β
What is normal? Normal is only ordinary; mediocre. Life belongs to the rare, exceptional individual who dares to be different.
β
β
V.C. Andrews (My Sweet Audrina (Audrina, #1))
β
Life is like that - twenty minutes of misery for every two seconds of joy.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
Love doesn't always come when you want it to. Sometimes it just happens, despite your will.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I wish the night would end,
I wish the day'd begin,
I wish it would rain or snow,
or the wind would blow,
or the grass would grow,
I wish I had yesterday,
I wish there were games to play...
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
You are the most dangerous kind of female the world can ever know. You carry the seeds for your own destruction and the destruction of everyone who loves you. And a great many will love you for your beautiful face for your seductive body; but you will fail them all because you will believe they all fail you first. You are an idealist of the worst kind - the romantic idealist. Born to destroy and self destruct.
β
β
V.C. Andrews (Fallen Hearts (Casteel, #3))
β
We lived in the attic,
Christopher, Cory, Carrie, and me,
Now there are only three.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
You can trust a few some of the time, and most none of the time. Feel lucky if you have even one to trust all of the time.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
I believe in God... but I don't believe in religion. Religion is used to manipulate and punish. Used in a thousand ways for profit for even in the church, money is still the 'real' God.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
People make the rules of society, not God.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Children are very wise
intuitively; they know who loves them most, and who only pretends.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Promises are lies wrapped in pretty ribbons -Cinnamon
β
β
V.C. Andrews
β
It was the eyes. The secret of love was in the eyes. The way one person looked at another, the way eyes communicated and spoke when the lips never moved.
β
β
V.C. Andrews
β
There is no hate such as that born out of love betrayed- and my brain screamed out for revenge.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Love, in short is the most dangerous emotion human can experience
β
β
V.C. Andrews (Daughter of Darkness (Kindred, #1))
β
At the end of the rainbow waited the pot of gold. But rainbows were made of faint and fragile gossamer-and gold weighed a ton-and since the world began, gold was the reason to do most anything.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Grief, no matter how you try to cater to its wail, has a way of fading away.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Only someone who had cried a great deal understands why someone else wants to stop the tears.
β
β
V.C. Andrews
β
I saw myself dancing alone, always alone,
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
People never really died. They only went on to a better place, to wait a while for their loved ones to join them. And then once more they went back to the world, in the same way they had arrived the first time around.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
People have a way of believing nothing terrible will ever happen to them, only to others.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Unless i'm reading an assignment or doing a paper or taking a test, i'm thinking about you.
β
β
V.C. Andrews (Secret Whispers (Heavenstone, #2))
β
love, is an unnatural attachment to another living thing. it's the root cause of most personal problems people have.
β
β
V.C. Andrews (Daughter of Darkness (Kindred, #1))
β
Love β¦ I put so much faith in it. Truth β¦ I kept believing it falls always from the lips of the one you love and trust the most. Faith β¦ itβs all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
It is so appropriate to color hope yellow, like the sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. 'Open the Window and Stand in the Sunshine.' Yet, I hesitate to name our story that. For I think of us more as flowers in the attic.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Patience. I colored patience gray, hung over with black clouds. I colored hope yellow, just like the sun we could see for a few short morning hours. Too soon the sun rose high in the sky & disappeared from view, leaving us bereft and staring at blue.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Seek the tarnish and you shall find
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
How wonderful to be understood, and never have to explain.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
And when I fall in love,β I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
And why is it all men think
everything a woman writes is trivial or trashy-or just plain silly
drivel? Don't men have romantic notions? Don't men dream of finding
the perfect love?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Through books Cathy and I have lived a zillion lives . . . our vicarious way
to feel alive.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Beauty thinks it needs no talent and can feed on itself, so it soon dies.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
A flower blooms best in a happy pot.
β
β
V.C. Andrews (Music in the Night (Logan, #4))
β
The creative genius begins in the idle moment, dreaming up the impossible, and later making it come true.
β
β
V.C. Andrews
β
...for everything can come to those who have the desire,the drive, the dedication, and the determination." v.c.andrews
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
Where was that fragile, golden-fair Dresden doll I used to be? Gone.
