now was watching and gauging my supposed performance’s quality and probable effects, and thus was in the final analysis the very same manipulative fraud writing the note to Fern that I had been throughout the life that had brought me to this climactic scene of writing and signing it and addressing the envelope and affixing postage and putting the envelope in my shirt pocket (totally conscious of the resonance of its resting there, next to my heart, in the scene), planning to drop it in a mailbox on the way out to Lily Cache Rd. and the bridge abutment into which I planned to drive my car at speeds sufficient to displace the whole front end and impale me on the steering wheel and instantly kill me. Self-loathing is not the same thing as being into pain or a lingering death, if I was going to do it I wanted it instant’ (175-176)
David Foster Wallace (Oblivion: Stories)
I am so obsessed with the cars that sometimes I feel like my heart is not a muscle, it's an engine.
Amit Kalantri (Wealth of Words)
We pass a woman shaking her head and slapping at the steering wheel with her hands. Only after we’ve passed her do I figure out that she was probably dancing to music.
Nicola Yoon (Everything, Everything)
Fifteen minutes later I’m hunched over the steering wheel of a two-seater that looks like something you’d find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town but I’m not nipping about town. I’m going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I’m stuck driving something that handles like a turbocharged baby buggy. I’ve got my fog lights on in a vain attempt to deter the other road users from turning me into a hood ornament, but the jet wash every time another executive panzer overtakes me keeps threatening to roll me right over onto my roof. And that’s before you factor in the deranged Serbian truck drivers driven mad with joy by exposure to a motorway that hasn’t been cluster-bombed and then resurfaced by the lowest bidder.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END." footnote ("Good Old Neon")
David Foster Wallace (Oblivion: Stories)
What bothered me most, though, was that i couldn't fix anything. I couldn't control anything. It was like driving a bumper car without a steering wheel. I kept getting slammed, and I just had to sit there and hold on tight.
Katherine Applegate (Crenshaw)
They talked in the car always, he trying to find the key to her own ignition behind the hooded eyes, she sitting back of the right-hand steering wheel and talking, talking, nothing but MG-words, inanimate-words he couldn’t really talk back at. Soon
Thomas Pynchon (V.)
There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet. Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something. "I feel infinite" And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
Stephen Chbosky (The Perks of Being a Wallflower)
What if I wrenched the steering wheel hard to the right and we went crashing into those mist-shrouded trees? Hell, Jane’s hunkload of men would probably appear from nowhere to rescue us, throwing themselves in front of the car to protect my beautiful friend.
Tabi Wollstonecraft (Thrown (Promise Cove, #1))
I decided the map was clearly written by masochistic-doodling ancient Egyptians because everything was hieroglyphics and unreadable doodads. I cursed the map. “BY MOTHRA’S NIPPLES! I FUCKING HATE THIS MAP!” Irrational anger bubbled to the surface and all I could think about was murdering the map. I would show the map who was boss. I was boss. Not some evil, wrong map from hell. I had no choice but to hit the map against the steering wheel several times, grunting and releasing a string of curses that would have made my sailor father proud. And maybe blush. Then I opened my driver’s side door, still grunting and raging, and slammed the map against the car, threw it on the ground, stomped on it, kicked it, and just generally assaulted it in every way I could think of. I’m a little embarrassed to admit, in my mindlessness I was also taunting the map, questioning its virility, flipping it the bird, and cursing now in Spanish as well as English. It was the most cardio I’d done in over twelve months. Stupid map, making me do cardio. I’ll kill you!
Penny Reid (Grin and Beard It (Winston Brothers, #2))
Cars are evolving to match the new paradigm. Soon, things like steering wheels, pedals and rear-view mirrors will seem ancient. More practically, we will all be better able to optimize our time and attention to focus on more important tasks, family, work, and self care.
Hendrith Vanlon Smith Jr.
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
Dan Needles (True Confessions from the Ninth Concession)
Carly took a breath, gearing up. “You’ve never made a decision in your life. Think about it. Things happen to you and you react. You let people steer you one way, and then another, and then another, like you’re a shopping cart with a wonky wheel. Don’t fool yourself, Lee, that’s not making a decision.” “That
Loretta Nyhan (All the Good Parts)
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
Let’s not go home yet,” I say. “Let’s go somewhere.” Peter thinks about it for a minute, tapping his fingers on the steering wheel, and then he says, “I know where we can go.” “Where?” “Wait and see,” he says, and he puts the windows down, and the crisp night air fills the car. I lean back into my seat. The streets are empty; the lights are off in most of the houses. “Let me guess. We’re going to the diner because you want blueberry pancakes.” “Nope.” “Hmm. It’s too late to go to Starbucks, and Biscuit Soul Food is closed.” “Hey, food isn’t the only thing I think about,” he objects. Then: “Are there any cookies left in that Tupperware?
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
As she fought the slick roads, her phone rang. She cursed herself for not plugging it into her car charger, at least then she could’ve answered through the hands free device. The next bend was coming up, she knew from her daily drives up and down. Her knuckles were white from the death grip she had on the steering wheel.
Elle Boon (A SmokeJumpers Christmas (SmokeJumpers #1.5))
In high school I developed a habit of wandering through shopping malls after school, swaying through the bright, chill mezzanines until I was so dazed with consumer goods and product codes, with promenades and escalators, with mirrors and Muzak and noise and light, that a fuse would blow in my brain and all at once everything would become unintelligible: color without form, a babble of detached molecules. Then I would walk like a zombie to the parking lot and drive to the baseball field, where I wouldn't even get out of the car, just sit with my hands on the steering wheel and stare at the Cyclone fence and the yellowed winter grass until the sun went down and it was too dark for me to see.
Donna Tartt (The Secret History)
We had one car. It was a stick shift.” “But you couldn’t drive it?” I asked, tightening my hand that was on the steering wheel. “No, which meant I didn’t leave the house unless I was going somewhere within walking distance or my ex drove me.” “He didn’t try to teach you?” “He said I didn’t need to know how to drive it when he could take me anywhere I wanted to go.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
In summer, waiting for night, we’d pose against the afterglow on corners, watching traffic cruise through the neighborhood. Sometimes, a car would go by without its headlights on and we’d all yell, “Lights!” “Lights!” we’d keep on yelling until the beams flashed on. It was usually immediate - the driver honking back thanks, or flinching embarrassed behind the steering wheel, or gunning past, and we’d see his red taillights blink on. But there were times - who knows why? - when drunk or high, stubborn, or simply lost in that glide to somewhere else, the driver just kept driving in the dark, and all down the block we’d hear yelling from doorways and storefronts, front steps, and other corners, voices winking on like fireflies: “Lights! Your lights! Hey, lights!
