Veins Best Quotes

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The best thing for being sad," replied Merlin, beginning to puff and blow, "is to learn something. That's the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.
T.H. White (The Once and Future King)
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to middle Earth.
George R.R. Martin
This book is a treasure; I did not suspect it would be so good when I picked it up, but now I can feel the printed words seeping through my skin and into my veins, rushing to my heart and marking it forever. I want to savor this wonder, this happening of loving a book and reading it for the first time, because the first time is always the best, and I will never read this book for the first time ever again.
Laura Nowlin (If He Had Been With Me (If He Had Been with Me, #1))
He nodded to her right forearm, not trusting himself to speak. His gloves lay on the other side of the basin, black against the gold-veined marble. They looked like dead animals. He focused on the shears, cold metal in his hands, nothing like skin. He could not do this if his hands were shaking. I can best this, he told himself.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He dipped his head, placing his mouth to the space below her ear. He nipped her there, just a tiny bite that sent a wave of heat through her veins. And then his lips moved lower, leaving a hot trail behind. “You drive me insane, absolutely freaking insane. Do you know that? I bet you do.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Though we chisel away as best we can at the mysterious block from which our life is made, the black vein of destiny continually reappears.
Victor Hugo (Les Misérables)
The best thing for disturbances of the spirit is to learn. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love and lose your moneys to a monster, you may see the world about you devastated by evil lunatics, or know your honor trampled in the sewers of baser minds. There is only one thing for it then--to learn. Learn why the world wags and what wags it. That is the only thing which the poor mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting.
T.H. White (The Sword in the Stone (The Once and Future King, #1))
And therefore, all of those for whom authentic transformation has deeply unseated their souls must, I believe, wrestle with the profound moral obligation to shout form the heart—perhaps quietly and gently, with tears of reluctance; perhaps with fierce fire and angry wisdom; perhaps with slow and careful analysis; perhaps by unshakable public example—but authentically always and absolutely carries a a demand and duty: you must speak out, to the best of your ability, and shake the spiritual tree, and shine your headlights into the eyes of the complacent. You must let that radical realization rumble through your veins and rattle those around you. Alas, if you fail to do so, you are betraying your own authenticity. You are hiding your true estate. You don’t want to upset others because you don’t want to upset your self. You are acting in bad faith, the taste of a bad infinity. Because, you see, the alarming fact is that any realization of depth carries a terrible burden: those who are allowed to see are simultaneously saddled with the obligation to communicate that vision in no uncertain terms: that is the bargain. You were allowed to see the truth under the agreement that you would communicate it to others (that is the ultimate meaning of the bodhisattva vow). And therefore, if you have seen, you simply must speak out. Speak out with compassion, or speak out with angry wisdom, or speak out with skillful means, but speak out you must. And this is truly a terrible burden, a horrible burden, because in any case there is no room for timidity. The fact that you might be wrong is simply no excuse: You might be right in your communication, and you might be wrong, but that doesn’t matter. What does matter, as Kierkegaard so rudely reminded us, is that only by investing and speaking your vision with passion, can the truth, one way or another, finally penetrate the reluctance of the world. If you are right, or if you are wrong, it is only your passion that will force either to be discovered. It is your duty to promote that discovery—either way—and therefore it is your duty to speak your truth with whatever passion and courage you can find in your heart. You must shout, in whatever way you can.
Ken Wilber (One Taste: Daily Reflections on Integral Spirituality)
This wasn't the way I had imagined my adventures, but reality ignored my wishes from the get-go, giving me a body best suited for stacking books in the library, injecting so much fear into my veins that I could only cower in the stairwell when the violence came. Maybe someday my arms and legs would thicken with muscle and the fear would drain away like dirty bathwater. I wish I believed these things would happen, but I didn't.
David Benioff (City of Thieves)
This book is a treasure; I did not suspect it would be so good when I picked it up, but now I can feel the printed words seeping through my skin and into my veins, rushing to my heart and marking it forever. I want to savor this wonder, this happening of loving a book and reading it for the first time, because the first time is always the best, and I will never read this book for the first time ever again.
Laura Nowlin (If He Had Been with Me)
October Fullness” Little by little, and also in great leaps, life happened to me, and how insignificant this business is. These veins carried my blood, which I scarcely ever saw, I breathed the air of so many places without keeping a sample of any. In the end, everyone is aware of this: nobody keeps any of what he has, and life is only a borrowing of bones. The best thing was learning not to have too much either of sorrow or of joy, to hope for the chance of a last drop, to ask more from honey and from twilight. Perhaps it was my punishment. Perhaps I was condemned to be happy. Let it be known that nobody crossed my path without sharing my being. I plunged up to the neck into adversities that were not mine, into all the sufferings of others. It wasn’t a question of applause or profit. Much less. It was not being able to live or breathe in this shadow, the shadow of others like towers, like bitter trees that bury you, like cobblestones on the knees. Our own wounds heal with weeping, our own wounds heal with singing, but in our own doorway lie bleeding widows, Indians, poor men, fishermen. The miner’s child doesn’t know his father amidst all that suffering. So be it, but my business was the fullness of the spirit: a cry of pleasure choking you, a sigh from an uprooted plant, the sum of all action. It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt, sea-light and wave, and in that unwinding of the foam my heart began to move, growing in that essential spasm, and dying away as it seeped into the sand.
Pablo Neruda (The Essential Neruda: Selected Poems)
Why should I give up revenge? On behalf of what? Moral principles? And what of the higher order of things, in which evil deeds are punished? For you, a philosopher and ethicist, an act of revenge is bad, disgraceful, unethical and illegal. But I ask: where is the punishment for evil? Who has it and grants access? The Gods, in which you do not believe? The great demiurge-creator, which you decided to replace the gods with? Or maybe the law? [...] I know what evil is afraid of. Not your ethics, Vysogota, not your preaching or moral treaties on the life of dignity. Evil is afraid of pain, mutilation, suffering and at the end of the day, death! The dog howls when it is badly wounded! Writhing on the ground and growls, watching the blood flow from its veins and arteries, seeing the bone that sticks out from a stump, watching its guts escape its open belly, feeling the cold as death is about to take them. Then and only then will evil begin to beg, 'Have mercy! I regret my sins! I'll be good, I swear! Just save me, do not let me waste away!'. Yes, hermit. That is the way to fight evil! When evil wants to harm you, inflict pain - anticipate them, it's best if evil does not expect it. But if you fail to prevent evil, if you have been hurt by evil, then avenge him! It is best when they have already forgotten, when they feel safe. Then pay them in double. In triple. An eye for an eye? No! Both eyes for an eye! A tooth for a tooth? No! All their teeth for a tooth! Repay evil! Make it wail in pain, howling until their eyes pop from their sockets. And then, you can look under your feet and boldly declare that what is there cannot endanger anyone, cannot hurt anyone. How can someone be a danger, when they have no eyes? How can someone hurt when they have no hands? They can only wait until they bleed to death.
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
We chip away as best we can at the mysterious block of marble our lives are made of- in vain; the black vein of destiny always reappears.
Victor Hugo
You know how they say revenge is best served up cold? I'd say it's best not served up at all. Revenge is a great motivator, but it doesn't help achieve the desired results. I've seen guys lose buddies, then go off half-cocked, piss fuel running through their veins. Things never turned out well.
Ellen Hopkins (Rumble)
Tam would gut me if he caught you drinking that.” “Always looking after your best interests,” I said, and pointedly chugged the contents of the glass. It was like a million fireworks exploding inside me, filling my veins with starlight. I laughed aloud, and Lucien groaned. “Human fool,” he hissed. But his glamour had been ripped away. His auburn hair burned like hot metal, and his russet eye smoldered like a bottomless forge. That was what I would capture next. “I’m going to paint you,” I said, and giggled—actually giggled—as the words popped out. “Cauldron boil and fry me,” he muttered, and I laughed again.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Had I catalogued the downsides of parenthood, "son might turn out to be a killer" would never have turned up on the list. Rather, it might have looked something like this: 1. Hassle. 2. Less time just the two of us. (Try no time just the two of us.) 3. Other people. (PTA meetings. Ballet teachers. The kid's insufferable friends and their insufferable parents.) 4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn't say. I am vain, or once was, and one of my vanities was to feign that I was not.) 5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I'm a pig.) 6. Curtailment of my traveling. (Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend's five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew--every woman, too, which is depressing--would take me less seriously.) 10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother would feel rewarded for her trouble by the fact that at last her daughter's life is hideous, too.)
