Vans Slip On Quotes

I was slipping, man, and it was definetly time to get a grip.

One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning. I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.

There were times, many, many times, when she just didn't get him. She'd heard on numerous occasions that men were bad, wicked creatures, who'd do terrible things at a moment's notice. You wore the wrong skirt or bent over at an inopportune time and BAM. They slipped their penises into you.

And I just let those little things slip out of my mouth, words like I miss you. Please come back and see how much I do. Listen to the soft voice in your heart, all those little things that made up the greatness of our love.

There are a number of things a woman can tell about a man who is roughly twenty-nine years old, sitting in the cab of a pickup truck at 3:37 in the afternoon on a weekday, facing the Pacific, writing furiously on the back of pink invoice slips. Such a man may or may not be employed, but regardless, there is mystery there. If this man is with a dog, then that's good, because it means he's capable of forming relationships. But if the dog is a male dog, that's probably a bad sign, because it means the guy is likely a dog, too. A girl dog is much better, but if the guy is over thirty, any kind of dog is a bad sign regardless, because it means he's stopped trusting humans altogether. In general, if nothing else, guys my age with dogs are going to be work. Then there's stubble: stubble indicates a possible drinker, but if he's driving a van or a pickup truck, he hasn't hit bottom yet, so watch out, honey. A guy writing something on a clipboard while facing the ocean at 3:37 P.M. may be writing poetry, or he may be writing a letter begging someone for forgiveness. But if he's writing real words, not just a job estimate or something business-y, then more likely than not this guy has something emotional going on, which could mean he has a soul.

Van Eck folded his soiled handkerchief twice, tucked it away. He nodded to the boy and the girl. “Do whatever you have to. The auction starts in less than an hour, and I want answers before then.” “Hold him up,” the stout boy said to the girl. She hauled Wylan to his feet, and the boy slipped a pair of brass knuckles from his pocket. “He’s not going to be so pretty after this.” “Who is there to care?” Van Eck said with a shrug. “Just make sure you keep him conscious. I want information.” The boy eyed Wylan skeptically. “You sure you want to do it this way, little merch?” Wylan summoned every bit of bravado he’d learned from Nina, the will he’d learned from Matthias, the focus he’d studied in Kaz, the courage he’d learned from Inej, and the wild, reckless hope he’d learned from Jesper, the belief that no matter the odds, somehow they would win. “I won’t talk,” he said. The first punch shattered two of his ribs. The second had him coughing blood. “Maybe we should snap your fingers so you can’t play that infernal flute,” Van Eck suggested. I’m here for her, Wylan reminded himself. I’m here for her. In the end, he was not Nina or Matthias or Kaz or Inej or Jesper. He was just Wylan Van Eck. He told them everything.

Love Hypothesis: "Ik hou van jou, Adam" "---like slipping into a favorite dress, one she'd thought lost inside her closet, and finding that it fit as comfortably as it used to

Time is slipping through my fingers like a ripe banana.

Coconut,” I say. “You always smell coconut-y.” Then, because it’s dark in the van, and because I’m wiped out from all the panic and my guard is down, I add, “You always smell good.” “Sex Wax.” “What?” I sit up a little straighter. He reaches down to the floorboard and tosses me what looks like a plastic-wrapped bar of soap. I hold it up to the window to see the label in the streetlight. “Mr. Zog’s Sex Wax,” I read. “You rub it on the deck of your board,” he explains. “For traction. You know, so you don’t slip off while you’re surfing.” I sniff it. That’s the stuff, all right. “I bet your feet smell heavenly.” “You don’t have a foot fetish thing, do you?” he asks, voice playful. “I didn’t before, but now? Who knows.” The tires of the van veer off the road onto the gravelly shoulder, and he cuts the wheel sharply to steer back onto the pavement. “Oops.” We chuckle, both embarrassed. I toss the wax onto the floorboard. “Well, another mystery solved

As we Christians strive to be more influenced by God’s kingdom than by this world, we’re reminded we will sometimes slip, but ‘if we confess our sins, he is faithful and just and will forgive our sins and purify us from all unrighteousness’ (1 John 1:9).