Gone like porcelain turned into steel-made into someone who would
always get what she wanted, no matter who or what stood in her way.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
What's done
is done. Say good-bye to the past, and hello to the future And we're
wasting time, when already we've wasted enough. We've got everything
ahead, waiting for us."
Just the right words to make me feel real, alive, free! Free enough to
forget thoughts of revenge.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Angel, saint, Devil's spawn, good or evil, you've got me pinned to the wall and labeled as yours until the day I die. And if you die first, then it won't be long before I follow.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
It was the eyes. The secret of love was in the eyes, the way one person looked at another, the way eyes communicated and spoke when the lips never moved.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I am a pretty, useless ornament who always believed she'd have a man to take care of her.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Love doesnβt always come when you want it to. Sometimes it just happens, despite your will.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
It's funny how when you're little, you miss all the little lies. They float right past you, but you don't wonder about them much. For a long time, you think this is just something adults still do after being kids - pretend. Then one day you wake up and realize most of the world you're in is built on someone's make-believe.
β
β
V.C. Andrews (Misty (Wildflowers, #1))
β
Little girls get hurt when they play grown-up games.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
At least when you were silent, you didnβt make any new enemies.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
To believe in God is a good thing, a right thing. But when you reinforce your belief with words you take from the Old Testament that you seek out, and interpret in the ways that suit your needs best, that is hypocrisy,
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
All pain seemed to come with lots of blood, and lots of mental anguish, too. I already knew about that. Maybe that was the worst kind of pain, because nobody knew about it but you.
β
β
V.C. Andrews (My Sweet Audrina (Audrina, #1))
β
Love, how often that word came up in books over and over again. If you had wealth and health, and beauty and talent...you had nothing if you didn't have love. Love changed all that was ordinary into something giddy, powerful, drunken, enchanted.
β
β
V.C. Andrews
β
We donβt anticipate accidents, nor do we expect to die young.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
My thoughts took frantic flight, wanting to escape this prison, and seek out the wind so it could fan my hair and sting my skin, and make me feel alive again.
β
β
V.C. Andrews
β
Dreams, I thought. They're the riches of a poor person, stashed in treasure chests buried deeply in the imagination. But are dreams enough?
β
β
V.C. Andrews (Heart Song (Logan, #2))
β
All you need do is say good-bye to yesterdayβs loves, and hello to the new. Look around and see who needs you most and you wonβt go wrong. Forget who needed you yesterday.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
I love you,β was his reply. βI make myself keep on loving you, despite what you do. I've got to love you. We all have to love you, and believe in
you, and think you are looking out for our best interests. But look at us, Momma, and really see us.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
And thank you for saying all of that, and for loving me, for you haven't gone unloved, or unadmired, yourself.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Being a good listener is the perfect way to avoid answering questions youβd rather ignore.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
I never realized that the blue sky I saw was not the soft, nurturing sky of spring, but the cold, chilling, lonely sky of winter
β
β
V.C. Andrews (Secrets in the Attic (Secrets, #1))
β
Love, when it came and knocked on my door, was going to be enough.
And that unknown author who'd written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love ... still it was not enough - boy, did I feel sorry for him.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
There were shadows in the corners and whispers on the stairs and time was irrelevant as honesty.
β
β
V.C. Andrews (My Sweet Audrina (Audrina, #1))
β
Life offers more than one chance, Cathy, you know that.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
Maybe thats because we take criticism best from those we love and those who love us-Ethan
β
β
V.C. Andrews (Secret Whispers (Heavenstone, #2))
β
That's the way all life's battles are won.. You don't look at the overall picture. You take one step, then another, and another... until you arrive at your destination.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
Blood ties are not supposed to be chains.
β
β
V.C. Andrews (My Sweet Audrina (Audrina, #1))
β
I realize we lose our innocence in many ways, the most painful being when we realize those who are supposed to love us and care for us more than anything, really care for themselves and their own pleasures more. It's painful because it makes you realize how alone you really are.
β
β
V.C. Andrews (Darkest Hour (Cutler, #5))
β
Never would I become so dependent on a man I couldnβt make my way in the world, no matter what cruel blow life delivered!
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Little rabbits have big ears.