Lionel Shriver (We Need to Talk About Kevin)
Finally, I laugh. Genuine and normal sounding. And then my date says the best thing that he could possibly say: “It’s okay. I haven’t been on one of these [dates] in a while either.” My smile triples in size. Josh grins. “Just give me your hand.” “W–what?” “Your hand,” he repeats. “Give it to me.” I extend my shaking right hand. And – in a moment that is a hundred dreams come true – Joshua Wasserstein laces his fingers through mine. A staggering shock of energy shoots straight into my veins. Straight into my heart. “There,” he says. “I’ve been waiting a long time to do that.
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
We fall in love most deeply with those who have known our demons; with those who have touched our demons, made peace with our demons, made love to them, forgiven them... known them. They are the ones we love the most. Demon whisperers. They are the ones we love with the marrow in our bones. It's not the ones who see the best in us; it's the ones who have stroked the worst in us: these are the ones who stain our veins. These are the ones we call home.
C. JoyBell C.
What we are is so much more than best friends, or boyfriend and girlfriend. We’re two pieces of a whole. She’s the beat of my heart, just as I’m the blood that rushes through her veins. We breathe life into each other.
Alex Grayson (Forevermore)
Animals are a lot like humans for when we are happy our immunity is strong and love and life force races through our veins. When we are depressed our immunity runs low and we can easily get sick. Many pet parents are very careful about feeding the right food, providing plenty of exercise and buying the right toys and treats. Not that those things aren’t important too, for they are, but the best thing you can do for us is to make yourself happy because when you are happy then we are happy too.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
In vain we chisel, as best we can, the mysterious block of which our life is made, the black vein of destiny reappears continuously.
Victor Hugo (Les Misérables)
The best thing for being sad,” replied Merlyn, beginning to puff and blow, “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then—to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn—pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and theocriticism and geography and history and economics—why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics, until it is time to learn to plough.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
A true revolution of values will soon look uneasily on the glaring contrast of poverty and wealth. With righteous indignation, it will look at thousands of working people displaced from their jobs with reduced incomes as a result of automation while the profits of the employers remain intact, and say: “This is not just.” It will look across the oceans and see individual capitalists of the West investing huge sums of money in Asia, Africa and South America, only to take the profits out with no concern for the social betterment of the countries, and say: “This is not just.” It will look at our alliance with the landed gentry of Latin America and say: “This is not just.” The Western arrogance of feeling that it has everything to teach others and nothing to learn from them is not just. A true revolution of values will lay hands on the world order and say of war: “This way of settling differences is not just.” This business of burning human beings with napalm, of filling our nation’s homes with orphans and widows, of injecting poisonous drugs of hate into the veins of peoples normally humane, of sending men home from dark and bloody battlefields physically handicapped and psychologically deranged cannot be reconciled with wisdom, justice and love. A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death. America, the richest and most powerful nation in the world, can well lead the way in this revolution of values. There is nothing to prevent us from paying adequate wages to schoolteachers, social workers and other servants of the public to insure that we have the best available personnel in these positions which are charged with the responsibility of guiding our future generations. There is nothing but a lack of social vision to prevent us from paying an adequate wage to every American citizen whether he be a hospital worker, laundry worker, maid or day laborer. There is nothing except shortsightedness to prevent us from guaranteeing an annual minimum—and livable—income for every American family. There is nothing, except a tragic death wish, to prevent us from reordering our priorities, so that the pursuit of peace will take precedence over the pursuit of war. There is nothing to keep us from remolding a recalcitrant status quo with bruised hands until we have fashioned it into a brotherhood.
Martin Luther King Jr. (Where Do We Go from Here: Chaos or Community? (King Legacy Book 2))
The best thing for being sad,” replied Merlyn, beginning to puff and blow, “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then—to learn.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
The best thing for being sad . . . is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then - to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting.
T.H. White (The Sword in the Stone (The Once and Future King, #1))
I want to give you the best hgh, Zara. Better than those little pills you've been doing." He places the needle over my vein. "This is the real thing, Za.
K.V. Rose (Ecstasy (Ecstasy, #1))
authenticity always and absolutely carries a demand and duty: you must speak out, to the best of your ability, and shake the spiritual tree, and shine your headlights into the eyes of the complacent. You must let that radical realization rumble through your veins and rattle those around you.
Ken Wilber (One Taste: Daily Reflections on Integral Spirituality)
I can feel the printed words seeping through my skin and into my veins, rushing to my heart and marking it forever. I want to savor this wonder, this happening of loving a book and reading it for the first time, because the first time is always the best, and I will never read this book for the first time ever again.
Laura Nowlin (If He Had Been with Me)
The best thing for being sad,’ replied Merlyn, beginning to puff and blow, ‘is to learn something. That is the only thing that never fails. You may grow old and trembling in you anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then – to learn. Learn why the world wags and what wags in it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn – pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and theocriticism and geography and history and economics – why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics, until it is time to learn to plough.
T.H. White (The Once and Future King)
His kiss was immediate, ruthless, frantic, greedy. Our lips pressed against each other’s, shaping, nipping, lapping. His lips didn’t ask for permission for me to open, he demanded, and I gave, using both hands to shape the sides of his head in case he had the crazy idea of stopping. The kiss was messy, wet and ravenous. About the best kiss I’d ever had, making me feel like I’d only ever want his mouth and taste again for the rest of my life. His tongue drove me fucking crazy in a smooth, slick glide over mine until the only emotion I could feel thumping through my toffee-like veins was starved hunger.
V. Theia (Manhattan Bet (From Manhattan #2))
I call upon the deamhan and the sidhe ," Ruadan prayed. "To heal their son, flesh of their flesh, magic of their magic. So do I will it, so mote it be." I watched in terrified amazement as the whirling lights weaved into a heart. A real heart. The pulsating organ connected to the veins. Then the flesh sealed itself and within seconds, no wound existed at all. I stared at Patrick then looked at Ruadan, mouth gaping. "Neat, huh?" he said. "I like the sparkling lights the best." "That's it ?" I asked. "Yep.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
I am not worthy to be king.” “No man ever is,” she said with a soft smile. “You can only try your best to be a good king. You will never win over the hearts of every single one of your people. But you can provide for them, ensure their lives are rich, and their bellies full.
Emma Hamm (Veins of Magic (The Otherworld, #2))
It huddled on the edge of a dead, dirty lake, fed by a river best known for burning; it was built on a river whose very name meant sadness: Chagrin. Which then gave its name to everything, pockets of agony scattered throughout the city, buried like veins of dismay: Chagrin Falls, Chagrin Boulevard, Chagrin Reservation. Chagrin Real Estate. Chagrin Auto Body. Chagrin reproducing and proliferating, as if they would ever run short. The Mistake on the Lake, people called it sometimes, and to Lexie, as to her siblings and friends, Cleveland was something to be escaped.
Celeste Ng (Little Fires Everywhere)
How did Kirchmann understand the worthlessness of jurisprudence ? The answer lies in the aphorism: "Three revisions by the legislator and whole libraries became wastepaper." With a sharp alteration this answer became a slogan:"A stroke of the legislator's pen and whole libraries became wastepaper." Another aphorism in the same vein made the point even more brusquely and less politely: "Positive law turns the jurist into a worm in rotten wood." Kirchmann meant that jurisprudence could never catch up with legislation. Thus our predicament becomes immediately obvious. What remains of a science reduced to annotating and interpreting constantly changing regulations issued by state agencies presumed to be in the best position to know and articulate their true intent?
Carl Schmitt
The memory of human blood manifests now as a kind of visceral reaction to seeing people's veins and their necks. The skin on a neck appears to me as different from the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared with skin everywhere else, as though it is asking to have marks made on it, like very expensive calligraphy paper, or cold-pressed Fabriano. Often, I wonder whether the urge I have to make art is the same as the urge to consume and destroy the blankness of a human neck. While at art college, I read that the best paper used by artists in the seventeenth century was made from the skins of lamb fetuses. This skin was soft and absorbent, and had an even texture right across its surface. For a long time, the process of creating art has been linked to the killing of living things. My dad, even, used fine silk stretched across wooden frames in his own work as a painter. Once, when we still had some of his pieces, I looked at the odd geometric shapes he created on a huge sheet and thought about all the silkworms who had had their cocoons torn open before they were able to become moths.
Claire Kohda (Woman, Eating)
The best thing for being sad ... is to learn something. That's the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then - to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.
