Rope Rescue Quotes

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The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn’t have any clothes on but some very long and convenient hair. The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere. I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn’t seem to be really trying.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
Once Henry had heard a crying noise at sea, and had seen a mermaid floating on the ocean's surface. The mermaid had been injured by a shark. Henry had pulled the mermaid out of the water with a rope, and she had died in his arms..."what language did the mermaid speak?" Alma wanted to know, imagining that it like almost have to be Greek. "English!" Henry said. "By God, plum, why would I rescue a deuced foreign mermaid?
Elizabeth Gilbert (The Signature of All Things)
With the best of intentions you toss me a lifeline. Failing to see how a piece of rope will do me any good, I ignore it and drown.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat.
Jeanette Winterson (Lighthousekeeping)
His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.
E.L. Doctorow (Ragtime)
And then there was one last body that stood out from the rest. It had signs of of bruising on all four ankles and all along its side. Brownie had said that all the dogs that didn't die from being hanged were drowned, except one. As that dog lay on the ground fighting for air, Quanis Phillips grabbed its front legs and Michael Vick grabbed its hind legs. They swung the dog over their head like a jump rope then slammed it to the ground. The first impact didn't kill it. So [they] slammed it again. The two men kept at it, alternating back and forth, pounding the creature against the ground, until at last, the little red dog was dead.
Jim Gorant (Author) (The Lost Dogs: Michael Vick's Dogs and Their Tale of Rescue and Redemption)
And inwardly raged at this portion of his being that so frequently rendered him helpless in the face of someone’s plea; that he could not control; that lay coiled within him like a length of rope, always ready to fling itself out to rescue at the call of someone else’s need. It gave him no peace. Not even in sleep.
William Peter Blatty (The Exorcist)
Well,” I harrumphed, “friendship is a two-way street.” “Sometimes. Not always. When a friend’s in trouble, sometimes friendship is a blind alley, a climb down a rope into a dark hole you’re trying to pull somebody out of, a rescue mission. Of course, it’s nice if the one you’re trying to save cooperates, but sometimes they don’t. Sometimes they don’t even know they’re in trouble. And you, of all people, know that.
Marie Bostwick (A Thread So Thin (Cobbled Court Quilts Book 3))
The whole of the day should not be daytime, nor of the night night-time, but some portion be rescued from time to oversee time in. All our hours must not be current; all our time must not lapse. There must be one hour at least which the day did not bring forth—of ancient parentage and long established nobility—which will be a serene and lofty platform overlooking the rest. We should make our notch every day on our characters, as Robinson Crusoe on his stick. We must be at the helm at least once a day; we must feel the tiller-rope in our hands, and know that if we sail, we steer.
Henry David Thoreau
I was thinning the hellebore when I saw a woman in an oversize suit jacket and a fedora trying to throw a rope into a window two stories high to rescue her friend in the dark and rain. I've traveled all over the world and I've seen many things, but I've never seen anything like that. And then the alarm went off and she didn't run. She didn't give up. She refused to leave her friend and tried to scale a sheer brick wall with her bare hands. I didn't know love and loyalty like that existed. I only knew what it meant to be alone. I had to meet her." "We didn't meet," I said. "You grabbed me and dragged me into the bushes." "That's what you do when you find the love of your life," he said. "You love me?" His voice was soft as he turned away. "I think I loved you from the moment you threw that rope.
Sara Desai (To Have and to Heist)
If religion is the opiate of the people, tradition is an even more sinister analgesic, simply because it rarely appears sinister. If religion is a tight band, a throbbing vein, and a needle, tradition is a far homelier concoction: poppy seeds ground into tea; a sweet cocoa drink laced with cocaine; the kind of thing your grandmother might have made. To Samad, as to the people of Thailand, tradition was culture, and culture led to roots, and these were good, these were untainted principles. That didn't mean he could live by them, abide by them, or grow in the manner they demanded, but roots were roots and roots were good. You would get nowhere telling him that weeds too have tubers, or that the first sign of loose teeth is something rotten, something degenerate, deep within the gums. Roots were what saved, the ropes one throws out to rescue drowning men, to Save Their Souls.
