Gross Couple Quotes

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Oh, no, rest easy!” Njord said. “It will most likely be personal combat to the death. You should bring a couple of friends along. I would recommend the attractive one, Alex Fierro.” I wondered if Alex would be flattered by that or grossed out, or if she’d just laugh. I wondered if Alex’s feet were as well-groomed as Njord’s. What a stupid thing to wonder about.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
It’s public knowledge. It’s not my problem you just found out,” his mother is saying, pacing double-time down a West Wing corridor. “You mean to tell me,” Alex half shouts, jogging to keep up, “every Thanksgiving, those stupid turkeys have been staying in a luxury suite at the Willard on the taxpayers’ dime?” “Yes, Alex, they do—” “Gross government waste!” “—and there are two forty-pound turkeys named Cornbread and Stuffing in a motorcade on Pennsylvania Avenue right now. There is no time to reallocate the turkeys.” Without missing a beat, he blurts out, “Bring them to the house.” “Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?” “Put them in my room. I don’t care.” She outright laughs. “No.” “How is it different from a hotel room? Put the turkeys in my room, Mom.” “I’m not putting the turkeys in your room.” “Put the turkeys in my room.” “No.” “Put them in my room, put them in my room, put them in my room—” That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets. THEY KNOW, he texts Henry. THEY KNOW I HAVE ROBBED THEM OF FIVE-STAR ACCOMMODATIONS TO SIT IN A CAGE IN MY ROOM, AND THE MINUTE I TURN MY BACK THEY ARE GOING TO FEAST ON MY FLESH. Cornbread stares emptily back at him from inside a huge crate next to Alex’s couch. A farm vet comes by once every few hours to check on them. Alex keeps asking if she can detect a lust for blood. From the en suite, Stuffing releases another ominous gobble.
Casey McQuiston (Red, White & Royal Blue)
If the case isn't plea bargained, dismissed or placed on the inactive docket for an indefinite period of time, if by some perverse twist of fate it becomes a trial by jury, you will then have the opportunity of sitting on the witness stand and reciting under oath the facts of the case-a brief moment in the sun that clouds over with the appearance of the aforementioned defense attorney who, at worst, will accuse you of perjuring yourself in a gross injustice or, at best, accuse you of conducting an investigation so incredibly slipshod that the real killer has been allowed to roam free. Once both sides have argued the facts of the case, a jury of twelve men and women picked from computer lists of registered voters in one of America's most undereducated cities will go to a room and begin shouting. If these happy people manage to overcome the natural impulse to avoid any act of collective judgement, they just may find one human being guilty of murdering another. Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer. And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective. And it will always be that way, because the homicide unit of any urban police force has for generations been the natural habitat of that rarefied species, the thinking cop.
David Simon
Les gens en couple finissent souvent par se ressembler, j'avais déjà vu cela. Ils ne formaient qu'un, les Groom, il était difficile de les distinguer l'un de l'autre, tous deux avaient de la poitrine, tous deux des hanches, tous deux de grosses mains, et tous deux étaient habillés des mêmes vêtements blancs, marque de leur emploi.
Edward Carey (Heap House (Iremonger, #1))
Breeze raised his dueling cane, pointing it at Ham. "I see my period of intellectual respite has come to an end." Ham smiled. "I thought up a couple of beastly questions while I was gone, and I've been saving them just for you, Breeze." "I'm dying of anticipation," Breeze said. He turned his cane toward Lestibournes. "Spook, drink." Spook rushed over and fetched Breeze a cup of wine. "He's such a fine lad," Breeze noted, accepting the drink. "I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating." Spook frowned "Niceing the not on the playing without." "I have no idea what you just said, child," Breeze said. "So I'm simply going to pretend it was coherent, then move on." Kelsier rolled his eyes. "Losing the stress on the nip," he said. "Notting without the needing of care." "Riding the rile of the rids to the right," Spook said with a nod. "What are you two babbling about?" Breeze said testily. "Wasing the was of brightness," Spook said. "Nip the having of wishing of this." "Ever wasing the doing of this," Kelsier agreed. Breeze turned to Dockson with exasperation. "I believe our companions have finally lost their minds, dear friend." Dockson shrugged. Then, with a perfectly straight face, he said, "Wasing not of wasing is." Breeze sat, dumbfounded, and the room burst into laughter. Breeze rolled his eyes indignantly, shaking his head and muttering about the crew's gross childishness. Vin nearly choked on her wine as she laughed. "What did you even say?" she asked of Dockson as he sat down beside her. "I'm not sure," he confessed. "It just sounded right." "I don't think you said anything, Dox," Kelsier said.