The Beast It is a creepsome sort It slips among your dreams Whispers in your ear at night And all the while It schemes You

The very phrase "inference to the best explanation" should wave a red flag to us. What is good, better, best? What values are slipped in here, under a common name, and where do they come from? The appeal to explanation brings out into the open the glaring fact that we have a risk taking pursuit of truth. Science is brave and dares to enter dangerous waters. Empirical science goes for bold conjectures and audacious hypotheses, it offers them as basis for prediction and action while the iron is still hot and conclusive evidence still infinitely beyond reach.

Humanity had always been brutally selfish; one slip, trip and fall away from lynch-mob violence, from downright evil. It wouldn’t take much of a breakdown in society to push them all across that line.

As the thick liquid slips down her throat and into her belly, Alba starts to feel warm and soft, as if the kitchen has just hugged her. And, after a few minutes she isn't scared to tell the truth anymore. At least a little bit of truth.

One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung.

I try to remember a face that once brought happiness to my days, though it's slipped my memory for now. Lips that once said, "Rest with your dream in my dream." But now, I journey through the shadows alone, accompanied only by nameless beasts that steal my memories.

Do you have any ChapStick?” the factory co-worker asks me on the way home. I covertly slip my hand under my shirt and slide two fingers into my belly button. I pull out the ChapStick and pass it to him. “This ChapStick is the perfect temperature,” he says as he spreads it across his lips.

Erra’s gaze swept the crowd, taking in the archers, the Biohazard, the vans, the equipment, the audience up in the ruins nearby . . . She raised her arms to the sides. The cape slipped off her. Glossy red fabric hugged her body. It clung to her like a second skin of pure scarlet. My aunt apparently had developed a fetish for spandex. Who knew? Gale thrust his hand through his cloak. His fist gripped a large axe. The orange light of the flames shimmered along the ten-inch blade attached to a four-foot handle. The axe probably pushed six pounds in weight. A normal swordsman would be slower than molasses, but with her strength, it wouldn’t matter. She could swing it all day and then arm-wrestle a bear. Gale turned on his heel, walked five steps to Erra, and knelt before her, offering the axe on the raised palms of his hands. “We should clap or something,” Curran said. “She’s trying so hard.

When your mama was the geek, my dreamlets,' Papa would say, 'she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing. "Spread your lips, sweet Lil," they'd cluck, "and show us your choppers!"' This same Crystal Lil, our star-haired mama, sitting snug on the built-in sofa that was Arty's bed at night, would chuckle at the sewing in her lap and shake her head. 'Don't piffle to the children, Al. Those hens ran like whiteheads.' Nights on the road this would be, between shows and towns in some campground or pull-off, with the other vans and trucks and trailers of Binewski's Carnival Fabulon ranged up around us, safe in our portable village. After supper, sitting with full bellies in the lamp glow, we Binewskis were supposed to read and study. But if it rained the story mood would sneak up on Papa. The hiss and tick on the metal of our big living van distracted him from his papers. Rain on a show night was catastrophe. Rain on the road meant talk, which, for Papa, was pure pleasure. 'It's a shame and a pity, Lil,' he'd say, 'that these offspring of yours should only know the slumming summer geeks from Yale.' 'Princeton, dear,' Mama would correct him mildly. 'Randall will be a sophomore this fall. I believe he's our first Princeton boy.' We children would sense our story slipping away to trivia. Arty would nudge me and I'd pipe up with, 'Tell about the time when Mama was the geek!' and Arty and Elly and Iphy and Chick would all slide into line with me on the floor between Papa's chair and Mama. Mama would pretend to be fascinated by her sewing and Papa would tweak his swooping mustache and vibrate his tangled eyebrows, pretending reluctance. 'WellIll . . .' he'd begin, 'it was a long time ago . . .' 'Before we were born!' 'Before . . .' he'd proclaim, waving an arm in his grandest ringmaster style, 'before I even dreamed you, my dreamlets!' 'I was still Lillian Hinchcliff in those days,' mused Mama. 'And when your father spoke to me, which was seldom and reluctantly, he called me "Miss." ' 'Miss!' we would giggle. Papa would whisper to us loudly, as though Mama couldn't hear, 'Terrified! I was so smitten I'd stutter when I tried to talk to her. "M-M-M-Miss . . ." I'd say.' We'd giggle helplessly at the idea of Papa, the GREAT TALKER, so flummoxed. 'I, of course, addressed your father as Mister Binewski.