Zadie Smith (White Teeth)
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door. Wendy was so delighted tears sprang to her eyes. It was her Imaginary House! They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself. She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off. Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut. She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter. "Luna!" Wendy cried in joy. The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face. "Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp. Although... "You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy." Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used. You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!" As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home. The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior. Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket. "This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside. "Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
Liz Braswell (Straight On Till Morning)
Here before you lies the memorial to St. Cefnogwr, though he is not buried here, of course.” At her words, an uncanny knowing flushed through Katy and, crazy-of-crazy, transfixed her. “Why? Where is he?” Traci stepped forward, hand on her hip. A you’re-right-on-cue look crossed the guide’s face. She pointed to the ceiling. Traci scoffed. “I meant, where’s the body?” Her American southern accent lent a strange contrast to her skepticism. Again, the tour guide’s arthritic finger pointed upward, and a smile tugged at her lips, the smokers’ wrinkles on her upper lip smoothing out. “That’s the miracle that made him a saint, you see. Throughout the twelve hundreds, the Welsh struggled to maintain our independence from the English. During Madog’s Rebellion in 1294, St. Cefnogwr, a noble Norman-English knight, turned against his liege lord and sided with the Welsh—” “Norman-English?” Katy frowned, her voice raspy in her dry throat. “Why would a Norman have a Welsh name and side with the Welsh?” She might be an American, but her years living in England had taught her that was unusual. “The English nicknamed him. It means ‘sympathizer’ in Welsh. The knight was captured and, for his crime, sentenced to hang. As he swung, the rope creaking in the crowd’s silence, an angel of mercy swooped down and—” She clapped her hands in one decisive smack, and everyone jumped. “The rope dangled empty, free of its burden. Proof, we say, of his noble cause. He’s been venerated ever since as a Welsh hero.” Another chill danced over Katy’s skin. A chill that flashed warm as the story seeped into her. Familiar. Achingly familiar. Unease followed—this existential stuff was so not her. “His rescue by an angel was enough to make him a saint?” ever-practical Traci asked. “Unofficially. The Welsh named him one, and eventually it became a fait accompli. Now, please follow me.” The tour guide stepped toward a side door. Katy let the others pass and approached the knight covered in chainmail and other medieval-looking doodads. Only his face peeked out from a tight-fitting, chainmail hoodie-thing. One hand gripped a shield, the other, a sword. She touched his straight nose, the marble a cool kiss against her finger. So. This person had lived about seven hundred years ago. His angular features were starkly masculine. Probably had women admiring them in the flesh. Had he loved? An odd…void bloomed within, tugging at her, as if it were the absence of a feeling seeking wholeness. Evidence of past lives frozen in time always made her feel…disconnected. Disconnected and disturbed. Unable to grasp some larger meaning. Especially since Isabelle was in the past now too, instead of here as her maid of honor. She traced along the knight’s torso, the bumps from the carved chainmail teasing her fingers. “The tour group is getting on the bus. Hurry.” Traci’s voice came from the door. “Coming.” One last glance at her knight. Katy ran a finger down his strong nose again. “Bye,” she whispered.
Angela Quarles (Must Love Chainmail (Must Love, #2))
Rainelle offered him coffee but he declined, asking instead for a hatchet and rope, an odd request but I wasn’t from around here so I didn’t judge. Coyote
Mario Acevedo (Rescue From Planet Pleasure (Felix Gomez Book 6))
God Will Save Me A terrible storm came into a town and local officials sent out an emergency warning that the riverbanks would soon overflow and flood the nearby homes. They ordered everyone in the town to evacuate immediately. A faithful Christian man heard the warning and decided to stay, saying to himself, “I will trust God and if I am in danger, then God will send a divine miracle to save me.” The neighbors came by his house and said to him, “We’re leaving and there is room for you in our car, please come with us!” But the man declined. “I have faith that God will save me.” As the man stood on his porch watching the water rise up the steps, a man in a canoe paddled by and called to him, “Hurry and come into my canoe, the waters are rising quickly!” But the man again said, “No thanks, God will save me.” The floodwaters rose higher pouring water into his living room and the man had to retreat to the second floor. A police motorboat came by and saw him at the window. “We will come up and rescue you!” they shouted. But the man refused, waving them off saying, “Use your time to save someone else! I have faith that God will save me!” The flood waters rose higher and higher and the man had to climb up to his rooftop. A helicopter spotted him and dropped a rope ladder. A rescue officer came down the ladder and pleaded with the man, "Grab my hand and I will pull you up!" But the man STILL refused, folding his arms tightly to his body. “No thank you! God will save me!” Shortly after, the house broke up and the floodwaters swept the man away and he drowned. When in Heaven, the man stood before God and asked, “I put all of my faith in You. Why didn’t You come and save me?” And God said, “Son, I sent you a warning. I sent you a car. I sent you a canoe. I sent you a motorboat. I sent you a helicopter. What more were you looking for?