T.H. White
Imperialism as an arrangement, however, has remained largely invisible to the discipline of economics, even to its best practitioners and even in the colonial period. No less a person than John Maynard Keynes, in his classic work The Economic Consequences of the Peace (1919), where he talks of the ‘economic Eldorado’ that prewar Europe represented, fails to mention that this Eldorado rested upon an elaborate framework of imperialism. Europe’s accessing of food from the ‘new world’, an important aspect of this Eldorado, would not have been possible if this food had not been paid for, through an intricate arrangement, by Britain’s appropriation gratis of a part of the surplus of its colonies and semi-colonies (‘drain of wealth’), and by its export of manufactured goods to its colonies and semi-colonies at the expense of their local producers (‘de-industrialization’).
Prabhat Patnaik (The Veins of the South Are Still Open: Debates Around the Imperialism of Our Time)
The electric fire of desire coursed through my veins and the only antidote was her touch.
Maya Hughes (The Third Best Thing (Fulton U, #3))
In the darkness she wrapped her arms around him and pressed herself against his snuggly warmth, a blissful hum in her veins. She was safe and loved, in bed with her man.
Marian Keyes (Last Chance Saloon)
Nerves rattled in my veins with a cold whisper. I wanted to be the best thing he’d ever had. To make him burn as much as he made me. I wanted him to want only me with a raw ache.
Danielle Lori (The Sweetest Oblivion (Made, #1))
Direct questions are the worst. Cops must know this--when someone asks you a question, it is really, really hard not to answer it. It's even harder when people dig up old tweets and put them side by side with new ones and you can't really explain the discrepancy. And then other people see the discrepancy and they start liking and retweeting and rephrasing. And they also see your silence, and your silence looks like an answer. It's an extremely effective interrogation tactic, and most people make either a tearful apology or an enraged counterattack. This is why Twitter callouts tend to end so badly. Apology is never enough (and probably shouldn't be), so you're basically being asked to willingly give up power for no clear end. The best people actually do that. But the real shitfucks go on the offense, and then their communities get an infusion of victimhood narratives straight into their veins.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
I believe the best reviews are any of those wherein readers share their true opinion, no matter how many stars they rate my work. When I receive responses from appreciative people thanking for useful and amusing reading, it feels like my wings stretch up and blood carries the highest happiness circulating in my veins. I think many writers will understand what I mean by that.
Sahara Sanders
There is way too much to explain – my own blood seeping into my sister’s veins; the nurses holding me down to stick me for white cells Kate might borrow; the doctor saying they didn’t get enough the first time around. The bruises and the deep bone ache after I gave up my marrow; the shots that sparked more stem cells in me, so that there’d be extra for my sister. The fact that I’m not sick, but I might as well be. The fact that the only reason I was born was as a harvest crop for Kate. The fact that even now, a major decision about me is being made, and no one’s bothered to ask the one person who most deserves it to speak her opinion. There’s way too much to explain, and so I do the best I can. ‘It’s not God. Just my parents,’ I say. ‘I want to sue them for the rights to my own body.
Jodi Picoult (My Sister's Keeper)
1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).
C.S. Lewis
I was alone alright. And life surely had been a hard trial for me, so far. From the time mama and Katie fell sick, life had been one misery after another. But here I was. Still with breath in my lungs. And blood in my veins. And memories and voices in my heart. Good ones. And life was going on, all around me. With or without me, it was going on. It weren't a matter of the whole thing stopping or the whole thing going on. The whole thing was going on. It was only a matter of me standing up and deciding what part I had to play in it all. I could be the quitting kind. Or not. I could be the kind of man my mama and papa had raised, or not. I rose to my feet and did the best I could to scrape the worst of the mud off my coat and pants. "Sarah's going to be somebody's horse," I said to myself. "And I'm sure as hell gonna make sure she's mine.
Dan Gemeinhart (Some Kind of Courage)
Mo and the staff talk about captivity like it's the best thing a dolphin can hope for, but that kind of talk just makes me think of Carlito and all the years he spent trapped by the routines of prison life in a six-by-nine-foot prison cell, the size of a parking space, and what Dr. Joe used to say about inmates like my brother who were also sentenced to solitary confinement: 'It doesn't have to be violent for it to be torture.
Patricia Engel (The Veins of the Ocean)
We find this in everyday life, where dilemmas are sometimes solved by the most surprising new propositions; many artists, philosophers, and even scientists owe some of their best ideas to inspirations that appear suddenly from the unconscious. The ability to reach a rich vein of such material and to translate it effectively into philosophy, literature, music, or scientific discovery is one of the hallmarks of what is commonly called genius.
C.G. Jung (Man and His Symbols)
They don’t even visit the dying anymore. Their argument being that if someone is dying, there’s no point interrupting a good game of golf, and they’d best just get on with dying. However, they do give you a helpline number for an organisation called ‘Dying To Help You Out.’ A volunteer talks you through the process of dying alone without medical attention: “feeling a bit chilled are you, love, don’t fret, it’s just your lifeblood congealing in your veins, you’ll be gone any second now, hang on pet, I’ve got a corpse on line nine, if I don’t get back before you peg it, have a nice afterlife,” and then they bugger of leaving you with Robbie Williams singing Angels.
Gillibran Brown (Fun With Dick and Shane (Memoirs of a Houseboy, #1))
do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden and Civil Disobedience)
You wouldn’t understand, of course, but the bond between a mother and child, it’s . . . how best to describe it . . . unbreakable. The two of us are linked forever, you see—same blood in my veins that’s running through yours. You grew inside me, your teeth and your tongue and your cervix are all made from my cells, my genes. Who knows what little surprises I left growing inside there for you, which codes I set running? Breast cancer? Alzheimer’s? You’ll just have to wait and see. You were fermenting inside me for all those months, nice and cozy, Eleanor. However hard you try to walk away from that fact, you can’t, darling, you simply can’t. It isn’t possible to destroy a bond that strong.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
It occurred to me then that maybe Wil Hines didn't have blood in his veins like everyone else. Maybe he was made of Florida things: grains of bleached sand, sea foam, and salt. Wind and sun. Maybe he was made of the things he loved best.
Meg Haston (The End of Our Story)
They were an equal match with his heartbeat in the back of her mind. His combat prowess flowed through her veins, coupled with the skill Vhalla had gained from months of her own training. They both missed the slack-jaw amazement from the other soldiers. That the Windwalker danced toe-to-toe with one of the greatest sorcerers in the world, that she could best Aldrik as often as he bested her, that the prince seemed to find amusement—even joy—and not frustration at that fact.
Elise Kova (Earth's End (Air Awakens, #3))
The hardiest sons of the war, the men who lead the storm-troop, and manipulate the tank, the aeroplane, and the submarine, are preeminent in technical accomplishment; and it is these picked examples of dare-devil courage that represent the modern state i battle. These men of first-rate qualities with real blood in their veins, courageous, intelligent, accustomed to serve the machine, and yet its superior at the same time, are the men, too, who show up best in the trench and among the shell-holes.
Ernst Jünger (Copse 125: A Chronicle from the Trench Warfare of 1918)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
Best friends,” she said. We pressed our hands together, a promise sealed in blood. I knew it didn’t work this way, because I had studied biology at Gymnasium, but I liked the thought of Darija’s blood running through my veins. It made it easier to believe I was keeping a piece of her with me.
Jodi Picoult (The Storyteller)
We stay in that sunshine, on that marvellous summit, for an hour and an era. We don’t talk much. Up there, language seems impossible, impertinent, sliding stupidly off this landscape. Its size makes metaphor and simile seem preposterous. It is like nowhere I have ever been. It shucks story, leaves the usual forms of meaning-making derelict. Glint of ice cap, breach of whales, silt swirls in outflows, sapphire veins of a crevasse field. A powerful dissonance overtakes my mind, whereby everything seems both distant and proximate at the same time. It feels as if I could lean from that summit and press a finger into the crevasses, tip a drop of water from the serac pool, nudge a berg along the skyline with my fingertip. I realize how configured my sense of distance has become from living so much on the Internet, where everything is in reach and nothing is within touch. The immensity and the vibrancy of the ice are beyond anything I have encountered before. Seen in deep time – viewed even in the relatively shallow time since the last glaciation – the notion of human dominance over the planet seems greedy, delusory. Up there on that summit, at that moment, gazing from the Inner Ice to the berg-filled sea, the idea of the Anthropocene feels at best a conceit, at worst a perilous vanity. I recall the Inuit word I first heard in northern Canada: ilira, meaning ‘a sense of fear and awe’, and also carrying an implication of the landscape’s sentience with it. Yes. That is what I feel here. Ilira.