My existence came to a halt one afternoon long ago, a day like any other, when I realized that nothing was true. Yet, my life continued when it should have ended, in a space that no longer exists, in a decade that slipped away so quickly, with a revelation that altered everything but changed nothing. I have no desire to converse; I have no words left. You want me to stay in touch, so I will wait for you at the end of every blind alley, under the solitary streetlamps of a city that will never be ours. After all, you will not come...those lives whose truths vanished into an eternal vault beyond our reach will never see the sun.

All you had to do was take a visit to Dachau or Auschwitz or Srebrenica to see what kind of monsters humans could be. Humanity had always been brutally selfish; one slip, trip and fall away from lynch-mob violence, from downright evil. It wouldn’t take much of a breakdown in society to push them all across that line.

Underground Airlines is a figure of speech: it's the root of a grand, extended metaphor, "pilots" and "stewards" and "baggage handlers" and "gate agents." Connecting flights and airport security. The Airlines flies on the ground, in package trucks and unmarked vans and stolen tractor-trailers. It flies in the illicit adjustment of numbers on packing slips, in the suborning of plantation guards and the bribing of border security agents, in the small arts of persuasion: by threat or cashier's check or blow job. The Airlines is orders placed by imaginary corporations for unneeded items to be shipped to such-and-such a place at such-and-such a time.

Sunday night is my personal weekly Halloween. I walk along slowly and drag my fingertips along the bars of chocolate. Goddamn, you sexy little squares. Dark, milk, white, I do not discriminate. I eat it all. Those fluorescent sour candies that only obnoxious little boys like. I suck candy apples clean. If an envelope seal is sweet, I’ll lick it twice. Growing up, I was that kid who would easily get lured into a van with the promise of a lollipop. Sometimes, I let the retail seduction last for twenty minutes, ignoring Marco and feeling up the merchandise, but I’m so tired of male voices. “Five bags of marshmallows,” Marco says in a resigned tone. “Wine. And a can of cat food.” “Cat food is low carb.” He makes no move to scan anything, so I scan each item myself and unroll a few notes from my tips. “Your job involves selling things. Sell them. Change, please.” “I just don’t know why you do this to yourself.” Marco looks at the register with a moral dilemma in his eyes. “Every week you come and do this.” He hesitates and looks over his shoulder where his sugar book sits under a layer of dust. He knows not to try to slip it into my bag with my purchases. “I don’t know why you care, dude. Just serve me. I don’t need your help.” He’s not entirely wrong about my being an addict. I would lick a line of icing sugar off this counter right now if no one were around. I would walk into a cane plantation and bite right in... “Give me my change or I swear to God …” I squeeze my eyes shut and try to tamp down my temper. “Just treat me like any other customer.” He gives me a few coins’ change and bags my sweet, spongy drugs.

Vincent van Gogh's last words were, after his brother comforted him by telling him he would get better from the self-inflicted gunshot wound to the chest, "La tristesse durera toujours." The sadness will last forever. It wasn't a lie. There was sadness, and there was despair, and there was pain—but there was also laughter, and joy, and relief.

And I will close my eyes and prepare myself so that they can unscrew my head and allow the map to slip into my lacunae. So that I can be filled and braced from the inside and fortified for the voyage. Because without my world inside me I will contract and congeal, more even than I am now, without speech and without actions and without any purchase upon time.

Cognifying photography has revolutionized it because intelligence enables cameras to slip into anything (in a sunglass frame, in a color on clothes, in a pen) and do more, including calculate 3-D, HD, and many other options that earlier would have taken $100,000 and a van full of equipment to do. Now cognified photography is something almost any device can do as a side job.

