β
When people don't express themselves, they die one piece at a time.
β
β
Laurie Halse Anderson (Speak)
β
You have to know what you stand for, not just what you stand against.
β
β
Laurie Halse Anderson (Speak)
β
In one aspect, yes, I believe in ghosts, but we create them. We haunt ourselves.
β
β
Laurie Halse Anderson (Wintergirls)
β
There is no magic cure, no making it all go away forever. There are only small steps upward; an easier day, an unexpected laugh, a mirror that doesn't matter anymore.
β
β
Laurie Halse Anderson (Wintergirls)
β
THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL
1. We are here to help you.
2. You will have time to get to your class before the bell rings.
3. The dress code will be enforced.
4. No smoking is allowed on school grounds.
5. Our football team will win the championship this year.
6. We expect more of you here.
7. Guidance counselors are always available to listen.
8. Your schedule was created with you in mind.
9. Your locker combination is private.
10. These will be the years you look back on fondly.
TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL
1. You will use algebra in your adult lives.
2. Driving to school is a privilege that can be taken away.
3. Students must stay on campus during lunch.
4. The new text books will arrive any day now.
5. Colleges care more about you than your SAT scores.
6. We are enforcing the dress code.
7. We will figure out how to turn off the heat soon.
8. Our bus drivers are highly trained professionals.
9. There is nothing wrong with summer school.
10. We want to hear what you have to say.
β
β
Laurie Halse Anderson (Speak)
β
Magic
Sandraβs seen a leprechaun,
Eddie touched a troll,
Laurie danced with witches once,
Charlie found some goblins gold.
Donald heard a mermaid sing,
Susy spied an elf,
But all the magic I have known
I've had to make myself.
β
β
Shel Silverstein (Where the Sidewalk Ends)
β
We are crayons and lunchboxes and swinging so high our sneakers punch holes in the clouds.
β
β
Laurie Halse Anderson (Wintergirls)
β
I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears?
β
β
Laurie Halse Anderson (Speak)
β
I am beginning to measure myself in strength, not pounds. Sometimes in smiles.
β
β
Laurie Halse Anderson (Wintergirls)
β
Art without emotion its like chocolate cake without sugar. It makes you gag.
β
β
Laurie Halse Anderson (Speak)
β
Homework is not an option. My bed is sending out serious nap rays. I can't help myself. The fluffy pillows and warm comforter are more powerful than I am. I have no choice but to snuggle under the covers.
β
β
Laurie Halse Anderson (Speak)
β
I just want to sleep. A coma would be nice. Or amnesia. Anything, just to get rid of this, these thoughts, whispers in my mind. Did he rape my head, too?
β
β
Laurie Halse Anderson (Speak)
β
It's easier to floss with barbed wire than admit you like someone in middle school.
β
β
Laurie Halse Anderson (Speak)
β
We're all puppets, Laurie. I'm just a puppet who can see the strings.
β
β
Alan Moore (Watchmen)
β
It's easier not to say anything. Shut your trap, button your lip, can it. All that crap you hear on TV about communication and expressing feelings is a lie. Nobody really wants to hear what you have to say.
β
β
Laurie Halse Anderson (Speak)
β
I wonder how long it would take for anyone to notice if I just stopped talking.
β
β
Laurie Halse Anderson (Speak)
β
Do I want to die from the inside out or the outside in?
β
β
Laurie Halse Anderson (Wintergirls)
β
Gym should be illegal. It's humiliating.
β
β
Laurie Halse Anderson (Speak)
β
Write about the emotions you fear the most.
β
β
Laurie Halse Anderson
β
I am getting better at smiling when people expect it.
β
β
Laurie Halse Anderson (Speak)
β
I have never heard a more eloquent silence.
β
β
Laurie Halse Anderson (Speak)
β
I am angry that I starved my brain and that I sat shivering in my bed at night instead of dancing or reading poetry or eating ice cream or kissing a boy...
