Vanity Kills Quotes

There comes a time when you look into the mirror and you realize that what you see is all that you will ever be. And then you accept it. Or you kill yourself. Or you stop looking in mirrors.

You are not permitted to kill a woman who has wronged you, but nothing forbids you to reflect that she is growing older every minute.

Killing animals to make a fashion statement = a sickening + cold-blooded vanity.

When you build a fence around yourself, you'll wonder why people are afraid to approach you, because the pride in the fence is the cause of your blindness.

Vanity of vanities… all is vanity.’ You kill yourself to get to the grave. Especially you kill yourself to get to the grave before you die; and the name of the grave is ‘success’, the name of that grave is hullabullo boom boom horseshit.

Consider an achievement accidental if it is not coupled with modesty. Because if the achiever had endeavoured for it, it would certainly have killed their pride.

What's this? Am I falling? My legs are giving way," thought he, and fell on his back. He opened his eyes, hoping to see how the struggle of the Frenchmen with the gunners ended, whether the red-haired gunner had been killed or not and whether the cannon had been captured or saved. But he saw nothing. Above him there was now nothing but the sky- the lofty sky, not clear yet still immeasurably lofty, with gray clouds gliding slowly across it. "How quiet, peaceful, and solemn; not at all as I ran," thought Prince Andrew- "not as we ran, shouting and fighting, not at all as the gunner and the Frenchman with frightened and angry faces struggled for the mop: how differently do those clouds glide across that lofty infinite sky! How was it I did not see that lofty sky before? And how happy I am to have found it at last! Yes! All is vanity, all falsehood, except that infinite sky. There is nothing, nothing, but that. But even it does not exist, there is nothing but quiet and peace. Thank God!...

I've read seventeen novels and bushels of poetry-- really necessary novels like Vanity Fair and Richard Feverel and Alice in Wonderland. Also Emerson's Essays and Lockhart's Life of Scott and the first volume of Gibbon's Roman Empire and half of Benvenuto Cellini's Life--wasn't he entertaining? He used to saunter out and casually kill a man before breakfast.

All men dream, but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity; but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible.” —T. E. Lawrence, The Seven Pillars of Wisdom: A Triumph

The thing to understand here is that gang rapes and gang or cult killings in times of peace and war are not “senseless violence.” They are instead powerful acts of group bonding and criminal enabling that, quite often, have a hidden purpose of promoting the wealth, power, or vanity of a specific leader or cause…at the expense of the innocent.

Then you do not belong here. Death holds no sweetness in this house. We are not warriors, nor soldiers, nor swaggering bravos puffed up with pride. We do not kill to serve some lord, to fatten our purses, to stroke our vanity. We never give the gift to please ourselves. Nor do we choose the ones we kill. We are but servants of the God of Many Faces." "Valar dohaeris." All men must serve. "You know the words, but you are too proud to serve. A servant must be humble and obedient." "I obey. I can be humbler than anyone." That made him chuckle. "You will be the very goddess of humility, I am sure. But can you pay the price?" "What price?" "The price is you. The price is all you have and all you ever hope to have. We took your eyes and gave them back. Next we will take your ears, and you will walk in silence. You will give us your legs and crawl. You will be no one's daughter, no one's wife, no one's mother. Your name will be a lie, and the very face you wear will not be your own.

You have to understand that only the very worst end up here: the ones whose anger made them kill, and who felt no sorrow or guilt after the act; those so obsessed with themselves that they turned their backs on the sufferings of others, and left them in pain; those whose greed meant that others starved and died. Such souls belong here, because they would find no peace elsewhere. In this place, they are understood. In this place, their faults have meaning. In this place, they belong.

I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one's good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself.

Can we believe that the real God, if there is one, ever ordered a man to be killed simply for making hair oil, or ointment? We are told in the thirtieth chapter of Exodus, that the Lord commanded Moses to take myrrh, cinnamon, sweet calamus, cassia, and olive oil, and make a holy ointment for the purpose of anointing the tabernacle, tables, candlesticks and other utensils, as well as Aaron and his sons; saying, at the same time, that whosoever compounded any like it, or whoever put any of it on a stranger, should be put to death. In the same chapter, the Lord furnishes Moses with a recipe for making a perfume, saying, that whoever should make any which smelled like it, should be cut off from his people. This, to me, sounds so unreasonable that I cannot believe it. Why should an infinite God care whether mankind made ointments and perfumes like his or not? Why should the Creator of all things threaten to kill a priest who approached his altar without having washed his hands and feet? These commandments and these penalties would disgrace the vainest tyrant that ever sat, by chance, upon a throne.