Wylan—and the obliging Kuwei—will get the weevil working,” Kaz continued. “Once we have Inej, we can move on Van Eck’s silos.” Nina rolled her eyes. “Good thing this is all about getting our money and not about saving Inej. Definitely not about that.” “If you don’t care about money, Nina dear, call it by its other names.” “Kruge? Scrub? Kaz’s one true love?” “Freedom, security, retribution.” “You can’t put a price on those things.” “No? I bet Jesper can. It’s the price of the lien on his father’s farm.” The sharpshooter looked at the toes of his boots. “What about you, Wylan? Can you put a price on the chance to walk away from Ketterdam and live your own life? And Nina, I suspect you and your Fjerdan may want something more to subsist on than patriotism and longing glances. Inej might have a number in mind too. It’s the price of a future, and it’s Van Eck’s turn to pay.” Matthias was not fooled. Kaz always spoke logic, but that didn’t mean he always told truth. “The Wraith’s life is worth more than that,” said Matthias. “To all of us.” “We get Inej. We get our money. It’s as simple as that.” “Simple as that,” said Nina. “Did you know I’m next in line for the Fjerdan throne? They call me Princess Ilse of Engelsberg.” “There is no princess of Engelsberg,” said Matthias. “It’s a fishing town.” Nina shrugged. “If we’re going to lie to ourselves, we might as well be grand about it.” Kaz ignored her, spreading a map of the city over the table, and Matthias heard Wylan murmur to Jesper, “Why won’t he just say he wants her back?” “You’ve met Kaz, right?” “But she’s one of us.” Jesper’s brows rose again. “One of us? Does that mean she knows the secret handshake? Does that mean you’re ready to get a tattoo?” He ran a finger up Wylan’s forearm, and Wylan flushed a vibrant pink. Matthias couldn’t help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz’s planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission. Wylan pulled his sleeve down self-consciously. “Inej is part of the crew.” “Just don’t push it.” “Why not?” “Because the practical thing would be for Kaz to auction Kuwei to the highest bidder and forget about Inej entirely.” “He wouldn’t—” Wylan broke off abruptly, doubt creeping over his features. None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure. “Okay, Kaz,” said Nina, slipping off her shoes and wiggling her toes. “Since this is about the almighty plan, how about you stop meditating over that map and tell us just what we’re in for.

​Thunder crackles loudly outside and the room brightens from the flash of lightning.  The rain is really coming down now.  She stirs next to him and for the first time in an extremely long time, he pulls her back up against him, slipping his arm under her pillow.  He is spooning her, pulling the covers over her bare shoulder before settling his arm over her waist.  Holding her to him possessively. ​What am I going to do with you, Stellina?

Maybe she liked Van Gogh's work for other reasons, too. Maybe she liked how he created things while never knowing his own value. Maybe she liked the thought of being imperfect, but being loved anyway. Maybe she felt some sort of kinship with a man who, for his entire adult life, warred with his own monsters in his head. Vincent Van Gogh's last words were, after his brother comforted him by telling him he would get better from the self-inflicted gunshot wound to the chest, "La tristesse durera toujours", "the sadness will last forever".

One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops. I fade, she was beginning, I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.

Eventually I became a tad compulsive about hearing certain songs. At first it was a handful of jazz classics—Miles Davis’s “Freddie Freeloader,” John Coltrane’s “My Favorite Things,” Frank Sinatra’s “Luck Be a Lady.” (Before one primary debate, I must have played that last track two or three times in a row, clearly indicating a lack of confidence in my preparations.) Ultimately it was rap that got my head in the right place, two songs especially: Jay-Z’s “My 1st Song” and Eminem’s “Lose Yourself.” Both were about defying the odds and putting it all on the line (“Look, if you had one shot or one opportunity, to seize everything you ever wanted in one moment, would you capture it? Or just let it slip…”); how it felt to spin something out of nothing; getting by on wit, hustle, and fear disguised as bravado. The lyrics felt tailored to my early underdog status. And as I sat alone in the back of the Secret Service van on the way to a debate site, in my crisp uniform and dimpled tie, I’d nod my head to the beat of those songs, feeling a whiff of private rebellion, a connection to something grittier and more real than all the fuss and deference that now surrounded me. It was a way to cut through the artifice and remember who I was.