Stuart Dybek
When I got to the waterfront, I parked the car beside a deserted warehouse, smoked a cigarette and put Bob Dylan on auto-repeat. I reclined the seat, kicked both legs up on the steering wheel, breathing calmly. I felt like having a beer, but the beer was gone. The sun sliced through the windshield, sealing me in light. I closed my eyes and felt the warmth on my eyelids. Sunlight traveled a long distance to reach this planet; an infinitesimal portion of that energy was enough to warm my eyelids. I was moved. That something as insignificant as an eyelid had its place in the workings of the universe, that the cosmic order did not overlook this momentary fact. Was I any closer to appreciating Alyosha's insights? Some limited happiness had been granted this limited life.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
LIGHTS By Stuart Dybek “In summer, waiting for night, we’d pose against the afterglow on corners, watching traffic cruise through the neighborhood. Sometimes, a car would go by without its headlights on and we’d all yell, “Lights!” “Lights!” we’d keep on yelling until the beams flashed on. It was usually immediate - the driver honking back thanks, or flinching embarrassed behind the steering wheel, or gunning past, and we’d see his red taillights blink on. But there were times - who knows why? - when drunk or high, stubborn, or simply lost in that glide to somewhere else, the driver just kept driving in the dark, and all down the block we’d hear yelling from doorways and storefronts, front steps, and other corners, voices winking on like fireflies: “Lights! Your lights! Hey, lights!
Stuart Dybek
We’ll take the Aventador,” Fox said. “It hugs the road like you do my cock when I’m inside you.” “Fox.” She pushed at one muscled arm, to his wicked grin. “I cannot believe you just compared me to a car!” “No, I compared the car to you,” he pointed out, one hand on the steering wheel, the big SUV moving so smoothly it appeared an extension of his body. “She gives me a sweet ride, but nothing comes close to my Molly.
Nalini Singh (Rock Addiction (Rock Kiss, #1))
So, Ryan, back to my Economy model. In motor-vehicle parlance, she's the cloth-seats and plastic-steering-wheel version. But she gets you from A to B. This model comes only in white. My sister-in-law's a lovely black woman from Jamaica and she said to me, she said, Ron! Don't you dare do an Economy black woman. And I love women, I do, and I thought, yeah, show respect. Also, Bridget would knock the shit out of me.
Jeanette Winterson (Frankissstein: A Love Story)
And then something hit the BMW with such force that Alex cried out, his whole body caught in a massive shock wave that tore him away from the steering-wheel and threw him helplessly into the back. At the same time, the roof buckled and three huge metal fingers tore through the skin of the car like a fork through an eggshell, trailing dust and sunlight. One of the fingers grazed the side of his head – any closer and it would have cracked his skull. Alex yelled as blood trickled over his eye. He tried to move, then was jerked back a second time as the car was yanked off the ground and tilted high up in the air. He couldn’t see. He couldn’t move. But his stomach lurched as the car swung in an arc, the metal grinding and the light spinning. It had been picked up by the crane. It was going to be put inside the crusher. With him inside. He tried to raise himself up, to
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
He placed himself hard against the left-hand door, searched every square inch of the area before him. When he failed to find the wheel, he moved over six inches, and searched again. Amazingly, he was eventually hard against the right-hand door, without having found the wheel. He concluded that somebody had stolen it. This angered him as he passed out. He was in the back seat of his car, which was why he couldn’t find the steering wheel.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Sometimes difficulty clarifies things. And sometimes realizing that the road you’ve chosen is a demanding one gives you the courage to stay on that road. It reveals the nature of our relationship with God. It sounds cute and comforting to say “God is in control,” and people who say that may imagine sitting on their daddy’s lap behind the wheel of the family car, going “Vroom vroomy vroom!” while Daddy does the steering. In reality, when God is in control, it feels more like one of those movies where some amateur has to step up and land the airplane or steer the ship to safety through a crashing storm, with an expert giving them instructions remotely through a headset. In theory, following the expert’s instructions will help us get in safely; but our fear, panic, self-doubt, and lack of skill are not exactly comforting. Yes, God is in control, but we’re the ones who are in for a rough ride.
Simcha Fisher (The Sinner's Guide to Natural Family Planning)
all this important stuff has *no one in charge of it.* Some people claim to be, but they're in charge of one tiny piece of it, and maybe they think *their* piece is a brake or a steering wheel, but they're wrong. The world's economy is a runaway train, the driver dead at the switch, the passengers clinging on for dear life as their possessions go flying off the freight-cars and out the windows, and each curve in the tracks threatens to take it off the rails altogether. There's a small number of people in the back of the train who fiercely argue about when it will go off the rails, and whether the train can be slowed down by everyone just calming down and acting as though everything was all right. These people are the economists, and some of the first-class passengers pay them very well for their predictions about whether the train is doing all right and which side of the car they should lean into to prevent their hats from falling off on the next corner. Everyone else ignores them.
Cory Doctorow (For the Win)
Imagine teaching a fifteen-year-old how to drive a car with manual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane’s case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh’s case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents. Then, after the clutch and the secret, the driver has to grab the stick shift, which is a splintered wood stake wedged into the dashboard, and shake it until something happens—anything really—and then simultaneously type a series of code numbers into a keyboard on the steering wheel. All this while sunglasses-wearing agents from a vague yet menacing government agency sit in a heavily tinted black sedan across the street taking pictures (and occasionally waving). This is a lot of pressure on a first-time driver.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
But there was one girl who had a big influence over me. Barbie. I worshipped Barbie. In fact, I would say Barbie was my twelve-inch plastic life coach. She had it all, a camper, a dune buggy, even a dream house. Part of why it was a dream house to me was that she was the only one who lived there. Her boyfriend, Ken, came to visit when she--er, I decided. She had a sports car and would bounce from job to job as she--er, I saw fit.Barbie owned zero floral baby-making dresses. I craved that indepence. And her weird-ass boobs? So what? She still reached the steering wheel of her royal blue sports car. Some people thought that the fact that her feet were fucked and she couldn't stand was a problem. But to me, it meant she was free. Free from standing at a stove, or a washing machine, or with a baby hanging off her hip. She has no hip. She has no hips. Plus, she didn't have to walk; she drove her convertible everywhere. God, I loved Barbie. She was free in every way I knew how to define freedom.