Robert Macfarlane (Underland: A Deep Time Journey)
Many years later after the sell-outs, betrayals, and hatred which would tear us apart, when our brotherhood had been destroyed, I’d always look back and remember that night. That fucking wild night at the KeyClub, when the smoke stung my eyes but my world was full of nothing but blind hope. When life was not a mockery, but a very real fire which flamed through my veins like the most incredible drug... the night when Kelly-Lee Obann, drunk, high and barely 20 the time, looked out through his hair with a terrible nakedness and said to me; “We’re not gonna make it out of this alive. You know that, right?
H. Alazhar (City of Paradise)
The best thing for being sad,” replied Merlin, beginning to puff and blow, “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honor trampled in the sewers of baser minds. There is only one thing for it then—to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn—pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a million lifetimes in biology and medicine and theocriticism and geography and history and economics, why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics until it is time to learn to plough.”*
Wayne W. Dyer (Your Erroneous Zones)
can feel the printed words seeping through my skin and into my veins, rushing to my heart and marking it forever. I want to savor this wonder, this happening of loving a book and reading it for the first time, because the first time is always the best, and I will never read this book for the first time ever again.
Laura Nowlin (If He Had Been with Me)
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden)
Hollywood has colored our view of sharpshooters. We imagine them as militarized serial killers; at best they’re the odd man out on a squad of regular guys, the one described as having ice water in his veins—see Barry Pepper’s Scripture-quoting sniper in Steven Spielberg’s Saving Private Ryan. And the idea persists that killing from a distance, from hidden nests, is somehow dishonorable or unfair . . . but skilled marksmen have been used by every army since the invention of firearms (and before that the bow and arrow: think of the English archers bringing down French knights at Agincourt, or Robin Hood’s Merry Men downing royal soldiers from hidden forest hideouts!). The use of snipers isn’t a violation of the Geneva Convention, but the stereotype persists: snipers are cold-blooded, remote, pitiless. As Eleanor Roosevelt said when meeting Lyudmila Pavlichenko: If you have a good view of the faces of your enemies through your sights and still fire to kill, how can ordinary people approve of you?
Kate Quinn (The Diamond Eye)
Do you want to know what finally changed things for me?” “What?” My voice is barely above a whisper. Dappled sunlight falls across his face, highlighting his flushed cheeks. “I met someone. She’s about five-six, golden brown hair, devastating smile. The kind that warms you from the inside out. And she made me so mad. Not two weeks after I started the job, she called to grill me about a story I posted on Facebook. She insisted I edit it because I didn’t get the wording right.” He adopts a mock falsetto voice. “ ‘It isn’t the “Panama Canal” cruise. It’s “Panama Canal and the Wonders of Azuero.” Fix it, please.’ ” My muscles go limp and my knees nearly buckle. Because he’s talking about me. “Finally, someone who wasn’t walking on eggshells. She actually snapped at me, and it was like she snapped me out of my fog. I may have been unnecessarily combative after that, just to get a rise out of her, but I started to feel again. Irritation, at first, but then more. After a while, I began getting out of the house. Seeing a therapist. Playing hockey. I adopted Winnie—best decision ever. I actually started looking forward to waking up in the morning.” Graeme steps closer, but I’m glued to the spot. Heat sizzles through my veins when he reaches up to run his knuckles along my cheek. “And staff meeting Thursdays? They became my favorite day of the week. Because I got to see her face.” My heart is hammering and my lungs seize. The sound of guests approaching rumbles closer, but I don’t look away. I swallow past the lump that’s lodged in my throat. “After this cruise, they’re my favorite day of the week too.” Reaching up, I run my fingers lightly along the hand that’s cupping my cheek. Graeme’s eyes widen and his lips part. Gathering every ounce of resolve I can muster, I step away just as Nikolai and Dwight crest a nearby hill. We continue through the highlands, fastening our platonic coworker facades into place. But an unspoken understanding hangs in the space between us, heavy and undeniable… This just went way past any bet.
Angie Hockman (Shipped)
Look, I know this won’t be easy, Imani. I won’t be easy. I can be pushy, selfish, insensitive, aggressive, and I like my own way. I’ll fuck up, but I will never purposely hurt you. I want to be the one who makes you smile, who makes you laugh, who makes you feel safe, and who makes you come every night. I’ll do my damn best to make sure all of that happens.
Suzanne Wright (Fractured (Deep in Your Veins, #5))
would be so good when I picked it up, but now I can feel the printed words seeping through my skin and into my veins, rushing to my heart and marking it forever. I want to savor this wonder, this happening of loving a book and reading it for the first time, because the first time is always the best, and I will never read this book for the first time ever again.
Laura Nowlin (If He Had Been with Me)
The best thing for being sad,’ replied Merlyn, beginning to puff and blow, ‘is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then – to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you. Look at what a lot of things there are to learn – pure science, the only purity there is. You can learn astronomy in a lifetime, natural history in three, literature in six. And then, after you have exhausted a milliard lifetimes in biology and medicine and theo-criticism and geography and history and economics – why, you can start to make a cartwheel out of the appropriate wood, or spend fifty years learning to begin to learn to beat your adversary at fencing. After that you can start again on mathematics, until it is time to learn to plough.
T.H. White (The Once and Future King (The Once and Future King, #1-5))
Man knows himself as body, and what he knows of spirit comes through grace. The poet would call it inspiration. But the spirit bloweth where it listeth. Man has no control over his inspiration. If a piece of music or a poem has moved him once, he can never be certain that it will happen again. But man hates to think that he has no control over the spirit. It would discourage him too much. He likes to believe that he can summon the spirit by some ordinary act. Instead of striving to prepare himself for it through discipline and prayer, he tries to summon it arbitrarily through some physical act—drinking Düsseldorf beer, for instance. . . Stein said, chuckling: Which is the way all good Düsseldorfers summon the spirit, since our Dunkelbier is the best in Germany. The priest laughed with him, and for a moment Sorme had a curious impression that he was listening to an argument between two undergraduates instead of two men in their late sixties. He shrank deeper into his armchair, wanting them to forget his presence. The priest stopped laughing first, and Sorme had a glimpse of the tiredness that always lay behind his eyes. Stein also became grave again. He said: Very well. But what has this to do with the murderer? It has to do with sex. For sex is the favourite human device for summoning the spirit. And since it is also God's gift of procreation, it nearly always works. . . unlike music and poetry. Or beer, Stein said. Quite. But even sex is not infallible. And man hates to think that he has no power over the spirit. The more his physical methods fail him, the more voraciously he pursues them. His attempts to summon the spirit become more and more frenzied. If he is a drinker, he drinks more, until he has more alcohol than blood in his veins. If he is a sensualist, he invents sexual perversions. Ah, Stein said. There are many other ways, of course—the lust for money and power, for instance. All depend upon man's refusal to face the fact that the spirit bloweth where it listeth, that no physical act can be guaranteed to summon it. . .
Colin Wilson (Ritual in the Dark (Visions))
When Things Close In It feels as though I make my own way through massive rock like a vein of ore alone, encased. I am so deep inside it I can't see the path or any distance: everything is close and everything closing in on me has turned to stone. Since I still don't know enough about pain, this terrible darkness makes me small, If it's you, though— press down hard on me, break in that I may know the weight of your hand and you, the fullness of my cry.
Anita Barrows (A Year with Rilke: Daily Readings from the Best of Rainer Maria Rilke)
Miss Foley had first noticed, some years ago, that her house was crowded with bright shadows of herself. Best, then, to ignore the cold sheets of December ice in the hall, above the bureaus, in the bath. Best skate the thin ice, lightly. Paused, the weight of your attention might crack the shell. Plunged through the crust, you might drown in depths so cold, so remote, that all the Past lay carved in tombstone marbles there. Ice water would syringe your veins.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
Mr. Alexander," I say, "my sister has leukemia." "I'm sorry to hear that. But even if I were willing to litigate against God again, which I'm not, you can't bring a lawsuit on someone else's behalf." There is way too much to explain--my own blood seeping into my sister's veins; the nurses holding me down to stick me for white cells Kate might borrow; the doctor saying they didn't get enough the first time around. The bruises and the deep bone ache after I gave up my marrow; the shots that sparked more stem cells in me, so that there'd be extra for my sister. The fact that I'm not sick, but I might as well be. The fact that the only reason I was born was as a harvest crop for Kate. The fact that even now, a major decision about me is being made, and no one's bothered to ask the one person who most deserves it to speak her opinion. There's way too much to explain, and so I do the best I can. "It's not God. Just my parents," I say. "I want to sue them for the rights to my own body.