Kate found a sled, a pair of skis, and poles in the back of a van. She grabbed the gear and dragged it back over to Luke. She strapped her son to the sled, found some rope and cord in the van where she’d stashed him, and then slipped into her skis.

I painted my lips red and slipped on comfortable checkered Vans.

Why do all the men I know put their shoes on incredibly slowly? When I tie my shoelaces I can do it standing, and I’m out the door in about ten seconds. (Or, more often, I don’t even tie my shoelaces. I slip my feet into my sneakers and tighten the laces in the car.) But with men, if they are putting on any kind of shoe (sneaker, Vans, dress shoe), it will take twenty times as long as when a woman does it. It has come to the point where if I know I’m leaving a house with a man, I can factor in a bathroom visit or a phone call or both, and when I’m done, he’ll almost be done tying his shoes. There’s a certain meticulousness that I notice with all guys when they put their shoes on. First of all, they sit down. I mean, they need to sit down to do it. Right there, it signals, “I’m going to be here for a while. Let’s get settled in.” I can put on a pair of hiking boots that have not even been laced yet while talking on my cell phone, without even leaning on a wall.

Femi turned around as he heard the door swing open. Chioma appeared in a white thick towel tied around her sexy body, from above her small and well-rounded breasts. Her artificial hair took refuge under a transparent shower cap. Even with a washed-up makeup-free face, her beauty radiated and penetrated every inch of the tastelessly furnished room. Tension traveled across the floor that separated the pair as they stared hard and awkwardly at each other’s sexy figure. After a momentary loss of consciousness, the two were brought back to their senses. ‘You need to turn around so I can get dressed,’ she purred. As a gentleman would, Femi, without any utterance, quickly turned away without nurturing a second thought. He stared through the window, again, at the police van parked outside. He tried to observe what was going on inside the van, but nothing. His attention was brought back to Chioma as he stared at her from the back of his eyes. He went into whirlwinds of impure thoughts. ‘Femi… Femi… Femi!’ He was brought back to his senses as Chioma repeatedly called out his name. He slowly trained his sight upon Chioma who was dressed in a sexy, semi-transparent, cream nightgown that revealed shades of her nakedness. The nipples of her erect boobies were stiff and swollen. The gown terminated far above her knees, exposing her succulent fresh thighs. Femi’s heart began to race fast. He cleared his throat and quickly caught his breath. ‘Where do I sleep?’ Chioma asked in a half-sexy voice. ‘You have the bed. I’ll have the rug,’ Femi proposed. ‘Are you going to be comfortable sleeping on the rug? We can sleep on the bed together as long as you promise to remain on your side of the bed.’ Femi considered the very tempting offer, but summoned the strength to turn it down. ‘Don’t worry about me. I will be comfortable on the rug. I sometimes sleep on the rug when I’m alone.’ Chioma slipped into the bed in her nightgown and camisole, while Femi strolled to the light switch fastened to the wall.

Here are the rules for five-star babysitting of the Craig’s List high order: 1) Be firm, but willing to compromise; a half-hour of G.I Joe or Pokemon after bedtime in exchange for a couple hours of peace and quiet is more priceless than Van Gogh. Compromise. If you give them something they want, they’ll end up tucked in before the boyfriend sends you a sext message. 2) If compromise isn’t an option, go for Valium—or at least Xanax. Most moms have it in the medicine cabinet. And if you mix it with milk, you’ll still be good for happy hour. 3) When all else fails, go for broke: cry. Crying, for a nineyear- old, is tantamount to getting whacked with a wooden spoon until cookies give you PTSD. But the biggest rule, the one that breaking will definitely earn you a pink slip; the one you’d have to be a supreme knucklehead or complete noob to break—the one thing in all of the sitting profession that is the golden rule is: do not lose the kid. That’s kind of the big one.

Love happens so rarely, it seems. It is a shame to let it slip away because of fear.