β
β
V.C. Andrews (Fallen Hearts (Casteel, #3))
β
Go on, glare your eyes at me, and cry and plead, and talk to
me about money and what it can buy. But it can't buy back a child once he's dead!
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
My heart felt like a cold ember. Last night it flamed with hope. Today it was coated with ashes.
β
β
V.C. Andrews (Garden of Shadows (Dollanganger, #5))
β
What if I am a curse?" "Then you're the prettiest and nicest curse I know.
β
β
V.C. Andrews (Darkest Hour (Cutler, #5))
β
Why did the stars seem to be looking down at me with pity, making me feel ant-sized, overwhelmed, completely insignificant? It was too big, that close sky, too beautiful, and it filled me with a strange sense of foreboding.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
We had been separated by time and distance and events so long, it was as if we had to get to know each other again, but if it was possible to fall in love with the same person twice, I did.
β
β
V.C. Andrews (Pearl in the Mist (Landry, #2))
β
You are an intriguing combination, half child, half seductress, half angel."
I laughed sort and bitterly. "That's what all men like to think about women. Little girls they have to take care of--when I know for a fact it is the male who is more boy than man.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
Look at you, standing there in your iron- gray dress, feeling pious
and self- righteous while you starve small children!
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I had heard the wind from the mountains calling me last night, telling me it was my time to go, and I woke up, knowing what to do.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
Did she really believe that love, once gained, couldn't be torn asunder by doubts and fears, and could never, never be put back together again?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
The Bible said, as Chris quoted one memorable day, there was a time for
everything. I figured my time for happiness was just ahead, waiting
for me.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
If you work to obtain your goal, and realize from the very beginning that nothing valuable comes easily, and still forge ahead, without a doubt youβll reach your goal, whatever it is.
β
β
V.C. Andrews (Heaven (Casteel, #1))
β
Perhaps lovers aren't supposed to look down at the ground. That kind of story is told in symbols--and earth represents reality, and reality represents frustrations, chance illnesses, death, murder, and all kinds of other tragedies. Lovers are meant to look up at the sky, for up there no beautiful illusions can be trampled upon.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
What women wanted to be eaten alive, choked by a thrusting tongue? Not me, I wanted to be played like a violin, strummed pianissimo, in largo timing, fingered into legato, and let it grow into crescendo.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
Letβs go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we wonβt be disappointed.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Asleep you don't feel pain or hunger, or loneliness, or bitterness. In sleep you can drown in false euphoria, and when you awaken, you just don't care about anything.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Death can be a good friend to those in extreme pain. I wondered how he held on so long...
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
I think you might be the kind to put all the men you love up so high they are bound to come tumbling down.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
Why did I think back then, that happiness was always just ahead in the future, when I would be an adult, able to make my own decisions, go my own way, be my own person? Why had it seemed that being a child was never enough?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I donβt explain love, Bart. I donβt think anyone can. It grows from day to day from having contact with that other person who understands your needs, and you understand theirs. It starts with a faltering flutter that touches your heart and makes you vulnerable to everything beautiful.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
I had a gift too; not the bright and shining coin that was Christopher's. It was my way to turn over all that glittered and look for the tarnish.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
The weight of the lie was so great it almost didn't escape my lips and barely made it to her ears
β
β
V.C. Andrews (Secrets in the Attic (Secrets, #1))
β
He won't listen to the music, and I can't turn it off.
β
β
V.C. Andrews
β
I brushed it until it shone and looked somewhat like it used to look,
only far thinner, and less glorious.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
And somewhere in that crimson-colored never-never land where i pirouetted madly, in a wild and crazy effort to exhaust myself into insensibility, i saw that man, shadowy and distant, half-hidden behind towering white columns that rose clear up to a purple sky. In a passionate pas de deux he danced with me, forever apart, no matter how hard i sought to draw nearer and leap into his arms, where i could feel them protective about me, supporting me ... and with him i'd find, at last, a safe place to live and love.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
After it's all over, the early childhood, a chain of birthdays woven with candlelight, piles of presents, voices of relatives singing and praising your promise and future, after the years of schooling, fitting yourself into different size desks, memorizing, reciting, reporting, and performing for jury after jury of teachers, counselors, and administrators, you still feel inadequate, alone, vulnerable, and naked in a world that can be unforgiving and terribly demanding.