Anonymous
There is a modern parable I am particularly fond of that illustrates my point: A man is caught in a flood and as the water begins to rise, he climbs up onto the roof of his house and awaits rescue. As the hours pass and the water rises, no help comes, so he begins to pray: Dear Lord, in your divine mercy please save me from the rising floodwater. Suddenly a helicopter appears and lowers a rope down to the stranded man—'take the rope' says the pilot. 'No thanks' replies the stranded man, 'I'm waiting for God to rescue me.' Three more times the pilot of the helicopter tries to convince the stranded man to climb up the rope and three more times he is refused: 'I'm waiting for God.' All the while, the water is rising and rising, until finally, the house is swept away, the man with it. His last words being 'God, why have you forsaken me?' So you see, when God announces his presence he always makes it obvious to humanity. How much more obvious than the events of the last few years does he need to make it before you will believe?
Paul Antony Jones (Towards Yesterday)
Crocodiles have been on the planet for some sixty-five million years, looking just about like this one. They’ve evolved to be the most complex apex predator in their environment. They have a life expectancy similar to ours, and their physiology is surprisingly similar to ours as well: the same basic type of four-chambered heart, and a cerebral cortex. I marveled at the sixty-four long, very sharp, peg-like teeth. Here was an animal able to capture and kill animals much larger than itself. How ironic, I thought, that this-top-of-the-food-chain animal needs our help. As we motored up the river, I restrained the croc on the floor of the boat. I could feel Steve’s reverence for her. He didn’t just like crocodiles. He loved them. We finally came to a good release location. We got the crocodile out onto a sandbar and slipped the ropes and blindfolds and trappings off her. She scuttled back into the water. “She’ll be afraid of boats from now on,” Steve said. “She’ll never get caught again. She’ll have a good, healthy fear of humans, too. It’ll help keep her alive.” Forever afterward, Steve and I referred to the Cattle Creek rescue as our honeymoon trip. It also marked the beginning of Steve’s filming career. He was gifted with the ability to hunt down wildlife. But he hunted animals to save them, not kill them. That’s how the Crocodile Hunter was born.
Terri Irwin (Steve & Me)
He let go of the rope one hand at a time and latched onto Lisa’s hands. Her fingernails dug into his wrists, but her grip was strong after a summer of lifting girls into the air. It was a tug of war battle between his friends and Shawn’s ghost. The wind died down as Shawn gathered all of his energy to pull on Mike. Even though he was terrified of what was happening, Mike knew that Shawn wasn’t trying to hurt him. After all these years, he was still trying to find a way out. Shawn wanted to go home too, and he saw the hope of being rescued falling away. “Shawn! Please! Let me go!” Mike called over the dying wind, “I’ll get you help! We’ll get you out! Just please! Let me go!” - Saving Hascal's Horrors
Laura Smith
After Jonathan, wearing only his pajamas, jumped out of his bedroom window in the middle of the night & met with Leopold, who awaited him in the garden, the two went to the stable and put a three-meter-long hemp rope in a bricklayer's bag splattered with quicklime. On a September night, under the light of the moon, they walked with the rope up the village street, passing the calvary, not noticing the devil's red wings, which were stretched to the point of tearing—Lucifer was sweating blood—and then up the hill of the parish house into the barn. In the empty barn full of dusty cobwebs—the parish house was unoccupied at the time—they climbed a wooden ladder to the crossbeam. The two boys tied the two ends of rope behind their ears and jumped into the emptiness, weeping and embracing, a few meters from the armless Christ who had once been rescued from a stream bed by the priest and painter of prayer cards and who now stood in the entranceway of the parish house, gasping and smelling the blood sweated out by the devil in the calvary. With their tongues out, their sexes stiff, their semen-flecked pants dripping urine, Jonathan in pajamas and Leopold in his quicklime-splattered bricklayer's clothes, they hung in the barn of the parish house until they were found by Jonathan's sixteen-year-old cousin, who shined the beam of his flashlight across their four dangling legs twenty-four hours later, and were cut down with a butcher's knife by Adam the Third.
Josef Winkler (When the Time Comes)
He puts his hands out. "I don't like this plan at all. It didn't work in A New Hope." I tie his wrists together, making sure the rope is tight enough to look convincing but loose enough that he can slip out. "They rescued Princess Leia!" "Obi-Wan Kenobi died, though, even if it was on purpose. And I'm not really sure who's who in this scenario. I'm obviously a Han Solo type. You're maybe a Luke Skywalker. Good hair. Better at fighting than you have any right to be. A bit on the whiny side." "Just for that, I'm declaring you the C-3PO of this mission." "Hey now! That's not fair." "Whatever you say, 3PO.
