Air Suspension Quotes

We've searched our database for all the quotes and captions related to Air Suspension. Here they are! All 100 of them:

What do you want, MacGuffin, a duel?” “No.” Julian held out both hands, one palm flat, the other held over it in a fist. “Rock, paper, scissors. Two out of three.” Ty rolled his eyes and held out his fist, apparently willing to play. Julian hit his palm three times, and Ty kept time with his fist in the air. But when Julian threw a paper, Ty reached into his jacket with his other hand and pulled his gun, aiming it at Julian. “Ty!” Zane said in exasperation from the front seat. “Glock, paper, scissors. I win.” “You are an ass,” Julian muttered.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Fringe winds from Hurricane Lori rushed in, carrying dust and debris. It blew through the highceilinged, chandeliered lobby and back into the wide open doors of the elegant and intimate dining room. White linen tablecloths fluttered and napkins flew in the air, sending plates and silverware crashing to the floor.
Behcet Kaya (Murder on the Naval Base)
Hey,” Shayne said through the door. “You going to stay in there all night, because we’re getting tired of trying to eavesdrop from out here. Can’t hear a damn thing.
Jill Shalvis (Smart and Sexy (Sky High Air, #1))
Jack, this is Vance McGruder. I couldn’t find your cell number so I’m taking a chance on reaching you at the cottage. It’s Monday afternoon and I need you here as soon as possible. I’ve arranged for a one-way, first-class ticket on Delta Air Lines on their 3:15pm flight tomorrow afternoon to Atlanta and connecting on to LAX. I’ll have a car and driver at LAX to pick you up. Call me as soon as you get this message.
Behcet Kaya (Body In The Woods (Jack Ludefance, #2))
Honest to God, she was the noisiest woman he'd ever been shot at with.
Jill Shalvis (Smart and Sexy (Sky High Air, #1))
Your silence exists as does my self gathering. But so does the almost absolute silence of the world's dawning. In such suspension, before every utterance on earth, there is a cloud, an almost immobile air. The plants already breathe, while we still ask ourselves how to speak to each other, without taking breath away from them.
Luce Irigaray (To Be Two)
Then Drago began the deliberate, precise, business-like process of killing.  A knee-buckling burst of fire and flash laid waste to men and material within seconds.  A Panhard vehicle to Silva’s left simply disappeared in an explosion that spraying metal parts willy-nilly in every direction in a spread so thorough that Drago thought they were under fire, and he yelled at his men to respond.  Another blast destroyed a six-wheeled reconnaissance vehicle, but it didn’t break it apart; it simply expanded as if swollen or bloated, like an air mattress or inflatable toy, though it still had weight and quickly collapsed over its own suspension.  Some trucks were overturned; a Jeep flipped end-over-end.  None were left unscathed.  In short order, what had been ten or twelve vehicles were reduced to a single steaming and smoking pile of metal.
John Payton Foden (Magenta)
It is just dawn, daylight: that gray and lonely suspension filled with the peaceful and tentative waking of birds. The air, inbreathed, is like spring water. He breathes deep and slow, feeling with each breath himself diffuse in the natural grayness, becoming one with loneliness and quiet that has never known fury or despair. "That was all I wanted," he thinks, in a quiet and slow amazement. "That was all, for thirty years. That didn't seem to be a whole lot to ask in thirty years.
William Faulkner (Light in August)
Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
Simona Panova (Nightmarish Sacrifice (Cardew))
One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.
Virginia Woolf (Mrs. Dalloway)
In the years that followed, Tsula would find that she could not recall that walk to the edge or the thrust of her legs into the air. Her clearest memory more than twenty years later is of the long, breathless wait as she fell, seemingly forever, and the water swallowing her at last. When she burst from its surface, unhurt, her mind noisy and electric, she grabbed for Jamie and kissed him hard.
C. Matthew Smith (Twentymile)
Smoke veils the air like souls in drifting suspension, declining the war's insistence everyone move on.
Jayne Anne Phillips (Lark & Termite)
She knew how to hit to a hair's breadth that moment of evening when the light and the darkness are so evenly balanced that the constraint of day and the suspense of night neutralize each other, leaving absolute mental liberty...At times her whimsical fancy would intensify natural processes around her till they seemed a part of her own story. Rather they became a part of it; for the world is only a psychological phenomenon, and what they seemed, they were. The midnight airs and gusts, moaning amongst the tightly wrapped buds and bark of the winter twigs, were formulae of bitter reproach. A wet day was the expression of irremediable grief at her weakness in the mind of some vague ethical being whom she could not class definitely as the God of her childhood, and could not comprehend as any other.
Thomas Hardy (Tess of the D’Urbervilles)
I pulled in a soft breath. My lungs were starving, crying out for air. I lay still, and a cough tickled at the back of my throat. It always happens when you're hiding, a cough, a sneeze, something. It's stupid. The body decides to screw around with you, even though it knows being quiet is the only way it's going to go on living.
Lilith Saintcrow (Betrayals (Strange Angels, #2))
Merde, alors,’ said the parrot, muffled.
Mary Stewart (Airs Above the Ground: The suspenseful love story from the Queen of the Romantic Mystery)
Blue light streamed out from her hands and pounded into the desert. An enormous mass of sand flew into the air, leaving behind a gaping hole. The officers closest to it fell back on the ground from the energy pushing up into the air as if the earth was exhaling a breath held for hundreds of years.
Marie Montine (Arising Son: Part Two (The Guardians of the Temple Saga))
As the sun rules the day and the moon governs the night, so too, we are connected by: the air that we breathe, light that we see and the darkness that follows. Life is too short to waste it on disagreements. Surely, we can all agree to disagree. So let us find a common ground, form a union and spread joy, happiness and freedom around the world for the benefit of you, me and the future generations to come.
Raymond Beresford Hamilton (Identity Assumption)
Hands still in the air, Jordan reached back and gently caressed her cheek. Dying for this woman would be no hardship. He'd die a thousand times over if it would take away her pain. Since he had every intention of living a long and healthy life with Eden at his side, he sincerely hoped Noah was on his way and dying wouldn't be necessary.
