Velvet Fabric Quotes

Nothing in the world is so soft and pleasing to the touch, as the skin of a woman's thigh. No flower, feather or fabric, can match that velvet whisper of flesh. No matter how unequal they may be in any other ways, all women, old and young, fat and thin, beautiful and ugly, have that perfection. It's a great part of the reason why men hunger to possess women, and so often convince themselves that they do possess them: the thigh, that touch.

I feel anger and hatred and frustration and sadness like they’re physical fabrics. This one’s silk, this one’s velvet, this one’s crisp cotton. But I couldn’t tell you what the texture of loving Luke is anymore.

Leaving this changeling for George, she washed his ripe fruit, and bit and broke the skin. An intense tang, the underside of velvet. Then flesh dissolved in a rush of nectar. Juice drenched her hand and wet the inside of her wrist. She had forgotten, if she'd ever know, that what was sweet could also be so complicated, that fruit could have a nap, like fabric, soft one way, sleek the other.

Here is the essence of mankind's creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatoza attacking an ovum. It might be argued that the Siamese-twin infants of word/idea are the only contribution the human species can, will, or should make to the reveling cosmos. (Yes, our DNA is unique, but so is a salamander's. Yes, we construct artifacts, but so have species ranging from beavers to the architecture ants... Yes, we weave real fabric things from the dreamstuff of mathematics, but the universe is hardwired with arithmetic. Scratch a circle and pi peeps out. Enter a new solar system and Tycho Brahe's formulae lie waiting under the black velvet cloak of space/time. But where has the universe hidden a word under its outer layer of biology, geometry, or insensate rock?)

I feel anger and hatred and frustration and sadness like they're physical fabrics. This one's silk, this one's velvet, this one's crisp cotton.

I have detected," he said, "disturbances in the wash." ... Arthur asked him to repeat what he had just said because he hadn't quite understood his meaning. Ford repeated it. "The wash?" said Arthur. "The space time wash," said Ford. Arthur nodded, and then cleared his throat. "Are we talking about," he asked cautiously, "some sort of Vogon laundromat, or what are we talking about?" "Eddies," said Ford, "in the space-time continuum." "Ah," nodded Arthur, "is he. Is he." ... "What?" said Ford. "Er, who," said Arthur, "is Eddy, then, exactly, then?" Ford looked angrily at him. "Will you listen?" he snapped. "I have been listening," said Arthur, "but I'm not sure it's helped." Ford grasped him by the lapels of his dressing gown and spoke to him as slowly and distinctly and patiently as if he were somebody from the telephone company accounts department. "There seems..." he said, "to be some pools..." he said, "of instability," he said, "in the fabric..." he said. Arthur looked foolishly at the cloth of his dressing gown where Ford was holding it. Ford swept on before Arthur could turn the foolish look into a foolish remark. "...in the fabric of space-time," he said. "Ah, that," said Arthur. "Yes, that," confirmed Ford. They stood there alone on a hill on prehistoric Earth and stared each other resolutely in the face. "And it's done what?" said Arthur. "It," said Ford, "has developed pools of instability." "Has it," said Arthur, his eyes not wavering for a moment "It has," said Ford, with the similar degree of ocular immobility. "Good," said Arthur. "See?" said Ford. "No," said Arthur. There was a quiet pause. ... "Arthur," said Ford. "Hello? Yes?" said Arthur. "Just believe everything I tell you, and it will all be very, very simple." "Ah, well, I'm not sure I believe that." They sat down and composed their thoughts. Ford got out his Sub-Etha Sens-O-Matic. It was making vague humming noises and a tiny light on it was flickering faintly. "Flat battery?" said Arthur. "No," said Ford, "there is a moving disturbance in the fabric of space-time, an eddy, a pool of instability, and it's somewhere in our vicinity." ... "There!" said Ford, shooting out his arm; "there, behind that sofa!" Arthur looked. Much to his surprise, there was a velvet paisley-covered Chesterfield sofa in the field in front of them. He boggled intelligently at it. Shrewd questions sprang into his mind. "Why," he said, "is there a sofa in that field?" "I told you!" shouted Ford, leaping to his feet. "Eddies in the space-time continuum!" "And this is his sofa, is it?" ... 12 chapters pass ... "All will become clear," said Slartibartfast. "When?" "In a minute. Listen. The time streams are now very polluted. There's a lot of muck floating about in them, flotsam and jetsam, and more and more of it is now being regurgitated into the physical world. Eddies in the space-time continuum, you see." "So I hear," said Arthur.