Brandon Sanderson
IS The Mansion haunted, do you think?" "Naw. There ain't no REAL haunted houses--just in the fuckin movies. But if there ever WAS one, it'd be The Mansion. I heard that a couple of years ago, two kids from Norwood Street went in there to bump uglies and the cops found em with their throats cut and all the blood drained out of their bodies. But there wasn't any blood on em or around em. Get it? The blood was ALL GONE." "You shittin me?" "Nope. But that wasn't the worst thing." "What was?" "Their hair was dead white. Both of em. And their eyes were wide open and staring, like they saw the most gross-awful thing in the world." "Aw, gimme a break.
Stephen King (The Waste Lands (The Dark Tower, #3))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
What’s insane about this—other than the fact we’ve never talked about it, not even once—is that I’m not nervous in any way. Just excited. We already feel like a married couple, and I say that in the best, non-boring way possible. He is stability and love. Security and confidence. I’m his tide, and he’s my anchor. Or maybe the sand itself. “Edie Van Der Zee, I want to dip my toes in the waves you make every single day for the rest of my miserable life. I want to fuck you—just you, only you, no one else—and a lot. Every. Single. Day. I want to live with you. I want to parade that fucked-up thing we have that keeps people raising eyebrows and thinking I’m a cradle-snatching douchebag, because fuck ’em, they’ll never have what we have. Will you marry me? I don’t ask for a lot. Not for kids, not for dinner, not for anything to be done in the house. I don’t ask you for anything other than what you’re willing to give me.” Luna peeks from the door, smiling. I turn my body to her, smiling. I expect her to sign me something. Something like “aw, gross,” or “Daddy is being silly again”. But she doesn’t. Instead, she arches one eyebrow, opens her lips, and lets the words fall out, awarding her father with the best present he could ever have. “Say yes.
L.J. Shen (Scandalous (Sinners of Saint, #3))
On the eve of my move to New York, my parents sat me down to talk. “Your mother and I understand that we have a certain responsibility to prepare you for life at a coed institution,” said my father. “Have you ever heard of oxytocin?” I shook my head. “It’s the thing that’s going to make you crazy,” my mother said, swirling the ice in her glass. “You’ll lose all the good sense I’ve worked so hard to build up in you since the day you were born.” She was kidding. “Oxytocin is a hormone released during copulation,” my father went on, staring at the blank wall behind me. “Orgasm,” my mother whispered. “Biologically, oxytocin serves a purpose,” my father said. “That warm fuzzy feeling.” “It’s what bonds a couple together. Without it, the human species would have gone extinct a long time ago. Women experience its effects more powerfully than men do. It’s good to be aware of that.” “For when you’re thrown out with yesterday’s trash,” my mother said. “Men are dogs. Even professors, so don’t be fooled.” “Men don’t attach as easily. They’re more rational,” my father corrected her. After a long pause, he said, “We just want you to be careful.” “He means use a rubber.” “And take these.” My father gave me a small, pink, shell-shaped compact of birth control pills. “Gross,” was all I could say. “And your father has cancer,” my mother said. I said nothing. “Prostate isn’t like breast,” my father said, turning away. “They do surgery, and you move on.” “The man always dies first,” my mother whispered.