What entity aboard this ship exhibits all the personality traits of a cold-blooded killing machine, combined with the monstrous, overweening vanity and laziness of a convalescent war god lounging in their personal Valhalla while their minions prepare their armor? There's only one answer. The Persian tomcat sits underneath the alien horror, washing itself without concern.

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")

That is the flaw in my personality. Vanity. And your flaw is sentimentality. They are the flaws which will inevitably kill us both.

Jesus stood as the fully innocent one who was condemned by the highest authorities of both “church and state” (Rome and Jerusalem), an act that should create healthy suspicion about how wrong even the highest powers can be. Maybe power still does not want us to see this, and that’s why we concentrate so much on the private sins of the flesh. The denied sins that are really destroying the world are much more the sins that we often admire and fully accept in our public figures: pride, ambition, greed, gluttony, false witness, legitimated killing, vanity, et cetera. That is hard to deny.

Ah, you fool. Dying isn’t sacrifice. Haven’t you figured that out yet? All those years of trying to get yourself killed in battle? That ain’t sacrifice, boy. That’s self-loathing. It’s gleeful suicide. It’s vanity.

Justify my soul, O God, but also from Your fountains fill my will with fire. Shine in my mind, although perhaps this means “be darkness to my experience,” but occupy my heart with Your tremendous Life. Let my eyes see nothing in the world but Your glory, and let my hands touch nothing that is not for Your service. Let my tongue taste no bread that does not strengthen me to praise Your great mercy. I will hear Your voice and I will hear all harmonies You have created, singing Your hymns. Sheep’s wool and cotton from the field shall warm me enough that I may live in Your service; I will give the rest to Your poor. Let me use all things for one sole reason: to find my joy in giving You glory. Therefore keep me, above all things, from sin. Keep me from the death of deadly sin which puts hell in my soul. Keep me from the murder of lust that blinds and poisons my heart. Keep me from the sins that eat a man’s flesh with irresistible fire until he is devoured. Keep me from loving money in which is hatred, from avarice and ambition that suffocate my life. Keep me from the dead works of vanity and the thankless labor in which artists destroy themselves for pride and money and reputation, and saints are smothered under the avalanche of their own importunate zeal. Stanch in me the rank wound of covetousness and the hungers that exhaust my nature with their bleeding. Stamp out the serpent envy that stings love with poison and kills all joy. Untie my hands and deliver my heart from sloth. Set me free from the laziness that goes about disguised as activity when activity is not required of me, and from the cowardice that does what is not demanded, in order to escape sacrifice. But give me the strength that waits upon You in silence and peace. Give me humility in which alone is rest, and deliver me from pride which is the heaviest of burdens. And possess my whole heart and soul with the simplicity of love. Occupy my whole life with the one thought and the one desire of love, that I may love not for the sake of merit, not for the sake of perfection, not for the sake of virtue, not for the sake of sanctity, but for You alone. For there is only one thing that can satisfy love and reward it, and that is You alone.

I cannot think of those years without horror, loathing and heartache. I killed men in war and challenged men to duels in order to kill them. I lost at cards, consumed the labour of the peasants, sentenced them to punishments, lived loosely, and deceived people. Lying, robbery, adultery of all kinds, drunkenness, violence, murder--there was no crime I did not commit, and in spite of that people praised my conduct and my contemporaries considered and consider me to be a comparatively moral man. So I lived for ten years. During that time I began to write from vanity, covetousness, and pride. In my writings I did the same as in my life. to get fame and money, for the sake of which I wrote, it was necessary to hide the good and to display the evil. and I did so. How often in my writings I contrived to hide under the guise of indifference, or even of banter, those strivings of mine towards goodness which gave meaning to my life! And I succeeded in this and was praised.

Every morning, the newspapers are crammed full of human-interest stories, and on television we see one human after another. When animals do make an occasional appearance, they are ascribed human characteristics to make them palatable. And people only talk about themselves. Even if the subject is natural phenomena like earthquakes, tsunamis or cherry blossoms coming into full bloom, everything is seen in terms of the impact on people. Nothing delights people more than to talk about people dying or being killed.

One of his private vanities was that all the garbage sorting had endowed his hands with killing strength—that he could chop a brick in half like Bruce Lee. “So let’s get a brick,” replied a girl with whom he had once, injudiciously, shared this conviction. Abdul had bumbled away. The brick belief was something he wanted to harbor, not to test.

One of his private vanities was that all the garbage sorting had endowed his hands with killing strength—that he could chop a brick in half like Bruce Lee.