Jodi Picoult (My Sister’s Keeper)
Do these past days mean nothing?” he asked, so gently that my weak self curled around his words. But I would no longer be weak. I tapped into that power in my veins and a shimmering wall of flames sprang up between us. Amar jumped back, shocked and then…amused. “A little ruthlessness is to be admired, but it’s cruel to play with a powerless heart.” “Crueler still to promise equality and hide a person’s true self.” “I thought it was best for you,” he repeated. “Strange how something that only affected me was decided by you.” Amar’s smile turned cold. “My promises were true. You seek to punish an illusion without fully knowing. What were your kisses, then? Vengeance?” The wall of flames shimmered away. Anger still flared inside me, but now it was mixed with something else. Something I couldn’t push away, despite fury. Want. “They were nothing,” I lied. “They meant nothing.” I didn’t look at him. And then, a bloom of cold erupted beside me and Amar was at my side. His fingers traced a secret calligraphy along my arms. “Nothing at all?” My heart twisted. I reached forward, my hands tangling in his hair as I kissed him. It was a kiss meant to devour, to summon war. And when I broke it, my voice was harsh: “My kisses mean nothing.” “Cruel queen,” he murmured, tilting my head back. His lips skimmed down my neck. Amar’s hands gripped my waist, before tracing the outline of my hips. Heat flared through my body. But just as I pulled him closer, a sudden clash echoed in the hallway, and we sprang apart.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Then he spoke to me mockingly, 'And so you, like the others, would play your brains against mine. You would help these men to hunt me and frustrate me in my design! You know now, and they know in part already, and will know in full before long, what it is to cross my path. They should have kept their energies for use closer to home. Whilst they played wits against me, against me who commanded nations, and intrigued for them, and fought for them, hundreds of years before they were born, I was countermining them. And you, their best beloved one, are now to me, flesh of my flesh, blood of my blood, kin of my kin, my bountiful wine-press for a while, and shall be later on my companion and my helper. You shall be avenged in turn, for not one of them but shall minister to your needs. But as yet you are to be punished for what you have done. You have aided in thwarting me. Now you shall come to my call. When my brain says "Come!" to you, you shall cross land or sea to do my bidding. And to that end this!' "With that he pulled open his shirt, and with his long sharp nails opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight, and with the other seized my neck and pressed my mouth to the wound, so that I must either suffocate or swallow some to the… Oh, my God! My God! What have I done? What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days. God pity me! Look down on a poor soul in worse than mortal peril. And in mercy pity those to whom she is dear!" Then she began to rub her lips as though to cleanse them from pollution.
Bram Stoker (Dracula)
When best-selling author and spiritual teacher Iyanla Vanzant joined me on the show, I told her that I keep the lesson in forgiveness she shared with me in a little book of quotes I’ve collected over the years: “You can accept or reject the way you are treated by other people, but until you heal the wounds of your past, you will continue to bleed. You can bandage the bleeding with food, with alcohol, with drugs, with work, with cigarettes, with sex, but eventually it will ooze through and stain your life. You must find the strength to open the wounds, stick your hands inside, pull out the core of the pain that is holding you in your past, the memories, and make peace with them.” This speaks so clearly to me. Pushing against the need to forgive is like spreading poison in your veins. Surrender to the hurt, loss, resentment, and disappointment. Accept the truth. It did happen and now it’s done. Make a decision to meet the pain as it rises within you and allow it to pass right through. Give yourself permission to let go of the past and step out of your history, into the now. Forgive, and set yourself free. —Oprah
Oprah Winfrey (The Wisdom of Sundays: Life-Changing Insights from Super Soul Conversations)
Miss Foley had first noticed, some years ago, that her house was crowded with bright shadows of herself. Best, then, to ignore the cold sheets of December ice in the hall, above the bureaus, in the bath. Best skate the thin ice, lightly. Paused, the weight of your attention might crack the shell. Plunged through the crust, you might drown in depths so cold, so remote, that all the Past lay carved in tombstone marbles there. Ice water would syringe your veins. Transfixed at the mirror sill, you would stand forever, unable to lift your gaze from the proofs of Time.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
It’s an affront, all of that. Weak knees, arthritic knuckles, varicose veins, infirmities, indignities – they aren’t ours, we never wanted or claimed them. Inside our heads we carry ourselves perfected – ourselves at the best age, and in the best light as well: never caught awkwardly, one leg out of a car, one still in, or picking our teeth, or slouching, or scratching our noses or bums. If naked, seen gracefully reclining through a gauzy mist, which is where movie stars come in: they assume such poses for us. They are our younger selves as they recede from us, glow, turn mythical.
Margaret Atwood (The Blind Assassin)
if i’m going to share my life with a partner it would be foolish not to ask myself twenty years from now is this person going to be someone i still laugh with or am i just distracted by their charm do i see us evolving into new people by the decade or does the growing ever come to a pause i don’t want to be distracted by the looks or the money i want to know if they pull the best or the worst out of me deep at the core are our values the same in thirty years will we still jump into bed like we’re twenty can i picture us in old age conquering the world like we’ve got young blood running in our veins
Rupi Kaur (The Sun and Her Flowers)
In Summation A poem by Taylor Swift At this hearing I stand before my fellow members of the Tortured Poets Department With a summary of my findings A debrief, a detailed rewinding For the purpose of warning For the sake of reminding As you might all unfortunately recall I had been struck with a case of a restricted humanity Which explains my plea here today of temporary i n s a n i t y You see, the pendulum swings Oh, the chaos it brings Leads the caged beast to do the most curious things Lovers spend years denying what’s ill fated Resentment rotting away galaxies we created Stars placed and glued meticulously by hand next to the ceiling fan Tried wishing on comets. Tried dimming the shine. Tried to orbit his planet. Some stars never align. And in one conversation, I tore down the whole sky Spring sprung forth with dazzling freedom hues Then a crash from the skylight bursting through Something old, someone hallowed, who told me he could be brand new And so I was out of the oven and into the microwave Out of the slammer and into a tidal wave How gallant to save the empress from her gilded tower Swinging a sword he could barely lift But loneliness struck at that fateful hour Low hanging fruit on his wine stained lips He never even scratched the surface of me. None of them did. “In summation, it was not a love affair!” I screamed while bringing my fists to my coffee ringed desk It was a mutual manic phase. It was self harm. It was house and then cardiac arrest. A smirk creeps onto this poet’s face Because it’s the worst men that I write best. And so I enter into evidence My tarnished coat of arms My muses, acquired like bruises My talismans and charms The tick, tick, tick of love bombs My veins of pitch black ink All’s fair in love and poetry Sincerely, The Chairman of The Tortured Poets Department
Taylor Swift
The best thing for being sad . . . is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then - to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. ― The Sword in the Stone
T.H. White
All had suffered crushing misfortunes and had not been crushed. They had not been broken by the crash of empires, the machetes of revolting slaves, war, rebellion, proscription, confiscation. Malign fate had broken their necks, perhaps, but never their hearts. They had not whined, they had fought. And when they died, they died spent but unquenched. All of those shadowy folks whose blood flowed in her veins seemed to moved quietly in the moonlit room. And Scarlett was not surprised to see them, these kinsmen who had taken the worst that fate could send and hammered it into the best. Tara was her fate, her fight, and she must conquer it.