Kiersten White (Chosen (Slayer, #2))
You can use a rope to get somebody out of a pit toilet. Or to make it necessary for somebody to put your body into a grave.
Mokokoma Mokhonoana
I grabbed her and held her close, whispering, “Shhh,” as I kept looking and listening. Kenjii nudged me, as if to say, That’s no welcome. I pulled the rope in. The end wasn’t broken, as I’d hoped, but as I ran it through my fingers I saw red smears. I took a better look. Blood. Someone had been holding her and Kenjii had wrenched so hard she’d scraped the skin from his hands as she broke free. I hugged her. “They couldn’t hold you, huh? Good girl.” “Maya?” I stood. It was Sam, coming through the trees. Daniel and Corey appeared behind her. Seeing the dog beside me, Daniel grinned. “We got one escapee, at least,” he said. “Only one,” I said as I tugged off the muzzle. “I found Hayley. She managed to communicate with me. It was a trap. There was no way…” I took a deep breath. “I wanted to try rescuing her anyway, but she said no.” “Too bad dogs can’t talk,” Sam said. I glanced over at her. “Um, we’re all feeling bad about Hayley,” Corey said. “Don’t interrupt by wishing we could question the dog.” “That’s not what I meant. Hayley could tell you it was a trap. He can’t.” “Kenjii’s a she,” I said. “Whatever. My point is that your dog has conveniently escaped, just like Hayley did. You don’t think that’s a trap?” “If it is, then we’ve already been caught.” I looked around. “Huh. I don’t see the guys with guns yet.” “Because they’ve put a tracking device on her. Or in her.” I removed the rope. Then I took off her collar and handed it to Daniel to check while I ran my fingers over her, looking for tender spots. “It’s clean,” Daniel said, handing me back the collar. “If she was still wearing the muzzle and rope, then they--” “--wanted it to look like she really escaped,” Sam said. “There’s blood on the rope,” I said. “That means she pulled free from whoever had her.” “Or they’re very detail-oriented.” “Oh, please,” Corey said. “Seriously?” I turned to Sam. “So what do you suggest?” “Tie her to a tree and keep going.” I stared at her. “I hope you’re not serious,” Daniel said. “How about we tie you to a tree?” Corey said.
Kelley Armstrong (The Calling (Darkness Rising, #2))
The Qur’an does not just lead us, it liberates us from the grips of the ego. It does not just guide us; it helps us grow past the shells of our limiting beliefs. It does not just confront us; it consoles us with God’s infinite mercy. It reminds us of our holy purpose, of how incredibly valuable we are in the eyes of God, and inspires us to live a life not simply based on our present limited capacity, but to trust that when we depend on God all things are possible by virtue of His infinite and all-encompassing power. The Qur’an is not meant to only be recited, it is meant to be taken in like the fragrance of a rose, deep within our essence, allowing it to permeate in the deepest recesses of our being. The Qur’an was sent as a pathway of return to God. As the Prophet Muhammad (pbuh) said, “This Qur’an is the rope of Allah, and it is the clear light and healing. It is a protection for the one who clings to it and a rescue for the one who follows it. It is not crooked and so it puts things straight.
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam)
Then,” said the second instructor, “it’s time that you learned the Outward Bound motto.” “Oh, keen,” I thought. “I’m about to die, and she’s going to give me a motto!” But then she shouted ten words I hope never to forget, words whose impact and meaning I can still feel: “If you can’t get out of it, get into it!” I had long believed in the concept of “the word become flesh” but until that moment I had not experienced it. My teacher spoke words so compelling that they bypassed my mind, went into my flesh, and animated my legs and feet. No helicopter would come to rescue me; the instructor on the cliff would not pull me up with the rope; there was no parachute in my backpack to float me to the ground. There was no way out of my dilemma except to get into it—so my feet started to move and in a few minutes I made it safely down. Why would anyone want to embark on the daunting inner journey about which Annie Dillard writes? Because there is no way out of one’s inner life, so one had better get into it. On the inward and downward spiritual journey, the only way out is in and through.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
Of course, some adjustments had to be made [to heroic quests]. For example, when a giant sea serpent had been spotted idling in the ocean, no doubt scouting for a pleasant coastline to ravage, they had known it would attack a maiden tied to a rock. The only problem had been getting a maiden to volunteer to be tied to a rock. No one in Bolvudis particularly wanted to end up inside a sea serpent’s stomach. Asvin had been very surprised, until Gaam had explained that it was not always the case that a hero’s mere presence would cast all damsels in the area into perilous predicaments he could rescue them from. Most of the rescues in the legends were, Gaam said, either fictitious or pre-arranged, and hardly ever sheer coincidence or fate. In the end a grumbling Maya had let herself be tied to a rock while Asvin, sword in hand, prowled the beach. The fact that the serpent’s arrival had created a huge wave that had swept Gaam and Asvin far away and Maya had had to burn off her ropes and kill the monster on her own was, they all agreed, best kept secret.