Christy Reece (Rescue Me (Last Chance Rescue, #1))
Sand rose into the air, spinning a maelstrom of protection against bullets. She looked up at him: his face contorted with concentration while the wind played with his dark hair. His arms tightened around her until she felt every contour of his body against hers. Her heart raced faster than the churning sand, and her breath was lost as if the vortex siphoned it.
Marie Montine (Arising Son: Part Two (The Guardians of the Temple Saga))
One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air.
Virginia Woolf (Mrs. Dalloway)
There should have been a dark whisper in the wind. Or maybe a deep chill in the bone. Something. An ethereal song only Elizabeth or I could hear. A tightness in the air. Some textbook premonition. There are misfortunes we almost expect in life—what happened to my parents, for example—and then there are other dark moments, moments of sudden violence that alter everything. There was my life before the tragedy. There is my life now. The two have very little in common.
Harlan Coben (Tell No One)
We all have scars. Some just run deeper or are more visible than others.
Susan Sleeman (Love Inspired Suspense May 2015 - Box Set 2 of 2: Explosive Alliance\Witness Undercover\Into Thin Air)
The world rumbled around them. The Kins walked away from the long line of sand that rose into the air. An extensive tunnel emerged like a ginormous serpent, shaking off the desert as if it was done its play.
Marie Montine (Arising Son: Part Two (The Guardians of the Temple Saga))
He doesn’t look a violent type—so polite, and so patrician. You never hear him raise his voice.” She thought about it. “No, you don’t, do you?” It struck her that the Captain exuded an air of quiet command. His ‘orders’ were always delivered in polite terms, but very few people made the mistake of not carrying them out immediately. “I expect he doesn’t usually have to though.” She laughed. “You don’t get appointed to command a ship like the Vanguard unless you know how to get people to do what you want them to.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
On suffoquait, les chevelures s'alourdissaient sur les têtes en sueur. Depuis trois heures qu'on était là, les haleines avaient chauffé l'air d'une odeur humaine. Dans le flamboiement du gaz, les poussières en suspension s'épaississaient, immobiles au-dessous du lustre. La salle entière vacillait, glissait à un vertige, lasse et excitée, prise de ces désirs ensommeillés de minuit qui balbutient au fond des alcôves. Et Nana, en face de ce public pâmé, de ces quinze cents personnes entassées, noyées dans l'affaissement et le détraquement nerveux d'une fin de spectacle, restait victorieuse avec sa chair de marbre, son sexe assez fort pour détruire tout ce monde et n'en être pas entamé.
Émile Zola (Nana)
Fathers are… The teeth on a saw, The head of a nail, The blades on a mower. Fathers are… The grit in a tumbler, The cement in the pit, The coin for the machine. Fathers are… The air in the tires, The spring in the suspension, The key to the ignition. Fathers are... the confidence in a dare, The energy of a command, The boots for the trail. Tis true you might make things work without them, but not at all like they were meant to.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
I felt I'd walked into a scene from a movie in which someone was going mad, the air heavy with suspense.
Ottessa Moshfegh (Eileen)
Its aura distorts hard edges. Shimmering vortices of discoloration boil off, swirling, licking the cold night air with bright spectral fire. Violence and death, this one’s still hot.
Michael Allan Scott (Flight of the Tarantula Hawk: A Lance Underphal Mystery Thriller)
Without warning, he jumped into the air. Startled, I held him tighter, my cheek against his. Speaking into my ear, he said, “Yer not too tall, nor too thin, nor do ye weigh too much. Yer perfect the way ye are, lass. A man that does not possess the strength, patience and intelligence to provide fer and protect a woman is no man at all.
Michaela McGregor (Truth's Evil Light (Cheveyo Series, #1))
Keto wasn’t just any dog. He was vicious, trained to be a killing machine when called on. Pack had invested much time and effort into training Keto. He hadn’t barked before attacking the murderer. It was close to a stealth attack. Probably flew through the air the final eight or ten feet. Mouth open wide, upper and lower incisors ready to rip the prey apart painfully, efficiently.  And the killer’s screams weren’t just any screams. They were shrieks, the kind arising from sheer terror. Knowing your means of defense are dead, as dead as you soon will be.  
John M Vermillion (Packfire (Simon Pack, #9))
It seems right now that all I’ve ever done in my life is making my way here to you.’ I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused. ‘Don, what are you…what have you done to yourself?’ ‘I’ve made some changes.’ ‘Big changes.’ ‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’ Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care. ‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required. ‘I need a minute to think,’ she said. I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision. ‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead. 'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’ ‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter. ‘According to your definition, no.’ Rosie looked extremely unhappy. The evening had turned into a disaster. 'I thought my behaviour would make you happy, and instead it’s made you sad.’ ‘I’m upset because you can’t love me. Okay?’ This was worse! She wanted me to love her. And I was incapable. Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
The traffic is heavy, the air is light; the sunshine dances off the vehicles as they flash by. Vast glass doors slide effortlessly open at her approach, and close behind her. Immediately the street noise has gone. Olivia is left in a vast marble room, at a distant desk sits a single woman; smart, efficient, and smiling.
M.F. Kelleher (Olivia Streete and the Parisian Contract)
Shea is in my arms in seconds. We’re not just holding each other but pressing out all the bad, letting it seep from us, and allowing it to disintegrate in the air, leaving room for only the good within our embrace. With everything that we have with each other, I think there is no room for anything negative. Not anymore. —HEW
Michelle Warren (He + She)
As my body recalled my soul, I began to quiver with pain and gasp for air.
Nancy B. Brewer (Garnet)
Silence hung around the corners, draped like spider webs across all surfaces and hanging like smog in the air.
Jennifer Perry
Jane sneezed three hundred dollars' worth of coke into the air. Krishna's black eyes seem to have mirrors in them. She glances at me with a smile as big as the Cheshire Cat's.
Anthea Carson (The Dark Lake (Oshkosh, #1))
He forced air into his lungs, willed his heart to slow down.
Kaylea Cross (Out Of Her League (Suspense Series, #1))
and air power had never won a war.