β
β
V.C. Andrews (Into the Garden (Wildflowers, #5))
β
-just on the verge of
becoming a woman, and in these three years and almost five months, I'd
reached maturity. I was older than the mountains outside. The wisdom
of the attic was in my bones, etched on my brain, part of my flesh.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Hay un jardin en el cielo, que esta esperando. Es un jardin que Chris y yo imaginamos hace muchos aΓ±os, mientras yaciamos en una losa dura y negra del tejado y contemplabamos el Sol y las estrellas
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
We are perfect children. Mentally, physically, emotionally, we are wholesome, and godly in every way possible. We have as much right to live, love, and enjoy life as any other children on this earth.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I watched the jealousy between them grow, and felt it was none of my fault--only Momma's! As everything wrong in my life was her fault.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
I don't know if it's for the better, but I do know people aren't static. We all change from day to day.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
...there has to be darkness if there is to be light.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
I donβt think anything about the human body and the way it functions is disgusting or revolting.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Yes, I am a prisoner of sorts, but my prison isn't the house. It's my own thoughts that lock me up!
β
β
V.C. Andrews (Pearl in the Mist (Landry, #2))
β
And where was happiness? In the yesterdays? In the tomorrows? Not in this hour, this minute, this second. We had one thing, and one thing only, to give us a spark of joy. Hope.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Being mature means realizing life is filled with dark days,too.
β
β
V.C. Andrews (Melody (Logan, #1))
β
Maybe that was what millions could do-- nail a satisfied smirk to one's face.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
We haven't remained idle, twiddling our thumbs while you were off having a good time. Through books Cathy and I have lived a zillion lives . . . our vicarious way to feel alive.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
You snatch from life what you can while you are young, for if you wait for better times to come tomorrow, you wait in vain.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
You know what I miss the most about my youth? My gullibility. It's nice believing in everything and everyone. It makes you feel secure, but be strong and depend more on yourself and you'll be ready for disappointments. That's the best advice I can offer you.
β
β
V.C. Andrews (Heart Song (Logan, #2))
β
Was I prone to sadness and melancholy? How could anyone like that? It wasn't that I wanted it; it was that I was so used to hard rains, I couldn't help expecting a cloudburst every time something nice happened and sunshine beamed down over me.
β
β
V.C. Andrews (Pearl in the Mist (Landry, #2))
β
The mountain trees that grew between the pines were a brilliant blaze of fall colors, like fire against the emerald green of the pines, firs and pruces. And it was, as I'd told myself long ago, the year's last passionate love affair before it grew old and died from the frosty bite of winter.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
I used to have this toy, a magic slate. You wrote or drew on it and then, just by pulling up the plastic cover, everything you did disappeared and you could start new. Maybe everyone feels that on New Year's Eve: They can pull up the magic sheet and rewrite their lives.
β
β
V.C. Andrews
β
Y pidio a Dios que se la tragase al suelo. Pero los suelos nunca se abren cuando deberian hacerlo.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
For when I
waltzed with Chris, I'd made him someone else.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
has to be darkness if there is to be light.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
To love anything once extremely well made you vulnerable to another loving attack
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Then turn your eyes back on me,
and tell me that Cathy and I are still children to be treated with condescension, and are incapable of understanding adult subjects.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
We haven't remained idle, twiddling our thumbs while you were off having a good time.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
If a little hill of happiness would satisfy Chris, good for him. But
after all these years of striving, hoping, dreaming, longing-I wanted a
mountain high! A hill wasn't enough.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
we could survive the worst, doesnβt it stand to reason we should be able to bear the best?
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
Shadows in the house put shadows in the mind.
β
β
V.C. Andrews (My Sweet Audrina (Audrina, #1))
β
From all that I heard, and overheard, fate was a grim reaper, never kind, with little respect for who was loved and needed.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didnβt want all of the magic taken out of the world by scientific explanation.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Itβs not that Iβm afraid to die, itβs only the road to death that terrifies me, for sometimes it can be so drawn out.
β
β
V.C. Andrews (Dark Angel (Casteel, #2))
β
Whatever doesn't destroy you, makes you stronger. Hardships have a way of toughening us, if they don't kill us.