Margaret Mitchell (Gone with the Wind)
Would we get on well together, do you think?” she asked dubiously, daring to play with the knot of his necktie, loosening the gray watered-silk fabric with her fingertips. “We’re opposites in nearly every regard.” Inclining his head, Marcus nuzzled the tender inside of her wrist, his lips brushing the blue-tinted veins that lay like fine lacework beneath the skin. “I am coming to believe that taking a wife who is exactly like myself would be the worst conceivable decision I could make.” “Perhaps you’re right,” Lillian mused, letting her fingertips curl into the gleaming close-cut hair at the side of his head. “You need a wife who won’t let you have your way all the time. One who…” She paused with a little shiver as his tongue touched a delicate spot near her inner elbow. “Who,” she continued, struggling to gather her thoughts, “would be willing to take you down a notch when you become too pompous…” “I am never pompous,” Marcus said, drawing the edge of her gown away from the vulnerable curve of her throat. Her breath hitched as he began to kiss the wing of her collarbone. “What would you call it when you carry on as if you always know best, and anyone who disagrees with you is an idiot?” “Most of the time, the people who disagree with me do happen to be idiots. I can’t help that.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The best thing for being sad,” replied Merlyn, beginning to puff and blow, “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then—to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
That a president is inevitably put forward and elected by the forces of established wealth and power means usually that he will be indentured by the time he reaches office. But in fact he is the freest of men if he will have the courage to think so and, at least theoretically, could be so transported by the millions of people who have endorsed his candidacy as to want to do the best for them. He might come to solemn appreciation of the vote we cast, in all our multicolored and multigendered millions, as an act of trust, fingers crossed, a kind of prayer. Not that it’s worked out that way. In 1968 Richard Nixon rebounded from his defeat at the hands of Jack Kennedy, and there he was again, his head sunk between the hunched shoulders of his three-button suit and his arms raised in victory, the exacted revenge of the pod people. That someone so rigid and lacking in honor or moral distinction of any kind, someone so stiff with crippling hatreds, so spiritually dysfunctional, out of touch with everything in life that is joyful and fervently beautiful and blessed, with no discernible reverence in him for human life, and certainly with never a hope of wisdom, but living only by pure politics, as if it were some colorless blood substitute in his veins—that this being could lurchingly stumble up from his own wretched career and use history and the two-party system to elect himself president is, I suppose, a gloriously perverse justification of our democratic form of government.
E.L. Doctorow (Jack London, Hemingway, and the Constitution:: Selected Essays, 1977-1992)
Talking with Merritt was like slipping into one of those silk-lined borrowed coats from the Challons. Comfortable, luxurious. She was whip-smart, understanding the details, the unsaid words. She had a way of wrapping people in empathy that extended to everyone from the duke down to the young assistant groundskeeper. It was the kind of charm that made people feel wittier, more attractive, more interesting, in her reflected glow. Keir was doing his level best to resist her lure. But he was so drawn to her, so damn besotted. He adored her fancy words... "prevarication"... "resplendent"... her easy smiles... her perfumed wrists and throat. She was like a beautiful gift that begged to be unwrapped. Just being near her made the blood sing in his veins.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I’m sitting on the back porch reading after a trip to the library this afternoon. The book is old and has that dusty, musty smell I love. The author is Irish, probably dead, and someone I’ve never heard of before today. The book is surely out of print by now, and I feel as if I am holding a lost treasure in my hands. I stop suddenly and close my eyes. This book is a treasure; I did not suspect it would be so good when I picked it up, but now I can feel the printed words seeping through my skin and into my veins, rushing to my heart and marking it forever. I want to savor this wonder, this happening of loving a book and reading it for the first time, because the first time is always the best, and I will never read this book for the first time ever again.
Laura Nowlin (If He Had Been with Me)
The trip was a kind of honeymoon. The boy and girl were eloping. They weren’t married, however, and had already agreed that they never would be—they weren’t that kind of couple. The boy, Andy, was a reader; he said that they were seafarers, wanderers. “Ever unfixed,” a line from Melville, was scraped in red ink across the veins of his arm. The girl, Angie, was three years sober and still struggling to find her mooring on dry land. On their first date they had decided to run away together. Andy bought a stupidly huge knife; Angie had a tiny magenta flashlight suspended on a gold chain, which she wore around her throat. He was twenty-two, she had just turned twenty-six. Kids were for later, maybe. They could still see the children they had been: their own Popsicle-red smiles haunting them.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
Researchers at Shanghai Jiao Tong University in China, Saga University in Japan, and the University of California, Davis, proposed creating an artificial inorganic leaf modeled on the real thing. They took a leaf of Anemone vitifolia, a plant native to China, and injected its veins with titanium dioxide-a well-known industrial photocatalyst. By taking on the precise branching shape and structure of the leaf's veins, the titanium dioxide produced much higher light-harvesting ability than if ti was used in a traditional configuration. The researchers found an astounding 800 percent increase in hydrogen production as well. The total performance was 300 percent more active than the world's best commercial photocatalysts. When they added platinum nanoparticles to the mix, it increased activity by a further 1,000 percent.
Jay Harman (The Shark's Paintbrush: Biomimicry and How Nature is Inspiring Innovation)
Is this then a touch? . . . . quivering me to a new identity, Flames and ether making a rush for my veins, Treacherous tip of me reaching and crowding to help them, My flesh and blood playing out lightning, to strike what is hardly different from myself, On all sides prurient provokers stiffening my limbs, Straining the udder of my heart for its withheld drip, Behaving licentious toward me, taking no denial, Depriving me of my best as for a purpose, Unbuttoning my clothes and holding me by the bare waist, Deluding my confusion with the calm of the sunlight and pasture fields, Immodestly sliding the fellow-senses away, They bribed to swap off with touch, and go and graze at the edges of me, No consideration, no regard for my draining strength or mu anger, Fetching the rest of the herd around to enjoy them awhile, Then all uniting to stand of a headland and worry me.
Walt Whitman (Song of Myself)
The best antidote to the furtive poison of anger, fear, anxiety, or any of our destructive, unwieldy passions, is just gratitude. And not the grandiose, boisterous or especially obvious kind. It is not necessarily the verbose or expressive kind. It's often the full immersion, a kind of deep submersion even, into a pool of awareness. This penitent affect distills within us surreal realizations; it is a focus, tinged with layers of deep remorse and the profound beauty of newfound appreciation that washes over us about the simplest things we have slipped into, or suddenly become aware of our own complacency over. This cooling antidote instantly soothes any veins swollen with the heat of pride, or stopped up with pearls of finely polished self-pity. This all comes about with a balm of humility that is simultaneously soothing and jolting to all of our senses at the same time. It is a cocktail both sedative and stimulant in the same, finite instant. It often occurs as we are halted dead in our tracks by a thing so extraordinary and breathtakingly natural, even luscious in its simplicity and unusually ordinary existence; often something we have been blatantly negligent of noticing as we routinely trudge past it in our self-absorbed haze. These are akin to the emotions one might feel as they finally notice the well-established antique rose garden, in full bloom; the same one they have walked by for years on their way to somewhere - but never noticed before. This is the feeling we get when our aging parent suddenly, in one moment, is 87 in our mind's eye - and not the steady 57, or eternal 37 we have determinedly seen our so loved one to be, out of purely wishful thinking born of the denial that only the truest love and devotion can begin to nurture - for the better of many decades.
Connie Kerbs (Paths of Fear: An Anthology of Overcoming Through Courage, Inspiration, and the Miracle of Love (Pebbled Lane Books Book 1))
Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining-rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden)
The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself' - Oshima, 316 I'm empty-handed now. The can of yellow spray paint, the little hatchet- they're history. The daypack's gone as well. No canteen, no food. Not even the compass. One by one I left these behind. Doing this gives a visible message to the forest: I'm not afraid anymore. That's why I choose to be totally defenseless. Minus my hard shell, ust flesh and bones, I head for the core of the labyrinth, giving myself up to the void. ... But I gradually get better at letting these threats pass me by. This forest is basically a part of me, isn't it? This thought takes hold at a certain point. The journey I'm taking is inside me . Just like blood travels down veins, what I'm seeing is my inner self, and what seems threatening is just the echo of fear in my own heart. The spiderweb stretched taut there is the spiderweb inside me. The birds calling out overhead are birds I've fostered in my mind. These images spring up in my mind and take root. - Kafka, 396-7
Haruki Murakami (Kafka on the Shore)
Also enraged at myself. Or not at myself - at this bad turn my body has done me. After having imposed itself on us like the egomaniac it is, clamouring about its own needs, foisting upon us its own sordid and perilous desires, the body's final trick is simply to absent itself. Just when you need it, just when you could use an arm or a leg, suddenly the body has other things to do. It falters, it buckles under you; it melts away as if made of snow, leaving nothing much. Two lumps of coal, an old hat, a grin made of pebbles. The bones dry sticks, easily broken. It's an affront, all of that. Weak knees, arthritic knuckles, varicose veins, infirmities, indignities - they aren't ours, we never wanted or claimed them. Inside our heads we carry ourselves perfected - ourselves at the best age, and in the best light as well: never caught awkwardly, one leg out of a car, one still in, or picking our teeth, or slouching, or scratching our noses or bums. If naked, seen gracefully reclining through a gauzy mist, which is where movie stars come in: they assume such poses for us. They are our younger selves as they recede from us, glow, turn mythical.