Lizz Winstead (Lizz Free Or Die)
McGee’s old touring car had once been green. It had also been painted black, but this had worn thin and you could see the original green coming through on the hood. The fenders were still black. The speedometer said 53,562 miles, but the motor was smooth. McGee drove as though he had a horse in front, saying ‘Giddap’ when he wanted to start and ‘Whoa’ when he was stopping. I was scared he would forget the horse wasn’t there sometime and try to stop by pulling back on the steering-wheel. He didn’t, though.
Jonathan Latimer (Solomon's Vineyard)
I don't want anyone killing me with their car. Is that too much to ask? No, it's not. Then why are so many people trying to send me to my early reward with their vehicles? Truly. I can't believe some of the stunts I see pulled out there on the road. I have to say the worst behavior you see from people is when they get a steering wheel in their hands. To the point that I believe that your car is like a brain scan of your personality. If you are a polite person or just a normal, considerate, going-along-and-along-in-life person, that's pretty evident. You get a smile and a nod from me at the next stoplight. If you are easily distracted, clumsy, or kind of off in the ozone, we're going to see that too. Please try to keep it off the sidewalk. And if you are a jackass? Well, trust me, we know. We all know. And the way you carry on, we get plenty of opportunities to comfirm that. Do you think that when you get inside your car and close the door you become magically invisible? You do not. Not even with those tinted windows you think look so cool. We can see you. And it ain't pretty.
Whoopi Goldberg (Is It Just Me?: Or Is It Nuts Out There?)
There’s a man with her. He’s blonde, balding, harassed-looking, and probably what they call time-poor. Older. He looks at me over the steering wheel and gives a helpless, frustrated gesture, as though I should be able to identify and sympathize with his plight. Then, as the woman starts to open the car door, he stops her with a swift movement. And suddenly they’re struggling, locked into a graceless, desperate tussle. I picture the dull, bestial unhappiness of a couple shackled to each other by their mortgage and their children’s shareed DNA.
Liz Jensen (The Rapture)
Fifteen minutes later I’m hunched over the steering wheel of a two-seater that looks like something you’d find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town; but I’m not nipping about town. I’m going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I’m stuck driving something that handles like a turbocharged baby buggy.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
A steel-grey sedan pulled up a disused track and parked beneath the grim walls of Glamtallon Castle. Alec MacCrimmon, unofficial county historian and caretaker of the timeworn tower, turned off the ignition but refused to leave the relative comfort of his car. With hands clasped so tight to the steering wheel that his knuckles turned white, he glanced up at the fortress and shivered. Even though bathed in the golden rays of the late afternoon sun, the lichen-festooned edifice exuded an algid chill. MacCrimmon never liked the look or feel of the place. He especially disliked being anywhere near it so close to sunset.
Richard H. Fay (Trio of Terror: Three Horror Stories)
On the drive home the car lurches over frost heaves and through potholes, an endless wall of pitch-black woods on either side. The radio plays hits from the seventies and eighties, Dad tapping the steering wheel along to “My Sharona” while Mom sleeps, her head leaning against the window. “Such a dirty mind / I always get it up for the touch of the younger kind.” I watch his fingers tap to the beat as the chorus comes around again. Does he even hear what the song is about, what he’s humming along to? “Get it up for the touch of the younger kind.” It’s enough to make me crazy, seeing these things that no one else ever seems to notice.
Kate Elizabeth Russell (My Dark Vanessa)
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished, I said something. “I feel infinite.” And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was that great and because we all really paid attention to it. Five minutes of a lifetime were truly spent, and we felt young in a good way. I have since bought the record, and I would tell you what it was, but truthfully, it’s not the same unless you’re driving to your first real party, and you’re sitting in the middle seat of a pickup with two nice people when it starts to rain.
Stephen Chbosky (The Perks of Being a Wallflower)
Around town, they confused and horrified residents by doing things like dismantling a toaster with a screwdriver at the local department store to make sure the heating coil would toast the bread just so. One employee brought a pressure gauge from the lab into a store to test the suction capabilities of a vacuum cleaner model. Local car salesmen wanted to roll over and play dead when one of the Langley fellas pulled into the lot, fearing a barrage of nonsensical and unanswerable technical questions. They drove to work with books on their steering wheels. The NACA nuts always thought they had a better way to do anything—everything—and didn’t hesitate to tell the locals so.
Margot Lee Shetterly (Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race)
He didn’t even bother to keep a physical hold on me; he knew he had me where it counted. He had Eve and that was enough to make me comply without hesitation. I slid into the passenger seat of his car and ignored the burn radiating down my arms from being restrained. He rounded the hood and settled into the driver’s seat. “Where are you taking me?” “The airport, and if you promise to behave, I’ll free your hands.” “Fuck you.” With a sigh, he started the ignition and pulled onto the street. “Have it your way.” “My way? How about you bring my daughter back and leave us the hell alone?” He clenched his jaw. Keeping one hand on the steering wheel, he unzipped his pants with the other. “Get your head in my lap.