Ottessa Moshfegh (My Year of Rest and Relaxation)
They came in to look. I watched them. Most people go through museums like they do Macy's: eyes sweeping the display, stopping only if something really grabs their attention. These two looked at everything. They both clearly liked the bicycle picture. Yup, Dutch, I decided. He was a few steps ahead when he got to my favorite painting there. Diana and the Moon. It was-surprise surprise-of Diana, framed by a big open window, the moon dominating the sky outside. She was perched on the windowsill, dressed in a gauzy wrap that could have been nightclothes or a nod to her goddess namesake. She looked beautiful, of course, and happy, but if you looked for more than a second, you could see that her smile had a teasing curve to it and one of her hands was actually wrapped around the outside frame. I thought she looked like she might swing her legs over the sill and jump, turning into a moth or owl or breath of wind even before she was completely out of the room. I thought she looked, too, like she was daring the viewer to come along. Or at least to try. The Dutch guy didn't say anything. He just reached out a hand. His girlfriend stepped in, folding herself into the circle of his outsretched arm. They stood like that, in front of the painting, for a full minute. Then he sneezed. She reached into her pocket and pulled out a tissue.He took in and, without letting go of her, did a surprisingly graceful one-handed blow. Then he crumpled the tissue and looked around for a trash can. There wasn't one in sight. She held out her free hand; he passed over the tissue, and she stuck it right back into her pocket. I wanted to be grossed out. Instead, I had the surprising thought that I really really wanted someone who would do that: put my used Kleenex in his pocket. It seemed like a declaration of something pretty big. Finally,they finished their examination of Diana and moved on.There wasn't much else, just the arrogant Willings and the overblown sunrise. They came over to examine the bronzes. She saw my book. "Excuse me. You know this artist?" Intimately just didn't seem as true anymore. "Pretty well," I answered. "He is famous here?" "Not very." "I like him." she said thoughtfully. "He has...oh, the word...personism?" "Personality?" I offered. "Yes!" she said, delighted. "Personality." She reached behind her without looking. Her boyfriend immediately twined his fingers with hers. They left, unfolding the map again as they went, she chattering cheerfully. I think she was telling him he had personality. They might as well have had exhibit information plaques on their backs: "COUPLE." CONTEMPORARY DUTCH. COURTESY OF THE ESTATE OF LOVE, FOR THE VIEWING PLEASURE (OR NOT) OF ANYONE AND EVERYONE.
Melissa Jensen (The Fine Art of Truth or Dare)
By the stars, Darius, who shit in your cornflakes this morning? It’s Christmas day – the one day of the year when we steal a little bit of mortal madness and celebrate the winter solstice with gross consumerism, coupled with an indecent amount of pressure, to show love to people who we may or may not secretly think are pieces of shit just because we share blood with them. It’s special,
Caroline Peckham (Live and Let Lionel (Zodiac Academy, #8.6))
NASA engineers and technicians at the Cape were pushing themselves so hard in the final weeks people had to be ordered home to rest. It was a grueling time and yet the sort of interlude of adrenal exhilaration that men remember all their lives. It was an interlude of the dedication of body and soul to a cause such as men usually experience only during war. Well … this was war, even though no one had spelled it out in just that way. Without knowing it, they were caught up in the primordial spirit of single combat. Just days from now one of the lads would be up on top of the rocket for real. Everyone felt he had the life of the astronaut, whichever was chosen (only a few knew), in his hands. The MA–1 explosion here at the Cape nine months ago had been a chilling experience, even for veterans of flight test. The seven astronauts had been assembled for the event, partly to give them confidence in the new system. And their gullets had been stuck up toward the sky like everybody else’s, when the whole assembly blew to bits over their heads. In a few days one of those very lads would be lying on top of a rocket (albeit a Redstone, not an Atlas) when the candle was lit. Just about everybody here in NASA had seen the boys close up. NASA was like a family that way. Ever since the end of the Second World War the phrase “government bureaucracy” had invariably provoked sniggers. But a bureaucracy was nothing more than a machine for communal work, after all, and in those grueling and gorgeous weeks of the spring of 1961 the men and women of NASA’s Space Task Group for Project Mercury knew that bureaucracy, when coupled with a spiritual motivation, in this case true patriotism and profound concern for the life of the single-combat warrior himself—bureaucracy, poor gross hideously ridiculed twentieth-century bureaucracy, could take on the aura, even the ecstasy, of communion. The passion that now animated NASA spread out even into the surrounding community of Cocoa Beach. The grisliest down-home alligator-poaching crackers manning the gasoline pumps on Route A1A would say to the tourists, as the No-Knock flowed, “Well, that Atlas vehicle’s given us more fits than a June bug on a porch bulb, but we got real confidence in that Redstone, and I think we’re gonna make it.” Everyone who felt the spirit of NASA at that time wanted to be part of it. It took on a religious dimension that engineers, no less than pilots, would resist putting into words. But all felt it.