Is that . . . are those tiny flying pigs on your shirt?” I ask as I narrow my gaze, taking in the white shirt buttoned up to a black velvet Peter Pan collar. “Yes. The fabric is from a designer in New York. I ordered it a month ago and went crazy. I even made Romeo a pillow.” “Is that the new wide receiver for the Saints? Drafted last year?” She cocks her head. “Hardly. He’s my little potbellied pig. A teacup.

I never did understand the prospect of spending coin for pleasure, but my sister loved to shop. She ran her fingers lovingly over the fabrics on sale: silks and velvets and satins imported from England, Italy, and even the Far East. She buried her nose in bouquets of dried lavender and rosemary, and closed her eyes as she savored the tart taste of mustard on the doughy pretzel she had bought. Such sensuous enjoyment.

Penny smoothed her gloved hands along the sheer silk netting that overlaid an underdress of ivory satin. The gauzy fabric was patterned with tiny pink roses connected by curling tendrils of green. The cap sleeves were fashioned from satin petals layered over creamy lace. A wide band of green velvet cinched her waist, and the daring neckline revealed the perfect amount of cleavage. "Emma works miracles," she said. "The beauty is all in the wearer," Emma said graciously.

A philosopher/mathematician named Bertrand Russell who lived and died in the same century as Gass once wrote: “Language serves not only to express thought but to make possible thoughts which could not exist without it.” Here is the essence of mankind’s creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatozoa attacking an ovum. It might be argued that the Siamese-twin infants of word/idea are the only contribution the human species can, will, or should make to the raveling cosmos. (Yes, our DNA is unique but so is a salamander’s. Yes, we construct artifacts but so have species ranging from beavers to the architect ants whose crenellated towers are visible right now off the port bow. Yes, we weave real-fabric things from the dreamstuff of mathematics, but the universe is hardwired with arithmetic. Scratch a circle and π peeps out. Enter a new solar system and Tycho Brahe’s formulae lie waiting under the black velvet cloak of space/time. But where has the universe hidden a word under its outer layer of biology, geometry, or insensate rock?)

There was no magic behind the silence - it was the soft-furnishings that did it. Overstuffed sofas were piled with velvet cushions; there were upholstered footstools, chaise longues, and armchairs; tapestries hung on the walls and were used as throws over upholstered furniture. Every floor was carpeted, every carpet overlaid with rugs. The damask that draped the windows also baffled the walls. Just as blotting paper absorbs ink, so all this wool and velvet absorbed sound, with on difference: Where blotting paper takes up only excess ink, the fabric of the house seemed to suck in the very essence of the words we spoke.

You look beautiful, ma'am," Ernestine said, delighted with the results of her work. She had drawn Phoebe's hair up into a coil of neatly pinned rolls and curls, winding a velvet ribbon around the base. A few loose curls had been allowed to dangle down the back of her head, which felt a bit strange: she wasn't accustomed to leaving any loose pieces in her usual hairstyles. Ernestine had finished the arrangement by pinning a small, fresh pink rose on the right side of the coil. The new coiffure was very flattering, but the formal gown had turned out to be far less inconspicuous than Phoebe had expected. It was the pale beige of unbleached linen or natural wool, but the silk had been infused with exceptionally fine metallic threads of gold and silver, giving the fabric a pearly luster. A garland of peonies, roses, and delicate green silk leaves trimmed the deeply scooped neckline, while another flower garland caught up the gossamer-thin silk and tulle layers of the skirts at one side.