Tom Clancy (Red Storm Rising: A Suspense Thriller)
She watched as his lips parted. He drew a breath in and knew she wasn’t the only one feeling that something special that seemed to be humming in the air around them.
Dorothy Ewels (Love At Last)
I am a very good cook.” When she did cook. “Good. I like to eat.” He lightly bit her palm. The too-much-air feeling in Lucy’s stomach pressed upward into her heart. “What?” she asked past the constriction in her chest. “What do I like to eat?” “Yeah.” “Blondes with blue eyes.” Oh God. She pulled her hand from his. “Are you hungry?” His gaze lowered to her mouth. “I could eat.
Rachel Gibson (Sex, Lies, and Online Dating (Writer Friends, #1))
I love being at my store early in the morning. With golden sunlight streaming in through the windows and the smell of old pages and fresh coffee lingering in the air, it’s like my own personal piece of Heaven.
Jacqueline E. Smith (Trashy Suspense Novel)
The concrete floor beneath the airbed was hard and uncompromising, digging into her back and making it difficult to breathe. The stale air reeked of disinfectant and shit. And something else that she couldn't quite place. Death, perhaps?
Mark Tilbury (The Eyes of the Accused (The Ben Whittle Investigations #2))
No matter how much he denied his attraction to her, those red curls haunted his dreams like brilliant flames that couldn't be extinguished... "Fuirich air falbh on teine," he said under his breath, but loud enough for her to hear. Stay away from the fire.
Victoria Roberts (Snakes in the Garden)
It suddenly occurred to him that for the first time in years, they were about to be alone together for more than five minutes. Just the two of them. On a small jet. Tens of thousands of feet in the air. Christ. Maybe he should've packed a parachute, just in case.
Elle Kennedy (Midnight Action (Killer Instincts, #5))
One need not smoke to inhale. The air in bars holds its load of tars in stale suspension. Also jails. Jails are a prison for the person who abhors smoke. But happily gorgeous thought also hangs around like that: you can walk through a mist of Brodsky and contact- exist.
Kay Ryan (Erratic Facts)
Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy. The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it. The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty. The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark. The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose. Los Hierros was crap.
Carmen Amato (The Hidden Light of Mexico City)
Elron: These were happy woods. The entire place was happy from the house to the gardens to the woods. But this one little garden had something extra. It was excited. Something odd for plants and trees. They were prone to joy, happiness, sorrow and tranquility but not something as active as excitement. Someone had spent a lot of time here and a bit of their personality had seeped into the place. That someone was excited about life and probably young. Strange. Few youth of any race knew enough to transmit their feelings. The trees whispered about a person, moving and bending with change. The plants gossiped about tenderness shown them but the air breathed words of rage and despair in my ear. The plants didn't know gender but I got the impression of a woman, a young woman. The altar indicated she was a witch. A good witch.
N.E. Conneely (Witch for Hire (A Witch's Path, #1))
In this garden, the air was sweet and clean, like the cool water running in the creek. Beyond the garden was the rainforest, a damp cathedral of fragrant myrtle and sassafras, sprawling mosses and ancient lichen... There was only one road into Vanishing Falls... the road meandered through hilly green pastures where black-and-white cows grazed, past pretty weatherboard farmhouses with splendid man ferns out front, thick hedges, and rose gardens.
Poppy Gee (Vanishing Falls)
The orchestra strikes up with ‘Stockholm in My Heart’, and everyone joins in. Hands sway in the air, mobile phone cameras are raised. A wonderful feeling of togetherness. It will be another fifteen minutes until, with meticulous premeditation, the whole thing is torn to shreds. Let us sing along for the time being. We have a long way to go before we return here. Only when the journey has softened us up, when we are ready to think the unthinkable, will we be permitted to come back.
John Ajvide Lindqvist (Little Star)
Today, more then ever, the chance to confront one's own dragons, to travel into one's own dark wood is truly possible. It requires the inner journey that awaits all of us at every moment of our lives. It involves as much grandeur, suspense, and need for courage as any story of medieval knights. To travel to the unknown parts of yourself, that is something not even Michael Jordan in his Nike Airs can do for you. At the same time, that journey is precisely what gives you more importance than a Michael Jordan, for you are the only one breathing with your lungs and living your life.
Michael Brant DeMaria (Ever Flowing On: On Being and Becoming Oneself)
His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train. And it was this that awed him — the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge — movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition. His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now? I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then? The fusion of the two strong egotisms, Eliza’s inbrooding and Gant’s expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.
Thomas Wolfe (Look Homeward, Angel)
Eleanor thought, It is my second morning in Hill House, and I am unbelievably happy. Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long. Abandoning a lifelong belief that to name happiness is to dissipate it, she smiled at herself in the mirror and told herself silently, You are happy, Eleanor, you have finally been given a part of your measure of happiness. Looking away from her own face in the mirror, she thought blindly, Journeys end in lovers meeting, lovers meeting.
Shirley Jackson (The Haunting of Hill House)
Tango dansını kökenine kadar araştırdım, tarihçesini okudum. (...) Buenos Aires’te çıktığını biliyor muydunuz? Ve ilk çıktığında sadece genelevlerde yapıldığını? Gangster dansıymış. (...) Tangoda roller önceden belirlenmiştir. Erkek ve kadın ne yapacağını çok iyi bilir. Erkek her zaman kadını yönetir. Kadını yönlendiren, ona komut veren, kendine çeken, geri iten, döndüren, uzağa fırlatan, atan, tutan hep erkektir... kısacası, erkek maçoluğun alasını yapar. Kadın sadece bunları izler. Adamın ayaklarını, adımlarını, hareketlerini izler. Kendini ona bırakır. Tangoyu kadınlar bu yüzden seviyor zaten. (...) Kadınlar böyle bir şeyi asla itiraf etmek istemezler; özgürlüklerine ve bağımsızlıklarına düşkün gibi görünürler ama içten içe hükmedilmek hoşlarına gider.