Tom Wolfe (The Right Stuff)
So she’s the lucky winner tonight?” he asked after a few minutes of silent driving. “Excuse me?” “Kinda surprised you’re not more upset about it.” “Well, I kinda want to know what I’m supposed to be upset about.” I crossed my arms under my chest and turned so my back was resting against the door so I could look at him more easily. What is his problem? I made the douche bag pancakes two days ago! And I told him all about Blake this morning. That was hard for me; now he’s going to treat me like this? “I got the job, by the way, in case you were wondering.” He shook his head and rested his forearms on the steering wheel while he waited for the light to turn green. “Knew you would, and Rod called me this afternoon so I already knew that you did. You start tomorrow night?” “Mmm-hmm. Are you going to tell me why I’m supposed to be upset?” “Because that guy is taking Candice home tonight instead of you.” My head jerked back and I could only imagine the disgust dripping from my expression. “Ew! What?!” Kash looked quickly between the road and me a couple of times. “That guy. I saw you launch yourself at him earlier. He kept kissing your cheek, and now he’s taking Candice back to his place.” I slammed my fist over my mouth and swallowed. “Oh God, I just threw up a little bit in my mouth.” “Shit, do you need me to pull over?” “No, no. Oh, just ew, Kash! You and Mase kiss my head all the time. Mason picks me up almost every time I see him.” “So?” “So? So! So, Eli is Candice’s older brother that I grew up with and I actually view like my own brother. Besides Candice he was the best friend I had. He helped me through—” I cut myself off quickly and blew out a deep breath. “He helped me through a lot when I was younger. But I have never once viewed him as anything other than family and a friend. He even calls me sis, for crying out loud. Candice isn’t going home with him, they’re going to meet up with their cousin for drinks and I didn’t want to go.” Kash’s face relaxed, and though I expected him to look embarrassed, he just turned and raised an eyebrow. “You don’t like him?” “Seriously, this conversation is grossing me out.” He
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
As Regina McGowan pulled her silver Volvo SUV into the driveway in front of the huge, farmhouse-style home, all Megan could see was boys. Boys everywhere. All seven of them plus their dad, running and laughing and shoving each other around on the front lawn, engaged in what appeared to be a full-contact, tackle version of ultimate Frisbee. They were playing shirts and skins. Shirts and mighty-fine-lookin’ skins. Megan’s pulse pounded in her ears. Forget evil, laughing little monsters. These guys had been touched by the Abercrombie gods. They were a blur of toned, suntanned perfection. For a few seconds, Megan had trouble focusing on any one of them, but then one of the skins scored a goal and jumped up, arms thrust in the air, whooping in triumph as he clutched the Frisbee in one hand. His six-pack abs were dotted with sweat and a couple of stray pieces of torn grass. His smile sent shivers right through Megan’s core. He had shaggy blond hair, a square chin, and the most perfect shoulder muscles Megan had ever seen. One of his brothers slapped him on the back and pointed toward the Volvo. He turned around and looked right at Megan. The rest of the world ceased to exist. “Well, here we are,” Regina said, killing the engine. “Megan?” He smiled slowly--a perfect, open, happy smile. “Megan?” Something touched Megan’s arm. “Oh! Uh…yeah?” Megan whipped her eyes away from Mr. Perfection and blushed. Regina’s brown eyes twinkled with amusement and sympathy. “You can live in the car if you want to, but they’ll find a way to get to you anyway.” “Oh…uh…” God, did she just catch me drooling all over one of her kids? Gross! “Don’t worry. They promised me they would be on their best behavior,” Regina said, unbuckling her seat belt. She swung her long dark hair over her shoulder as she got out of the car and leaned down to look at Megan. “My advice? Just be yourself. I’m sure you’ll be fine.” Megan managed to smile and Regina slammed the car door. Be myself. Yeah. Right. Because that’s gotten me so far in the past.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Gupta and Singh (1982) found that couples in Jaipur, India, who married for love reported diminished feelings of love if they'd been married for more than five years. By contrast, those who'd undertaken arranged marriages reported more love if they weren't newlyweds. These findings reveal that passionate love "cools" over time, and that there's scope for love to flourish within an arranged marriage.