Gemma James (The Devil's Kiss: Complete Series (Devil's Kiss, #1-2))
So all that took place at the hotel,” he said, “consisted of a—” “The association,” Rachael said, “wanted to reach the bounty hunters here and in the Soviet Union. This [having sex] seemed to work…for reasons which we do not fully understand. Our limitation again, I guess.” “I doubt if it works as often or as well as you say,” he said thickly. “But it has with you.” “We’ll see.” “I already know,” Rachael said. “When I saw that expression on your face, that grief. I look for that.” “How many times have you done this?” “I don’t remember. Seven, eight. No, I believe it’s nine.” She—or rather it—nodded. “Yes, nine times.” “The idea is old-fashioned,” Rick said. Startled, Rachael said, “W-What?” Pushing the steering wheel away from him, he put the car into a gliding decline. “Or anyhow that’s how it strikes me. I’m going to kill you,” he said. “And go on to Roy and Irmgard Baty and Pris Stratton alone.” “That’s why you’re landing?” Apprehensively, she said, “There’s a fine; I’m the property, the legal property, of the association. I’m not an escaped android who fled here from Mars; I’m not in the same class as the others.” “But,” he said, “if I can kill you then I can kill them.” Her hands dived for her bulging, overstuffed, kipple-filled purse; she searched frantically, then gave up. “Goddamn this purse,” she said with ferocity. “I never can lay my hands on anything in it. Will you kill me in a way that won’t hurt? I mean, do it carefully. If I don’t fight; okay? I promise not to fight. Do you agree?” Rick said, “I understand now why Phil Resch said what he said. He wasn’t being cynical; he had just learned too much. Going through this—I can’t blame him. It warped him.” “But the wrong way.” She seemed more externally composed now. But still fundamentally frantic and tense. Yet, the dark fire waned; the life force oozed out of her, as he had so often witnessed before with other androids. The classic resignation. Mechanical, intellectual acceptance of that which a genuine organism—with two billion years of the pressure to live and evolve hagriding it—could never have reconciled itself to. “I can’t stand the way you androids give up,” he said savagely.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
When I got to the waterfront, I parked the car beside a deserted warehouse, smoked a cigarette and put Bob Dylan on auto-repeat. I reclined the seat, kicked both legs up on the steering wheel, breathing calmly. I felt like having a beer, but the beer was gone. The sun sliced through the windshield, sealing me in light. I closed my eyes and felt the warmth on my eyelids. Sunlight traveled a long distance to reach this planet; an infinitesimal portion of that energy was enough to warm my eyelids. I was moved. That something as insignificant as an eyelid had its place in the workings of the universe, that the cosmic order did not overlook this momentary fact. Was I any closer to appreciating Alyosha’s insights? Some limited happiness had been granted this limited life.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
It’s not until we get into the car that I notice he has blood on his hand. “You’ve cut yourself,” I say. He doesn’t reply; his knuckles are white on the steering wheel. “Tom, I needed to talk to you,” I say. I’m trying to be conciliatory, trying to be grown-up about this, but I suppose it’s a little late for that. “I’m sorry about hassling you, but for God’s sake! You just cut me off. You—” “It’s OK,” he says, his voice soft. “I’m not . . . I’m pissed off about something else. It’s not you.” He turns his head and tries to smile at me, but fails. “Problems with the ex,” he says. “You know how it is.” “What happened to your hand?” I ask him. “Problems with the ex,” he says again, and there’s a nasty edge to his voice. We drive the rest of the way to Corly Wood in silence.
Paula Hawkins (The Girl on the Train)
A brittle laugh left his lips. “That’s exactly why I can’t be late. See you later, guys.” He strode toward the door briskly, hoping Ryan would leave it alone. But of course he didn’t. Ryan caught up with him outside before James could reach his car. “Jamie!” Suppressing a sigh, James put on a neutral face and turned to Ryan. “I’m really running late—” “Listen to me, you git,” Ryan said, his eyes dark and hard. “I’m not sure what’s going on in that head of yours lately, but don’t do anything stupid, okay? Don’t agree to Arthur ’s plans only because you think you have to.” Ryan lifted his hands to cradle James’s face. Jamie went still, his heart hammering as Ryan looked him in the eye intently. “You deserve better. You deserve marrying someone you’re crazy about. Someone who would love you for being you—not for your money or your family name, but because you’re the best person I know.” Ryan smiled at him crookedly. “Being in love is pretty fucking great, actually. You deserve to find your Hannah.” Jamie wondered if it would actually hurt more if Ryan stuck a knife in his gut and twisted it slowly. He thought he smiled. He hoped he was smiling. His face hurt, so he must be. He said, “Sure I will. Later, mate.” He was surprised by how absolutely normal his voice sounded. He smiled again and turned away. He walked to his car. He got in. He closed the door. He put his hands on the steering wheel. His throat worked as he tried to swallow the painful lump in his throat. He couldn’t. A terrible, choked sound came from his throat. His chest began to heave. He pressed his hands to his eyes and breathed in, breathed out.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
On the drive there, I’m going so slow that Kitty keeps telling me the speed limit. “They give tickets for going under the limit too, you know.” “Who told you that?” “No one. I just know it. I bet I’m going to be a better driver than you, Lara Jean.” I grip the steering wheel tighter. “I bet you are.” Brat. I bet when Kitty starts driving, she’s going to be a speed demon without the slightest concern for those around her. But she’ll still probably be better at it than me. A reckless driver is better than a scared one; ask anybody. “I’m not scared of things like you are.” I adjust my rearview mirror. “You sure are proud of yourself.” “I’m just saying.” “Is there a car coming? Can I switch lanes?” Kitty turns her head. “You can go, but hurry.” “Like how much time do I have?” “It’s already too late. Wait…now you can go. Go!” I jerk into the left lane and look in my rearview. “Good job, Kitty. You just keep being my second pair of eyes.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
says Budgie. She puts the car in neutral and drums her fingernails against the steering wheel. No one moves. “Here we are,” says Nick. “Greenwald,” says Graham, “why don’t you take Lily for a little walk? Show her the campus a bit.” “Oh, Jesus,” Nick mutters. “Budgie?” I ask, in a small voice. “Go ahead, honey,” she says. “I just need to talk to Graham for a minute.” Graham gets out of the front seat, opens Nick’s door, and heaves him into the chilly night. I slide after, absorbing the warmth of Nick’s seat as I pass over. “We’ll just be a minute,” Graham says to Nick. “I’ll bet.” Nick looks at me. I can’t read his expression, not in this darkness, but I gather something like sympathy. “Come along, Lily. There’s a bench over this way.” “Are you all right to walk like this?” “Of course.” He brandishes one crutch. “It’s nothing.” The air has chilled remarkably since the sun-filled noontime in the stadium. I cross my arms over my woolen
Beatriz Williams (A Hundred Summers)
Some people on bus seats shake at the shoulders, Stoned Elvises trying to dance after the gig. Some walk into the rain and look like they’re smiling, Running mascara writes sad bitter letters on their faces. Some drive their cars into lay-bys or park edges And cradle the steering-wheel looking like headless drivers. Some sink their open mouths into feather pillows And tremble on the bed like beached dolphins. Some people are bent as question marks when they weep And some are straight as exclamation marks. Some are soaking in emotional dew when they wake, Salt street maps etched into their faces. Some find rooms and fall to the floor as if praying to Allah. Noiseless Faces contorted in that silent scream that seems like laughter. Why is there not a tissue-giver? A man who looks for tears, Who makes the finest silk tissues and offers them for free? It seems to me that around each corner, beneath each stone, Are humans quietly looking for a place to cry on their own.