The driver of the wagon slowed down his mules, and a shrill-voiced woman called out: “He that cometh in vanity departeth in darkness!” Miss Maudie answered: “A merry heart maketh a cheerful countenance!

All of us have read of what occured during that interval. The tale is in every Englishman's mouth; and you and I, who were children when the great battle was won and lost, are never tired of hearing and recounting the history of that famous action. Its rememberance rankles still in the bosoms of millions of the countrymen of those brave men who lost the day. They pant for an opportunity of revenging that humiliation; and if a contest, ending in a victory on their part, should ensue, elating them in their turn, and leaving its cursed legacy of hatred and rage behind to us, there is no end to the so-called glory and shame, and to the alterations of successful and unsuccessful murder, in which two high-spirited nations might engage. Centuries hence, we Frenchmen and Englishmen might be boasting and killing each other still, carrying out bravely the Devil's code of honor.

(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)

Don't you know yet, he said, that an idle and selfish class loves to see mischief being made, even if it is made at its own expense? Its own life being all a matter of pose and gesture, it is unable to realize the power and the danger of a real movement and of words that have no sham meaning. It is all fun and sentiment. It is sufficient, for instance, to point out the attitude of the old French aristocracy towards the philosophers whose words were preparing the Great Revolution. Even in England, where you have some common-sense, a demagogue has only to shout loud enough and long enough to find some backing in the very class he is shouting at. You, too, like to see mischief being made. The demagogue carries the amateurs of emotion with him. Amateurism in this, that, and the other thing is a delightfully easy way of killing time, and feeding one's own vanity--the silly vanity of being abreast with the ideas of the day after to-morrow. Just as good and otherwise harmless people will join you in ecstasies over your collection without having the slightest notion in what its marvellousness really consists. [The informer]

The tale is in every Englishman’s mouth; and you and I, who were children when the great battle was won and lost, are never tired of hearing and recounting the history of that famous action. Its remembrance rankles still in the bosoms of millions of the countrymen of those brave men who lost the day. They pant for an opportunity of revenging that humiliation; and if a contest, ending in a victory on their part, should ensue, elating them in their turn, and leaving its cursed legacy of hatred and rage behind to us, there is no end to the so-called glory and shame, and to the alternations of successful and unsuccessful murder, in which two high-spirited nations might engage. Centuries hence, we Frenchmen and Englishmen might be boasting and killing each other still, carrying out bravely the Devil’s code of honour.

There is no place in the service of worship where vanity and bad taste can so intrude as in the singing. There is, first, the improvised second part which one hears almost everywhere. It attempts to give the necessary background, the missing fullness to the soaring unison tone, and thus kills both the words and the tone. There is the bass or the alto who must call everybody’s attention to his astonishing range and therefore sings every hymn an octave lower. There is the solo voice that goes swaggering, swelling, blaring and tremulant from a full chest and drowns out everything else to the glory of its own fine organ. There are the less dangerous foes of congregational singing, the ‘unmusical’ who cannot sing, of whom there are far fewer than we are led to believe, and finally, there are often those also who because of some mood will not join in the singing and thus disturb the fellowship.

The day after she went to walk on the Pincian Hill—the Hyde Park of the Roman idlers—possibly in hopes to have another sight of Lord Steyne. But she met another acquaintance there: it was Mr. Fiche, his lordship's confidential man, who came up nodding to her rather familiarly and putting a finger to his hat. "I knew that Madame was here," he said; "I followed her from her hotel. I have some advice to give Madame." "From the Marquis of Steyne?" Becky asked, resuming as much of her dignity as she could muster, and not a little agitated by hope and expectation. "No," said the valet; "it is from me. Rome is very unwholesome." "Not at this season, Monsieur Fiche—not till after Easter." "I tell Madame it is unwholesome now. There is always malaria for some people. That cursed marsh wind kills many at all seasons. Look, Madame Crawley, you were always bon enfant, and I have an interest in you, parole d'honneur. Be warned. Go away from Rome, I tell you—or you will be ill and die.