Richard Gross (Psychology: The Science of Mind & Behaviour)
J'ai des amis qui sont parents et qui ne se sentent pas obligés pour autant d'avoir chacun une grosse job steady ou de prendre le plus de contrats possible pour en piler pendant que c'est le temps. Certains sont travailleurs autonomes, d'autres travaillent à salaire pendant que leur conjoint s'occupe des enfants. Je connais des mères et des pères au foyer nouveau genre et des couples qui travaillent à temps partiel. Certains sont pas mal écolos sur les bords, c'est sûr, d'autres un peu hippies, altermondialistes ou végétaliens. D'autres non. Plusieurs ont juste un sens commun un peu différent du gros bon sens qui s'énonce aujourd'hui sur toutes les tribunes. Leurs enfants sont bien--je ne veux pas dire parfaits, je veux dire aussi bien que les autres. Pas moins heureux, pas moins équilibrés, pas moins beaux. Des petits hipsters de friperie qui passent beaucoup de temps avec leur père et leur mère. Ils ont tout ce dont ils ont besoin, même s'ils se passent de certaines choses. Et la plupart des affaires dont ils se privent n'ont pas l'air de leur manquer tant que ça. Ces gens-là font des choix de vie dont le motif premier n'est pas l'argent, et ils s'arrangent. Ils ne sont ni riches, ni pauvres, mais ils ne se réclament pas de la classe moyenne. Ils ne se reconnaissent pas en elle et elle ne se reconnaitrait pas en eux. Ils dépensent moins qu'elle, consomment moins qu'elle et polluent moins qu'elle aussi. Certains vivent même en partie de ce qu'elle jette. Ils ont moins à perdre qu'elle, aussi, et moins peur des tempêtes qui s'annoncent. Ils ne portent pas encore de nom et pourtant ils existent. Et c'est eux le sel de la terre, désormais.
Samuel Archibald (Le sel de la terre)
Do we have anything chocolate in this kitchen? Anything?" "I think there's some chocolate syrup in the fridge. But we don't have any milk. Not that it was me who drank it. That would be the witch." Della glanced back at Kylie. Kylie reached into the refrigerator and found the chocolate syrup. Oh, hell, beggars couldn't be choosy. She squeezed a line of chocolate all the way up her index finger and popped the digit into her mouth. "So the meeting with the Brightens didn't go well?" Della asked. "No, it went fine," Kylie mumbled around her chocolate-covered finger. When the sweetness disappeared, she pulled her finger out and aimed the top of the bottle down and gave the digit another squirt of sweetness. "Then why are you sucking chocolate syrup off your finger like it's whiskey? Wait! I know why, I heard about the fiasco with your dad and mom-the whole pregnancy thing. Hilarious." Della dropped her elbows on the table and laughed."Not hilarious." Kylie frowned. "How did you hear about it?" Della shrugged, looking a little guilty for bringing it up. "Someone heard it go down. Everybody was talking about it. Sorry." She made an apology face. Kylie moaned. "Will I ever stop being the source of gossip around here?" She held her head back and squeezed a good squirt of chocolate straight into her mouth. "Now that's gross!" Della chuckled. Kylie brought the bottle down and licked her lips. "I didn't touch my lips to the bottle. I just poured it into my mouth." "And on your chin." Frowning, Kylie wiped her chin with the back of her hand. "Sorry, I'm feeling desperate." She snagged a bowl and spoon and went back to the table and emptied a half a cup of the sweet feel-good stuff into her bowl. "Damn," Della said. "You are feeling desperate." Kylie scooped a spoonful of chocolate into her mouth, licked the spoon clean and said, "Monique crawled into the stall with me." "Who? What stall?" "Monique. Lucas's Monique. She climbed into the bathroom stall with me in the restaurant bathroom." "Oh, shit! Did you two like duke it out or something?" "No." Kylie licked the spoon. "I just peed all over myself." She took another spoonful of chocolate into her mouth. Della sighed. "Are you okay?" "I will be after I finish off this bottle," Kylie said. Della half grinned. "If I was a real friend, I'd stop you from drinking it." Kylie shook her head. "If you were a real friend, you'd help me finish it." "Shit. Why not?" She pushed over her glass of blood. "Give me a couple of shots." Kylie arched an eyebrow. "For real?" "Yeah." Della pushed her schoolbooks to the side. "Screw homework, let's get drunk off chocolate. I could use a pick-me-up, too.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
Aw, this is fucking great,” Carlton mutters. “All these gross couples now. I liked it better when you fuckers were single and emotionally stunted.