She whispers, “You knock on my door… with the names of my dead friends dripping from your lips. You come into my home and you stir up these memories. You… insinuate.” He gives her his most agreeable nod with each point. “And for what? To get some clips for a lousy podcast?” Fear tickles his skin, but he forces himself to keep that calm mask from slipping. “What, you thought I wouldn’t figure it out? I looked you up while you were in the bathroom. Anwar Fariz of Suburban Murders. Or was it The Killer Next Door that won that trashy podcast award?” He holds up two fingers and gives her a smug smile. “Two-time winner.” “You dig up people’s pain and sadness. You process it like a sausage and profit. You don’t create; you regurgitate. You’re a vulture, a merchant of misery.

Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung

Why must men do this? If Will had had his way, he’d have allowed every bureau in their house to slip into junk-drawer status. She lets out a soft chuckle, thinking of Marcellus and his collection of oddities, stashed under the gravel in his den. Apparently, this tendency of males to assemble useless dross transcends species.

Your friends keep you level and help you remain anchored when you feel like you are slipping. They prop you up and take your measure and set you straight. They illuminate the path before you.

the Cottonwood Creek one, or maybe it was Indian Creek—so that I could park near the broken-down van that had given up one of its occupants that cold night. I parked and got out, walking toward whatever damn creek it was, and looked up at the makeshift poster still stapled to the power pole. The snow was falling steadily, very much like the night Jeanie One Moon had gone missing, almost as if the fates were toying with me, laughing in my face. I reached up and tore the now brittle plastic from the tree, having been fastened there for over a year, and studied the photo of the missing girl with half her face faded away, as if she were lying in a snowdrift somewhere, waiting to be discovered. Carefully folding the notice, I slipped it into the inside pocket of my jacket just as a pair of headlights appeared in the distance from the south, roiling the snow in their wake. I watched, fully expecting it to continue on I-90 up to Billings, but instead it slowed, turned in, and pulled up behind my truck. The big, full-ton turbo diesel dually engine rattled to a stop and the lights shut off. A large man extricated himself from the driver’s seat and lumbered toward me. “How did you know I would be here?” Lyndon Iron Bull stomped through the couple of inches of snow and pulled up the collar on his blanket-lined coat, his glasses steaming with his breath. “This is my land;

Vincent van Gogh’s last words were, after his brother comforted him by telling him he would get better from the self-inflicted gunshot wound to the chest, “La tristesse durera toujours.” The sadness will last forever. It wasn’t a lie. There was sadness, and there was despair, and there was pain—but there was also laughter, and joy, and relief.

His fingers curled in as another thought settled into his mind. What if no one was there? What if his mind had slipped sideways and the laughter had not come from without but from within? Was it, like the glass and migraines and auras and perhaps even that diseased dog’s photos, simply inside his mind? Was he slipping toward some unknown precipice—or perhaps had he already?

I asked if I could borrow Gilead's but she gave me a funny look. So funny I started laughing uncontrollably. When I couldn't stop myself I clamped my hand over my mouth and went outside. The thing about having a stress reaction is that even when you know you're having a stress reaction that knowledge doesn't seem to do you any good. I found a doorway across the road where a parked police sprinter van blocked the view from the rest of the street. I lent against the door and let myself slipped down until I was sitting with my back to it. I closed my eyes and focused on my breathing until the giggles stopped.

I don’t melt for you, Jake Compton,” she murmurs, holding my gaze. “I burn.” With that, she slips over my knee and darts out of the van. Oh, baby girl, the chase is so fucking on.

I nod, swallow hard and grapple for him, needing to feel more than just his chest. I slip a hand under his shorts and then… “Holy shit,” I practically cry out, eyes wide. “Why, thanks,” he says, grinning down at me… “Beau. What the hell?” “Is there a problem?” He smirks while adding another finger and words evade me. Hell yes, there’s a problem. He’s not small. And I haven’t had anything but a dildo or fingers (my own but now his, too) for years and even though I did, in fact, squeeze a human out of my vagina, it’s not as though it’s ready to take on thunder dick.

What have I gotten myself into?” “A lifetime.” She sucks in a breath and tears instantly flood her eyes. “You like that.” Her hair slips over her shoulders when she shakes her head. “No. I love that.” “Not as much as I do.