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
Line of AuNor, dragon bold Flows to me from days of old, And through years lost in the mist My blood names a famous list. By Air, by Water, by Fire, by Earth In pride I claim a noble birth. From EmLar Gray, a deadly deed By his flame Urlant was freed, Of fearsome hosts of blighters dark And took his reward: a golden ark! My Mother’s sire knew battle well Before him nine-score villages fell. When AuRye Red coursed the sky Elven arrows in vain would fly, He broke the ranks of men at will In glittering mines dwarves he’d kill. Grandsire he is through Father’s blood A river of strength in fullest flood. My egg was one of Irelia’s Clutch Her wisdom passed in mental touch. Mother took up before ever I woke The parent dragon’s heavy yoke; For me, her son, she lost her life Murderous dwarves brought blackened knife. A father I had in the Bronze AuRel Hunter of renown upon wood and fell He gave his clutch through lessons hard A chance at life beyond his guard. Father taught me where, and when, and how To fight or flee, so I sing now. Wistala, sibling, brilliant green Escaped with me the axes keen We hunted as pair, made our kill From stormy raindrops drank our fill When elves and dwarves took after us I told her “Run,” and lost her thus. Bound by ropes; by Hazeleye freed And dolphin-rescued in time of need I hid among men with fishing boats On island thick with blown sea-oats I became a drake and breathed first fire When dolphin-slaughter aroused my ire. I ran with wolves of Blackhard’s pack Killed three hunters on my track The Dragonblade’s men sought my hide But I escaped through a fangèd tide Of canine friends, assembled Thing Then met young Djer, who cut collar-ring. I crossed the steppes with dwarves of trade On the banks of the Vhydic Ironriders slayed Then sought out NooMoahk, dragon black And took my Hieba daughter back To find her kind; then took first flight Saw NooMoahk buried in honor right. When war came to friends I long had known My path was set, my heart was stone I sought the source of dreadful hate And on this Isle I met my fate Found Natasatch in a cavern deep So I had one more promise to keep. To claim this day my life’s sole mate In future years to share my fate A dragon’s troth is this day pledged To she who’ll see me fully fledged. Through this dragon’s life, as dragon-dame shall add your blood to my family’s fame.
E.E. Knight (Dragon Champion (Age of Fire, #1))
As he tumbled from the ship, he managed, through remarkable presence of mind, to seize hold of a rope. It was one of the topsail halyards that, good news for John, was trailing in the rolling seawater. Used to raise the upper sail, the trailing rope now provided the only chance of escaping catastrophe. It should have been carefully tied to a cleat, but it was not secured. And due to that piece of untidy seamanship, John Howland survived. In the desperate lunge that ended with him grabbing the twisted, slippery rope, he saved himself from drowning. He clung on even though he found himself, in Bradford’s words again, “sundry fathoms under water.” Back on the Mayflower there was a hurrying of men to the side of the pitching vessel. Many hands took up the shipward end of the rope and hauled him back towards safety. As the exhausted and drenched man was pulled from the waves and up against the rough timbers of the rolling Mayflower, someone grabbed a boat hook and, by catching it in his coat, helped pull him back on board.6 It had been a close call. Had the trailing rope not been there, had Howland failed to catch it, he would have been swept away by the white-crested waves and lost. As it was, he lived. It was an almost unbelievable event; an astonishing cheating of death. All of the godly who witnessed it or who heard of it would have felt convinced that it was possible only by the providential hand of God. Jonah-like, John Howland had been both thrown into the stormy deep and also rescued from it (though without the intervention of a great fish) by the will of God. His, clearly, was a life marked out for future importance in the story of the colony about to be founded. Heads would have nodded as word of the event spread among the godly passengers on the ship. Here, clearly, was a man in the hand of God. A man blessed and marked out by the action of the Almighty. The crew, though, probably winked and swore as they considered the naivete of a landsman taking the air in such a storm. For them it was just the latest evidence that these passengers were doomed to disaster; they lacked the edge and awareness needed to survive what lay ahead of them. And those less godly among the passengers might also have been less willing than some of those around them to assume the certainty of providence acting in the events. Which of these would be proved right—faithful Saints, profane seamen, uncertain Strangers—only time would tell. But one thing was certain: the name of John Howland was on everyone’s lips. And he himself was being written into history.