Margaret Atwood (The Blind Assassin)
Keep a clear conscience. Contentment is the manna that is laid up in the ark of a good conscience: O take heed of indulging any sin! it is as natural for guilt to breed disquiet, as for putrid matter to breed vermin. Sin lies as Jonah in the ship, it raiseth a tempest. If dust or motes be gotten into the eye, they make the eye water, and cause a soreness in it; if the eye be clear, then it is free from that soreness; if sin be gotten into the conscience, which is as the eye of the soul, then grief and disquiet breed there; but keep the eye of conscience clear, and all is well. What Solomon saith of a good stomach, I may say of a good conscience, "to the hungry soul every bitter thing is sweet:"Pr. 27. 7 so to a good conscience every bitter thing is sweet; it can pick contentment out of the cross. A good conscience turns the waters of Marah into wine. Would you have a quiet heart? Get a smiling conscience. I wonder not to hear Paul say he was in every state content, when he could make that triumph, "I have lived in all good conscience to this day." When once a man's reckonings are clear, it must needs let in abundance of contentment into the heart. Good conscience can suck contentment out of the bitterest drug, under slanders; "our rejoicing is this, the testimony of our conscience."2 Cor. 1. 12 In case of imprisonment, Paul had his prison songs, and could play the sweet lessons of contentment, when his feet were in the stocks.Ac. 16. 25 Augustine calls it "the paradise of a good conscience;" and if it be so, then in prison we may be in paradise. When the times are troublesome, a good conscience makes a calm. If conscience be clear, what though the days be cloudy? is it not a contentment to have a friend always by to speak a good word for us? Such a friend is conscience. A good conscience, as David's harp, drives away the evil spirit of discontent. When thoughts begin to arise, and the heart is disquieted, conscience saith to a man, as the king did to Nehemiah, "why is thy countenance sad?" so saith conscience, hast not thou the seed of God in thee? art not thou an heir of the promise? hast not thou a treasure that thou canst never be plundered of? why is thy countenance sad? O keep conscience clear, and you shall never want contentment! For a man to keep the pipes of his body, the veins and arteries, free from colds and obstructions, is the best way to maintain health: so, to keep conscience clear, and to preserve it from the obstructions of guilt, is the best way to maintain contentment. First, conscience is pure, and then peaceable.
Thomas Watson (The Art of Divine Contentment)
I saw the Tracker—but that’s wrong, really. I saw right to where the tracking thing was. I saw those winnowing tentacles come out again, and the front figure pause, and then—it’s the only word that actually describes it—ooze on again on its via dolorosa. And at that the hind figure seemed to summon all its strength. It seemed to open out a fringe of arms or tentacles, a sort of corona of black rays spread out. It gaped with a full expansion, and even I could feel that there was a perfectly horrible attraction, or vacuum drag, being exerted. That was horrible enough, with the face of the super-suffering man now almost under me resonating my own terror. But the worst thing was that, as the tentacles unwrapped and winnowed out toward their prey, I saw they weren’t really tentacles at all. They were spreading cracks, veins, fissures, rents of darkness expanding from a void, a gap of pure blackness. There’s only one way to say it—one was seeing right through the solid world into a gap, an ultimate maelstrom. And from it was spreading out a—I can only call it so—a negative sunrise of black radiation that would deluge and obliterate everything. Of course it was still only a fissure, a vent, but one realized—This is a hole, a widening hole, that has been pierced in the dike that defends the common-sense, sensuous world. Through this vortex-hole that is rapidly opening, over this lip and brink, everything could slip, fall in, find no purchase, be swallowed up. It was like watching a crumbling cliff with survivors clinging to it being undercut and toppling into a black tide that had swallowed up its base. This negative force could drag the solidest things from their base, melt them, engulf the whole hard, visible world. And we were right on that brink. What was after us, for I knew now I was in its field, was not a thing of any passions or desires. Those are limited things, satiable things—in a way, balanced things, and so familiar, safe even, almost friendly in comparison with this. You know the grim saying, “You can give a sop to Cerberus, but not to his Master.” No, this was—that’s the technical term, I found, coined by those who have been up against this and come back alive—this was absolute Deprivation, really insatiable need, need that nothing can satisfy, absolute refusal to give, to yield. It is the second strongest thing in the universe, and, indeed, outside that. It could swallow the whole universe, and the universe would go for nothing, because in that gap the whole universe could fill not a bit of it. It would remain as empty, as gaping, as insatiable as ever, for it is the bottomless pit made by unstanchable Lack.
Gerald Heard (Dromenon: The Best Weird Stories of Gerald Heard)
And were you immediately taken with Charlotte, when you found her?" "Who wouldn't be?" Gentry parried with a bland smile. He drew a slow circle on Lottie's palm, stroking the insides of her fingers, brushed his thumb over the delicate veins of her wrist. The subtle exploration made her feel hot and breathless, her entire being focused on the fingertip that feathered along the tender flesh of her upper palm. Most disconcerting of all was the realization that Gentry didn't even know what he was doing. He fiddled lazily with her hand and talked with Sophia, while the chocolate service was brought to the parlor and set out on the table. "Isn't it charming?" Sophia asked, indicating the flowered porcelain service with a flourish. She picked up the tall, narrow pot and poured a dark, fragrant liquid into one of the small cups, filling the bottom third. "Most people use cocoa powder, but the best results are obtained by mixing the cream with chocolate liquor." Expertly she stirred a generous spoonful of sugar into the steaming liquid. "Not liquor as in wine or spirits, mind you. Chocolate liquor is pressed from the meat of the beans, after they have been roasted and hulled." "It smells quite lovely," Lottie commented, her breath catching as Gentry's fingertip investigated the plump softness at the base of her thumb. Sophia turned her attention to preparing the other cups. "Yes, and the flavor is divine. I much prefer chocolate to coffee in the morning." "Is it a st-stimulant, then?" Lottie asked, finally managing to jerk her hand away from Gentry. Deprived of his plaything, he gave her a questioning glance. "Yes, of a sort," Sophia replied, pouring a generous amount of cream into the sweetened chocolate liquor. She stirred the cups with a tiny silver spoon. "Although it is not quite as animating as coffee, chocolate is uplifting in its own way." She winked at Lottie. "Some even claim that chocolate rouses the amorous instincts." "How interesting," Lottie said, doing her best to ignore Gentry as she accepted her cup. Inhaling the rich fumes appreciatively, she took a tiny sip of the shiny, dark liquid. The robust sweetness slid along her tongue and tickled the back of her throat. Sophia laughed in delight at Lottie's expression. "You like it, I see. Good- now I have found an inducement to make you visit often." Lottie nodded as she continued to drink. By the time she reached the bottom of the cup, her head was swimming, and her nerves were tingling from the mixture of heat and sugar. Gentry set his cup aside after a swallow or two. "Too rich for my taste, Sophia, although I compliment your skill in preparing it. Besides, my amorous instincts need no encouragement." He smiled as the statement caused Lottie to choke on the last few drops of chocolate.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Dreams in which the dead interact with the living are typically so powerful and lucid that there is no denying contact was real. They also fill us with renewed life and break up grief or depression. In chapter 16, on communicating with the dead, you will learn how to make such dreams come about. Another set of dreams in which the dead appear can be the stuff of horror. If you have had a nightmare concerning someone who has recently passed, know that you are looking into the face of personal inner conflict. You might dream, for instance, that your dead mother is buried alive or comes out of her grave in a corrupted body in search of you. What you are looking at here is the clash of two sets of ideas about death. On the one hand, a person is dead and rotting; on the other hand, that same person is still alive. The inner self uses the appropriate symbols to try to come to terms with the contradiction of being alive and dead at the same time. I am not sure to what extent people on the other side actually participate in these dreams. My private experience has given me the impression that the dreams are triggered by attempts of the departed for contact. The macabre images we use to deal with the contradiction, however, are ours alone and stem from cultural attitudes about death and the body. The conflict could lie in a different direction altogether. As a demonstration of how complex such dreams can be, I offer a simple one I had shortly after the death of my cat Twyla. It was a nightmare constructed out of human guilt. Even though I loved Twyla, for a combination of reasons she was only second best in the hierarchy of house pets. I had never done anything to hurt her, and her death was natural. Still I felt guilt, as though not giving her the full measure of my love was the direct cause of her death. She came to me in a dream skinned alive, a bloody mass of muscle, sinew, veins, and arteries. I looked at her, horror-struck at what I had done. Given her condition, I could not understand why she seemed perfectly healthy and happy and full of affection for me. I’m ashamed to admit that it took me over a week to understand what this nightmare was about. The skinning depicted the ugly fate of many animals in human hands. For Twyla, the picture was particularly apt because we used to joke about selling her for her fur, which was gorgeous, like the coat of a gray seal. My subconscious had also incorporated the callous adage “There is more than one way to skin a cat.” This multivalent graphic, typical of dreams, brought my feelings of guilt to the surface. But the real meaning was more profound and once discovered assuaged my conscience. Twyla’s coat represented her mortal body, her outer shell. What she showed me was more than “skin deep” — the real Twyla underneath,
Julia Assante (The Last Frontier: Exploring the Afterlife and Transforming Our Fear of Death)
I recognize magnesite.  From my explosives training years ago.  It’s a source of magnesium.” He muttered, turning the stone over and over in his hand.  “Correct again.  As you increase your Mining skill, you will eventually learn how to convert the raw ore into usable material.  Or you can simply purchase the Refining and Smelting skills.” Max shook his head.  “Assuming I ever make it to a settlement of some kind.” He stared harder at the stone.  “I am going to try something.  You might want to back up.” Stepping well back from the fire himself, he picked up a discarded leaf from one of his firewood sticks and laid it flat on the ground.  Using his thumbnail, he scraped at the magnesite vein inside the rock.  Initially he was very careful and slow, not wanting to create friction, and thus heat, as he scratched.  A few small particles dropped onto the leaf.  Another two minutes of careful scraping, and he had accumulated a tiny pile of the mineral, about the size of a pea.  Setting the stone down, he carefully wrapped the leaf around the magnesite dust. “Alright, here goes nothing.” He took another step back from the fire, then gently tossed the leaf bundle into it.  There was a brief delay, then a bright white flash as the heat reached the magnesite dust and a molten flame shot upward for about two seconds. Skill level increase!  Your Mining skill has increased by +1! Max uttered is best evil overlord laugh.  “Muah ha ha!