Trevanian (Death Dance: Suspenseful Stories of the Dance Macabre)
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
Porque de tanto vivir en Westminster - ¿cuántos años ya?... más de veinte - sientes, aun en medio del tráfico, o al despertarte de noche, Clarissa estaba segurísima, una quietud particular, o mejor cierta solemnidad; una pausa indescriptible; un suspense (aunque eso podía ser del corazón, según decían aquejado de gripe) antes de que el Big Ben diese la hora. ¡Ahora! El reloj tronó. Primero un aviso, musical; luego la hora, irrevocable. Los círculos de plomo se disolvieron en el aire. ¡Qué locos estamos!, pensó cruzando Victoria Street. Porque sólo Dios sabe por qué nos gusta tanto, por qué lo vemos así, por qué lo inventamos, por qué construimos todo esto que nos rodea, y lo destrozamos para volverlo a crear de nuevo; pero si hasta los mismísimos mendigos, los miserables más desesperados sentados en los portales (beben su destrucción) hacen lo mismo; y eso no lo pueden solucionar las leyes del Parlamento y por una y misma razón: aman a la vida. En los ojos de la gente, en el vaivén, el caminar y la caminata; en el estruendo y el tumulto; en los coches, automóviles, omnibuses, camiones, hombres-anuncio que van y vienen de un lado a otro; en las bandas de música; organillos; en el triunfo, y en el tintineo y en el extraño canto de algún aeroplano que pasaba volando estaba lo que ella amaba: la vida; Londres; este momento de junio.
Virginia Woolf (Mrs. Dalloway)
Only recently has it been discovered that sneezes are a much more drenching experience than anyone thought. A team led by Professor Lydia Bourouiba of MIT, as reported by Nature, studied sneezes more closely than anyone had ever chosen to before and found that sneeze droplets can travel up to eight meters and drift in suspension in the air for ten minutes before gently settling onto nearby surfaces. Through ultra-slow-motion filming, they also discovered that a sneeze isn’t a bolus of droplets, as had always been thought, but more like a sheet—a kind of liquid Saran Wrap—that breaks over nearby surfaces, providing further evidence, if any were needed, that you don’t want to be too close to a sneezing person. An interesting theory is that weather and temperature may influence how the droplets in a sneeze coalesce, which could explain why flu and colds are more common in cold weather, but that still doesn’t explain why infectious droplets are more infectious to us when we pick them up by touch rather than when we breathe (or kiss) them in. The formal name for the act of sneezing, by the way, is sternutation, though some authorities in their lighter moments refer to a sneeze as an autosomal dominant compelling helio-ophthalmic outburst, which makes the acronym ACHOO (sort of). Altogether the lungs weigh about 2.4 pounds, and they take up more space in your chest than you probably realize. They jut up as high as your neck and bottom out at about the breastbone. We tend to think of them as inflating and deflating independently, like bellows, but in fact they are greatly assisted by one of the least appreciated muscles in the body: the diaphragm. The diaphragm is a mammalian invention and it is a good one. By pulling down on the lungs from below, it helps them to work more powerfully.
Bill Bryson (The Body: A Guide for Occupants)
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.” Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.” Lizzy just snorted but eyed the drink mix curiously. “Purple?” “Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke. “Where’d you learn to do this?” “I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job. “At least you’ll have something to fall back on if you do fail,” Lizzy teased. “I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.” “You have to make me one of those too!” The unfamiliar female voice made Athena look up. Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her. She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself. The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.” “Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good? “Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.” Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar. “Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look. Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.
Katie Reus (Sworn to Protect (Red Stone Security, #11))
I studied his face, and as I did, I realized that he was studying me, our thoughts tangling in mid-air for a moment.
Kate White (Eyes on You)
After what seemed like a monumental effort she reached the door and exited into the night air, leaving the rest of her
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
There was something about that cypress-lined track that drew me to it, tempted me further along it, in spite of the rough road surface that strained the car’s suspension to the limit. I began to feel strangely elated, my early tiredness slipping away. I unwound the window to let the dusty air bring the scents of spring woodland to me and I laughed out loud. It was like being on a ride at the fair, bumping over stones and swerving around the torturous bends while breathing in unfamiliar scents and a general air of excitement. I came to a fork in the road and stopped, unsure which direction to take. As I hesitated, an old woman stepped into view, startling me as she emerged from a half-hidden track in the undergrowth. She stared at me piercingly with clear blue eyes set in a maze of sun-baked wrinkles. She looked such a part of the landscape, in her faded brown dress, her white hair shimmering in the sun like fluffy dandelion seed, and I was so taken aback by her sudden appearance, that I just sat and returned her stare. The sound of the engine idling quietly seemed to echo the beat of my heart.
Tonia Parronchi (The Song of the Cypress)
With strange detachment, Naomi’s mind noticed nothing but the beauty of the jump. Air sliced along her body as it streamed straight as an arrow in its path of utmost precision. The world fell away behind her. For an immeasurable moment, Naomi wasn’t a terrestrial being at all. She was wildly liberated like a bird, soaring through the sky with the chaotic freedom of a wild animal.
Jennifer Perry
A selection of quotes from The Night of Harrison Monk’s Death (Jane Hetherington's Adventures in Detection: 1) "Is this one of the more unusual cases of safe-breaking you've been asked to investigate, Mrs Hetherington?" "Remember your private detective wants to be able to sleep soundly at night and in their own bed, not one supplied as her Majesty's pleasure." "It seems to be an open and shut case doesn't it? But it's not you know? How do you know if anything is what it seems?" "But where is Cheung kin?" "When I first set eyes on your father, he was spying on a man from between two volumes of the Encyclopaedia Britannica." "I don't think I need say more." "On the contrary, if you want me to have any idea what you're talking about, I think you do." "Why don't you report it to the police?" "Because I stole it in the first place didn't I?" "It's something of a mystery, I admit." "Vanished into thin air!" "You sound so sensible Mrs Hetherington. Please help us get to the bottom of this." Ah, thought Jane – the old story. "No body was found?" "Shall I put the kettle on?" "Only if you fill it with whiskey." "The course of true love didn't run smoothly for me either, you know." "Life has its tragedies for sure." "… What do I want? I want money that's what I want. I want money." She was even more horrified by the words she heard next. Callum MacCallum knew what it was like to be an outsider.
