Veins Are Too High Quotes

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Most people write me off when they see me. They do not know my story. They say I am just an African. They judge me before they get to know me. What they do not know is The pride I have in the blood that runs through my veins; The pride I have in my rich culture and the history of my people; The pride I have in my strong family ties and the deep connection to my community; The pride I have in the African music, African art, and African dance; The pride I have in my name and the meaning behind it. Just as my name has meaning, I too will live my life with meaning. So you think I am nothing? Don’t worry about what I am now, For what I will be, I am gradually becoming. I will raise my head high wherever I go Because of my African pride, And nobody will take that away from me.
Idowu Koyenikan (Wealth for all Africans: How Every African Can Live the Life of Their Dreams)
Junk Land—most of it is trees, hills, and old broken things. At least it has empty air space, open to sky and free from air-traffic. It’s the space that is too costly to be owned by the people living around, and too embarrassing to be owned by the ones who can afford them. It spreads all over the world outside the cities like swollen veins crawling through the flesh.
Misba (The High Auction (Wisdom Revolution, #1))
We’re sucking air from each other’s mouths. We’re doing it all wrong. My lips open for him. His open, too. My heart is pounding so hard I can feel the blood whooshing in my veins when he says, “Not yet. I’ll take that, too, but not yet.
L.J. Shen (Pretty Reckless (All Saints High, #1))
I took the steps down Angel’s Flight to Hill Street: a hundred and forty steps, with tight fists, frightened of no man, but scared of the Third Street Tunnel, scared to walk through it – claustrophobia. Scared of high places too, and of blood, and of earthquakes; otherwise, quite fearless, excepting death, except the fear I’ll scream in a crowd, except the fear of appendicitis, except the fear of heart trouble, even that, sitting in his room holding the clock and pressing his jugular vein, counting out his heartbeats, listening to the weird purr and whirr of his stomach. Otherwise, quite fearless.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
The Los Angeles River is small, but mean. People who don't know the truth of it make fun of our river; all they see is a tortured trickle that snakes along a concrete gutter like some junkie's vein. They don't know that we put the river in concrete to save ourselves; they don't know that the river is small because it's sleeping, and that every year and sometimes more it wakes. Before we put the river in that silly trough centered on a concrete plain at the bottom of those concrete walls, it flashed to life with the rain to wash away trees and houses and bridges, and cut its banks to breed new channels almost as if it was looking for people to kill. It found what it looked for too many times. Now, when it wakes, the river climbs those concrete walls so high that wet claws rake the freeways and bridges as it tries to pull down a passing car or someone caught out in the storm. Chain-link fences and barbed wire spine along the top of the walls to keep out people, but the walls keep in the river. The concrete is a prison. The prison works, most of the time.
Robert Crais (The Last Detective (Elvis Cole, #9))
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
My princess," began Mara, then found she could not speak the crushing phrases. "His Highness sends his warmest regards," she finished. She had the satisfaction of seeing Ianni's face come back to life; the great dark eyes lost their look of suffering and turned hopefully toward the king. Mara turned to him too, well-pleased with her merciful little lie. But one look at his startled face froze the blood in her veins. What a fool she was! Of course, he had understood every word she said. "Son of Pharaoh, live forever!" she gasped. "I crave pardon-- I could not believe you meant to wound this princess, however lowly--" "You mean you forgot that I could understand," retorted Thutmose.
Eloise Jarvis McGraw
Something happens to you in an old-growth forest. At first you are curious to see the tremendous girth and height of the trees, and you sally forth, eager. You start to saunter, then amble, slower and slower, first like a fox and then an armadillo and then a tortoise, until you are trudging at the pace of an earthworm, and then even slower, the pace of a sassafras leaf's turning. The blood begins to languish in your veins, until you think it has turned to sap. You hanker to touch the trees and embrace them and lean your face against their bark, and you do. You smell them. You look up at leaves so high their shapes are beyond focus, into far branches with circumferences as thick as most trees. Every limb of your body becomes weighted, and you have to prop yourself up. There's this strange current of energy running skyward, like a thousand tiny bells tied to your capillaries, ringing with your heartbeat. You sit and lean against one trunk-it's like leaning against a house or a mountain. The trunk is your spine, the nerve centers reaching into other worlds, below ground and above. You stand and press your body into the ancestral and enduring, arms wide, and your fingers do not touch. You wonder how big the unseen gap. If you stay in one place too long, you know you'll root.