β
β
V.C. Andrews (Pearl in the Mist (Landry, #2))
β
The sun was hot and bright. A day for fishing, for swimming, for playing tennis and having fun, and they put my Christopher in the ground.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
I remembered Grandmere Catherine used to tell me your first impressions about people usually prove to be the truest because your heart is the first to react.
β
β
V.C. Andrews (Pearl in the Mist (Landry, #2))
β
La vida es siempre asi: veinte minutos de afliccion por dos segundos de alegria.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
I am not at all the kind who can forget the tarnish on the reverse side of the brightest coin.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
I was the kind of child whoβd always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didnβt want all of the magic taken out of the world by scientific explanation.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
We're going to change. We're going to throw out what's worse in us
and keep what's best. But come hell or high water, we three will stick
together, all for one, one for all. We're going to grow, Cathy,
physically, mentally, and emotionally. Not only that, we're going to
reach the goals we've set for ourselves. I'll be the best damned
doctor the world's ever known and you will make Pavlova seem like an
awkward country girl.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
At the end of the rainbow waited the pot of gold. But rainbows were made of faint and fragile gossamerβand gold weighed a tonβand since the world began, gold was the reason to do most anything.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
From this day forward, I vowed
to myself, I was in control of my life. Not fate, not
God, not even Chris was ever again going to tell me what to do, or
dominate me in any way. From this day forward, I was my own person, to
take what I would, when I would, and I would answer only to myself.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Love doesn't spurt up like an instant bonfire, consuming all reason, it flickers and falters, and sometimes almost goes out. The fact that it doesn't go out, despite all the rain that fall on it--that's love.
β
β
V.C. Andrews (Gods of Green Mountain)
β
Life is always like thatβtwenty minutes of misery for every two seconds of joy. So, be everlastingly grateful for those rare two seconds and appreciate; appreciate what good you can find, no matter what the cost.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
Love...I put so much faith in it.
Truth...I kept believing it falls always from the top lips of the one you love and trust the most.
Faith...it's all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Love is fragile at best and often a burden or something that blinds us. It's fodder for poets and song writers and they build it into something beyond human capacity. Falling in love means enrolling yourself in the school of disappointment. Being human means failing each other often, and no two people fail each other more than two people who pledge to do things for each other that they'll never do because they are just incapable of it...That's why art is enduring. The look of love or hope, or the look of compassion, bravery, whatever, is captured forever. We spend our lives trying to get someone to be as enduring as a painting or a sculpture and we can't because feelings crumble as quickly as the flesh.
β
β
V.C. Andrews (Heart Song (Logan, #2))
β
Then the wind came in with Bart and blew the vase of roses from the table. I stood and stared down at the crystal pieces and the petals scattered about. Why was the wind always trying to tell me something? Something I didn't want to hear!
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
Once I was in the cold dim room, without furniture or carpet or rugs, only a dollhouse that wasn't as wonderful as the original, I opened the tall and narrow closet door and began my ascent up the steep and narrow stairs.
On my way to the attic.
On my way to where I'd find my Christopher, again...
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
Cathy, don't look so defeated. She was only trying to put us down
again.
Maybe nothing did work out right for her, but that doesn't mean we are
doomed. Let's go forth tomorrow with no great expectations of finding
perfection. Then, expecting only a small share of happiness, we won't
be disappointed.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
God, He didn't write the scripts for the puny little players down
here.
We wrote them ourselves-with each day we lived, each word we spoke,
each thought we etched on our brains. And Momma had written her
script, too.
And a sorry one it was.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
No habiamos dicho ya un millon de oraciones, siempre en espera de una liberacion que no llegaba nunca? Y si las lagrimas no servian de nada y las oraciones no las oia nadie, como ibamos a llegar hasta Dios para obligarle a que hiciera algo?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
a long time ago Iβd given up on religion, thinking it wasnβt for me when so many were bigoted, narrow-minded, and cruel.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
El SeΓ±or nos lo ha dado, el SeΓ±or nos lo ha quitado
β
β
V.C. Andrews (Garden of Shadows (Dollanganger, #5))
β
Los malvados siempre se las arreglan para permanecer jovenes y sanos mucho mas tiempo que aquellos que tienen un lugar reservado en el cielo
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
Even flicker of a memory about another girl he liked is static on your radio," she said. "Keep him tuned in only to you.