I was already an atheist, and by my senior year I had became obsessed with the question “What is the meaning of life?” I wrote my personal statement for college admissions on the meaninglessness of life. I spent the winter of my senior year in a kind of philosophical depression—not a clinical depression, just a pervasive sense that everything was pointless. In the grand scheme of things, I thought, it really didn’t matter whether I got into college, or whether the Earth was destroyed by an asteroid or by nuclear war. My despair was particularly strange because, for the first time since the age of four, my life was perfect. I had a wonderful girlfriend, great friends, and loving parents. I was captain of the track team, and, perhaps most important for a seventeen-year-old boy, I got to drive around in my father’s 1966 Thunderbird convertible. Yet I kept wondering why any of it mattered. Like the author of Ecclesiastes, I thought that “all is vanity and a chasing after wind” (ECCLESIASTES 1:14) . I finally escaped when, after a week of thinking about suicide (in the abstract, not as a plan), I turned the problem inside out. There is no God and no externally given meaning to life, I thought, so from one perspective it really wouldn’t matter if I killed myself tomorrow. Very well, then everything beyond tomorrow is a gift with no strings and no expectations. There is no test to hand in at the end of life, so there is no way to fail. If this really is all there is, why not embrace it, rather than throw it away? I don’t know whether this realization lifted my mood or whether an improving mood helped me to reframe the problem with hope; but my existential depression lifted and I enjoyed the last months of high school.

Cowperwood, who saw things in the large, could scarcely endure this minutae. He was but little interested in the affairs of bygone men and women, being so intensely engaged with the living present. And after a time he slipped outside, preferring the wide sweep of gardens, with their flower-lined walks and views of the cathedral. Its arches and towers and stained-glass windows, this whole carefully executed shrine, still held glamor, but all because of the hands and brains, aspirations and dreams of selfish and self-preserving creatures like himself. And so many of these, as he now mused, walking about, had warred over possession of this church. And now they were within its walls, graced and made respectable, the noble dead! Was any man noble? Had there ever been such a thing as an indubitably noble soul? He was scarcely prepared to believe it. Men killed to live—all of them —and wallowed in lust in order to reproduce themselves. In fact, wars, vanities, pretenses, cruelties, greeds, lusts, murder, spelled their true history, with only the weak running to a mythical saviour or god for aid. And the strong using this belief in a god to further the conquest of the weak. And by such temples or shrines as this. He looked, meditated, and was somehow touched with the futility of so

Before I was diagnosed with esophageal cancer a year and a half ago,” [Christopher] observed in his final column for Vanity Fair, “I rather jauntily told the readers of my memoirs that when faced with extinction I wanted to be fully conscious and awake, in order to ‘do’ death in the active and not the passive sense . . . However, one thing that grave illness does is to make you examine familiar principles and seemingly reliable sayings. And there’s one that I find I am not saying with quite the same conviction as I once used to: In particular, I have slightly stopped issuing the announcement that “Whatever doesn’t kill me makes me stronger.”6

The first impression of the writings of Mr. J. J. Rousseau received by a knowledgeable reader, who is reading for something more than vanity or to kill time, is that he is encountering a lucidity of mind, a noble impulse of genius and a sensitive soul of such a high level that perhaps never an author of whatever epoch or of whatever people has been able to possess in combination. The impression that immediately follows is bewilderment over the strange and contradictory opinions, which so oppose those which are in general circulation that one can easily come to the suspicion that the author, by virtue of his extraordinary talent, wishes to show off only the force of his bewitching wit and through the magic of rhetoric make himself something apart who through captivating novelties stands out among all rivals at wit.

Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.

Beauty Killer" If I can't be beautiful.. I'd rather just die. So self-obsessed with my mascara and mistakes. Vanity's like a funeral an everyone's at my wake. Before I run out of air there's more makeup to apply. Doll eyes stare into Valium colored skies... I gotta sweet tooth and strawberry youth. You wanna be my licorice and misguided truth. And right now - I'll show you how.. I'm a beauty killer. Rhinestone my eyes closed and please fix my hair. This concealer can't hide all my pink nightmares. Before I run out of air there's more makeup to apply. Doll eyes stare into Valium colored skies. I almost died but it felt great. Faking perfection wasn't worth the wait. I may be easy, easy to hate. But you're so fucking easy.. easy to break. I gotta sweet tooth and strawberry youth. You wanna be my licorice and misguided truth. And right now - I'll show you how.. I'm a beauty killer. I almost died but it felt great. Faking perfection wasn't worth the wait. I may be easy, easy to hate. But you're so fucking easy.. easy to break. Tell me your secrets and ill tell you my lies. Everything is monotone in my dead eyes. If I cant be beautiful..I'd rather just die. I'm a beauty killer. I gotta sweet tooth and strawberry youth. You wanna be my licorice and misguided truth. And right now - I'll show you how.. I'm a beauty killer. Gorgeous killer. Hot pink killer. Fierce killer. I'm a beauty killer. I'll fucking kill you...

From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).