I’m really enjoying my solitude after feeling trapped by my family, friends and boyfriend. Just then I feel like making a resolution. A new year began six months ago but I feel like the time for change is now. No more whining about my pathetic life. I am going to change my life this very minute. Feeling as empowered as I felt when I read The Secret, I turn to reenter the hall. I know what I’ll do! Instead of listing all the things I’m going to do from this moment on, I’m going to list all the things I’m never going to do! I’ve always been unconventional (too unconventional if you ask my parents but I’ll save that account for later). I mentally begin to make my list of nevers. -I am never going to marry for money like Natasha just did. -I am never going to doubt my abilities again. -I am never going to… as I try to decide exactly what to resolve I spot an older lady wearing a bright red velvet churidar kurta. Yuck! I immediately know what my next resolution will be; I will never wear velvet. Even if it does become the most fashionable fabric ever (a highly unlikely phenomenon) I am quite enjoying my resolution making and am deciding what to resolve next when I notice Az and Raghav holding hands and smiling at each other. In that moment I know what my biggest resolve should be. -I will never have feelings for my best friend’s boyfriend. Or for any friend’s boyfriend, for that matter. That’s four resolutions down. Six more to go? Why not? It is 2012, after all. If the world really does end this year, at least I’ll go down knowing I completed ten resolutions. I don’t need to look too far to find my next resolution. Standing a few centimetres away, looking extremely uncomfortable as Rags and Az get more oblivious of his existence, is Deepak. -I will never stay in a relationship with someone I don’t love, I vow. Looking for inspiration for my next five resolutions, I try to observe everyone in the room. What catches my eye next is my cousin Mishka giggling uncontrollably while failing miserably at walking in a straight line. Why do people get completely trashed in public? It’s just so embarrassing and totally not worth it when you’re nursing a hangover the next day. I recoil as memories of a not so long ago night come rushing back to me. I still don’t know exactly what happened that night but the fragments that I do remember go something like this; dropping my Blackberry in the loo, picking it up and wiping it with my new Mango dress, falling flat on my face in the middle of the club twice, breaking my Nine West heels, kissing an ugly stranger (Az insists he was a drug dealer but I think she just says that to freak me out) at the bar and throwing up on the Bandra-Worli sea link from Az’s car. -I will never put myself in an embarrassing situation like that again. Ever. I usually vow to never drink so much when I’m lying in bed with a hangover the next day (just like 99% of the world) but this time I’m going to stick to my resolution. What should my next resolution be?

She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....

Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.

I don’t know what instructions Nimiar gave her seamstress in private. I had expected a modest trunk of nice fabric, enough for a gown or two in the current fashions. What returned, though, just over a week later, was a hired wagon bearing enough stuff to outfit the entire village, plus three determined young journey-seamstresses who came highly recommended and who were ready to make their fortunes. “Good,” Nee said, when we had finished interviewing them. She walked about inspecting the fabulous silks, velvets, linens, and a glorious array of embroidery twists, nodding happily. “Just what I wanted. Melise is a treasure.” “Isn’t this too much?” I asked, astounded. She grinned. “Not when you count up what you’ll need to make the right impression. Remember, you are acquiring overnight what ought to have been put together over years. Morning gowns, afternoon gowns, riding tunics and trousers, party dresses, and perhaps one ball gown, though that kind of thing you can order when we get to town, for those take an unconscionable amount of time to make if you don’t have a team doing it.” “A team? Doing nothing but sewing? What a horrible life!” I exclaimed. “Those who choose it would say the same about yours, I think,” Nee said with a chuckle. “Meaning your life as a revolutionary. There are many, not just women, though it’s mostly females, who like very much to sit in a warm house and sew and gossip all day. In the good houses the sewers have music, or have books read to them, and the products are the better for their minds being engaged in something interesting. This is their art, just as surely as yon scribe regards her map and her fellows regard their books.” She pointed toward the library. “And how those at Court view the way they conduct their public lives.” “So much to learn,” I said with a groan. “How will I manage?” She just laughed; and the next day a new arrival brought my most formidable interview yet: with my new maid.

Remember what I told you, Nerissa.  Spare no expense when it comes to dressing her.  I want her out of those hideous colors and fabrics she's in now, and into something that will show her coloring to greatest advantage." "Silks, satins, velvets?" "Yes, and the finest, most expensive ones Madame has."  Lucien's enigmatic black eyes had gleamed with sly delight before he'd turned away and, his forefinger tapping his lips once, twice, continued on.  "And dramatic colors only — no pastels for that girl, no more washed out yellows and wretched browns that only make her look sallow and ill.  She's no English rose and shouldn't be dressed like one.  No, I want her in blazing scarlet, brilliant turquoise, emerald green, magenta — loud, startling hues that will flatter her exotic coloring and make every man at the ball unable to take his eyes off her."  He'd given a dangerous little smile.  "Especially Charles . . ." Nerissa had returned his grin.  "Especially Charles." "Just take care, my dear, that he does not learn of the purchases you'll make for the girl at Madame Perrot's.  Let him think the shopping trip is for you, and that Amy is along as . . . as training to be a lady's maid.  Ah, yes.  That will throw him off the scent quite nicely, I think — as well as make him seriously begin to question, if he has not already, whether he wants her to be a lady's maid or his lady."  He had grinned then, as delighted with his machinations as he must've been when he'd brought Gareth and Juliet together.  "It is imperative that he is, shall we say, pleasantly surprised when he sees his little friend at Friday night's ball . . ." Even

You don’t think crush velvet is a good fabric for a suit, do you?