Nina Jon
M113 Family of Vehicles Mission Provide a highly mobile, survivable, and reliable tracked-vehicle platform that is able to keep pace with Abrams- and Bradley-equipped units and that is adaptable to a wide range of current and future battlefield tasks through the integration of specialised mission modules at minimum operational and support cost. Entered Army Service 1960 Description and Specifications After more than four decades, the M113 family of vehicles (FOV) is still in service in the U.S. Army (and in many foreign armies). The original M113 Armoured Personnel Carrier (APC) helped to revolutionise mobile military operations. These vehicles carried 11 soldiers plus a driver and track commander under armour protection across hostile battlefield environments. More importantly, these vehicles were air transportable, air-droppable, and swimmable, allowing planners to incorporate APCs in a much wider range of combat situations, including many "rapid deployment" scenarios. The M113s were so successful that they were quickly identified as the foundation for a family of vehicles. Early derivatives included both command post (M577) and mortar carrier (M106) configurations. Over the years, the M113 FOV has undergone numerous upgrades. In 1964, the M113A1 package replaced the original gasoline engine with a 212 horsepower diesel package, significantly improving survivability by eliminating the possibility of catastrophic loss from fuel tank explosions. Several new derivatives were produced, some based on the armoured M113 chassis (e.g., the M125A1 mortar carrier and M741 "Vulcan" air defence vehicle) and some based on the unarmoured version of the chassis (e.g., the M548 cargo carrier, M667 "Lance" missile carrier, and M730 "Chaparral" missile carrier). In 1979, the A2 package of suspension and cooling enhancements was introduced. Today's M113 fleet includes a mix of these A2 variants, together with other derivatives equipped with the most recent A3 RISE (Reliability Improvements for Selected Equipment) package. The standard RISE package includes an upgraded propulsion system (turbocharged engine and new transmission), greatly improved driver controls (new power brakes and conventional steering controls), external fuel tanks, and 200-amp alternator with four batteries. Additional A3 improvements include incorporation of spall liners and provisions for mounting external armour. The future M113A3 fleet will include a number of vehicles that will have high speed digital networks and data transfer systems. The M113A3 digitisation program includes applying hardware, software, and installation kits and hosting them in the M113 FOV. Current variants: Mechanised Smoke Obscurant System M548A1/A3 Cargo Carrier M577A2/A3 Command Post Carrier M901A1 Improved TOW Vehicle M981 Fire Support Team Vehicle M1059/A3 Smoke Generator Carrier M1064/A3 Mortar Carrier M1068/A3 Standard Integrated Command Post System Carrier OPFOR Surrogate Vehicle (OSV) Manufacturer Anniston Army Depot (Anniston, AL) United Defense, L.P. (Anniston, AL)
Russell Phillips (This We'll Defend: The Weapons & Equipment of the US Army)
example, there’s a popular national radio personality who lives here, who is only on the air for 15 minutes in the morning, and 15 minutes in the evening. He occasionally complains about the federal government, but you will never hear him complain about Chicago. The reason being, I own his radio station, and I had the general manager get this radio star to sign a lifetime contract. In effect, I own him, and he will never speak out. I’m the puppeteer who pulls the strings in that city,
Cliff Ball (The Usurper: A suspense political thriller)
She shifted, bringing them closer. The blanket slipped down to her waist, revealing a blue tee shirt that shouldn't have been sexy, but fit her curves like a second skin and molded her perfect breasts. Their breath mingled. The air charged around them. Their gazes met and locked. Then Lucas sealed his fate and dropped his gaze to her parted lips. "I don't want to be alone tonight," she whispered.
Jennifer Lowery (Taking Chances (short story))
as Emma, stood and gathered plates. "And thin as a rail, you are. Looks like I need to fatten you up." She cackled again. Dakota moved to help her clean the small kitchen, really just a small corner of the entire living space, but Emma waved her off. "No, you been sick. Just sit there and talk to us." "How sick was I?" "With that fever of yers, I's afraid you just might not make it." Hank hurried the words, then looked at her from the bottom of his bifocals, bearded chin in air. "Didn't your grandparents teach you not to roll around in muddy water when it's freezing outside?" Dakota shrunk a little lower. They knew
Cathy Bryant (MILLER'S CREEK FORGIVENESS COLLECTION: Christian Romance Suspense and Companion Bible Study Guide (Miller's Creek Novel/Bible Study Collection Book 1))
Two shadowy figures had appeared in the distance. A young girl led a donkey by its halter, chattering to a child perched on its swaying back. What in God’s name were they doing out alone at night? They headed down the dirt road straight toward the house where Tehrazzi was apparently holed up. Every muscle in her body went rigid with denial. “Oh no…” Had Dec heard the kids? Did he know they were in danger? Could he alert the children before the air strike? Not if he hadn’t seen them. What should she do? She was too afraid to yell out in case someone started shooting, but no way could she sit back and let those children suffer. The breath shot in and out of her nose as she counted backward from ten, praying Dec would do something so she wouldn’t have to. Ten, nine, eight… The little boy laughed. Bryn squeezed her eyes
Kaylea Cross (Cover of Darkness (Suspense Series, #2))
Bryn took off running. Her thigh muscles bunched as she scrambled down the rise, breath coming in jerky gasps. The ill-fitting helmet jiggled up and down, obscuring her vision, so she yanked at the chinstrap and shoved the thing off her head. And kept running. She had to get there before the air strike. Had to save the kids. “Bryn!” Ignoring Dec’s shout, she sprinted hard, fueled by adrenaline. Bouncing off rocks and boulders, she reached the road and scrambled to her feet, breath sawing in and out of her lungs in sobs. She could not let innocent children be caught up in this. “Bryn, no!” She ignored him. The children weren’t stopping. She opened her mouth and screamed the Arabic word for stop. It came out in a high-pitched wail, and both children jerked around to face her in fear. “Stop! Go back!” she yelled, waving her arms in a frantic effort to get them to move. “Run!