β
β
Laurie Halse Anderson (Wintergirls)
β
When you meet a man who is broken, pick him up and carry him. When you meet a woman whoβs broken, put her all into your arms. Cause we donβt know where we come from β¦ we donβt know where we are.
β
β
Laurie Anderson
β
Eating was hard. Breathing was hard. Living was hardest.
β
β
Laurie Halse Anderson (Wintergirls)
β
I failed eating, failed drinking, failed not cutting myself into shreds. Failed friendship. Failed sisterhood and daughterhood. Failed mirrors and scales and phone calls. Good thing I'm stable.
β
β
Laurie Halse Anderson (Wintergirls)
β
CONJUGATE THIS:
I cut class, you cut class, he, she, it cuts class. We cut class, they cut class. We all cut class. I cannot say this in Spanish because I did not go to Spanish today. Gracias a dios. Hasta luego.
β
β
Laurie Halse Anderson (Speak)
β
Girls are so queer you never know what they mean. They say no when they mean yes, and drive a man out of his wits just for the fun of it.
--Laurie
β
β
Louisa May Alcott (Little Women)
β
What do I want?
The answer to that question does not exist.
β
β
Laurie Halse Anderson (Wintergirls)
β
Who wants to recover? It took me years to get that tiny. I wasn't sick; I was strong.
β
β
Laurie Halse Anderson (Wintergirls)
β
I knew how much it hurt to be the daughter of people who can't see you, not even if you are standing in front of them stomping your feet.
β
β
Laurie Halse Anderson (Wintergirls)
β
Laurie, you're an angel! How shall I ever thank you?"
"Fly at me again. I rather liked it," said Laurie, looking
mischievous, a thing he had not done for a fortnight.
β
β
Louisa May Alcott (Little Women)
β
Another page turns on the calendar, April now, not March.
.........
I am spinning the silk threads of my story, weaving the fabric of my world...I spun out of control. Eating was hard. Breathing was hard. Living was hardest.
I wanted to swallow the bitter seeds of forgetfulness...Somehow, I dragged myself out of the dark and asked for help.
I spin and weave and knit my words and visions until a life starts to take shape.
There is no magic cure, no making it all go away forever. There are only small steps upward; an easier day, an unexpected laugh, a mirror that doesn't matter anymore.
I am thawing.
β
β
Laurie Halse Anderson (Wintergirls)
β
IT happened. There is no avoiding it, no forgetting. No running away, or flying, or burying, or hiding.
β
β
Laurie Halse Anderson (Speak)
β
Be careful what you wish for. There's always a catch.
β
β
Laurie Halse Anderson (Wintergirls)
β
I breathe in slowly. Food is life. I exhale, take another breath. Food is life. And that's the problem. When you're alive, people can hurt you. It's easier to crawl into a bone cage or a snowdrift of confusion. It's easier to lock everybody out.
But it's a lie.
β
β
Laurie Halse Anderson (Wintergirls)
β
Censorship is the child of fear and the father of ignorance.
β
β
Laurie Halse Anderson (Speak)
β
This is where you can find your soul if you dare. Where you can touch that part of you that you've never dared look at before. Do not come here and ask me to show you how to draw a face. Ask me to help you find the wind.
β
β
Laurie Halse Anderson (Speak)
β
It's a terrible thing, I think, in life to wait until you're ready. I have this feeling now that actually no one is ever ready to do anything. There is almost no such thing as ready. There is only now. And you may as well do it now. Generally speaking, now is as good a time as any.
β
β
Hugh Laurie
β
Sometimes I think high school is one long hazy activity: if you are tough enough to survive this, they'll let you become an adult. I hope it's worth it.
β
β
Laurie Halse Anderson (Speak)
β
For one moment we are not failed tests and broken condoms and cheating on essays; we are crayons and lunch boxes and swinging so high our sneakers punch holes in the clouds.
