Vanderbilt Family Quotes

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Remember whenever money is involved, it brings out horrific things in people. It has the power not only to split families apart, but to destroy the foundations of one's life. Never lose site of this. Take time and be certain you place your trust in those whose interests and goals mirror your own.
Gloria Vanderbilt (The Rainbow Comes and Goes: A Mother and Son on Life, Love, and Loss)
The Astors and the Vanderbilts, their pleasure domes and money: she was sick of it. Sick of envying, sick of herself. She didn't understand antiques or architecture, she couldn't draw like Sylvia, she didn't read like Ted, she had few interests and no expertise. A paucity for love was the only true thing she'd ever had.
Jonathan Franzen (The Corrections)
Barnaby Fanning was the lone offspring of a marriage between two of New Orleans’ finest families. Growing up in a Garden District mansion so iconic it was a stop on all the tours, the future heir to sugar and cotton fortunes both, his adolescence spent at debutante balls during the season and trips abroad during the summer: it was the stuff of true Southern gentlemen. But Bucky always refused the first table at a restaurant. He carried a pocket calculator so he could tip a strict twelve percent. When his father nudged him out of the nest after graduating Vanderbilt (straight Cs), Bucky fluttered only as far as the carriage house because no other address would suit. He sported head-to-toe Prada bought on quarterly pilgrimages to Neiman Marcus in Dallas, paid for by Granny Charbonneau. At the slightest perceived insult, Bucky would fly into rages, becoming so red-faced and spitty in the process that even those on the receiving end of his invective grew concerned for his health. During the holidays, Bucky would stand over the trash and drop in Christmas cards unopened while keeping mental score of who’d sent them. He never accepted a dinner invitation without first asking who else would be there. Bucky Fanning had never been known to write a thank-you note.
Maria Semple (Today Will Be Different)
A famous British writer is revealed to be the author of an obscure mystery novel. An immigrant is granted asylum when authorities verify he wrote anonymous articles critical of his home country. And a man is convicted of murder when he’s connected to messages painted at the crime scene. The common element in these seemingly disparate cases is “forensic linguistics”—an investigative technique that helps experts determine authorship by identifying quirks in a writer’s style. Advances in computer technology can now parse text with ever-finer accuracy. Consider the recent outing of Harry Potter author J.K. Rowling as the writer of The Cuckoo’s Calling , a crime novel she published under the pen name Robert Galbraith. England’s Sunday Times , responding to an anonymous tip that Rowling was the book’s real author, hired Duquesne University’s Patrick Juola to analyze the text of Cuckoo , using software that he had spent over a decade refining. One of Juola’s tests examined sequences of adjacent words, while another zoomed in on sequences of characters; a third test tallied the most common words, while a fourth examined the author’s preference for long or short words. Juola wound up with a linguistic fingerprint—hard data on the author’s stylistic quirks. He then ran the same tests on four other books: The Casual Vacancy , Rowling’s first post-Harry Potter novel, plus three stylistically similar crime novels by other female writers. Juola concluded that Rowling was the most likely author of The Cuckoo’s Calling , since she was the only one whose writing style showed up as the closest or second-closest match in each of the tests. After consulting an Oxford linguist and receiving a concurring opinion, the newspaper confronted Rowling, who confessed. Juola completed his analysis in about half an hour. By contrast, in the early 1960s, it had taken a team of two statisticians—using what was then a state-of-the-art, high-speed computer at MIT—three years to complete a project to reveal who wrote 12 unsigned Federalist Papers. Robert Leonard, who heads the forensic linguistics program at Hofstra University, has also made a career out of determining authorship. Certified to serve as an expert witness in 13 states, he has presented evidence in cases such as that of Christopher Coleman, who was arrested in 2009 for murdering his family in Waterloo, Illinois. Leonard testified that Coleman’s writing style matched threats spray-painted at his family’s home (photo, left). Coleman was convicted and is serving a life sentence. Since forensic linguists deal in probabilities, not certainties, it is all the more essential to further refine this field of study, experts say. “There have been cases where it was my impression that the evidence on which people were freed or convicted was iffy in one way or another,” says Edward Finegan, president of the International Association of Forensic Linguists. Vanderbilt law professor Edward Cheng, an expert on the reliability of forensic evidence, says that linguistic analysis is best used when only a handful of people could have written a given text. As forensic linguistics continues to make headlines, criminals may realize the importance of choosing their words carefully. And some worry that software also can be used to obscure distinctive written styles. “Anything that you can identify to analyze,” says Juola, “I can identify and try to hide.
Anonymous
President and Chairman of the independent oil and gas exploration firm Vanderbilt Energy Corporation. Considering he belonged to such a wealthy and prominent family, it seems rather odd that John Hinckley, Jr. was always portrayed by the media as some kind of vagabond who did nothing but stalk Jodie Foster and read Catcher all day.
James Morcan (The Orphan Conspiracies: 29 Conspiracy Theories from The Orphan Trilogy)
Institute of Musical Art acquire the Vanderbilt family guesthouse on East 52nd Street to create the Juilliard Graduate School that same year.
Hernan Diaz (Trust)
In 1882 he shot himself in the Glenham Hotel in New York, leaving debts of over $15,000. An undignified auction of his belongings compounded the disgrace of a family suicide.