Anxious to demonstrate her competence, Amelia strode to the other window and began jerking at the closed draperies. “Thank you, Mr. Rohan, but as you can see, I have the situation well in hand.” “I think I’ll stay. Having stopped you from falling through one window, I’d hate for you to go out the other.” “I won’t. I’ll be fine. I have everything under—” She tugged harder, and the rod clattered to the floor, just as the other had done. But unlike the other curtain, which had been lined with aged velvet, this one was lined with some kind of shimmering rippling fabric, some kind of— Amelia froze in horror. The underside of the curtain was covered with bees. Bees. Hundreds, no, thousands of them, their iridescent wings beating in an angry relentless hum. They lifted in a mass from the crumpled velvet, while more flew from a crevice in the wall, where an enormous hive simmered. They must have found their way into a hollow space from a decayed spot in the outer wall. The insects swarmed like tongues of flame around Amelia’s paralyzed form. She felt the blood drain from her face. “Oh, God—” “Don’t move.” Rohan’s voice was astonishingly calm. “Don’t swat at them.” She had never known such primal fear, welling up from beneath her skin, leaking through every pore. No part of her body seemed to be under her control. The air was boiling with them, bees and more bees. It was not going to be a pleasant way to die. Closing her eyes tightly, Amelia willed herself to be still, when every muscle strained and screamed for action. Insects moved in sinuous patterns around her, tiny bodies touching her sleeves, hands, shoulders. “They’re more afraid of you than you are of them,” she heard Rohan say. Amelia highly doubted that. “These are not f-frightened bees.” Her voice didn’t sound like her own. “These are f-furious bees.” “They do seem a bit annoyed,” Rohan conceded, approaching her slowly. “It could be the dress you’re wearing—they tend not to like dark colors.” A short pause. “Or it could be the fact that you just ripped down half their hive.” “If you h-have the nerve to be amused by this—” She broke off and covered her face with her hands, trembling all over. His soothing voice undercut the buzzing around them. “Be still. Everything’s fine. I’m right here with you.” “Take me away,” she whispered desperately. Her heart was pounding too hard, making her bones shake, driving every coherent thought from her head. She felt him brush a few inquisitive insects from her hair and back. His arms went around her, his shoulder sturdy beneath her cheek. “I will, sweetheart.