β
β
Laurie Halse Anderson (Wintergirls)
β
If I ever form a clan, we'll be the anti-cheerleaders and walk under the bleacher forming mild acts of mayhem.
β
β
Laurie Halse Anderson (Speak)
β
Youβre not dead, but youβre not alive, either. Youβre a wintergirl, Lia-Lia, caught in between the worlds. Youβre a ghost with a beating heart. Soon youβll cross the border and be with me. Iβm so stoked. I miss you wicked.
β
β
Laurie Halse Anderson (Wintergirls)
β
I want to go to sleep and not wake up, but I don't want to die. I want to eat like a normal person eats, but I need to see my bones or I will hate myself even more and I might cut my heart out or take every pill that was ever made.
β
β
Laurie Halse Anderson (Wintergirls)
β
No one who cooks, cooks alone. Even at her most solitary, a cook in the kitchen is surrounded by generations of cooks past, the advice and menus of cooks present, the wisdom of cookbook writers.
β
β
Laurie Colwin
β
You need to screw up to learn. You need to experience to create greatness.
β
β
Laurie Faria Stolarz (Deadly Little Secret (Touch, #1))
β
I believe that you've created a metaphorical universe in which you can express your darkest fears. In one aspect, yes, I believe in ghosts, but we create them. We haunt ourselves, and sometimes we do such a good job, we lose track of reality.
β
β
Laurie Halse Anderson (Wintergirls)
β
Do they choose to be so dense? Were they born that way? I have no friends. I have nothing. I say nothing. I am nothing.
β
β
Laurie Halse Anderson (Speak)
β
The stuffing/puking/stuffing/puking/stuffing/puking didn't make her skinny, it made her cry.
β
β
Laurie Halse Anderson (Wintergirls)
β
I need a new friend. I need a friend, period. Not a true friend, nothing close or share clothes or sleepover giggle giggle yak yak. Just a pseudo-friend, disposable friend. Friend as accessory. Just so I don't feel or look so stupid.
β
β
Laurie Halse Anderson (Speak)
β
I want to make a memorial for our turkey. Never has a bird been so tortured to provide such a lousy dinner.
β
β
Laurie Halse Anderson (Speak)
β
He doesn't see my breasts or my waist or my hips. He only sees the nightmare.
β
β
Laurie Halse Anderson (Wintergirls)
β
Everybody told me to be a man. Nobody told me how.
β
β
Laurie Halse Anderson (Twisted)
β
I lift my arm out of the water. It's a log. Put it back under and it blows up even bigger. People see the log and call it a twig. They yell at me because I can't see what they see. Nobody can explain to me why my eyes work different than theirs. Nobody can make it stop.
β
β
Laurie Halse Anderson (Wintergirls)
β
I am the space between my thighs, daylight shining through.
β
β
Laurie Halse Anderson (Wintergirls)
β
Mr. Freeman sighs. "No imagination. What are you thirteen? Fourteen? You've already let them beat your creativity out of you!
β
β
Laurie Halse Anderson (Speak)
β
I am rarely bored alone; I am often bored in groups and crowds.
β
β
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
β
When people don't express themselves, they die one piece at a time. You'd be shocked at how many adults are really dead insideβwalking through their days with no idea who they are, just waiting for a heart attack or cancer or a Mack truck to come along and finish the job. It's the saddest thing I know.
β
β
Laurie Halse Anderson (Speak)
β
I wish I had cancer. I will burn in hell for that, but it's true.
β
β
Laurie Halse Anderson (Wintergirls)
β
I've loved you ever since I've known you, Jo, - couldn't help it, you've been so good to me, - I've tried to show it, but you wouldn't let me; now I'm going to make you hear, and give me an answer, for I can't go on so any longer." - Laurie
β
β
Louisa May Alcott (Little Women)
β
Let's clear one thing up: Introverts do not hate small talk because we dislike people. We hate small talk because we hate the barrier it creates between people.