Janisse Ray
The Sinsar Dubh popped up on my radar, and it was moving straight toward us. At an extremely high rate of speed. I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do. Barrons looked at me sharply. “What? Do you sense it?” Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears. He didn’t even try to pat me down. He just said, “Liar.” I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.” “No, I don’t know, Ms. Lane. Why don’t you enlighten me?” A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain. “That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?” I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.” “I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.” My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant. And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
Karen Marie Moning (Faefever (Fever, #3))
Andrew followed the direction of her elegant hand and was surprised to see that there was, indeed, a woman in the garden below. “Yes?” He turned toward Vivien and found she was holding out a spyglass for him. “Look a little closer, you could hardly see any detail of her from all the way up here.” He tilted his head in increasing confusion. “Vivien—” “Please,” she insisted, her tone firm. With a grunt, Andrew took the glass from her hand and peered through the viewer to the young woman below. As he focused on her face, his breath caught. She was utterly lovely. Chestnut locks framed a face with high cheekbones and full lips, not to mention china-blue eyes that lit up with delight as she paused to sniff this flower or that. Her clothing was well-worn, but when she twisted to observe her surroundings, it accentuated soft curves. Andrew shifted as a most unfamiliar feeling began to stir his loins. Desire, hot and powerful, pumped through his veins, and he lowered the spyglass in shock. He hadn’t had such a strong reaction to a woman in years. “I assume you like what you see,” Vivien said softly. Andrew clenched his teeth. There was no hiding the swelling of his cock through the tight breeches he wore, and Vivien was too aware of such things not to notice. “She is, obviously, very pretty,” he said coolly as he handed the glass back to Vivien and turned away. He tried to think of anything, anyone, that might force the inconvenient blood upward. “She is looking for a protector,” Vivien said from behind him. “I thought you might be the right match for her.” Andrew spun around, no longer caring if his erection was obvious. “I beg your pardon?” he barked.
Jess Michaels (An Introduction to Pleasure (Mistress Matchmaker, #1))
On the third day after all hell broke loose, I come upstairs to the apartment, finished with my shift and so looking forward to a hot shower. Well, lukewarm—but I’ll pretend it’s hot. But when I pass Ellie’s room, I hear cursing—Linda Blair-Exorcist-head-spinning-around kind of cursing. I push open her door and spot my sister at her little desk, yelling at her laptop. Even Bosco barks from the bed. “What’s going on?” I ask. “I just came up but Marty’s down there on his own—he won’t last longer than ten minutes.” “I know, I know.” She waves her hand. “I’m in a flame war with a toxic bitch on Twitter. Let me just huff and puff and burn her motherfucking house down…and then I’ll go sell some coffee.” “What happened?” I ask sarcastically. “Did she insult your makeup video?” Ellie sighs, long and tortured. “That’s Instagram, Liv—I seriously think you were born in the wrong century. And anyway, she didn’t insult me—she insulted you.” Her words pour over me like the ice-bucket challenge. “Me? I have like two followers on Twitter.” Ellie finishes typing. “Boo-ya. Take that, skank-a-licious!” Then she turns slowly my way. “You haven’t been online lately, have you?” This isn’t going to end well, I know it. My stomach knows it too—it whines and grumbles. “Ah, no?” Ellie nods and stands, gesturing to her computer. “You might want to check it out. Or not—ignorance is bliss, after all. If you do decide to take a peek, you might want to have some grain alcohol nearby.” Then she pats my shoulder and heads downstairs, her blond ponytail swaying behind her. I glance at the screen and my breath comes in quick, semi-panicked bursts and my blood rushes like a runaway train in my veins. I’ve never been in a fight, not in my whole life. The closest I came was sophomore year in high school, when Kimberly Willis told everyone she was going to kick the crap out of me. So I told my gym teacher, Coach Brewster—a giant lumberjack of a man—that I got my period unexpectedly and had to go home. He spent the rest of the school year avoiding eye contact with me. But it worked—by the next day, Kimberly found out Tara Hoffman was the one talking shit about her and kicked the crap out of her instead
Emma Chase (Royally Screwed (Royally, #1))
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure. But there she was. His mate. She was nothing like Jesminda. Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him. Elain had been... thrown at him. He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her. 'Do you mind if I held myself to the other?' He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication. Rhysand was many things, but he certainly had good taste. The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness. He didn't want to admit he liked it. Didn't want to admit he found the city beautiful. That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be. An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one. 'There's a plate of biscuits. Would you like one?' He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return. But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window. He had not seen her entire face since that day in Hybern. Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock. Looking at her now... She was pale, yes. The vacancy still glazing her features. But he couldn't breathe as she faced him fully. She was the most beautiful female he'd ever seen. Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once. But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace.