What is it?” he asked quietly, his eyes full of concern. “What have you been doing that’s so terrible?” A great shudder of anguish moved through Velvet. Once he learned the truth Hank would never forgive her, but there had been enough running away, and she couldn’t bring herself to lie. Not to this man. She accepted the handkerchief he offered and dried her face. “Things was hard after Pa and Eldon died,” she managed to say, mopping at her eyes again. Hank nodded, his gaze tender, silently urging her to go on. Velvet drew in a deep breath and gripped a picket of the gate in one hand. For the first time in her life she thought she might faint. “I did cleanin’ work mostly till I came to Fort Deveraux. I’d heard I could make a lot of money here, washin’ clothes for the soldiers.” She paused and looked away for a moment, drawing strength from the orange and crimson blaze of the setting sun. “I found out soon enough that there were a lot of other women here lookin’ to wash clothes—there just wasn’t enough work to go around. I—I ended up takin’ money from men.” For a moment Hank just stood there, the color draining out of his skin. “For what?” he asked, his voice a low rasp. Velvet felt as though she was being torn apart piece by piece, organ by organ. She lowered her eyes for a moment, then met Hank’s gaze squarely. He knew—she could see that—but he was going to make her tell him. “For sleepin’ with me,” she said. With a muttered exclamation Hank turned away, his broad shoulders stiff beneath the rough, plain fabric of his shirt. Velvet reached out her hand, then let it fall helplessly to her side. She’d lost him a second time, and the experience was a cruel one. She doubted she’d ever recover from it. “I’m sorry,” she whispered. He whirled so suddenly that Velvet was startled and leapt backward. His face was taut with anger and pain. “You were my woman,” he whispered with hoarse fury. “How could you have let another man touch you?” The resilience that had allowed Velvet to survive the many hardships life had dealt her surged to the fore. She advanced on Hank, raging. “I wasn’t your woman. I wasn’t anybody’s woman. I was all alone in this world, and I did what I had to do!” Hesitantly Hank lifted his hand to her face. His thumb brushed away a tear. “There wasn’t a day or a night that I didn’t think about you, Velvet.” She hugged herself, afraid to hope or trust. “I didn’t love none of those men,” she said miserably. “I could only stand lettin’ them touch me because I pretended they was you.” Hank’s smile was soft and infinitely sad. “I’m not going to lose you again because of pride,” he said. “I don’t like that you took money from those men, but I figure I love you enough to get by that in time. All that really matters to me is now, Velvet. Now and next week and next year, and all the years after that, when you and I are going to be together.” Velvet hardly dared to believe her ears. She’d had very little good fortune in her life; she didn’t know how to deal with much besides trouble. “Folks around here won’t ever forget—there’ll be talk—” He laid two fingers to her lips, silencing her. “I don’t care,” he said. “I’ve found you. That’s all that’s important.” With a sob, Velvet let her head drop against Hank’s sturdy chest. Tenderly he enfolded her in his arms. “Hush, now,” he said. “Things are going to be different after this. Very different.” An

You think I would take a wild lily and trim it to appear an English rose? You shall meet the ton as a bright Italian star." Callie couldn't help but chuckle. "Capital. Shall we choose some fabrics?" The words sent the cluster of women around them into a flurry, rolling out yards of muslins and satins, jaconet and crepe, velvet and gros de Naples in every imaginable color and pattern. "Which do you like?" Callie asked. Juliana turned her attention to the pile of fabrics, a bemused smile on her face. Mariana approached and locked their arms together. Leaning close, she said, "I adore that mulberry crepe. It would go beautifully with your hair." Turning to Callie she said, "And you, sister?" Callie cocked her head in the direction of a willow green satin, and said, "If you don't leave here with an evening dress in satin, I shall be very disappointed." Juliana laughed. "Well, then I shall have to have it! And I do like that rose muslin." Madame Hebert lifted the bolt and passed it to a seamstress. "Excellent choice, signorina. May I suggest the gold satin as well? For evening, of course.

On the third day, she smelled the fruit as soon as she came in. She followed the scent to the kitchen, and the peach was radiant, dusky rose and gold, its skin so plush she thought her fingertip might bruise it. This was the day, the very hour to eat- and she had come prepared, but she didn't want Concepcion to see her. She waited until the housekeeper shouldered her leather-handled canvas bag and left. Then Jess unwrapped the organic peach she'd bought that morning. Slightly smaller, slightly harder, but decently rosy, the peach listed left- just the right direction- when she set it on the table. Leaving this changeling for George, she washed his ripe fruit, and bit and broke the skin. An intense tang, the underside of velvet. Then flesh dissolved in a rush of nectar. Juice drenched her hand and wet the inside of her wrist. She had forgotten, if she'd ever known, that what was sweet could also be so complicated, that fruit could have a nap, like fabric, soft one way, sleek the other.