β
β
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
β
Books are to me as homemade tattoos are to an inmate. Can't get enough of them.
β
β
Laurie Notaro (I Love Everybody (and Other Atrocious Lies))
β
Miss Mary Mack, Mack, Mack, all dressed in black, black, black. She has a knife, knife, knife, stuck in her back, back, back. She cannot breathe, breathe, breathe. She cannot cry, cry, cry. Thats why she begs, begs, begs. She begs to die, die ,die..
β
β
Laurie Faria Stolarz (White Is for Magic (Blue is for Nightmares, #2))
β
I crawled into my book and pulled the pages over my head...
β
β
Laurie R. King
β
Why are you being so mean?"
"Friends tell friends the truth."
"yeah, but not to hurt, to help.
β
β
Laurie Halse Anderson (Wintergirls)
β
Life is for the living. Don't let the fear of striking out let you from keep you from playing the game.
β
β
Laurie Halse Anderson
β
I picked up one of the books and flipped through it. Don't get me wrong, I like reading. But some books should come with warning labels: Caution: contains characters and plots guaranteed to induce sleepiness. Do not attempt to operate heavy machinery after ingesting more than one chapter. Has been known to cause blindness, seizures and a terminal loathing of literature. Should only be taken under the supervision of a highly trained English teacher. Preferably one who grades on the curve.
β
β
Laurie Halse Anderson (Twisted)
β
I canβt tell anymore when Iβm asleep and when Iβm awake, or which is worse.
β
β
Laurie Halse Anderson (Wintergirls)
β
Here stands a girl clutching a knife. There is grease on the stove, blood in the air, and angry words piled in the corners. We are trained not to see it, not to see any of it. . . . Someone just ripped off my eyelids.
β
β
Laurie Halse Anderson (Wintergirls)
β
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
β
β
Laurie Halse Anderson (Speak)
β
A scar is a sign of strength. . .the sign of a survivor.
β
β
Laurie Halse Anderson (Chains (Seeds of America, #1))
β
First thought: It was a dream
Second thought: No it wasn't
Third thought: Crap
β
β
Laurie Halse Anderson (Twisted)
β
Cold and silence. Nothing quieter than snow. The sky screams to deliver it, a hundred banshees flying on the edge of
the blizzard. But once the snow covers the ground, it hushes as still as my heart.
β
β
Laurie Halse Anderson (Speak)
β
Why not spend that time on art: painting, sculpting, charcoal, pastel, oils? Are words or numbers more important than images? Who decides this? Does algebra move you to tears? Can plural possessives express the feelings in your heart? If you don't learn art now, you will never learn to breathe!
β
β
Laurie Halse Anderson (Speak)
β
Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this.
β
β
Laurie Halse Anderson (Wintergirls)
β
She offered herself to the big, bad wolf and didn't scream when he took the first bite.
β
β
Laurie Halse Anderson (Wintergirls)
β
I never was someone who was at ease with happiness.
β
β
Hugh Laurie
β
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
β
β
Stephen Fry
β
I'm learning how to taste everything.
β
β
Laurie Halse Anderson (Wintergirls)
β
We held hands when we walked down the gingerbread path into the forest, blood dripping from our fingers. We danced with witches and kissed monsters. We turned us into wintergirls, when she tried to leave, I pulled her back into the snow because I was afraid to be alone.
β
β
Laurie Halse Anderson (Wintergirls)
β
Nothing is perfect. Flaws are interesting. Be the tree.
β
β
Laurie Halse Anderson (Speak)
β
This girl shivers and crawls under the covers with all her clothes on and falls into an overdue library book, a faerie story with rats and marrow and burning curses. The sentences build a fence around her, a Times Roman 10-point barricade, to keep the thorny voices in her head from getting too close.
β
β
Laurie Halse Anderson (Wintergirls)
β
Youβre not dead, but youβre not alive, either. Youβre a wintergirl.