Martyn Whittock (Mayflower Lives: Pilgrims in a New World and the Early American Experience)
Of all organizations, it was oddly enough Wal-Mart that best recognized the complex nature of the circumstances, according to a case study from Harvard’s Kennedy School of Government. Briefed on what was developing, the giant discount retailer’s chief executive officer, Lee Scott, issued a simple edict. “This company will respond to the level of this disaster,” he was remembered to have said in a meeting with his upper management. “A lot of you are going to have to make decisions above your level. Make the best decision that you can with the information that’s available to you at the time, and, above all, do the right thing.” As one of the officers at the meeting later recalled, “That was it.” The edict was passed down to store managers and set the tone for how people were expected to react. On the most immediate level, Wal-Mart had 126 stores closed due to damage and power outages. Twenty thousand employees and their family members were displaced. The initial focus was on helping them. And within forty-eight hours, more than half of the damaged stores were up and running again. But according to one executive on the scene, as word of the disaster’s impact on the city’s population began filtering in from Wal-Mart employees on the ground, the priority shifted from reopening stores to “Oh, my God, what can we do to help these people?” Acting on their own authority, Wal-Mart’s store managers began distributing diapers, water, baby formula, and ice to residents. Where FEMA still hadn’t figured out how to requisition supplies, the managers fashioned crude paper-slip credit systems for first responders, providing them with food, sleeping bags, toiletries, and also, where available, rescue equipment like hatchets, ropes, and boots. The assistant manager of a Wal-Mart store engulfed by a thirty-foot storm surge ran a bulldozer through the store, loaded it with any items she could salvage, and gave them all away in the parking lot. When a local hospital told her it was running short of drugs, she went back in and broke into the store’s pharmacy—and was lauded by upper management for it.
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
Rescue, however, had many names, and the rope up which a maiden climbed to safety might be used to bind her most cruelly.
Thomas Pynchon (Against the Day)
1I love you, [Lord] God, and you make me strong. 2You are my mighty rock, o my fortress, my protector, the rock where I am safe, my shield, my powerful weapon, p and my place of shelter. 3I praise you, [Lord]! I prayed, and you rescued me from my enemies. 4Death had wrapped its ropes around me, and I was almost swallowed by its flooding waters. 5Ropes from the world of the dead had coiled around me, and death had set a trap in my path. 6I was in terrible trouble when I called out to you, but from your temple you heard me and answered my prayer.
Anonymous (Holy Bible: CEV Holy Bible)
I walked around my loft, putting things in order. I stopped in front of the Bradford Johnson canvas that Justine Franza had taken a liking to — the one with the rope tied between two ships’ masts, as a storm threatens not only the distressed vessel but the rescuing craft as well. ... "I like this very much," she said. I walked to her side. "What do you like about it?" "Taking a risk to help someone." She pointed at the ship that was still in one piece. "That one could have kept sailing." .. "What if both ships end up sinking?" I half joked. "Then taking the risk was even more beautiful," she said.
Compulsion, Keith Ablow.
Watching Ariaen and his officers getting the ship sailing to its best is fascinating, everyone quickly learning where each one of the maze of ropes comes from and goes to, which ones to haul in or let loose to raise or lower the sails or to set them to the desired angle. When all is done correctly the billowing sails and straining ropes begin to hum and you can feel the ship develop a graceful strength.
Howard Gray (Lucretia's Batavia Diary: A first-hand account of living through the most astonishing saga of shipwreck, massacre, survival, rescue and retribution in maritime history.)
I feel the ground slipping under my feet, and just as I am about to fall off the precipice, you draw out a rope and pull me into the safety net of your embrace. That's the thing - I can never trust you to rescue me, and yet you do. Unfailingly.