Tunics are one of the most popular and versatile garments in fashion. They can be worn in a variety of ways to create different looks. Here are some tips on how to wear a tunic: Pair tunic tops for women with leggings or skinny jeans for a comfortable and stylish look. Wear a belt around your waist to define your figure and create an hourglass shape. Layer long tunics for women over a collared shirt or turtleneck for a chic and polished look. Add interest to your outfit with accessories such as statement necklaces, scarves, or belts. For a more casual look, pair a tunic with shorts or Capri pants. To dress up your outfit, wear heels or wedges with your tunic. How to Style a Tunic ? Tunics are a versatile and comfortable item of clothing that can be worn in a variety of ways. They are perfect for both casual and formal occasions, and can be styled to suit any taste. Here are some tips on how to style a tunic: -Pair your designer tunics online with leggings or skinny jeans for a casual look. -Wear it over a dress or skirt for a more formal outfit. -Layer it under a jacket or cardigan for extra warmth. Tunics For Women Fashion: A Guide to Using This All-Time Favorite Tunic Fashion is an all-time favorite for many women. Wearing one makes you feel light and confident all at once – the perfect combination! Tunics come in a variety of patterns, lengths, and sleeves, so there’s something for every woman no matter what your personal style might be. Tunic Lengths Tunic fashion is all about comfort and style. This all-time favorite can be dressed up or down, making it a versatile piece in your wardrobe. The key to finding the right tunic length is to know your body type and what looks best on you. Petite women should look for tunics that hit at the hip or above. This will prevent the tunic from overwhelming your small frame. If you’re tall, you can get away with long tunics for women length. Just make sure it doesn’t drag on the ground – no one wants to deal with that! If you’re pear-shaped, look for tunics that cinch at the waist to flatter your figure. A-line tunics are also a good option for this body type. And if you have an hourglass figure, show off your curves with a fitted tunic top. No matter what your body type, there’s a tunic length out there that will look great on you! What to Wear with a Tunic ? Assuming you want a guide on how to wear a tunic: Tunics for women are one of the most versatile, easy-to-wear items in any woman’s wardrobe. Whether you’re looking for something to wear to the office or on a casual weekend, a tunic can be dressed up or down to suit any occasion. But with so many different styles and silhouettes out there, it can be hard to know what to pair with your tunic. Here are a few tips on what to wear with a tunic dress for women, no matter what the occasion: For work: To give your tunic a more polished look for work, try pairing it with tailored trousers or a pencil skirt. Add a blazer for extra warmth and style points. And don’t forget the accessories! A great pair of earrings or a statement necklace can really elevate your look. For weekends: On weekends, you can afford to dress your girls tunic tops down a bit. Try pairing it with jeans or leggings for a comfortable, casual look. Slip on some flats or sneakers and you’re good to go! For evenings out: To dress up your tunic for an evening out, try pairing it with slim-fit pants or a skirt in a rich fabric like velvet or satin. Add heels and some sparkling jewelry to really make your outfit shine. How to Wear a Tunic ? -Accessorize with jewelry, scarves, or belts to personalize your look. What Types of Tunics are Available? Ladies tunic dresses come in a wide range of styles, from fitted to loose and flowing. They can be made from a variety of fabrics, including cotton, linen, Silk, and wool. You can find tunics in solid colors, patterns, and prints.

Tunics For Women Fashion: A Guide to Using This All-Time Favorite Tunic Fashion is an all-time favorite for many women. Wearing one makes you feel light and confident all at once – the perfect combination! Tunics come in a variety of patterns, lengths, and sleeves, so there’s something for every woman no matter what your personal style might be. Tunic Lengths Tunic fashion is all about comfort and style. This all-time favorite can be dressed up or down, making it a versatile piece in your wardrobe. The key to finding the right tunic length is to know your body type and what looks best on you. Petite women should look for tunics that hit at the hip or above. This will prevent the tunic from overwhelming your small frame. If you’re tall, you can get away with long tunics for women length. Just make sure it doesn’t drag on the ground – no one wants to deal with that! If you’re pear-shaped, look for tunics that cinch at the waist to flatter your figure. A-line tunics are also a good option for this body type. And if you have an hourglass figure, show off your curves with a fitted tunic top. No matter what your body type, there’s a tunic length out there that will look great on you! What to Wear with a Tunic ? Assuming you want a guide on how to wear a tunic: Tunics for women are one of the most versatile, easy-to-wear items in any woman’s wardrobe. Whether you’re looking for something to wear to the office or on a casual weekend, a tunic can be dressed up or down to suit any occasion. But with so many different styles and silhouettes out there, it can be hard to know what to pair with your tunic. Here are a few tips on what to wear with a tunic dress for women, no matter what the occasion: For work: To give your tunic a more polished look for work, try pairing it with tailored trousers or a pencil skirt. Add a blazer for extra warmth and style points. And don’t forget the accessories! A great pair of earrings or a statement necklace can really elevate your look. For weekends: On weekends, you can afford to dress your girls tunic tops down a bit. Try pairing it with jeans or leggings for a comfortable, casual look. Slip on some flats or sneakers and you’re good to go! For evenings out: To dress up your tunic for an evening out, try pairing it with slim-fit pants or a skirt in a rich fabric like velvet or satin. Add heels and some sparkling jewelry to really make your outfit shine. How to Wear a Tunic ? -Accessorize with jewelry, scarves, or belts to personalize your look.