Angel Lawson (Touched By The Devil (Boys of Preston Prep, #3))
I don’t see anybody but the happy couples, sexing it up around the clearing. God, teenagers are sort of gross, huh? All hormone-y and shit. Damn, Spencer’s legs look fine in those knee socks.
C.M. Stunich (The Forever Crew (Adamson All-Boys Academy, #3))
But do toddlers simply learn this behavior along the way and mimic it? When I called up one of the study’s coauthors, Kiley Hamlin, a psychology professor at the University of British Columbia, she pointed out a couple of things. Yes, toddlers see plenty of people being nice to them, but if they have older siblings, they may see plenty of the opposite behavior as well. “What tells me that the generosity isn’t basic mimicry is how early they start giving stuff to people,” she said. “Most 12-month-olds will sit with you and insist that you take their gross Cheerios, over and over. And insist that you eat them, and like them. It’s not just that they want to give them to you; they want to watch and make sure you enjoy it.” She believes simple evolution is the explanation here: We live in groups for protection and companionship, and doing so requires cooperation and generosity. The
Ron Lieber (The Opposite of Spoiled: Raising Kids Who Are Grounded, Generous, and Smart About Money)
Hadn't I been humiliated when I was looking longingly at Roger Federer's twin on the Tube and he offered me his seat? Our bodies continue to make fools of us as we age. Lust doesn't die to spare the sensitivities of the grossed-out young who prefer not to think of wrinkly couplings, and - this is really cruel - carnal feelings are among the very last to checkout.
Allison Pearson (How Hard Can It Be? (Kate Reddy, #2))
At age fourteen, I shared my secret with my closest friends, none of whom treated me differently, despite their different reactions—from “As long as you’re happy, I’m happy” to “You know this means you’re going to hell, right?” I caught a glimpse of what it would look like to come out to the secular world, and it was inviting. That world didn’t view me as gross. It loved what I loved. It fed my desires. It didn’t ask me to change. It invited me to indulge. I binged movies and TV shows with lesbian couples and I dreamed about the day I would be loved by someone I was wildly in love with. And it was still all under wraps. Because I went to church.
Brenna Blain (Can I Say That?: How Unsafe Questions Lead Us to the Real God)
An elegant Italian woman, worldly, sophisticated. Francesca. At the end of World War II, she meets and marries an American soldier, moves with him to his small Iowan farm town of good people who bring carrot cakes to their neighbors, look after the elderly, and ostracize those who flout norms by, say, committing adultery. Her husband is kind, devoted, and limited. She loves her children. One day her family leaves town for a week, to show their pigs at a state fair. She's alone in the farmhouse for the first time in her married life. She relishes her solitude. Until a photographer fro National Geographic knocks on the door, asking directions to a nearby landmark... and they fall into a passionate, four-day affair. He begs her to run away with him; she packs her bags. Until, at the last minute, she unpacks them. Partly because she's married, and she has children, and the town's eyes are on them all. But also because she knows that she and the photographer have already taken each other to the perfect and beautiful world. And that now it's time to descend to the actual one. If they try to live in that other world for good, it will recede into the distance; it will be as if they'd never been there at all. She says goodbye, and they long for each other for the rest of their lives. Yet Francesca is quietly sustained by their encounter, the photographer creatively renewed. On his deathbed years later, he sends her a book of images he made, commemorating their four days together. If this story sounds familiar , it's because it comes from The Bridges of Madison County, a 1992 novel by Robert James Waller that sold more than twelve million copies, and a 1995 movie, starring Meryl Streep and Clint Eastwood, that grossed $182 million. The press attributed its popularity to a rash of women trapped in unhappy marriages and pining for handsome photographers. But that's not what the story was really about. In the frenzy after the book came out, there were two camps: one that loved it because the couple's love was pure and endured over the decades. The other camp saw this as a copout--that real love is working through challenges of an actual relationship. Which was right?
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)