Thomas Pynchon (Against the Day)
Jenna is acting strange. Weeping, moping, even remarks tending toward belittlement Melmoth might tolerate (although he cannot think why; she is not his wife and even in human females PMS is a plague of the past) but when he caught her lying about Raquel—udderly wonderful, indeed—he knew the problem was serious. After sex, Melmoth powers her down. He retrieves her capsule from underground storage, a little abashed to be riding up with the oblong vessel in a lobby elevator where anyone might see. Locked vertical for easy transport, the capsule on its castors and titanium carriage stands higher than Melmoth is tall. He cannot help feeling that its translucent pink upper half and tapered conical roundness make it look like an erect penis. Arriving at penthouse level, he wheels it into his apartment. Once inside his private quarters, he positions it beside the hoverbed and enters a six-character alphanumeric open-sesame to spring the lid. On an interior panel, Melmoth touches a sensor for AutoRenew. Gold wands deploy from opposite ends and set up a zero-gravity field that levitates Jenna from the topsheet. As if by magic—to Melmoth it is magic—the inert form of his personal android companion floats four feet laterally and gentles to rest in a polymer cradle contoured to her default figure. Jenna is only a SmartBot. She does not breathe, blood does not run in her arteries and veins. She has no arteries or veins, nor a heart, nor anything in the way of organic tissue. She can be replaced in a day—she can be replaced right now. If Melmoth touches “Upgrade,” the capsule lid will seal and lock, all VirtuLinks to Jenna will break, and a courier from GlobalDigital will collect the unit from a cargo bay of Melmoth’s high-rise after delivering a new model to Melmoth himself. It distresses him, how easy replacement would be, as if Jenna were no more abiding than an oldentime car he might decide one morning to trade-in. Seeing her in the capsule is bad enough; the poor thing looks as if she is lying in her coffin. Melmoth does not select “Power Down” on his cerebral menu any more often than he must. Only to update her software does Melmoth resort to pulling Jenna’s plug. Updating, too, disturbs him. In authorizing it, he cannot pretend she is human. [pp. 90-91]
John Lauricella (2094)
Farewell, ye gilded follies, pleasing troubles; Farewell, ye honour'd rags, ye glorious bubbles; Fame's but a hollow echo, Gold, pure clay; Honour the darling but of one short day; Beauty, th' eye's idol, but a damask'd skin; State, but a golden prison, to live in And torture free-born minds; embroider'd Trains, Merely but pageants for proud swelling veins; And Blood allied to greatness is alone Inherited, not purchas'd, nor our own. Fame, Honour, Beauty, State, Train, Blood and Birth, Are but the fading blossoms of the earth. I would be great, but that the sun doth still Level his rays against the rising hill: I would be high, but see the proudest oak Most subject to the rending thunder-stroke: I would be rich, but see men, too unkind Dig in the bowels of the richest mind: I would be wise, but that I often see The fox suspected, whilst the ass goes free: I would be fair, but see the fair and proud, Like the bright sun, oft setting in a cloud: I would be poor, but know the humble grass Still trampled on by each unworthy ass: Rich, hated wise, suspected, scorn'd if poor; Great, fear'd, fair, tempted, high, still envy'd more. I have wish'd all, but now I wish for neither. Great, high, rich, wise, nor fair: poor I'll be rather. Would the World now adopt me for her heir; Would beauty's Queen entitle me the fair; Fame speak me fortune's minion, could I " vie Angels " with India with a speaking eye Command bare heads, bow'd knees, strike justice dumb, As well as blind and lame, or give a tongue To stones by epitaphs, be call'd " great master " In the loose rhymes of every poetaster ? Could I be more than any man that lives, Great, fair, rich wise, all in superlatives; Yet I more freely would these gifts resign Than ever fortune would have made them mine. And hold one minute of this holy leisure Beyond the riches of this empty pleasure. Welcome, pure thoughts; welcome, ye silent groves; These guests, these courts, my soul most dearly loves. Now the wing'd people of the sky shall sing My cheerful anthems to the gladsome spring: A pray'r-book, now, shall be my looking-glass, In which I will adore sweet virtue's face. Here dwell no hateful looks, no palace cares, No broken vows dwell here, nor pale-fac'd fears; Then here I'll sit, and sigh my hot love's folly, And learn t' affect an holy melancholy: And if contentment be a stranger then, I'll ne'er look for it, but in heaven, again.