β
β
V.C. Andrews (Forbidden Sister (The Forbidden, #1))
β
I sighed, he sighed, the wind and flowers sighed too. I think those marble statues sighed along as well, in their lack of understanding the human condition
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
youβve got to learn something from every defeat in life or life will defeat you.
β
β
V.C. Andrews (Gates of Paradise (Casteel, #4))
β
There is no hate such as that born out of love betrayed
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I loved her in an odd kind of way, the way you love winter when youβre hot in summer.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
Love, it came unbidden.
You couldn't help whom you fell in love withβcupid's arrows were ill aimed.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
People never really die until you forget them.
β
β
V.C. Andrews (Christopher's Diary: Secrets of Foxworth (Dollanganger #6))
β
If there were no shadows, how could we see the sunlight?
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
It was my way to turn over all that glittered and look for the tarnish.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
nostalgia was nothing more than dissatisfaction with the present. Anything looked better than now, even harder times. It was a fantasy that people accept.
β
β
V.C. Andrews (Christopher's Diary: Secrets of Foxworth (Diaries, #1))
β
Love, when it came and knocked on my door, was going to be enough.β-
β
β
V.C. Andrews
β
We all have to love you, and believe in
you, and think you are looking out for our best interests. But look at us, Momma, and really see us.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
You have to be a wonderful actress or actor to survive in this world.
β
β
V.C. Andrews
β
you used to do that. If you hid your face, you thought we couldnβt see you just because you couldnβt see us.
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.
β
β
Dave Eggers (A Heartbreaking Work of Staggering Genius)
β
...I'm a fool. I expect too much, then I'm angry because nothing ever works out the way I want. When I was young and full of hopes and aspirations, I didn't know I would get hurt so often. I think I'll get tough and won't ache again, then my fragile shell shatters, and again, symbolically, my blood is spilled with the tears I shed. I pull myself back together again, go on, convince myself there is a reason for everything, and at some point in my life it will be disclosed. And when I have what I want, I hope to god it stays long enough to let me know I have it, and it wont hurt when it goes, for I don't expect it to stay, not now. I'm like a doughnut, always being punch out in the middle, and constantly I go around searching for the missing piece, and on and on it goes, never ending, only beginning...
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
Los invitados, que habian venido tan elegantemente vestidos a la fiesta de cumplea*os, nos rodearon, pronunciando esas frases consoladoras que dice la gente cuando la verdad es que no hay nada que decir
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Cathy, don't look so defeated. She was only trying to put us down
again.
Maybe nothing did work out right for her, but that doesn't mean we are
doomed. Let's go forth tomorrow with no great expectations of finding
perfection. Then, expecting only a small share of happiness, we won't
be disappointed."
If a little hill of happiness would satisfy Chris, good for him. But
after all these years of striving, hoping, dreaming, longing-I wanted a
mountain high! A hill wasn't enough. From this day forward, I vowed
to myself, I was in control of my life. Not fate, not
God, not even Chris was ever again going to tell me what to do, or
dominate me in any way. From this day forward, I was my own person, to
take what I would, when I would, and I would answer only to myself. I'd
been kept prisoner, held captive by greed. I'd been betrayed,
deceived, tied to, used, poisoned ... but all that was over now.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Love . . . I put so much faith in it. Truth . . . I kept believing it falls always from the lips of the one you love and trust the most. Faith . . . itβs all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
What did you do with time when you had it in superabundance? Where did you put your eyes when you had already seen everything? What direction should your thoughts take, when daydreams could lead you into so much trouble?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I want you to understand that what is black to one person is white to another. And nothing in this world is so perfect that it is pure white, or so bad it is pure black. Everything concerning human beings comes in shades of gray, Carrie.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
I believe, though Iβm not sure, once you are an adult, and come back to the home of your parents to live, for some odd reason, youβre reduced to being a child again, and dependent. Her parents tug her one wayβand we pull her another wayβ
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Swing low, sweet chariot, comin'for t'carry me home...' was the tune I hummed as I made the beds, and waited for the news to come that our grandfather was on his way to heaven if his gold counted, and to hell if the Devil couldn't be bribed.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Chris, soap people are like
us-they seldom go outdoors. And when they do, we only hear about it,
never see it. They loll about in living rooms, bedrooms, sit in the
kitchens and sip coffee or stand up and drink martinis-but never, never
go outside before our eyes. And whenever something good happens,
whenever they think they're finally going to be happy, some catastrophe
comes along to dash their hopes.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Then turn your eyes back on me,
and tell me that Cathy and I are still children to be treated with condescension, and are incapable of understanding adult subjects. We haven't
remained idle, twiddling our thumbs while you were off having a good time.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
All right, Chris, you've given me a breather. I'm prepared for
anything.