I focus my attention on the cloth and I can breathe evenly again until the panic dissipates. There's a velvet blue-green, reminding me of the lake at dusk. I find an amazing, fantastical fabric embroidered with moths and butterflies and ferns and flowers. I lift it up, and underneath is a bolt of beautiful fog-gray cloth that ripples like smoke. They're so very pretty. The kind of fabrics that princesses in fairy tales wear. Of course, Taryn is right about stories. Bad things happen to those princesses. They are pricked with thorns, poisoned by apples, married to their own fathers. They have their hands cut off and their brothers turned in to swans, their loves chopped up and planted in basil pots. They vomit up diamonds. When they walk, it feels as though they're walking on knives. They still manage to look nice.

If geography and time are the warp and weft structuring (art) history, perceptual culture is like the pile of a velvet cloth that, without altering the warp or weft of the fabric, reenchants its texture and depth. It treats Islam as the Simurgh, and objects as its feathers. Like the galleries in China full of representations futilely and obsessively trying to reconstruct the bird from its feathers, the museum is a monument to our inability to feel what we are trying to represent. And yet like the three princes seeking the hand of the Chinese princess in the gallery of creation, we can also discover through objects the spirit we can never expect to pin down in our hands. With these hopes tucked in between the warp of evidence and the weft of interpretation, this book would like to quote a certain textile from a very long time ago: I exist for pleasure; Welcome! For pleasure am I; he who beholds me sees joy and well-being. This book offers complex more than simple pleasures: its many questions diverge and converge, offering iridescence to our certainties. It puts forth the pleasure of using thought as steel wool polishing our mental acumen, enabling perception beyond predetermined realities. It may be that a barzakh exists somewhere between the secular and the sacred, a peninsula of understanding in which we enter the cave of our ghurba and become in the world but not of it. If we tread lightly with a pure heart cleansed in the mirror of curiosity and wonder, it may just open its doors a bit and let us explore the glory it holds inside.

Outside the closed doors to the throne room, Sharif the high elder waited, holding a kaftan robe of red silk and velvet in one hand and a long spear nearly twice his height in the other. Jasmine's heart beat faster as she recognized the gold trim and signature jewels lining the robe, the ancient craftsmanship of the spear. These had belonged to Cyrus the Great, the first ruler of the empire. And in mere moments, she would be the first woman to feel them against her skin. Nadia untied Jasmine's peacock cape while the high elder held out the red robe. "Today you shed the persona of Jasmine, the princess," he said, "and step into the skin of a sultana." Jasmine took a deep breath, slipping her arms into the preserved silk. The material was more fragile than anything she'd worn before, and she was conscious that one wrong step, one tear of the fabric, would be rip through history. Yet she felt stronger in the cape too, as though Cyrus were transferring his power through it to her. When Sharif handed her Cyrus's spear, she could barely contain her awe.

In the woman's dining room at Cunningham College, there was a big panel of fabric with green velvet leaves bordering a list stitched out in red thread. Three meters high. Man is strong. Woman, beautiful. Man is daring and confident. Woman deferent and unassuming. Man is great in action. Woman in suffering. Man shines abroad. Woman at home. Man talks to convince. Woman to persuade and please. Man has a rugged heart. Woman a soft and tender one. Man prevents misery. Woman relieves it. Man has science. Woman tastes. Man has judgement. Woman sensibility. Man is a being of justice. Woman an angle of mercy. The first time I read it, I thought - then what is a man. I thought of my mother of course, and myself. I tried to parcel out where she lay on the fabric, but she was somewhere in-between. Men then for me, were still too terrifying to contemplate directly. The were an abstract.

She snatched at my wrist with surprising speed, and dragged my hand onto her thigh, near the hip. The flesh was warm and smooth and supple. Nothing in the world is so soft and pleasing to the touch as the skin of a woman’s thigh. No flower, feather, or fabric can match that velvet whisper of flesh. No matter how unequal they may be in other ways, all women, old and young, fat and thin, beautiful and ugly, have that perfection. It’s a great part of the reason why men hunger to possess women, and so often convince themselves that they do possess them: the thigh, that touch.