Izaak Walton (The Compleat Angler, or the Contemplative Man's Recreation)
While he’d previously had the look of a pirate about him that she’d found rather appealing, she now found him to be devastatingly handsome—not simply because he’d been born far too attractive, but because she believed she saw genuine niceness residing in his very soul. When he suddenly lifted a finger to push a damp strand of hair off her cheek, his touch caused any reasonable thoughts she still retained to flee from her mind, and everything surrounding her disappeared except Bram. “You’re very beautiful.” Just like that, the world returned in a flash. “Thank you,” she said before she stepped back from him and felt a sliver of temper—not at him, but at herself—begin flowing through her veins. She’d known he was infatuated with her, as most of her admirers were. And yet, instead of nipping that immediately in the bud, she’d allowed herself to believe he was different, different because his touch sent her pulse racing and his smile turned her knees a little weak, which, in actuality, did make him a touch different, although . . . “Forgive me, Lucetta, but have I done something to upset you?” Lucetta caught Bram’s eye. “To be perfectly honest, I’m more upset with myself.” Bram’s brow furrowed. “I’m afraid I don’t understand.” “I should have addressed the misconceptions I’m certain you’re holding about me straightaway, and yet . . . I’ve let matters fester too long.” “You do recall that we only met a few hours ago, don’t you?” “Indeed, but I’m quite certain you’ve been harboring misconceptions about me from the moment you saw me step foot on stage, which I’m going to assume was a year or two ago.” The furrow deepened. “I’m still not sure what you’re trying to say.” “I’m not a lady who enjoys being told I’m beautiful, nor am I a lady who enjoys being pampered, catered to, or treated as if I’m fragile. I’m also nothing like any of the characters I’ve ever played on stage.” “You’re exactly like the character in The Lady in the Tower,” he argued. “Charming, demure, and delightful.” Resisting a sigh, she moved to a fallen tree lying off the path and took a seat. “I would never be content to remain a prisoner in a tower, waiting for my very own prince charming to rescue me, which is exactly what Serena Seamore, my character, does. I’ve been on my own, Bram, for a very long time, and I’m quite capable, thank you very much, of taking care of myself.” She held up her hand when it looked as if he wanted to argue. “What you need to remember is that I’m an actress. Playing a part is what I do, and I’m successful because I can play parts very, very well. I’ve also been given an unusual face, expressive if you will, and that expressiveness allows me to convince people I’m someone I’m not.” “Your face is lovely, not unusual.” Lucetta waved away his compliment. “I’m not getting through to you, am I.” “Of course you are.” Lucetta drew in a deep breath and slowly released it. “I’m afraid I’m not the lady you think you hold in high esteem.” “I don’t think I hold you in high esteem, I know I do.” “Oh . . . dear,” she muttered before she squared her shoulders. “I’m peculiar.” “I highly doubt that.” “Oh,
Jen Turano (Playing the Part (A Class of Their Own, #3))
REMEMBERING THE WORDS OF MY LATE FATHER The time is 03.16 am the UK time and I have been thinking of you lately, nyana kaBhixa, Mngwevu, Tshangisa, Zulu, Skhomo, Mhlatyana, Rudulu. I listen and hear nothing but the echoes of your words of wisdom and encouragement in my daily life. Your priceless love for me and my late sister was the most solid foundation for our lives and the most nourishment of our souls which is still the pillar of the unbeatable strength that helps me stand tall against all odds. You always told us that life is a double-edged sword, it’s beautiful and enjoyable but there are times when it stings like a bee and the best thing to do is to take a cautious approach and remember that there will always be some victories along the way. Here are some of your words that continue to give me the ability to navigate throughout the challenges of life: . Know who you are,never compromise and sell yourself short . Stay authentic and never change because authenticity stiffens your backbone. . Always stand up for the truth no matter how high is the cost . Never eat like there is no tomorrow because you will not be able to survive in the times of famine. . Never sit too close to the fire because not every place is always has that kind of comfort. . Be aware of your surroundings and make it the part of your daily routine. . Always try to pull yourself together and remember that there are places where your tears will mean nothing to certain people. . Always remember that you were created to overcome every obstacle and to rise above every challenge. And never keep silent in the presence of your adversaries. . Always remember to share the little you have with those who are in need. . Never be afraid to say no when you have to say so. I give God all the glory for the choice He made before the foundation of the earth for choosing you to be my earthly father and I’m grateful for the years He allowed us to spend together on this planet. Thank you so much Tata for being a good and faithful steward of my life and thank you for the spirit of resilience that runs through the veins of every Xhosa heart. Lala ngoxolo Tshangisa. Love you so much.