Amanda Mackenzie Stuart (Consuelo and Alva Vanderbilt: The Story of a Daughter and a Mother in the Gilded Age)
Curator David Finley called his friend Edith Vanderbilt, who agreed to hide the nation’s most precious artworks—sixty-two paintings and seventeen sculptures—at the Biltmore, her family estate in western North Carolina. There, after a secret 450-mile train trip to Asheville, the artworks were stored in the first-floor music room of the palatial château. Security was crucial to the mission: Workers installed steel doors and bars on the music room’s windows,
Garrett M. Graff (Raven Rock: The Story of the U.S. Government's Secret Plan to Save Itself--While the Rest of Us Die)
According to most researchers who have been working intensively on the most powerful families on earth, the names are among others: Warburg, Rothschild, Rockefeller, DuPont, Russell, Onassis, Collins, Morgan, Kennedy, Hapsburg, Li, Bundy and Astor. The following families are closely interwoven with the leading families: Vanderbilt, Bauer, Whitney, Duke, Oppenheim, Grey, Sinclair, Schiff, Solvay, Oppenheimer, Sassoon, Wheeler, Todd, Clinton, Taft, Goldschmidt, Wallenberg, Guggenheim, Bush, Van Duyn and many others. For a long time both the power and money in the world has belonged to these families. Of course not everyone going by one of these names is related to such a powerful family. Many are unaware of what’s really going on in the world. Within the framework of this book, it is important to have a closer look at some of these ruling families.
Robin de Ruiter (Worldwide Evil and Misery - The Legacy of the 13 Satanic Bloodlines)
Rockefeller was embraced no less warmly by the New York Central, which was controlled by the Vanderbilt family.
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
The family’s parsimony, even as Vanderbilt’s share of Gibbons’s profits grew, created the basis for his ascendance. When Gibbons died in 1826, his son inherited the fleet of boats. Rather than have Vanderbilt on salary, William Gibbons leased the Bellona to him for a flat fee. Gibbons then gave Vanderbilt one of his routes. With all of the money he had accumulated, thirty-three-year-old Vanderbilt commissioned the construction of a steamboat of his own, the Citizen. With the now-ubiquitous side paddle wheel, the Citizen was smaller than Fulton’s original, but it was Vanderbilt’s own a full eleven years after meeting Thomas Gibbons for the first time. Back then, he had willingly given up his entrepreneurial independence to enter a field he could not otherwise afford to. Now he was his own man—he had side businesses, to be sure, but they were ancillary to his daily commercial activities. A year later the younger Gibbons sold his assets to someone else. With this, Vanderbilt shed all past ties.
Bhu Srinivasan (Americana: A 400-Year History of American Capitalism)
Commodore Vanderbilt’s death was a pivotal moment in the shift of business from family to public ownership—a transition rich in possibilities for Pierpont Morgan.
Ron Chernow (The House of Morgan: An American Banking Dynasty and the Rise of Modern Finance)
If ever Scott Fitzgerald needed evidence to substantiate his aphorism that “the very rich…are different from you and me,” it was here in spades in this portrait gallery of extravagant crazies that is the unique saga of the Vanderbilt family.
Arthur T. Vanderbilt II (Fortune's Children: The Fall of the House of Vanderbilt)
Alva did suffer when the next wave came, and again and again and again, but a short while later she brought into the Vanderbilt family a girl with tufts of dark hair and wide eyes and the sweetest little bow of a mouth. This infant was perfect. Pain? What pain? Look at this child!
Therese Anne Fowler (A Well-Behaved Woman)
Staten Island, where the Vanderbilt family—or van
Denise Kiernan (The Last Castle)
fully so. Despite his name, Commodore Cornelius Vanderbilt was only one quarter Dutch. That iconic name, too, took some time to cohere from “van der Bilt” before the family decamped for Staten Island. In the militia roster for Flatlands in the eighteenth century—a militia headed by a Captain Schenck—
Anderson Cooper (Vanderbilt: The Rise and Fall of an American Dynasty)
She was a symbol of an era, of a set of values or experiences—the way that money can bend and warp relationships, the way that one family’s ambition can either uplift or infect the members of that family, sometimes for good, but more often than we might think, for ill. The way that American inequality in the Gilded Age could echo and reverberate all the way into the late twentieth century.
Anderson Cooper (Vanderbilt: The Rise and Fall of an American Dynasty)
U.S. Supreme Court challenging the legal basis of the monopoly. Cornelius moved his young family from what is now called Staten Island to New Brunswick, New Jersey, which was a stop on the steamship ferry line that he was now managing. His wife, Sophia, opened an inn and used the rich profits she was able to generate to feed and clothe their growing brood of children. Vanderbilt, meanwhile, went to Washington, DC, and hired attorney Daniel Webster to argue for the overturn of the monopoly. On March 2, 1824, the Supreme Court ruled in Gibbons’s favor in Gibbons v. Ogden, a case still cited frequently today, which marked the turn in America from monopolies to markets. The case doesn’t bear Vanderbilt’s name, and he didn’t appear in the news around it, but it is covered in his fingerprints in its declaring that individual states had no standing to interfere with interstate commerce. The last of the protected Dutch-era monopolies were washed away in the unfettered competitive churn of steamboats plying between New York and New Jersey. That seawater churn would froth higher and higher, heaping up great clouds of profit around the descendants of Jan Aertsen van der Bilt, to a level that a seventeenth-century indentured servant or an eighteenth-century farmer who owed one horse to his militia could never have possibly imagined.
Anderson Cooper (Vanderbilt: The Rise and Fall of an American Dynasty)