Rosalyn D'Mello (A Handbook For My Lover [Hardcover] Rosalyn DMello)
Uh-oh!” said Lizzy. “There’s a boy coming over from the boys’ side of the playground, and guess who it is.” There wasn’t any rule about a boys’ side and a girls’ side at Bear Country School. But the boys did sort of stay on one side of the playground and the girls on the other. Oh! I hope it’s Herbie Cubbison! thought Sister. Sister Bear liked Herbie, and everybody knew it--except maybe Herbie. “Is it Herbie?” asked Sister, not wanting to look. “No,” said Lizzy. “It’s Billy Grizzwold.” “Oh, no! Not that awful Billy Grizzwold!” said Sister, turning the rope faster and faster. “Hey, slow down,” said Amy. “Hi, Sister!” said Billy. “Don’t you ‘hi’ me, said Sister, “and you better not have a worm, like you did yesterday, or a dead mouse, like you did the day before!” “No worm. No dead mouse,” said Billy. “Just me!” And with that he began jumping with Amy and got tangled in the rope. Down they all fell in a heap. “Why, you…!” said Sister. She pulled the rope free and ran after Billy. Sister was a fast runner. But Billy was faster and kept just ahead of her. Oh, why doesn’t Herbie Cubbison come to my rescue? thought Sister as she chased Billy around and around the playground. Herbie was too busy playing fistball even to notice.
Stan Berenstain (The Berenstain Bears' Funny Valentine)
Sunset. He had promised her until sunset. “If something goes wrong, we need to get her out.” Miles Dorrington looked thoughtful. “I say, we could raise the Jolly Roger and storm the fort as pirates. While they’re panicking, you sneak in and retrieve Jane.” “Too many cannons,” said Jack tersely. “You’ll be blown to splinters before we can get inside. Next?” Lizzy raised her crossbow. “I could—” “No,” said Jack and his father in unison. When Jack had finished glaring at his father, he said, “Jane and I discussed this. If she’s not back by sundown, Lord Richard and I”—Jack nodded to the blond man, who nodded back—“will go after her disguised as dragoons.” Lord Richard quickly took charge. “I’ll see that my men acquire the relevant uniforms.” “No,” said Jack’s new stepmother. “No?” Jack looked narrowly at his stepmother. “What do you propose, then?” His stepmother paced decisively down the deck. “Richard”—Lord Richard leaped agilely out of range of her parasol—“will stay and mind the Bien-Aimée . If Jane isn’t back by sundown”—Jack’s stepmother regarded him imperiously—“you and I will go after her.” “Gwen is very good at rappelling down walls,” said Jack’s father, looking at his bride with gooey eyes. “Up them, too.” “We’re not rappelling,” said Jack. If there was anything he hated, it was rappelling. It was as showy and useless as swinging through windows on ropes. “We’re going through the door.” “I’ve known that girl since she was born.” His stepmother stalked towards him, parasol point glinting. “I’ve protected her from more assailants than you’ve had hot suppers. If you go, I go.” “How lovely,” said Lady Henrietta brightly. “You can get to know each other.” Miles Dorrington prudently lifted his wife by the waist and deposited her out of parasol range. “We don’t know that she’ll need rescuing,” said Jack, staring down his new stepmother. “The plan might go as planned.” His stepmother snorted. “With the Gardener? I’ll go get my pistols.” And she departed, leaving Jack with a sick feeling at the pit of his stomach as he tried not to contemplate what the Gardener might be doing with Jane right now.