Lemn Sissay (Gold from the Stone: New and Selected Poems (Canons Book 70))
Instead, I gave them the only salute I could think of. Two middle fingers. Held high for emphasis. The six fiery orbs winked out at once. Hopefully, they’d died from affront. Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?” “Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.” Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me. “Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!” I flinched, surprised by his reaction. Ben, cracking up at a time like this? He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more. In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed. Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.” Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb. I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells. Did he just . . . what did he mean when . . . Oh crap. Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks. I shifted uncomfortably in my seat. Shifted again. Debated going over the side. Did he really mean to say he . . . loved me? Like, for real? The awkward moment stretched longer than any event in human history. He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.” Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out. Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time. Is that what I want? For Ben to walk it back? A part of me was astounded by the chaos a single four-word utterance could create. Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system. “I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort. Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
Kathy Reichs (Terminal (Virals, #5))
Do you guys ever feel like you're locked inside a car that's moving really fast? "What kinda car?" Chris asks. Like a fucking red Monte Carlo with a black racing stripe cutting through the middle of it, and there's some superintense Fantomas shit jolting from the car speakers, like Mike Patton and Buzz Osbourne just completely losing it, but no steering wheel. The car doesn't have one. And the car is so out of control, right? It's swerving all over the road, and you're crying, pounding your fists against the window trying to jump out of it, trying to bail from it, and then all of these people start popping up on the road, like your parents and your sister and your friends, and the car is playing human dodgeball with them. It's trying to not run anyone over, but it's not slowing down, either, and then some junkie babe pops up in the middle of the road and the car destroys her, leaving her mangled body in its burnt rubber path, and then it keeps on going and going even though it can't maintain anything close to the same speed.
Jason Myers (Exit Here.)
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?” “Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.” “Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe. “I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.” Oh, I’m worried . . . that he plans on using the other one. “Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.” I know. I really know. “Are you good? Am I allowed to leave now?” “I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.” “I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.” My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?” “Do you mind sharing underwear with another man? Because I’m game.” My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.” “Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up. Ridiculous. Hilarious. When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.” With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
Meghan Quinn (The Lineup)
You're afraid that you'll live like those things in the hospital. You're afraid of ending up like them." "Aren't you?" His voice was almost too soft to hear, but somehow it carried over the rush of wheels and the expensive purr of the engine. "I'm trying not to think about it," I said. "How can you not think about it?" he asked. "Because if you start thinking about the bad things, worrying about them, then it makes you slow, makes you afraid. Neither of us can afford that." "Two years ago, I'd have been giving you the pep talk," he said, and there was something in his voice, not anger, but close. "You were a good teacher," I said. His hands gripped the wheel. "I haven't taught you all I know, Anita. You are not a better monster than I am." I watched the side of his face, trying to read that expressionless face. There was a tightness at the jaw, a thread of anger down the neck and into his shoulders. "Are you trying to convince me or yourself... Ted?" I made the name light and mocking. I didn't usually play with Edward just to get a rise out of him, but today, he was unsure, and I wasn't. Part of me was enjoying the hell out of that. He slammed on the brakes and screeched to a stop on the side of the road. I had the Browning pointed at the side of his head, close enough that pulling the trigger would paint his brains all over the windows. He had a gun in his hand. I don't know where in the car it had come from, but the gun wasn't pointed at me. "Ease down, Edward." He stayed motionless but didn't drop the gun. I had one of those moments when you see into another person's soul like looking into an open window. "Your fear makes you slow, Edward, because you'd rather die here, like this, than survive like those poor bastards. You're looking for a better way to die." My gun was very steady, finger on the trigger. But this wasn't for real, not yet. "If you were really serious, you'd have had the gun in your hand before you pulled over. You didn't invite me here to hunt monsters. You invited me here to kill you if it works out wrong." He laid the gun very, very slowly on the floorboard hump between the seats. He looked at me, hands spread on the steering wheel. I took the offered gun without taking either my eyes or my gun off of him. "Like I believe that's the only gun you've got hidden in this car. But I do appreciate the gesture." He laughed then, and it was the most bitter sound I'd ever heard from Edward.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
These feelings don't just go away. They linger. Hover. They are with me always. Even at my most functioning...they are there, watching me. These emotions are my roommates now, bunking up beside me at night. They do not pay any rent...they are determinded to ruin me, and yet I can never fully evict them from my brain. I have tried -- really tried -- to chip away at my grief...But lately, I've just given up. I'm finally giving it permission to breathe and exist... Most days now, they lie dormant in me. Sometimes it gets so quiet in my brain I think they've finally packed up and left. But every year as the calendar rounds the corner to March and the anniversary of her death approaches, anger bubbles again...I rage over the smallest of things, screaming behind the steering wheel of my car when another driver forgets to use their blinker. At first I'm perplexed, and then I remember: it's here again. And I am still mad. So mad. I can starve it, avoid it, rationalize it, manage it, talk about it in therapy, and eat it up in neat little points value. No matter how much weight I lose, I will never lose this one simple truth: I want my mom. I am so f***ing mad that she's gone. And that feeling will never, ever die.