There was a bell clanging in the tower of the building next to the black-shrike-thorn-cave. She found the noise irritating, so she twisted her neck and loosed a jet of blue and yellow flame at it. The tower did not catch fire, as it was stone, but the rope and beams supporting the bell ignited, and a few seconds later, the bell fell crashing into the interior of the tower. That pleased her, as did the two-legs-round-ears who ran screaming from the area. She was a dragon, after all. It was only right that they should fear her. One of the two-legs paused by the edge of the square in front of the black-shrike-thorn-cave, and she heard him shout a spell at her, his voice like the squeaking of a frightened mouse. Whatever the spell was, Eragon’s wards shielded her from it--at least she assumed they did, for she noticed no difference in how she felt or in the appearance of the world around her. The wolf-elf-in-Eragon’s-shape killed the magician for her. She could feel how Blödhgarm grasped hold of the spellcaster’s mind and wrestled the two-legs-round-ears’ thoughts into submission, whereupon Blödhgarm uttered a single word in the ancient-elf-magic-language, and the two-legs-round-ears fell to the ground, blood seeping from his open mouth. Then the wolf-elf tapped her on the shoulder and said, “Ready yourself, Brightscales. Here they come.” She saw Thorn rising above the edge of the rooftops, Eragon-half-brother-Murtagh a small, dark figure on his back. In the light of the morning sun, Thorn shone and sparkled almost as brilliantly as she herself did. Her scales were cleaner than his, though, as she had taken special care when grooming earlier. She could not imagine going into battle looking anything but her best. Her enemies should not only fear her, but admire her. She knew it was vanity on her part, but she did not care. No other race could match the grandeur of the dragons. Also, she was the last female of her kind, and she wanted those who saw her to marvel at her appearance and to remember her well, so if dragons were to vanish forevermore, two-legs would continue to speak of them with the proper respect, awe, and wonder.

Two years before, the man had ended my reign. I had been the semel of a tribe of werepanthers, leader of the tribe of Menhit, and he had fought me in the pit and won. He could have cut out my heart with his claws, but instead… instead he offered the path to redemption. He opened his home, welcomed me into his tribe and into his life. I was trusted, my counsel heeded, my strength relied upon. It was a gift, the second coming of the friendship we had when we were young. I had worried that I would be consumed by bitterness and would turn on him, catch him unawares, betray him, and then kill him. But I had forgotten about my own heart. I loved Logan. Not like a lover, not with carnal intent, but—and it was so cliché—like the brother I never had. I wanted him back in my life more than I wanted to hurt him. I was a shitty leader: the selfish kind, the vindictive kind, the one everyone wished would just die already so they could get someone better, someone who cared at all. So when he beat me in the pit, absorbed my tribe, and took me in, I simply surrendered. Logan was a force of nature, and I had been so tired of fighting him, fighting his nobility and his ethics and his strength, that I let the bitterness go. No good had come from it. Time, instead, to try something new. Being his maahes, the prince of his tribe, had worked for me. I was easily the second in power. He made the decisions; I carried them out. He navigated; I drove. I was able to be his emissary because I was talking for him, not me. It was so easy. What came as a surprise was that I changed. I shed my anger, my vanity, and all the pain, and I became everything he’d always seen in me. The man’s faith had made me better, his day-to-day belief invested me in the future of the tribe, in the people, in growth and security and the welfare of all. I was different now, and I owed it all to my old friend, my new semel, Logan Church. So when he had gazed at me with his honey-colored eyes and told me he wanted me to reclaim my birthright, I couldn’t argue, because he believed. I could be, he said, not just a semel, but the semel, the semel-aten, the leader of the entire werepanther world. I would be able to lead those who wanted to follow me because of the changes I had experienced myself. I would be able to get through to those werepanthers who had lost their faith and their way. I would be a catalyst for change and restore prodigals to the fold, Logan was certain of it.

According to the Centers for Disease Control and Prevention, less than half of us get the annual flu vaccine, even though each year in the United States the flu kills up to twenty thousand people and lands over one hundred thousand in the hospital, and the vaccine can typically prevent or at least soften the blow of the virus if it’s contracted. In a bad year, when the flu is especially virulent, up to sixty thousand people in the United States will die if they are unvaccinated. Tens of thousands of Americans perish in car crashes each year, and more than half of those people weren’t wearing seat belts. Nearly a quarter of teenagers in fatal accidents are distracted by their cell phones; every day eleven teenagers die as a result of texting while driving (car crashes are the leading cause of death of teens in the United States). And vanity must trump sanity when it comes to tanning: more than 3.5 million individuals are diagnosed with skin cancer yearly and nearly ten thousand of them die. Today one in five deaths in the United States is now associated with obesity. Over the two-year period of the Ebola virus “outbreak,” there was one U.S. death. So, indeed, éclairs are scarier than Ebola.