Euginia Herlihy
Each of us has a beast roaming beneath our skin, roaring to get out. While your Tamlin prefers fur, I find wings and talons to be more entertaining.' A lick of cold kissed down my spine. 'Can you shift now, or did she take that, too?' 'So many questions from a little human.' But the darkness that hovered around him began to writhe and twist and flare as he rose to his feet. I blinked, and it was done. I lifted the iron poker, just a little bit. 'Not a full shift, you see,' Rhysand said, clicking the black razor-sharp talons that had replaced his fingers. Below the knee, darkness stained his skin- but talons also gleamed in lieu of toes. 'I don't particularly like yielding wholly to my baser side.' Indeed, it was still Rhysand's face, his powerful male body, but flaring out behind him were massive black membranous wings- like a bat's, like the Attor's. He tucked them in neatly behind him, but the single claw at the apex of each peeked over his broad shoulders. Horrific, stunning- the face of a thousand nightmares and dreams. That again-useless part of me stirred at the sight, the way the candlelight shone through the wings, illuminating the veins, the way it bounced off his talons. Rhysand rolled his neck, and it all vanished in a flash- the wings, the talons, the feet, leaving only the male behind, well-dressed and unruffled. 'No attempts at flattery?' I had made a very, very big mistake in offering my life to him. But I said. 'You have a high-enough opinion of yourself already. I doubt the flattery of a little human matters much to you.' He let out a low laugh that slid along my bones, warming my blood. 'I can't decide whether I should consider you admirable or very stupid for being so bold with a High Lord.' Only around him did I have trouble keeping my mouth shut, it seemed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
You’re a pirate?” Obviously. Still, hard to believe. He pressed forward, forcing on her a series of blows meant to test her strength and will. She parried and blocked his every move with an aptitude that amazed. “Aye. A pirate, and captain of the Sea Sprite,” she boasted, a wry smile upon her full lips. Indeed, she appeared very much a pirate in her men’s garb—a threadbare, brown suit with overly long sleeves she’d had to roll up. Her ebony hair had been pulled back in a queue and was half hidden beneath a rumpled tricorn. Also, like her men, was her look of desperation and the grim cast to her countenance that bespoke of a hard existence. “We offered you quarter,” she said as she evaded his thrust with ease. “Why didn’t you surrender? You had to know we outnumbered you.” He didn’t answer. In all honesty, he’d thought they could defeat the pirates, if not with cannon fire, then with skill. After hearing of all the pirate attacks of late, they’d hired on additional hands, men who could fight. If it hadn’t been for the damn illness… “It’s not too late. You can save what’s left of your crew. Surrender now, Captain Glanville, and we’ll see that your men are ransomed back.” A wicked gleam brightened her eyes as if victory would soon be hers. He should do as she asked. It would be the sensible thing, but pride kept him from saying the words. Not yet. He still had another opponent to defeat, and so far she hadn’t been an easy one to overcome. Despite his steady attack, she kept her muscles relaxed, her balance sure. Her attention followed his movements no matter how small, adjusting her stance, looking for weaknesses. “How do you know I’m Captain Glanville?” When work was at hand, he didn’t dress any differently than his men. “I know much about you.” Stepping clear of two men battling to their left, she blocked his sword with her own and lunged with her dagger. He jumped from the blade, avoiding injury by the barest inch. This one relied on speed and accuracy rather than power. Smart woman. “What do you want from us?” he asked, launching an attack of his own, this time with so much force and speed, she had no choice but to retreat until her back came up against the railing. “We only just left London four days ago. Our cargo is mainly iron and ale.” Her gaze sharpened even as her expression became strained. His assault was wearing her down. “I want the Ruby Cross.” How the hell did she know he had the cross? And did she believe he’d simply hand it over? Hand over a priceless antiquity of the Knights Templar? Absurd. He swung his sword all the harder. The clang of steel rang through the air. Her reactions slowed, and her arms trembled. He made a final cut, putting all his strength behind the blow, and knocked her sword from her hand. Triumph surged through his veins. She attempted to slash out with her dagger. He grabbed her arm before her blade could reach him and hauled her close, their faces nose to nose. “You’ll never take the cross from me,” he vowed as he towered over her, his grip strong. The point of a sword touched his back. Thomas tensed, he swore beneath his breath, self-disgust heavy in his chest. The distraction of this one woman had sealed his fate. Bloody hell.
Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
He opened his eyes and saw that Baltsaros was staring intently at them, unmoving. What was the captain feeling about all of this? Tom’s hands had snaked down to the front of Jon’s pants, and all thought left his head as he felt the buttons come loose. After a moment, Tom dropped to his knees in front of Jon; he then gently, almost reverently, peeled Jon’s pants down, looking up at him with naked hunger as he did so. “Good boy,” said Baltsaros. The captain’s eyes were dark and unreadable, but the hand curled over the front of his pants betrayed the desire he was feeling. Jon’s breath heaved in his chest, and he stepped out of his boots as Tom tugged at them. He was now stark naked in front of Tom who remained on his knees, gazing up at him. Jon could see the bigger man’s pulse jumping in the veins at his neck, but he frowned in confusion when Tom made no other move. He realized with a start that Tom was waiting for Baltsaros’s next command. Jon reached out and touched the top of Tom’s head, running his fingers softly through the short, sandy-blond strands. “Do you want him to suck your cock?” asked Baltsaros, almost conversationally. The question made Jon feel like he had just stepped off a cliff. He gulped and closed his eyes, nodding quickly. “Tom, please use that talented mouth on Jon. However, let’s not let him peak too soon, shall we?” said Baltsaros.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Outside the station of Santa Maria Novella Isabella has to stand aside while a line of prisoners are marched into the terminus by armed Fascist guards. They pass within touching distance of her, carrying bags and bundles. There are old people and some children too. They all seem swamped by their clothes, disembodied by them somehow. Then she catches the eye of Ezra, a young Jewish man who once worked in the arts material shop where she buys most of her pigments and brushes. He is almost at the back of the line. The veins are high and urgent on his hand. His trousers are held up with a dirty piece of string. His cobalt blue eyes hold hers for the barest beat of a moment but some essence of his being conveys itself to her and her blood quickens in sympathy for him. She has the feeling of looking into the eyes of a ghost.
Glenn Haybittle (The Way Back to Florence)
Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace. Merle
Thomas Pynchon (Against the Day)
Ad – Add               Ail – Ale               Air – Heir               Are - R               Ate - Eight               Aye - Eye - I                 B                            B – Be - Bee               Base - Bass               Bi – Buy - By – Bye               Bite - Byte               Boar - Bore               Board - Bored                 C               C – Sea - See               Capital – Capitol               Chord – Cord               Coarse - Course               Core - Corps               Creak – Creek               Cue – Q - Queue                 D               Dam - Damn               Dawg – Dog               Days – Daze               Dew – Do – Due               Die – Dye               Dual - Duel                 E               Earn – Urn               Elicit – Illicit               Elude - Illude               Ex – X                 F               Fat – Phat               Faze - Phase               Feat - Feet               Find – Fined               Flea – Flee               Forth - Fourth                 G               Gait – Gate               Genes – Jeans               Gnawed - Nod               Grate – Great                 H               Hair - Hare               Heal - Heel               Hear - Here               Heard - Herd               Hi - High               Higher – Hire               Hoarse - Horse               Hour - Our                 I               Idle - Idol               Ill – Ill               In – Inn               Inc – Ink               IV – Ivy                 J               Juggler - Jugular                 K               Knead - Need               Knew - New               Knight - Night               Knot – Naught - Not               Know - No               Knows - Nose                 L               Lead – Led               Lie - Lie               Light – Lite               Loan - Lone                 M               Mach – Mock               Made - Maid               Mane – Main               Meat - Meet               Might - Mite               Mouse - Mouth                 N               Naval - Navel               None - Nun                 O               Oar - Or – Ore               One - Won                 P               Paced – Paste               Pail – Pale                            Pair - Pear               Peace - Piece               Peak - Peek               Peer - Pier               Pray - Prey                 Q               Quarts - Quartz                 R               Rain - Reign               Rap - Wrap               Read - Red               Real - Reel               Right - Write               Ring - Wring                 S               Scene - Seen               Seas – Sees - Seize               Sole – Soul               Some - Sum               Son - Sun               Steal – Steel               Suite - Sweet                 T               T - Tee               Tail – Tale               Team – Teem               Their – There - They’re               Thyme - Time               To – Too - Two                 U               U - You                 V               Vale - Veil               Vain – Vane - Vein               Vary – Very               Verses - Versus                 W               Waive - Wave               Ware – Wear - Where               Wait - Weight               Waist - Waste               Which - Witch               Why – Y               Wood - Would                 X                 Y               Yoke - Yolk               Yore - Your – You’re                 Z