Kate Spencer (The Dead Moms Club: A Memoir about Death, Grief, and Surviving the Mother of All Losses)
Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan. I was supposed to check the monitor and announce if the temperature was above ninety-degrees. The first one was fine. But before I had a chance to remove the probe, Tim set the hot branding iron against the steer’s left hip. The animal let out a guttural Mooooooooooooo!, and as he did, the contents of its large intestine emptied all over my hand and forearm. Tim said, “Okay, Ree, you can take it out now.” I did. I didn’t know what to do. My arm was covered in runny, stinky cow crap. Was this supposed to happen? Should I say anything? I glanced at my sister, who was looking at me, completely horrified. The second animal entered the chute. The routine began again. I stuck it in. Tim branded. The steer bellowed. The crap squirted out. I was amazed at how consistent and predictable the whole nasty process was, and how nonchalant everyone--excluding my sister--was acting. But then slowly…surely…I began to notice something. On about the twentieth animal, I began inserting the thermometer. Tim removed his branding iron from the fire and brought it toward the steer’s hip. At the last second, however, I fumbled with my device and had to stop for a moment. Out of the corner of my eye, I noticed that when I paused, Tim did, too. It appeared he was actually waiting until I had the thermometer fully inserted before he branded the animal, ensuring that I’d be right in the line of fire when everything came pouring out. He had planned this all along, the dirty dog. Seventy-eight steers later, we were finished. I was a sight. Layer upon layer of manure covered my arm. I’m sure I was pale and in shock. The cowboys grinned politely. Tim directed me to an outdoor faucet where I could clean my arm. Marlboro Man watched as he gathered up the tools and the gear…and he chuckled. As my sister and I pulled away in the car later that day, she could only say, “Oh. My. God.” She made me promise never to return to that awful place. I didn’t know it at the time, but I’d found out later that this, from Tim’s perspective, was my initiation. It was his sick, twisted way of measuring my worth.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Silas nods and turns to back the car up, accidently brushing a hand against my shoulders as he does so. “Sorry,” he says under his breath, like he’s whispering in church. I shake my head as Scarlett settles her long arms and legs in the backseat and uses her cloak as a blanket. Still trying to lean somewhere between the door of death and Silas’s shoulder, I stare out the window as we lumber out of town. The road is smooth, hypnotic, with the dotted lines vanishing rhythmically before us. I glance back at my sister. She’s fallen asleep, and Screwtape is casting her dark looks, as if she’s to blame for his predicament. I looked toward Silas, trying to appear as if I’m just glancing out his window. Really, I want to study him intensely. He’s wearing one of his many nearly threadbare T-shirts, jeans that are soft from washing, wavy hair . . . Everything about him begs to be touched . . . “You’re nervous,” Silas says suddenly. “What? No!” I answer sharply. Am I that obvious? Silas raises an eyebrow and laughs. “It makes sense. I mean, you and Lett have lived in Ellison forever.” Right . . . right. He’s talking about the trip, not my resisting the temptation to fall on him. We’re silent for a moment, nearly tangible awkwardness floating around the front seats. Silas drums his fingers on the steering wheel.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb. I twitch spasmodically, jerking my head up so hard I nearly dent the thin plastic roof. Behind me the eyes of Hell are open, two blinding beacons like the landing lights on an off-course 747. Whoever they are, they’re standing on their brakes so hard they must be smoking. There’s a roar, and then a squat, red Audi sports coupe pulls out and squeezes past my flank close enough to touch, its blonde female driver gesticulating angrily at me. At least I think she’s blonde and female. It’s hard to tell because everything is gray, my heart is trying to exit through my rib cage, and I’m frantically wrestling with the steering wheel to keep the roller skate from toppling over. A fraction of a second later she’s gone, pulling back into the slow lane ahead of me to light off her afterburners. I swear I see red sparks shooting out of her two huge exhaust tubes as she vanishes into the distance, taking about ten years of my life with her.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
I realized that the driver was not paying attention, that I was going to be hit, and hit hard. I knew that given his speed and the fact that I was nose-to-rear with the car stopped in front of me, I was in great danger. I realized, in that moment, that I might die. “I looked down at my hands clenched on the steering wheel. I hadn’t consciously tightened them; this was my natural state, and this is how I lived life. I decided that I did not want to live that way, nor did I want to die that way. I closed my eyes, took a breath, and dropped my hands to my side. I let go. I surrendered to life, and to death. Then I was hit with enormous force. “When the movement and noise stopped, I opened my eyes. I was fine. The car in front of me was wrecked, the car behind me was demolished. My car was compacted like an accordion. “The police told me I was lucky I had relaxed, for muscle tension increases the likelihood of severe injury. I walked away feeling that I had been given a gift. The gift wasn’t just that I had survived unhurt, it was greater than that. I saw how I had been living life and was given the opportunity to change. I had held life with a clenched fist, but now I realized that I could hold it in my open hand, as if it were a feather resting on my palm. I realized that if I could relax enough to release my fear in the face of death, I could now truly enjoy life. In that moment, I felt more connected to myself than I ever had before.
Elisabeth Kübler-Ross (Life Lessons: Two Experts on Death and Dying Teach Us About the Mysteries of Life & Living)
He stared down at her for a moment, wanting to heal every cut on her soft skin. But he couldn’t, not yet. He needed to get her, and her car, far from this place so neither he nor Kate would be implicated in any way with the gruesome murder site. It also meant he would have to drive. In all his years, he had never driven an automobile. The closest he had come was watching various assistants through the years as they chauffeured him. He wasn’t sure he could even remember how to start the car, but right now he had no choice. Grudgingly, he got into the driver’s seat, and finding the lever underneath, he pushed it back so he sat comfortably behind the wheel. After trying three different keys, he found one that slipped into the ignition. From what he had seen over the past hundred years, driving was not a complex operation, and he was an immortal with reflexes far more keen than a human man. How difficult could it be? He turned the key and nearly jerked the wheel off the steering column when the car surprised him by lurching forward. The car went silent. The engine wasn’t running. What was he doing wrong? He stared at the gearshift, wondering if he should move it. His frustration reared up, but his agitation would not make the car drive itself. He had to keep a cool head. Not knowing what else to try, he pushed one of the pedals at his feet to the floor and turned the key again. This time the car didn’t move, and it roared to life. Grasping the gearshift, he jammed it into the first position and glanced over at Kate. Why couldn’t she have owned a car with an automatic transmission? Shaking his head, he put some pressure on the gas pedal and slowly released the clutch. Thankfully the car rolled a few feet, but without warning it jumped forward. He pressed the clutch back to the floor before the engine lost power again. Calisto slammed his hand against the wheel, muttering under his breath in Spanish. At this rate it would take him all night to drive her home. The faded yellow convertible pitched forward again, threatening to stall as he continued out of the parking lot, thankful it was late. The streets were fairly empty. At least he wouldn’t get into an accident with another car. Her car staggered ahead, lurching each time he tried to release the clutch, bouncing and jostling them both until Kate finally stirred and woke up. § “Are we out of gas or something?” Calisto watched her with a tight smile. “Not exactly.” Kate winced in pain when she laughed. “You can’t drive a stickshift, can you?” “Does it show?” Calisto pulled over, finally allowing the engine to stall. She nodded her head slowly to avoid more pain. “Just a little. What happened?” “You don’t remember?” “I remember being mugged. And I remember seeing you, but everything after that is blank.” She watched his eyes as Calisto reached over to brush her hair back from her face, and his touch sent shivers through her body. This wasn’t how she had hoped she would run into him, but she learned a long time ago fate didn’t always work out the way you expected.