When one’s heart hasn’t turned to stone, one cannot kill off vanity, the painful longing to be heard, flattered, loved, cherished, et cetera. Our vain heart leads us to do the most absurd things and embark on lunatic initiatives: to interfere in other people’s lives, to catechize them in one way or another—in a word (and this I underlined for emphasis), to invade their solitude.

Say farewell to the Twins. Krakoya system has already fallen to Jahandar’s vanity and Pyotr’s cunning. All that’s left to do is the killing and the dying, as the last tiny warships in the system, four old frigates and 10 jury-rigged police boats, rise to meet the whole Dauran battle fleet. They’re going to sing about this for centuries. They’ll call the ballad, “Death Ride of the Bantams.” They’ll sing sorrowfully and heroically, all together and all at once, of white tokamaks that tore apart the sky. They’ll sit all night in exile until the rise of alien dawns, playing dirges into the night of unfamiliar stars, mourning tens of millions taken by the storms. And hundreds of millions more taken by Shishi to far-off prison moons, or buried in long lime-pits astride killing fields of raped and murdered worlds. So do say a sad farewell to the Twins. Their fate is sealed. Daura is here. Jahandar is here.

Because in the end, the one thing that made it glorious was the same thing that killed it.

I thought I was going to miss it. I'd be at Chris Pratt's house when the first pitch was thrown. He'd be cooking tacos made with the meat of a wild boar he himself had killed. I'd be eating those tacos and interviewing him. That was the conceit of the story. But after twenty minutes, I could tell that he was a good guy and would understand, so I told him everything - the press pass, the tough choice, the Cubs, the precipice - "Down three games to one in the Series? Not many people come back from that, mate" [see previous chapter] - and he insisted we drink tequila, turn on the big TV and watch the game. He said he was partial to the Cubs, "because if they win, anything is possible.

Our adventure There was nothing in the garden, No trees, no grass, no flowers at all, It was Summer’s eternal burden, To have an existence within this gloomy wall, Where it was now trapped forever, In this world without any beautiful thing, There were no girls, no boys, no lover, The world was a picture of remorse, totally a lifeless thing, Shadows of life crawled on the walls of death, Life had retired into a permanent state of inadventurousness, It was as if life was running short of its own breath, Love, that existed without its loveliness, It was like Alice in a land without the wonder, Beauty with no one to appreciate or admire, It was like lightning but no rumbling of the thunder, A world full of wishes, but devoid of desire, A sad state for the joyless Summer, Where only time had a pulse of life everything else felt like an ominous raven, A bright day that grew dimmer and dimmer, Where reality exited only never to be proven, Until one day the Summer garden vanished suddenly, And the Summer beauty proliferated every virtue except the reality, Then gloom reigned endlessly, The beauty had disavowed the beast, because the prince in the beast had lost the perception of beauty, And at this juncture Earth lost its humans and humanity, For love was forgotten, beauty was forsaken and lovers were forbidden, To kiss and love in reality, And everywhere lay feelings hurt, emotions killed and hearts broken, While I thought of you hoping you too would be thinking of me, And as I stood in this world of hurt feelings and hearts broken, How I wished to be, With you in this world, where everyone feels lost and forsaken! As the world is crumbling under my still steady feet, The covenants of human morality lie desecrated, I still hope that we shall meet, Before Earth’s every aspect of pride and beauty is relegated, To the basest ranks of virtueless vanity, Because when that happens you and I shall dwell in the corner our own, Where beauty, love and humanity are still the only reality, Then no matter how old you might be, thee I shall neither forsake nor disown!

holidays. In what was the very definition of a vanity project in 1998, Simon and Janine also had a vineyard, and produced wine which I assume was only bought by their friends and cronies. It was bottled under the name ‘Chic Chablis’. As if anything could tell you more about a person.

It's been a few decades since I last saw one of you,' Lucien drawled, 'but you humans never change, so I don't think I'm wrong in asking why you find our company to be so unpleasant, when surely the men back home aren't much to look at.' At the other end of the table, Tamlin gave his emissary a long, warning look. Lucien ignored it. 'You're High Fae,' I said tightly. 'I'd ask why you'd even bother inviting me here at all- or dining with me.' Fool- I should have been killed ten times over already. Lucien said. 'True. But indulge me: you're a human woman, and yet you'd rather eat hot coals than sit here longer than necessary. Ignoring this'- he waved a hang at the metal eye and brutal scar on his face- 'surely we're not so miserable to look at.' Typical faerie vanity and arrogance. That, at least, the legends have been right about. I tucked the knowledge away. 'Unless you have someone back home. Unless there's a line of suitors out the door of your hovel that makes us seem like worms in comparison.