Dave Willmarth (Battleborne (Battleborne, #1))
1. Hassle. 2. Less time just the two of us. (Try no time just the two of us.) 3. Other people. (PTA meetings. Ballet teachers. The kid’s insufferable friends and their insufferable parents.) 4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn’t say. I am vain, or once was, and one of my vanities was to feign that I was not.) 5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I’m a pig.) 6. Curtailment of my traveling. (Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend’s five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew—every woman, too, which is depressing—would take me less seriously.) 10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother could feel rewarded for her trouble by the fact that at last her daughter’s life is hideous, too.)
Lionel Shriver (We Need to Talk About Kevin)
Last night I undressed for bed. But instead of crawling between the sheets I decided to stand, naked, in front of the large full-length mirror that is propped against the wall next to my bed. ⠀ ⠀ I turned off the bright lights, and found a song that spoke to the energy I could feel under my skin. For a while I just stood there. And I looked at myself. Bare skin. Open Heart. Clear truth. ⠀ ⠀ It's a wonder, after 42 years on earth, to allow it to fully land, this knowing that I can stop, and look at myself and think things other than unkind words. ⠀ ⠀ Don't get me wrong. I don't want to paint you a pretty social media picture that doesn't play out in real life. I'm not suddenly completely fine with all that is. I'm human and I'm a woman in the midst of this particular culture, and so of course I'd love to be tighter and firmer and lifted. I'd love to have the skin and metabolism I did in my twenties. I wish, often, that my stomach were flatter. I wear makeup and I dye away my gray hair. I worry about these things too, of course I do. ⠀ ⠀ But finally, and fully - I can stand and look at myself and be filled, completely, with love. I can look at myself entirely bare and think, yes, I like myself now. Just as I am. Even if nothing changes. This me. She is good. And she is beautiful. ⠀ ⠀ And even in the space of allowing myself to be human, and annoyed with those things I view as imperfections, I honor and celebrate this shift. ⠀ ⠀ And so last night I was able to stand there. Naked and unashamed and run my own hands gently along my own skin. To offer the tenderness of the deepest seduction. To practice being my own best lover, to romance my own soul. To light the candles and buy the flowers. To hold space for my own knowing. ⠀ ⠀ And to touch my own skin while the music played. Gently. Lightly. With reverence. My thighs, my arms, my breasts, my belly, the points where my pulse makes visible that faint movement that proves me alive. To trace the translucent blue veins, the scars, the ink that tells stories. To whisper to the home of my own desire. ⠀ ⠀ I love you. ⠀ I respect your knowing. ⠀ Thank you for waiting for me to get here. ⠀ I finally see that you are holy.
Jeanette LeBlanc
I hold my breath while he hooks his hands under my thighs. When he resumes, it's faster, harder, and a whole new level of euphoria. I press my eyes shut just as they start to roll back. That spot. That elusive spot every man had such a hard time locating is front and center now. I silently dub him the G-spot whisperer. Another deep thrust hits it again. Good thing I'm not trying to speak anymore, because I've lost all my words. All I have to offer are huffs of hot air and whimpering. Lots and lots of whimpering. The edge of Callum's mouth turns up, and I have to swallow to keep from choking at the divine sight. He looks like a god in this moment. His skin is a golden glow, painted in specks of sweat, highlighting every single cut muscle he possesses. And his expression---a cross between concentration and satisfaction. It's hard physical work he's doing, but he relishes it. I can tell by the glimmer in his eyes, the way his hands cradle my legs so I'm comfortably supported. I can tell by the pinch of his jaw, those soft grunts he let loose, that this is blowing his mind too. For the second time in one night, pressure builds inside me. The feeling is almost too much, but all I want is more. These long, deliberate thrusts are the greatest physical sensations my body has ever experienced. I could explode at any moment, but I want this to last. Forever, if possible. Arching my back, I press my head against the pillow. I cry out, sounding like a rabid banshee. A muttered curse falls from his lips. "That's it. Don't hold back." Pressure and heat collide, and I couldn't hold back if I tried. The deep thrusts keep coming like an endless loop of crashing waves. Callum and my G-spot are new best friends, it seems. Over and over, he hits it. Over and over, the sensations build to an overwhelming peak. His pace shifts from impressive to phenomenal. If Callum were a sex doll, I'd buy a dozen. His stamina, his technique, his adoration of me and my body, it's all perfection. When I burst, I'm even louder than before. And just like before, I'm ablaze from the inside out. Ecstasy pulses through every inch of skin and bone. My blood pumps hot, like lava flowing through my veins. Every muscle tightens, then loosens. Panting, I clutch Callum's forearms and watch his face as he hits his own peak.
Sarah Smith (Simmer Down)
I don’t know how much time passed while we danced, spinning power between us like it was just another game. He tossed the ball of ice my way and I shattered it. “What were you thinking when you broke that?” he asked. Even though I saw him across the room, I could feel his voice at my ear, low and burning. “You.” He laughed and continued to conjure things out of the air and throw them to me. Amar’s movements were graceful, spinning. All his power seemed concentrated and sinewy as the muscle that corded his arms and shoulders. Mine felt strange. Lumbering. But instinctual all the same. I’d never felt this way before, as if there was an unexplored dimension in my body full of silver light, ready to be devastating. The power in my veins terrified me. Not just because I knew it was real, but because I wanted it. I reveled in it even as I glared at Amar across the room. He must have known because he grinned each time we sparred. He flung a chakra of flames in my direction and I turned it to a great wave of water to rush at him. Without blinking, he flattened the whole wave to a plane of ice and slid forward, graceful and serpentine. “You enjoy it, don’t you?” “You know the answer.” “I want to hear it from your lips.” “We don’t always get what we want,” I said. “Tell me, this ability of mine was not something the moon prevented you from revealing, was it?” This time, he had the grace to look guilty. “No. But such things need a foundation before they can be known. I thought it was best for you. It was a protective measure too. Untested power is a dangerous thing.” Another flash of fury shot through me. I thought it was best for you. The light in our room clung to him in silver wisps. Amar pushed his hands through the curls of his hair and in that moment, he looked so…lost. In spite of myself, I wanted to ease that pain from his face. To make him smile. I was weak before him. “This is why you couldn’t move the thread,” he said. “You need to believe in it. Believe in you.” Amar twisted his fingers and the silk of my sari changed…from yellow to deepest blue, flecked with stars. “My star-touched queen,” he said softly, as if he was remembering something from long ago. “I would break the world to give you what you want.” I touched my sari and the stars faded. “I want you to leave,” I said, not looking at him. When I looked up, he was gone.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth. Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun. Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.
Carl Sagan (Cosmos)