And thank you for saying all of that, and for loving me, for you
haven't gone unloved, or unadmired, yourself." I kissed him quickly on
the lips, and told him to go on, to hit me with his knockout blow.
"Really, Chris, I know you must have something perfectly awful to tell
me-so out with it. Keep holding me as you tell me, and I can stand
anything you have to say.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Everyone is an actor. In the end, everyone wants applause.
β
β
V.C. Andrews (Falling Stars (Shooting Stars, #5))
β
I knew then he was blind when he looked at me.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
I want my name to mean something after Iβm dead.
β
β
V.C. Andrews (Heaven (Casteel, #1))
β
Por cada cosa que uno gana tiene que perder algo
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Sometimes doing the right thing does take more courage, but the feeling it gives you deep inside makes it worth it.
β
β
V.C. Andrews (Pearl in the Mist (Landry, #2))
β
Books were enough to send him off on a high tangent, knowing he had a way to escape to other worlds.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
The male of the species is born knowing everything evil.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Unicamente yo tenia secos los ojos, seco el corazon
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
El orgullo es el vicio siempre presente de los imbeciles
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
Yo solo podia preguntarme por que tenia que ocurrirnos todas las desgracias. Por que se empenaba el destino en perseguirnos?
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
Pain always makes me antagonistic--are you any different?
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
There's something about growing up, about being in society and mixing with real people that restricts your imaginative powers.
β
β
V.C. Andrews
β
It's better not to make a promise than to make one you can't keep.
β
β
V.C. Andrews (Pearl in the Mist (Landry, #2))
β
To love anything once extremely well made you vulnerable to another loving attack. I knew; Iβd already been in love six times.
β
β
V.C. Andrews (The Flowers in the Attic Series: The Dollangangers)
β
I lay so still in the gloom I could hear the house breathe, and the boards of the floors whispered, conniving a way to keep me here forever.
β
β
V.C. Andrews (My Sweet Audrina (Audrina, #1))
β
We came together like long separated lovers who might never have the chance to kiss and hug again.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
I felt sorry for her, and I felt betrayed by my own compassion.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
I am very difficult to please. Iβm inclined to put men up on a pedestal and think of them as perfect. As soon as I find out they have feet of clay, I fall out of love, become indifferent.
β
β
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
β
He stepped beside me and encircled my shoulders with the comfort of his arm, protecting me from Joel, from everything. With him Iβd live in a thatched hut, a tent, a cave. He gave me strength.
β
β
V.C. Andrews (Seeds of Yesterday (Dollanganger, #4))
β
a still water that ran deep." I still don't know what she meant by that, except quiet people did exude some illusion of mystery that kept you wondering just what they really were beneath the surface.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Te amo por razones que no tienen principio ni fin. Te amaba incluso antes de conocerte;por eso mi amor no tiene causa ni motivo. Dime que me vaya, y me irΓ©. Pero antes tienes que
saber que, si me rechazas, recordarΓ© toda mi vida un amor que pudo ser nuestro, y que te amarΓ© aΓΊn mΓ‘s despuΓ©s de muerto.
β
β
V.C. Andrews
β
Or was Chris thinking, as I was, that if we went to
the police and told our story, our faces would be splashed on the front
pages of every newspaper in the country? Would the glare of publicity
make up for what we'd lose? Our privacy-our need to stay together?
Could we lose each other just to get even?
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Men are hateful, contrary creatures who say they want goddesses to put on pedestals. Once they have them up there, they rip off the halo, tear off the gown, slice off the wings so they canβt fly and then kick the pedestal away so the woman falls at his feet and he can scream out as he kicks her, tramp!βor worse.