The modern man whether of Bloomsbury Baltimore or Berlin has vanquished vanity—he offers himself to his own inspection as the worm he turns out to be. If he is vain at all, and it must be conceded that self-love is hard to kill, it is about his humility. His own Vernichtung is his greatest pride the laying bare of the nullity, the Nichtigkeit, that is the “ self” at the heart of energy, (which is merely the doctrine of Xt. that “ he who humbleth himself shall be exalted ” ! Be modest, protest you are nobody, a biological bagatelle and hi presto ! you will get top-marks, and be given authority, that is the idea—it is the Christian strategy.

Phobia of Wikipedia *** It bothers me nothing that If silly ones of Wikipedia Decline my notability. Whereas scholars, academics, Intellectuals and visionary ones Acknowledge, admire, and appreciate More than only the notability Since the world's geniuses, philosophers Notable personas do not require internet Wikipedia or such websites Factually, Wikipedia is nothing.  Other than a phobia that Rides on the minds of celebrities, Writers, poets, authors, and others To be on the Wiki article for notability As a reality, the academic world Rejects its reliability and quality. One realizes its articles stay the same. Years and years, or each movement Changing its shape and content By the idiots, fools, having no other job Wasting and killing their time on Wikipedia For self-ego, self-vanity, and self-editor Without qualification for that The free labour of its founder, who Benefits and enjoys millions of dollars For a comfortable life The stupidity prevails without resistance.

CARDINAL WOLSEY So farewell to the little good you bear me. Farewell! a long farewell, to all my greatness! This is the state of man: to-day he puts forth The tender leaves of hopes; to-morrow blossoms, And bears his blushing honours thick upon him; The third day comes a frost, a killing frost, And, when he thinks, good easy man, full surely His greatness is a-ripening, nips his root, And then he falls, as I do. I have ventured, Like little wanton boys that swim on bladders, This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me and now has left me, Weary and old with service, to the mercy Of a rude stream, that must for ever hide me. Vain pomp and glory of this world, I hate ye: I feel my heart new open'd. O, how wretched Is that poor man that hangs on princes' favours! There is, betwixt that smile we would aspire to, That sweet aspect of princes, and their ruin, More pangs and fears than wars or women have: And when he falls, he falls like Lucifer, Never to hope again

It is a property of works of genius that, even when they represent vividly the nothingness of things, even when they clearly show and make you feel the inevitable unhappiness of life, even when they express the most terrible despair, nevertheless to a great soul that finds itself in a state of extreme dejection, disenchantment, nothingness, boredom, and discouragement about life, or in the most bitter and deathly misfortune (whether on account of lofty, powerful passions or something else), such works always bring consolation, [260] and rekindle enthusiasm, and, though they treat and represent nothing but death, they restore, albeit momentarily, the life that it had lost. And so, while that which is seen in the reality of things grieves and kills the soul, when seen in imitation or any other form in works of genius (e.g., in lyric poetry, which is not, properly speaking, imitation), it opens and revives the heart. In fact, just as the author who described and felt so powerfully the vanity of illusions, but still preserved a great fund of them and gave ample proof of this by conveying their vanity so accurately (see pp. 214–15), in the same way, the reader, however disillusioned both about himself and about what he reads, is yet drawn by the author into the same deception and illusion that he experienced and that are hidden in the most intimate recesses of his spirit. And the recognition of the irredeemable vanity and falsity of all beauty and all greatness is itself a kind of beauty and greatness that fills the soul when it is conveyed by a work of genius." from "Zibaldone

There are two reasons why people plaster their living spaces with photographs of themselves: vanity or validation.

Is he a psychopath?” “The relationship between psychopathic and serial killers is particularly interesting. All psychopaths do not become serial murderers. Lucky for us, because there are a lot of them out there. But serial murderers may possess some or many of the traits consistent with those of a psychopath. Psychopaths who commit serial murder do not value human life and are extremely callous in their interactions with their victims. This is particularly evident in sexually motivated serial killers who repeatedly target, stalk, assault, and kill without a sense of remorse. However, being a psychopath alone does not explain the motivations of a serial killer. Psychopaths are not sensitive to themes such as sympathy for their victims or remorse or guilt over their crimes. They do possess certain personality traits that can be detected, particularly their inherent narcissism, selfishness, and vanity. Psychopathy is a personality disorder manifested in people who use a mixture of charm, manipulation, intimidation, and occasionally violence to control others, in order to satisfy their own selfish needs.