As he stood, a single red petal fell from his black velvet cloak. “I’m glad you came out of your room. I hope to see you at supper.” Luca unfastened the cloak from around his neck and handed it to her. “Here. It’s getting dark. You might get cold.” Cass accepted the cloak and draped it across her front like a blanket. A square of white cotton fell out of the pocket and she reached down and picked it up. Luca’s handkerchief. Her fingers stroked the embroidered initials--LdP. She thought back to her conversation with Madalena about dropping handkerchiefs. It seemed like the exchange had happened in another lifetime. She tucked the square of fabric back into the pocket of his cloak. Luca smiled. “Thanks,” he said. “I manage to lose more of those than you can imagine.” He turned back toward the house. The air turned cool as the stars came out, but Luca’s cloak kept Cass surprisingly warm. A blurry face appeared at one of the windows. Cass recognized Agnese’s favorite white cap. Cass gave her aunt a hesitant wave and the face vanished. Cass wondered if everyone had been worrying about her. She remembered the cautious way Luca had approached her, as if she were a wild horse that might spook and run off.

Did I interrupt something? A sordid little tryst, perhaps?” “You must be joking.” Cass was in no mood for humor. Besides, the closest she’d ever been to a tryst was when he’d fallen on top of her in the street earlier that day. “Always. Sadly, you don’t seem like the type of girl who would be up for a midnight…encounter.” Falco’s eyes drifted downward. “Too bad.” Cass realized her cloak had fallen open, exposing the white nightgown she wore underneath. She pulled the velvet fabric tight around her body. Then the shrubbery rippled once more with unfamiliar movement. Cass’s heart froze. “We should get out of here,” she said. “It’s not safe.” “Not safe?” Falco raised an eyebrow. “Why? Because it’s dark and you might accidentally trip over your own two feet? I feel quite safe. In fact, I was just settling in to do some reading.” Cass furrowed her brow. “Reading?” Falco wagged her journal in front of her. “This is yours, I presume.” A slow smile spread across his face. “Let’s find out exactly what you’ve been doing, shall we?” “Give it back!” Cass reached for the journal, but Falco easily dodged her. He opened the leather-bound book to a random page and cleared his throat. Clutching a hand to his chest, he pretended to read aloud in a high-pitched voice. “Oh, how I love the way his fingers explore my soft flesh. The way his eyes see into my very soul.” This time, Cass managed to snatch the book out of his hands. “That is not what it says.” “I guess that means you won’t be keeping me warm tonight?” Falco quirked an eyebrow. Before she could muster up a response, he laughed. “Then again, the accommodations probably wouldn’t meet your standards. You’ve probably never slept on anything but the finest satins, have you?” Cass hoped the darkness camouflaged her scarlet cheeks. Who was this boy to talk to her the way he did? “Is that why you’re here? Looking for a date?” Cass gestured toward a row of pointed headstones. “I do believe you’re in luck. I see some ladies who won’t be able to refuse you.” The words flew out of her mouth before she could rethink them. “Funny. And correct. Sort of. I was actually just looking for a place to get a little rest.” For a second, the smile dropped from his face, and an expression passed across it that Cass couldn’t identify. “Sleep in a graveyard?” Cass frowned. “You can’t be serious.

Entering the room, Lily was struck by the changes that had been wrought since she had last been there on the night of her abduction. Though his massive four-poster bed remained, the coverings were now a mixture of midnight blue and a mysterious smoky gray. In fact, various shades of gray had been added throughout the room. The two heavy leather chairs had been beautifully reupholstered in a dove-gray damask, a plush rug in a light and misty color was laid before the fireplace, and on a delicate table between them stood a large vase of lilies, infusing the room with their delicate scent. "Do you see?" the earl asked from behind her. Once they entered the bedroom, he had released her hand to close the door, ensconcing them together in the private space. Lily turned to watch him walk toward one of the new chairs. He ran his fingers over the fabric. "The color of your eyes when you are quiet and content," he stated in a low voice, then he crossed to the bed where he smoothed his palm over a velvet coverlet. "This is the darker shade your eyes become when you are aroused- with emotion or desire." He looked at her, and Lily's world expanded on a sudden breath at what she saw in the depth of his gaze. They both seemed rooted in place, standing in the center of his bedroom, staring at each other with their breaths coming fast and their focus locked upon each other, as though they were equally afraid the other might disappear. "You exist in everything. You have become a part of me," he murmured thickly. "I cannot breathe without you.