Kaylea Cross (Cover of Darkness (Suspense Series, #2))
Over coffee, he and Dramat decided that, in the interests of good working relationships, he would, despite the fact that he’d already been on suspension for close on two years, take vacational leave then meet with Ngobeni and Phiyega to clear the air. They had two weeks to reconsider their position. The meeting, a fortnight later, didn’t serve to do that at all. Johan says Ngobeni launched into him. She said I had humiliated and undermined her and leaked negative stories about her to newspapers. She
Jessica Pitchford (Blood on their Hands: General Johan Booysen Reveals His Truth)
His power, his intense masculinity, hit me like a semi, sucking the air out of my lungs. He doesn't help matters when he steps closer, forcing me to look up at him. My five seven is no match against his six three.
Magda Alexander (Storm Damages (Storm Damages, #1))
There was something about a guy in a uniform most women found irresistible. Ceelie and Sonia had pondered this peculiar phenomenon over late-night glasses of moscato back in Nashville. They'd decided it had to be the belt and all the equipment that dangled from it when the guys walked, which not only was phallic but probably released extra sex pheromones into the air and turned women into nectar-seeking honeybees.
Susannah Sandlin (Wild Man's Curse (Wilds of the Bayou, 1))
She glanced up at him. "Why does it matter? Why do you care?" He'd been staring at her hands again, but jerked his gaze up to hers as if surprised by the question. He answered quickly, almost automatically. "I am a law enforcement officer. I found your aunt and saw what... that animal" -- he seemed to struggle with the words -- "I saw what he did. And we don't know why." Ceelie nodded. "So this is how you'd treat anyone whose case you got involved with?"... He leaned across the space that divided them, cupping his left hand around her jaw and pulling her toward him as if she were fragile, breakable. His kiss was soft, a pressure of lips, a slight parting, a promise of more. His stubble scratched her chin. "That's the real answer." His voice was so soft the air around him seemed to soak it up. "And don't ask me what it means because I'll be damned if I know.
Susannah Sandlin (Wild Man's Curse (Wilds of the Bayou, 1))
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Phoebe stared into his blue eyes. "What would you do if you ran away from a wedding in a car that didn't belong to you and discovered a body in the trunk about the time a sheriff's deputy rolled up behind you?" She flung her hand in the air, and assumed a high-pitched, sarcastic tone. "Hi, I'm a rich man's daughter with a dead man in my trunk. Could you help me get him out so I can be on my merry way?
Elle James (Justice Burning (Hellfire, Texas #2))
Barry Soetoro’s declaration of martial law stunned the nation. His reason—the need to protect the nation from terrorism—met with widespread skepticism. After all, at least three of the Saturday jihadists had entered with Soetoro’s blessing, over the objections of many politicians and the outraged cries of all those little people out there in the heartland, all those potential victims no one really gave a damn about. His suspension of the writ of habeas corpus went over the heads of most of the millions of people in his audience, since they didn’t know what the writ was or signified. He didn’t stop there. He adjourned Congress until he called it back into session, and announced an indefinite stay on all cases before the courts in which the government was a defendant. His announcement of press and media censorship “until the crisis is past” met with outrage, especially among the talking heads on television, who went ballistic. Within thirty minutes, the listening audience found out what the suspension of the writ of habeas corpus meant: FBI agents arrested select television personalities, including some who were literally on camera, and took them away. Fox News went off the air. Most of the other networks contented themselves with running the tape of Soetoro behind the podium making his announcement, over and over, without comment. During the day FBI agents arrested dozens of prominent conservative commentators and administration critics across the nation, including Rush Limbaugh, Mark Levin, Michelle Malkin, George Will, Ann Coulter, Bill O’Reilly, Glenn Beck, Ralph Peters, Judge Jeanine Pirro, Matt Drudge, Thomas Sowell, Howard Stern, and Charles Krauthammer, among others. They weren’t given a chance to remain silent in the future, but were arrested and taken away to be held in an unknown location until Soetoro decided to release them.
Stephen Coonts (Liberty's Last Stand (Tommy Carmellini #7))
Ronan's tall, broad-shouldered form cut a striking figure, and with Bowser at his side, the two of them had an almost superhero-like air about them. They were resolute and unwavering in the face of frightening and hopeless situations. Man and beast, strong and steady.
Sara Humphreys (Trouble Walks In (The McGuire Brothers, #2))
Ronan's tall, broad-shouldered form cut a striking figure, and with Bowser at his side, the two of them had an almost superhero-like air about them. They were resolute and unwavering in the face of frightening and hopeless situations. Man and beast, strong and steady.
Sara Humphreys (Trouble Walks In (The McGuire Brothers, #2))
I look her square in the eye, then say, “I’m not freaking out, nor am I going to. I’m glad you told me, and I now realise that I feel the same way and I cannot go on hiding those feelings from you or from myself. I want to hold you, protect you and learn all there is to know about you. If you will let me, and in return I will try to open myself up to you.” My Mum always said to me that ‘actions speak louder than words’, so I hope my next action will tell her all she needs to know. I kiss her, pouring all that I am and all that I feel into the kiss. I think it worked. We both come up for air, look into each other’s eyes and we both smile genuine smiles. Her smile, and the love I see in her eyes hits me, thumping me like a punch in the chest. It hurts, but it feels so fucking good.
J.A. Heron (30 Days)
Bloody hell.’ Will blew out a gust of air from deep in his lungs. ‘You know, even though it didn’t look good, I thought he was going to be all right. I thought we might have done enough.’ ‘The doctor said there was every chance,’ Lizzy said. ‘I
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
Amber shocks of wheat stretch into the distance and a single dirt track cuts its way through the fields. The air is still. The dust from her journey remains floating across the crops, a memory of a previous event.
M.F. Kelleher (Olivia Streete and the Parisian Contract)
The air was fragrant with the cinnamon-scented sassafras bark. A flock of birds, white on the blue sky, fell like they had lost their breath in unison.