Vanity kills Your Morality : Total Worthless. Petra Cecilia Maria Hermans

I thought, In spite of all my cunning and self-sacrifice, I'm finished. I thought, How poetic, to destroy my writings like that. I thought, It would have been better to swallow them, now I'm finished. I thought, The vanity of writing, the vanity of destruction. I thought, Because I wrote, I endured. I thought, Because what I had written, they will find me, they will hit me, they will rape me, they will kill me. I thought, The two things are connected, writing and destroying, hiding and being found. Then I sat down on the throne and shut my eyes. I fell asleep. Then I woke up again.

Men always think that a surface level lack of vanity is a winning trait, as if the amount of effort women like Caro put into their appearance was any different from the dolled-up girls you see on any British street on a Saturday night. It’s just a different way of approaching it.

With his “winged words,” as his diligent administrator of death, Adolf Eichmann, put it, Himmler transformed his men’s gruesome work into a grand and secret mission that only the SS elite were capable of fulfilling. “The order to solve the Jewish question, this was the most frightening an organization could ever receive,” Himmler told the leaders of his killing teams. He knew how to appeal to his men’s sense of valor and vanity, telling them, “To have stuck it out and, apart from exceptions caused by human weakness, to have remained decent, that is what has made us hard. This is a page of glory in our history which has never been written and is never to be written.

The love we have for our native land would be good and praiseworthy if it did not degenerate, as we see it does everywhere, into vanity, the spirit of predominance, acquisitiveness, hate, envy, nationalism, and militarism. The monstrous distortion of the patriotic sentiment, which is increasing, is killing off humanity. Mankind is committing suicide, and our age is an agony.

What's this? am I falling? my legs are giving way under me," he thought, and fell on his back. He opened his eyes, hoping to see how the struggle of the French soldiers with the artilleryman was ending, and eager to know whether the red-haired artilleryman was killed or not, whether the cannons had been taken or saved. But he saw nothing of all that. Above him there was nothing but the sky--the lofty sky, not clear, but still immeasurably lofty, with grey clouds creeping quietly over it. "How quietly, peacefully, and triumphantly, and not like us running, shouting, and fighting, not like the Frenchman and artilleryman dragging the mop from one another with frightened and frantic faces, how differently are those clouds creeping over that lofty, limitless sky. How was it I did not see that lofty sky before? And how happy I am to have found it at last. Yes! all is vanity, all is a cheat, except that infinite sky. There is nothing, nothing but that. But even that is not, there is nothing but peace and stillness. And thank God! . . .

The denied sins that are really destroying the world are much more the sins that we often admire and fully accept in our public figures: pride, ambition, greed, gluttony, false witness, legitimated killing, vanity, et cetera. That is hard to deny.

Leo saw now that his father had been wrong. It’s after the battle. That’s when a man finds out who he truly is. He was no hero. He never had been. He was a fool. A great bloated tower of vanity. It had got his friends, his allies and hundreds who’d followed him killed. Now it would get him killed, too.

Maybe power still does not want us to see this, and that’s why we concentrate so much on the private sins of the flesh. The denied sins that are really destroying the world are much more the sins that we often admire and fully accept in our public figures: pride, ambition, greed, gluttony, false witness, legitimated killing, vanity, et cetera. That is hard to deny.

I called my hairstylist to book an emergency cut and color. Okay, maybe, it's vain, but if I have to drive all the way out to Macon's place by myself and somehow convince him not to press charges, I need to look as good as possible. So here I am, hair beautifully styled and angled just so around my face with pretty caramel and golden highlights designed to make my nut-brown hair look sun kissed. I went full out at the salon and had my brows shaped and a mani-pedi as well. Yes, I am guilty of primping, but it's not vanity; it's war paint. One does not go into battle without armor. To that end, I put on my favorite short-sleeve cream knit top that clings in all the good places but flows around my less desirable spots and an ink-blue skirt that hugs my hips and gently flares around my knees. Maybe it's overkill, but at least I look put together yet no nonsense. Unflappable. Professional.

Imagining the engine decapitating the cunt sitting next to him, filing her nails in his passenger seat, getting that filthy, dead dust on everything. But that’s what she did best: sprinkle her decay on every inch of his fucking life from the moment they said I do.