β
β
Laurie Halse Anderson (Wintergirls)
β
I needed to hear the world but didn't want the world to know I was listening.
β
β
Laurie Halse Anderson (The Impossible Knife of Memory)
β
I want to be in fifth grade again. Now, that is a deep dark secret, almost as big as the other one. Fifth grade was easy -- old enough to play outside without Mom, too young to go off the block. The perfect leash length.
β
β
Laurie Halse Anderson (Speak)
β
When an introvert cares about someone, she also wants contact, not so much to keep up with the events of the other personβs life, but to keep up with whatβs inside: the evolution of ideas, values, thoughts, and feelings.
β
β
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
β
I would cling to unhappiness because it was a known, familiar state. When I was happier, it was because I knew I was on my way back to misery. I've never been convinced that happiness is the object of the game. I'm wary of happiness.
β
β
Hugh Laurie
β
The number doesn't matter. If I got down to 070.00, I'd want to be 065.00. If I weight 010.00, I wouldn't be happy until I got down to 005.00. The only number that would ever be enough is 0. Zero pounds, zero life, size zero, double-zero, zero point. Zero in tennis is love. I finally get it.
β
β
Laurie Halse Anderson (Wintergirls)
β
Why? You want to know why?
Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and peels off, roll in coarse salt, then pull on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight.
Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all, "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and drink and cut because you need the anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it's too late because you are mainlining it now, straight into your soul. It is rotting you and you can't stop.
Look in a mirror and find a ghost. Hear every heartbeat scream that everysinglething is wrong with you.
"Why?" is the wrong question.
Ask "Why not?
β
β
Laurie Halse Anderson (Wintergirls)
β
A little kid asks my dad why that man is chopping down the tree.
Dad: He's not chopping it down. He's saving it. Those branches were long dead from disease. All plants are like that. By cutting off the damage you make it possible for the tree to grow again. You watch - by the end of summer, this tree will be the strongest on the block.
β
β
Laurie Halse Anderson (Speak)
β
Death and disaster are at our shoulders every second of our lives, trying to get at us. Missing, a lot of the time. A lot of miles on the motorway without a front wheel blow-out. A lot of viruses that slither through our bodies without snagging. A lot of pianos that fall a minute after we've passed. Or a month, it makes no difference. So unless we're going to get down on our knees and give thanks every time disaster misses, it makes no sense to moan when it strikes.
β
β
Hugh Laurie (The Gun Seller)
β
I was fifteen when I first met Sherlock Holmes, fifteen years old with my nose in a book as I walked the Sussex Downs, and nearly stepped on him. In my defense I must say it was an engrossing book, and it was very rare to come across another person in that particular part of the world in that war year of 1915.
β
β
Laurie R. King
β
Who cares what the color means? How do you know what he meant to say? I mean, did he leave another book called "Symbolism in My Books?" If he didn't, then you could just be making all of this up. Does anyone really think this guy sat down and stuck all kinds of hidden meanings into his story? It's just a story.... But I think you are making all of this symbolism stuff up. I don't believe any of it.
β
β
Laurie Halse Anderson (Speak)
β
Principal Principal: Where's your late pass, mister?
Errant Student: I'm on my way to get one now.
PP: But you can't be in the hall without a pass.
ES: I know, I'm so upset. That's why I need to hurry, so I can get a pass.
Principal Principal pauses with a look on his face like Daffy Duck's when Bugs is pulling a fast one.
PP: Well, hurry up, then, and get that pass.
β
β
Laurie Halse Anderson (Speak)
β
It's Nathaniel Hawthorne Month in English. Poor Nathaniel. Does he know what they've done to him? We're reading The Scarlet Letter one sentence at a time, tearing it up and chewing on its bones.
It's all about SYMBOLISM, says Hairwoman. Every word chosen by Nathaniel, every comma, every paragraph break -- these were all done on purpose. To get a decent grade in her class, we have to figure out what he was really trying to say. Why couldn't he just say what he meant? Would they pin scarlet letters on his chest? B for blunt, S for straightforward?