Gio Willimas (Hip Hop Rhyming Dictionary: The Extensive Hip Hop & Rap Rhyming Dictionary for Rappers, Mcs,Poets,Slam Artist and lyricists: Hip Hop & Rap Rhyming Dictionary And General Rhyming Dictionary)
FAVOUR FOR A FAVOUR,” the raven squawked, and then a second raven swooped down, ripped more of the roof free and grabbed a warrior running at Orka in its talons, lifted him high and threw him, spinning and screaming, from the tower. “FOUND YOUR FRIENDS LOOKING FOR YOU,” the first raven cawed as it rose higher on beating wings, and two small shapes swept close, buzzing into the room in a blur of wings. One landed upon a woman’s shoulder, a chitinous, segmented body and a too-human face, bulbous eyes under grey-sagging skin, and a mouth full of too many sharp-spiked teeth. A tail curled up over its back, tapering to a needle-thin sting, which whipped forwards and stabbed the woman in the cheek. “Finally, Spert found you, mistress,” Spert said as the woman staggered and choked and dropped her sword, hands grasping for her face. Her veins were turning black, spreading from the sting in her cheek across her face like a diseased spiderweb, down her neck. She tried to speak, to scream, but her tongue was already black and swelling. She collapsed and Spert’s wings buzzed, hovering and darting after his next victim. Another small figure sped around the room on parchment-thin wings: sharpclawed Vesli, with Breca’s spear in her fist, stabbing it into faces as she flew. Orka smiled and growled, looking for new people to kill.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
I hadn’t realized they’d have individualized starlight. I always thought mine was only … brighter than yours.” She frowned at Ruhn. “I guess it makes sense that there could be nuances to the light amongst the Fae that got interbred. Theia’s elder daughter, Helena, had the gift—and married Prince Pelias. Your ancestor.” “He’s your ancestor, too,” Ruhn muttered. “Pelias was no true prince,” Aidas spat, fangs bared. “He was Theia’s high general and appointed himself prince after he forcibly wed Helena.” “I’m sorry,” Ithan said, scrubbing at his face, “but what the fuck is this about?” He glanced at the pizza on the table, as if wondering whether it had been spiked with something. Welcome to our lives, Hunt wanted to say. But Bryce’s face had gone pale. “Queen Theia allowed this?” “Theia was dead by that point,” Aidas said flatly. “Pelias slew her.” He nodded to the Starsword in Ruhn’s hand. “And stole her blade when he’d finished.” He snarled. “That sword belongs to Theia’s female heir. Not the male offspring who corrupted her line.” Bryce swallowed audibly, and Ruhn gaped at his blade. “I’ve never heard any of this,” the Fae Prince protested. Aidas laughed coldly. “Your celebrated Prince Pelias, the so-called first Starborn Prince, was an impostor. Theia’s other daughter got away—vanished into the night. I never learned of her fate. Pelias used the Starsword and the Horn to set himself up as a prince, and passed them on to his offspring, the children Helena bore him through rape.” That very Horn that was now tattooed into Bryce’s back. A chill went down Hunt’s spine, and his wings twitched. “Pelias’s craven blood runs through both of your veins,” Aidas said to Ruhn.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
There was a time in the beginning when I too questioned the plan—staring out over the deadlands, the wastelands, at the dry, desert landscape, the hellfires that burned over the horizon, the masses growing in number, filling in one valley after another. The way the earth cracked open, strange appendages and tentacles spooling out of the steaming cracks. The forests at the edge of the mountains spilling creatures on four legs, humping and galloping over the foliage, and into the high grasses as the growth turned into spoil. And up over the range lurked flying beasts with cracked, leathery wings—thick purple veins running through the expanding, unfurling flesh—elongated skulls holding back rows of sharp teeth, chittering in the settling gloam. Below the hills, pools of water, sometimes blue, but more likely a mossy green, a dark scum, filled with gelatinous blobs, covered with spiky hairs, a collection of yellowing eyes atop what might have been considered some kind of head. And snapping at my own heels, the furry creatures with mottled, diseased skin revealed in chunks, snouts exposed to show the fractured, bony skulls beneath it all, long, slavering tongues distending, lapping at the foul air around us. (In His House)
Richard Thomas (Spontaneous Human Combustion)