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
Helicopters Nothing has done more to change the face of wilderness rescue than helicopters. They land in remote areas that were inaccessible to aircraft only a few years ago. If the spot isn’t flat enough, helicopters have been known to land on one skid while a patient is quickly loaded. When there is no spot to land, they have hovered with a rescuer hanging from a rope or cable, a rescuer equipped to attach the patient to the hauling system for evacuation. Helicopters go where the pilot wants because of the rapid spinning of two sets of blades. The large overhead blades create air by forcing air down. The pilot can vary the angle at which the blades attack the air and the speed at which they rotate to vary the amount of lift. The entire rotor can be tilted forward, backward, or sideways to determine the direction of travel. Without a second set of blades spinning in an opposite direction, the helicopter would turn circles helplessly in the air. Some large helicopters have two large sets of blades spinning in opposite directions, one fore and one aft, but most helicopters used in the wilderness maintain stability with one small tail rotor. When they are close to the ground, the spinning blades build a cushion of air that helps support the helicopter. This cushion of air varies in its ability to work, depending on its density. Rising air temperatures and increasing altitude reduce air density. So trying to land a helicopter on a mountaintop on a hot day is dangerous, and the weight of one person may prevent liftoff. Air density also is altered by the nearness of a mountainside. The downward shove of air by the blades can recirculate off the mountainside and reduce lift. One of the greatest fears of mountain flying is a sudden downdraft of air that can slam a helicopter toward the ground. Downdrafts are not only dangerous but also unpredictable. Add to air density and downdrafts the possibility of darkness and fog and wind, and you can understand that even if a helicopter is available it may not be able to come to your rescue.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
Later, while Andrew Demont was in hospital in Halifax, Ed White visited him and told him that the water had been up to Demont’s lips by the time White was able to secure him in the rope-harness. Demont told me that at the top of the shaft he could smell nothing, but that as he started down the ladder, a foul-smelling odor had overwhelmed him. As he looked into the shaft he could see Karl Graeser sitting underwater, with only the very top of his head showing. Andrew said he saw Bobby, his eyes closed, supporting his dad’s head just above the waterline. Andrew said he placed his hand on Bobby’s shoulder, and then he, too, drifted into unconsciousness. Apparently he stayed like that as the water slowly rose around him, until Ed White came to rescue him. Many years later I was told that the gas that overwhelmed the men was probably hydrogen sulphide, a lethal gas that can form when rotting vegetation is combined with salt water. Apparently, it can be odourless or have a foul rotten-egg smell, depending on the concentration. There is no doubt in my mind that there was salt water in the ground near the new shaft. Right beside it were two tall apple trees. The apples that grew on those trees looked like a type we call “Transparents” in Ontario. Those two trees looked exactly like others on the island, but they bore delicious, crisp, tangy fruit, whereas apples from similar trees were tasteless. A local woman told me that when apple trees grow near the sea in a mix of fresh water and salt water, they produce juicy, sharp, flavourful apples. Could the salt water that nurtured those apples have reacted with the coconut fibre, eel grass, and other old vegetation that had lain dormant for so long in the pirates’ beachwork, producing the deadly hydrogen sulphide? Could the “porridge-like” earth that was encountered only at this location on the island be in some way related to this toxic combination? We may never know.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
It was only when I finally gave up on life that I realised we don’t need ropes and chains to keep us tethered to the world — even the most insignificant acts can keep us bound o it. (…) And it was then that I realised that families might be the ones who pick us up time and again but strangers can also rescue us — even if they don’t know they’re doing so.
Martin Pistorius (Ghost Boy: My Miraculous Escape from a Life Locked Inside My Own Body)
Costermongers crowded the thoroughfare, hawking their wares with impatient cries. They sold everything imaginable: ropes of onions and braces of dead game, teapots, flowers, matches, and caged larks and nightingales. This last presented frequent problems to the Hathaways, as Beatrix was determined to rescue every living creature she saw. Many a bird had been reluctantly purchased by their brother-in-law, Mr. Rohan, and set free at their country estate. Rohan swore that by now he had purchased half the avian population in Hampshire.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
My hand hit the top ledge and I jolted out of it, and looked over to see Rafe beside me, sweat dripping down his face, eyes glowing, face glowing, his gaze locked on mine again, lips parting to say something-- A jerk on my harness made me look up sharply as Daniel adjusted the rope, preparing to let me belay down. The look on his face told me who’d won. “Damn,” I said. “Seriously?” “By a fingertip,” Rafe said. “You need to grow longer arms.” Before we’d even hit the ground, the others crowded around, asking who’d won. I waited for Rafe to claim the victory. He didn’t. So I told them. “Because she let you catch up,” Sam said. “I wouldn’t count that as a win.” “Which is why I didn’t say I won,” Rafe said, and he undid his harness. “Still counts,” Corey said. “Give the guy some room so he can collect his prize.” Daniel rounded the bend in the path, picking up speed, like he was coming to rescue me from my obligation. When he caught my eye, he slowed. Rafe shucked his harness and took mine. He set them aside and I braced myself, but he only called over to Daniel, “That’s an amazing wall. Sometime I’d love to know how you did it.” Daniel nodded, still watching Rafe warily. “Um, your prize…” Corey said. “If you aren’t going to take it, I’d be happy to play stand-in.” “I’ll collect it later,” Rafe said. “Without an audience.” “Uh-uh,” Corey said. “No rain checks.” Rafe only shrugged. “I can ask for one. If Maya doesn’t want to honor it, that’s her choice.” Daniel grunted and collected the gear. He didn’t say anything, but I knew Rafe had scored a point.
Kelley Armstrong (The Gathering (Darkness Rising, #1))