She rolled down the window, just a crack, hoping the muggy late May air would be cooler than the interior of the van. Almost immediately, her nostrils were flooded with the smell of what could only be described as Satan’s BO. “Mistake! Huge error in judgment!” she gasped. Jillian rolled up the window, her hands so sweaty that her fingers actually slipped off of the handle a few times before she sealed herself inside the van.

You gonna be okay with that idiot car of yours? ...” “I’ve got AAA. They’ll be here. Eventually.” ... “Well, if they don’t show, give the station a call and I’ll drive over and jump you.” There was a sort of strangled non-noise. “Jump your car. Jump-start it. The cruisers have incredible batteries.” She started laughing. “Is that a Freudian slip, or are you just happy to see me?

What's your name?" he asked. She'd turned to him with a deep frown, instantly terrifying him. About to turn to escape back into the bookshop, Walt was stopped by her shrug. "Cora." "That's a funny name." "It isn't, actually." Cora's frown deepened. She pulled herself up to her full height of four foot three inches. 'Officially my name is Cori, but Grandma calls me Cora. I'm named in honor of Gerty Cori, the first woman winner of the Nobel Prize in medicine. I bet you didn't know that." "No," Walt admitted, embarrassed. "I didn't." "What's your name?" "Walt," he offered quietly, expecting her to retort that his was an even sillier name, but she didn't. "After the scientist?" Walt frowned, thrown. "What scientist?" Cora shrugged. "Maybe Luis Walter Alvarez or Walter Reed, but... actually Walter Sutton is the most famous. He invented a theory about chromosomes and the Mendelian laws of inheritance." Cora let slip a little smile of satisfaction at the blank look on the boy's face. "Or maybe Walter Lewis-" "No," Walt interrupted, "I've never heard of any of them." "Oh." Cora folded her arms and tilted her nose upward. "Then who are you named after?" she asked, as if this was a given. "Walt Whitman," he retorted. "The poet.

As the milky early morning sun slips in through her kitchen windows, Cosima plucks the blossoms off her yellow squash and begins to make her way through today's menu: courgette blossom and artichoke pizza, wild mushroom and tomato bruschetta, lemon and pistachio cake, vanilla and orange oil cannoli, espresso and hazelnut tart... And into each bowl she sprinkles a generous pinch of paternal love, protection, and devotion.

Cosima lines up all her little jars of dried herbs and flowers, then carefully picks the ones she needs. "Acacia, for secret love. Celandine, for joys to come. Bluebell," she whispers, "for constancy. Bougainvillea, for passion. And chrysanthemum, for truth." She finds her special ceramic baking bowl and begins to add the usual ingredients: flour, sugar, butter, and eggs. "And the only flavor strong enough to mask the flowers." Cosima opens the cupboard above her head and takes down two bars of the finest dark chocolate she's ever tasted. "Ninety-nine percent. Perfect." After she's grated a beetroot, for moisture, and added vanilla pods, for extra flavor, Cosima pours the dark, thick mixture into a small baking tin and slips it into the oven. An hour later, she cools the cake, then glazes its black (with a tint of purple) surface with a chocolate icing seasoned with a little dust of daffodil, passionflower, and cosmos: new beginnings, faith, joy in love and life.

Miss Elton, who found the conversation increasingly distressing, got up, murmured a quick good night . . . and went to her room. During the bellicose talk in the lounge, the ghosts of Frank Durrant, Madeleine, Arvid and Mr. Sorenius seemed to be slipping further and further away with their own receding world. And what was one offered in exchange for this world of the dead? A future in which all signposts pointed to war and the ruin of all those useless little things which made life worth living. And then, as if provoked by the contrast of the speeches and ideas to which she had just been listening, a flood of images, each of them a small part of her life at Ashleigh Place, swept through her mind with an overwhelming suddenness—a walk on a windy autumn afternoon to the farm with a message about eggs, cartloads of logs coming before Christmas to be stacked in the stables, the remodelling of the rose-garden, with Mrs. Durrant setting the new labels in their places, two swans which spent a season on the little River Mene at the foot of the western slope, and the sudden appearance of a kingfisher by those fitful waters, the endless cooing of wood-pigeons in the trees round the house, the catch whistled by the baker's boy as he jumped out of his bright little van, the tick of the huge grandfather clock in the darkest corner of the hall, the pattern of the old-fashioned tiles in the bathroom which she had used, cockchafers beating against the windows on hot summer nights, the scent of the tobacco plants in the round bed near the drawing-room, an expedition to the woods on a grey day to cut mistletoe. . . .