Garden of the Dragons (The ’Halla, Vol. # 3) Chapter Ten Excerpt (original editing) ... Hachiman, surveys he the woe, Wipes his brow, hate does flow. A ruined life, heh, a loss of face, He must have her now, to his disgrace (Wed to Kari now, locked in time and place). Battle over, moon still shines, Lilies float soft in quiet time. Scented visions and memories sear remains, Of this terrible night of what was feigned. Visuals lithe, of sword and blade, Disguise the carnage and the pain. Petals soft, they hide our gaze, And cover the ground and its grave. Flowers and moon in water light, T'winkills the calm of a zen-burst night. Now to life, the poem to seek repose, And bury beneath those riddles she holds. Nectars sweet, precious flowers, A fragranted grave that allures and empowers. Heart~beat, heart~beat, tells the way, Of things long remembered and a far lost day. How many memories, Kari knew, That stain with age, being so few. Samurai remembers - feels it as a man, Clutches he his fist; wind in hand. . . . ". . .I have searched for you a very long time." "Do not waste breath, kill. It is our way here." "Not before I have my say, Corpse-eater." "No wonder you took so long to find me." "I have had a lot of time for thought," quietly he, "- T'is a shame we could not agree." "No more room for that," forcefully he snapped, "You dishonored me twice and now, I will take one back." "- Not enough? Hachi," said cordially she, "If you are going to - cut the artery, please." Tilt she her neck, exposed but her vein, Samurai frowned, decidedly vain. Looked he at his hands - "They're already too bloody for today." "Hummph. Such trite man'ers are atrocious. For yourself you are much too engaged." ("Yet, a moment and it is done," thought he, "But to gain it thus, a hollow travesty. I must face her in all her strength, The bladed Valkyrie, the one called great"). "I could kill you now, but I'd rather not, This room is too unbecoming for the proper job." "Charmed that you still think so highly of me." "- Only then of your haunted beauty, I shall be free." Feeling that weight, slowly dropped he his blade, Time enough - rituals to cleanse and to pray. Tossed his sword, pined her down - Smooshed her face to the floor, Pinching it to a frown. "Oh no, my little angel, you have it all wrong! I mean only to kill you when you are strong. Do not fear, I won't let anyone harm you in strife, In the meantime, try not to flirt with your life. Stay healthy - then we shall settle our love, unrequite." A biting grin creased Samurai's scarved face, "Let us fix it properly, according to my r'ace." "Bushido," mouthed Kari, her voice empty as the word. "And there will be no running away this time - Rest assured." Slowly withdrew he and left the room, "Bastard," spit Kari, caustic of his doom. The girl breathing vexiously, then calmly in the dark, The door closed, silent, the light dribbling out. Sounds below, drip mute in time, Reality presses, she makes her fate thind. And Skuld drinking, contemplates she her sibylline, It was her hour now, the night of the wolverine.
Douglas M. Laurent
The dictator always hated being touched by other people and refused treatment from doctors if they inquired too invasively into the causes of his ailments. He could never trust a specialist who knew more about him than he did himself. Good old general practitioner Morell, with his cozy harmless air, gave him a sense of security from the very beginning. Morell had no intention of questioning Hitler to genuinely find the root of his health problems. The penetration of the needle was enough for him; it was a substitute for serious medical treatment. If the head of state was to function, and demanded to be made immediately symptom-free, whatever his complaints, Morell hesitated no more than he would when treating an actress at the Metropol Theater, but instead prepared a 20 percent Merck glucose solution or a vitamin injection. Immediate removal of symptoms was the motto, followed not only by the bohemian circles of Berlin but also by “Patient A,” as he appeared in Morell’s books. Hitler was delighted by the speed with which his condition improved—usually while the needle was still in his vein. His personal doctor’s argument convinced him: for the Führer, with all the tasks he had to perform, his energy consumption was so high that you couldn’t wait until a substance found its way into the blood in tablet form via the digestive system. For Hitler it made sense: “Morell wants to give me a big iodine injection as well as a heart, liver, chalk and vitamin injection. He learned in the tropics that medicine must be injected into the veins.”44
Norman Ohler (Blitzed: Drugs in the Third Reich)
want to help you too, Millie,” I said, my words dragging like a whisper in her ear, laced with all the fucked-up things I knew she didn’t want to admit. “But you gotta let me in. You have to stop hiding behind that perfect little mask. You have to face the truth of what’s crawling around inside you—those feelings you don’t wanna acknowledge, not just the façade you present to the world.” She stiffened, and I could practically feel the panic creeping into her veins. That gave me a rush, a fucking high I couldn’t ignore. “I’m not afraid of the truth,” she snapped back, but the tremble in her voice told me everything I needed to know. She wasn’t just afraid of the truth—she was terrified of me exposing
Nora Blackwood (DARK THERAPY (The Mind Games Duet Book 1))