Poppy Gee (Vanishing Falls)
In this garden, the air was sweet and clean, like the cool water running in the creek. Beyond the garden was the rainforest, a damp cathedrfral of fragrant myrtle and sassafras, sprawling mosses and ancient lichen... There was only one road into Vanishing Falls... the road meandered through hilly green pastures where black-and-white cows grazed, past pretty weatherboard farmhouses with splendid man ferns out front, thick hedges, and rose gardens.
Poppy Gee (Vanishing Falls)
The early shows had the breath of Victorian melodrama: the music had a tingling quality, of time running out or fate closing in. The narration enhanced it: … the hushed voice and the prowling step … the stir of nerves at the ticking of the clock … the rescue that might be too late, or the murderer who might get away … we invite you to enjoy stories that keep you in … Suspense
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
A chill cuts through the diner as the air conditioner kicks on, and I wonder if he's meeting someone by the shipping docks in Richside. It would be the perfect setting for those dark eyes that reflect the red, neon signs hanging above the counter.
Maisy Heart
You hear rushing air. If you penetrate the hull at deep depth, the sudden pressure change inside the hull supposedly causes the air to ignite and everyone inside the boat incinerates. I
Tom Clancy (Red Storm Rising: A Suspense Thriller)
He forced air through his lungs and with it, brought in the scent of Amaryllis. The moment he took her in, his world changed. Lightened. She could do that, without doing more than existing.
Christine Feehan (Lethal Game (GhostWalkers, #16))
The big-name, big-budget film stars fell away with the last Autolite show, and from 1955 on, the leads were largely carried by radio people. Suspense is the happiest of stories for the confirmed audiophile. Of the 945 shows broadcast, at least 900 are available, most in superior sound, many in full fidelity. The first two years contain shows that may strike the ear of a modern listener as contrived or stilted. Things look up with the arrival of Roma Wines and a budget. The celebrated Sorry, Wrong Number is here in all its versions, though this listener joins those who find it rather boring: the remarkable performance by Agnes Moorehead is lost in its unbelievable premise. So much better were The Diary of Sophronia Winters, The Most Dangerous Game, August Heat, The House in Cypress Canyon, and the marvelous Mission Completed, which cast James Stewart as a paralyzed war veteran driven to murder by the sight of a man who resembles his former Japanese torturer.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
The air between us feels alive, and the grin that I've been wearing since I spotted her deepens as my cock gets hard at the thought that nothing stands between us now. I could pull her into my arms, slide my hands inside her shirt to feel her soft silky skin while I bury my nose in her neck and whisper how happy I am to see her again. 
Jessika Klide (Ground Zero)
She looked out at the expanse of white, the two-lane blacktop the only color and even that was glazed in ice. The sky was overcast and yet the fallen snow shone, appearing iridescent as night had set in. She'd always wanted to see snow but maybe not this much. Also, the lack of traffic made her nervous, too. She felt as if they'd left civilization behind. No houses, no lights, nothing but snow and highway. "Where were they going? "I love winter," Collin was saying. "There is something so pure about it, the cold air, the snow a clean, white blanket that covers even the dirtiest spots." Without warning...
B.J. Daniels (Out of the Storm (Buckhorn, Montana, #1))
The air is as thick as potato soup and you have to breathe in sips.
Nicola Griffith (The Blue Place (Aud Torvingen, #1))
It was not a petty fact that nearly ninety percent off all door locks, from Buenos Aires to Toronto, from Beijing to Cape Cod, all utilized the ubiquitous and infirmed pin tumbler lock, which, as it turned out, made keys, rather than a necessity, only an easy convenience which served to lull the mind into a false sense of security.
Jack Hardin (Breakwater (Pine Island Coast Florida Suspense #5))
Bimmer Motors is the automotive specialty shop in the Brooklyn, NY area that Mercedes owners can trust. With decades of experience, we know how to take care of your vehicle.
Bimmer Motors Group Inc
Looking down from a fork in the tree, a little girl shivers in the bitter autumn wind. She could be inside in the warmth. Inside; amidst all the smelly pots and pans and piles of dirty clothes. The darkened lounge room flickering out a constant reel of cartoons; the light outside strangled as it tries to valiantly penetrate curtains too hard for a child to open. Michelle had gone into her Auntie’s room, as she had done many times before, to say that she will just be outside. ‘Okay my dearie,’ came the exhausted reply. There Patricia lay, her crumpled hair peeping out from the blankets. The stale, sour, smell of too much hibernation trapped in that tiny room. Her frayed sequin shoes left discarded near the door. The feather cap hanging limply from her dresser door, waiting for life to ride underneath it once again and for the wind to make it shimmer with delight. Michelle had walked outside, hoping that this canyon of loneliness would not follow her down the stairs. Out into the sounds of activity, the fresh waft of sea air, and the theatrical display of birdlife. There, Michelle now sits, watching it all as she reunites with the silent strength of her tree.