The very phrase "inference to the best explanation" should wave a red flag to us. What is good, better, best? What values are slipped in here, under a common name, and where do they come from? The appeal to explanation brings out into the open the glaring fact that we have a risk taking pursuit of truth. Science is brave and dares to enter dangerous waters. Empirical science goes for bold conjectures and audacious hypotheses, it offers them as basis for prediction and action while the iron is still hot and conclusive evidence still infinitely beyond reach.

The very phrase "inference to the best explanation" should wave a red flag to us. What is good, better, best? What values are slipped in here, under a common name, and where do they come from? The appeal to explanation brings out into the open the glaring fact that we have a risk taking pursuit of truth. Science is brave and dares to enter dangerous waters. Empirical science goes for bold conjectures and audacious hypotheses, it offers them as basis for prediction and action while the iron is still hot and conclusive evidence still infinitely beyond reach.

His gaze slalomed down her face, maybe marveling, like she did, how sixteen years could pass with no sense of time, how family is rare and finite yet can slip away, how features and mannerisms marked them as the same tribe.

And then something happened that had only happened once or twice before, but when it had done so, it had burned itself into her memory. Her father was there. Somehow, in a way known only to late people, he had slipped into the cab of the van and was seated beside her. Of course, she could not see him—not in the physical sense—but of his presence she had absolutely no doubt.

I was about to start breaking out the "bloody hells!" and I wasn't even British! See! She was driving me crazy! I was officially changing nationalities! Her hand slipped. I swear it had to have slipped because she was actually now almost cupping a feel! OOOOOOH CANADA!!!

Oh, Marcella!’ Aurelia turned around, her hair, half undone, slipping out of my hands. ‘Dost thou never dream?’ I stared at her, my thoughts racing after each other too fast to be spoken. Of course, I dream. I dream, and I hate to dream. I hate to dream, for I know that it will never be so. Dream away—thou canst afford it, but I have no hope. ’Tis better not to dream at all than to dream with no hope of having.

His mind drifted oddly. . . . . . . Hard to imagine what moment would be right for a rebellion against so powerful an adversary as an immortal dictator. The group in Jorgia might delay their action too long; he couldn’t wait. Marin frowned sleepily. “Did I think that?” He had not ever before even considered rebellion. And what was that about a Jorgian group? Could it be that, just for an instant, here at the edge of sleep, a Trask plan had slipped through to his consciousness? But why rebellion? It didn’t fit. A man who could shift his awareness and his identity from one body to another didn’t need revolutions. Besides, it would be impossible. The group idea, combined with free enterprise, and pregnant with great ideas, was just beginning to take hold. Like a giant, it strode over the land, crushing all resistance and simultaneously inspiring hope. At such moments men did not listen easily to voices that warned against faraway disaster or urged the possibility of even greater creativity. Again his mind wandered. If they don’t act, he thought, I’ll have to act on my own. He felt relieved that he hadn’t told anyone of his invention. And so, all by himself, he was able to act—on the greatest scale. Marin slept uneasily, and his dreams were vague yet purposeful. He seemed to be permeated with secret plans that were not his own.

She hasn’t a clue, so she sits on her bench, staring at the water for some length of time that’s amorphous, immune to ordinary laws of the world, like a huge octopus reshaping its body to slip through a tiny crack. At some point, she checks her watch. It must be very late by now. Quarter to midnight.

When they circle back to the pier, Tova slips away and stands at the railing, alone. To the somber bay that took them both, a cherished son and an exceptional octopus, she whispers inscrutably: “I miss you. Both of you.” She taps her heart.

I fear old age, and death, the slipping away of youth. But don’t we all, I suppose?