β
β
Laurie Halse Anderson (Speak)
β
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the heroβs heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
β
β
Simone de Beauvoir (The Second Sex)
β
If I had lady-spider legs, I would weave a sky where the stars lined up. Matresses would be tied down tight to their trucks, bodies would never crash through windshields. The moon would rise above the wine-dark sea and give babies only to maidens and musicians who had prayed long and hard. Lost girls wouldn't need compasses or maps. They would find gingerbread paths to lead them out of the forest and home again. They would never sleep in silver boxes with white velvet sheets, not until they were wrinkled-paper grandmas and ready for the trip.
β
β
Laurie Halse Anderson (Wintergirls)
β
I donβt know how they do it. I donβt know how anybody
does it, waking up every morning and eating and moving
from the bus to the assembly line, where the teacherbots
inject us with Subject A and Subject B, and passing
every test they give us. Our parents provide the list of
ingredients and remind us to make healthy choices: one
sport, two clubs, one artistic goal, community service, no
grades below a B, because really, nobodyβs average, not
around here. Itβs a dance with complicated footwork and
a changing tempo.
Iβm the girl who trips on the dance floor and canβt find
her way to the exit. All eyes on me.
β
β
Laurie Halse Anderson (Wintergirls)
β
Mr Freeman: "Art without emotion is like chocolate cake without sugar. It makes you gag." He sticks his finger down his throat. "The next time you work on your trees, don't think about trees. Think about love, or hate, or joy, or pain- whatever makes you feel something, makes your palms sweat, or your toes curl. Focus on that feeling.
When people don't express themselves, they die on piece at a time. You'd be shocked at how many adults are really dead inside- walking through their days with no idea who they are, just waiting for a heart attack or cancer or a mack truck to come along and finish the job. It's the saddest thing I know.
β
β
Laurie Halse Anderson (Speak)
β
There is something about Christmas that requires a rug rat. Little kids make Christmas fun. I wonder if could rent one for the holidays. When I was tiny we would by a real tree and stay up late drinking hot chocolate and finding just the right place for the special decorations. It seems like my parents gave up the magic when I figured out the Santa lie. Maybe I shouldn't have told them I knew where the presents really came from. It broke their hearts.
I bet they'd be divorced by now if I hadn't been born. I'm sure I was a huge disappointment. I'm not pretty or smart or athletic. I'm just like them- an ordinary drone dressed in secrets and lies. I can't believe we have to keep playacting till I graduate. It's a shame we just can't admit that we have failed at family living, sell the house, split up the money, and get on with our lives. Merry Christmas.
β
β
Laurie Halse Anderson (Speak)
β
I think it was Donald Mainstock, the great amateur squash player who pointed out how lovely I was. Until that time I think it was safe to say that I had never really been aware of my own timeless brand of loveliness. But his words smote me, because of course you see, I am lovely in a fluffy moist kind of way and who would have it otherwise? I walk, and letβs be splendid about this, in a highly accented cloud of gorgeousness that isn't far short of being, quite simply terrific. The secret of smooth almost shiny loveliness, of the order of which we are discussing, in this simple, frank, creamy sort of way, doesn't reside in oils, unguents, balms, ointments, creams, astringents, milks, moisturizers, liniments, lubricants,
embrocations or balsams, to be rather divine for just one noble moment, it resides, and I mean this in a pink slightly special way, in ones attitude of mind.
To be gorgeous, and high and true and fine and fluffy and moist and sticky and lovely, all you have to do is believe that one is gorgeous and high and true and fine and fluffy and moist and sticky and lovely.
And I believe it of myself, tremulously at first and then with rousing heat and passion, because, stopping off for a second to be super again, Iβm so often told it.
Thatβs the secret really.
β
β
Stephen Fry (A Bit of Fry & Laurie)