Lisa Kessler (Night Walker (Night, #1))
Chad made a sour face. He turned to Shadow. “Okay,” said Chad. “Through that door and into the sally port.” “What?” “Out there. Where the car is.” Liz unlocked the doors. “You make sure that orange uniform comes right back here,” she said to the deputy. “The last felon we sent down to Lafayette, we never saw the uniform again. They cost the county money.” They walked Shadow out to the sally port, where a car sat idling. It wasn’t a sheriff’s department car. It was a black town car. Another deputy, a grizzled white guy with a mustache, stood by the car, smoking a cigarette. He crushed it out underfoot as they came close, and opened the back door for Shadow. Shadow sat down, awkwardly, his movements hampered by the cuffs and the hobble. There was no grille between the back and the front of the car. The two deputies climbed into the front of the car. The black deputy started the motor. They waited for the sally port door to open. “Come on, come on,” said the black deputy, his fingers drumming against the steering wheel. Chad Mulligan tapped on the side window. The white deputy glanced at the driver, then he lowered the window. “This is wrong,” said Chad. “I just wanted to say that.” “Your comments have been noted, and will be conveyed to the appropriate authorities,” said the driver. The doors to the outside world opened. The snow was still falling, dizzying into the car’s headlights. The driver put his foot on the gas, and they were heading back down the street and on to Main Street. “You heard about Wednesday?” said the driver. His voice sounded different, now, older, and familiar. “He’s dead.” “Yeah. I know,” said Shadow. “I saw it on TV.” “Those fuckers,” said the white officer. It was the first thing he had said, and his voice was rough and accented and, like the driver’s, it was a voice that Shadow knew. “I tell you, they are fuckers, those fuckers.” “Thanks for coming to get me,” said Shadow. “Don’t mention it,” said the driver. In the light of an oncoming car his face already seemed to look older. He looked smaller, too. The last time Shadow had seen him he had been wearing lemon-yellow gloves and a check jacket. “We were in Milwaukee. Had to drive like demons when Ibis called.” “You think we let them lock you up and send you to the chair, when I’m still waiting to break your head with my hammer?” asked the white deputy gloomily, fumbling in his pocket for a pack of cigarettes. His accent was Eastern European. “The real shit will hit the fan in an hour or less,” said Mr. Nancy, looking more like himself with each moment, “when they really turn up to collect you. We’ll pull over before we get to Highway 53 and get you out of those shackles and back into your own clothes.” Czernobog held up a handcuff key and smiled. “I like the mustache,” said Shadow. “Suits you.” Czernobog stroked it with a yellowed finger. “Thank you.” “Wednesday,” said Shadow. “Is he really dead? This isn’t some kind of trick, is it?” He realized that he had been holding on to some kind of hope, foolish though it was. But the expression on Nancy’s face told him all he needed to know, and the hope was gone.
Neil Gaiman (American Gods (American Gods, #1))
You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You’re awfully quiet,” Travis said, glancing up from the road. “Are you falling asleep on me?” “Not yet.” Cat swallowed a yawn. “Just thinking.” “About what?” “This and that. Mostly that.” Travis smiled. “Sounds important.” Cat gave up and yawned openly. “Nope. You’ve unraveled my brain.” He changed lanes to pass a huge motor home that belonged on the multilane interstate highway, not on Laguna’s crowded street. She enjoyed watching him control the car with ease and precision. When he downshifted, sunlight ran like gold water over the tawny hair on his arm. As he transferred his grip from gearshift to steering wheel, the tendons on the back of his hand moved beneath tanned skin. His fingers closed firmly over the leather-sheathed wheel. Cat remembered the intense pleasure Travis could give to her with a simple caress. Sudden, stark need coursed through her, leaving her shaken. She wanted to touch him, taste him, take him so deeply into her body that she could feel every wild pulse of his release. “If you keep looking at me like that,” Travis said, “I’m going to pull over to the side of the road and do things to you that will get us arrested.” His husky drawl did nothing to cool Cat’s blood. She looked away from his knowing hands to his lips smiling beneath his tawny mustache. She remembered the feel of his beard sliding down her skin, the exciting silky roughness against her neck, her breasts, her stomach. She wondered what it would be like to feel him . . . everywhere. With a small groan Cat closed her eyes. “What am I going to do with you?” “I’ll pull over so we can find out.” “Not a good idea.” “Chicken.” “Cluck cluck. I can’t afford bail.” “I can.” “They’ll put us in separate cells.” “Damn. I didn’t think of that.
Elizabeth Lowell (To the Ends of the Earth)
Driving alone along the Northway, feeling more haunted than I really had the courage to be, I cried in the car the way one does when leaving someone in a bitter and unbearable way. I don't know why I should have picked that time to grieve, to summon everything before me--my own monsterousness, my two-bit affections, three-bit, four. It could have been sooner, it could have been later, it could have been one of the hot, awkward funerals (my grandmother's, LaRoue's, my father who one morning in Vero Beach clutched his fiery arm and fell dead off his chair mouthing to my mother, "Help. Heart. I love you" --how every death makes the world a lonelier place), it oculd have been some other time when the sun wasn't so bright, and there was no news on the raido, and my arms were not laced in a bird's nest on the steering wheel, my life going well, I believed, pretty well. It could have been any other time. But it was then: I cried for Sils and LaRoue, all that devotion and remorse, stars streaming light a million years after dying; I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandmother ailing and stuck in Florida, their rough, unchanging forms conjured only in memory; a jewel box kept in the medicine cabinet in the attic of a house on the moon; that's where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.