β
β
V.C. Andrews (My Sweet Audrina)
β
Isn't it funny how far we will go to be with someone we think we love. A grown man will behave like a young boy, a young boy will do everything he can to appear like a grown man. We'll risk our reputations, sacrifice our worldly possessions, defy our parents, even our religious beliefs. We'll do illogical and foolish things, things that are impractical, wasteful, just for a moment of what we think is ecstasy on earth.
β
β
V.C. Andrews (All That Glitters (Landry, #3))
β
What are you offering now?β I asked suspiciously. βJust me, my friendship. Just me, and the now-and-then right to kiss you, hold your hand, touch your hair, and take you to the movies, and listen to your dreams because you listen to mine, and be silly once in a while, build a past weβll enjoy rememberingsβthatβs all.
β
β
V.C. Andrews (Heaven (Casteel, #1))
β
Donβt try to appeal to me when I feel sick to my stomach. I ask myself each day how I can come home and not be tired of you, and still feel as I do after so many years, and after all that has happened. Yet I go on year after year loving you, needing and trusting you. Donβt take my love and make it into something ugly!
β
β
V.C. Andrews (If There Be Thorns (Dollanganger, #3))
β
The part that Sahsa moved into Alena's bedroom and slleps in Alena's bed and uses her belongings.But there is someone else who don't like the idea that someone is useing her sister's room and her stuff .So she tries to make sure that Sahsa never takes her sister's place and is jealous so she plans on making Sahsa'a Life A Living Hell.
β
β
V.C. Andrews
β
And we were alone. Locked in. All the lights were turned off. Around us, below us, this huge house seemed a monster, holding us in its sharp-toothed mouth. If we moved, whispered, breathed heavily, we'd be swallowed and digested.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
It's not good to be alone when you feel bereft. It's better to be with people and share your grief, and not keep it locked up inside."
She said this dry-eyed, with not a tear, but somewhere deep inside her she was crying, screaming.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
A Colder breeze lifted a dead leaf to the roof and sent it scuttling merrily on its way to catch in my hair. It crackled dry and brittle when Chris plucked it out and held it, just staring down at a dead maple leaf as if his very life depended on reading its secret for knowing how to blow in the wind. No arms, no legs, no wings... bit it could fly when dead.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
You were right the first time, Cathy. It was a stupid, silly story.
Ridiculous! Only insane people would die for the sake of love. I'll
bet you a hundred to one a woman wrote that junky romantic trash!"
Just a minute ago I'd despised that author for bringing about such a
miserable ending, then there I went, rushing to the defense. "T. M.
Ellis could very well have been a man! Though I doubt any woman writer
in the nineteenth century had much chance of being published, unless
she used her initials, or a man's name. And why is it all men think
everything a woman writes is trivial or trashy-or just plain silly
drivel? Don't men have romantic notions? Don't men dream of finding
the perfect love? And it seems to me, that Raymond was far more
mushy-minded than Lily!
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Chris was in the rocker, fully clothed, and was strumming idly on
Cory's guitar. "Dance, ballerina, dance," he softly chanted, and his
singing voice wasn't bad at all. Maybe we could work as musicians---a
trio -if Carrie ever recovered enough to want a voice again.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
We learned love was just like a soap bubble, so shining and bright one day, and the next day it popped. Then came the tears, the woebegone expressions, the anguish over endless cups of coffee while seated at the kitchen table with a best friend who had her own troubles, or his own troubles. But, no sooner was one love over and done with, then along came another love to start that shining soap bubble soaring again.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
According to the accounts, which weβve recorded, there was a motorist driving a blue Ford weaving in and out of the lefthand lane, apparently drunk, and he crashed head-on into your husbandβs car. But it seems your husband must have seen the accident coming, for he swerved to avoid a head-on collision, but a piece of machinery had fallen from another car, or truck, and this kept him from completing his correct defensive driving maneuver, which would have saved his life. But as it was, your husbandβs much heavier car turned over several times, and still he might have survived, but an oncoming truck, unable to stop, crashed into his car, and again the Cadillac spun over . . . and then . . . it caught on fire.
β
β
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
β
β
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))