Felicity Chapman (Connected)
paces. ‘She can’t do that.’ ‘She can and she is. She’s renting a cottage. I don’t know how long for.’ She takes hold of my wrist and grips it so tightly that her nails pierce my skin. ‘I have to stop her.’ ‘Monica! You need to keep this in perspective!’ I extract my wrist from her fingers and shake her gently. ‘I know she brings back memories of your parents and I know that hurts, but now, in the present, you have nothing to fear from Orla.’ Her eyes say otherwise and as she looks into mine I see that she is close to telling me something. ‘What is it, Monica? What is it?’ My scalp tingles. ‘Is it about Rose?’ Her eyes glaze over. ‘I was warned about this. I was warned—’ ‘What are you talking about? Warned by whom?’ ‘Grace!’ she hisses. ‘Do you have any idea how much damage she could do?’ I give a short laugh, not because it’s funny but because I have to let some emotion out. ‘The status quo should never be underestimated. Life, ticking along. It might seem boring at times but . . .’ She looks up to the right and seems to pluck her words from the air. ‘Orla is dangerous. She will cause havoc and then she will leave. We have to stop her.’ ‘Believe me, I don’t want her around either.’ I take her hand. ‘Tell me what’s troubling you.’ ‘I can’t.’ She pulls free. ‘I can’t break a confidence.’ She takes a few steps backward. ‘Can you find out what Orla wants? Can you do that?’ I already have. ‘I’ll do my best.’ I try to look optimistic. ‘I’ll let you know.’ ‘Good.’ She recovers her composure and gives me an awkward hug. ‘I may not have been popular at school, my home life was in meltdown, but hey!’ She looks around her, takes
Julie Corbin (Tell Me No Secrets: A Suspenseful Psychological Thriller)
There you are.  Want some popcorn?” I didn’t wait for an answer but went to the kitchen to get him his own bowl and split the popcorn between the two. In the living room, I set his bowl on the floor within his reach.  Then, I curled into my end of the couch and tucked my feet under him.  With my bowl balanced at my side, I reached for the remote. I’d barely started the movie when he sighed gustily, repositioned himself, and laid his head on my curled legs.  The heat of him relaxed me, and I settled in comfortably, content not to move him.  I ate a piece of popcorn as I watched the intro.  His head shifted on my leg, following the piece of popcorn.  I absently took another piece and offered it to him.  He gently ate it from my fingers.  I offered him a few more pieces, not fully paying attention when he licked the back of my hand. The second movie was more an action-suspense than comedy.  Halfway through the movie, I’d abandoned my bowl of popcorn to the floor.  One of my hands burrowed in the thick fur at Clay’s neck, and the other lightly worried his fuzzy ear.  He didn’t seem to mind my grip as I stared at the screen.  At a particularly suspenseful part, the front door opened.  It scared me so badly that a strangled scream tore through the air.  My scream.  My heart pounded as both Rachel and Clay stared at me. “And that’s why I don’t watch suspense movies,” I said to both of them once I could breathe again.  Clay didn’t stop laughing for two minutes.  Rachel laughed just as hard and thankfully didn’t notice Clay’s reaction. Clay licked my exposed midriff then, finally, settled down. I gently tugged on his ear.  “Cut it out,” I scolded softly. “So
Melissa Haag (Hope(less) (Judgement of the Six #1))
Our 182-passenger Boeing Classic this morning is under the able command of Captain Hiram Slatt, discharged from service in the United States Air Force mission in Afghanistan after six heroic deployments and now returned, following a restorative sabbatical at the VA Neuropsychiatric Hospital in Wheeling, West Virginia, to his “first love”—civilian piloting for North American Airways. Captain Slatt has informed us that, once we are cleared for takeoff, our flying time will be between approximately seventeen and twenty-two hours depending upon ever-shifting Pacific Ocean air currents and the ability of our seasoned Classic 878 to withstand gale-force winds of 90 knots roaring “like a vast army of demons” (in Captain Slatt’s colorful terminology) over the Arctic Circle. As you have perhaps noticed Flight 443 is a full—i.e., “overbooked”—flight. Actually most North American Airways flights are overbooked—it is Airways protocol to persist in assuming that a certain percentage of passengers will simply fail to show up at the gate having somehow expired, or disappeared, en route. For those of you who boarded with tickets for seats already taken—North American Airways apologizes for this unforeseeable development. We have dealt with the emergency situation by assigning seats in four lavatories as well as in the hold and in designated areas of the overhead bin. Therefore our request to passengers in Economy Plus, Economy, and Economy Minus is that you force your carry-ons beneath the seat in front of you; and what cannot be crammed into that space, or in the overhead bin, if no one is occupying the overhead bin, you must grip securely on your lap for the duration of the flight. Passengers in First Class may give their drink orders now. SECURITY:
Joyce Carol Oates (Dis Mem Ber: And Other Stories of Mystery and Suspense)
Face the facts. Your life is too perfect. You probably lie awake at night, fantasizing about spicin’ up all that lily whiteness you live in.” But damn it, I get a whiff of vanilla from her perfume or lotion. It reminds me of cookies. I love cookies, so this is not good at all. “Gettin’ near the fire, chica, doesn’t necessarily mean you’ll get burned.” “You touch her and you’ll regret it, Fuentes,” Colin’s voice rings out. He resembles a burro, with his big white teeth and ears sticking out from his buzz cut. “Get the hell away from her.” “Colin,” Brittany says. “It’s okay. I can handle this.” Burro Face brought reinforcements: three other pasty white dudes, standing behind him for backup. I size up Burro Face and his friends to see if I can take them all on, and decide I could give all four a run for their money. “When you’re strong enough to play in the big leagues, jock boy, then I’ll listen to the mierda flyin’ out of your mouth,” I say. Other students are gathering around us, leaving room for a fight that is sure to be fast, furious, and bloody. Little do they know Burro Face is a runner. This time he’s got backup, though, so maybe he’ll stay to duke it out. I’m always prepared for a fight, been in more of ‘em than I can count on my fingers and toes. I’ve got the scars to prove it. “Colin, he’s not worth it,” Brittany says. Thanks, mamacita. Right back at ya. “You threatening me, Fuentes?” Colin barks, ignoring his girlfriend. “No, asshole,” I say, staring him down. “Little dicks like you make threats.” Brittany parks her body in front of Colin and puts her hand on his chest. “Don’t listen to him,” she says. “I’m not afraid of you. My dad’s a lawyer,” Colin brags, then puts his arm around Brittany. “She’s mine. Don’t ever forget that.” “Then keep a leash on her,” I advise. “Or she might be tempted to find a new owner.” My friend Paco comes up beside me. “Andas bien, Alex?” “Yeah, Paco,” I tell him, then watch as two teachers walk down the hall escorted by a guy in a police uniform. This is what Adams wants, perfectly planned to get my ass kicked out of school. I’m not falling into his trap only to end up on Aguirre’s hit list. “Si, everything’s bien.” I turn to Brittany. “Catch ya later, mamacita. I’m looking forward to researching our chemistry.” Before I leave and save myself from suspension on top of my detention, Brittany sticks that perky nose of hers in the air as if I’m the scum of the earth.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
She constantly felt as if she were physically wading through air the consistency of thick, wet cement. The
Susan May (Thriller Suspense Horror Box Set)