Lorrie Moore (Who Will Run the Frog Hospital?)
Wishing I had a towel, I used my fingers to wipe the raindrops off my face. My wet face that had been partially protected by the brim of his cap. Which would have worked if the rain fell straight down. This had been slashing across. “Oh, no.” “What?” Jason said. “Turn on the light.” He did. I lowered the sun visor, looked at my reflection in the mirror, groaned, and slapped the visor back into place. “Turn the light off.” “What’s wrong?” I didn’t look at him, didn’t want him to see. “The makeup ran.” Not as badly as I’d expected, but I had dark smudges beneath my eyes and my bruising was more visible. “So what?” I leaned my head back. “I look worse than I did the night you met me.” “I thought you looked fine.” I rolled my head to the side, so I could see him. Hoping the shadows made it so he couldn’t see me. “What are you talking about? I looked like a Cirque de Soleil performer.” “What are you talking about?” “The black dots around my eyes?” He shook his head. “I’m lost.” “You were staring--” “Oh, yeah.” He gazed through the windshield. “Sorry about that. I’ve just never seen eyes as green as yours. I was trying to figure out if you wore contacts.” “You were looking at my eyes?” “Yeah.” “Not the makeup.” He turned his attention back to me. “I didn’t realize you were wearing any. That night, anyway. Tonight it’s pretty obvious.” “Oh.” Didn’t I feel silly? “I thought--” I shook my head. “Never mind.” On second thought… “You don’t like all the makeup?” “I just don’t think you need it. I mean, you look pretty without it.” Oh, really? That was totally unexpected. He started tapping the steering wheel like he was listening to a rock concert, or suddenly embarrassed, maybe wishing someone would shut him up. “Sorry I don’t have a towel in the car.” Subject change. He was embarrassed. How cute was that?
Rachel Hawthorne (The Boyfriend League)
It takes me nearly a half hour to make what should be a ten-minute trip, and by the time I pull up in front of my house, my hands are cramped from my death grip on the steering wheel. It’s not until I step out of the car, my legs feeling like they’re made of Jell-O, that I notice Ryder’s Durango parked in front of me. “Where the hell have you been?” he calls out from the front porch, just as I make a mad dash to join him there. His face is red, his brow furrowed over stormy eyes. “They let us out an hour ago!” I am really not in the mood for his crap. “Yeah, so?” “So I was worried sick. A tornado touched down over by the Roberts’ place.” “I know! I mean, I didn’t know it touched down, but I was still at school when the sirens went off.” I drop my ridiculously heavy backpack and shake the rain from my hair. “Is everyone okay over there?” He runs a visibly trembling hand through his hair. “Yeah, it just tore up their fence or something. Jesus, Jemma!” “What is wrong with you? Why are you even here?” “I’m supposed to stay over here, remember?” “What…now?” I look past him and notice an army-green duffel bag by the front door. He’s got a key--he could’ve just let himself in. “I figured now’s as good a time as any. We need to put sandbags in front of the back door before it gets any worst out, and then we’ve got to do something about the barn. It’s awful close to the creek, and the water’s rising fast.” “Well, what do you propose we do?” “Don’t you keep your guns out there? We should move them inside. And your dad has some expensive tools in his workshop--we should get those, too.” I let out a sigh. He’s got a point. “Can I at least go inside first? Put my stuff away?” “Sure?” He moves to the edge of the porch and gazes up at the sky. “It looks like we might get a break in a few minutes, once this band moves through. Might as well wait for it.” I dig out my keys and unlock the door. I can hear the dogs howling their heads off the minute I step inside. “I’ve gotta let Beau and Sadie out,” I say over my shoulder as I head toward the kitchen. “Take your stuff to the guest room and get settled, why don’t you?” That’s my attempt at reestablishing the fact that I’m in charge here, not him. This is my house. My stuff. My life.
Kristi Cook (Magnolia (Magnolia Branch, #1))
We needed to drive down the road a couple of miles to meet the rest of the cowboys and gather the cattle from there. “Mom, why don’t you and Ree go ahead in her car and we’ll be right behind you,” Marlboro Man directed. His mother and I walked outside, climbed in the car, and headed down the road. We exchanged pleasant small talk. She was poised and genuine, and I chattered away, relieved that she was so approachable. Then, about a mile into our journey, she casually mentioned, “You might watch that turn up ahead; it’s a little sharp.” “Oh, okay,” I replied, not really listening. Clearly she didn’t know I’d been an L.A. driver for years. Driving was not a problem for me. Almost immediately, I saw a ninety-degree turn right in front of my face, pointing its finger at me and laughing--cackling--at my predicament. I whipped the steering wheel to the left as quickly as I could, skidding on the gravel and stirring up dust. But it was no use--the turn got the better of me, and my car came to rest awkwardly in the ditch, the passenger side a good four feet lower than mine. Marlboro Man’s mother was fine. Lucky for her, there’s really nothing with which to collide on an isolated cattle ranch--no overpasses or concrete dividers or retaining walls or other vehicles. I was fine, too--physically, anyway. My hands were trembling violently. My armpits began to gush perspiration. My car was stuck, the right two tires wedged inextricably in a deep crevice of earth on the side of the road. On the list of the Top Ten Things I’d Want Not to Happen on the First Meeting Between My Boyfriend’s Mother and Me, this would rate about number four. “Oh my word,” I said. “I’m sorry about that.” “Oh, don’t worry about it,” she reassured, looking out the window. “I just hope your car’s okay.” Marlboro Man and his dad pulled up beside us, and they both hopped out of the pickup. Opening my door, Marlboro Man said, “You guys okay?” “We’re fine,” his mother said. “We just got a little busy talking.” I was Lucille Ball. Lucille Ball on steroids and speed and vodka. I was a joke, a caricature, a freak. This couldn’t possibly be happening to me. Not today. Not now. “Okay, I’ll just go home now,” I said, covering my face with my hands. I wanted to be someone else. A normal person, maybe. A good driver, perhaps. Marlboro Man examined my tires, which were completely torn up. “You’re not goin’ anywhere, actually. You guys hop in the pickup.” My car was down for the count.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel. Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog. It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)